Bob Ross's
The Joy of Painting
S24E09 - Icy Lake
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Hi, welcome back.
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Certainly glad you could join us today
because today is a very special day.
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You know, for years through the miracle of
television, I've been able to share my joy
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of painting, literally millions of people.
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And today I have the opportunity
to share the joy of my life.
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I have my son, Steve here
today with me and today Steve's
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going to be our guest artist.
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And then just a few minutes, he's going to
show you how to do a fantastic painting.
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Steve, certainly glad to have you with us.
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My son tell you what you do, a super
little painting and I'll see you later.
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Okay.
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Uh, we're going to start off today by
running the colors across your screen.
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And I'm going to use a two
inch brush for my first color.
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Which will be a lizard and
Crimson, just a tiny amount of it.
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And I'm tapping it out on a
separate space on the pallet.
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Try not to get too much in there.
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I'm going to put a little
bit of that in the center.
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Just about like that.
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And then into a little bit of pressure
and blue, the same dirty brush
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in the back of your mind lizard.
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Shouldn't have kind of a lavender color.
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We'll just ask that right in there to
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keep that brush moving.
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Okay.
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And maybe a little bit more of
that Elysium and blue color.
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And we'll put a little
bit of water down here.
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Just straight, horizontal
strokes from the outside in.
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Okay.
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We could even have a little hand of
pink in the water too, if we wanted wow.
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Got the water on fire at that time.
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Didn't we, we can take
care of that though.
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When we come back with, uh, another clean,
dry two inch brush and blend all this out
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little Xs.
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If you push real hard on a color, it'll
disappear, kind of softens it down.
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So in the sky, you're doing a little Lexus
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in the water all the way
across push real hard.
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Okay.
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Let her to do it for the scar and water.
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Maybe I'll use my fan brush now
and just drop a liquid white and
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run through some thick titanium
white, mostly fixed off here.
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Okay.
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And then up to the canvas and we'll spin
in a little cloud, just using the corner
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of the brush, smash it right in there.
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Nothing to it, then we'll just
take a clean brush and blend out
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the bottom of that big brush.
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I usually use my big brushes for blending
in my small ones for more scratchy,
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poppy, things like bushes and trees.
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Okay.
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Just lift over that whole clown
very lightly and go across it.
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Okay.
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Trying to keep the
brightest points on top.
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And if you want to make one cloud in
front of another, maybe you just take
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this piece right here and pull it down.
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Still using your spinning maneuver there.
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No, there's even something
small right here.
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Okay.
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Just under the bottom of each
shape, spin it out and leave the top
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alone, lift over the whole thing.
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We can go across it.
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Now maybe we'll do a couple of
foothills in the background.
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I use my fan brush again for that, that
color will be alizarin Crimson, just
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mixing it on the brush and a little
bit of pressure and blue pressure
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and blue is real powerful with that.
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You can put a little titanium white to
make it a light color for the background.
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So you get sort of a lavender.
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And we'll throw this in
about right back in here.
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fill it in a little bit.
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Don't just leave a
straight Stripe, a color.
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There's a curve to it here,
too, whatever you want to do.
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And then just take your big
brush and knock off the bottom.
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Yeah,
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leave the top alone.
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Maybe there's a tiny bit more pink
under that Foothill, kind of the recent,
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the sun reflecting off the bottom of
it or something, something like that.
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And then who's to say, there's
not another one in front of that.
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That's a little darker.
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So they had just a little bit
more lizard and blue to the color.
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Okay.
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And maybe this one will come
down like this and right across
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once again, fill it in
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just like that.
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And then knock off the
bottom of that one too.
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It's pretty neat.
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How you can get one shape in front
of another to look like planes of
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distance going from back to front.
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Maybe I'll just brush over the
top of that one a tiny bit.
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Okay.
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Why don't we go with
our one inch brush now?
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A little bit of oppression and
blue midnight, black Crimson,
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and white all together.
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So it's just the same color as you used
before, but with a little black in it.
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Okay.
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Here, right down here.
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We've got a room grassy.
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Type areas.
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Leave a little mist in between
the shape and your foothills.
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That'll make them look further back.
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Don't really have to pay a
lot of attention to how you
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put the dark end on here.
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It's all going to be covered up anyway.
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Okay.
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And then I'll clean
that one inch brush out.
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Yeah.
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Maybe we'll put a little bit
of snow highlight on that.
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Just with titanium white
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tapping into the paint a little bit.
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And then right up here, just touch it
in all kinds of neat things happen.
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It was just like little pieces of sparkly,
ice fog all over the grass and trees.
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And don't just stop there.
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Tap under it a little bit too.
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That way it looks like it's
going from light to dark.
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And then reload and you
can make another one.
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Now, maybe we want to take the big
brush and pull reflection out of that.
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Just grab the bottom of it.
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Pull right down.
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You might have to add just a touch
of your color, same Foothill color.
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I'm trying to pull that straight down and
then go across it with a clean, dry brush.
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Two inch.
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If you get a hair in there, you
can just kind of flick it out
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sometimes not a good idea to stick
your fingers in your painting.
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This.
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Now, I suppose since our reflections
are down so low, we should
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have some pine trees up above.
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Yeah.
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A little bit of Crimson and blue
together again with the midnight black.
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And that does have a touch of white in it.
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Okay.
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Come up here.
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Maybe just touch in.
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And with the corner of that hand, brush
hopped back and forth from the left
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to the right kind of like a Z pattern,
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you can make as many of these as you
want, but I'm probably only going
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to put, Oh, maybe five or seven.
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this little guy right here.
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Doesn't get covered up because we're going
to have a bigger tree right over him.
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Probably let's see one more right here.
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and then you can always clean your brush
out and put a little highlight on those.
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If you want, just be back
into the titanium white.
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whatever fashion you put the trees in.
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You want to highlight them the same way.
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So prescient like that, and then come up
there that way, when it comes off your
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brush, it didn't come off in one big lump.
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Sometimes it's more important.
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What happens on those
brushes on the pallet?
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Then what happens with
the brushes on the canvas?
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And that highlight.
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I'm just putting it on the right-hand
side of the left-hand trees and right
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around the center of the writing trees.
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Let's see.
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Maybe there's a little bit of
that white grass underneath
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those two snow covered grass.
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You could even pull down a
tiny white reflection into that
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and go across that real light.
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Yeah.
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That kind of looks like
it's floating up in the sky.
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So, uh, what we need to do is
put a little land into that and
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you can do that with your knife.
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A little bit of black and Elysium
together for some dark and I'll just run
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a little strip of land right across there.
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nothing to that part.
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As long as you don't get it too wide.
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And then maybe back into a
little bit of titanium white.
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Split it out flat, full through it.
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Get a nice roll on there and kind of
pull across and then give you some snow.
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There you go.
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Well, it looks kind of
rough when you first do it.
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So you might want to put a
little grass on top of that.
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Maybe a little liquid white
and titanium the other to get
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it to stick on top of there.
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I remember thin paint sticks on thick.
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Okay.
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Just follow the angle of the land.
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There we go.
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Now it seems like everything above the
water has to have that small reflection.
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So let's go ahead and pull a land
reflection to try to get it straight down.
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That also helps straighten up the
bottom edge of the land so that
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your waterline can go under it more
evenly, saves you a lot of time.
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a little bit of liquid white on the
pallet knife, and we'll spin that
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around on the pallet, wipe some of it
off and get a little tiny roll on there
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and we'll go up here and just push in.
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Now try to keep this as straight
as possible because this is
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an icy Lake and still water or
still ice, always lines flat.
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There's a couple out here too.
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Something like that.
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Now who's to say we don't want to come
in with a couple of trees on the outside
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with just our plain old pression blue
and the lizard and Crimson gather.
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And then we'll come in from over here.
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And just tap in some big branches.
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Yeah.
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Doesn't have to be anything particular.
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We're going to cover it all
up with highlights anyway.
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Okay, maybe over on this side,
there's something similar to
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that, but not quite as big.
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Okay.
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Know when you're going through.
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So it might be a little more difficult,
but just keep reloading that brush
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it'll go in there eventually.
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Maybe this one comes out onto an
Island with some bushes just by
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smashing in something like that.
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Okay.
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Yeah.
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We probably need a reflection
of this piece of land, just
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like the one in the background.
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Okay.
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Oh, no, we hit our ice line over there.
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Look at that.
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We'll have to make that go away.
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Kind of an eraser mate
brush, if you want to be.
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I mean, there's a few sticks in
those bushes, just a little V's and
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in those trees, we probably want to
plant a few branches with our liner
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brush and a little bit of that.
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Purple color that we made before
with the blue in the Elysium.
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Probably it should be pretty dark.
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Lots of theater takes probably about five
or six drops about Indian inconsistency.
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Okay.
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Let's see.
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Maybe we got some branches just
coming right out of the tree.
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I'm not really worried too
much about what they look like.
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They're all going to be
covered up snow in a minute
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over here, the same deal.
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I get kind of carried
away with these branches.
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Sometimes they're so fun to make that you
just don't know when to stop with them.
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I better stop.
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Now
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we can go in with some snow
highlight on top of that.
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A little bit of liquid white and titanium
white together, push that brush into
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the paint, get some little tidbits of
pain on the tips of the bristles there.
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And that way they'll come
off real sparkly that
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sometimes you can almost amaze yourself,
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but if you have a happy
accident, that's no problem.
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You can always go back and take
something off and smash the dark
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color back in, start over again.
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That's just like getting two
canvases worth of practice
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for the price of one, I guess.
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Okay.
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That's what I tell my students
in painting class, when they had
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scraped something off, no big deal.
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Just more practice.
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This tree is really changed a lot.
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Once you get those
highlights in don't they
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sometimes a fast pace is
even better than a slow pace.
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Things seem to come out better.
243
00:19:48,185 --> 00:19:49,145
The less you piddle on them.
244
00:19:49,955 --> 00:19:53,285
If I stick around in one area, I
know I really ended up with a mess.
245
00:19:56,595 --> 00:19:59,445
Maybe we'll change the load to,
uh, pulling through the paint
246
00:20:00,735 --> 00:20:05,595
with the brush vertical, like
this, see that heel in the brush.
247
00:20:06,495 --> 00:20:12,165
Now we'll flip that up to the top
and push in there real lightly.
248
00:20:13,755 --> 00:20:15,075
It makes some bushy shapes.
249
00:20:16,005 --> 00:20:16,095
Okay.
250
00:20:16,425 --> 00:20:20,565
Now it's a little bit harder to separate,
uh, when you're just using blue and white.
251
00:20:21,255 --> 00:20:24,645
And if you've got a lot of other
colors, it's, it's a lot easier.
252
00:20:25,155 --> 00:20:29,925
So take your time and save
dark in between each Bush.
253
00:20:33,165 --> 00:20:37,145
Then we can pull that down with a
clean two inch brush and go across it.
254
00:20:38,255 --> 00:20:40,595
All I did was made upside
down bushes in the water there
255
00:20:45,344 --> 00:20:48,554
Maybe down here into this Island, we'll
just have a little bit of regular snow.
256
00:20:49,254 --> 00:20:50,445
Don't even need a shadow under it.
257
00:20:50,925 --> 00:20:54,014
We've got enough right
here, touch and pull.
258
00:20:59,375 --> 00:21:01,534
And that's all there is to it on that.
259
00:21:04,715 --> 00:21:06,574
Maybe a little piece
comes up like that too.
260
00:21:10,774 --> 00:21:12,215
I've still got some paint
on my lighter brush.
261
00:21:12,245 --> 00:21:13,475
I could flick a couple of sticks in.
262
00:21:16,905 --> 00:21:19,905
And then back to the one inch brush
for a little bit of grass on the land.
263
00:21:21,675 --> 00:21:23,415
Just trying to break up that top edge.
264
00:21:28,295 --> 00:21:31,115
now as with the piece of land in
the background under this one,
265
00:21:31,115 --> 00:21:32,225
you're going to need a shoreline.
266
00:21:33,245 --> 00:21:34,145
That was the liquid wine.
267
00:21:34,145 --> 00:21:34,475
Again.
268
00:21:47,340 --> 00:21:48,180
Just like that.
269
00:21:49,889 --> 00:21:53,010
And then maybe I'll get a little
crazier down on this right-hand side.
270
00:21:54,870 --> 00:21:58,500
Possibly just go into some pure
midnight black, if you can believe that
271
00:21:58,500 --> 00:22:01,379
one and just pop it right in there.
272
00:22:06,300 --> 00:22:08,909
I get to a certain point in
the painting and my bravery
273
00:22:08,909 --> 00:22:10,350
increases about a hundred percent.
274
00:22:11,880 --> 00:22:17,850
This is that point, because I know
no matter what I do, it's going to
275
00:22:17,850 --> 00:22:20,190
look at at least halfway decent.
276
00:22:20,540 --> 00:22:20,990
Okay.
277
00:22:25,560 --> 00:22:28,949
After you've practiced this style of
painting for a while you learn all kinds
278
00:22:28,949 --> 00:22:34,110
of neat things like, um, any brush can
really replace the job of another one.
279
00:22:34,860 --> 00:22:38,820
I could have done that with a one
inch brush or the fan brush more, a
280
00:22:38,820 --> 00:22:40,500
little V's down here in my bushes.
281
00:22:42,720 --> 00:22:48,540
And some highlights again
with the one inch brush.
282
00:22:48,929 --> 00:22:51,389
You need a little bit, a little bit
wider than that, then sticks to thick.
283
00:22:59,145 --> 00:23:01,324
And in a second here, I'll
show you how to do a big tree.
284
00:23:07,715 --> 00:23:08,105
Who knows?
285
00:23:08,105 --> 00:23:11,254
Maybe there's a touch of pink in
a Bush, a little bit of Crimson
286
00:23:11,254 --> 00:23:12,395
added to that will really help.
287
00:23:13,995 --> 00:23:14,475
Okay.
288
00:23:18,555 --> 00:23:21,585
Maybe the sun hit just right
that day, running those bushes.
289
00:23:26,465 --> 00:23:30,995
Well, yeah, I think there's
an oval under here somewhere.
290
00:23:36,635 --> 00:23:37,505
Changed it a little bit.
291
00:23:37,505 --> 00:23:37,775
Didn't it.
292
00:23:40,985 --> 00:23:44,825
And what if we take the fan brush
and come in with a big trunk?
293
00:23:45,285 --> 00:23:47,055
Vandyke Brown and midnight black,
294
00:23:50,254 --> 00:23:51,875
I'm loading it up to a chisel edge.
295
00:23:53,165 --> 00:23:56,165
And then I'm just gonna pull
right down from about here,
296
00:23:57,935 --> 00:23:59,315
right off the top of the canvas.
297
00:23:59,764 --> 00:24:00,725
And that takes guts,
298
00:24:04,595 --> 00:24:05,825
which we have plenty of.
299
00:24:05,945 --> 00:24:06,305
Right.
300
00:24:08,105 --> 00:24:10,264
I will tell my students,
there is nothing we can't do.
301
00:24:14,235 --> 00:24:18,675
Maybe a little bit of titanium
white, just on the left-hand side,
302
00:24:19,125 --> 00:24:23,835
pull in just a little bit at a
time and create a Birch tree.
303
00:24:34,895 --> 00:24:35,135
Yeah.
304
00:24:35,135 --> 00:24:37,265
I always told dad, this is
my favorite type of tree.
305
00:24:38,855 --> 00:24:42,545
He had a hard time getting it through
my head, what to do on them though.
306
00:24:43,110 --> 00:24:44,670
I always seem to push too hard.
307
00:24:45,030 --> 00:24:46,770
It's kind of like the
snow breaking on mountain
308
00:24:49,920 --> 00:24:52,350
liner brush and a little
bit of midnight black.
309
00:24:53,340 --> 00:24:57,150
And we can throw in a couple of
dead branches, not too many though.
310
00:24:59,730 --> 00:25:00,810
Just like that.
311
00:25:02,490 --> 00:25:03,630
Extending your tops.
312
00:25:09,970 --> 00:25:11,460
Looks like I got a little
bit of blue in there.
313
00:25:12,405 --> 00:25:13,185
That's okay though.
314
00:25:19,355 --> 00:25:21,305
Since a smile world, it
can look like anything.
315
00:25:21,305 --> 00:25:25,475
I want it to that's the way you
should think about yours too.
316
00:25:36,815 --> 00:25:43,574
This might be the only chance a person
gets to, uh, Playing God right here.
317
00:25:44,415 --> 00:25:47,865
Cause we know we can never meet
up to that job, but this might
318
00:25:47,865 --> 00:25:48,885
be as close as he can get.
319
00:25:50,625 --> 00:25:51,254
So why not?
320
00:26:02,495 --> 00:26:06,665
Well, I think that just about,
does it, maybe I have Bush under
321
00:26:06,665 --> 00:26:09,544
that tree just to close it off.
322
00:26:13,615 --> 00:26:18,905
and I should probably put a John
Henry on this one, a little bit
323
00:26:18,905 --> 00:26:20,675
of bright red, just like dad uses.
324
00:26:33,005 --> 00:26:33,695
And there we go.
325
00:26:34,745 --> 00:26:37,295
Well, I want to thank everybody
for joining the show today.
326
00:26:38,235 --> 00:26:40,995
And I hope he had as good a time
painting this picture as I did.
327
00:26:42,405 --> 00:26:42,765
Thank you.
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