Bob Ross's

The Joy of Painting

S25E08 - Cypress Swamp

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I welcome back.

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I'm certainly glad you

could join us today.

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Thought the day would just do

a fantastic little painting.

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It'll just make you feel good in here.

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So let's start out and have run all

the colors across the screen that you

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need to paint along with a sniff come

across from right about there and

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see, okay, let's go up here today.

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I just have a.

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Plain old white pre stretched

double prime canvas.

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And I've covered it with a very

thin even coat of liquid white.

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So it's all wet.

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It's slick and it's all ready to go.

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And so let's just do a fantastic

little painting together.

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I thought maybe the date would

just start with the old two

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inch brush, a little thalo blue.

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And just load a little color

right into the bristles.

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Like, so just a little, we

don't need a whole bunch.

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It's easy to add more color,

but sometimes it's a son of

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a gun to try and take it off.

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Okay.

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Let's go ahead.

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Up here.

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We'll start right at the top of the

canvas and we'll make little exits

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little crisscross strokes, something

about like, so, and if you start at

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the top of the canvas work all the way

across and then begin working downward.

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In layers, it'll, it'll mix with the

liquid white, to some of the canvas

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and automatically, automatically

it'll get lighter in value as

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you work down toward the horizon.

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And that's exactly what we're looking for.

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And the little crisscross strokes

will give you little actions

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that are happening in the sky.

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So it's, it's not just

a flat old dead sky.

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Has some, has some character to it.

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There we go.

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Something about like that.

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Whatever, whatever doesn't much matter,

we bring it right on down to back there.

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Okay.

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Maybe I'll just add a touch of a lizard.

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Crimson red on that old

brush with the blue.

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Just a little though.

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I don't want much just a little.

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And I'm going to start down here

and just put a little lavender

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hue sort of lavender color.

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And we we'll let that sort of work upward

because I want that lavender color to

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be down here, but it's not very strong.

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It's just enough that, you know,

it's there sometimes in paintings.

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It's nice to take and make the

corners of the painting much darker.

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And that weight, when you look

at the painting, your eyes

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automatically drawn toward the center.

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Here we go.

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So we'll just take a little

to midnight and black.

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We'll just put a little bit in the corner.

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It's just like, so, and then

we'll blend that right here.

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Something about my cat.

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Sometimes I use a little pressure blue.

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Let's use a little pressure and blue

in fact, what the heck we mix that

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right in there with a black pressure

and blue as much darker and stronger.

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And it just blends right in there to

make the top of this painting in the

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corners a little bit darker there.

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It also helps create that illusion of

depth and distance in your painting.

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And that's what we're looking for.

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That's what we're looking for right

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down here.

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Tell you what we have to decide

what we're going to paint today.

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I think.

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I tell you what let's do.

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I live in Florida and in Florida, we

have a lot of gorgeous, gorgeous swamps.

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That's where a lot of my

little creatures live.

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So let's do a little swamp scene today.

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That's very simple.

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And if you've never painted a swamp

scene, this is one you can do.

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This is a nice one.

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I will take a little bit of that, the

little blue, a little alizarin Crimson,

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and just mixing them on the brush.

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I can make a little more

of that lavender color.

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Let's go right up in here.

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If we're going to make a swamp,

let's make one that's colorful.

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It's pretty make you feel good.

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Just to look at it.

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There we go.

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We'll just pull this straight

across, pulling from the outside

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in something about like that.

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Think I leave a little

area open right here.

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So it'll look like a sheen of light

and they will, we will come back

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and put a bright color in there.

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Something that'll just sparkle, a little.

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Same thing here.

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I want to make these corners a little

darker than the rest of the panel and

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already your eyes should automatically

be you going to write in here.

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That's wash the old brush.

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If you've painted with me before, you

know, this is the fun part of this

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whole technique there, shake off excess

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and just cover everybody around you.

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If you do this at home, there's a thing

made called a brush beader rack that you

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put down in a little garbage can and you

shake the brush inside of the Canon and

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beat the devil out of this little rack.

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And I'll tell you right now,

it'll save you a happy home

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in your marriage and all that.

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Cause if you do that in your living

room, chances are your spouse is

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going to kill you right on the spot.

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I take a little pink.

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I'm gonna put a little bit of

a lizard and Crimson right.

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In that little area, right in there.

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Something about like, yeah.

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And that'll give us some nice base

colors for what we're looking for.

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And maybe in our world, maybe in our

world, they live some happy little clouds.

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He was a little fan of brush today.

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Take some white, I'll be right

back and we'll get there.

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Oops, maybe a little more, a

little touch to the bright red.

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I'm going to put a little, a little

pink sparkle in these clouds.

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Let a lot of color in the brush King.

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Let's go up in here now.

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Have to decide where your

little clouds live in our world.

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I think one lives.

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Yeah, you're right, right there.

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There he is.

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The rascal just runs

around and has fun all day.

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I like clouds.

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They're very free.

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Fairly free there.

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We give them a little more right there.

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We just let him go wherever

you want him to go.

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He doesn't matter.

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There we go.

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There we go.

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A little touch, more of the bright red,

because I want this to have a little

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pinky, a little pink flavor to it.

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Ooh.

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Maybe that's too much paint flavor.

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We'll just dull him down.

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It's all there is to it.

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Just to add a little more

white dulling down a little.

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Can we just sort of let that

wander off wherever, got,

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put some big trees back here.

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We'll probably cover up half of these.

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So we've got two birds.

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You bet.

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I'm not too worried about him.

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You've never seen a swamp

there most, most interesting.

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There are so many fantastic

creatures live in a swamp.

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It's sort of the start

of the whole ecosystem.

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That's where all your

little creatures come from.

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So we have to preserve

some of the swamps there.

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As I say, I live in Florida, we have

some of the most gorgeous Wamps there.

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There we go.

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And there's a lot of swamps

all the way up into Georgia and

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Louisiana all through there.

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Beautiful, beautiful areas.

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And there's so much wildlife in

one of these every so often I

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drive down to the Everglades.

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Jess go out and look at all the

little alligators in the birds and

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the egrets and all kinds of little

creatures that live out in there.

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They're easy.

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We've got the indication of a

little, little cloudy area that

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lives with feedback back in there.

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Shoot.

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That's a lot of fun.

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Let's watch the old brush.

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I just liked to wash the brush.

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I got a camera man that

gives me a hard time.

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This is the way I get, even with him.

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All right.

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Am.

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I got another one dirty here,

but we won't wash it out.

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I'll just take a little Crimson pickup,

a little pressure and blue going to make

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a, a lavender color toward the blue side.

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You can make it toward the red

side or the blue side today.

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I'm going to make it toward,

toward the blue side.

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Let's go right up in here.

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I'm just going to put some

little indications of some

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little trees that live.

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We back in the distance here.

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They're a little clump.

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These are the, these are going to be

Cyprus trees and they grow in clumps.

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There.

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So we'll just put in some basic

little shapes, like, so don't want

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a lot of detail because these are

too far away, too much detail would

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ruin the illusion of distance.

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Something about like cabin.

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There we go, just using the corner

of the brush and just tapping in

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some very basic little shapes.

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Maybe we'll do a big Cypress tree.

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Yeah.

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Let's do a big Cypress

tree in the foreground.

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And we'll put some detail in

those right out here, though.

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These are ones that are far away.

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We're not looking for detail in them.

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Take a little yellow ochre,

little Indian, yellow.

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We'll just come back in there that makes

a green with what we've got on there, sort

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of a green issue, but just the indication

of a few highlights here and there.

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This is sorta separates

the individual trees.

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There we go.

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There, we are all kinds of little things.

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A little creatures live all out here.

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And the last year we

shoot a little baby Fox.

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I wonder if he got to see him.

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Okay, so precious bear

something about like that.

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I'll take my little liner

brush little script ladder.

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Hey, let's take, we'll use

that same old lavender color.

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It didn't much matter.

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Then the paint down with paint thinner

Caymus go right up in here and we'll

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put the indication here and there.

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And they're in here of some little trunks.

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So these are far away.

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We're not worried about much detail.

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Hearing there we can put an arm,

but don't put a bunch of detail.

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It'll ruin the illusion of

distance raring that illusion.

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And that's what makes your

painting special there.

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Okay.

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Maybe, maybe, maybe, maybe you're right.

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You're right.

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Wherever you want them.

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Okay.

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And we can take a, we use

a fan brush for a while.

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Get an old fan brush.

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I'll use that same color lizard

and Crimson Prussian blue.

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Mix them together.

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Make a lavender to the blue side.

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We'll have under to the blue side.

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We'll use that.

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That's just, I'm pushing upward,

giving an upward push with a

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brush pushing pretty firmly.

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I want to bend that rascal bend it.

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Just something like that.

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Maybe over in here.

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I, some little trees back in here too.

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I'm want to put something back here.

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This may show through a little,

that'll help create that illusion

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of more trees back over in there.

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Just in case some of it shows I'm

gonna put a big tree right there.

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I know that already.

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I can feel a big tree coming.

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If you've painted with me before, you

know, I really like it was old big tree.

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So invariably, before we're finished,

we're going to have a big tree here.

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Take a little sample, green,

little yellow, mix them together.

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Make a nice green color, maybe

a little yellow ochre too.

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Ooh, that's nice.

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Let's go up here.

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And just take that again, putting

in a little, little indication

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of some bushes and weeds growing

back in here, small swampy things.

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There they come a little

bit more right in here.

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Maybe like it doesn't much matter.

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Didn't much matter.

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I'm gonna take another fan

bird, put a little bit of a

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blue and white on the brush.

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And maybe right in here just

to give it a little cool area.

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Just want to put a little

blue right in here.

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Very little, very little, just cool.

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It down a little, like it.

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All right.

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Now it looks like something

is far, far away, but.

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Let's take the old brush here.

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00:12:32,265 --> 00:12:37,245

This got the lavender on it, and let's

just begin pulling some of the color down,

254

00:12:40,795 --> 00:12:44,685

see straight down, straight down,

and to make the indication of a nice

255

00:12:44,685 --> 00:12:48,314

reflection back in there, straight down.

256

00:12:50,925 --> 00:12:52,905

All right now, very lightly.

257

00:12:53,505 --> 00:12:54,375

Just go across.

258

00:12:55,545 --> 00:12:58,245

That'll help create that illusion

of reflections in your water.

259

00:13:00,370 --> 00:13:04,620

Let's take, let's take a little liquid

white and put a little bit of a fail-over

260

00:13:04,650 --> 00:13:11,969

blue end, just to spark lit up a little

it's pretty color cut across, just like,

261

00:13:11,969 --> 00:13:14,520

so pull it out flat and cut across.

262

00:13:15,180 --> 00:13:17,550

It gives you a little bit of paint

right out of the edge of the knife.

263

00:13:17,579 --> 00:13:17,969

Okay.

264

00:13:19,079 --> 00:13:22,800

Then you can go up here with that

little bit of paint and you can just

265

00:13:22,800 --> 00:13:24,420

begin cutting in a little waterline.

266

00:13:26,940 --> 00:13:35,000

It's something about like cat hair now,

normally swamp water is not real deep.

267

00:13:35,360 --> 00:13:38,990

There are exceptions to that, but

most of the time swamp water is

268

00:13:38,990 --> 00:13:41,900

pretty shallow, pretty shallow.

269

00:13:41,900 --> 00:13:43,760

So I don't want to make

this look real deep.

270

00:13:45,555 --> 00:13:52,965

And it looks, this one Porter looks

Blackish, unclean, but it's really, it's

271

00:13:52,965 --> 00:13:59,355

really, as I mentioned earlier, it's where

the whole ecosystem starts right there.

272

00:14:01,155 --> 00:14:03,165

So the swamps are very, very important.

273

00:14:03,165 --> 00:14:07,755

We have any need to

preserve some of them there.

274

00:14:10,455 --> 00:14:13,245

Okay, now we can start having some fun.

275

00:14:13,995 --> 00:14:15,405

Let's find an old Filbert brush.

276

00:14:16,695 --> 00:14:19,845

I think, I think we'll take

the old Filbert and go into a

277

00:14:19,845 --> 00:14:23,835

little bit of Vandyke Brown,

dark sand, and just mix them up.

278

00:14:23,865 --> 00:14:24,825

It doesn't much matter.

279

00:14:27,074 --> 00:14:28,005

Maybe back here.

280

00:14:28,005 --> 00:14:30,375

There's an old, let's go right up in here.

281

00:14:31,094 --> 00:14:33,495

Maybe there's an old Cyprus tree.

282

00:14:34,594 --> 00:14:39,995

Maybe, maybe it's tired, old tree and

Cypress trees normally down toward the

283

00:14:39,995 --> 00:14:42,844

base are very fat, big, old fat trees.

284

00:14:42,905 --> 00:14:47,555

Sort of funny looking, maybe

he's got a friend right here.

285

00:14:49,064 --> 00:14:51,584

And you have one it's

called Cypress knees.

286

00:14:52,125 --> 00:14:53,354

They call them Cypress knees.

287

00:14:53,354 --> 00:14:57,045

They're just little protrusions that

come up of Cypress out of the water.

288

00:14:57,555 --> 00:14:59,025

So we'll draw one of those here too.

289

00:15:01,295 --> 00:15:05,255

K would take a little bit of a

little bit of white with Brown

290

00:15:05,255 --> 00:15:12,545

on it, and maybe, maybe your

light's going to come from that.

291

00:15:12,635 --> 00:15:14,435

So we'll highlight that side a little bit.

292

00:15:14,974 --> 00:15:15,604

There we go.

293

00:15:16,505 --> 00:15:17,344

Right over there.

294

00:15:18,790 --> 00:15:21,480

We'll come back with a liner brush

and work on that a little more later,

295

00:15:21,660 --> 00:15:22,920

but right now that's good enough.

296

00:15:24,390 --> 00:15:25,050

Good enough.

297

00:15:26,730 --> 00:15:29,670

Let's take a little black little

pressure and blue and Brown Crimson.

298

00:15:29,680 --> 00:15:32,250

All the dark colors, a little

Sam green, put them all together.

299

00:15:32,310 --> 00:15:33,810

Mix them up on the fan brush.

300

00:15:33,900 --> 00:15:36,300

Make a good dark color.

301

00:15:37,214 --> 00:15:41,025

And we'll just pop in a little area

right here so we can have like a

302

00:15:41,025 --> 00:15:44,114

little, maybe a little grass is

growing right around this rascal.

303

00:15:45,824 --> 00:15:47,295

Maybe he's just growing right around.

304

00:15:47,295 --> 00:15:49,964

I can't pick it.

305

00:15:49,964 --> 00:15:53,175

Same old brush would go right into the

yellow because there's blue in there.

306

00:15:53,175 --> 00:15:59,474

We'll get green and we can just pop

him indications of little grassy

307

00:15:59,474 --> 00:16:01,094

areas that live all down in here.

308

00:16:03,780 --> 00:16:08,580

Take our two inch brush pull

downward, create a little reflection.

309

00:16:10,940 --> 00:16:13,580

There can, okay.

310

00:16:13,580 --> 00:16:15,230

Get back to our liquid white on the knife.

311

00:16:16,990 --> 00:16:18,680

We can put a water line

right around there.

312

00:16:18,710 --> 00:16:18,830

Yeah.

313

00:16:20,030 --> 00:16:21,020

Right around there.

314

00:16:22,940 --> 00:16:23,540

Isn't that fun?

315

00:16:24,380 --> 00:16:26,060

I like doing little swamp scenes.

316

00:16:30,090 --> 00:16:34,170

Of course, I like to go out in the swamp

and just, and just watch the creatures out

317

00:16:34,170 --> 00:16:35,640

there, that little animals and everything.

318

00:16:37,230 --> 00:16:38,490

They have a lot of fun.

319

00:16:38,520 --> 00:16:39,990

They go alligators or where I live.

320

00:16:42,195 --> 00:16:42,915

No alligators.

321

00:16:44,225 --> 00:16:46,955

When I was just a child, I used

to have an alligator for pet.

322

00:16:46,955 --> 00:16:49,625

I worked for years and years ago.

323

00:16:49,925 --> 00:16:52,085

I worked for a store

when you're at Christmas.

324

00:16:52,655 --> 00:16:55,115

And instead of paying me money,

I was only about 10 years old.

325

00:16:56,225 --> 00:16:59,615

They gave me several exotic pets

and one of them was an alligator and

326

00:16:59,615 --> 00:17:01,175

he was only about a foot long one.

327

00:17:01,785 --> 00:17:04,065

When they gave them to me, I never forget.

328

00:17:04,065 --> 00:17:07,004

I took it rascal home and I wasn't

real popular with my mother when I

329

00:17:07,004 --> 00:17:09,704

dumped him out in the living room

floor, out of, uh, out of a big

330

00:17:09,704 --> 00:17:13,775

old bag, but she let me keep him.

331

00:17:15,204 --> 00:17:18,244

I kept him for maybe, probably

about a year, year and a half.

332

00:17:18,244 --> 00:17:22,415

And he grew to probably close to

two and a half, three feet long, but

333

00:17:22,415 --> 00:17:25,565

he got mean, I don't think you can

never make a pet out of an alligator.

334

00:17:26,345 --> 00:17:28,745

So I took him down to one of the

local lakes and turned him loose.

335

00:17:28,955 --> 00:17:29,795

I'll make a big tree.

336

00:17:31,140 --> 00:17:32,850

And chances are he's still there today.

337

00:17:33,540 --> 00:17:35,040

Shoot he by now.

338

00:17:35,040 --> 00:17:36,270

He's probably huge.

339

00:17:37,770 --> 00:17:39,660

He's probably scaring swimmers to death.

340

00:17:42,630 --> 00:17:43,200

All right.

341

00:17:43,590 --> 00:17:45,870

I'm using the Filbert brush

because I want this paint to be

342

00:17:45,870 --> 00:17:48,030

very thick, very, very thick.

343

00:17:48,030 --> 00:17:53,370

I'm going to put a lot of paint on there,

cause I'm going to come back and use that

344

00:17:53,370 --> 00:17:56,250

thick paint to catch the highlight color.

345

00:17:58,169 --> 00:18:01,139

There we go once again, you've

got all these little things that

346

00:18:01,139 --> 00:18:05,010

grow down here around his foot,

and they're not always straight.

347

00:18:05,010 --> 00:18:07,080

Sometimes they're crooked and gnarly.

348

00:18:07,080 --> 00:18:11,610

And I guess that's a word to

have all kinds of little shapes.

349

00:18:11,790 --> 00:18:12,030

Shoot.

350

00:18:12,030 --> 00:18:13,469

Maybe there's one that came up out there.

351

00:18:16,070 --> 00:18:16,669

All right.

352

00:18:17,060 --> 00:18:22,215

Uh, Where's another one, just the

Vandyke Brown, dark Sienna mixed

353

00:18:22,215 --> 00:18:25,485

together, very thick, very, very thick.

354

00:18:27,485 --> 00:18:29,135

And I liked this Filbert brush for that.

355

00:18:30,395 --> 00:18:30,875

Okay.

356

00:18:30,905 --> 00:18:37,265

You know, I have to have a big

tree after I have a big tree.

357

00:18:37,325 --> 00:18:41,435

There, he comes big old tree

and it doesn't really matter

358

00:18:41,435 --> 00:18:42,545

much how you put this on.

359

00:18:43,605 --> 00:18:47,295

Long as you have a basic shape,

we're going to come back and put all

360

00:18:47,295 --> 00:18:50,475

the highlights and all the things

that make it sparkle in there.

361

00:18:51,875 --> 00:18:52,265

Right now.

362

00:18:52,265 --> 00:18:55,385

We're just looking for

texture on the canvas.

363

00:18:55,385 --> 00:18:56,315

Let's have two trees.

364

00:18:56,315 --> 00:18:56,825

What the heck?

365

00:18:57,995 --> 00:18:59,285

I like his old big trees.

366

00:19:01,245 --> 00:19:02,405

I'm glad we put that back here.

367

00:19:02,405 --> 00:19:06,815

Some of it is showing through, I

wasn't sure if it would or not, it

368

00:19:06,815 --> 00:19:09,875

just sort of see these scenes in

your mind and you don't know exactly

369

00:19:09,875 --> 00:19:10,955

how they're going to come out.

370

00:19:12,255 --> 00:19:12,975

And that's all right.

371

00:19:13,005 --> 00:19:17,175

You don't mind Cypress trees

sort of grow in clumps.

372

00:19:18,975 --> 00:19:22,275

So we're going to have a bunch of

trees, all different ages and sizes.

373

00:19:22,275 --> 00:19:25,305

Some of them big, some little shoes.

374

00:19:25,365 --> 00:19:27,125

Maybe they just go right

on off the canvas here.

375

00:19:29,195 --> 00:19:30,905

Here's one, one right here.

376

00:19:30,965 --> 00:19:31,625

Oh, big enough.

377

00:19:32,015 --> 00:19:33,395

He just lives right along here.

378

00:19:35,045 --> 00:19:37,235

We'll separate all these

with highlights right now.

379

00:19:37,235 --> 00:19:40,565

We're doing once again, just

blocking it in with a lot of color.

380

00:19:42,420 --> 00:19:45,120

Let them get very, very

big at the bottom, though.

381

00:19:46,920 --> 00:19:47,880

Big at the bottom.

382

00:19:50,370 --> 00:19:51,120

There we go.

383

00:19:53,340 --> 00:19:54,240

Something like that.

384

00:19:58,010 --> 00:19:59,030

Know how we have it cut on there.

385

00:19:59,030 --> 00:20:00,290

We just pulled it down.

386

00:20:00,770 --> 00:20:02,990

Cause we're going to pull that down

and make a reflection out of it.

387

00:20:03,020 --> 00:20:03,800

So it doesn't matter.

388

00:20:04,880 --> 00:20:06,050

Just scrub a little in there.

389

00:20:06,420 --> 00:20:07,320

Take your big brush.

390

00:20:07,470 --> 00:20:09,150

Decide what you want to be reflections.

391

00:20:09,180 --> 00:20:12,360

Pull it down because

we don't make mistakes.

392

00:20:13,350 --> 00:20:14,610

We don't make mistakes.

393

00:20:14,610 --> 00:20:16,170

We just have happy accidents.

394

00:20:16,500 --> 00:20:20,100

See there now then let's

take our script liner brush.

395

00:20:22,860 --> 00:20:25,950

I'm going to take a little,

little white little dark Sienna.

396

00:20:27,180 --> 00:20:28,350

Mix them together.

397

00:20:30,945 --> 00:20:35,915

Something about like, so the little

lizard Crimson in there too, just

398

00:20:35,915 --> 00:20:39,754

to give it a little, a little warm

flavor, a lot of paint thinner.

399

00:20:41,314 --> 00:20:45,274

We're going to thin this paint down

to almost the consistency of ink.

400

00:20:46,485 --> 00:20:48,274

Be right back there.

401

00:20:49,024 --> 00:20:50,854

So you can see it running

right there on the pallet.

402

00:20:51,064 --> 00:20:51,274

Okay.

403

00:20:51,284 --> 00:20:51,935

Let's go up here.

404

00:20:52,804 --> 00:20:55,834

And with this liner brush,

we set our light was.

405

00:20:57,014 --> 00:20:58,485

Things are going to be

highlighted on the right.

406

00:20:58,485 --> 00:21:01,245

So just take the latter brush

and just let the edge of it.

407

00:21:01,485 --> 00:21:02,415

Just the edge of it.

408

00:21:03,345 --> 00:21:07,035

I'm holding it almost flat, almost

perpendicular there to the canvas

409

00:21:07,035 --> 00:21:11,145

or whatever, just let it graze.

410

00:21:11,685 --> 00:21:14,805

This is where you separate

all your beautiful trees.

411

00:21:14,805 --> 00:21:18,525

Let it graze just barely, barely touching.

412

00:21:19,575 --> 00:21:21,014

And it looked like real bark.

413

00:21:23,535 --> 00:21:24,915

And I got a little more paint thinner.

414

00:21:26,415 --> 00:21:26,655

There.

415

00:21:26,655 --> 00:21:28,185

And there's a big one

hiding right in here.

416

00:21:28,185 --> 00:21:29,805

All we gotta do is pull him out there.

417

00:21:29,805 --> 00:21:32,325

He conflict come from he's in there.

418

00:21:33,645 --> 00:21:41,015

He's in there, there, he was Cypress

wood to make panelings and they

419

00:21:41,015 --> 00:21:42,875

use the logs to make log cabins.

420

00:21:45,545 --> 00:21:49,265

There we go a little bit

over in here and I went home.

421

00:21:49,355 --> 00:21:51,695

You have unlimited time and

you can really take your time

422

00:21:51,695 --> 00:21:52,745

and put a lot of detail here.

423

00:21:52,745 --> 00:21:54,535

You can make it a lot nicer than this one.

424

00:21:55,875 --> 00:21:56,055

Here.

425

00:21:56,055 --> 00:22:04,065

I just want to show you how she would

show you how something like, so that

426

00:22:04,065 --> 00:22:11,225

one we will have behind her a little

bit in here, we got to put some kind

427

00:22:11,225 --> 00:22:12,605

of put some nice leaves on these.

428

00:22:12,605 --> 00:22:12,875

Yep.

429

00:22:14,375 --> 00:22:18,755

We can take a little bit of blue and

white to put the indication of a little

430

00:22:18,755 --> 00:22:20,375

reflected light over on this side.

431

00:22:20,375 --> 00:22:21,185

Just to make a shell.

432

00:22:23,585 --> 00:22:24,185

There we go.

433

00:22:28,800 --> 00:22:29,160

Fair.

434

00:22:32,510 --> 00:22:36,110

And you can even take, even though you

don't see when they're, you can just

435

00:22:36,110 --> 00:22:39,560

pull out a little knee, a little Cypress

knee, right in there just by doing that.

436

00:22:41,085 --> 00:22:42,255

See now you stands out.

437

00:22:43,845 --> 00:22:44,355

Okay.

438

00:22:45,525 --> 00:22:46,785

That's grab us a fan brush.

439

00:22:47,595 --> 00:22:51,855

We're going to take going, don't take

some black oppression and blue SAP green.

440

00:22:53,055 --> 00:22:54,345

Good dark color.

441

00:22:54,435 --> 00:22:56,235

We've got to put some leaves on our tree.

442

00:22:56,715 --> 00:23:00,525

Okay, let's go up in here and

decide where old tree lives.

443

00:23:01,035 --> 00:23:03,195

Well, he lives right up here

at the top of the canvas.

444

00:23:04,365 --> 00:23:04,635

Okay.

445

00:23:04,665 --> 00:23:07,185

Giggle, arms that stick out everywhere.

446

00:23:08,625 --> 00:23:09,465

Here comes one.

447

00:23:11,115 --> 00:23:11,835

There they go.

448

00:23:12,045 --> 00:23:15,135

We're just really using a lot of pressure.

449

00:23:16,725 --> 00:23:17,895

They're pushing it down.

450

00:23:18,225 --> 00:23:19,315

Just push it, right?

451

00:23:19,335 --> 00:23:19,425

Yeah.

452

00:23:20,870 --> 00:23:21,470

Okay.

453

00:23:25,910 --> 00:23:26,420

These are fun.

454

00:23:26,420 --> 00:23:27,500

Old trees to paint.

455

00:23:29,570 --> 00:23:35,360

And sometimes, sometimes at the

top of the tree is naked and down

456

00:23:35,360 --> 00:23:38,120

here would be a few little lips.

457

00:23:39,860 --> 00:23:41,060

They just grow any away.

458

00:23:41,490 --> 00:23:42,260

Makes them happy.

459

00:23:44,000 --> 00:23:44,360

Shoot.

460

00:23:44,360 --> 00:23:45,620

There they come right across there.

461

00:23:46,460 --> 00:23:49,419

And if you're really brave,

It's the bravery test.

462

00:23:50,980 --> 00:23:53,770

Maybe there's a few that

grow right down there.

463

00:23:53,770 --> 00:23:58,870

Who knows it's up to you wherever,

wherever you think they should be

464

00:24:03,879 --> 00:24:04,480

to make it.

465

00:24:04,510 --> 00:24:09,189

And we can take our liner brush a little

bit of the Brown color, and maybe there's

466

00:24:09,189 --> 00:24:10,990

a big old layer on that comes right down.

467

00:24:11,080 --> 00:24:12,550

So that has something to sit on.

468

00:24:14,560 --> 00:24:15,070

Like it, there.

469

00:24:17,040 --> 00:24:22,530

Something about like cat one here,

wherever, not too many, but a

470

00:24:22,530 --> 00:24:23,910

few old animals hanging around.

471

00:24:26,420 --> 00:24:26,990

All right.

472

00:24:28,550 --> 00:24:30,440

Just wipe off the excess paint.

473

00:24:30,440 --> 00:24:34,070

Use that same brush that had the dark

color and go right into our yellow

474

00:24:35,330 --> 00:24:36,670

and yellow ochre, Indian, yellow.

475

00:24:36,670 --> 00:24:37,820

We'll just mix them all together.

476

00:24:38,300 --> 00:24:40,580

And instantly we have

green, so let's go back.

477

00:24:41,715 --> 00:24:43,635

And put a few highlights up here on these.

478

00:24:44,534 --> 00:24:45,915

Just a few little highlights.

479

00:24:47,475 --> 00:24:48,975

Think about shape and form though.

480

00:24:48,975 --> 00:24:53,054

Don't just hit that rascal

at random thing, where you go

481

00:24:53,054 --> 00:24:56,145

in, it's like taking a trip.

482

00:24:56,175 --> 00:24:57,615

You need to know your destination.

483

00:24:59,385 --> 00:25:00,135

Same here.

484

00:25:01,185 --> 00:25:02,564

I met some drivers on the road.

485

00:25:03,105 --> 00:25:07,845

They have no destination, but

you've met some of those too.

486

00:25:09,645 --> 00:25:13,965

There we go, something like, so

487

00:25:17,985 --> 00:25:19,155

say they're that easy.

488

00:25:19,185 --> 00:25:22,965

It gives me indication of a lot of

nice little leaves and stuff that

489

00:25:22,965 --> 00:25:29,955

lived down here can fix more of a dark

color, the blue, the black CEP, CRE.

490

00:25:31,425 --> 00:25:33,065

A little dark down here at his foot.

491

00:25:35,415 --> 00:25:36,045

There we are.

492

00:25:38,745 --> 00:25:41,235

Out of times, these little grassy

areas grow around their foots.

493

00:25:43,755 --> 00:25:45,225

Maybe there's another one right in here.

494

00:25:45,285 --> 00:25:51,315

Who knows wherever you want

them a little bit fr green,

495

00:25:55,215 --> 00:25:57,615

just pop in some little

highlights and all these areas.

496

00:25:58,784 --> 00:25:59,685

Something about bike

497

00:26:02,895 --> 00:26:04,365

a little more for here.

498

00:26:05,324 --> 00:26:06,375

Don't want that one left out.

499

00:26:08,625 --> 00:26:09,284

There we go.

500

00:26:13,354 --> 00:26:15,425

A little bit of that liquid

white with a little color in it.

501

00:26:16,145 --> 00:26:18,094

Put the indication and a

little water lemonade to it.

502

00:26:18,094 --> 00:26:21,125

It cleans up the bottom of all

of this brings it all together.

503

00:26:22,264 --> 00:26:23,314

Gives borders to it.

504

00:26:25,655 --> 00:26:26,135

There.

505

00:26:28,245 --> 00:26:32,825

Something like so times if you're

really brave, maybe you can put

506

00:26:32,825 --> 00:26:34,025

a little bird setting right here.

507

00:26:34,025 --> 00:26:36,245

It wouldn't take and scrape

out some of this excess cup.

508

00:26:37,265 --> 00:26:38,015

It's really better.

509

00:26:38,015 --> 00:26:42,725

If you wait until the feel, the thing

is dry and then you can put him on easy.

510

00:26:42,725 --> 00:26:47,105

We'll just take a little liquid wipe,

put the indication here, but maybe a

511

00:26:47,105 --> 00:26:48,845

little Ygritte to sets right out here.

512

00:26:49,655 --> 00:26:50,765

Something about like it.

513

00:26:52,425 --> 00:26:56,445

I would really suggest you wait till

your paintings, dry, take a little

514

00:26:56,445 --> 00:26:59,775

orange, but him a little beak on there.

515

00:26:59,925 --> 00:27:03,325

A couple of little legs, and he

sort of gives an indication of a

516

00:27:03,325 --> 00:27:04,665

little bird that lives out there.

517

00:27:05,535 --> 00:27:08,745

We'll put him an eyeball in there

and call him finished with that.

518

00:27:09,705 --> 00:27:10,995

I think we're going to call this one done.

519

00:27:11,445 --> 00:27:13,635

I really hope you've enjoyed

this painting from all of us.

520

00:27:13,725 --> 00:27:15,045

We'd like to wish you a happy painting.

521

00:27:15,735 --> 00:27:16,725

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S25E08 - Cypress Swamp

Bob Ross's

The Joy of Painting

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