Bob Ross's

The Joy of Painting

S24E07 - Back-Country Path

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Hi, welcome back.

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Certainly glad you could join us today.

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I thought today, maybe we do

something just a little different now.

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I really believe you'll enjoy it.

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So let's start out and have him run

all the colors across the screen

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that you need to paint along with us.

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They'll come across right

there while they're doing that.

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Let me show you what happens.

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What'd you call it, me doing up here.

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I had my standard old 18 to 24 inch

pre stretched canvas, and I take a

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little black Jesso in a paper towel.

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And I just sorta dobbed.

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I know I want a big tree here in here.

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And another one that I really

don't care I've allowed the

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black Jesso to dry completely.

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Now on top of that, I'm adding

a, a mixture of liquid clear.

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Midnight black and a little

bit of titanium white.

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In other words, I want a very thin gray

color, and I'm going to cover most of

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this with just this very thin gray color.

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And I'll just finish doing

that here real quick.

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And all we do is just sort of

scrub it in like so, but this is an

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extremely thin paint liquid clear

where the gray, this black, and

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then a little bit of titanium white.

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Like, yeah, that's really

all I'm looking for.

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And the whole canvas has been

covered with that mixture.

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So this gives us a little

background color to play with.

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Sometimes we use liquid clear by itself.

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Sometimes we mix color with it today.

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That's what we're going to do.

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So let me wash the old brush.

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That's the fun part of

this whole technique.

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We wash it with odor ms.

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Thinner, shake off the excess and

just beat the devil out of it.

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Now, did I want to add a few little

hints of color here and there?

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I'll tell you what first I'm going

to take the thin paint off my

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palette and lay it aside somewhere.

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Cause I don't want to thin any

of my other paints out with it.

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We put that thin paint on there, just

so everything's nice and slick and.

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And color blends on the canvas and the

gray will help us mute or dull all the

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colors in this particular painting, take

a small, very small amount of a lizard.

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Crimson, really be stingy with the hair.

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I don't want, but a tiny

little bit here and there.

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And they're in here.

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I just want to change the flavor of

this gray a little bit, just to make

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the painting a little more interesting

little Crimson here and there.

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Like, so maybe like it was a little fast,

one little spot chatting through there.

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I don't know whatever you want and you can

use any color that makes you feel good.

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Maybe even, maybe even the least

little bit of the SAP green.

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It really doesn't matter,

but it's very small amount.

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Just want some little splotches

of color here and there.

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Maybe something about like,

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I I'm even going to touch the

least, least a little bit of that.

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They look blue once in a while.

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We'll just sort of blend them.

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But once again, the gray color that we put

on it first we'll tone all of that down.

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So we just have a lot of

little colors happening.

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In various parts of the painting,

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maybe even a little Crimson over

in here, it's really up to you.

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You make the big decision, what

you want and where you want it.

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Now, then little titanium, white, red

on the same brush and take the white.

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And I'll put right in here.

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I want to create the illusion

of soft, very soft Misty

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area back behind these trees.

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So the white will mix with that

gray and you see what's happening.

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It gives that illusion and you

could use the liquid black and

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do this probably just as well.

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I just happened to have this handy

and that's what I'm using today.

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The black would work just as well.

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It might even be easier.

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Who knows?

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Try it and see there we are.

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That have maybe a little bit over

here and want that miss, just to sort

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of float behind these trees there.

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I like very soft little Misty paintings.

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They just do nice things for you.

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I want to brighten that a little bit

more right in there, right in there.

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I want that to be the softest area here.

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And it'll also have a tendency

to bring your eye right there.

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When you look at the finished painting

and that's where we want you to look.

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So that's why we put that in there.

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I see some of these things with a

black Jessel see the little spots and

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stuff they will show right through

that paint is transparent enough to

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allow it to show when the paintings

done, people will think you spent

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tremendous amounts of time painting each

one of these little details in there.

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You don't have to tell them you

did it just for the paper towel.

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Just gobbing it in like that.

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That's our secret.

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Okay.

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After that, Now then let me grab one of

those, the little half size round brushes.

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And I'm going to take, I'm going to take

some pressure and blue, very strong blue.

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Don't take much, some alizarin Crimson

makes sort of a lavender color, much, much

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more Crimson than blue proportionately.

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Much, much more like, so there, okay.

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Let me wipe off the little knife here.

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We just wiped the knife from a

paper towel, just cleaned it off.

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We're soft drag, whatever you

happen to have, I'm going to load

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this little round brush by just

tapping it right into the color.

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Just tap it and let's

go right back in here.

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Let's start, let's start with this tree.

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Okay.

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Now I don't want to, I don't

want to kill all of these.

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I want some of those to

remain in the painting.

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So they're very special.

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Take care of those.

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I want to say, save some of

them, retain some of those.

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Let's just tap them a very, very basic.

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Little tree shape.

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It's just sort of a lavender,

like color, very dark.

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You could almost be black.

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You could do it in black.

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If you wanted to.

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No problem there something about like it.

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Okay, we're looking for

here is just general shapes.

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Once again.

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Don't don't look for a lot of detail.

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We're worry about detail

in the foreground here.

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We just want it to look

like a big old tree.

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That's hanging out, just

having a good time here.

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It doesn't take a lot of color because

you had the black Jesso underneath.

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The black Jeff's.

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So maybe one of the neatest things that

we've ever came up with, we originally

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were going to develop all kinds of color

GSOC yellow and all that, but it's very

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easy to take a little acrylic paint

and foot with your white jest, so, and

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make any color just so that you want.

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But it's difficult to take

white DSO and try to make black.

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So that's the reason

we've made Blake chair.

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So anybody can make

gestures in other colors.

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Once again, just a little acrylic

paint and jester, and you can

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make anything that you want.

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All right, now then pick the little

liner, brush a little paint thinner

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and go right into that same color.

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And I want this to be

thin, almost like ink.

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So you can see it's literally

running on the palate, but

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it's the same identical color.

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Let's go up here, here and there.

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And they're in here.

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Okay.

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I just want to put a few, not many,

few little indications of some

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little tree trunks down stocks,

whatever you want to call them.

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Some little things that live in the

middle of the tree and they hold it up.

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Keep it from falling over.

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Don't want to fall over like a big noise.

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There and some back in here, you can

hardly see, they should be very quiet.

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They shouldn't stand out real strong.

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I want them to be very subdued.

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There we go.

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Just all kinds of little things that live

back in there and you decide how many

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there are and where they live and okay.

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Shoot, maybe we'll just use that

same old brush probably right into

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a little, little caddy yellow.

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We'll be right back and get a

little of the midnight black.

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I want it darker.

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Oh yeah.

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That's very nice.

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Black and yellow, like

a beautiful green color.

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And once again, all you do is tap

and pick up blue, yellow ochre,

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and in yellow, just mix all the

yellows and the black together.

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It makes a beautiful green.

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Okay.

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Now then maybe in our world.

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Maybe right in here, but

not a great deal of color.

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It's too far away, too far away.

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Maybe there's just all kinds of little

pushes that live way back in here.

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Maybe there's a bigger one.

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I don't want these very distinct,

quiet, quiet little bushes.

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Maybe they just hang right out over here.

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That sort of looks like a

natural place for there to be.

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I know, I know.

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I know.

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I got it.

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You begin seeing things when you

do this watch let's, let's make

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some Brown SAP green, good old SAP,

green and alizarin Crimson in about

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equal parts makes a gorgeous Brown.

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Okay.

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There we go, SAP green lizard and Crimson.

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And you can take it to the red side

or the green side depends on the

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mood you're in that day or what are

you trying to achieve there today?

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I'm going to have it a little

touch to the red side, cut off

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a tiny little roll of paper.

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And maybe I go right in here.

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Maybe there's shoot.

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Maybe there's a little bank right

here, little bank out here in the

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woods place for all the little

creatures to put their money.

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There we go.

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And I'm just really taking a

knife and using it flat and

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pushing that and rubbing it in.

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So it goes right into the fabric.

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Really want to grind it in there,

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a little titanium white

and some of that same color

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and the least little touch of it.

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And I want to come right

back in here and just touch.

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And then the more you rub

it, the darker it'll become.

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I don't want this to be too

bright, too distinct chip it's

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too far in the background.

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So you can put it down in this

very bright, and then you rub it a

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little with a knife and you can just

soften it right on down to whatever

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degree of harshness that you want.

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A little dark back in there.

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And it'll look like they're

little indentations and rocks and

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stones and all kinds of happy,

little things that live in.

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We back in the background at the

least little touch of bright red

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did happen just to give it a little

pinkish flavor here and there.

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Something about like, so now back to my

little small round brush, a little more

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of the green on it, let's have a few

little bushes that live right in here.

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let me just come right over here.

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They just, they're just

hanging all over this, like.

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Some little doors growing right

out from here, wherever you

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think they should be there.

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See, I won't tell it to look very grassy.

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Like there's all kinds of little

ferns and stuff that live.

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All right, dang.

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Little more of the Brown

and we'll put a loop.

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There was another little stone,

but just work in layers, doing

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one little stone at a time.

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That, that this word

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back with our little Brown brush,

bring another one, but work in

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layers that's most important.

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And that way you can just push the little

stones right back into the bushes, back

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to her a little Brown color, tell you

what this would be a beautiful place to

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have a little path we have to, we have

to have a way of getting back in there.

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Just do something about my cat and

I'm really, really pushing firmly.

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You can hear, probably

have from pushing her.

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don't know exactly where

this is going to go.

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We don't care at this

point, whatever, whatever.

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Would do use a big round brush.

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The, we got big ones and medium sized

and little ones here, all kinds.

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Actually there's only two sizes.

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Okay.

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Maybe in our world, we need

to close that little path.

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Yeah.

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Maybe we'll have some happy little

bushes that live right here.

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Or you can use this brush

sidewards or up and down.

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It depends on the effect that you want.

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Do you want to make it look

like there's a little things

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hanging over, use it sidewards.

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You have to make it upstanding.

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Use it like that, just up to you.

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And if you don't like either one, you

can change and use a different brush.

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All we're doing is putting a

little dark or light we'll shell,

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a little dark area in there.

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Let's take a little let color we had

when I had a little yellow ochre to it.

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00:14:34,770 --> 00:14:38,880

So I got yellow ochre, Brown, white,

little touch, a red, all those nice

245

00:14:38,880 --> 00:14:46,079

little colors and very lightly,

barely, barely touching jazz.

246

00:14:46,079 --> 00:14:46,500

Friggin,

247

00:14:51,180 --> 00:14:52,860

have we got a way to slip back in there?

248

00:14:53,760 --> 00:14:57,180

A little bunny rabbit can run right

in there, go back in there and hide,

249

00:14:57,689 --> 00:14:58,800

or maybe he wants to go back and.

250

00:14:59,640 --> 00:15:03,689

See his brother lives back

around the corner there.

251

00:15:03,750 --> 00:15:05,010

His brother's name's Jim.

252

00:15:05,010 --> 00:15:05,939

I met him one time.

253

00:15:06,720 --> 00:15:07,800

No, that's my brother's name.

254

00:15:07,800 --> 00:15:08,340

I'm sorry.

255

00:15:09,660 --> 00:15:10,710

All right, here we go.

256

00:15:13,800 --> 00:15:14,520

Okay.

257

00:15:16,380 --> 00:15:18,840

Something about like, yeah,

it makes a nice little path.

258

00:15:20,970 --> 00:15:24,810

Then we can begin adding all kinds

of little bushes and grassy things.

259

00:15:25,829 --> 00:15:28,020

Maybe I'll finish up this

little side right here.

260

00:15:28,500 --> 00:15:29,069

Do you

261

00:15:33,500 --> 00:15:37,410

want that path just to sorta look like

it's going way back in the distance.

262

00:15:38,610 --> 00:15:43,319

There all kinds of little

things to work in layers.

263

00:15:43,350 --> 00:15:45,060

So work in layers.

264

00:15:46,515 --> 00:15:50,895

Yeah, a little bit more

black into the yellows.

265

00:15:53,475 --> 00:15:56,145

Let's take a nice little

green color there.

266

00:15:58,545 --> 00:15:59,055

There we go.

267

00:15:59,985 --> 00:16:01,064

Grab some SAP green.

268

00:16:01,095 --> 00:16:02,295

I got SAP green up here.

269

00:16:02,775 --> 00:16:04,125

That'll change the flavor again.

270

00:16:05,205 --> 00:16:07,185

Just want to change

the flavor continually.

271

00:16:07,305 --> 00:16:11,295

They're all green with each

different green, just as a little

272

00:16:11,295 --> 00:16:12,285

different than in the woods.

273

00:16:12,720 --> 00:16:14,790

You have all different colors, green.

274

00:16:18,480 --> 00:16:20,490

So don't be afraid to have

a lot of greens, even though

275

00:16:20,490 --> 00:16:21,330

they're close together.

276

00:16:21,930 --> 00:16:27,000

They'll look different when you

finish your painting, maybe right

277

00:16:27,000 --> 00:16:30,300

there tell you what I'm intentionally

going to leave that dark right there.

278

00:16:30,300 --> 00:16:30,810

Cause that'll help.

279

00:16:31,380 --> 00:16:33,510

You'll see, you'll see, it'll

help set everything off.

280

00:16:35,370 --> 00:16:35,970

There we go.

281

00:16:36,270 --> 00:16:37,410

Like this big tree up here.

282

00:16:37,410 --> 00:16:38,520

I'm going to leave it dark.

283

00:16:40,430 --> 00:16:41,060

There we go.

284

00:16:44,564 --> 00:16:47,655

Just layer after layer, after

layer, but darker and darker down

285

00:16:47,655 --> 00:16:52,115

here toward the base, down to where

the base gets dark and target.

286

00:16:56,165 --> 00:17:01,775

It's a whole clump of bushes or

now we're not even sure anymore.

287

00:17:01,775 --> 00:17:02,885

How many bushes live there?

288

00:17:04,774 --> 00:17:05,345

There we go.

289

00:17:09,060 --> 00:17:09,980

Put a few little things.

290

00:17:09,980 --> 00:17:12,690

I just decided I need a

little Dewar right there.

291

00:17:14,480 --> 00:17:20,810

Oh, take I'm on take the liner

brush and a little bit of Brown,

292

00:17:20,810 --> 00:17:25,850

a little bit of white, like a

light Brown light Brown color.

293

00:17:25,850 --> 00:17:26,510

Very thin.

294

00:17:26,990 --> 00:17:27,500

Very thin.

295

00:17:28,160 --> 00:17:30,110

Let's go up in here, here and there.

296

00:17:30,980 --> 00:17:36,800

We'll put the indication of a little

stick and a little twig there.

297

00:17:37,755 --> 00:17:41,835

There'll be some stick showing through

all this, all this many little bushes

298

00:17:41,835 --> 00:17:46,245

and things in here, there would be a

few little mistakes and we need those.

299

00:17:46,395 --> 00:17:49,845

And it also helps create that illusion

of depth and distance in your painting.

300

00:17:52,175 --> 00:17:52,655

There.

301

00:17:57,915 --> 00:18:03,825

Now where's our little path, go in here

and take some more of that brownish color.

302

00:18:05,145 --> 00:18:06,645

Let's keep it going on over here.

303

00:18:06,825 --> 00:18:09,525

Maybe I'll add even a little that

lavender that we had left over.

304

00:18:12,935 --> 00:18:15,185

You don't have to go

somewhere and back there.

305

00:18:15,185 --> 00:18:19,445

A little highlight color, rub a

little of that here and there.

306

00:18:24,245 --> 00:18:24,785

There.

307

00:18:27,120 --> 00:18:28,410

We didn't know where this path goes.

308

00:18:28,410 --> 00:18:29,910

It just goes on around the corner.

309

00:18:29,910 --> 00:18:32,900

Maybe phone around the corner.

310

00:18:34,100 --> 00:18:34,760

T what?

311

00:18:35,240 --> 00:18:37,310

Yeah, there's one slew dirty,

but we'll use it anyway.

312

00:18:38,210 --> 00:18:39,050

two inch brush.

313

00:18:39,860 --> 00:18:41,570

It doesn't matter if it

has a little color on it.

314

00:18:41,770 --> 00:18:42,480

Be right back.

315

00:18:42,530 --> 00:18:44,480

Get a little bit black

so I can make some green.

316

00:18:46,580 --> 00:18:46,820

Now.

317

00:18:47,660 --> 00:18:49,700

Maybe let's have some fun.

318

00:18:50,630 --> 00:18:51,110

Maybe.

319

00:18:52,395 --> 00:18:56,865

Maybe there's a little Bush lives right

here, the, the different sound and the way

320

00:18:56,865 --> 00:19:02,264

these little bushes look between the, the

big brush and the little round brushes.

321

00:19:03,524 --> 00:19:05,625

And it makes it look like

there's all kinds of different

322

00:19:05,625 --> 00:19:08,054

things in your, in your world.

323

00:19:09,270 --> 00:19:10,590

Shoot, maybe take away.

324

00:19:10,649 --> 00:19:12,060

Maybe there's a little grassy bank.

325

00:19:12,060 --> 00:19:12,930

It comes right down.

326

00:19:14,250 --> 00:19:14,730

I can't,

327

00:19:18,750 --> 00:19:20,310

maybe it goes right on,

up in here somewhere.

328

00:19:20,310 --> 00:19:24,389

I don't know, very soft, but

we need nothing underneath.

329

00:19:24,389 --> 00:19:29,639

We have the color that was on

the canvas, that grayish color.

330

00:19:31,070 --> 00:19:33,649

And he's just mixing all kinds

of, I'm going to put a whole bunch

331

00:19:33,649 --> 00:19:36,470

of this in here, you know, while

I'm doing this, I just sort of

332

00:19:36,470 --> 00:19:37,610

put together a couple of little.

333

00:19:38,250 --> 00:19:40,440

Segments of film with some

of my little creatures on it.

334

00:19:40,940 --> 00:19:42,060

I want to sort of share them with you.

335

00:19:42,600 --> 00:19:45,930

This was my little squirrel when he was

just a baby and that's holding there,

336

00:19:45,960 --> 00:19:47,520

isn't he just the cutest little thing.

337

00:19:48,480 --> 00:19:53,130

And then he gets a little older pretty

soon, and this is what they look like.

338

00:19:56,310 --> 00:19:56,490

All right.

339

00:19:56,490 --> 00:19:56,820

Thank you.

340

00:19:56,820 --> 00:19:57,570

This is pea pod.

341

00:19:57,570 --> 00:19:58,380

Do you remember pea pod?

342

00:19:58,380 --> 00:19:59,190

The pocket's squirrel.

343

00:19:59,490 --> 00:20:01,380

Now, you know how we call

him the pocket squirrel?

344

00:20:02,355 --> 00:20:03,765

He's just the cutest little thing.

345

00:20:03,885 --> 00:20:07,035

And by the time you get to

see this, he'll be free.

346

00:20:07,335 --> 00:20:10,185

He'll be longer nicotine.

347

00:20:10,635 --> 00:20:12,555

That's one of them that

I've raised and released.

348

00:20:12,555 --> 00:20:14,955

And you see how far he went

right out in my backyard.

349

00:20:16,605 --> 00:20:20,175

And he, he thinks foraging for food

is running up the old man's leg.

350

00:20:20,175 --> 00:20:24,285

And it's, this is what it looks like to

him when he runs up and find the peanut.

351

00:20:25,425 --> 00:20:26,385

But he's so cute.

352

00:20:26,895 --> 00:20:27,825

That's what it looks like.

353

00:20:29,675 --> 00:20:35,225

But aren't they, the most precious

little things say I've raised them

354

00:20:35,225 --> 00:20:36,905

since they were just tiny little babies.

355

00:20:38,135 --> 00:20:44,075

But I got a letter a few days ago from

someone who thought we were condoning

356

00:20:44,075 --> 00:20:45,755

making pets out of these creatures.

357

00:20:45,815 --> 00:20:48,245

And I really don't all of these creatures.

358

00:20:48,245 --> 00:20:49,595

We turn loose back to the wild.

359

00:20:49,595 --> 00:20:53,465

I worked with several of the rehab

ladies around the country here in Muncie.

360

00:20:53,465 --> 00:20:55,655

I've worked with Diana

Shaffer, the bird lady.

361

00:20:56,594 --> 00:21:00,105

In an Orlando worked with

several fantastic people like

362

00:21:00,254 --> 00:21:02,415

Carmen show and Ann Young.

363

00:21:02,415 --> 00:21:03,885

She's the bird lady in Orlando.

364

00:21:05,024 --> 00:21:08,965

And I just think he's a super people that

are doing a job that needs to be done.

365

00:21:08,965 --> 00:21:13,004

And there's somebody in your

area that does this too.

366

00:21:13,155 --> 00:21:15,524

Chances are, and they need your help.

367

00:21:16,754 --> 00:21:20,294

If you have time, stop by and give

him a hand and you'll find it.

368

00:21:20,294 --> 00:21:21,074

So rewarding.

369

00:21:21,284 --> 00:21:21,645

Shoot.

370

00:21:21,645 --> 00:21:21,794

371

00:21:22,440 --> 00:21:24,240

I go over to and Young's house.

372

00:21:24,240 --> 00:21:26,780

Whenever I have a few minutes, he

just lived a little ways from me

373

00:21:26,780 --> 00:21:32,100

and I sit around, feed the birds

and cause she raises thousands of

374

00:21:32,100 --> 00:21:33,480

birds every year and releases them.

375

00:21:34,500 --> 00:21:35,490

I've just put a little Brown here.

376

00:21:35,490 --> 00:21:39,710

I get talking now I'm making a little

Brown, white, make a little bank here,

377

00:21:40,670 --> 00:21:44,600

but I like to go over and sit with

her and she teaches me about the birds

378

00:21:45,320 --> 00:21:47,820

and we feed them and you love them.

379

00:21:47,820 --> 00:21:47,930

And.

380

00:21:49,514 --> 00:21:51,074

They just, you, you really will.

381

00:21:51,074 --> 00:21:52,004

I'll pre-warn you though.

382

00:21:52,064 --> 00:21:58,235

It's addictive and you will fall in

love with them, but it's worth it.

383

00:21:59,554 --> 00:22:00,245

It's worth it.

384

00:22:00,405 --> 00:22:02,645

I'm going to just lay a little

grass area right along here.

385

00:22:03,004 --> 00:22:04,175

I talk too much sometimes.

386

00:22:06,629 --> 00:22:12,480

I get on my, my little kicks for the

animals and off I go there we are.

387

00:22:15,150 --> 00:22:15,930

Okay.

388

00:22:18,120 --> 00:22:20,100

See, I just wanted to make a

little bank here and there.

389

00:22:22,710 --> 00:22:24,660

Tell you why we can take a

little that dark colored.

390

00:22:26,160 --> 00:22:28,410

Maybe there's just a big hole right there.

391

00:22:29,324 --> 00:22:31,094

That's it just that dark purple-ish color.

392

00:22:32,205 --> 00:22:36,554

I want to make like a big recessed area

place where some, a little creatures

393

00:22:36,554 --> 00:22:41,925

can go and hide at night and I pull

them grass right over the top of it.

394

00:22:44,084 --> 00:22:49,274

Now they have a little place I can

sneak back in there and hide there

395

00:22:53,084 --> 00:22:56,534

something like, so now they're up here.

396

00:22:58,035 --> 00:22:59,295

Let's take the big round brush.

397

00:23:00,475 --> 00:23:03,495

We'll just have a few basic shapes.

398

00:23:03,495 --> 00:23:06,435

Most of it's done in the black

and we don't need much up here,

399

00:23:06,525 --> 00:23:07,905

but just a few basic shapes.

400

00:23:10,125 --> 00:23:10,785

There we go.

401

00:23:11,715 --> 00:23:14,755

Once again, see areas like,

yes, I want to leave in there.

402

00:23:17,865 --> 00:23:19,605

Just let the black gesture show through.

403

00:23:21,555 --> 00:23:24,495

There's our big old

tree pick a liner brush.

404

00:23:25,905 --> 00:23:29,775

Oh, we'll use a little Brown and little

white, whatever doesn't much matter.

405

00:23:30,405 --> 00:23:31,485

Come cover most of it up.

406

00:23:32,085 --> 00:23:35,325

And this is where if you've got them a

wiggly hand, it really, really pays off.

407

00:23:36,225 --> 00:23:40,235

I want an old tree trunk and it looks

like it's got some character to it.

408

00:23:41,975 --> 00:23:44,915

There, a few little things here and there.

409

00:23:47,225 --> 00:23:47,735

We'll use her.

410

00:23:48,110 --> 00:23:49,530

I use a little half size round brush.

411

00:23:49,530 --> 00:23:50,820

It's already got that color on it.

412

00:23:52,290 --> 00:23:57,540

A little bit of black, yellow, little

SAP green, make something together

413

00:23:59,430 --> 00:24:00,810

and let's just come out up in here.

414

00:24:02,220 --> 00:24:05,159

We'll put the indication of all

kinds of little leaves on here.

415

00:24:06,980 --> 00:24:11,120

There we go there, brighten it up a

little so you can see it a little better.

416

00:24:15,254 --> 00:24:18,645

I have a tendency to paint paintings

that are quite subdued quiet.

417

00:24:18,645 --> 00:24:20,265

So sometimes I have to break them up.

418

00:24:20,265 --> 00:24:21,945

So they show up a little

better on television.

419

00:24:23,175 --> 00:24:26,504

But when you're doing yours at home,

you decide what color you want, how

420

00:24:26,504 --> 00:24:32,315

bright or how to do it's up to you.

421

00:24:33,840 --> 00:24:38,040

There we go, as we're traveling

around or used to travel around and

422

00:24:38,040 --> 00:24:42,210

teach and that, and I did for years,

you learned that everybody has their

423

00:24:42,210 --> 00:24:45,600

own idea of what nature looks like

in the way they want to paint it.

424

00:24:48,000 --> 00:24:49,649

I don't do a great deal

of teaching anymore.

425

00:24:49,649 --> 00:24:51,690

We have a lot of fantastic teachers now.

426

00:24:52,679 --> 00:24:53,600

The travel around.

427

00:24:54,600 --> 00:25:00,070

I'm getting too old and we got some

nice young fellows like Dana and Steve.

428

00:25:00,090 --> 00:25:03,780

They were, they go around and

teach him how to take life easier.

429

00:25:04,229 --> 00:25:06,679

When you get older, you

have to, there we go.

430

00:25:09,000 --> 00:25:10,879

Little bushes and stuff

right along in here.

431

00:25:13,310 --> 00:25:13,729

They're

432

00:25:17,719 --> 00:25:20,780

just drop them in wherever.

433

00:25:21,810 --> 00:25:29,600

Damn, let me take, let me take, take

a little light color, put a little,

434

00:25:30,420 --> 00:25:34,700

little touch of paint than her with

it, and a little bit of dark color

435

00:25:35,480 --> 00:25:36,680

and put some paint thinner with it.

436

00:25:36,680 --> 00:25:37,520

So it's quite them.

437

00:25:37,550 --> 00:25:38,720

They're both quite thin.

438

00:25:39,660 --> 00:25:39,780

Yeah.

439

00:25:41,840 --> 00:25:46,070

And take my liner brush, go through

the dark color first, then just pull

440

00:25:46,070 --> 00:25:47,540

one side of it through the light color.

441

00:25:47,600 --> 00:25:48,140

I'm sorry.

442

00:25:49,250 --> 00:25:50,090

Slipped away on you.

443

00:25:50,835 --> 00:25:54,585

And I just want to make the indication,

maybe the tree that lives right there.

444

00:25:56,105 --> 00:25:56,794

There, yes.

445

00:25:58,065 --> 00:25:59,555

There you go.

446

00:26:01,534 --> 00:26:02,435

Something about bike.

447

00:26:02,435 --> 00:26:02,615

Yeah.

448

00:26:04,985 --> 00:26:06,695

And we'll put a few little lambs on him.

449

00:26:07,145 --> 00:26:09,185

This is maybe an old dead

tree that lives out here.

450

00:26:11,645 --> 00:26:12,395

There we go.

451

00:26:13,145 --> 00:26:14,794

Maybe we'll even give

them a framed right there.

452

00:26:17,235 --> 00:26:17,625

There.

453

00:26:19,794 --> 00:26:20,355

Okay.

454

00:26:20,385 --> 00:26:21,225

Something like that.

455

00:26:21,254 --> 00:26:22,245

That gives you an idea.

456

00:26:23,504 --> 00:26:25,334

This is a fantastic little painting.

457

00:26:25,365 --> 00:26:28,425

I hope you'll try it because

it'll, it'll really pay you great

458

00:26:28,425 --> 00:26:29,715

dividends and you'll enjoy it.

459

00:26:31,395 --> 00:26:32,804

The post up around his foot.

460

00:26:34,784 --> 00:26:37,455

Shoot on, I think this one's

about ready for a signature.

461

00:26:39,334 --> 00:26:41,504

Let's take a little paint,

thinner, a little bit of red.

462

00:26:43,544 --> 00:26:44,595

Let's just sign this one.

463

00:26:45,105 --> 00:26:46,095

Calling finished.

464

00:26:46,710 --> 00:26:48,510

So I say, I really hope

you've enjoyed this.

465

00:26:49,409 --> 00:26:50,040

Give it a tribe.

466

00:26:50,070 --> 00:26:52,679

Maybe, maybe you'll send me a

photograph of your painting.

467

00:26:53,149 --> 00:26:55,010

I'd love to see it from all of us here.

468

00:26:55,970 --> 00:26:58,970

I mean, wish you happy painting

and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S24E07 - Back-Country Path

Bob Ross's

The Joy of Painting

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