Bob Ross's
The Joy of Painting
S26E09 - Tranquil Wooded Stream
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Hey, welcome back.
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Certainly glad you could join us today.
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I thought today would just do a painting.
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It's a lot of fun and I'm
sure you're going to enjoy it.
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So let's start out and have him
run all the colors across the
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screen that you need to paint along
with us while they're doing that.
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Let me show you what crazy thing
I've got going up here today.
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Today I've taken, I have
old plain old canvas here.
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Double prime pre stretched and.
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I've taken a little bit of black
Jesso with a natural sponge.
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I like a natural sponge because it
has a lot of irregularities in it
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and I've just taken black Jesso and
just sorta gobbed it all over here.
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Just to make all these little things.
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I think I want to do a little
stream today that you can see down
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into the water and see underneath.
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So that's why I've done all of that.
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We let the black Jesso.
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Dry completely.
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It's totally dry.
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Then I went back and covered
the entire canvas with a very
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thin even coat of liquid clear.
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And it takes very little of this
clear because you can't see it.
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You have a tendency to
almost put too much.
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Now I've started here in the center
with a little bit of Indian, yellow.
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It's very transparent, just
a small amount, just a little
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Indian, yellow, then SAP green.
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And then I made a mixture of SAP
green and the lizard Crimson,
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which makes a gorgeous Brown and it
went all the way around the edges.
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And that's all there is to it.
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Indian, yellow, SAP, green, SAP, green,
and the lizard Crimson around the edges.
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And that's all.
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This is a very simple painting and you
can do it even if you've never painted.
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So I tell you what, let me show you
how to have a, just a good time.
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We're going to start a little bit
today with some titanium white we'll
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use a little touch of titanium there.
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Just put a little bit
on the two inch brush.
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Okay.
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I want them to create the illusion of a
nice Misty area back in the background.
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So the white is opaque against
all this transparent color.
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But I'm going to use it very sparingly
because I still want all these
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little details to show through and
these little details, they just sort
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of happen automatically when you
take the spot and didn't go there.
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So we're just dancing in a little
bit of this titanium white, and
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you won't see a whole bunch until
we get the painting finished.
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And all of a sudden this will
start becoming just gorgeous
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little Misty areas that live all
back here in the trees and bushes.
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Just fun little places there.
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Now you can put a too much, you can put
too much of this white on and because
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it's opaque, it will cover this up.
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Totally.
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I don't want to cover it up.
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I just want to make it like
mist in a nice glowy area.
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That's shining back here.
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This will be our light
source in this painting.
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There we go.
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This black Jessa was one of
the most fantastic things.
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If you've never painted
with it, give it a try.
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It just makes your
painting life so fantastic.
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And, and people will wonder how you
got all this detail in your painting.
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There you go.
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Maybe you more than like, maybe
there's a little mist just
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floating right out of here.
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Just drop it in, come back and
put trees and stuff in there.
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But this little Misty areas,
I want some of them too.
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To sneak out to show, I like little
paintings that like you're deep in the
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woods and you have all this gorgeous mist.
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I'm a great Hunter.
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I take my camera and I go out in the
woods and just sit and take pictures.
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This is, this is the way I
get a lot of these ideas.
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Just go out and, and talk to
a tree, make friends with it.
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You don't actually have to go
talk to your neighbors and your
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friends will sort of look at you.
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Like you're a little strange,
but, but that's okay.
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Painters are expected to be
a little bit different there.
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No.
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Okay.
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Something about like cat,
wherever they have it.
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I have a little bit of that mixture
left that I put on the canvas.
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That's alizarin, Crimson, and SAP green
in about equal parts, equal parts.
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I'm just going to put some of
that red on the same brush.
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Okay.
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Let's go back up in here.
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I want a little dark area right in here.
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So we'll just take that little
area right across there.
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This is very transparent color
and all of this will still show
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through and I'm just going to
blend that up right into the mist.
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Just blend it up in that pretty
Crimson and SAP green make one of
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the most gorgeous Browns and you can
take it to the green side or you can
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take it to the, to the ready side.
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It just depends on your mood
or, or what flavor you're trying
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to achieve for your painting.
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There we go.
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All right.
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It already, I like the way that
looks, it looks like lights
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just is going in through there.
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Hmm, I get carried away.
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Tell you what, let's have a
nice tree back here for that.
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I'm going to go into, we get some
SAP green and a little bit of
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alizarin, Crimson mixed with it.
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I'm making sort of a Brown this
time, but more to the green
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side, it more to the green side.
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We'll be right back.
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I'm going to get a little
touch of white in there too.
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There we go.
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So, can you tap a little color in there?
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Let's go back up in here.
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Now I'm going to take this tree here.
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So let's make a tree out of bed.
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I don't want to kill all this.
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GS.
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Want to put some indications of some
big old Liam's that live out there?
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There we go.
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Here they come.
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Here they come there.
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Let some of them show through.
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Don't kill them off.
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There we go.
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Maybe right on down.
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I'm just loading a little more
color in the brush over here.
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I'm not too worried.
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Cause I'm going to let that disappear.
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I'm only worried about
this side right now.
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There we go.
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Maybe this whole lamb pulls
a little farther over there.
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Okay.
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Let me grab a little liner brush little
script liner brush, go into a little
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bit of Brown and we'll put a little.
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Little tree trunk right in there.
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Now sometimes, sometimes it's neat.
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When you're doing little tree trunks to
take watch here, let me get a paper towel.
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And if you take a paper towel on this way
at the end, very gently, just touch it.
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You can lift that off, but it still
leaves that gorgeous impression there.
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See there, there, and a little of
the canvas will show through and
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it looks like it's far, far away.
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Just one of those little things.
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That'll give you a tree limb, just
gorgeous, gorgeous effects, a little
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bit, a little bit unique in a painting.
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Let's take, let me get
a little touchy there.
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There it is a little touch of
the liquid white, a little bit of
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yellow, a little bit of SAP green.
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Maybe we right back.
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Get a little touch of white over here too.
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Let's go back up in
here and write on here.
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I'm going to take.
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And just put the indication.
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So some little highlights live out in
here, just little sparklies on the tree.
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See, they're almost the color of the sky.
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I don't want them to be very bright.
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I want them to sort of just,
just sort of hide back in they're
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there, but didn't have tree trunk.
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Neat.
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I like all those little spots.
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I hope you can see those.
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Okay.
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Now we have it all breasts going.
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Maybe back in here, we can begin to
make out a few little things that
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are just peeking out right there.
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Maybe a little lights zinging
through don't want a lot of detail,
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a lot of shapes too far away there.
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They are just happy little
things that live back in there.
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Add a little touch there,
yellow ochre here and there.
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A little bit of Indian, yellow.
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There we go.
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Just all kinds of little doers
wherever you think they should be.
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That's where they should be now, then
little bit of the titanium white,
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right on the brush and very gently.
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And we'll bring this
Misty area right on out.
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She misled it missed, right?
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A little touch, more the white.
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Okay.
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I want some of these little soft areas
just to float right through them.
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All right.
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Nah, let me wash your brush.
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If you painted with me before, you
know, this is the fun part of the whole
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technique, just washing the brush.
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Shake it off just beat to death.
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A lot of it.
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All right, let's take a little bit
of midnight black Bandag Brown.
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What puts them dark, Sianna
and Crimson in there too.
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What the heck?
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Get a little sappy green.
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Just mix them on the brush
once in a while, get a little
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Bluetooth, a little touch of that.
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They love blue in there.
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Okay, just tap the brush.
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Let's go back up in here.
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I want a tree now that's closer.
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So for that, I'll use a much darker color.
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So we put a light color on
it and it'll show up better.
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There we are out like yet.
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I don't want to lose all this mystery.
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It's important to me.
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It's I think it's very pretty in there.
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So don't want to lose all that.
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I'm going to leave some of it in there.
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All right here.
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It comes maybe pickle thing in here.
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Just let your imagination go.
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Let it go.
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Darker, darker, darker down in here.
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Maybe, maybe here we'll have.
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Let's just push in some, something
that'll end up being some
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nice big bushes right in here.
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Once again, I'm trying
to save that little spot.
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I think that's gorgeous in a painting
when you have those little mysterious,
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just putting in a little dark color
here and wherever, and let's take a
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little bit of it and begin pulling down.
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We'll create the indication of a
few little reflections in here.
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There we go.
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And gently, gently go across.
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Right?
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Shoot.
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Let's go over here and the other
side and do the same basic thing.
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Same colors.
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I'm gonna have a nice big
tree that hangs out over here.
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There we go.
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I like his paintings with big trees and
hanging out over here that this area up in
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here, there's some of that Brown that we
made with the Crimson and the SAF green,
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and it shows through, I want to leave
those areas in there and leave them open.
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Some of them in there are gorgeous.
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It looks like the light chatting through
the trees and that black Jessa will do
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that for you automatically, automatically.
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You don't have to even worry about it.
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Shoot.
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I tell you what, we're gonna have
some more big, old bushes that live
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right there, wherever you want them.
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All we're doing right now is
just blocking in some color.
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We'll come back.
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You begin fixing some of these little
things up, but right now we're just
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blocking in color, put a little that
Brown cover down black, whatever it is.
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There we go.
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What?
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This we'll put a little stream in
here and I want it, like, you can see
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through the water and see all the little
things that live underneath there.
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Okay.
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Back to my brush.
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And I was using to put the leaves on
the tree was get a little bit sad.
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Green, little yellow ochre you right back.
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I'm gonna get a little
white, a little bit of white.
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Just sorta bounce back and forth.
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He'd get the flavor you're
looking for in your painting.
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Tap the brush.
243
00:12:33,705 --> 00:12:35,535
You can see that little line of paint.
244
00:12:35,685 --> 00:12:38,175
There's one Reynold in with the
bristles here, just like it.
245
00:12:38,925 --> 00:12:40,095
And that's what we paint with.
246
00:12:40,275 --> 00:12:40,585
Let's go.
247
00:12:43,475 --> 00:12:43,565
Okay.
248
00:12:43,865 --> 00:12:45,335
Using just the corner of the brush.
249
00:12:45,755 --> 00:12:46,685
She has the corner.
250
00:12:47,255 --> 00:12:49,595
You can begin putting in some detail here.
251
00:12:49,625 --> 00:12:51,635
I want to keep this darker than out here.
252
00:12:52,535 --> 00:12:52,625
Okay.
253
00:12:53,670 --> 00:12:54,300
There we go.
254
00:12:54,569 --> 00:12:59,300
So it looks like it's
more in the shadows fair.
255
00:13:03,560 --> 00:13:07,010
I'm talking about, like you think about
little individual shapes in there.
256
00:13:08,310 --> 00:13:12,410
There comes one, got to
make those little noises.
257
00:13:12,410 --> 00:13:13,100
It really helps
258
00:13:16,310 --> 00:13:16,640
Kathy.
259
00:13:18,705 --> 00:13:20,355
I tell you what we need in their shoes.
260
00:13:20,805 --> 00:13:21,915
Let's put a tree trunk in there.
261
00:13:23,175 --> 00:13:23,905
We need a tree trunk.
262
00:13:23,965 --> 00:13:28,365
I'll just take a little bit of Brown,
little bit of Brown on the liner.
263
00:13:28,365 --> 00:13:33,045
Brush doesn't show up very
well, put a little white.
264
00:13:33,075 --> 00:13:38,175
Would that Brown make it a little lighter
because in our world we can do anything.
265
00:13:38,235 --> 00:13:41,265
Their cows wiggled the tree.
266
00:13:43,275 --> 00:13:44,415
Oh, wait, called the tree.
267
00:13:45,015 --> 00:13:46,425
There would give him an arm or two.
268
00:13:48,525 --> 00:13:49,785
They're just sneaking through.
269
00:13:52,355 --> 00:13:53,585
I don't know how many is in here.
270
00:13:53,675 --> 00:13:55,385
However many you want in your world.
271
00:13:55,425 --> 00:13:56,525
You make the decision.
272
00:13:56,585 --> 00:13:57,365
Do you decide?
273
00:13:58,775 --> 00:13:59,405
There we go.
274
00:14:00,845 --> 00:14:05,345
But if you have trouble making the paint
flow, all you gotta do is just add a
275
00:14:05,345 --> 00:14:06,815
little bit more of the paint thinner.
276
00:14:06,905 --> 00:14:07,805
Don't get too much.
277
00:14:08,015 --> 00:14:09,515
There's sort of a happy medium here.
278
00:14:11,465 --> 00:14:12,455
Maybe on the other side.
279
00:14:13,025 --> 00:14:14,315
Shoot, who knows my business.
280
00:14:15,900 --> 00:14:16,110
Yep.
281
00:14:16,140 --> 00:14:16,530
You're right.
282
00:14:16,590 --> 00:14:17,730
Big old tree over there too.
283
00:14:20,040 --> 00:14:23,550
There's something about like 10, whatever.
284
00:14:25,010 --> 00:14:26,090
Put a little highlight on him.
285
00:14:26,090 --> 00:14:29,900
Blended in that looks like
a light singing through.
286
00:14:29,900 --> 00:14:30,830
They're hitting that three.
287
00:14:34,280 --> 00:14:37,640
Continue with our leaves now, but
a few more little leaves on here.
288
00:14:39,350 --> 00:14:39,680
There.
289
00:14:43,770 --> 00:14:48,840
Right on out in here, but already it
looks like a place where there'd be a
290
00:14:48,840 --> 00:14:52,950
lot of mosquitoes living a lot of little
things, but at the same time, it'd be
291
00:14:52,950 --> 00:14:54,750
a lot of fantastic little creatures.
292
00:14:55,860 --> 00:14:57,360
My little squirrel could live in there.
293
00:14:59,100 --> 00:15:02,100
There, I still have a couple of
squirrels that I've maintained.
294
00:15:05,250 --> 00:15:06,360
Some of the earlier series.
295
00:15:06,360 --> 00:15:08,310
One of our favorite little
squirrels was Pete pod.
296
00:15:08,310 --> 00:15:09,240
The pocket squirrel.
297
00:15:10,365 --> 00:15:11,475
He lives in my backyard.
298
00:15:11,475 --> 00:15:12,795
Now we've turned him loose.
299
00:15:13,425 --> 00:15:16,665
We turned him loose quite a
while back, but he won't go away.
300
00:15:17,535 --> 00:15:21,075
He's found out that that begging for
peanuts and stuff from me is much
301
00:15:21,105 --> 00:15:22,545
easier than going out there and working.
302
00:15:23,745 --> 00:15:24,795
So I take care of him.
303
00:15:26,055 --> 00:15:29,145
In fact, he just put a new hole right
through my screen, on the patio.
304
00:15:31,415 --> 00:15:34,865
And if I didn't, didn't like him
so much that it upset me, but.
305
00:15:35,880 --> 00:15:36,870
But he's my little friend.
306
00:15:38,250 --> 00:15:42,599
So he comes to the back door, literally
in bags, you know, the door, he comes in
307
00:15:42,599 --> 00:15:46,439
the house and he'll run all around the
kitchen to see what I've got available.
308
00:15:46,439 --> 00:15:50,939
If he finds something, he
likes that's his, there we go.
309
00:15:51,790 --> 00:15:56,610
I say, you don't have to be crazy to do
this, but it does help something I can.
310
00:15:57,060 --> 00:15:57,540
Okay.
311
00:15:58,620 --> 00:16:01,800
I'm going to get a one inch brush, dip
it in a little bit of the liquid white.
312
00:16:03,270 --> 00:16:06,330
Go into a little bit of yellow,
a little bit of yellow, some
313
00:16:06,330 --> 00:16:10,650
SAP green and yellow ochre.
314
00:16:11,310 --> 00:16:13,350
And then I'm going to hit a
little touch that bright red too,
315
00:16:14,280 --> 00:16:15,569
just all those mixed together.
316
00:16:15,689 --> 00:16:15,840
Okay.
317
00:16:15,840 --> 00:16:17,930
Let's go up in here now.
318
00:16:18,170 --> 00:16:18,710
And here.
319
00:16:18,949 --> 00:16:19,580
I want to start.
320
00:16:20,030 --> 00:16:20,300
Yeah.
321
00:16:21,380 --> 00:16:26,150
Putting the indication of little
highlights, little highlights,
322
00:16:26,449 --> 00:16:30,770
or the lights singing through
there, touching all these things.
323
00:16:32,235 --> 00:16:33,584
Don't want to kill all my dark though.
324
00:16:33,584 --> 00:16:35,385
I just want to put a few
things going in there.
325
00:16:36,704 --> 00:16:40,964
Darker, darker, darker down here, just
to make it look like big old bushes and
326
00:16:41,895 --> 00:16:48,045
small trees, whatever their little rabbits
got to have a place to hide down in here.
327
00:16:49,214 --> 00:16:50,235
Cause he lives down here.
328
00:16:50,265 --> 00:16:54,974
It's nice and safe, dark, a
little black with my color.
329
00:16:55,035 --> 00:16:56,324
That'll dial it down.
330
00:16:57,314 --> 00:16:59,685
Make a darker green, much darker green.
331
00:17:01,305 --> 00:17:01,695
There.
332
00:17:04,545 --> 00:17:05,115
All right.
333
00:17:05,325 --> 00:17:13,125
And the other side, let's do some
little things right there, right there.
334
00:17:15,225 --> 00:17:18,135
See how easy it is to make all these
gorgeous little trees and stuff
335
00:17:19,454 --> 00:17:22,905
there, but work one Bush at a time.
336
00:17:24,254 --> 00:17:27,974
I know you, you get tired of hearing
me say that, but it's so important.
337
00:17:28,304 --> 00:17:29,294
It's so important.
338
00:17:29,655 --> 00:17:31,814
Sometimes it just gets
working well and you get it.
339
00:17:32,175 --> 00:17:36,344
It's a tendency just to cover up
everything with gorgeous little
340
00:17:36,344 --> 00:17:42,735
bushes, and then you have nothing
work at one Bush at a time.
341
00:17:43,094 --> 00:17:45,104
Do the one that's furthest
away and come forward.
342
00:17:46,274 --> 00:17:46,465
Shoot.
343
00:17:46,465 --> 00:17:48,344
We need to figure out what we're
going to have in this painting.
344
00:17:48,705 --> 00:17:51,885
I'll tell you what, this is
going to be a little stream here.
345
00:17:53,129 --> 00:17:59,040
I want some rocks in there and clean off
space to work and put some rocks, show
346
00:17:59,040 --> 00:18:00,960
you a nice way to make some rocks easy.
347
00:18:02,655 --> 00:18:07,515
There let's take a big bunch of black,
a little bit of Vandyke Brown in it.
348
00:18:09,045 --> 00:18:12,735
Maybe a little touch of
blue, mostly black though.
349
00:18:13,485 --> 00:18:14,445
A little Crimson it too.
350
00:18:15,105 --> 00:18:15,975
Just for flavor
351
00:18:19,035 --> 00:18:19,335
there.
352
00:18:20,355 --> 00:18:24,555
Now I'm going to go over here and
get some paint thinner, and I'm going
353
00:18:24,555 --> 00:18:27,195
to thin this, make it very thin.
354
00:18:28,875 --> 00:18:32,655
So I'm just taking paint thinner and just
mixing it with it, to make this the color
355
00:18:32,655 --> 00:18:38,715
much thinner because our golden rule, a
thin paint will stick to a thick paint.
356
00:18:39,075 --> 00:18:40,635
So I'm making a thin paint now.
357
00:18:42,105 --> 00:18:42,815
All right.
358
00:18:42,865 --> 00:18:48,195
That's getting pretty thin
something about like cats.
359
00:18:48,275 --> 00:18:50,775
We just, we're just adding
thinner and mixing it up.
360
00:18:52,755 --> 00:18:53,205
All right.
361
00:18:53,205 --> 00:18:54,315
Let me wipe the knife.
362
00:18:54,885 --> 00:18:54,975
Okay.
363
00:18:56,325 --> 00:18:58,665
Now then I want to make a highlight color.
364
00:18:58,905 --> 00:18:59,865
I'm going to make rocks.
365
00:18:59,925 --> 00:19:01,275
I'm looking for a highlight color.
366
00:19:02,535 --> 00:19:06,255
Take a little bit of white,
black mixed together.
367
00:19:07,425 --> 00:19:10,905
Looking for gray, maybe my
little Vandyke in there.
368
00:19:11,955 --> 00:19:14,025
Sort of a brownish gray, a little lighter.
369
00:19:16,275 --> 00:19:18,615
Ooh, that's getting pretty nice like that.
370
00:19:20,055 --> 00:19:20,655
All right.
371
00:19:20,865 --> 00:19:22,575
I'm going to go over here now
and get some paint thinner.
372
00:19:23,730 --> 00:19:28,970
And I'm going to thin this pile of
paint down we're doing here is just
373
00:19:28,970 --> 00:19:31,940
making some thin paint so we can
stick it right on top of that thick
374
00:19:31,940 --> 00:19:34,790
paint without becoming a mud mixer.
375
00:19:36,080 --> 00:19:39,620
Normally you would have to wait
for paint to dry so that you can
376
00:19:39,620 --> 00:19:41,270
put layer on top of layer here.
377
00:19:41,630 --> 00:19:43,160
We just use the contempt paint.
378
00:19:43,190 --> 00:19:46,310
Our original paint is very,
very thick, very firm.
379
00:19:47,150 --> 00:19:48,560
It's not like traditional paints.
380
00:19:49,070 --> 00:19:51,020
In fact, that's the biggest
mistake that people make when
381
00:19:51,020 --> 00:19:51,890
they're doing this method.
382
00:19:52,965 --> 00:19:55,365
Is they go out and get a
real soft, creamy paint.
383
00:19:56,475 --> 00:20:00,495
And when you try to paint, paint on
paint, that's the same consistency.
384
00:20:01,155 --> 00:20:07,365
All you do is mix mud and all of us
who've painted have mixed a little mud.
385
00:20:08,385 --> 00:20:10,395
All right, I'm going to
take the little Philbrick.
386
00:20:10,455 --> 00:20:11,385
We'll start with the Philbrick.
387
00:20:12,344 --> 00:20:15,014
Go right into that thin
color load, both sides of the
388
00:20:15,014 --> 00:20:17,715
Philbrick within paint over here.
389
00:20:18,314 --> 00:20:18,675
Pick up.
390
00:20:19,380 --> 00:20:21,150
Some light color on one side.
391
00:20:21,300 --> 00:20:26,940
So we have dark on one side light on
one side kinescope here, back in here.
392
00:20:27,930 --> 00:20:30,150
We have now some little
stones that live back here.
393
00:20:30,210 --> 00:20:34,110
See there in one stroke go, you
can put both highlight and shadow
394
00:20:34,590 --> 00:20:36,930
like attack and then a sneaky way.
395
00:20:38,940 --> 00:20:42,210
Like there, you can just put as
many or as few as you want in
396
00:20:42,210 --> 00:20:47,040
your world that easy now then.
397
00:20:47,445 --> 00:20:47,895
Tell you what?
398
00:20:47,895 --> 00:20:50,925
Let me get, I'm gonna get the oval brush.
399
00:20:52,575 --> 00:20:53,805
It's like a big Filbert.
400
00:20:53,835 --> 00:20:55,095
Tony is one inch across.
401
00:20:55,095 --> 00:20:56,175
Let's do the same thing.
402
00:20:57,135 --> 00:20:58,305
Dark on both sides.
403
00:20:58,845 --> 00:20:59,955
This is very thin paint.
404
00:20:59,985 --> 00:21:02,445
Can't say that enough back over here.
405
00:21:03,105 --> 00:21:06,285
Put it in one direction
only right through there.
406
00:21:06,315 --> 00:21:08,205
So you just pull it through
one time and that'll give you
407
00:21:08,205 --> 00:21:09,855
light on top, dark on the other.
408
00:21:10,035 --> 00:21:10,485
Let's do it.
409
00:21:11,795 --> 00:21:12,305
Go up here.
410
00:21:13,085 --> 00:21:16,745
Maybe we have big rocks for C be brave.
411
00:21:17,175 --> 00:21:19,505
There it comes one stroke.
412
00:21:20,415 --> 00:21:22,605
You can do all of these great big rocks.
413
00:21:22,705 --> 00:21:23,715
See I'm living out here.
414
00:21:25,185 --> 00:21:29,745
Look at him, look at him and
rocks used to give me a fit shoot.
415
00:21:29,745 --> 00:21:30,765
They're easy to do this way.
416
00:21:31,155 --> 00:21:31,995
Let's go right in here.
417
00:21:32,385 --> 00:21:33,855
Maybe we can see one back in there.
418
00:21:34,905 --> 00:21:35,595
There's a big one.
419
00:21:37,005 --> 00:21:39,405
They go rock happy rock.
420
00:21:39,405 --> 00:21:42,045
He lives right out there and maybe.
421
00:21:44,315 --> 00:21:45,365
Great, big rock.
422
00:21:45,375 --> 00:21:45,855
A couple of them.
423
00:21:48,395 --> 00:21:51,035
Isn't that a super way of
making a lot of stones.
424
00:21:52,595 --> 00:21:53,045
Look at that.
425
00:21:54,395 --> 00:21:56,855
Do you have to decide how many
stones live in your world?
426
00:21:58,775 --> 00:21:59,465
There we go.
427
00:22:01,955 --> 00:22:02,585
Mm that's.
428
00:22:02,585 --> 00:22:04,475
One thing is brushed us so wonderfully.
429
00:22:05,855 --> 00:22:07,775
Now then let me go back.
430
00:22:09,225 --> 00:22:12,165
Get my little one inch brush that
we were making the bushes with.
431
00:22:13,295 --> 00:22:17,885
Now that's more on the SAP green,
a little bit of yellow, all the
432
00:22:17,885 --> 00:22:20,015
yellows, get a little black in there.
433
00:22:20,015 --> 00:22:20,735
I want a little darker.
434
00:22:21,125 --> 00:22:21,935
Ooh, that's nice.
435
00:22:22,595 --> 00:22:23,945
Pull this pressure in one direction.
436
00:22:23,955 --> 00:22:26,075
See how it rounds one
corner, turn it over.
437
00:22:26,585 --> 00:22:28,895
So that round corner is to the top.
438
00:22:28,925 --> 00:22:32,525
Now let's go up in here with
that round corner to the top.
439
00:22:32,585 --> 00:22:33,755
That's how we make these bushes.
440
00:22:33,935 --> 00:22:35,285
We'll go in here and just slide.
441
00:22:35,285 --> 00:22:36,815
If you read in between the rock, see.
442
00:22:37,635 --> 00:22:39,165
See that just sneak them in there.
443
00:22:40,875 --> 00:22:41,955
Get a little yellow ochre there.
444
00:22:41,955 --> 00:22:42,315
I want one.
445
00:22:42,315 --> 00:22:44,355
That's a little, little sparkler.
446
00:22:44,415 --> 00:22:45,045
It lives right there.
447
00:22:45,465 --> 00:22:47,795
Right there, there.
448
00:22:48,765 --> 00:22:49,495
See, sorry.
449
00:22:49,515 --> 00:22:51,425
Just fills in the gaps between your rocks.
450
00:22:52,355 --> 00:22:54,665
Got little Bushies of living all out here.
451
00:22:55,115 --> 00:22:58,985
Sometimes they grow homeless right
on the rocks over on the other side.
452
00:22:59,105 --> 00:22:59,885
Same thing.
453
00:22:59,945 --> 00:23:01,025
Let's put a few over here.
454
00:23:02,295 --> 00:23:02,895
There we go.
455
00:23:03,555 --> 00:23:07,155
We're a little more of, let's try
to leave yellow ochre on there.
456
00:23:07,395 --> 00:23:07,785
Ooh.
457
00:23:12,495 --> 00:23:14,055
Something right in here.
458
00:23:14,865 --> 00:23:14,955
Okay.
459
00:23:15,545 --> 00:23:18,545
Maybe there's one that maybe
he grew right down there.
460
00:23:19,535 --> 00:23:24,125
See, over here, there's another
happy little happy little
461
00:23:24,125 --> 00:23:25,655
Bush tea just lives in there.
462
00:23:26,955 --> 00:23:27,675
Has a good time.
463
00:23:28,395 --> 00:23:33,425
This would be a nice place for
a Bush to live right in here.
464
00:23:34,774 --> 00:23:35,345
All right.
465
00:23:36,365 --> 00:23:36,945
Yeah.
466
00:23:37,715 --> 00:23:38,554
Take the knife.
467
00:23:39,095 --> 00:23:42,095
Just scraped through here and there
and let a little, the black canvas show
468
00:23:42,095 --> 00:23:45,034
through look like dark sticks and twigs.
469
00:23:47,370 --> 00:23:51,000
I'm going to take the small
knife today, little bit of white,
470
00:23:51,450 --> 00:23:52,470
but the least little touch.
471
00:23:52,470 --> 00:23:59,070
If they look blue in it, li
little touch li a little touch,
472
00:23:59,250 --> 00:24:01,169
pull it out, flat, cut across.
473
00:24:01,409 --> 00:24:04,919
That's all there is to it,
least little touch though.
474
00:24:04,919 --> 00:24:06,840
If they look legit
enough to sort of flavor.
475
00:24:06,929 --> 00:24:10,080
Now, I'm going to start working
a few little water lines all
476
00:24:10,080 --> 00:24:11,580
the way around these rocks.
477
00:24:13,770 --> 00:24:14,280
I cat.
478
00:24:16,439 --> 00:24:16,830
They go.
479
00:24:18,030 --> 00:24:21,419
And that's really about all you have
to do to make this look like water.
480
00:24:22,620 --> 00:24:25,439
Just put a few of these little things
right around the stones you there.
481
00:24:26,429 --> 00:24:31,439
This is one of the nicest, easiest
ways I have ever found to make
482
00:24:31,439 --> 00:24:32,909
some of these gorgeous effects.
483
00:24:33,179 --> 00:24:33,929
Just like that.
484
00:24:35,970 --> 00:24:36,659
There we go.
485
00:24:38,250 --> 00:24:41,370
And a few on the other side, we'll
have a finished painting here.
486
00:24:42,150 --> 00:24:42,780
What do you think?
487
00:24:43,860 --> 00:24:45,060
It's this one you'd like to try?
488
00:24:46,260 --> 00:24:48,600
You know, I'd love to see
some photos of your work.
489
00:24:48,600 --> 00:24:51,660
So if you have time drop me a line,
let me know how it's working for you.
490
00:24:52,170 --> 00:24:55,860
Send me some pictures there with that.
491
00:24:57,300 --> 00:24:58,650
I think we've got a finished painting.
492
00:25:00,890 --> 00:25:03,080
We'll call that one done
from all of us here.
493
00:25:03,170 --> 00:25:04,550
I'd like to wish you happy painting.
494
00:25:05,340 --> 00:25:06,350
God bless my friend.
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