Bob Ross's

The Joy of Painting

S21E12 - Lone Mountain

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Hi, welcome back.

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I've got another little friend here today,

and this is just a little baby Robyn,

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and he's just the cutest little thing.

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And he's a little nervous about

being here in the studio with all the

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lights and he's probably three or four

weeks old, but isn't, he precious?

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Just a little baby when

I like his little Robins.

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Cause they have one of the

nicest personalities of any

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birds going like a, that.

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And probably in about another three

or four weeks, he'll be ready to

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release him, send back to the wall.

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So let's start out today and have

him run all the colors across

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the screen that you need to paint

along with this mother doing that.

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When you come on up here, let

me show you what I've got done.

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And I'll set this little fellow down.

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There you go.

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Okay.

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You said right there.

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I have my standard old 18 to

24 inch canvas, but do you use

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whatever size makes you comfortable?

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It's covered with liquid white.

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It's all wet and ready to go.

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So let's go out today.

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We just do a fun, little

painting, something that's quite

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easy and the children enjoy.

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Take a little bit of the we'll

use little Indian, yellow today.

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Very little.

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I just want to put out at least little

hint of a yellow glow back here.

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I think I'll put a little mountain.

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Yeah.

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So just the least little amount

of a glow, a yellowish glow

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coming up behind me and out.

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So very, very little

of this Indian, yellow.

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A little goes a long, long way.

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Cause it'll mix her the liquid white

and it'll spread all over the canvas.

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If you want it to, we just found

this very smelled of mouth,

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something about like that.

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And then we'll take a little touch.

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We'll use a little bit of it.

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They look blue, use a

little, a little bit.

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I like it.

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That's a very pretty blue,

very, very shiny blue.

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What makes you happy to look at it?

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We'll go right up here at the top, make

our little crisscross strokes, blue Xs.

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See they're both sides of the brush.

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See how you use both sides.

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Go ahead.

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Let's start at the top, work all

the way across and then begin

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working downward in layers.

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And that way automatically it picks up

the liquid white and it gets lighter

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and lighter toward the horizon.

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And that's exactly what we're

looking for in a landscape.

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Okay.

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Maybe down to about like yet that's

good enough for what we're going

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to do today now then can you hot

while we have it all blue on there?

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A little more thought, a

little blue retrain next door.

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Get a little bit of a

thing, a little green.

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So we have the little green.

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I think they little blue just sort

of mix them together on the brush.

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If they look green is another color.

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That's extremely strong.

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Be careful, but eat up your

whole world in a heartbeat

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and just pull from the outside yet.

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I'm going to make.

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A little water down here, I think today.

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So both from the outside again,

like, so a little more of the paint

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started on the other side, do the

same thing, same exact thing on leave

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little area open right in there.

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So it looks like the light

shining across the water.

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Homer finished with her painting.

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Okay.

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And wash the old brush.

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That's the fun part of this.

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That's the fun part, shake off the

excess and just beat the devil out of it.

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Oh my goodness.

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Now we're clean breasts and makes them

go gently across this entire water area

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that lighter we had in there will remain.

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Okay.

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Knock off any excess paint

where these two come together,

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I'm just going to blend them.

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I'd be very careful when you're using

blue and yellow in the same sky, or

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you'll end up with a brilliant green sky.

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Very careful.

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The only reason we're getting away

with this because the liquid white

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was on here and we've diluted

this yellow till it's almost.

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Nothing, but liquid white up

there, but it still has a little

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bit of yellowish flavor in it.

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Okay.

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And I beat the breasts just to

knock excess paint off without

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going through the whole cleaning

procedures and layman's terms.

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That's called laziness because I

don't want to have to clean it again.

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Right.

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Let's do a nice big,

strong mountain today.

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We're going to use some black, a lot of

black Vandyke Brown, and let's put some,

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put a little bit of the blue in there.

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We'll use a little, a little

bit of a theme, a little blue.

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You could use the lower pressure.

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I think I'll use the loo in this

particular one very dark color.

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King cut off our little roll of

paint, right on the edge there.

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And let's go right up in

here and make a big decision.

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Maybe our mountain

lives right about there.

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Get a little more of that color

comes out, maybe soon, whatever,

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whatever she has to put in.

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I'm just going to put the top

of the mountain in right now.

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Just the top.

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We're going to put all kinds

of little doers on this man

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there, stop him right there.

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And I'm going to mix up some white

sort of her mind and would issues a

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little bit of that little bit of the

midnight black, make a nice gray color.

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That's going to be our highlight

color, maybe a little bit darker, just

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black and white, white, and black.

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But have your preference for shadow

on use black and white and a little

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touch of depression, blue and not much,

it has enough alluded to flavor it a

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little, but I want the shadow color,

needless to say, to be much darker than

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a highlight color, but do you have the,

not as dark as the base of the mountain?

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Okay.

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To me wipe the whole knife.

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Now then let's take, cover my head up in

here and I'm just going to touch this.

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And sort of let it just bounce so that

it breaks, but see what's happening.

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Just let it sorta rate

going in that direction.

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Right up in here.

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Something like, so wherever

grab the small knife.

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Now we're going to use a small knife

come right along in here and just put.

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An indication of some shadow back in here.

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There we are.

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Maybe I'll put just the least little

touch, more blue into my shadow.

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Ooh, that's nice.

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I like that better like that better.

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Well, blew it up a little

stands out and better there.

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So it makes the indication of a big old

square looking mountain up there now.

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Right in here just using titanium white.

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I'm just going to touch, just

touch, just let it just sort

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of bounce and play along there.

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Maybe we'll have a big old

glacier here in this one.

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Do you to sort of touch it

then Champlin, polite, gently.

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Then we'll put the least

little touch of fellow blue in

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there at least little touch.

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So it looks like a little

shadow area here and there.

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Okay.

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It looks like there's a

little Ridge right there.

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Okay.

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Just keep working right on down.

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Okay.

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Right on down wherever you want it to go.

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Think about it.

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A little glacier though, that

lives right here in this mountain.

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Fair.

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Okay.

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Look at all the snow cones

you could make with that.

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All right.

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And then we'll just begin

blending that together.

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Very gently.

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Now, over here, on the other side,

we had a little fellow blue in that

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one on this side, I'm going to use

a straight titanium white there and

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just let it go the opposite direction.

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But I want this to be brighter.

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Or to the white and the other side.

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So you can distinctly tell that

there's a light side and the dark

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side to this little shadow back here.

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Yeah.

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Just sort of apply to that, like that.

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And we can go back clean and

very, very dry brush and grab it

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and lifted following the angles.

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Something like, so, yeah.

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And that'll sort of bring it all

together and that's one of the

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nicest, easiest ways of creating

the illusion of a little glacier.

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And let's go back here and have

some dark color, maybe right there.

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Maybe there's another little

door right in there and maybe.

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Since this is our world.

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We can do anything they want

to, maybe there's a little more

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snow you can see right in there.

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Just a little though.

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We don't want a lot, just

a little they're good.

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They're good.

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Clean dry brush.

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Gently, gently, gently

blend it back together.

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Just blend it back together.

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Or highlight colors.

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Just.

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Basically black and white,

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a little bit of our shadow color

can sneak right back in there.

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All right.

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And we need to a little touch of

color right on that little rascal.

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We don't want him left out.

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Okay.

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And maybe.

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Then you have to start

making big decisions here.

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Where does all these little

peaks and valleys and all those

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things live in your world?

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Maybe that comes right around.

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I don't know.

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I don't know.

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Yeah, I do.

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There it is.

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See, just make a decision, drop it in.

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Yeah.

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If you can make some of the most

gorgeous mountains doing this and

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at home, you have unlimited time, so

you can really do a fantastic job.

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And so mean director here.

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She has no sense of humor.

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If I go over 30 minutes, there we go.

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So home, you can do this, just

take your time and make beautiful.

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Beautiful.

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Thanks.

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Send me some photographs

of what you're doing.

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I love to see them and every once in a

while, we put them all together and make

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a little board and show it on TV of what

people are painting all over the country.

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It's unbelievable what people are doing.

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I get a lot of letters from young

friends that are doing some of

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the most gorgeous paintings.

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Absolutely spectrum there

and make a little shadow.

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Just sort of figure out where you think

the highlights and the shadows would live.

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Okay.

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Maybe this one comes right down.

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I can't, it makes the illusion

then of a little Valley in there.

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Just like, yeah.

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Okay.

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But this is just black and white or white

and black or any combination in between.

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A little dark, gotta have that dark.

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So the light will show.

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And I like the contrast here that

stark black color against the gray.

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That's what really makes

us stand out there we are.

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And no, this is, this is not any

particular mountain, to be honest,

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I've just sort of making it up.

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But maybe where you live, there is a

mountain around that you'd like to paint.

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And this will show you how to do it.

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Just sorta look at the mountain

that's in your area and

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using those basic principles.

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You can paint your own mountain

and your way that you want him.

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Maybe a little highlight out there

and here and there and there inherit

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a little bit of the little bit

of the shadow colors will show.

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I don't want to lose that nice darkness.

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I'm not going to put a

bunch of shadows in there.

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We are, maybe there's a little

shadow right there though.

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And a little highlight right above it.

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Maybe there's another little

shadow that comes right down.

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Like yeah.

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Fantastic.

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What you can do with people will

put enough looking thing and little

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practice and you can do this.

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You can do anything that

you believe you can do.

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And I know you can do this, so

certainly, you know it, yeah.

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Isn't that a cute little Robin at the

beginning of the show, like little

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rascal Robins have some of the nicest

personalities of any of the birds I've

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met and I've raised a lot of little

birds and they may be my favorite.

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There's a lot of exotic birds around

the, to look at, but sometimes

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the little common birds that we

see every day and we take for

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granted can be the most beautiful.

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If you just take the time to get to

know them, one of the best ways to put

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a feeder out of the yard and watch,

watch how many little critters show up.

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I just beat some of that

paint off the brush there.

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A bit over in here.

252

00:14:49,035 --> 00:14:53,445

I remember just recently my partners

walked in the net, put a bird feeder

253

00:14:53,445 --> 00:14:56,145

out in the net called me and she

says, I don't think the birds like me.

254

00:14:56,925 --> 00:15:01,365

There's no birds around, told

her just to wait a day or two

255

00:15:02,895 --> 00:15:04,815

within probably probably a week.

256

00:15:05,055 --> 00:15:07,275

She called back and she says,

I can't keep enough food in the

257

00:15:07,275 --> 00:15:08,415

house to keep them all going.

258

00:15:09,225 --> 00:15:12,435

And just a matter of maybe a

week, they had found her feeder.

259

00:15:13,530 --> 00:15:17,010

And when she was in business, I'd tell

you she had more birds running around

260

00:15:18,240 --> 00:15:22,680

and now we've got Walton dressed in

it and he's out with his video camera.

261

00:15:22,680 --> 00:15:25,140

They become his special

little critters now.

262

00:15:27,060 --> 00:15:28,410

So we have another convert.

263

00:15:29,700 --> 00:15:30,120

Okay.

264

00:15:31,230 --> 00:15:31,410

Now.

265

00:15:31,470 --> 00:15:36,480

Yeah, I can get on my soap box about the

little birds, but that's a nice way of

266

00:15:36,480 --> 00:15:41,370

making it a very effective little mountain

and you change it to match a mountain

267

00:15:41,370 --> 00:15:42,690

that you want to have in your painting.

268

00:15:42,720 --> 00:15:44,310

We just want to show you how to make one.

269

00:15:45,540 --> 00:15:46,140

All right.

270

00:15:46,180 --> 00:15:47,790

Let's take black.

271

00:15:47,940 --> 00:15:49,650

We'll use some expression and blue.

272

00:15:51,074 --> 00:15:56,895

Prussian blue shoot on grab some

it's the little green there.

273

00:15:56,895 --> 00:15:58,814

We may be a little Bandag Brown.

274

00:16:00,975 --> 00:16:03,074

There may be a little lizard Crimson.

275

00:16:03,074 --> 00:16:03,615

I like it.

276

00:16:03,975 --> 00:16:05,985

That gives it a nice flavor.

277

00:16:07,245 --> 00:16:07,935

Okay.

278

00:16:08,324 --> 00:16:10,714

Now then clean off this old knife.

279

00:16:12,125 --> 00:16:12,545

That's fine.

280

00:16:12,545 --> 00:16:14,435

As a fan brush from here.

281

00:16:15,675 --> 00:16:19,515

Maybe in our world back here at the

base of this mountain, we have some

282

00:16:19,515 --> 00:16:26,325

nice little trees, little friendly trees

there, and we want to save a little

283

00:16:26,325 --> 00:16:29,055

mist between the trees and the mountain.

284

00:16:29,115 --> 00:16:31,875

Otherwise the trees will just

sort of disappear right into that.

285

00:16:32,835 --> 00:16:33,645

Mountain cover.

286

00:16:34,545 --> 00:16:36,705

So we want to save a

little Misty area in there.

287

00:16:37,815 --> 00:16:39,495

It's very important, very valuable.

288

00:16:39,705 --> 00:16:41,235

It's like a good for

him to take care of it.

289

00:16:42,735 --> 00:16:46,485

Take care of it there.

290

00:16:49,665 --> 00:16:50,205

Okay.

291

00:16:50,955 --> 00:16:54,525

Maybe, maybe we have some trees living

all the way back, some right here,

292

00:16:54,795 --> 00:16:58,785

wherever you want them to go, where ever.

293

00:17:00,330 --> 00:17:02,190

And we'll take them one off over here,

294

00:17:05,460 --> 00:17:05,940

man.

295

00:17:06,480 --> 00:17:07,860

Just let them grow and grow.

296

00:17:10,380 --> 00:17:12,270

But all we're doing is

sort of tapping downward.

297

00:17:13,560 --> 00:17:15,660

Let's give it a little downward tap.

298

00:17:17,160 --> 00:17:18,660

Maybe I'll have some big trees over there.

299

00:17:18,960 --> 00:17:20,430

That's a little, sounded like a good idea.

300

00:17:24,455 --> 00:17:26,465

If you decide you're going to

have big trees over here, then

301

00:17:26,465 --> 00:17:27,815

you don't have to paint that area.

302

00:17:29,675 --> 00:17:31,985

Of course, if you change your mind

and you've got to go back, put

303

00:17:31,985 --> 00:17:33,425

them in, but that's all right.

304

00:17:34,925 --> 00:17:40,865

This tapping the base of this

two inch brush firmly to help

305

00:17:40,895 --> 00:17:42,755

create that illusion of the mist.

306

00:17:43,845 --> 00:17:45,254

And I'm going to lift up a little bit.

307

00:17:46,305 --> 00:17:48,495

I don't know anything you don't

like that you can just to get there.

308

00:17:49,245 --> 00:17:51,905

No baby quiet.

309

00:17:51,905 --> 00:17:55,024

It's not a mountain.

310

00:17:55,585 --> 00:17:56,165

Oh gosh.

311

00:17:58,685 --> 00:17:59,825

Like big mountains.

312

00:18:01,415 --> 00:18:03,004

Tell you one, tell you fine.

313

00:18:04,145 --> 00:18:04,715

Take a little bit.

314

00:18:04,715 --> 00:18:05,495

Same color.

315

00:18:06,335 --> 00:18:07,625

Save a little Misty area.

316

00:18:08,135 --> 00:18:08,585

Maybe.

317

00:18:08,970 --> 00:18:14,340

We said we was going to have

some water pull straight down the

318

00:18:14,340 --> 00:18:16,920

same color, the same exact color.

319

00:18:18,920 --> 00:18:19,520

There we go.

320

00:18:27,044 --> 00:18:27,794

Take another brush.

321

00:18:27,794 --> 00:18:29,115

It didn't have so much pain on it.

322

00:18:31,635 --> 00:18:38,355

Now go gently across and

that quick we have instant

323

00:18:38,355 --> 00:18:41,355

reflections, instant reflection.

324

00:18:41,385 --> 00:18:45,225

You can take a fan brush with

a little bit of light color,

325

00:18:45,524 --> 00:18:47,324

white, whatever, lift upward.

326

00:18:47,804 --> 00:18:51,284

And it looked like a little,

little tree trunks far away,

327

00:18:51,705 --> 00:18:53,024

or you can do it like this.

328

00:18:54,030 --> 00:18:56,970

And lift up and see, it'll

make another plane there.

329

00:18:57,210 --> 00:19:00,090

It looks like a little,

little Ridge or something.

330

00:19:00,090 --> 00:19:02,400

There creates another

plane in your painting.

331

00:19:03,210 --> 00:19:06,240

And the more planes that you have

in your painting, usually the more

332

00:19:06,240 --> 00:19:07,890

depth and distance you'll have in it.

333

00:19:09,570 --> 00:19:11,520

That's a sneaky little way

though, of getting an extra

334

00:19:11,520 --> 00:19:13,050

plane without working for it.

335

00:19:15,000 --> 00:19:16,560

Well, he's not working much.

336

00:19:17,160 --> 00:19:20,340

Maybe, maybe we're doing

a little pit to me.

337

00:19:20,340 --> 00:19:21,390

Painting's not work.

338

00:19:21,540 --> 00:19:24,870

It's just fun to take a little

bit of that same dark color.

339

00:19:26,774 --> 00:19:28,155

Oh, a little peninsula right here.

340

00:19:29,024 --> 00:19:34,635

Just drop it here and

underneath it, pull down.

341

00:19:35,625 --> 00:19:41,385

And once again, we have a little

reflection saw there's two, it take it.

342

00:19:41,385 --> 00:19:44,595

Same color, go into a little bit of the

CAD, yellow and yellow ochre, Indian,

343

00:19:44,595 --> 00:19:47,055

yellow, and it'll make a nice green.

344

00:19:49,004 --> 00:19:50,745

We can put some highlights

right there on that.

345

00:19:52,560 --> 00:19:53,139

They're there.

346

00:19:55,220 --> 00:19:55,379

They're

347

00:19:59,790 --> 00:20:00,240

there.

348

00:20:00,240 --> 00:20:01,860

We give them, I was tired of many.

349

00:20:01,860 --> 00:20:05,939

You want maybe comes back to that.

350

00:20:06,000 --> 00:20:11,159

I can, let's take a little dark

Sienna, little white, mix it

351

00:20:11,159 --> 00:20:13,830

together, make it a brownish color.

352

00:20:15,060 --> 00:20:16,050

Let's go back in here.

353

00:20:16,740 --> 00:20:18,510

Firmly lay in the indication.

354

00:20:19,280 --> 00:20:22,110

Have a little bit of land

that lives we'd back here.

355

00:20:23,250 --> 00:20:27,270

I'm rubbing it quite firmly into

the canvas because I want the

356

00:20:27,270 --> 00:20:28,860

color to stand up too bright.

357

00:20:30,419 --> 00:20:30,929

Just enough.

358

00:20:30,929 --> 00:20:33,780

So you can see there's a

little, little dirt back here.

359

00:20:35,490 --> 00:20:35,970

There we are.

360

00:20:42,330 --> 00:20:44,610

And then we can take a little

touch of the liquid, right?

361

00:20:44,850 --> 00:20:46,379

I want to add a little, a little touch it.

362

00:20:46,379 --> 00:20:47,189

They look blue to it.

363

00:20:47,189 --> 00:20:47,669

Not much.

364

00:20:48,690 --> 00:20:53,270

Just to dull it down a little and here

and there and there in here and put the

365

00:20:53,270 --> 00:20:54,830

indication of a little, little water.

366

00:20:54,960 --> 00:20:55,280

They're lying.

367

00:20:57,140 --> 00:20:57,590

There

368

00:21:00,860 --> 00:21:01,910

don't want too much.

369

00:21:03,500 --> 00:21:04,070

Alright.

370

00:21:06,500 --> 00:21:06,980

Okay.

371

00:21:06,980 --> 00:21:09,260

We're going to start making

some big old decisions here.

372

00:21:10,635 --> 00:21:19,035

Maybe in our rural home, maybe

an hour, there is maybe there's

373

00:21:19,035 --> 00:21:23,295

another little peninsula or bigger

peninsula that comes right down.

374

00:21:23,895 --> 00:21:27,825

Something like there, wherever you decide.

375

00:21:30,135 --> 00:21:32,835

And underneath it, once

again, we need a reflection.

376

00:21:33,585 --> 00:21:36,015

If you ever do a painting

and it looks like the land

377

00:21:36,255 --> 00:21:37,995

appears is floating in the air.

378

00:21:38,399 --> 00:21:41,760

Chances are you forgot to reflections

and it'll give the indication

379

00:21:41,760 --> 00:21:43,260

that is floating above the water.

380

00:21:43,320 --> 00:21:48,659

Instead of in the water, you need some

kind of little, little reflection to

381

00:21:48,659 --> 00:21:50,970

set the, the land down into the water.

382

00:21:53,070 --> 00:21:53,490

Okay.

383

00:21:59,294 --> 00:22:01,575

And just wiping off any

excess paint that's on there.

384

00:22:03,625 --> 00:22:09,735

Little bit of the CAD, yellow, yellow

ochre, and Danielle, once in a while,

385

00:22:09,735 --> 00:22:14,235

a little touch of the bright red, not

too much, it eat up your whole world.

386

00:22:15,825 --> 00:22:18,465

And maybe I back here, we

put a little highlight,

387

00:22:21,764 --> 00:22:23,955

some happy little things that

are growing right on here.

388

00:22:24,615 --> 00:22:26,715

So you need that to

dark or this won't show.

389

00:22:27,675 --> 00:22:33,575

Absolutely show cause the light against

life gives you nothing or dark against

390

00:22:33,595 --> 00:22:35,475

dark gives you absolutely nothing.

391

00:22:37,245 --> 00:22:37,905

There we go.

392

00:22:41,055 --> 00:22:45,825

Pull it down once again,

back to that dark Sienna,

393

00:22:48,925 --> 00:22:50,475

start Santa a little quiet in it.

394

00:22:51,915 --> 00:22:53,715

Do you want us to put the indication here?

395

00:22:55,215 --> 00:22:57,555

Some little something, a

little bit of the liquid white.

396

00:23:00,735 --> 00:23:01,335

There we go.

397

00:23:02,955 --> 00:23:03,675

Let's build this out.

398

00:23:04,035 --> 00:23:09,015

Let's build this a happy little tree or

two or three or four or however many.

399

00:23:09,615 --> 00:23:10,215

There he is.

400

00:23:10,740 --> 00:23:12,030

Big old tree list right there.

401

00:23:13,260 --> 00:23:18,990

She had some side to side, like,

so see how that stands out against

402

00:23:18,990 --> 00:23:20,219

that little bit of yellow back here.

403

00:23:21,570 --> 00:23:23,250

We don't care what it

looks like on the bottom.

404

00:23:23,250 --> 00:23:24,689

Cause we separate that later.

405

00:23:24,899 --> 00:23:25,709

There is another one

406

00:23:29,219 --> 00:23:31,649

let's see down here, you can just

do anything that you want to do

407

00:23:32,669 --> 00:23:36,179

that manner and all there's one.

408

00:23:37,469 --> 00:23:39,480

You decided to, how many

trees live in your world?

409

00:23:43,635 --> 00:23:44,745

I just want a dark and at all.

410

00:23:44,745 --> 00:23:45,615

And a real good there.

411

00:23:50,015 --> 00:23:52,325

Maybe, maybe, maybe, maybe you're right.

412

00:23:52,445 --> 00:23:53,105

There is another one.

413

00:23:53,105 --> 00:23:58,085

Yeah, they're just back and forth though.

414

00:24:01,475 --> 00:24:08,435

They're not a nice way though, to make

some very effective little evergreens.

415

00:24:09,135 --> 00:24:11,235

Let's put, let's put one

or two on the other side.

416

00:24:11,235 --> 00:24:12,135

We don't want it left down.

417

00:24:13,574 --> 00:24:14,084

There it is.

418

00:24:16,125 --> 00:24:19,395

That comes once again.

419

00:24:19,425 --> 00:24:24,344

Watch that yellow dark, dark color

against the why it's in there.

420

00:24:26,084 --> 00:24:27,375

Just for the contrast.

421

00:24:31,215 --> 00:24:32,115

Maybe this one here.

422

00:24:32,145 --> 00:24:33,375

It's got a little tilt on him.

423

00:24:40,935 --> 00:24:44,585

Anyway, let's go back to your old brush.

424

00:24:44,585 --> 00:24:47,405

It has a dark color in it

that old two inch brush.

425

00:24:48,270 --> 00:24:56,400

Maybe this comes right down

right on down the swings back up.

426

00:24:59,040 --> 00:25:01,770

Does you ever know you had so much power

that you could do things like that?

427

00:25:04,110 --> 00:25:06,750

Like sort of looks like

a little heart back here.

428

00:25:07,350 --> 00:25:09,660

Our Valentine painted in this here.

429

00:25:09,660 --> 00:25:10,590

We can just paint in.

430

00:25:10,740 --> 00:25:14,550

It doesn't much matter, much matter.

431

00:25:16,500 --> 00:25:17,040

There we go.

432

00:25:18,740 --> 00:25:23,840

But this end with an old shoe, I

guess if you wanted to go back and

433

00:25:23,840 --> 00:25:26,150

target yellows, yellow, ochre Indian.

434

00:25:27,020 --> 00:25:27,260

Yeah.

435

00:25:27,890 --> 00:25:31,720

Little caddy yellow, and began picking

out the little highlights here.

436

00:25:31,760 --> 00:25:33,530

The little grassy areas

that they've read them off.

437

00:25:36,050 --> 00:25:37,160

You work with this a little bit.

438

00:25:37,160 --> 00:25:42,320

You'll be surprised at the effects you

can make with a big old two inch brush.

439

00:25:43,995 --> 00:25:50,615

There maybe here and there there's a

little Bush just sort of hangs out here.

440

00:25:54,635 --> 00:25:57,814

There is pay attention to

the lay of the land here.

441

00:25:57,814 --> 00:26:02,524

You don't want to just throw these

in a random lay of the land is very,

442

00:26:02,524 --> 00:26:04,564

very important, very important.

443

00:26:05,284 --> 00:26:09,125

It'll make or break your painting there.

444

00:26:10,455 --> 00:26:13,215

Over here on the other

side, can't leave him out.

445

00:26:14,294 --> 00:26:17,625

But a few little things

come right down like it,

446

00:26:24,735 --> 00:26:25,754

something like, so

447

00:26:32,235 --> 00:26:34,725

let's do just a second left here.

448

00:26:34,725 --> 00:26:38,685

So I'm going to put just the

indication of a truck here and there.

449

00:26:40,814 --> 00:26:46,235

There we go, let's take a fan brush

with a little bit of green on it.

450

00:26:46,385 --> 00:26:47,885

Put some highlights on these trees.

451

00:26:48,155 --> 00:26:49,445

We about to have a finished painting.

452

00:26:49,445 --> 00:26:52,715

Once we've done that, think about

where the light's coming from.

453

00:26:53,104 --> 00:26:55,205

Our mountain indicates

is coming from the right.

454

00:26:56,735 --> 00:26:59,074

So that's where we want

emphasis on the trees too.

455

00:27:01,264 --> 00:27:04,834

There we are little highlight on there.

456

00:27:07,440 --> 00:27:09,060

No on this one, don't

want much on that one.

457

00:27:09,060 --> 00:27:12,929

Cause it's behind and this

one's in the foreground.

458

00:27:14,010 --> 00:27:15,389

You have to make those decisions.

459

00:27:16,649 --> 00:27:19,350

Let alone this one and we'll

call this old painting.

460

00:27:19,379 --> 00:27:21,510

Finished hope you've enjoyed this one.

461

00:27:22,350 --> 00:27:24,540

It'll certainly teach

you how to use the tools.

462

00:27:25,260 --> 00:27:28,919

And I think you'll find it very,

very rewarding from all of us.

463

00:27:29,070 --> 00:27:30,330

Like to wish you happy painting.

464

00:27:31,020 --> 00:27:32,129

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S21E12 - Lone Mountain

Bob Ross's

The Joy of Painting

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