Bob Ross's

The Joy of Painting

S27E03 - Rustic Winter Woods

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Uh, I'm certainly glad to see you today.

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Cause I thought today we'd do a painting.

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It's just a lot of fun.

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So let's start out and have him run all

the colors across the screen that you

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need to do this little painting with us.

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And while they're doing that,

let me show you this craziness.

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I got up here today.

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Today.

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I took my standard old pre-stretch

double prime, 18 by 24 inch canvas.

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But once again, you use any

sizes convenient for you.

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I just like this size because

it fits the television screen.

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Good.

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I took a paper towel and acrylic paint.

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Now we're using oils, but I used acrylic

paint to put a dry undercoat down here.

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Now I just took a paper towel and a

little bit of Sianna and an umber.

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And just dabbed it just

everywhere in here.

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I found it an old Filbert brush and

just pulled a couple things through

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and I allowed all that to dry.

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Now I've covered the entire canvas

with liquid clear, the liquid

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clear just makes it wet and slick.

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That's really all.

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It's there for the bottom of the canvas.

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Then I've covered with a mixture of

SAP green and a lizard and Crimson.

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It makes a gorgeous Brown color.

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And I thought, I'd wait till you

got here to do the top part so

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you can see exactly how it's done.

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Now.

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Sometimes when I'm walking through the

woods, which I do frequently, sometimes

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the sun's coming through the trees

and you see this beautiful glow coming

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right through the trees and some of

the trees that are close to that glow,

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they sort of just disappear into it.

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And that's the effect I

was trying to achieve.

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And I'm going to show you a

very easy way to make that.

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All right, let's go today.

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We use a two inch brush get started here.

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I'm gonna go right into a

little bit of the Indian yellow.

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I like Indian yellow, because

it's very transparent, very

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transparent, some gorgeous color.

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Let's go right up in here.

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Now with that ran over this acrylic

with the liquid clear on it.

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I'm just going to cover

the entire canvas here.

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The entire top putter part of

at the bottom is this covered

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with that brownish color.

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They're just like, so like that

really all we have to do right now,

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but see how easily that goes on.

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If you don't have the clear on there,

the liquid clear, this is quite

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a job, putting it all I've got.

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Now, since we have the

clear, I use this anytime.

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That I'm using a black canvas or a canvas.

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It has some color design on it.

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It makes it so much easier.

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I'll go right into, I made

a little light Brown color.

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Once again.

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It's a lizard Crimson and SAP

green and about equal parts.

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I've just went ahead and mixed

up a little pile here cause

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I'm going to use a lot of it.

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I think right up here in the corner.

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I'll add a little bit more.

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I just want to darken this corner, make

it look like a sun's shining through here.

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That like yet.

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And that's really all we need.

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That's all we need there.

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Okay.

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Let me wash the brush.

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If you painted with us before, you

know, this is the most fun part of

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this whole technique, we wash it with

odorless paint, thinner, shake it off

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and just beat the devil out of it.

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Good way to take out all your

hostilities and frustrations.

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I will take a little bit

the cadmium yellow beer.

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And put it right over here with some

titanium white don't need a lot of white

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and let's go up in here now, figure out

where the sun lives in your painting.

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I think it's right there.

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Take the corner of the brush

and we'll start there and

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we'll begin working outward.

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I want this to be very bright.

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We'd go right over these trees.

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I want to just absolutely blend

them out where the light's going

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to be zinging through there.

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Just, just blend out a little more

of the white there, right in there.

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I want that to be very bright.

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If that's our hot spot, that's a

source of our light in this painting.

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And you can do this as many times

as you desire to achieve a desired

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lightness, but I suggest each time

you do get a clean brush or clean

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your brush, just depending on.

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How many brushes you have, there would

just let this little glow just work

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its way out, but already you can see

how those trees are almost disappearing

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in that strong, direct sunlight.

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And that's exactly the effect

that I was trying to achieve.

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And this makes it so simple.

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So simple there, and then we just blamed

the entire thing out there already.

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That looks like a sunlight coming through.

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They're so strong.

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It almost hurts your eyes.

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Fantastic.

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That easy.

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All right.

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I'll tell you what let's use

the old Filbert brush day.

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I like Filbert brush.

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I'm just going to go into a little bit of

the titanium, white with a Filbert brush.

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Just load both sides up.

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Both sides of something like, so a lot

of color, fully loaded on both sides.

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Now, maybe in our world back here,

let's make this a winter scene.

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It could be winter or summer.

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I think we'll do winter today.

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Maybe back in here, we touch.

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And there's just a little indication

of some snow that lives back here.

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Barely touched the canvas.

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I want to just graze it, just graze it.

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I want it just to begin picking up

some of that color we have underneath.

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Julius graze it though.

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It has that Brown underneath.

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So it's going to pick

up a little bit of that.

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We're doing, it's just crazy.

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And sometimes you can put a lot

of paint on there and just let it

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bounce along and break and by break.

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I mean, it has all these

little holes in there.

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Barely touching, just.

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Just drag across the canvas, allow

the canvas to do the work, let it

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pull off the paint that it wants.

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And what's left from the brush.

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You can just sort of scrub it in.

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We work back and forth

where you want to highlight.

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Put it on very thick.

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I like that.

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Now, as I mentioned earlier, I've

already mixed up a large pile here of

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the alizarin, Crimson and SAP green

to make a beautiful Brown color.

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Uh, you can, you can take that to the

ready side by heading more Crimson or to

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the East side, depending on your mood.

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I usually go a little

more to the ready side.

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I sorta like that a lot of

color on the brush shoot.

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We might as well check you out for

bravery red off in this painting.

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Maybe you're ready.

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Maybe right there.

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Just pull it down.

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A lot of paint on the brush.

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Very thick.

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Very thick.

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Let's have all that.

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Let's have a whole Grove of trees.

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Maybe it's a wintertime.

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These trees have lost their leaves.

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They've lost their leaves.

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The snow is just beginning

to collect on the ground.

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All the little squirrels and stuff.

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They're probably up here hibernating

taking life easy for the winter.

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They're all right.

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If you watch a show in the past, you

know, I liked a little squirrels.

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I have a bunch of squirrels that

are raised, Oh, I usually raise

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anywhere from two or three to

a half a dozen turn them loose.

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I have the good fortune of working

with a lot of the rehab people

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around the country here in Muncie.

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There's a lovely lady named Diana

Schaefer that takes care of animals.

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And she's taught me a tremendous amount

about all these little creatures and.

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And in Florida, there's several

other people that I work with.

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I like, I like to work with animals

and these people, they work with

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injured and orphaned animals and

devote their whole life to it.

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And I have a great respect for them there.

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I want these trees instead of the

nice smooth ones we usually make.

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Let's make some trees

today that have character.

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These trees are not going to end

up as future telephone poles.

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I guarantee you.

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I want them to it'd be

ragged, rough, rough.

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That's what my dog said.

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When he sat down with the

sandpaper, rough, bad joker.

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Now I'm pushing because I want a lot of

little things to happen with a brush.

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Normally you would pull,

so you get a smoother line.

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I want the roughness today.

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I want these trees to look like,

Oh, it's been a rough life here.

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See, pulling the edges out really rough.

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This is a place you

wouldn't want to go in.

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The middle of a dark night is

one of them scary places there.

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I don't know.

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I was young.

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There were some places where I lived

that they were just sort of scary

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to be out there in the evening.

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When it started getting dusk,

you could make out all kinds of

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monsters that lived in there.

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There we are, but we

lived, we out in the woods.

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I grew up in Florida and we

lived so far back in the woods.

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They used to have to pipe

sunlight into us there.

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All right.

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See, hold them on limbs.

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We'll come back with a line of brushing,

put in a few little ones, but I really

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want these old raggedy looking things.

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Shoot.

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I like it.

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I want a tree over here.

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This is our world so we

can put trees anywhere.

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We want them.

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Maybe it comes all the way down to there.

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I don't know.

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You'd make that decision

and this painting is great.

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If you've never painted

before, this is an easy one.

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You can do this one.

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You can do this one.

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We try to do some paintings in

each series that worked so well.

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Those who are just beginning can

have outstanding results with them or

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people who've painted a little bit.

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They can just have fun with them.

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And we try to do some paintings that

have a little more challenged to them

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for those that have painted for a while.

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And they need a little more challenge.

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I'm just taking the brush

and rubbing it up and down.

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I want to make the indication of some

little bushes that live way back here.

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Got to have a place for

my little friends to hide.

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They're probably probably a little

raccoon lives right in there.

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There we go.

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I like little red Koons when they're

little, they are the cutest little devils.

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I got a letter from somebody here who

back, and they weren't happy that I was

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condoning keeping these animals as pets.

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Let me emphasize strongly.

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I do not keep these animals as pets

only, only try to help the rehab.

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People raise them up and then they're

turned loose back to the wall because

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that's where God intended for them to be.

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I have all these little squirrels

in my backyard that ever Easton.

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It's funny.

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People come to the house and they're like

little puppies and I'm not exaggerating.

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They literally, they come to my back door.

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In fact, they've eat a hole through

my screen on the patio, but they come

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through the screen and, and they come

to the back door and they scratch on the

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door, like a little puppy wanting me to

come out and bring them some goodies.

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And they know I'm a soft touch.

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I just decided I was talking so much.

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I'd put another tree in.

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I didn't this an easy way to

make some gorgeous old, rough

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looking trees, tough old trees.

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There we go.

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Just get a general idea of

where we want them to be.

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I like it now.

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I've got a couple of filberts going

here, so I don't have to spend

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all my time just cleaning them.

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And maybe back in our world

here, just make a decision.

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Maybe there's some more

snow lives right in there.

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I don't know, you know, painting

is such an individual thing.

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Don't just try to copy somebody.

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Else's work, just do your own thing.

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We, we each see nature through

totally different eyes.

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And that's what you were to paint.

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I say that over and over

because I just don't, I don't

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want to teach people to copy.

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Anybody can copy creative

freedom though is where it's at.

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That's really the joy of painting there.

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Use no patterns, no sketches.

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We let our imagination take us to

worlds that we can only imagine.

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And we can do that.

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We can do that.

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We can do anything, anything, at least

on this canvas, we can maybe there's

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another little Bush lives right here.

249

00:12:57,930 --> 00:13:03,150

I've mentioned before on this canvas,

I have absolute and total power.

250

00:13:03,360 --> 00:13:04,590

I can do anything here.

251

00:13:04,610 --> 00:13:07,860

My heart desires can change

the course of muddy rivers.

252

00:13:08,850 --> 00:13:09,330

Anything.

253

00:13:09,870 --> 00:13:12,480

When I go home, the only thing

I have any power over is the

254

00:13:12,480 --> 00:13:14,550

garbage it's there and white.

255

00:13:14,550 --> 00:13:18,540

So me there we are, but that's okay.

256

00:13:20,070 --> 00:13:24,150

I can always escape to this

piece of canvas and create

257

00:13:24,150 --> 00:13:26,010

any illusion that I want.

258

00:13:26,730 --> 00:13:29,550

And so can you, maybe there's

a big old root on this tree.

259

00:13:29,550 --> 00:13:30,150

It comes right out.

260

00:13:31,640 --> 00:13:37,220

I can't like can't, let's put

some arms on this old tree.

261

00:13:38,000 --> 00:13:38,420

Once again.

262

00:13:38,420 --> 00:13:43,580

I'm pushing a lot with a brush

just to make them all gnarly.

263

00:13:43,880 --> 00:13:44,540

Is that a word?

264

00:13:46,070 --> 00:13:48,950

My son, Steve and I are both

bad about making it words.

265

00:13:49,610 --> 00:13:50,690

I learned that from him.

266

00:13:50,720 --> 00:13:51,590

He didn't learn it from me.

267

00:13:51,590 --> 00:13:52,100

Of course.

268

00:13:53,780 --> 00:13:54,470

There we go.

269

00:13:56,520 --> 00:13:57,150

Hello, Steve.

270

00:13:57,150 --> 00:13:58,920

You've never had a chance

to watch him paint.

271

00:13:58,920 --> 00:14:02,370

That son of a gun is one dynamite painter.

272

00:14:03,829 --> 00:14:06,650

He's almost like that 27 years old now.

273

00:14:06,890 --> 00:14:08,420

Hey, and this is a 27 series.

274

00:14:08,420 --> 00:14:12,439

What a coincidence he has been painting.

275

00:14:12,800 --> 00:14:17,420

I think since he was born, he

was about 12 years old before he

276

00:14:17,420 --> 00:14:19,490

realized everybody didn't paint.

277

00:14:21,170 --> 00:14:21,800

There we go.

278

00:14:21,860 --> 00:14:23,060

Just a little snow over there.

279

00:14:25,005 --> 00:14:27,315

Can we just bring it a little Bush in

the background down, we're going to put

280

00:14:27,315 --> 00:14:29,955

some sticks and stuff and these little

bushes they'll show up a little better.

281

00:14:30,345 --> 00:14:31,185

I hope you can see them.

282

00:14:32,415 --> 00:14:37,215

All right, let's go back to

this big old tree on this side.

283

00:14:38,205 --> 00:14:40,365

This is really an

exercise in making trees.

284

00:14:40,785 --> 00:14:41,745

Very comes there comes.

285

00:14:41,745 --> 00:14:46,065

They're going to think about

these old Liams and hang out here

286

00:14:46,065 --> 00:14:50,145

and there that you could just

as easy have done this painting.

287

00:14:51,600 --> 00:14:55,650

In summer or spring, you put

leaves on all these trees.

288

00:14:56,560 --> 00:14:57,569

I just decided today.

289

00:14:57,569 --> 00:15:01,650

I wanted to do a scene that as

I mentioned, when we started,

290

00:15:01,740 --> 00:15:02,880

I like to walk in the woods.

291

00:15:02,880 --> 00:15:05,610

And sometimes when I'm walking

in the woods in the winter, the

292

00:15:05,610 --> 00:15:10,199

sun comes through so strong and

you have this gorgeous effect.

293

00:15:11,430 --> 00:15:14,160

And I sat down and I watched this

for a long time and I kept thinking

294

00:15:14,160 --> 00:15:15,810

about how would I make that?

295

00:15:16,199 --> 00:15:18,000

And how would I, how could I do it easy.

296

00:15:18,869 --> 00:15:21,119

I knew how to do it as

a traditional painter.

297

00:15:21,209 --> 00:15:25,859

It's a very time consuming, have to

let things dry in between layers and

298

00:15:25,890 --> 00:15:28,170

put some washers and glazes on it.

299

00:15:28,709 --> 00:15:34,319

But I wanted the way where somebody

could do this very quickly and

300

00:15:34,349 --> 00:15:36,060

easily without all the agony.

301

00:15:37,829 --> 00:15:39,060

And this is what I've come up with.

302

00:15:39,060 --> 00:15:44,609

And I think it works now there,

this is acrylic paint, as I

303

00:15:44,609 --> 00:15:46,439

say, it dries very rapidly.

304

00:15:47,235 --> 00:15:51,495

It's not very good for doing wet on wet

because you depend on canvas staying

305

00:15:51,495 --> 00:15:52,935

wet through the entire painting.

306

00:15:53,175 --> 00:15:56,745

It doesn't work very well for

that, but for this where you need

307

00:15:56,745 --> 00:15:59,445

a dry under color, it works great.

308

00:16:01,095 --> 00:16:03,795

I will tell you, there is some

controversy in the art world at this

309

00:16:03,795 --> 00:16:09,645

time as to whether putting acrylic

under oil is a permanent medium.

310

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I don't know.

311

00:16:13,775 --> 00:16:15,455

I really don't know at this point.

312

00:16:17,340 --> 00:16:21,060

I have been talking with some

manufacturer of art products that

313

00:16:21,060 --> 00:16:24,480

would about the possibilities of

making some other products that

314

00:16:24,870 --> 00:16:26,640

there will be no controversy about.

315

00:16:27,720 --> 00:16:31,740

So maybe one day they'll have something

like him, hopefully not too far in the

316

00:16:31,740 --> 00:16:37,230

future, because I like to design new

products that makes it makes paint easy.

317

00:16:37,230 --> 00:16:38,520

It makes it work for people.

318

00:16:40,290 --> 00:16:41,010

There we are.

319

00:16:42,990 --> 00:16:46,980

I'm fascinated with machinery and et

cetera for a long time in college,

320

00:16:46,980 --> 00:16:49,470

I was, I was an engineering student.

321

00:16:49,470 --> 00:16:53,760

Want to be a mechanical engineer

now, instead of building

322

00:16:53,760 --> 00:16:54,870

bridges, I'd rather paint them.

323

00:16:57,480 --> 00:17:00,750

But a lot of that rubbed off, I think

I'm gonna take a little bit of that.

324

00:17:00,750 --> 00:17:07,079

White put a little touch of the Brown

Intuit, maybe a little black, just a gray.

325

00:17:07,140 --> 00:17:07,829

Oh, I like it.

326

00:17:07,829 --> 00:17:09,390

Just a gray at a little, I want a gray.

327

00:17:09,390 --> 00:17:09,599

It.

328

00:17:10,175 --> 00:17:11,234

Lot of color on the brush.

329

00:17:11,234 --> 00:17:13,185

Don't be afraid of color, a lot of color.

330

00:17:14,534 --> 00:17:15,734

And I like sort of hold this thing.

331

00:17:15,734 --> 00:17:22,935

Like I would a pencil so that it's very

loose now, then touch and let this dance,

332

00:17:23,024 --> 00:17:25,065

let it play that he'd pick up that color.

333

00:17:25,815 --> 00:17:27,075

Let it leave its own color.

334

00:17:27,115 --> 00:17:28,575

Let all these things happen.

335

00:17:28,875 --> 00:17:29,595

Don't fight it.

336

00:17:29,895 --> 00:17:30,764

No pressure.

337

00:17:31,274 --> 00:17:31,965

Absolutely.

338

00:17:31,965 --> 00:17:32,685

No pressure.

339

00:17:33,465 --> 00:17:34,185

There's your light.

340

00:17:34,365 --> 00:17:35,504

It's going to come across here.

341

00:17:35,774 --> 00:17:36,945

No pressure, no pressure.

342

00:17:38,280 --> 00:17:39,450

Bare accounts accounts.

343

00:17:40,650 --> 00:17:43,010

Just, I liked it, but no pressure.

344

00:17:43,040 --> 00:17:48,320

Let me get a little more black on the

brush to gray that there we go, but

345

00:17:48,320 --> 00:17:49,880

you need a lot of color on the brush.

346

00:17:49,880 --> 00:17:53,840

So when you touch it, it'll

just pull red off there.

347

00:17:55,250 --> 00:17:57,470

See that in that fantastic.

348

00:17:59,160 --> 00:18:01,700

Just with an old Filbert brush,

you could just about do this entire

349

00:18:01,700 --> 00:18:04,040

painting with just an old Filbert.

350

00:18:04,040 --> 00:18:06,140

Brush it up to you.

351

00:18:07,605 --> 00:18:08,324

There we are.

352

00:18:08,834 --> 00:18:13,875

I have this one come right on through,

but I'm turning the breast to get all the

353

00:18:13,875 --> 00:18:18,945

paint and it creates different effects as

it's turning and wiggling and jiggling.

354

00:18:19,774 --> 00:18:19,925

Okay.

355

00:18:23,405 --> 00:18:25,054

Darker and darker as it comes around.

356

00:18:25,054 --> 00:18:27,365

Cause you want the side next to

the light to be the lightest.

357

00:18:27,365 --> 00:18:31,564

Of course you do that there.

358

00:18:33,725 --> 00:18:34,145

Look at that.

359

00:18:35,355 --> 00:18:37,185

All we need appears a big old Hudl.

360

00:18:37,185 --> 00:18:42,215

It looked like Halloween

they're all right.

361

00:18:44,315 --> 00:18:48,605

One of the other shows that I showed some

footage that I had taken with a great big

362

00:18:48,605 --> 00:18:53,254

out big, in fact, it was a great horn Dale

and a rascal bit me on the nose there.

363

00:18:55,264 --> 00:18:57,425

All right, let's do this to

a couple other trees here.

364

00:18:58,804 --> 00:19:02,135

I say this whole painting is mainly

just an exercise in painting trees.

365

00:19:03,300 --> 00:19:05,580

But when you get it done, people

will think you've labored over

366

00:19:05,580 --> 00:19:07,020

this painting for a long period.

367

00:19:07,850 --> 00:19:08,120

Shh.

368

00:19:09,260 --> 00:19:10,250

Don't tell them any different.

369

00:19:10,610 --> 00:19:16,850

Don't tell them, they're just let

it go follow right along the edge.

370

00:19:19,220 --> 00:19:24,170

There we are a lot of time, which

we don't here, but if you have a

371

00:19:24,170 --> 00:19:27,170

lot of time, you can take a very

thin paint then with paint thinner.

372

00:19:28,425 --> 00:19:33,495

And put it on the script liner,

brush a little black in there and

373

00:19:33,855 --> 00:19:38,294

using it sidewards, just pull it down

and let it just grease the highest,

374

00:19:38,534 --> 00:19:42,645

the high points there of that Brown

it'll make some gorgeous effects.

375

00:19:42,885 --> 00:19:44,594

It does take a little

longer than doing this.

376

00:19:46,235 --> 00:19:46,685

Try it.

377

00:19:47,824 --> 00:19:49,205

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S27E03 - Rustic Winter Woods

Bob Ross's

The Joy of Painting

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