Bob Ross's

The Joy of Painting

S20E05 - Divine Elegance

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Hey, welcome back.

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Certainly glad you could join me today.

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I think today we'll just do

a fantastic little painting.

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They'll just make you happy.

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So I tell you what, let's start

out, having run all the colors

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across the screen that you need

to paint along with us here.

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And while they're doing it, let me

show you what I've got done up here.

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I have my standard old 18 to 24 inch

pre stretched, double prime canvases.

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We always use, and I found some

masking tape here in the studio.

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So I just sort of put

that around, like, so.

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Take a can of spray painting

and painted the edges.

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I thought we'd just do something

easy and it's a lot of fun,

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something, a little different.

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So let's, let's do it.

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Let's start out with a two

inch brush today and we'll go

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right into little Tayloe blue.

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What the heck?

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Let's go into a little, stay low blue

and we don't need much is quite strong.

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Just a little, just tap the

bristles right in there.

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Okay.

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Let's go up in here and let's just

build us a happy little sky today.

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So I say it's a fantastic day here.

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And to hope it is wherever you're at.

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And so I thought we'd do a painting

that just reflects that there.

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Just using little crisscross strokes.

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Let's, let's just drop in a quick

little sky and I've chosen fail-over

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blue because it's very similar to the

color that we sprayed the canvas with.

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And you can do this in any color.

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It's just happens to be what we had here.

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So that's what we used there

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and that easy.

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We we've got a nice little sky and

just blend it till it's nice and soft.

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And.

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Continually mixing with the liquid

white, which is on the canvas.

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That way it gets softer and

softer toward the horizon.

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And that's exactly what

we're looking for today.

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All right.

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Okay.

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Tell you what, while we have

that color on the brush.

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So I had a little more, and I'm

going to reach over here and get the

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least little touch of Taylor green.

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Don't need much.

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Just want enough to just to

flavor the blue a little.

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Just a tiny bit.

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Okay.

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Now then they will have

little water in here.

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She was paid way before you know

that absolute fanatic for water.

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I love it.

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There

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a little bit more color will

come from the other side.

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Just like so fair and then

very lightly and very gently.

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We just go across the entire water

area here that sort of blends it

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together and makes it nice and soft.

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Now most fun.

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Part of all, this is washing the brush.

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Let's do that.

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Just shake it off and cover

everybody in the room.

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All right.

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Maybe in our world today, maybe,

maybe we have a little cloud.

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Maybe we use a fan brush and make

it a little cloud, just load both

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sides full of titanium white.

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And let's go right up in here and

decide where a little cloud lives.

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Maybe we have a little cloud in our world

that just sort of hangs around right here.

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Like, so.

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There is, and I'm using just a corner of

the brush, making tight little circles.

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That's all we're doing just

very tight little circles there.

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Kitty.

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Now we'll get a two inch brush.

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Be sure it's dry and very gently

using just the corner again.

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Just blended.

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Just blame the base in the cloud

out and then very gently fluff it

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up a little bit and do like that.

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And that easy.

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You have a very effective little cloud.

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Maybe tell you what, maybe in our

world, maybe there's several layers

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of clouds floating around up here.

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So we'll just have another

one right here, right there.

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Okay.

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And when you're doing your painting,

you put as many or as few clouds

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in it, as you want up to you.

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Good clean, dry brush.

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Be sure your brushes dry it.

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It's this got thinner in it.

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When you touch it, cloud is going to

get very thin and diluted and stock.

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You're not going to be able to blend

it like this, but you can put as many

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layers of these in as you, as you want.

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Just one after the other.

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Say there, there we go.

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And I'll always beat the brush just to

knock out any excess paint because it's

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continually picking up a little paint.

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So just by beating it, you

don't have to go through that

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entire cleaning procedure fair.

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Maybe today in our world.

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We have, let's see, tell you what,

let's have a nice mountain in here.

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And for that, I'm going to go into some

black, have used a little of the blue.

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We use a little Prussian blue lizard,

Crimson, maybe even a little Brown.

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What the heck?

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Just mix it up, pull it out as

flat as you can get it and cut

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off a little roll of paint.

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It lives right out there on the edge.

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Okay.

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Maybe our big mountain lives.

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Where does it live?

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Maybe Kevin's right down here.

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I don't know.

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Maybe go buy them off the canvas.

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That's always sort of interesting

when you have one that just sort of

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lives we up there in the sky, maybe

back in here, wherever, wherever,

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but another little one right there.

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Just sort of let him float

around and that's direction.

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Just sort of make a decision, but it,

wherever you think it should be, and

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that's really all you have to do there.

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No then with a clean, dry two

inch brush, we want to grab this

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and pull it at those two things.

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Two things, it removes excess paint.

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So the next layer sticks easier

and it makes your mountain get

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lighter and lighter toward the base.

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And that's exactly what we're looking for.

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There we go.

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And just blend it until it just

sort of floats up there in the sky.

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There

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and that easy.

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We better our base color for

a very nice little mountain.

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Let's take, what are these

little titanium white today?

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What the heck?

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Take a little white.

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Also pull it out as flat as you

can get it and go down, cut across

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it and get our literal of paint.

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It's very important.

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Maybe we'll start right here and you can

play little games and have fun with this.

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No pressure.

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Absolutely no pressure with a knife.

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You just barely, barely touching it.

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And we'll take the little touch of, Oh,

we'll use a little tiny, little blue,

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maybe a little touch of black in it.

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It would make us a nice shadow

color, something like, so, okay.

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Once again, our little roll of

paint, we go right up here and

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decide where the shadows are.

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There's one here comes.

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One goes distinctly through that one.

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There, and you can put shadows

just wherever you think

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the light would strike now.

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Nice clean brush.

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I want to just create the illusion

of missed half that very gently,

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very gently to hairs and some air.

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And sometimes it's fun when you're

doing mountains to play games with which

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one's in front and which one's in back.

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And, but make up little

stories in your mind.

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Maybe this mountain lives right

here and it comes, look at

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there, see distinctly in front.

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There we go.

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Also sometimes it's very nice to have

a little cloud that floats along.

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And it goes right in between those.

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So I want to add a least little touch

of liquid white to the paint, right

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on the fan, brush the liquid whites

to make it a little thinner because

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a thin paint will stick right up

here without messing everything up.

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And we can put a happy little

cloud that lives right in here

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between these two clean, dry brush.

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Very gently floated a little bit there.

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And that'll give us the impression

that there's a little CloudApp or.

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And we can bring us right

on distinctly through.

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Kay.

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Yeah.

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Back to my titanium point.

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You must begin putting some

highlights on this mountain over here.

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No pressure.

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Absolutely.

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No pressure.

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The most gentle touch.

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Just float right through here soon.

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Absolutely.

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No pressure.

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I'm just good at this big one here.

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Here it comes right there.

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He has to be very firm, very firm, or

you won't get this braking and this

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braking is what makes your mountain.

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So, and just begin working at, let it go.

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Just let it go.

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Other side, we're going to have

shadows coming right down through here.

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No pressure though.

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Once again,

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got to make those little noises

or it doesn't work, right?

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Nah.

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Yeah.

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And you can continue

to work back and forth.

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Maybe we'll put some nice bumps and

ridges out here on this mountain.

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There they come.

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Just sort of let your

imagination be your guide here.

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There back to our shadow color because

every time you have a little projection

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out here, you need a shadow behind it.

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It needs its own distinct shadow.

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And here and there, you can touch a

dark based color a little bit, and just

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let a little of that flow right down.

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Just play games with light and

dark, and that's what will make

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your mountain so fantastic.

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Wherever you think these

little things should be

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a little bit of our shadow

color here in there.

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Right in there.

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We don't mess around and

have a sub mountain here.

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Let's just tap.

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Now.

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We want to create the illusion of missed

out the base of this big old mountain.

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Tap.

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And then we lift upward following

the angles in the mountain.

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And all this does is remove the tap

marks and blends everything together.

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Just blends it together over here.

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We'll follow these angles.

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It's most important that you

follow these angles there.

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Right in here.

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And sometimes, sometimes it's a

lot of fun just to play some games.

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Watch here, watch here,

maybe in our world.

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There's another little mountain

that lives right there.

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A little dark yen.

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And this is a way of creating the

illusion of distance in your painting.

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When you have layer after layer of

these things, scrape off the excess.

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We'll go back to her titanium

white, a little highlight

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right here on this one, too.

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Shoom.

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Just let him go.

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No pressure.

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I can't say that enough times.

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And I say it over and over because

this is one of the major problem areas

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that I hear in letters and stuff.

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It's hard time making the paint break.

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And the reason normally is.

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Is it either one of two things,

too much pressure or the paint

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is too thin, mixed up a little

more shadow color here, ran out.

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Then we can put us a little

shadow right in there.

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See how you could move things around.

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You have unlimited power in his canvas can

literally literally move mountains now.

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Once again, let's grab that tap a

little bit, create that Misty illusion.

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Okay.

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Then just blend it, like, so take a little

bit of that shadow color on the brush.

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Maybe, maybe there's a little

Foothill that lives right here.

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Just using the corner of the brush.

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Maybe there's a little Foothill,

but all these different planes

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create the illusion of distance.

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And watch her watch her.

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Sometimes you can even get a

little crazy and watch, see how

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to push it Foothill back and bring

that mountain forward in that.

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Fantastic.

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You can do that.

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You can do that.

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Blended.

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Now you have a Foothill behind

the mountain that easy though.

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You can change your mind, push mountains

around and move rivers, whatever you

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want to do, what ever you want to do.

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Okay.

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Tell you what?

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Wipe off the old knife.

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Let's mix up a little bit

of lavender color here.

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And for that we'll use a little Tayloe

blue and lizard Crimson, proportionately,

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much, much more Crimson than blue.

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We'll make a nice lavender.

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And if you want to see what color

your lavender is, take a little white.

256

00:14:11,040 --> 00:14:14,550

And make some color with it because you

can't tell, I just looks black, so put a

257

00:14:14,550 --> 00:14:15,900

little color there and that's just right.

258

00:14:15,900 --> 00:14:21,239

Let me, let me clean off and I will

grab us a fan brush, tell you on

259

00:14:21,390 --> 00:14:22,650

let's go right into a little bit.

260

00:14:22,709 --> 00:14:25,560

I'll pick up some white there.

261

00:14:26,189 --> 00:14:31,770

Just make sort of a nice lavender color,

maybe a little more of the Crimson.

262

00:14:31,859 --> 00:14:36,140

Oh, I like it better, but just

mix as to what's the right flavor.

263

00:14:37,230 --> 00:14:41,520

There and maybe back here now

we're yeah, there's some little

264

00:14:41,520 --> 00:14:42,870

evergreens that live back here.

265

00:14:42,870 --> 00:14:50,070

Some little trees that are far

away, just little doers there.

266

00:14:52,340 --> 00:14:55,530

If you have trouble making your paint

stick over the top of this other ad,

267

00:14:55,530 --> 00:15:01,800

the least, least little touch of paint

thinner, but it takes a very, very little.

268

00:15:03,330 --> 00:15:05,010

Very little don't get carried away.

269

00:15:06,420 --> 00:15:11,760

It's easy to overdo and maybe

a few of these trees back here.

270

00:15:12,390 --> 00:15:17,090

Maybe they're a little bigger than

you can make out detail on there.

271

00:15:18,290 --> 00:15:19,400

We give him a little friend.

272

00:15:23,060 --> 00:15:23,660

There we are.

273

00:15:24,740 --> 00:15:25,100

Can I have it?

274

00:15:25,100 --> 00:15:25,610

I'm going to take me.

275

00:15:26,040 --> 00:15:28,890

Two inch brush, and I want to

create the illusion of missed at

276

00:15:28,890 --> 00:15:34,109

the base and just by tapping for

the top corner, we can do that.

277

00:15:34,890 --> 00:15:40,890

I want it to be very soft and hazy and

very Misty back here and just let that

278

00:15:40,890 --> 00:15:45,900

sort of going off into nothing, but look

at all the different layers in here.

279

00:15:49,770 --> 00:15:51,300

Good lift, gently upward.

280

00:15:52,530 --> 00:15:57,810

You just blend it down

on the bottom there.

281

00:15:59,460 --> 00:15:59,970

All right.

282

00:15:59,970 --> 00:16:00,840

Time to have some fun.

283

00:16:02,750 --> 00:16:04,280

And that's mixed us up some color here.

284

00:16:04,280 --> 00:16:05,840

We just take a bunch of dark colors.

285

00:16:05,840 --> 00:16:10,040

We'll use we'll use there's

black, there's pressured and

286

00:16:10,040 --> 00:16:13,069

blue, some Brown, some Crimson.

287

00:16:13,550 --> 00:16:16,160

Maybe we'll take it to the little green

that was left and throw it in there too.

288

00:16:17,880 --> 00:16:20,700

There we go, maybe even

a little South green.

289

00:16:21,120 --> 00:16:25,070

I want it to have a little greenish

tone to it, but your mind is what

290

00:16:25,070 --> 00:16:26,660

makes up a pretty good pile of paint.

291

00:16:27,950 --> 00:16:29,180

Pretty good time with it.

292

00:16:31,130 --> 00:16:32,840

Should I just use that same old fan brush?

293

00:16:32,870 --> 00:16:33,680

It's working pretty good.

294

00:16:33,680 --> 00:16:33,920

There.

295

00:16:35,180 --> 00:16:38,450

We're loaded, full of color,

a lot of paint on both sides.

296

00:16:39,860 --> 00:16:42,110

Now we have to make some

big decisions in our world.

297

00:16:42,140 --> 00:16:42,590

Maybe.

298

00:16:43,665 --> 00:16:45,255

Maybe there's a nice evergreen tree.

299

00:16:45,314 --> 00:16:46,095

There's right there.

300

00:16:47,805 --> 00:16:49,595

I'm going to dip the brush

until at least little bit a

301

00:16:49,595 --> 00:16:51,585

thinner, so that'll stick easier.

302

00:16:52,125 --> 00:16:54,765

Cause we're going over

several layers of paint now.

303

00:16:55,755 --> 00:17:00,135

So we really need the paint to be a

little thinner, so to stick and I'm

304

00:17:00,135 --> 00:17:05,954

pushing upward with a brush just to

make a little evergreen right there.

305

00:17:06,615 --> 00:17:06,704

Okay.

306

00:17:07,635 --> 00:17:09,375

Okay, tell you what I work so well.

307

00:17:09,375 --> 00:17:13,125

Let's, let's have another laboratory,

just push gently upward with a brush.

308

00:17:14,024 --> 00:17:20,925

All you have to do there

and you make a decision.

309

00:17:20,925 --> 00:17:22,454

How many trees live in your world?

310

00:17:23,655 --> 00:17:24,704

Maybe there's one there.

311

00:17:26,444 --> 00:17:31,304

I don't know when they're, this

is an excellent way to practice

312

00:17:31,304 --> 00:17:32,115

your little trees though.

313

00:17:32,115 --> 00:17:34,245

So make a few of them.

314

00:17:34,245 --> 00:17:35,865

What the heck we'll put one way over here.

315

00:17:37,610 --> 00:17:38,400

Me make a few of them.

316

00:17:40,080 --> 00:17:40,560

There you go.

317

00:17:41,760 --> 00:17:46,110

And we'll just while we got this old

fan brush running here, we'll just push

318

00:17:46,110 --> 00:17:49,710

in a little bit of dark color, like, so

319

00:17:54,480 --> 00:17:56,850

tell you what let's

grab the two inch brush.

320

00:17:57,390 --> 00:17:58,800

I want some reflections under that's.

321

00:17:58,820 --> 00:18:01,650

All you have to do since the canvas

is wet with the liquid white.

322

00:18:02,175 --> 00:18:09,135

Let's grab that and pull it straight down,

pull it down that sneaky, then go across

323

00:18:09,435 --> 00:18:12,074

and we have instant, instant reflections.

324

00:18:13,425 --> 00:18:15,314

Maybe, maybe there's a little projection.

325

00:18:15,815 --> 00:18:22,335

Comes right out here, something

like, so in your world, you make the

326

00:18:22,335 --> 00:18:26,804

decisions where you want all these

little things to live, just put them in.

327

00:18:28,995 --> 00:18:31,754

And all we're doing is laying down a

dark base color so we can come back

328

00:18:31,754 --> 00:18:33,165

and put a few highlights on there.

329

00:18:35,024 --> 00:18:35,385

Okay.

330

00:18:35,595 --> 00:18:37,185

Now I need a little reflection into that.

331

00:18:37,784 --> 00:18:39,735

Each time you do a

little peninsula of land.

332

00:18:40,260 --> 00:18:43,379

You need a little reflection under

it, or when your paintings done

333

00:18:43,980 --> 00:18:45,389

it looked just like it's floating.

334

00:18:46,590 --> 00:18:48,060

Tell you what hold we got

the old brush running.

335

00:18:48,389 --> 00:18:49,889

Let's go on the other

side and give it a tree.

336

00:18:49,889 --> 00:18:50,879

We don't want it left down.

337

00:18:51,750 --> 00:18:53,669

Maybe this tree, maybe ms.

338

00:18:53,669 --> 00:18:54,960

Tree moves up there.

339

00:18:55,560 --> 00:19:00,570

If it goes right on off the canvas,

we don't know, push up or though

340

00:19:00,899 --> 00:19:03,810

think about little individual

limbs that live in this big tree.

341

00:19:05,325 --> 00:19:07,395

There we are there.

342

00:19:07,455 --> 00:19:08,865

Just drop them in.

343

00:19:12,495 --> 00:19:14,085

I like to do these evergreen trees.

344

00:19:14,925 --> 00:19:15,765

There's so nice.

345

00:19:18,645 --> 00:19:22,995

Let me write them down to about like

there, wherever we'll give him a little

346

00:19:22,995 --> 00:19:28,845

friend to when we painted the whole forest

here in just a matter of a few minutes.

347

00:19:30,105 --> 00:19:30,675

There we go.

348

00:19:33,105 --> 00:19:37,004

Take one, maybe right out here we are.

349

00:19:39,545 --> 00:19:42,875

Let's do something like, so just

let your imagination go though.

350

00:19:43,325 --> 00:19:44,254

Look at your painting.

351

00:19:44,285 --> 00:19:47,885

Everybody's painting is going to look

a little different and look at it.

352

00:19:47,945 --> 00:19:50,495

You may have things that are

better that you don't want

353

00:19:50,495 --> 00:19:52,145

to, you don't want to mess up.

354

00:19:52,775 --> 00:19:56,855

Don't change it just

because I did gently across.

355

00:20:02,820 --> 00:20:06,870

I'll take a little white, a little

dark Sienna, mix it together and

356

00:20:06,870 --> 00:20:09,660

let's put the indication here and

there, but a little tree trunk in

357

00:20:09,670 --> 00:20:11,130

some of these things just touch.

358

00:20:11,440 --> 00:20:12,990

Won't be much showing we back here.

359

00:20:15,210 --> 00:20:16,200

Maybe there's one right here.

360

00:20:16,200 --> 00:20:21,660

We don't want to have left out

and have in our old big tree loop.

361

00:20:21,870 --> 00:20:22,470

It's a big one.

362

00:20:23,280 --> 00:20:26,550

You can see more of it there.

363

00:20:27,285 --> 00:20:28,485

I'm going to grab another fan brush.

364

00:20:28,515 --> 00:20:29,835

I have several of each brush points.

365

00:20:29,865 --> 00:20:32,985

I want to spend all my time, just

washing brushes, but take a little

366

00:20:32,985 --> 00:20:34,275

yellow and I'll take a little that color.

367

00:20:34,275 --> 00:20:34,815

We made a tree.

368

00:20:34,815 --> 00:20:35,835

I'd mix it together.

369

00:20:36,405 --> 00:20:37,425

It has blue in it.

370

00:20:37,995 --> 00:20:43,455

So automatically it's going to

turn a beautiful green there.

371

00:20:43,875 --> 00:20:45,525

Just get it to whatever

flavor you want it.

372

00:20:45,915 --> 00:20:46,815

Let's go back in here.

373

00:20:47,565 --> 00:20:48,735

Lights coming from the right.

374

00:20:50,865 --> 00:20:53,415

So let's begin putting in

little things, I guess.

375

00:20:54,584 --> 00:20:58,395

Just a few little highlights and

I'm going to put a lot of highlights

376

00:20:58,395 --> 00:21:01,844

and these trees tell you what, you

know, I travel all over the country

377

00:21:01,875 --> 00:21:03,645

and I made a lot of exciting people.

378

00:21:05,145 --> 00:21:09,495

And as you know, I'm absolutely crazy

about little creatures and stuff.

379

00:21:10,034 --> 00:21:12,824

And recently I had the opportunity

to meet a fantastic lady

380

00:21:13,304 --> 00:21:14,475

by the name of Carmen Shaw.

381

00:21:14,504 --> 00:21:18,135

And she lives in Orlando and we

filmed a little bit of footage

382

00:21:18,135 --> 00:21:21,225

with her and I'd like, I'd like

to share some of that with you.

383

00:21:22,169 --> 00:21:23,790

And this is Carmen feeding.

384

00:21:23,790 --> 00:21:24,600

One of her little pets.

385

00:21:24,600 --> 00:21:27,960

This is a little possum hitting

this acutus little devil,

386

00:21:29,669 --> 00:21:31,139

and he's just very young.

387

00:21:31,139 --> 00:21:37,440

And Carmen takes care of animals that

have been orphaned or, or they've

388

00:21:37,440 --> 00:21:41,340

been injured and she patches them

up and she devotes her whole life to

389

00:21:41,340 --> 00:21:42,840

taking care of these little creatures.

390

00:21:44,115 --> 00:21:47,145

And these kinds of people are

absolutely wonderful in there.

391

00:21:47,504 --> 00:21:48,345

They're necessary.

392

00:21:48,705 --> 00:21:54,254

If we're going to preserve some of

these creatures, I want you to watch

393

00:21:54,254 --> 00:21:55,514

Jesse feeds this little possum.

394

00:21:55,514 --> 00:21:57,465

He's, he's a hungry little dude

395

00:22:00,554 --> 00:22:03,524

there and say, I just

get to go and enjoy him.

396

00:22:03,524 --> 00:22:05,294

She has to do the taking

care of it, though.

397

00:22:06,705 --> 00:22:07,155

Look at there.

398

00:22:07,740 --> 00:22:15,060

I think got Rascal's not hungry,

he's something else, but I got it

399

00:22:15,080 --> 00:22:20,930

to spend several hours with Carmen

and she shared with me quite a few

400

00:22:20,930 --> 00:22:22,310

animals that she has over there.

401

00:22:22,310 --> 00:22:29,150

She has everything from cranes to

Hawks and owls and just a multitude of

402

00:22:29,150 --> 00:22:30,830

animals that have been injured or hurt.

403

00:22:32,180 --> 00:22:33,800

And she does all of this on her own.

404

00:22:33,980 --> 00:22:34,220

And.

405

00:22:34,635 --> 00:22:35,865

I think that's fantastic.

406

00:22:36,795 --> 00:22:41,405

And, and amongst all of her

little creatures, she has deer and

407

00:22:41,405 --> 00:22:43,355

foxes and raccoons and et cetera.

408

00:22:44,405 --> 00:22:50,195

And she has a little Fox named major,

which is one of the cutest little

409

00:22:50,195 --> 00:22:55,985

creatures God's ever made and major

has been hurting and somebody who

410

00:22:55,985 --> 00:23:01,365

can cut his tail off, but she allowed

me to go in the cage with him.

411

00:23:02,790 --> 00:23:04,890

She was a little bit of

that here in just a second.

412

00:23:05,970 --> 00:23:06,540

Oh, we're doing here.

413

00:23:06,540 --> 00:23:07,760

He's just dropping some highlights.

414

00:23:10,520 --> 00:23:15,350

They're just pushing

upward with this brush.

415

00:23:16,280 --> 00:23:23,600

Like so little Fox, as I say, his name

was major and he's, he's absolutely

416

00:23:23,600 --> 00:23:28,430

precious and he's, he thinks he's a puppy.

417

00:23:29,460 --> 00:23:31,650

That sound of a gun just

about his team as he can be.

418

00:23:31,650 --> 00:23:34,590

I, I got up on my nerve and

got in the cage with him there.

419

00:23:36,300 --> 00:23:40,500

And as you can see, we made friends

very quickly and we had a very good time

420

00:23:40,500 --> 00:23:42,660

together while you're watching that.

421

00:23:42,660 --> 00:23:44,610

I'm just going to put in a

little water line right here.

422

00:23:47,130 --> 00:23:51,060

This little devil was fascinated

with my hair, or if, I guess

423

00:23:51,510 --> 00:23:52,350

he thought it was steel.

424

00:23:52,350 --> 00:23:54,420

Well, maybe it was time to

clean the dishes or something.

425

00:23:54,420 --> 00:23:54,870

I don't know.

426

00:23:54,870 --> 00:23:55,080

But.

427

00:23:56,250 --> 00:23:57,810

But he was fascinated with my hair.

428

00:23:57,810 --> 00:23:59,010

He tried to eat my hair off.

429

00:24:02,000 --> 00:24:02,090

Okay.

430

00:24:02,600 --> 00:24:05,480

The only thing I'm doing here while you're

watching that, it's just, just putting in

431

00:24:05,480 --> 00:24:07,040

a few, little water lines here and there.

432

00:24:08,240 --> 00:24:12,710

Just with a little touch of the

liquid white, but isn't, isn't

433

00:24:12,710 --> 00:24:14,180

this little Fox just beautiful.

434

00:24:16,640 --> 00:24:17,690

Just fell in love with him.

435

00:24:17,690 --> 00:24:19,190

And then I say his name is major.

436

00:24:24,560 --> 00:24:25,340

Okay.

437

00:24:27,615 --> 00:24:31,004

I spend about an hour in the cage

with this rascal, and we just

438

00:24:31,004 --> 00:24:32,355

had a heck of a time together.

439

00:24:33,105 --> 00:24:33,225

Oh.

440

00:24:33,225 --> 00:24:35,925

While you were watching that, I say, I

just put it in a few little borderlands

441

00:24:35,925 --> 00:24:37,245

using liquid white on the knife.

442

00:24:37,784 --> 00:24:42,495

Now then I'm going to take, let's have

some fun shoot and put out a bunch of

443

00:24:42,495 --> 00:24:45,555

liquid white here, like my hand off there.

444

00:24:47,865 --> 00:24:50,715

And with that, I'm going to put

a little dark Sienna into it.

445

00:24:53,490 --> 00:24:57,960

Let's see here, hit my

hand with the paint.

446

00:24:59,690 --> 00:25:03,830

Well, we'll take a little bit of the

Vandyke Brown dark Sienna, and then

447

00:25:03,830 --> 00:25:07,190

we'll go right through the STEM color

that I've made and maybe a pier.

448

00:25:07,580 --> 00:25:09,740

There's just a few little

stones that live in here.

449

00:25:09,800 --> 00:25:14,150

And all you do is take a side of

this Filbert brush and just do like,

450

00:25:14,150 --> 00:25:18,350

so wherever you want these little

stones to live, just go like that.

451

00:25:18,590 --> 00:25:20,960

See, and you can put as few or

as many in here as you want.

452

00:25:22,544 --> 00:25:23,175

There they go.

453

00:25:25,205 --> 00:25:27,365

And it's sort of neat when you

want a little stone here and

454

00:25:27,435 --> 00:25:28,685

there there's one, even back here.

455

00:25:30,365 --> 00:25:36,215

No, let's take here a little bit of the

liquid wide on the knife and just sort

456

00:25:36,215 --> 00:25:38,675

of go around these stones that helps

set them right down into the water.

457

00:25:40,115 --> 00:25:44,195

We can take a fan brush, a little

liquid white on it, least little,

458

00:25:44,195 --> 00:25:45,304

touch it, the little blue.

459

00:25:46,655 --> 00:25:47,675

And let's just go in here.

460

00:25:49,485 --> 00:25:53,355

And just begin putting in all

kinds of little water, things

461

00:25:53,355 --> 00:25:58,514

that live around these stones

there, let it work right on back.

462

00:26:00,465 --> 00:26:04,125

Like, so hope you enjoy

seeing these little animals.

463

00:26:04,125 --> 00:26:05,055

They're so precious.

464

00:26:05,055 --> 00:26:10,365

And, and I love to, to show them to you

and share them with you because these,

465

00:26:10,514 --> 00:26:14,235

these little critters are my friends

and I spend a lot of time with them.

466

00:26:15,690 --> 00:26:19,470

And I enjoy meeting people like

Carmen and the bird lady that we're

467

00:26:19,470 --> 00:26:21,000

bringing here in Muncie and everything.

468

00:26:22,649 --> 00:26:24,060

These are special people to me.

469

00:26:25,020 --> 00:26:27,389

Let me tell you what

let's come on up here.

470

00:26:27,480 --> 00:26:29,790

Let me pull this tape off and

let's see what we've got today.

471

00:26:31,080 --> 00:26:33,240

Does that say, this is just

plain old masking tape.

472

00:26:35,010 --> 00:26:40,230

Anybody can pick up when you

take that off, it almost looks

473

00:26:40,230 --> 00:26:41,909

like the picture is matted.

474

00:26:42,794 --> 00:26:44,834

And it's a very last little effect.

475

00:26:45,615 --> 00:26:51,615

Let's take a little red liner brush and

let's sign this one right about here.

476

00:26:53,715 --> 00:26:55,004

I think we'll call it finished.

477

00:26:55,604 --> 00:26:56,895

I hope you try this little painting.

478

00:26:56,925 --> 00:26:57,885

It's very nice.

479

00:26:58,094 --> 00:26:59,985

And you'll enjoy it from all of us here.

480

00:27:00,195 --> 00:27:03,495

I'd like to wish you happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S20E05 - Divine Elegance

Bob Ross's

The Joy of Painting

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