Wednesday, December 30, 2020

S24E09 - Icy Lake

Bob Ross's

The Joy of Painting


S24E09 - Icy Lake

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Hi, welcome back.


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Certainly glad you could join us today

because today is a very special day.


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You know, for years through the miracle of

television, I've been able to share my joy


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of painting, literally millions of people.


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And today I have the opportunity

to share the joy of my life.


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I have my son, Steve here

today with me and today Steve's


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going to be our guest artist.


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And then just a few minutes, he's going to

show you how to do a fantastic painting.


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Steve, certainly glad to have you with us.


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My son tell you what you do, a super

little painting and I'll see you later.


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Okay.


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Uh, we're going to start off today by

running the colors across your screen.


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And I'm going to use a two

inch brush for my first color.


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Which will be a lizard and

Crimson, just a tiny amount of it.


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And I'm tapping it out on a

separate space on the pallet.


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Try not to get too much in there.


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I'm going to put a little

bit of that in the center.


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Just about like that.


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And then into a little bit of pressure

and blue, the same dirty brush


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in the back of your mind lizard.


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Shouldn't have kind of a lavender color.


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We'll just ask that right in there to


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keep that brush moving.


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Okay.


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And maybe a little bit more of

that Elysium and blue color.


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And we'll put a little

bit of water down here.


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Just straight, horizontal

strokes from the outside in.


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Okay.


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We could even have a little hand of

pink in the water too, if we wanted wow.


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Got the water on fire at that time.


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Didn't we, we can take

care of that though.


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When we come back with, uh, another clean,

dry two inch brush and blend all this out


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little Xs.


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If you push real hard on a color, it'll

disappear, kind of softens it down.


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So in the sky, you're doing a little Lexus


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in the water all the way

across push real hard.


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Okay.


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Let her to do it for the scar and water.


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Maybe I'll use my fan brush now

and just drop a liquid white and


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run through some thick titanium

white, mostly fixed off here.


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Okay.


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And then up to the canvas and we'll spin

in a little cloud, just using the corner


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of the brush, smash it right in there.


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Nothing to it, then we'll just

take a clean brush and blend out


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the bottom of that big brush.


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I usually use my big brushes for blending

in my small ones for more scratchy,


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poppy, things like bushes and trees.


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Okay.


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Just lift over that whole clown

very lightly and go across it.


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Okay.


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Trying to keep the

brightest points on top.


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And if you want to make one cloud in

front of another, maybe you just take


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this piece right here and pull it down.


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Still using your spinning maneuver there.


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No, there's even something

small right here.


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Okay.


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Just under the bottom of each

shape, spin it out and leave the top


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alone, lift over the whole thing.


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We can go across it.


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Now maybe we'll do a couple of

foothills in the background.


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I use my fan brush again for that, that

color will be alizarin Crimson, just


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mixing it on the brush and a little

bit of pressure and blue pressure


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and blue is real powerful with that.


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You can put a little titanium white to

make it a light color for the background.


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So you get sort of a lavender.


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And we'll throw this in

about right back in here.


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fill it in a little bit.


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Don't just leave a

straight Stripe, a color.


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There's a curve to it here,

too, whatever you want to do.


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And then just take your big

brush and knock off the bottom.


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Yeah,


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leave the top alone.


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Maybe there's a tiny bit more pink

under that Foothill, kind of the recent,


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the sun reflecting off the bottom of

it or something, something like that.


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And then who's to say, there's

not another one in front of that.


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That's a little darker.


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So they had just a little bit

more lizard and blue to the color.


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Okay.


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And maybe this one will come

down like this and right across


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once again, fill it in


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just like that.


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And then knock off the

bottom of that one too.


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It's pretty neat.


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How you can get one shape in front

of another to look like planes of


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distance going from back to front.


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Maybe I'll just brush over the

top of that one a tiny bit.


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Okay.


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Why don't we go with

our one inch brush now?


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A little bit of oppression and

blue midnight, black Crimson,


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and white all together.


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So it's just the same color as you used

before, but with a little black in it.


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Okay.


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Here, right down here.


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We've got a room grassy.


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Type areas.


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Leave a little mist in between

the shape and your foothills.


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That'll make them look further back.


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Don't really have to pay a

lot of attention to how you


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put the dark end on here.


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It's all going to be covered up anyway.


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Okay.


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And then I'll clean

that one inch brush out.


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Yeah.


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Maybe we'll put a little bit

of snow highlight on that.


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Just with titanium white


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tapping into the paint a little bit.


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And then right up here, just touch it

in all kinds of neat things happen.


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It was just like little pieces of sparkly,

ice fog all over the grass and trees.


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And don't just stop there.


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Tap under it a little bit too.


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That way it looks like it's

going from light to dark.


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And then reload and you

can make another one.


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Now, maybe we want to take the big

brush and pull reflection out of that.


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Just grab the bottom of it.


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Pull right down.


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You might have to add just a touch

of your color, same Foothill color.


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I'm trying to pull that straight down and

then go across it with a clean, dry brush.


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Two inch.


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If you get a hair in there, you

can just kind of flick it out


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sometimes not a good idea to stick

your fingers in your painting.


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This.


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Now, I suppose since our reflections

are down so low, we should


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have some pine trees up above.


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Yeah.


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A little bit of Crimson and blue

together again with the midnight black.


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And that does have a touch of white in it.


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Okay.


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Come up here.


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Maybe just touch in.


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And with the corner of that hand, brush

hopped back and forth from the left


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to the right kind of like a Z pattern,


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you can make as many of these as you

want, but I'm probably only going


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to put, Oh, maybe five or seven.


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this little guy right here.


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Doesn't get covered up because we're going

to have a bigger tree right over him.


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Probably let's see one more right here.


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and then you can always clean your brush

out and put a little highlight on those.


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If you want, just be back

into the titanium white.


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whatever fashion you put the trees in.


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You want to highlight them the same way.


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So prescient like that, and then come up

there that way, when it comes off your


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brush, it didn't come off in one big lump.


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Sometimes it's more important.


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What happens on those

brushes on the pallet?


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Then what happens with

the brushes on the canvas?


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And that highlight.


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I'm just putting it on the right-hand

side of the left-hand trees and right


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around the center of the writing trees.


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Let's see.


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Maybe there's a little bit of

that white grass underneath


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those two snow covered grass.


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You could even pull down a

tiny white reflection into that


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and go across that real light.


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Yeah.


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That kind of looks like

it's floating up in the sky.


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So, uh, what we need to do is

put a little land into that and


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you can do that with your knife.


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A little bit of black and Elysium

together for some dark and I'll just run


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a little strip of land right across there.


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nothing to that part.


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As long as you don't get it too wide.


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And then maybe back into a

little bit of titanium white.


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Split it out flat, full through it.


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Get a nice roll on there and kind of

pull across and then give you some snow.


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There you go.


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Well, it looks kind of

rough when you first do it.


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So you might want to put a

little grass on top of that.


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Maybe a little liquid white

and titanium the other to get


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it to stick on top of there.


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I remember thin paint sticks on thick.


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Okay.


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Just follow the angle of the land.


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There we go.


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Now it seems like everything above the

water has to have that small reflection.


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So let's go ahead and pull a land

reflection to try to get it straight down.


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That also helps straighten up the

bottom edge of the land so that


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your waterline can go under it more

evenly, saves you a lot of time.


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a little bit of liquid white on the

pallet knife, and we'll spin that


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around on the pallet, wipe some of it

off and get a little tiny roll on there


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and we'll go up here and just push in.


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Now try to keep this as straight

as possible because this is


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an icy Lake and still water or

still ice, always lines flat.


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There's a couple out here too.


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Something like that.


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Now who's to say we don't want to come

in with a couple of trees on the outside


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with just our plain old pression blue

and the lizard and Crimson gather.


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And then we'll come in from over here.


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And just tap in some big branches.


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Yeah.


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Doesn't have to be anything particular.


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We're going to cover it all

up with highlights anyway.


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Okay, maybe over on this side,

there's something similar to


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that, but not quite as big.


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Okay.


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Know when you're going through.


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So it might be a little more difficult,

but just keep reloading that brush


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it'll go in there eventually.


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Maybe this one comes out onto an

Island with some bushes just by


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smashing in something like that.


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Okay.


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Yeah.


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We probably need a reflection

of this piece of land, just


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like the one in the background.


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Okay.


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Oh, no, we hit our ice line over there.


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Look at that.


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We'll have to make that go away.


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Kind of an eraser mate

brush, if you want to be.


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I mean, there's a few sticks in

those bushes, just a little V's and


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in those trees, we probably want to

plant a few branches with our liner


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brush and a little bit of that.


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Purple color that we made before

with the blue in the Elysium.


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Probably it should be pretty dark.


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Lots of theater takes probably about five

or six drops about Indian inconsistency.


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Okay.


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Let's see.


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Maybe we got some branches just

coming right out of the tree.


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I'm not really worried too

much about what they look like.


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They're all going to be

covered up snow in a minute


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over here, the same deal.


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I get kind of carried

away with these branches.


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Sometimes they're so fun to make that you

just don't know when to stop with them.


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I better stop.


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Now


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we can go in with some snow

highlight on top of that.


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A little bit of liquid white and titanium

white together, push that brush into


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the paint, get some little tidbits of

pain on the tips of the bristles there.


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And that way they'll come

off real sparkly that


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sometimes you can almost amaze yourself,


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but if you have a happy

accident, that's no problem.


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You can always go back and take

something off and smash the dark


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color back in, start over again.


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That's just like getting two

canvases worth of practice


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for the price of one, I guess.


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Okay.


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That's what I tell my students

in painting class, when they had


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scraped something off, no big deal.


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Just more practice.


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This tree is really changed a lot.


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Once you get those

highlights in don't they


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sometimes a fast pace is

even better than a slow pace.


242

00:19:47,075 --> 00:19:48,185

Things seem to come out better.


243

00:19:48,185 --> 00:19:49,145

The less you piddle on them.


244

00:19:49,955 --> 00:19:53,285

If I stick around in one area, I

know I really ended up with a mess.


245

00:19:56,595 --> 00:19:59,445

Maybe we'll change the load to,

uh, pulling through the paint


246

00:20:00,735 --> 00:20:05,595

with the brush vertical, like

this, see that heel in the brush.


247

00:20:06,495 --> 00:20:12,165

Now we'll flip that up to the top

and push in there real lightly.


248

00:20:13,755 --> 00:20:15,075

It makes some bushy shapes.


249

00:20:16,005 --> 00:20:16,095

Okay.


250

00:20:16,425 --> 00:20:20,565

Now it's a little bit harder to separate,

uh, when you're just using blue and white.


251

00:20:21,255 --> 00:20:24,645

And if you've got a lot of other

colors, it's, it's a lot easier.


252

00:20:25,155 --> 00:20:29,925

So take your time and save

dark in between each Bush.


253

00:20:33,165 --> 00:20:37,145

Then we can pull that down with a

clean two inch brush and go across it.


254

00:20:38,255 --> 00:20:40,595

All I did was made upside

down bushes in the water there


255

00:20:45,344 --> 00:20:48,554

Maybe down here into this Island, we'll

just have a little bit of regular snow.


256

00:20:49,254 --> 00:20:50,445

Don't even need a shadow under it.


257

00:20:50,925 --> 00:20:54,014

We've got enough right

here, touch and pull.


258

00:20:59,375 --> 00:21:01,534

And that's all there is to it on that.


259

00:21:04,715 --> 00:21:06,574

Maybe a little piece

comes up like that too.


260

00:21:10,774 --> 00:21:12,215

I've still got some paint

on my lighter brush.


261

00:21:12,245 --> 00:21:13,475

I could flick a couple of sticks in.


262

00:21:16,905 --> 00:21:19,905

And then back to the one inch brush

for a little bit of grass on the land.


263

00:21:21,675 --> 00:21:23,415

Just trying to break up that top edge.


264

00:21:28,295 --> 00:21:31,115

now as with the piece of land in

the background under this one,


265

00:21:31,115 --> 00:21:32,225

you're going to need a shoreline.


266

00:21:33,245 --> 00:21:34,145

That was the liquid wine.


267

00:21:34,145 --> 00:21:34,475

Again.


268

00:21:47,340 --> 00:21:48,180

Just like that.


269

00:21:49,889 --> 00:21:53,010

And then maybe I'll get a little

crazier down on this right-hand side.


270

00:21:54,870 --> 00:21:58,500

Possibly just go into some pure

midnight black, if you can believe that


271

00:21:58,500 --> 00:22:01,379

one and just pop it right in there.


272

00:22:06,300 --> 00:22:08,909

I get to a certain point in

the painting and my bravery


273

00:22:08,909 --> 00:22:10,350

increases about a hundred percent.


274

00:22:11,880 --> 00:22:17,850

This is that point, because I know

no matter what I do, it's going to


275

00:22:17,850 --> 00:22:20,190

look at at least halfway decent.


276

00:22:20,540 --> 00:22:20,990

Okay.


277

00:22:25,560 --> 00:22:28,949

After you've practiced this style of

painting for a while you learn all kinds


278

00:22:28,949 --> 00:22:34,110

of neat things like, um, any brush can

really replace the job of another one.


279

00:22:34,860 --> 00:22:38,820

I could have done that with a one

inch brush or the fan brush more, a


280

00:22:38,820 --> 00:22:40,500

little V's down here in my bushes.


281

00:22:42,720 --> 00:22:48,540

And some highlights again

with the one inch brush.


282

00:22:48,929 --> 00:22:51,389

You need a little bit, a little bit

wider than that, then sticks to thick.


283

00:22:59,145 --> 00:23:01,324

And in a second here, I'll

show you how to do a big tree.


284

00:23:07,715 --> 00:23:08,105

Who knows?


285

00:23:08,105 --> 00:23:11,254

Maybe there's a touch of pink in

a Bush, a little bit of Crimson


286

00:23:11,254 --> 00:23:12,395

added to that will really help.


287

00:23:13,995 --> 00:23:14,475

Okay.


288

00:23:18,555 --> 00:23:21,585

Maybe the sun hit just right

that day, running those bushes.


289

00:23:26,465 --> 00:23:30,995

Well, yeah, I think there's

an oval under here somewhere.


290

00:23:36,635 --> 00:23:37,505

Changed it a little bit.


291

00:23:37,505 --> 00:23:37,775

Didn't it.


292

00:23:40,985 --> 00:23:44,825

And what if we take the fan brush

and come in with a big trunk?


293

00:23:45,285 --> 00:23:47,055

Vandyke Brown and midnight black,


294

00:23:50,254 --> 00:23:51,875

I'm loading it up to a chisel edge.


295

00:23:53,165 --> 00:23:56,165

And then I'm just gonna pull

right down from about here,


296

00:23:57,935 --> 00:23:59,315

right off the top of the canvas.


297

00:23:59,764 --> 00:24:00,725

And that takes guts,


298

00:24:04,595 --> 00:24:05,825

which we have plenty of.


299

00:24:05,945 --> 00:24:06,305

Right.


300

00:24:08,105 --> 00:24:10,264

I will tell my students,

there is nothing we can't do.


301

00:24:14,235 --> 00:24:18,675

Maybe a little bit of titanium

white, just on the left-hand side,


302

00:24:19,125 --> 00:24:23,835

pull in just a little bit at a

time and create a Birch tree.


303

00:24:34,895 --> 00:24:35,135

Yeah.


304

00:24:35,135 --> 00:24:37,265

I always told dad, this is

my favorite type of tree.


305

00:24:38,855 --> 00:24:42,545

He had a hard time getting it through

my head, what to do on them though.


306

00:24:43,110 --> 00:24:44,670

I always seem to push too hard.


307

00:24:45,030 --> 00:24:46,770

It's kind of like the

snow breaking on mountain


308

00:24:49,920 --> 00:24:52,350

liner brush and a little

bit of midnight black.


309

00:24:53,340 --> 00:24:57,150

And we can throw in a couple of

dead branches, not too many though.


310

00:24:59,730 --> 00:25:00,810

Just like that.


311

00:25:02,490 --> 00:25:03,630

Extending your tops.


312

00:25:09,970 --> 00:25:11,460

Looks like I got a little

bit of blue in there.


313

00:25:12,405 --> 00:25:13,185

That's okay though.


314

00:25:19,355 --> 00:25:21,305

Since a smile world, it

can look like anything.


315

00:25:21,305 --> 00:25:25,475

I want it to that's the way you

should think about yours too.


316

00:25:36,815 --> 00:25:43,574

This might be the only chance a person

gets to, uh, Playing God right here.


317

00:25:44,415 --> 00:25:47,865

Cause we know we can never meet

up to that job, but this might


318

00:25:47,865 --> 00:25:48,885

be as close as he can get.


319

00:25:50,625 --> 00:25:51,254

So why not?


320

00:26:02,495 --> 00:26:06,665

Well, I think that just about,

does it, maybe I have Bush under


321

00:26:06,665 --> 00:26:09,544

that tree just to close it off.


322

00:26:13,615 --> 00:26:18,905

and I should probably put a John

Henry on this one, a little bit


323

00:26:18,905 --> 00:26:20,675

of bright red, just like dad uses.


324

00:26:33,005 --> 00:26:33,695

And there we go.


325

00:26:34,745 --> 00:26:37,295

Well, I want to thank everybody

for joining the show today.


326

00:26:38,235 --> 00:26:40,995

And I hope he had as good a time

painting this picture as I did.


327

00:26:42,405 --> 00:26:42,765

Thank you.


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