Bob Ross's

The Joy of Painting

S26E02 - Delightful Meadow Home

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Hi, welcome back.

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Certainly glad you could join us today

because it's a fantastic day here

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and I hope it is wherever you're at.

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So I'll tell you what, let's start out

today and have him run all the colors

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across the screen that you need to paint

along with us while they're doing that.

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Let me show you what I've done up here.

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Have my standard old double

prime pre-stressed canvas.

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And today I'm using an 18 by 24 inch.

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You use whatever size

is convenient for you.

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And I've covered the entire canvas

with a very, very thin, say that again,

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the end code of the liquid white.

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So the canvas is all wet and

it's slick and it's ready to go.

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So I'll tell you what, let's just do

a fantastic little painting together.

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I thought we'd do something day.

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This just fun.

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We filmed the show in Muncie, Indiana.

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So I thought maybe today

we'll do a show that has.

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Maybe a little farm,

like seen him at that.

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I think it will be pretty.

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So let's talk it off with all

two inch brush a little bit.

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Let's start with a little Indian, yellow.

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Let's make up a very simple little

sky that you can do with no problem.

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Very, very simple.

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Just a fun, little sky, little

Indian, yellow, see there.

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And that color is continually mixing

with the liquid white it's on the canvas.

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All right.

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Without cleaning the brush, I'm just going

to go into a little bit of yellow ochre.

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It's sort of a gold color.

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We'll go right above that.

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Just a little, just a little, I

mean, just, just blend them together

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now, then now I'm going to clean the

brush, going to clean the brush here.

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We clean our brush with

odorless paint thinner.

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Shake off the excess and just

beat the devil out of it.

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We have more fun going in the brush.

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It's just unreal.

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Let's go into go right

into midnight black.

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Now I cleaned the brush in between these

colors, because if you put yellow and

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black together, as you know, it makes

green, but I'm going to go take a little

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black and just gray the scowl on top.

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And if we're real careful, we can bring

it right down into the yellow, right.

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Where they born without ending

up with a bright greens.

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Okay.

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So you just let them sort of

blend together gently like that.

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There that's all there is to it now, then.

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We can take that same old brush

and maybe there's a little

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cloud that lives right there.

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See, see, there he is

little stringy cloud.

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He just sorta hangs out right there.

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Maybe he's got a little

friend right there.

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Maybe there's another one over here.

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I don't know.

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I don't know.

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Let's pick canvas truly is your world

and you have to make these big decisions.

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Now we'll take a clean brush.

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I changed brushes, clean, dry brush,

three hairs, and some air, and

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very gently just blend that out.

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And today that's about all I'm

going to do for a little sky.

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I want this just to be very, very simple,

just a very simple little sky there.

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That way we can spend most of our

beating time worrying about other things.

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She was a little one inch brush.

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I'm going to grab the knife.

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I want to make some Brown.

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I'm like quite a pile of Brown.

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I'm going to use it

throughout the painting.

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Take a lizard, Crimson and SAP green,

and about and about equal parts.

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Now you can take it to either side,

you can take it to the green side or to

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the ready side, depending on your mood

or, or the effect you want to create.

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Doesn't matter.

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It's up to you.

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You decide today.

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I'm just going to have it.

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A nice Brown came and wiped.

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The old knife off here.

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We just wiped the knife, old paper towel.

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We just use a little one inch brush and go

right into a little that Brown, just going

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to use it for a little background color.

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Maybe I'll put a little

black with it, dark in it.

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That's nice.

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And maybe back in here, let's just, just

use little Xs and maybe there's going to

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be some little trees that live far away.

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So I'm not looking for a lot here

except basic, very basic little shapes.

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See this just sort of scrub

them and we don't care.

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This is your world.

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You can do any old thing here.

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There something about like, you

just let it go on that a little

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more black down at the base.

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Cause I want it to be a little darker

indicate there some shadows down.

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I've got to have got to have a place

down here for all my little animal

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friends to hide and to relax there.

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Okay.

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Wherever you think they should be

right now, today, I'm going to get.

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The little, this is a little

half size round brush.

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It's a small round brush, but a little,

a little bit of liquid white on it.

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A little bit of yellow.

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Be right back.

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I'm gonna get a touch of blue

and a little touch of black.

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I can ask green here.

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So we got green, little

yellow ochre here and there.

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I'm going to probably hit a

little Indian, yellow, maybe even

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a little bright red Mandarin.

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And red and green make Brown.

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So I use red as a dollar.

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If I want to dull the green,

then that's what I use.

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Let's go up here now,

then just go in here.

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Okay.

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Just tap in the indication of

some beautiful little things

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that are happening far, far away.

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See there and vary the

colors a little bit.

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We don't want a lot of detail.

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These are supposed to look like a

little trees that live far away.

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They handle the bright red to that color.

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Like that color makes me excited.

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So beautiful.

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They're probably probably painted

25, 30,000 paintings in my life.

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And I still get excited when

I see this work so easy and so

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much fun, and it brings so much

happiness to so many people.

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That truly, truly is the joy of painting.

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There maybe be a little bit

more of that reddish color.

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This would be a nice thing to do an

autumn colors where you really get crazy.

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You used a lot of the reds

and the crimsons and Oh,

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just, you know, Jack Frost.

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When he starts touching the

trees, just make some of the most

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gorgeous colors in the world.

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I lived in Alaska for many, many years.

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You never talk about Alaska in the fall,

but Alaska has some of the most gorgeous

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fall colors of any place I've ever been.

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I really do think God was having a good

day when he made Alaska so beautiful.

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I haven't been during a couple of

years now about time to go back there

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and say hello to all my friends there.

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All right.

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Let's see.

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Now we've got all those

little tree things back here.

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It's real easy.

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Take a liner brush, just a

very small amount, that little

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Brown color that we used there.

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Let's see just a little, little bit.

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Okay.

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Let's go up in here.

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Yeah, here and there.

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And there in here, I'm just going to

put the indication of a few little,

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little trucks and stems and all those

things that live in trees there.

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See, you don't want a lot,

just a few don't overdue.

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Okay.

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All right.

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Let me just wash the old liner brush.

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Shoot.

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Find a brush here.

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It's not too dirty.

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You don't care.

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Go into the Brown and the black, a

little bit of SAP green here and there.

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Just to give it a little green

issue in scope in here, let's make

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some big decisions in our world.

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Maybe their lives, some land right here.

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We're going to a little scene.

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I tell you what I'm going to save this

whole side over here and put a big tree.

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You know, if you've, if you've

painted with me before, I

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love these big trees here.

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So we'll, we'll play with

those today a little bit too.

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It's again, the Browns and the

blacks, just looking for a dark color.

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So on top of that, then we'll come back

and we'll put some nice highlights.

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Like a little grassy area.

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This is a good place to practice

and just get the feel of the brush.

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You could actually, you

could put this on with a mop.

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It doesn't matter.

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But by doing this, it gives

you practice with a brush.

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So I suggest to you, you take care

of her opportunity to get the field

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of breast, so much of a painting as

a feel, and it comes with practice.

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Don't quit.

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I'm going to have the whole just

covered up, but that's okay.

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That's okay.

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Look at there though, by putting these

little, all these different layers

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in here, just by tapping already,

you can see distance in the painting.

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It looks like trees that live.

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We back here somewhere, we

don't know where they live.

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Don't know that we even care.

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I want to dip the brush into the least

little touch of the liquid white.

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We dip it in the liquid white only

that then the paint would be right

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back to the little green little SAP,

green, green, such a nice color.

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Okay.

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Tap it and give it a little push.

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So you can see that little

Ridge of paint right there.

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There's one just like that

on the end of the bristle.

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And that's what we're looking for.

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Let's go up here now, then we're

going to have a nice little feel.

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We just begin coming right in

here and think about lay of

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the land or how the lamb flows.

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And we can begin putting in all kinds

of beautiful little grassy areas.

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Just, just go all through all your

different yellows and your grains.

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It's up to you up to you.

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I'm just going to sort of

dance it back and forth between

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all the different yellow.

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Sometime a little old looking here, we

hit a little bright red, nice little tree.

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I mean, nice little grassy area.

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It's not a tree.

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It'd be give it a little fertilizer.

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Love it.

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Water.

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Regular might be a tree there.

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Tell you what are you hot?

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That's hat.

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We're going to have a little scene.

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Maybe we want to have a little, I'm

just going to scrape out of basic shape.

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I'm going to have a little bar back here.

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It's just a nice place to have a little

bar scrape out a basic shape of the knife.

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Just so you have an idea who

you're going with more important.

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It removes that loose excess paint.

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I'll go right into that Brown color I

made from the Brown was made from screen.

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And lizard Crimson.

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See, think about the basic

shape of the old barn.

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Got to have a place for

the cow to go at night.

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He may get scared out here

might be an old Houdaille out

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here that makes noises scary.

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Shoot.

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When I was a kid, I used to camp

out the late at night and heal

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well, it would make a big old noise.

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I was ready to call my mother and go home.

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But as I got older, I had the opportunity

to learn what, what those creatures

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were and why those noises were made.

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I tell you what for the series is over.

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I'm going to show you, I'm going to

show you a bigger, well, I like ALS

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I'm going to show you a great horn Dale

that I had, the pleasure meeting link.

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We have some video with him

on their homeless phone.

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Get him up here for you.

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Take a little bright red, a

little that Brown we've made

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a little bit of white into it.

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Don't overmix it.

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See that color?

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It's not over mixed.

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Now we cut our little roll of paint off.

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All of those little designs

are still in the paint.

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Now we can go up here to do and just

begin putting some color and I will

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make that a little bit brighter,

a little more white into it.

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So it shows up for you.

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That's better.

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And I'm just coming to

the knife sort of bounce.

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I don't want this just to be solid.

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I like old buildings in my

paintings, but it's up to you.

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If you want them to look newer,

a little more careful with them.

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I like it to look like about

half of it's blown away.

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And it's about to fall down the

Hill farmer that lived out here.

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He didn't, he didn't

take too good care of it.

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He, he had some bad days there

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now over here, almost

nothing, almost nothing.

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Tell you what, we'll get a

little more of that Brown.

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This farmers like me.

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He needs more room.

247

00:12:47,795 --> 00:12:49,115

Let's give him a shed out here.

248

00:12:52,200 --> 00:12:58,380

Give him a little shit with some sides

on it too, back to our little root color.

249

00:12:59,040 --> 00:12:59,940

See how easy it is.

250

00:13:01,290 --> 00:13:02,940

It was that easy to actually build a shed.

251

00:13:02,940 --> 00:13:05,130

I, I used to be a carpenter years ago.

252

00:13:05,130 --> 00:13:07,830

My father was a carpenter

and he taught me that trade.

253

00:13:08,880 --> 00:13:14,460

And I tell you what it isn't that

easy to make a sheet on a bar now

254

00:13:14,470 --> 00:13:17,340

that we can come right in here

and just do a bar next to me.

255

00:13:17,760 --> 00:13:19,710

So I figure out where we

think everything should live.

256

00:13:20,819 --> 00:13:23,610

Work on our perspective, stay there.

257

00:13:24,660 --> 00:13:25,530

Now we need a door.

258

00:13:26,460 --> 00:13:28,560

We're going to have old

cow living in there.

259

00:13:28,560 --> 00:13:29,100

We need a door.

260

00:13:29,579 --> 00:13:30,060

There it is.

261

00:13:31,860 --> 00:13:32,069

Now.

262

00:13:32,100 --> 00:13:33,660

Also you can get in and go out.

263

00:13:35,910 --> 00:13:38,400

We can take and make just the

indication of a few old boards

264

00:13:38,400 --> 00:13:39,449

that live right along here.

265

00:13:41,940 --> 00:13:45,780

They're just touchy come across a

little bit of light color on the knife.

266

00:13:46,350 --> 00:13:47,850

I sort of outlined that door a little bit.

267

00:13:47,850 --> 00:13:51,540

So it stands out and you see it

better, but that's a pretty good

268

00:13:51,540 --> 00:13:53,220

looking old raggedy barn out there.

269

00:13:54,930 --> 00:13:59,970

Now we're not too worried about the

bottom, cause we'll come back with our old

270

00:13:59,970 --> 00:14:03,420

two inch brush that we've made the grassy

areas with and just sort of filling me in.

271

00:14:04,390 --> 00:14:04,690

Okay.

272

00:14:08,660 --> 00:14:11,870

And when you're painting, make up

little stories, think about the old

273

00:14:11,870 --> 00:14:14,780

cow that lives in here or the chickens

or the pigs or whatever it is.

274

00:14:14,780 --> 00:14:18,170

And this old barn, I stayed

in so much trouble at home.

275

00:14:18,990 --> 00:14:22,710

I probably have to, I live in there there

276

00:14:26,000 --> 00:14:28,740

tell you what we need.

277

00:14:29,030 --> 00:14:29,990

We need a little path.

278

00:14:30,020 --> 00:14:31,490

We'll take a little bit Brown and white.

279

00:14:32,730 --> 00:14:38,970

Let's just put a little path

here, there, little paths.

280

00:14:41,069 --> 00:14:42,750

So there's a way to get in and out.

281

00:14:44,970 --> 00:14:45,390

Just a little,

282

00:14:48,470 --> 00:14:49,410

little highlight on it.

283

00:14:50,339 --> 00:14:51,329

Not much, not much.

284

00:14:51,329 --> 00:14:52,230

I'll keep it pretty dark.

285

00:14:53,550 --> 00:14:57,209

And maybe in our world

today, we've got a cow here.

286

00:14:57,209 --> 00:14:59,160

We need to keep the container somehow.

287

00:15:00,930 --> 00:15:03,570

There put a little fence right up here.

288

00:15:03,690 --> 00:15:06,650

Maybe the fence goes right about there.

289

00:15:08,780 --> 00:15:09,860

Maybe it comes right up here.

290

00:15:09,920 --> 00:15:15,890

I don't know Katie, if our light's

coming from this direction and the whole

291

00:15:15,900 --> 00:15:19,160

barn indicates it is we'll highlight a

little bit on that side of the fence.

292

00:15:20,840 --> 00:15:22,610

Sit there just a little highlight

293

00:15:25,910 --> 00:15:27,830

and take this the heel

or the back of the knife.

294

00:15:28,725 --> 00:15:33,045

And just cut right through there

either direction and make the

295

00:15:33,045 --> 00:15:34,515

indication of some wire on there.

296

00:15:35,115 --> 00:15:37,485

It'll scratch through and

just let a little canvas show.

297

00:15:39,045 --> 00:15:40,845

We'll put three strands

of wire on our fans.

298

00:15:41,055 --> 00:15:42,105

We've got a big cow in here.

299

00:15:42,155 --> 00:15:43,095

We don't want her getting out.

300

00:15:44,625 --> 00:15:49,335

Sometimes it's neat to take a little bit

of, I use a little bright red, but just

301

00:15:49,335 --> 00:15:50,925

a little top on those little devils.

302

00:15:52,755 --> 00:15:56,295

Cause normally when you cut fence

posts me, put the tree down to make

303

00:15:56,295 --> 00:16:01,755

a fence post you paint the ends of it

to keep it from deteriorating there.

304

00:16:01,994 --> 00:16:02,655

So we did that.

305

00:16:04,155 --> 00:16:05,145

Let's just keep going here.

306

00:16:05,234 --> 00:16:10,395

We'll put some, some more of that

Brown and black color underneath here.

307

00:16:12,074 --> 00:16:14,444

I say, see if you're in a big

hurry, you can just paint it on.

308

00:16:14,474 --> 00:16:15,435

It doesn't make any difference.

309

00:16:16,064 --> 00:16:19,095

I usually like to tap it on though,

because once again, it gives you

310

00:16:19,095 --> 00:16:23,895

a lot of practice using the brush,

but however, it doesn't matter.

311

00:16:26,385 --> 00:16:26,824

Doesn't matter.

312

00:16:33,714 --> 00:16:35,265

More black, a little more Brown.

313

00:16:38,625 --> 00:16:39,135

Okay.

314

00:16:40,395 --> 00:16:44,474

We said we were going to have a big

tree over here and we left a big hole.

315

00:16:45,224 --> 00:16:46,275

So we'll have a big tree.

316

00:16:46,995 --> 00:16:48,464

We'll take the old two inch brush.

317

00:16:50,550 --> 00:16:51,150

There it is.

318

00:16:52,470 --> 00:16:56,130

This use the corner of the

brush, tap some basic shapes.

319

00:16:56,130 --> 00:16:57,150

This old tree.

320

00:16:57,270 --> 00:16:58,290

Maybe there's a group of trees.

321

00:16:58,320 --> 00:17:02,460

Let's have a group, whole big

family of trees live back here.

322

00:17:03,405 --> 00:17:06,555

And a little bit, a little bit

bright red does that color?

323

00:17:07,005 --> 00:17:10,605

Yeah, I like it here and there.

324

00:17:10,724 --> 00:17:12,165

Leave a couple of holes in your tree.

325

00:17:12,165 --> 00:17:16,905

So some sky can show through,

let a little, like the birds

326

00:17:16,905 --> 00:17:18,135

gotta have a way to fly through.

327

00:17:18,135 --> 00:17:24,075

There, there, wherever.

328

00:17:26,444 --> 00:17:27,615

And downward the base.

329

00:17:27,885 --> 00:17:29,145

I'm going more into the black.

330

00:17:29,145 --> 00:17:31,965

I wanted to get the

darker, darker down here.

331

00:17:32,024 --> 00:17:33,044

Indicate shadows.

332

00:17:35,635 --> 00:17:41,895

Lot of shadows there,

something about like Kevin.

333

00:17:45,465 --> 00:17:45,945

Okay.

334

00:17:47,205 --> 00:17:50,625

Let's have, let's have a few

little tree trunks in there.

335

00:17:50,895 --> 00:17:52,274

We find a little fan brush here.

336

00:17:53,260 --> 00:17:55,950

Dip the fan brush into a little

bit of paint thinner just to

337

00:17:56,730 --> 00:18:01,760

wet it up a little loaded full

of this Brown little bag on it.

338

00:18:02,300 --> 00:18:06,050

And I'm gonna come right over

here and pull one side there, a

339

00:18:06,050 --> 00:18:07,220

little bit of that lighter color.

340

00:18:07,520 --> 00:18:09,169

So there is a little

difference in the color.

341

00:18:09,169 --> 00:18:10,879

One side is a little

lighter than the other.

342

00:18:10,879 --> 00:18:12,679

I know it's hard to see,

but it is a little lighter.

343

00:18:13,610 --> 00:18:15,030

We said our light was

coming from the left.

344

00:18:15,060 --> 00:18:19,970

We want that lighter side on the left

and there's not a, there's not a whole

345

00:18:19,970 --> 00:18:21,350

big difference in there, but a little.

346

00:18:23,325 --> 00:18:26,145

And just want to put the indication

of some little things that live.

347

00:18:26,145 --> 00:18:26,955

We back in there.

348

00:18:29,375 --> 00:18:33,245

We're not too worried about them

at this point, take a liner,

349

00:18:33,245 --> 00:18:34,865

brush a little paint, thinner.

350

00:18:36,125 --> 00:18:38,554

That'll let Brown color inherent hair.

351

00:18:38,645 --> 00:18:42,635

I'm just going to put the indication of

a few little arms that are on some of

352

00:18:42,635 --> 00:18:46,475

these little trees back in here there.

353

00:18:46,504 --> 00:18:48,965

See, we're not looking

for a lot of detail.

354

00:18:48,965 --> 00:18:49,985

These are too far back.

355

00:18:50,774 --> 00:18:53,685

Maybe if we have time here, we'll

just put a big tree in here.

356

00:18:55,004 --> 00:18:55,995

I like big old trees.

357

00:18:57,584 --> 00:19:04,935

Yeah, we can just use a, we just

use a nice old two inch brush here.

358

00:19:05,685 --> 00:19:07,754

You grab a little SAP green there.

359

00:19:08,354 --> 00:19:08,895

That's nice.

360

00:19:09,705 --> 00:19:13,215

Don't want a lot of color,

just a little, little red too.

361

00:19:13,215 --> 00:19:14,834

On a doublet there.

362

00:19:14,925 --> 00:19:17,354

Good up in here.

363

00:19:17,445 --> 00:19:18,675

Just use the corner of the brush.

364

00:19:19,710 --> 00:19:24,540

But the indication here and there and

there and here of some leaves that live

365

00:19:24,540 --> 00:19:28,440

out here, think about patterns and shapes.

366

00:19:28,440 --> 00:19:29,910

So don't just throw them in at random.

367

00:19:30,120 --> 00:19:33,900

I know it gets, it gets to be fun and it's

just tempting just to drop them over where

368

00:19:34,890 --> 00:19:36,840

retain a lot of your dark areas though.

369

00:19:37,860 --> 00:19:38,970

It makes them look deeper.

370

00:19:40,470 --> 00:19:41,190

There we go.

371

00:19:44,650 --> 00:19:47,040

That neat way though, to

make a big old pile of trees.

372

00:19:48,030 --> 00:19:51,690

So easy, so easy.

373

00:19:53,340 --> 00:19:57,720

They're little right there.

374

00:19:58,440 --> 00:19:59,250

It's nothing like that.

375

00:20:01,620 --> 00:20:02,250

All right.

376

00:20:02,429 --> 00:20:05,310

This truly is a, it's a

lazy man's way of painting.

377

00:20:05,520 --> 00:20:09,389

That's why I like it always look for

ways to, to make painting easier,

378

00:20:09,889 --> 00:20:14,510

but yet effective there, because

if you have some success with this,

379

00:20:14,510 --> 00:20:16,010

then you, then you really like it.

380

00:20:16,010 --> 00:20:17,689

And you go in here,

you're paying everything.

381

00:20:18,260 --> 00:20:22,220

And maybe a lot of people that are,

I talked to they've had success with

382

00:20:22,220 --> 00:20:25,129

this and they ended up, they ended

up in college or something really,

383

00:20:25,909 --> 00:20:29,689

really steady and some fun traditional

cause it's this worked for him.

384

00:20:30,409 --> 00:20:30,470

Yeah.

385

00:20:31,050 --> 00:20:35,700

So that's that's what's

so nice back tomorrow.

386

00:20:36,465 --> 00:20:42,045

Brush here that we were using to make some

little grassy areas we'll put in a little,

387

00:20:42,285 --> 00:20:43,575

maybe there's a little Hill right there.

388

00:20:43,965 --> 00:20:44,175

Yeah.

389

00:20:44,955 --> 00:20:45,135

Yeah.

390

00:20:45,135 --> 00:20:46,155

There is sweet.

391

00:20:48,345 --> 00:20:51,105

And he will put, you want

him right along here.

392

00:20:53,325 --> 00:20:53,975

All right.

393

00:20:58,095 --> 00:20:58,875

Really like him.

394

00:20:58,995 --> 00:21:01,605

I'm going to add a least little

touch of paint, thinner to my brush.

395

00:21:03,540 --> 00:21:05,790

Because at the end, paint

will stick to a thick paint.

396

00:21:06,300 --> 00:21:09,270

So that'll make it come off the brush

easier because of paint that I have up

397

00:21:09,270 --> 00:21:12,149

here, very thick, very strong, very dry.

398

00:21:13,199 --> 00:21:14,610

It's not like traditional paints.

399

00:21:16,770 --> 00:21:22,620

They're just very, the colors a little

bit and just work in layers and all these

400

00:21:22,620 --> 00:21:26,610

little things happen wherever you want.

401

00:21:26,669 --> 00:21:27,810

Maybe a little bit right there.

402

00:21:27,870 --> 00:21:28,379

I like it.

403

00:21:28,770 --> 00:21:31,260

Just to push that path a

little further down in there.

404

00:21:31,750 --> 00:21:32,080

Okay.

405

00:21:33,070 --> 00:21:37,960

Over in here, here's maybe

a little bit wherever,

406

00:21:41,080 --> 00:21:44,770

a little bit more there.

407

00:21:47,139 --> 00:21:47,470

Right?

408

00:21:47,889 --> 00:21:48,669

We said.

409

00:21:49,695 --> 00:21:50,685

We'll get crazy here.

410

00:21:51,705 --> 00:21:54,165

Let's load a fan brush full

of black in that round that we

411

00:21:54,165 --> 00:21:56,324

made from Crimson and SAP green.

412

00:21:57,225 --> 00:21:57,854

Are you ready?

413

00:21:58,665 --> 00:22:00,284

This is your be retest right now.

414

00:22:01,185 --> 00:22:04,784

Fan brush is full of color, big decision.

415

00:22:04,784 --> 00:22:08,054

Maybe it starts right here in

the room or maybe this old tree

416

00:22:08,054 --> 00:22:12,615

had some rough days and he's got

some crooks and some, Oh yeah.

417

00:22:13,455 --> 00:22:15,195

I like, I like trees.

418

00:22:16,455 --> 00:22:17,475

Trees are a lot of fun.

419

00:22:17,895 --> 00:22:18,405

Gorgeous.

420

00:22:19,770 --> 00:22:23,850

Lot of fun, putting a

big old foot's out here.

421

00:22:23,850 --> 00:22:25,200

So he has something to stand on.

422

00:22:25,410 --> 00:22:28,080

We want him to be, we

want, wanted to be strong.

423

00:22:28,140 --> 00:22:31,380

He will give him a big arm here like that.

424

00:22:32,220 --> 00:22:33,920

He's got to make those little noises too.

425

00:22:33,940 --> 00:22:34,830

It just doesn't work.

426

00:22:36,390 --> 00:22:40,860

And then let's see, we hand, we

had a little bit of Brown and

427

00:22:40,860 --> 00:22:42,090

white mixed up here already.

428

00:22:44,220 --> 00:22:47,880

Just touch it and sort of let the

knife just bounce, barely touch it.

429

00:22:48,090 --> 00:22:48,420

Barely.

430

00:22:49,410 --> 00:22:50,400

It's just sort of touch it.

431

00:22:51,240 --> 00:22:53,730

See a little bit up in here.

432

00:22:54,210 --> 00:22:54,950

Barely touch.

433

00:22:56,780 --> 00:23:00,110

There is something about like cat and

that's all that we're looking for.

434

00:23:01,250 --> 00:23:02,240

Darker, darker, darker.

435

00:23:02,240 --> 00:23:04,340

On the other side, we can take

a little bit of depression,

436

00:23:04,340 --> 00:23:05,720

blue, a little bit of white.

437

00:23:06,650 --> 00:23:07,730

I want to make a dark blue.

438

00:23:07,820 --> 00:23:11,570

I want to make the indication of a little,

little reflected light right there.

439

00:23:13,230 --> 00:23:15,960

See, cause I think at these

trees here, but stop the light.

440

00:23:15,960 --> 00:23:17,730

So we're going to get a

little light through there.

441

00:23:18,300 --> 00:23:22,860

So I've highlighted this one intentionally

on the other side, because I think

442

00:23:22,860 --> 00:23:25,399

those trees would stop the light there.

443

00:23:28,429 --> 00:23:33,800

They're a little bit of a lighter color

just to make an edge stand out there.

444

00:23:34,129 --> 00:23:37,220

You know, when you buy your

first tube of paint, you get your

445

00:23:37,220 --> 00:23:38,689

artists license issued to you.

446

00:23:39,120 --> 00:23:41,760

And the artist's license says

on this piece of canvas, you can

447

00:23:41,760 --> 00:23:46,950

create any and every illusion

that you want, that's what we do.

448

00:23:46,950 --> 00:23:53,490

I'm going to take a little paint

thinner and go up in here and make the

449

00:23:53,490 --> 00:23:57,240

indication of some limbs and sticks

and stuff that live right out in here,

450

00:23:58,860 --> 00:24:01,920

there, wherever you want them there.

451

00:24:04,470 --> 00:24:08,925

And if you have trouble making this paint

flow, Just add more paint, thinner to it.

452

00:24:09,225 --> 00:24:12,315

Maybe a lot of these old lambs

of maybe they've just pooped out.

453

00:24:12,315 --> 00:24:13,545

They're old and tired.

454

00:24:14,925 --> 00:24:16,305

Maybe this old tree died.

455

00:24:17,205 --> 00:24:20,945

That happened sometime it happens.

456

00:24:21,725 --> 00:24:22,325

There we go.

457

00:24:23,435 --> 00:24:24,215

Don't make all of them.

458

00:24:24,215 --> 00:24:26,315

She'll come out the side,

have some come across.

459

00:24:27,425 --> 00:24:27,965

All right.

460

00:24:28,205 --> 00:24:28,685

Now then.

461

00:24:29,879 --> 00:24:33,780

Let's take a fan brush, put

some Brown on it and let's just

462

00:24:33,780 --> 00:24:36,330

make our path come right on out.

463

00:24:38,100 --> 00:24:43,649

Right here comes here, comes

right through the painting.

464

00:24:44,189 --> 00:24:48,240

So we have a way to get to that

old barn and you could take him

465

00:24:48,600 --> 00:24:51,330

just fill in a few, little grassy

areas to bring it all together.

466

00:24:52,395 --> 00:24:56,145

But just sticking to twig here

and there with a knife shoot.

467

00:24:56,505 --> 00:24:59,655

We got to finish painting there.

468

00:24:59,865 --> 00:25:00,855

Hope you try this one.

469

00:25:01,065 --> 00:25:03,435

Cause I think you'll enjoy it and

you'll find it to be a lot of fun.

470

00:25:04,245 --> 00:25:06,765

And from all of us here, I'd

like to wish you happy painting.

471

00:25:07,425 --> 00:25:08,565

And God blessed my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S26E02 - Delightful Meadow Home

Bob Ross's

The Joy of Painting

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