Bob Ross's

The Joy of Painting

S17E11 - Morning Walk

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Hi, I'm glad you could join me

today because it's a fantastic day.

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And I thought today would just do a

beautiful little painting together.

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So I tell you what, let's start out,

having run all the colors across the

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screen that you need to paint along

with me while they're doing that.

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Let me tell you what I've

already done up here.

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I have my standard old canvas up here.

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Now use an 18 by 24 inch because

it fits the television screen.

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Pretty good, but you, you use whatever

you want and I've just taken black Jesso

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and painted some basic shapes here.

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Well, that's, it looks like a.

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Big design in there.

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Just some basic shapes.

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I have some ideas of where I

want some little trees to be.

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The black Jessa was

allowed to dry completely.

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And then on top of that, this time

I've taken a little bit of liquid

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clear and very, very small amount.

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And I put a little of that on there

and it makes putting a dark color on a

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transparent color, much, much easier.

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And for the transparent color, we've

just used a mixture of alizarin,

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Crimson, and a little thalo blue in

it to make sort of a lavender color.

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Now I've covered the entire

dark area with that lavender.

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Appear just liquid white.

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Okay.

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I know that seems like a lot, but

it's really not liquid white and

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a little bit of transparent color.

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In fact, one of the biggest

questions I get is how do I

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tell if a color is transparent?

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Well, the easy way is to take a

little and put it on a black canvas.

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If it still looks black, it's

transparent enough for what we're doing.

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It may not be totally transparent,

but sometimes semi-transparent is,

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is sufficient for what we're doing.

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If you put it on here, a little color.

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And say like quiet.

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It's very opaque.

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You put it on here and it looks

white, then it's not transparent

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enough for what we're doing.

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Okay, good.

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Let's just have some fun today.

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Let's start with the old two inch brush.

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I go into a little touch at the

low blue, just small amount.

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I don't want much just happened

into the bristles and maybe,

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maybe, maybe, yeah, right up here.

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We're just putting a

little touch of skylight.

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I really do not want to have a great

deal here, but like, so that's enough.

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I'm a wash steel brush.

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Very little color up there.

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Here's the fun part I thought today.

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We have taken a little titanium,

white, a little touch of yellow

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ochre in it just a little bit.

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Just want to make a nice little

glow back here, right in here.

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Okay.

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We'll just pretend that's yellow

ochre with a little titanium,

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just in those light areas.

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And just sort of let them

blend together gently.

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Be very careful though, because

yellow ochre mixed with the little

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blue will make a bright green.

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So don't use very much of either

color and be very, very careful.

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That's one of the things since I've

used lavender in here is because if the

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lavender touches the yellow, then all that

happens is it turns a nice brownish color.

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I mean, we don't mind that today.

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Okay, I'll clean off the old brush again.

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Now, then one of the nice things

about using the black Jesso is that

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it paints all the dark areas for you.

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So I'm going to just take this whole

to inspiration, tap into a little

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bit of that nice lavender color

that I've covered black areas with

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and am going to just begin tapping

in some very basic little shapes.

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They're very basic virtually

no paint on the brush.

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I mean, this is.

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Just almost no paint because you can pick

up whatever you need off this area where

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you've already put it again, begin forming

some very, very basic little tree shapes.

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Very basic.

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That's all we're looking for.

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It's just general shapes.

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We're not looking for detail

or anything else at this point.

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All we're looking for is

these nice basic shapes there.

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Maybe in here, just all kinds

of little background things.

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Very soft, very gentle, very quiet

can just barely see them in places.

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Just let them whisper at you.

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But all the time, see the liquid white

is mixing with a colored stone here.

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Then that's all mixing with a color

here and you get these beautiful,

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beautiful blended effects.

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Automatically there.

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You tried to do this

additional painting methods.

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It would take you a long, long time.

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Two, three, this beautiful

Misty effect paint here.

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Actually, you know, if I go

over 30 minutes where they

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have no sense of humor at all,

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put already, you can see all kinds

of little background trees and just,

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just little happy things happening.

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And virtually you have done nothing.

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All you've done to spread

a little color out.

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There, and you begin seeing

shape and form as you do this.

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And when you're doing it at home, don't

just try to copy what I've done here.

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Look at your painting because

every single painting.

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Will be different.

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It'll be unique.

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We don't use any patterns here.

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We don't trace pictures on here and

then try to just fill in the blocks.

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We really teach you how to be

creative, how to use your imagination.

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If you just trace a painting

on a canvas and do it just.

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You know, all you've done is

taken somebody else's idea

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and filled in the block.

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I want to teach you how to

create your own masterpieces.

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Okay.

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Now then just beat it to knock off

the excess paint and the more you

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do this, the softer it'll become.

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It'll just get so soft.

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It just absolutely disappears at 12 wipe

the brush on a paper towel or old rag.

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If you have it, look at that.

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I just love these very

soft blended effects.

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All right, now then tell

you what let's do this do.

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Let me find my liner brush, go into

some paint, thinner, some paint thinner,

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and I want to make a paint here.

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This is very thin.

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Very very thin.

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It'll literally run

red on the pallet here.

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If we're not careful,

it's consistency of ink.

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Turn the bristles, bring

it to a nice sharp point.

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And this liner brush has very, very long

bristles on it holds a lot of paint.

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Now, then we want to put the indication

just here and there of a little

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trunk, few Liam's some sticks and

twigs, little happy things in here.

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There we go.

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See you.

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Just put them in wherever you

think they might live there ever.

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You want.

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And we're using exactly the same color

that we've made the trees out of.

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So it doesn't stand out

too bright or too dark.

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It's the same color.

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Want to retain that there maybe.

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Shoot, maybe over in here, there's

a few that go clean on up through.

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We don't know trees grow just

however it makes them happy.

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They're just as many or as

few as you want in your world.

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Maybe there's one.

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Yep.

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You're right.

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Yep.

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I don't get to ask quite frequently

as it best to make tree branches

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and lambs by pulling and the brush

down or going up doesn't matter.

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It really doesn't matter.

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Some people will find

that it works better.

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One way for them, others

will find it works better.

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The other way, try both ways.

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I find the one that works best for you.

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And there we are.

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Now then you can go back this

brush that we use to do all this

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tapping and just have pear in

there and soften a few of those.

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So you don't see all of it.

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You just see.

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Little areas here and there, and

that really helps push it back again.

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It makes it look even farther

away, even more Misty.

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All right,

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now then let's get the old round brush.

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Round brushes fun.

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Now, then I want to take and

farm back in the distance.

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I'm grabbing little green.

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Be right back.

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Grab a little bit green.

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I want this very dark though.

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It's too bright.

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So I'm going to put a

little bit of black into it.

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Maybe, maybe a little,

this lavender there.

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I want this dark cause

I want it very subdued.

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Very quiet.

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Don't want this to stand out and bite you.

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Okay.

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That it may be.

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Back in here.

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You can make out the indication.

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Just barely though.

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I have some basic little tree and

Bush shapes just barely though, but

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again, thinking about little individual

things that are happening in here.

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As I say, these are very far

back in the shadows or they're

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quiet and you're painting.

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Maybe you want to invite her if you do.

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Oh, you have to do add a little bit

of a yellow, the yellow cur, whatever.

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They all get brighter on it.

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And against this black background,

they jump out like a firecracker.

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But today we want to keep them

sort of subdued in this painting.

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Maybe up in here, we're beginning to see

the indication of a few little things.

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We can drop those.

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And also all we're looking for

is very distant, little shapes.

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For very distant little shapes there.

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Don't worry about it too much at this

time, because you're not committed.

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It's certainly not committed

these trees right in this area.

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I'm going to leave them alone.

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I want him to remain that quiet, that

subdued they're going to be far, far away.

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You can do this with

a multitude of colors.

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I just happened to like lavender today,

but you can do it with any color you want.

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You could do it with pinks or blues or.

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Whatever makes you happy.

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As you've heard me say a million

times, painting should make you happy.

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If it doesn't make you

happy and something's wrong,

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you're doing the wrong thing.

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Doing the wrong thing.

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It's like working the man

that does the best job.

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It's a man.

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Who's happy at his job there.

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And for half my life, I did a job that I

really wasn't happy with did it because I

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didn't, I didn't have anything else to do.

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And then I started doing this and this

has made me happier than anything that

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I've ever known and painting can change

your life can change everybody's life.

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I get letters every day from people who

have discovered, discovered the show.

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Maybe, maybe they were, maybe they were

sick for a few days or they were injured.

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And they happened to be laying at

home and flipping the channels and

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they come upon the show and they

sorta sorta get captivated by it

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and they continue to watch it.

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And it has literally changed hundreds and

hundreds of thousands of people's lives.

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I'm using a little green

here on the big brush.

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I get a lot of letters from people who

have retired from an occupation and they

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want something to do with their time.

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And this is one of the

most fantastic things.

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And I think everybody at one time or

another in their life has had the desire

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to create something, to put something on

canvas, and we make it very simple here.

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You can do it.

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I'm just going to tap in some little

soft little grassy areas right in there.

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Maybe that comes right on back wherever

you want them to sort of think about

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it, but I want them to get very, very

dark and that lighter you up here.

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I can hear quiet, quiet, quiet,

barely, barely can't even see them.

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Fairly quiet.

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And this is where we begin worrying

about things like the lay of

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the land and how the land flows.

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Now, the more you tap this, the darker

it will become because it'll pick up that

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lavender color that you have underneath.

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And it'll literally just disappear.

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Basically.

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If you tap long enough, it'll go.

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It'll leave you here.

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Okay.

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Tell you what, maybe there's

a little path in here.

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That's just a perfect

place for a little path.

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We'll take a little bit and

back a little dark Sienna.

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A little touch, a little

touch of yellow in it.

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Not much.

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I mean, white, I'm sorry.

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I said yellow.

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When you get old, the mine goes there.

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We are pull it out.

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Flat, cut across.

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We can our little roll

of pate right out here.

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Now, then we're going to

have a little path in here.

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Let's just take barely

touching the canvas.

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Just caress it, rub it gently.

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There are some decisions where does this

little path there, where does it go?

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You have to decide those

things in your world.

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You have absolute and total power.

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And this canvas is your world.

247

00:13:47,790 --> 00:13:48,960

And you can do anything here.

248

00:13:51,930 --> 00:13:53,550

Anything that you want to do.

249

00:13:55,530 --> 00:13:56,190

There we go.

250

00:13:58,860 --> 00:14:00,949

Oh, you have to do is have

a vision in your mind.

251

00:14:00,959 --> 00:14:04,730

You're willing to practice a

little bit and place it on canvas.

252

00:14:09,170 --> 00:14:13,490

That'll give us basic

basic shape for a path.

253

00:14:15,069 --> 00:14:19,370

I'm gonna take a clean, dry brush

and very lightly, very lightly.

254

00:14:19,430 --> 00:14:24,020

I want to just make this a little

more subdued, a little more quiet.

255

00:14:25,560 --> 00:14:32,520

So just by gently, gently brushing it

that easy it'll become much, much softer.

256

00:14:34,470 --> 00:14:39,180

And once again, it's picking up that

lavender color this underneath and

257

00:14:39,180 --> 00:14:41,460

automatically it'll get darker and darker.

258

00:14:42,630 --> 00:14:42,840

Okay.

259

00:14:42,840 --> 00:14:44,340

A little more of my dark green hair.

260

00:14:44,550 --> 00:14:49,650

It's two inch brush and just push

that brush gets out a little Ridge

261

00:14:49,650 --> 00:14:52,560

of paint right out on the right

hand of the edge of the bristles.

262

00:14:53,415 --> 00:14:55,125

And that's what you're

actually painting with.

263

00:14:56,205 --> 00:14:56,475

Okay.

264

00:14:56,505 --> 00:14:57,314

Let's go right up here.

265

00:14:58,575 --> 00:15:01,905

Now, once again, begin thinking

about the lay of the land here.

266

00:15:02,985 --> 00:15:05,655

So you have putting that in,

it pushes the path back because

267

00:15:05,655 --> 00:15:07,725

it's in front work, in layers.

268

00:15:09,615 --> 00:15:12,795

There's the thing in your mind

that bothers to way and then

269

00:15:12,795 --> 00:15:14,145

work forward forward forward.

270

00:15:16,575 --> 00:15:17,115

There we go.

271

00:15:20,595 --> 00:15:22,815

Can we just let that disappear

back in here somewhere?

272

00:15:24,615 --> 00:15:25,185

All right.

273

00:15:25,635 --> 00:15:29,015

The reason I started putting this liquid

clear on the black, the forefoot color.

274

00:15:29,445 --> 00:15:32,925

I've got so many letters from people

saying that it's so difficult to put this

275

00:15:32,925 --> 00:15:38,295

very dry from paint over black, that they

either get too much or like me, the arm

276

00:15:38,295 --> 00:15:39,705

gives out before they get it all off.

277

00:15:40,185 --> 00:15:44,955

If you put just the least, and I can't

say that enough, the least little touch

278

00:15:44,955 --> 00:15:49,695

of the liquid clear on first, then your

color will literally just slide out.

279

00:15:50,325 --> 00:15:54,435

But probably the biggest single

mistake made is applying too much.

280

00:15:55,230 --> 00:15:56,670

Too much has gone to the side here.

281

00:15:58,770 --> 00:16:02,189

And if you apply too much, Oh,

that's worse than not having any.

282

00:16:03,240 --> 00:16:05,040

So be very sparing with it.

283

00:16:05,040 --> 00:16:08,160

Be very careful, be a Scrooge with it.

284

00:16:08,160 --> 00:16:08,880

Hang on to it.

285

00:16:09,660 --> 00:16:10,230

There we are.

286

00:16:12,380 --> 00:16:15,610

Then we can just take a fan

brush and just gently go in here

287

00:16:15,610 --> 00:16:17,610

and bring all this together.

288

00:16:18,360 --> 00:16:19,140

Very lightly.

289

00:16:19,530 --> 00:16:20,460

Very delicately.

290

00:16:22,005 --> 00:16:25,425

Just to bring it together and look

how that path just goes right on back.

291

00:16:25,635 --> 00:16:28,485

It does because this is brighter

back here than it is here.

292

00:16:28,785 --> 00:16:31,695

Plus the fact that it gets

larger as it comes towards you.

293

00:16:32,355 --> 00:16:36,375

And it looks like you could walk a million

miles back in there and you've really

294

00:16:36,375 --> 00:16:39,705

done very, very little, very, very little.

295

00:16:41,055 --> 00:16:42,045

I tell you what let's do.

296

00:16:42,555 --> 00:16:43,935

Take my old fan brush with this.

297

00:16:43,935 --> 00:16:44,325

Use it.

298

00:16:45,780 --> 00:16:49,530

I'm going to take, let me find a place

to work here, too many things going on.

299

00:16:50,580 --> 00:16:53,760

Let's take some Vandyke

Brown, hula dark Santa.

300

00:16:55,170 --> 00:16:57,870

We'll put a little black and too,

I just want a dark, dark Brown.

301

00:16:59,910 --> 00:17:01,560

That's basically all we're looking for.

302

00:17:01,560 --> 00:17:02,580

Very dark Brown.

303

00:17:03,330 --> 00:17:04,790

Let me clean them for fun.

304

00:17:07,160 --> 00:17:09,110

I just wiped the whole

knife on a paper towel.

305

00:17:09,560 --> 00:17:10,730

We use a fan brush today.

306

00:17:10,730 --> 00:17:14,450

You could use whatever fan

brush looks good today.

307

00:17:15,975 --> 00:17:17,205

Maybe in our world here.

308

00:17:17,355 --> 00:17:22,865

Maybe their lives are very large

tree right here, right here.

309

00:17:22,865 --> 00:17:27,035

I know that's hard to see it so

dark, but it's there it is there.

310

00:17:28,325 --> 00:17:33,515

And maybe he's got a friend, you

know, me and my friends, it just

311

00:17:33,515 --> 00:17:37,775

sort of just sort of take a look,

see, and think where my queer friend

312

00:17:37,775 --> 00:17:41,825

would live, drop it in, drop it in.

313

00:17:46,140 --> 00:17:48,720

There we go there.

314

00:17:51,780 --> 00:17:52,470

All right.

315

00:17:57,350 --> 00:18:00,770

I hope you saw the show earlier,

who we showed her contest winners.

316

00:18:00,800 --> 00:18:06,320

We had a little contest in through

our newsletter and son of a gun.

317

00:18:06,320 --> 00:18:07,610

We had some beautiful paintings.

318

00:18:07,610 --> 00:18:08,720

Maybe there's one right there.

319

00:18:09,200 --> 00:18:10,220

I was so impressed.

320

00:18:11,595 --> 00:18:18,405

It's such a privilege to share that

with you because there's people all over

321

00:18:18,405 --> 00:18:22,575

the country that are doing some of the

most beautiful things you've ever seen.

322

00:18:23,025 --> 00:18:27,105

And only a few months, maybe a year

or two ago, they never believed that

323

00:18:27,105 --> 00:18:32,445

they could paint anything and you

can do anything that you want to do.

324

00:18:34,785 --> 00:18:36,315

And it just, it.

325

00:18:37,094 --> 00:18:38,385

It excites me so much.

326

00:18:38,475 --> 00:18:42,135

So I get excited just talking

about it to the fact that people

327

00:18:42,165 --> 00:18:43,784

are able to accomplish this.

328

00:18:45,074 --> 00:18:46,304

Cause it makes you feel good.

329

00:18:47,854 --> 00:18:48,905

Makes you feel good.

330

00:18:51,125 --> 00:18:52,175

We'll give us some big trees.

331

00:18:52,175 --> 00:18:53,435

We need a forest there.

332

00:18:53,435 --> 00:18:58,324

So we'll just lay this brush down

now then I'll take some white,

333

00:18:58,625 --> 00:19:00,844

some, some, and dark Sienna.

334

00:19:01,594 --> 00:19:01,685

Okay.

335

00:19:02,040 --> 00:19:08,520

Maybe the least, least little

touch of bright red, just, just

336

00:19:08,520 --> 00:19:09,840

enough to in it a little bit.

337

00:19:10,320 --> 00:19:12,600

Notice all the different

colors happening in there.

338

00:19:12,930 --> 00:19:15,120

Cut across our little

roll of pain as usual.

339

00:19:16,110 --> 00:19:22,620

Now then let's just put in some

highlights, just bear and let them,

340

00:19:23,250 --> 00:19:25,650

if you've painted mountains with

me before all you're doing here

341

00:19:25,680 --> 00:19:27,080

is laying snow on the mountain.

342

00:19:27,870 --> 00:19:31,290

So same exact stroke, same touch.

343

00:19:32,010 --> 00:19:35,699

You just barely, barely caressed

the canvas just barely touch it.

344

00:19:37,260 --> 00:19:38,520

Barely, barely touch it.

345

00:19:39,629 --> 00:19:39,899

Okay.

346

00:19:39,959 --> 00:19:41,969

Now then maybe here's one.

347

00:19:42,840 --> 00:19:47,250

Just let it flow right

down the tree look like.

348

00:19:47,250 --> 00:19:47,610

349

00:19:50,790 --> 00:19:54,030

I didn't have a super way of

making very effective little

350

00:19:54,030 --> 00:19:56,189

tree a little bit back here.

351

00:19:57,315 --> 00:19:58,245

Don't want as much back here.

352

00:19:58,245 --> 00:19:59,685

I want him to remain sort of hidden.

353

00:20:00,735 --> 00:20:03,705

You can see him, you know, he's

there, but he's a little farther back.

354

00:20:03,885 --> 00:20:08,445

Let's go on the other side, these

trees over here now, to me, the light

355

00:20:08,445 --> 00:20:09,915

sources right here in the center.

356

00:20:10,095 --> 00:20:12,315

So light would come in both

directions through there.

357

00:20:12,885 --> 00:20:16,605

So we can go over here and we can

highlight this side of the tree.

358

00:20:19,175 --> 00:20:23,015

There we are something like, so.

359

00:20:25,125 --> 00:20:30,095

So knife works just as well, one

side as it does the other there.

360

00:20:31,955 --> 00:20:32,345

Okay.

361

00:20:32,455 --> 00:20:33,605

Little bit back in here

362

00:20:37,355 --> 00:20:44,195

now, sometimes it's fun to take tiny,

little bit of blue and white and

363

00:20:44,195 --> 00:20:45,785

just here and there, here and there.

364

00:20:46,535 --> 00:20:51,065

Add a little touch of blue on the far side

of the tree to indicate reflected light.

365

00:20:51,665 --> 00:20:51,755

Okay.

366

00:20:52,425 --> 00:20:53,445

That's nice fun time.

367

00:20:54,615 --> 00:20:58,635

There let's go on the other side, do

the same thing just here and there.

368

00:20:58,665 --> 00:21:02,835

I'm not going to put a whole bunch

in just enough that you know, it's

369

00:21:02,835 --> 00:21:08,235

there and it's funded to go back with

your dark Brown and you can just tap

370

00:21:08,775 --> 00:21:09,975

and you can bring it all together.

371

00:21:10,995 --> 00:21:13,875

You can make some of the most

beautiful tree trunks this way.

372

00:21:14,325 --> 00:21:16,545

Just tapping a dark.

373

00:21:17,220 --> 00:21:20,760

Well, allow you to blend these colors

all together and they look real.

374

00:21:20,790 --> 00:21:22,470

They look like they, you could touch them.

375

00:21:22,470 --> 00:21:24,030

Let's go near the side and do a couple.

376

00:21:25,980 --> 00:21:27,150

Then we'll get serious here.

377

00:21:28,650 --> 00:21:31,170

We have to decide what we're going

to do with this painting pretty soon.

378

00:21:33,530 --> 00:21:34,130

All right.

379

00:21:34,580 --> 00:21:34,970

Take care.

380

00:21:35,120 --> 00:21:35,780

Large brush.

381

00:21:36,080 --> 00:21:39,440

And down here around the bottom of

the trees, put a little bit of grass.

382

00:21:40,460 --> 00:21:42,230

That'll start just blend it all together.

383

00:21:43,030 --> 00:21:48,950

Little over here and here,

whatever we got a forest there.

384

00:21:50,000 --> 00:21:51,350

James, take a liner brush.

385

00:21:53,030 --> 00:21:57,080

Well, I use a little bit of

band-aid Brown or black or whatever.

386

00:21:57,140 --> 00:21:57,650

We don't care.

387

00:21:59,060 --> 00:22:03,440

Just Vandyke Brown, make

it sin my cane again.

388

00:22:04,160 --> 00:22:04,550

Maybe.

389

00:22:04,790 --> 00:22:05,390

So it'll show up.

390

00:22:05,540 --> 00:22:07,250

They had at least little

touch of white to it.

391

00:22:08,330 --> 00:22:10,880

Just so it'll show up in the,

see now maybe there's some.

392

00:22:11,475 --> 00:22:13,635

That's make us, yeah, that shows up.

393

00:22:13,635 --> 00:22:14,024

All right.

394

00:22:14,024 --> 00:22:17,804

There's a nice little tree

limp right out through there.

395

00:22:19,155 --> 00:22:20,325

Put another one over in here.

396

00:22:20,625 --> 00:22:23,955

And as many, or as few as you want

back here in this little tree, it

397

00:22:23,955 --> 00:22:25,665

needs a little lounge that stick out.

398

00:22:26,085 --> 00:22:27,375

He's got to have an arm too.

399

00:22:28,665 --> 00:22:29,835

He needs an arm.

400

00:22:30,935 --> 00:22:31,325

They're

401

00:22:34,325 --> 00:22:34,955

all right.

402

00:22:35,645 --> 00:22:38,135

Maybe one of these days we

can have one hour shows them.

403

00:22:38,225 --> 00:22:40,024

I can show you even more things.

404

00:22:41,010 --> 00:22:44,399

I get a lot of people writing

and saying, is there any way you

405

00:22:44,399 --> 00:22:45,600

could keep the show on longer?

406

00:22:45,600 --> 00:22:49,100

I wish there was maybe

one day, maybe one day.

407

00:22:49,909 --> 00:22:53,179

And to me time, we, we do create a

whole lot of instructional videos,

408

00:22:53,179 --> 00:22:58,310

which are different than the television

shows and they do a lot more teaching.

409

00:22:59,750 --> 00:23:00,889

So maybe that will help.

410

00:23:02,030 --> 00:23:03,800

Some of them are as much

as three hours long.

411

00:23:05,330 --> 00:23:08,929

They had a little more of the paint

thinner and let's go over here.

412

00:23:09,854 --> 00:23:10,965

And we'll do the same thing.

413

00:23:12,495 --> 00:23:19,475

Like, so there, you know, I have to share

with you something that I'm extremely,

414

00:23:19,504 --> 00:23:25,115

extremely excited about, where we have

just finished writing our first hard

415

00:23:25,115 --> 00:23:31,054

cover book, which will, gosh, I think it

will be out by the time this comes out.

416

00:23:31,054 --> 00:23:33,875

I think it'll be out in that book

will be in all the bookstores and

417

00:23:34,504 --> 00:23:36,094

I'm just thrilled to death over this.

418

00:23:36,480 --> 00:23:38,370

Because there's some things

that I've wanted to do, and I've

419

00:23:38,370 --> 00:23:40,020

never had the opportunity before.

420

00:23:40,370 --> 00:23:40,690

Thank you.

421

00:23:40,720 --> 00:23:41,390

Enjoy that.

422

00:23:42,800 --> 00:23:43,280

All right.

423

00:23:43,310 --> 00:23:48,470

Now then let's take, let's

just use a one inch brush.

424

00:23:48,740 --> 00:23:50,600

Let me take a least a little

bit of the liquid white.

425

00:23:52,160 --> 00:23:53,390

Go into some yellow.

426

00:23:54,560 --> 00:23:59,450

Yeah, a little bit of SAP green,

the yellow ochre to what the heck.

427

00:24:00,890 --> 00:24:03,860

I want to just put the indication

of a few little leaves, a pair.

428

00:24:03,860 --> 00:24:04,940

I don't want to lose this background.

429

00:24:06,084 --> 00:24:11,415

I just want to put some nice little

leafy things that are living here and

430

00:24:11,415 --> 00:24:13,695

there on these trees just here and there.

431

00:24:17,205 --> 00:24:18,675

Don't let them get too bright out here.

432

00:24:19,725 --> 00:24:21,915

Just a few, just a few

433

00:24:25,215 --> 00:24:27,945

barely go on the other side.

434

00:24:29,445 --> 00:24:31,455

Let's drop in a couple over here.

435

00:24:36,195 --> 00:24:36,525

Okay.

436

00:24:36,595 --> 00:24:37,425

Couple of in there.

437

00:24:40,725 --> 00:24:41,355

All right.

438

00:24:42,405 --> 00:24:44,685

I think, maybe think maybe

today we'll have some fun.

439

00:24:45,525 --> 00:24:46,365

Let's get brave.

440

00:24:46,845 --> 00:24:47,835

Let's get brave.

441

00:24:48,675 --> 00:24:50,115

We got a minute or two left here.

442

00:24:50,385 --> 00:24:56,535

So I'll show you something else we can

do tell you what, let me find, okay.

443

00:24:56,565 --> 00:24:57,165

We'll use this.

444

00:24:57,675 --> 00:24:59,715

Here's a, this is a Filbert brush.

445

00:24:59,715 --> 00:25:02,685

I'm gonna take a little bit of the

bright red, maybe in our world.

446

00:25:02,865 --> 00:25:03,435

Let's get brave.

447

00:25:03,435 --> 00:25:04,155

Come right down here.

448

00:25:05,054 --> 00:25:07,814

Maybe we'll take and just do that.

449

00:25:08,985 --> 00:25:14,355

Something like, so like they

ain't Nambu Garetto here.

450

00:25:14,385 --> 00:25:18,764

Get a little bit of this,

just a yellow ochre and we'll

451

00:25:18,764 --> 00:25:22,875

do something like, so, okay.

452

00:25:23,235 --> 00:25:26,834

Now then we'll just have some

fun, what the heck, maybe.

453

00:25:32,775 --> 00:25:33,645

I like that.

454

00:25:33,795 --> 00:25:35,355

I'm just wiping the brush in between.

455

00:25:35,355 --> 00:25:40,545

We use a dark color over here like

that, and I'm gonna get the liner

456

00:25:40,545 --> 00:25:43,695

brush a little bit of paint thinner.

457

00:25:44,115 --> 00:25:46,065

I'm going to go into, we'll go into black.

458

00:25:47,355 --> 00:25:48,705

Have you figured out what that is yet?

459

00:25:50,585 --> 00:25:57,495

Just go into a little bit of black

come right up here because there maybe.

460

00:25:57,870 --> 00:26:04,740

Maybe we have a lady there has nice

long hair, so you can put little

461

00:26:04,740 --> 00:26:07,290

indications of people in there that easy.

462

00:26:07,300 --> 00:26:09,720

Here's one over here, but to give

her head, she probably going to

463

00:26:09,720 --> 00:26:11,070

get upset if she doesn't have one.

464

00:26:12,210 --> 00:26:15,000

And I heard, yes, there we are.

465

00:26:15,840 --> 00:26:17,340

This one's got a little

bit bushy your hair.

466

00:26:17,340 --> 00:26:18,179

It's not as long,

467

00:26:22,830 --> 00:26:25,560

a few little accents

here and there, whatever.

468

00:26:27,285 --> 00:26:30,405

Maybe we have now two ladies

who were walking along here,

469

00:26:31,665 --> 00:26:33,225

looking at this beautiful scene.

470

00:26:33,495 --> 00:26:34,485

Put a little hat on that one.

471

00:26:34,485 --> 00:26:34,965

What the heck?

472

00:26:34,985 --> 00:26:35,075

Yeah,

473

00:26:38,825 --> 00:26:42,725

but that'll give you an idea of a very

simple, very simple way of putting

474

00:26:42,725 --> 00:26:44,075

a couple of people in your painting.

475

00:26:44,915 --> 00:26:46,985

Hoping, hope you enjoy that.

476

00:26:46,985 --> 00:26:48,665

And we'll try to think

we'll sign this one.

477

00:26:50,465 --> 00:26:54,455

Use a little bright red, little

paint, thinner, finer brush.

478

00:26:55,950 --> 00:26:56,700

And we'll sign it.

479

00:26:57,330 --> 00:27:01,590

And when you sign your painting, you just

remember that a hundred years from now,

480

00:27:01,620 --> 00:27:05,040

somebody will look at this painting and

know you were having a fantastic day.

481

00:27:05,430 --> 00:27:09,030

And on this day you experienced the

joy of painting, happy painting.

482

00:27:09,330 --> 00:27:10,500

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S17E11 - Morning Walk

Bob Ross's

The Joy of Painting

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