Bob Ross's

The Joy of Painting

S23E05 - Quiet Cover

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Hey, certainly glad to see you today.

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You ready to do a

fantastic little painting?

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Tell you what let's start out and

have him run all the colors across the

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screen that you need to paint along

with us while they're doing that.

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Let me show you what I've

gotten done up here today.

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I have my standard old canvas up here.

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It says a pre-stretch double prime canvas,

and I've covered it with just a thin even

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coat of liquid white from top to bottom.

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And it's ready to go.

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So let's just do a fantastic

little painting together and

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just have a good time today.

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Let's start with a very small amount.

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Oh, let's use a little bit, a

little bit of the India in yellow.

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Not much chest a little on the two

inch brush there where you just

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tap a little into the bristles.

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I mean this a pair.

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Let's just start read along in here.

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I think the horizon is going to be

somewhere in this area and it doesn't

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really matter and we'll just blend it

upward, using little cross across strokes.

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And that way it's mixing with the

liquid white that's on the canvas.

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And automatically it'll land

and get lighter and very smooth.

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And there a little bit more of the

Indian, yellow, seamless have a

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little bit down in this direction.

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Maybe we'll have a little water in here.

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You know, me, I love water.

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So food is a little bit better, right?

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Down into where we know there's

going to be some water there,

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something about like that.

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This is a very simple little painting.

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I think you'll like it.

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Thank you.

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Like, all right.

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Let me wash the old brush and we wash

our brush and odorless paint thinner.

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And as I've mentioned before, a

really, really suggest to use odorless

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tenor, just beat the devil out of you.

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Don't use odorless then are you

going to be working by yourself?

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And your popularity around the home front

is going to go down about 15 points.

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Here we go home and take a little bit of

the midnight black, just midnight black

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on the two inch brush and a scope in here.

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Yeah.

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And very gently, still using

our little crisscross strokes.

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Let's just put a little bit

of that right up in here.

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It too.

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We'll mix for the liquid white and you get

those beautiful, beautiful values there.

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It just begins blending there.

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Something about like that.

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Yeah.

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We'll just put it down to about that area.

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And then we'll come back with a

clean brush and blend it in a second.

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Okay.

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Now get into the water.

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Santa Fe was going to have water.

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Let's just do this.

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Pull from the outside.

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I'm still using nothing, but just black,

just midnight black there about there

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and anything that we don't want to be

water, we'll just put land right over it.

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As, you know, if you fainted with us

before freedom, we don't make mistakes.

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We have happy accidents.

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And by that, I just mean that

after a while you begin to learn

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to work with anything, it happens,

we really don't make mistakes.

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You learn to use what happens and

it's when you truly truly experience

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the joy of painting, because

there's no fear of this canvas.

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And with this style of

painting, that will happen very.

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Rapidly there, little bit of practice,

just, just sort of a dream in your mind

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of what you want to paint and off you go,

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So this wash the brush, shake off the

excess, then we're in trouble again.

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Now, when you do this at home,

they make such a little thing.

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It's called a brush beader rag, and it

goes down to the bottom of a wastebasket

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and you can shake the brush inside

of the basket, then beat that rack

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and it contains all this because you.

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Certainly want to do

that in your living room.

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As I say, you'll change

your decor in a second.

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Now that clean dry brush,

and it needs to be very dry.

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We just begin blending where these two

colors come together and you want to

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blend it until you can't tell where one

color starts and the next color stops.

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And sometimes to do that, you need

to sort of step back and take a look.

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See it.

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You're painting when

you're right up against it.

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It's very, very difficult

to tell what you're doing.

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Step back across the room, get your

glass iced tea, sat down, maybe, and look

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at your painting for a minute or two.

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And then you can tell what you have.

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A lot of times people write and they

asked me how I developed all these

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paintings because when this series is

over, there'll be nearly 300 paintings.

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There will be 300 paintings.

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Then one of the ways is crazy

as it sounds a lot of times I'll

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start with just a blank canvas.

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And sat and stare at it and

begin visualizing things.

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And as you put each little thing

on there, step back and look at

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it and think about it and you

learn to compose that way there.

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Tell you what let's have some fun

and we'll take some black, black

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alizarin Crimson mixed together, just

black and with lizard and that'll

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make a nice 11 or light color.

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There, pull it out very flat, flat as

you can get it cut across and get that

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little roll of paint and it should

live right at the edge of your blade.

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I mean, it's right out on the very edge.

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Okay.

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Maybe in our world come right up in here.

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Maybe there's maybe there's a

little, we back in there there's

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a little Hill or a little mountain

that lives we back right there.

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And all we're looking for

is a nice shape on top.

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We're really not concerned with

the bottom of it at this point.

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Something maybe like, yeah, this

one's going to be far, far away.

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So we're not looking for a lot of detail.

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We're looking for a basic shape

and that's all, and underneath

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it, since this is water, there's

going to be some reflections.

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So you can just reflect it

right into the water while you

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have that color on your knife.

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Okay.

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And I'm really, as you can probably hear,

I'm rubbing quite hard with a knife.

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I want to literally push this

paint right into the fabric.

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Just as my son, Steve says,

just sort of moosh it in there.

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That's probably not a word, but

everybody understands what he's,

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what he means when he says that.

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Just motion it in there.

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All right.

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Now then.

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Where the old two inch brush here,

just sort of blend that out, spooned

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it out and you can actually make

it look like highlights and shadows

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just by using brushstrokes in here.

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There we go.

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There were strokes.

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That's the name of our newsletter.

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We do a lot of interesting

articles in that.

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I mean, I really enjoy writing for it.

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Now.

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Our reflections are just

pull it straight down.

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The street there.

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See there.

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Yeah.

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Yes, totally.

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We have reflections go across

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and that's all there is to it.

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Reflections used to drive me crazy

when I was traditional painter.

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And in this style of painting,

it may very well be one of

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the easiest things that we do.

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And you can take a little, the

dark paint and here and there,

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maybe just put in the indication.

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Have some little shadows and highlights

without really doing a great deal.

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If you put too much detail in here,

it's going to destroy that illusion

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of distance in your painting.

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And we want it to look like it's

far, far way back here, but just

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rub it with the knife there.

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And you can just let that just planned

anywhere that you wanted to do.

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It gives the indication

without that a lot of detail.

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Sometimes it's neat to take just

a little touch of the dark Sienna,

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white, not much white and right

down here at the bottom, just really

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scrubbing a little bit of that.

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Make it look like there's was a

little dirt down at the bottom

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of, but that's up to you.

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You may not want to put

that in strictly up to you.

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I sorta like it changes this flavor

a little bit to the hair, right?

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Yeah, we can take a little bit of

the liquid white and put it out here

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on the pallet and pull it out very

flat, just as flat as we can get it

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and then cut across just like, yep.

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And we can go up in here and just

begin cutting into indication

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of a little water line.

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There we go.

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Now, if you make these and they're

too thick or you don't like them,

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if you just take the knife and

rub them, just rub them very hard.

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They'll just basically disappear right

into the color, this on the canvas.

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I'll tell you a little things like

that in case you ever make it.

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A lot of people get worried

that they've made a mistake.

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That's not a mistake.

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All you do is just, just

rub it a little more.

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Don't worry about it.

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There's nothing to fear

on this piece of canvas.

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The absolute worst thing can

happen is that you enjoy it.

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It's fun.

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Painting should be fun if you.

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Painting doesn't make you happy,

then you're doing the wrong thing.

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And if you're fortunate enough, as I

have been to take something that you

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love as much as this and learn how to

do it for a living and be fortunate

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enough to be successful at it.

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I got it.

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World's a great place there.

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Tell you what?

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We'll just use this old two

inch brushes dirty here.

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Let's take, let's take a little

black, little Vandyke, Brown, little

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touch of the pressure and blue.

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We need some Crimson to shoot myself

a little SAP green there, just all

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the dark colors, basically tap a

little bit of that color to the brush.

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We're just pushing and

tapping the old two inch.

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Let's go up here, maybe

in our world, their lives.

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Yeah, it does.

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Now.

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Maybe there's some nice little things

that live right along in here and all

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we're looking for at this point, that's

a very, very basic little shapes.

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Maybe there's a tree lives right here.

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Just happy little tree hangs out

here and it looks back at the

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mountain that's in the distance.

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Well, maybe this is a big tree seems to

be growing on us, but that's all right.

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That's all right.

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We can have any size tree

in our world that we want.

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Got a little bigger

than I thought it would.

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That's fine.

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Okay.

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Now here we have is dark color on here.

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Let's just pop in a little reflection.

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We can do that.

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We're just pulling straight down, but

it's important that these lines go

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straight down and then very lightly

to hairs and some air just go across.

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And sometimes, sometimes let

me see here, we have black and.

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Blue little Brown

Crimson, little SAP green.

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I think something like that.

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Let me wipe off the old knife here.

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I just wipe the knife on a

paper towel just to clean.

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We use a fan brush and we'll put a

little evergreen tree in they're like

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little evergreens and they're a lot

of fun to do and they work so nice.

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Can you load both sides of the price with

a lot of paint and kinda scope in here?

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And they be.

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Big decision time, maybe our

little evergreen lives right there.

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Take the corner of the

brush and just touch.

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Then as you work down the

tree, touch harder and you're

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pushing the bristles downward.

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They can bend downward and as you go down

the tree, push harder and harder, and

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that makes a tree get wider and wider.

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And it almost happens automatically

with a little practice.

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You'd be surprised how easy it is to make

something like an evergreen tree there.

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That's all there is to it.

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Now we can take that same color

going into a little bit of the CAD

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yellow, and we have instant green

cause there's blue in there in black,

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and both of them were mixed green.

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And we can highlight that little

tree with the same old brush.

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No problem.

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There.

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And then a cute little

tree and you can do that.

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Great.

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Just have a tree trunk in there.

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We'll take some paint, thinner, some

paint, thinner, a little bit of the van

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Dyke Brown or whatever color you would

like for your trunk to be thought today.

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Brown would be nice and

let's come right along here.

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And so tree seems to be leaning over.

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So we'll make its trunk lean over to.

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It looks funny if you've got

a straight trunk and a crooked

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tree, so we'll have them both.

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Crookedy I put a few little

arms and limbs on it.

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We don't put some leaves out here.

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So most of this will be covered up,

but a little level of show there and

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you can take the brush and pull it

through a little bit quiet or liquid

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white, just some, some light color and

run right down his aides like that.

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And give him a highlight that easy.

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00:13:45,125 --> 00:13:48,345

Just sort of blending back

and you've got the light side

244

00:13:48,345 --> 00:13:49,425

and a dark side of the tree.

245

00:13:51,375 --> 00:13:54,875

Now I will tell you when we're having to

use an old, dirty brushes, we'll use it.

246

00:13:54,875 --> 00:13:55,595

Same old breasts.

247

00:13:55,625 --> 00:14:02,375

They go right into a little bit of the

yellow little yellow ochre here and there.

248

00:14:02,375 --> 00:14:05,315

We're going to touch a little bit of

the bright red and the bright red is

249

00:14:05,315 --> 00:14:08,255

used as a dollar, those, the green down.

250

00:14:09,005 --> 00:14:09,305

Okay.

251

00:14:09,365 --> 00:14:11,465

See that little bit of paint there

and that's what we're looking for.

252

00:14:11,465 --> 00:14:12,095

Just push it.

253

00:14:12,545 --> 00:14:12,845

Okay.

254

00:14:14,220 --> 00:14:17,460

Now then using just the corner of the

brush, where you could do this with one

255

00:14:17,460 --> 00:14:23,180

of the round brushes or the oval brush

works very well for this too beautifully.

256

00:14:24,260 --> 00:14:25,460

Now that let's just happen.

257

00:14:25,460 --> 00:14:27,260

Some nice little highlights on this tree.

258

00:14:27,890 --> 00:14:29,540

I sort of like this old two inch brush.

259

00:14:31,070 --> 00:14:33,320

I like it in a few

demonstrating for people.

260

00:14:33,590 --> 00:14:37,910

And that's really a lot for fun

to demonstrate for people use

261

00:14:37,910 --> 00:14:40,070

this whole big brush because

they're just not used to seeing.

262

00:14:41,189 --> 00:14:44,910

That's this much detailed, done with

a brush, the size of something you

263

00:14:44,939 --> 00:14:46,880

probably painted the bar with last week.

264

00:14:48,050 --> 00:14:54,020

It really, it really grabs

people's attention there maybe.

265

00:14:54,410 --> 00:14:56,480

Well, I got that going maybe.

266

00:14:56,480 --> 00:14:56,720

Yeah.

267

00:14:56,780 --> 00:14:58,370

We'll have another little

treat lives right there.

268

00:14:58,370 --> 00:15:00,710

You just sort of pick

them out right in there.

269

00:15:02,210 --> 00:15:05,000

All you gotta do is just find them there.

270

00:15:06,830 --> 00:15:07,580

Okay.

271

00:15:09,525 --> 00:15:10,875

Maybe it's a little touch back in here.

272

00:15:10,875 --> 00:15:11,925

I don't want much back here.

273

00:15:12,675 --> 00:15:18,545

Just a little, just to indicate now

another way of making a of beautiful

274

00:15:18,545 --> 00:15:22,355

little bushes, would you use the one

inch brush, but some liquid wide on it.

275

00:15:22,895 --> 00:15:25,775

And the liquid white is only

to thin the other color.

276

00:15:26,355 --> 00:15:26,975

Be right back.

277

00:15:26,975 --> 00:15:28,055

Let me get a little green here.

278

00:15:28,415 --> 00:15:31,295

There pulled us in one direction.

279

00:15:31,805 --> 00:15:32,645

One direction.

280

00:15:33,515 --> 00:15:34,355

Look at the end of it.

281

00:15:34,415 --> 00:15:35,345

A lot of pain in there.

282

00:15:36,675 --> 00:15:37,334

A lot of paint.

283

00:15:37,665 --> 00:15:41,564

What about pulling it in one direction,

you around one corner that turn it over

284

00:15:41,564 --> 00:15:43,334

in that rounded corner goes to the top.

285

00:15:43,365 --> 00:15:47,594

Let's go right up here now

with a rounded corner of touch

286

00:15:48,224 --> 00:15:50,265

and just push gently upward.

287

00:15:50,265 --> 00:15:52,185

It should very gentle push.

288

00:15:52,814 --> 00:15:54,224

You do not have to push hard.

289

00:15:55,724 --> 00:15:56,474

There we go.

290

00:15:56,714 --> 00:15:57,765

And that's all there is to it.

291

00:15:57,765 --> 00:16:00,525

You can make some of the most

gorgeous Lacy looking little bushes.

292

00:16:02,340 --> 00:16:07,740

Do one at a time, don't get greedy

one at a time, one at a time.

293

00:16:07,740 --> 00:16:13,320

And that way they will look layered

ones on top of the other there.

294

00:16:16,140 --> 00:16:16,620

Okay.

295

00:16:16,980 --> 00:16:24,110

Something about like, So for right

now, and then we can take our liquid

296

00:16:24,110 --> 00:16:25,520

white, don't put at least little touch.

297

00:16:25,520 --> 00:16:29,600

If we don't use a little blue,

not much blue, tiniest, little

298

00:16:29,600 --> 00:16:31,490

bit oppression, blue and black.

299

00:16:31,490 --> 00:16:32,480

I want a gray color.

300

00:16:32,870 --> 00:16:35,180

Maybe take one little dark sand in it.

301

00:16:35,240 --> 00:16:35,930

Oh, that's nice.

302

00:16:35,930 --> 00:16:36,740

That's what I'm looking for.

303

00:16:37,550 --> 00:16:42,560

Tiniest little bit of color on there

and we'll just make the indication

304

00:16:42,560 --> 00:16:46,940

of land using nothing, but that allow

it to pick up some of that color.

305

00:16:47,490 --> 00:16:51,180

It's already on the canvas and

just let them blend together.

306

00:16:52,319 --> 00:16:57,900

And it's a very simple way and making

a nice little area that looks like land

307

00:16:58,080 --> 00:17:02,550

without doing a whole budge and with

a clean knife, you can just take him

308

00:17:02,819 --> 00:17:07,560

scraping some little trunks and sticks

and stones and just all kinds of little

309

00:17:07,560 --> 00:17:10,129

things that live in the woods there.

310

00:17:12,810 --> 00:17:16,170

So wherever you want them, and then.

311

00:17:18,584 --> 00:17:21,734

Tell you what I want to take a

little bit of the liquid clear,

312

00:17:22,604 --> 00:17:26,564

get a little liquid clear to that.

313

00:17:26,865 --> 00:17:30,824

I want to add titanium

white and midnight black.

314

00:17:30,824 --> 00:17:34,304

I want to make a nice

thin that's the key word?

315

00:17:34,304 --> 00:17:37,995

Thin gray color, but it's very thin.

316

00:17:38,955 --> 00:17:39,165

Okay.

317

00:17:39,165 --> 00:17:40,245

Let me lay that up there.

318

00:17:40,754 --> 00:17:43,604

Clean off the old knife now.

319

00:17:44,475 --> 00:17:45,284

David's shoes.

320

00:17:46,350 --> 00:17:47,640

Let's use a Filbert brush.

321

00:17:49,860 --> 00:17:50,160

Okay.

322

00:17:50,600 --> 00:17:53,510

I'm going to go right through the

midnight black load, both sides full

323

00:17:53,510 --> 00:17:58,730

of color, just like so that we walk

right over in here and I'm going to

324

00:17:58,730 --> 00:18:01,880

take and pull one side through that.

325

00:18:02,030 --> 00:18:02,990

The enlight color we made.

326

00:18:02,990 --> 00:18:07,160

So we have Darko inside light on the

other now watch and come up in here.

327

00:18:07,640 --> 00:18:11,450

And with one stroke, we can put

the indication of a lot of little

328

00:18:11,450 --> 00:18:14,810

stones and rocks and things that

are happening right back in here.

329

00:18:15,525 --> 00:18:19,545

But that way, it'll make the highlight

and the shadow and you want a stroke,

330

00:18:22,845 --> 00:18:25,925

then you need to come back with a

color used and just sort of go around

331

00:18:25,925 --> 00:18:27,215

the edges and clean the edges of it.

332

00:18:32,645 --> 00:18:33,125

Right.

333

00:18:33,785 --> 00:18:34,865

Let's get crazy today.

334

00:18:35,735 --> 00:18:37,175

Let's go back and target dark color.

335

00:18:39,465 --> 00:18:40,395

Yeah, let's do this.

336

00:18:40,755 --> 00:18:43,725

The head says, I say anything

that you don't want them in

337

00:18:43,725 --> 00:18:45,465

here in the way of water.

338

00:18:45,645 --> 00:18:46,665

We'll just cover it up.

339

00:18:47,175 --> 00:18:50,925

Maybe this comes, let's

call it across this.

340

00:18:50,925 --> 00:18:52,155

We can just fill in any old way.

341

00:18:52,155 --> 00:18:53,985

You could fill this in

with a paint roller.

342

00:18:54,075 --> 00:18:55,365

It doesn't make any difference.

343

00:18:55,365 --> 00:18:57,075

We're just putting color on the canvas.

344

00:18:58,425 --> 00:19:02,115

If you're into using a black,

Jessel like I am, I love that stuff.

345

00:19:02,365 --> 00:19:04,504

You could actually have done

all this with the black Jess.

346

00:19:07,044 --> 00:19:10,075

And it'd been that much easier there.

347

00:19:11,665 --> 00:19:11,995

Okay.

348

00:19:12,205 --> 00:19:13,895

I really like it like Jessa.

349

00:19:13,925 --> 00:19:15,054

We use it so much.

350

00:19:15,264 --> 00:19:18,085

I could just about do a whole series,

but nothing would be like Jessa.

351

00:19:21,415 --> 00:19:23,245

We need, you know, me and my big trees.

352

00:19:24,720 --> 00:19:30,510

Yeah, let's have another big

over-treat Liz right here.

353

00:19:35,100 --> 00:19:40,560

There may be this big old tree

just keeps climbing right on that.

354

00:19:42,659 --> 00:19:43,620

And this is your world.

355

00:19:43,620 --> 00:19:45,240

So you decided where you treated this.

356

00:19:46,230 --> 00:19:48,990

Sometimes they just keep growing

until they get clean on out of sight.

357

00:19:51,600 --> 00:19:52,380

Maybe we'll do that.

358

00:19:52,470 --> 00:19:52,950

What the heck?

359

00:19:55,020 --> 00:20:00,510

Let's just have one that goes right on

off the canvas and all we're doing here

360

00:20:00,510 --> 00:20:01,890

is just putting in some dark color.

361

00:20:01,890 --> 00:20:03,810

So our highlights were show

when we dropped them off.

362

00:20:08,370 --> 00:20:12,180

Just lay in a basic shape and all

I'm using is a corner of the brush.

363

00:20:12,210 --> 00:20:13,530

Just the corner of the brush,

364

00:20:16,590 --> 00:20:20,970

a little black run out of color

cream, sunset green, little blue,

365

00:20:21,310 --> 00:20:24,330

the Brown, maybe right there.

366

00:20:24,330 --> 00:20:24,540

Yep.

367

00:20:25,050 --> 00:20:25,440

All right.

368

00:20:27,210 --> 00:20:28,680

We'll just have a happy little Bush.

369

00:20:29,010 --> 00:20:29,760

He lives there.

370

00:20:33,705 --> 00:20:34,695

I want one over here too.

371

00:20:34,725 --> 00:20:35,985

I don't want to side left out.

372

00:20:38,055 --> 00:20:38,805

He lives right there.

373

00:20:42,195 --> 00:20:42,825

Didn't that lead her.

374

00:20:42,825 --> 00:20:45,615

You can just close out here that easy.

375

00:20:47,655 --> 00:20:48,135

All right.

376

00:20:52,545 --> 00:20:52,845

Yeah.

377

00:20:52,845 --> 00:20:55,004

Then we need a tree trunk over here.

378

00:20:58,125 --> 00:21:00,135

Let's take a little Vandyke Brown.

379

00:21:01,680 --> 00:21:07,890

And just using a side of the knife, you

can drop in a nice little trunk that easy,

380

00:21:11,270 --> 00:21:11,570

easy

381

00:21:15,050 --> 00:21:15,350

for him.

382

00:21:15,350 --> 00:21:16,220

Up the other side,

383

00:21:19,790 --> 00:21:25,730

he needs a friend, you know, me,

I'm fanatical about people having

384

00:21:25,730 --> 00:21:27,680

friends and even trees need a friend.

385

00:21:28,860 --> 00:21:32,580

And painting has allowed me to meet so

many people and make so many friends.

386

00:21:33,480 --> 00:21:37,950

That's probably the most rewarding part

of this whole thing is all the friends

387

00:21:37,950 --> 00:21:41,130

that we've made, traveling all over the

country and people watching the shows.

388

00:21:42,780 --> 00:21:47,550

All right, let's take a little height,

little dark Sienna, not much, pull it out

389

00:21:47,550 --> 00:21:50,310

flat and cut off a little roll of paint.

390

00:21:52,010 --> 00:21:52,790

I'm going to touch.

391

00:21:53,480 --> 00:21:53,570

Okay.

392

00:21:53,720 --> 00:21:56,840

And just give it a little, little

round pool and let me exaggerate.

393

00:21:56,840 --> 00:21:57,170

I'm going.

394

00:21:57,870 --> 00:22:04,350

But very, very gently there.

395

00:22:04,469 --> 00:22:10,620

We'll do the other, something like

that and just let it go right on up.

396

00:22:12,449 --> 00:22:13,050

Okay.

397

00:22:13,110 --> 00:22:13,409

There we go.

398

00:22:13,409 --> 00:22:18,600

Back to our breasts

that has the, uh, yeah.

399

00:22:18,730 --> 00:22:20,340

Has some nice grassy colors on it.

400

00:22:20,370 --> 00:22:21,689

We were working on the other side.

401

00:22:24,090 --> 00:22:25,770

Let's put some highlights on this tree.

402

00:22:27,930 --> 00:22:30,810

This would be a fantastic tree for

one of my little creatures live in.

403

00:22:31,200 --> 00:22:34,480

I got to show you one of my creatures

here recently, my son, Steve, who I'm

404

00:22:34,710 --> 00:22:39,030

sure you've seen on some of the other

series came to Florida to visit me.

405

00:22:39,960 --> 00:22:43,530

And I had the opportunity to

introduce him to a couple of my

406

00:22:43,530 --> 00:22:47,430

little squirrels and Steve had never

had a squirrel set on him before.

407

00:22:48,150 --> 00:22:52,470

So it was, he's a little nervous

about having this little tree

408

00:22:52,470 --> 00:22:53,910

urchin run all over his body.

409

00:22:54,524 --> 00:22:55,965

But he sat and watched for a little while.

410

00:22:55,965 --> 00:22:58,935

And pretty soon, Steve was

sure that he could handle it.

411

00:22:59,804 --> 00:23:01,365

But aren't these acute, his little devils.

412

00:23:03,105 --> 00:23:06,705

I, you saw these in earlier series,

this little squirrel here when he was

413

00:23:06,705 --> 00:23:11,294

just a tiny, tiny little baby, and

now he's grown up and we've turned

414

00:23:11,294 --> 00:23:13,835

him loose and he moved far away.

415

00:23:15,215 --> 00:23:15,304

Yeah.

416

00:23:15,335 --> 00:23:18,544

The fact that when I open my back door,

I can look right up into his nest.

417

00:23:18,605 --> 00:23:19,294

There's a tree limb.

418

00:23:19,294 --> 00:23:20,074

It comes right over my.

419

00:23:20,835 --> 00:23:21,495

Backdoor.

420

00:23:21,555 --> 00:23:26,955

And these two little brothers built in

the STR literally right over the back of

421

00:23:26,955 --> 00:23:31,545

the door so they can tell anytime anybody

comes out and hopefully they'll have a net

422

00:23:31,545 --> 00:23:33,855

with them when they come out to feed them.

423

00:23:35,235 --> 00:23:37,875

I'm just putting some leaves on this

tree while you're watching Steve there.

424

00:23:39,495 --> 00:23:40,065

Okay.

425

00:23:40,455 --> 00:23:44,805

Now that we go back into the liquid

white and through some color,

426

00:23:47,355 --> 00:23:48,794

Maybe we get a little yellow ochre.

427

00:23:49,335 --> 00:23:51,435

Sometimes it's fun to tip it there.

428

00:23:51,585 --> 00:23:52,305

I'll do it this way.

429

00:23:53,024 --> 00:23:56,715

Tip it with a little red and

then we can make a Bush here that

430

00:23:56,715 --> 00:23:59,205

has red flowers in one stroke.

431

00:24:01,004 --> 00:24:06,465

There we go a little bit more over in

here and just let those little Rascals,

432

00:24:06,465 --> 00:24:09,615

they just live right here in your

breasts just to sort of push them out.

433

00:24:11,235 --> 00:24:12,014

There we go.

434

00:24:12,044 --> 00:24:13,695

Let's go on the other

side and give it a few.

435

00:24:15,270 --> 00:24:21,680

Don't want that side left out

there, push and turn the brush to

436

00:24:21,680 --> 00:24:23,810

shape your individual Bush or tree.

437

00:24:25,430 --> 00:24:28,610

Don't just hit them all in one direction

because the leaves and limbs hang

438

00:24:28,610 --> 00:24:33,620

every which way and change the flavor

of the paint color every so often.

439

00:24:34,970 --> 00:24:39,650

Then you can just put all kinds of

little things in there and put as many

440

00:24:39,650 --> 00:24:41,090

or as few as you want in your world.

441

00:24:42,930 --> 00:24:44,910

Sometimes it's fun.

442

00:24:46,570 --> 00:24:47,010

Watch here.

443

00:24:47,070 --> 00:24:52,440

We'll take a little Brown with van

Dyke, the dark sand mixed together.

444

00:24:54,660 --> 00:24:55,800

Do something like yes.

445

00:24:56,940 --> 00:25:00,900

And we'll come back with a little touch

of the Brown and white, barely grazing.

446

00:25:00,930 --> 00:25:01,860

Just let it graze.

447

00:25:04,410 --> 00:25:09,360

And you can just turn it into a nice

little path that comes through there.

448

00:25:10,260 --> 00:25:11,040

Backed her brush.

449

00:25:11,070 --> 00:25:12,750

It has the greens and stuff on it.

450

00:25:13,710 --> 00:25:14,280

We come back.

451

00:25:14,280 --> 00:25:16,980

Can we tap into some little grassy

areas that live right down here

452

00:25:17,160 --> 00:25:18,270

at the bottom of these bushes?

453

00:25:20,160 --> 00:25:24,510

Just tapping once again,

change your flavor ever.

454

00:25:24,510 --> 00:25:29,490

So often you can add a lace little touch,

a titanium white, a lot of brighten it up.

455

00:25:31,545 --> 00:25:31,995

There.

456

00:25:33,645 --> 00:25:37,514

And if you have trouble making this

thick, add the least little touch

457

00:25:37,514 --> 00:25:39,825

of liquid white or paint thinner.

458

00:25:40,575 --> 00:25:43,215

If you don't want to change the

color, you use paint thinner,

459

00:25:43,215 --> 00:25:45,045

but very, very little of it.

460

00:25:45,045 --> 00:25:46,034

I can't say that enough.

461

00:25:46,365 --> 00:25:49,695

Very little of it work in layers.

462

00:25:49,965 --> 00:25:51,225

Just like you did with the bushes.

463

00:25:53,175 --> 00:25:55,274

Other side, we'll put some over here.

464

00:25:57,389 --> 00:26:03,659

There we go all kinds

of little things there.

465

00:26:07,110 --> 00:26:07,740

All right.

466

00:26:08,840 --> 00:26:11,419

So say every once in a while, just

start to change the flavor and it will

467

00:26:11,419 --> 00:26:16,550

stand out and look like a whole little

different Hill there and that easy you

468

00:26:16,550 --> 00:26:18,139

can make all kinds of little things.

469

00:26:18,230 --> 00:26:21,439

We'll put a few little quick

stones in there using it.

470

00:26:23,235 --> 00:26:26,025

Black with a thin black

on top that then gray.

471

00:26:26,655 --> 00:26:28,695

And you can just go in

here and pop in indication.

472

00:26:29,715 --> 00:26:34,695

That's a little stones that live

right along the bank that easy.

473

00:26:35,055 --> 00:26:41,385

Maybe we'll put a big one right there

and there's one cover up his little foot.

474

00:26:41,385 --> 00:26:45,915

Let's take a knife, clean up

the edges and shoot you bad.

475

00:26:45,915 --> 00:26:48,735

Having finished painting something.

476

00:26:48,735 --> 00:26:49,185

I can't.

477

00:26:50,655 --> 00:26:52,034

I really hope you've enjoyed this one.

478

00:26:52,155 --> 00:26:54,155

It's a lot of fun able to try.

479

00:26:54,514 --> 00:26:57,395

And from all of us here, I'd

like to wish you happy painting.

480

00:26:58,115 --> 00:26:59,225

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S23E05 - Quiet Cover

Bob Ross's

The Joy of Painting

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