Tuesday, December 29, 2020

S16E01 - Two Seasons

Bob Ross's

The Joy of Painting

S16E01 - Two Seasons

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Hello, I'm Bob Ross.

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And I'd like to welcome to the

16th joy of painting series.

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First of all, let me thank

you for inviting me back for

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another series of painting shows.

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If this is your first time with us, let

me extend a personal invitation for you

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to get out your old brushes and your oil

paints and paint along with a sea Cho.

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Or just pull up the old easy chair,

but you foot's up and enjoy a

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relaxing half hour as we play some

of nature's masterpieces on canvas.

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Tell you what, let's start out by having

to run all the colors across the screen

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that you need to paint along with me.

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And while they're doing that, come

on, let's go up here and let me

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show you what I've already done.

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I've got two canvases up here today.

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We thought we'd do something

a little different.

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I get a lot of requests from people

wanting to do like winter and

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summer or the different scenes.

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So I thought today I would show you how

to do two paintings at one time, and

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this'll be your challenge for the day.

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So let's start out with an

old two inch brush today.

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I'm going to go right into a small

amount of the fellow blue, just tap

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a tiny bit of it into the bristles.

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Just pull a little pain out and tap it.

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The tapping assures that we have

an even distribution of color

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all the way through the bristles.

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Okay, let's go right up here.

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Now, maybe on this one, we'll

just start up at the top and

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make little crisscross strokes.

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Let's say the one over on this side

is our summer scene, so we'll just.

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Put in a happy blue

little sky, just like, so.

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Just using little crisscross strokes.

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Now, the canvases were both

coated with liquid white.

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So the liquid white is

continually mixing with a color.

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And that allows us to actually

blend color red on the canvas rather

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than working herself to death on

the palette or the canvas take a

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small amount of lizard and Crimson.

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And maybe, maybe right in here, we'll

just add a little touch of that.

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I don't make a nice little lavender hue.

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Right in there just to

sparkle it up again there.

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Okay.

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Now then without cleaning the

brush, let's go right over to the

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canvas and let's say it's winter.

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The other one will have winter.

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I'm going to take fallow blue and I'll

retread up here and get a touch of the

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midnight black, because this is a winter.

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I want a gray, the sky a little bit.

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I want to make it a little

chillier, a little more mood to it.

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Okay.

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And here we'll just once again, use

the little crisscross strokes and

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depending on what you want, you can

add more of the black, you can gray

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it down or you can leave it brighter.

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It all depends on you.

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However you want your world to be.

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That's the way it ought to be.

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Okay.

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That's a nice little gray sky there.

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So tell you what let's take some of that

same color, just the black and the blue.

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That's all we need.

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And let's go down here and let's have

a little water in these paintings.

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What the heck?

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What the heck pull from the

outside inward outside the Emery.

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There both sides that way to leave

a little open area right in here.

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And when it's all done, it looked like

a little sheen of light coming across

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there and be very pretty now, very

gently, very gently three hairs and some

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air we just go across and blend that the

little light area still remains in there.

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Okay.

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I'm going back into my fellow blue.

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And I'm gonna add a touch.

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And let me say that again.

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A touch of fatal green, it's

very strong, very strong.

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It will go back to our summer

canvas and let's do the same thing.

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I put the green in there once again

to make this one, a little brighter.

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This is summer it's happier.

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Oh, the birds are having a good time.

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So that's what we want to show

over here, but still pull from

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the outside in there we go.

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It was very lightly.

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Just go across.

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Okay.

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Now we can wash the old brush and

if you've painted with me before.

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You know, this is the fun

part of this whole technique.

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We wash our brushes with odorless

thinner, shake them up and just

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beat the devil out of them.

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And that's where you take all

your hostilities and frustrations.

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And it's a lot of fun.

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Okay.

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Let's put some clouds in here.

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What the heck take titanium white.

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Let's do the summer when first we'll

take quite be right back, right back.

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Get a little touch of the

bright, red little touch.

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Not much.

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Okay.

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Maybe their lives in our world,

a little cloud right up here.

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We're making small little tiny

circular strokes, little tiny

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circles, little tiny circles.

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There we go.

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And just sort of let the

cloud float around, have fun.

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Maybe they just got a little

friend lives over here, there.

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See how easy that is now.

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Then on the other side, In our winter

scene, I'm going to add a touch

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of gray to it, a little bit of the

midnight black, just to gray it down.

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Because once again, we

don't want this as bright.

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Now, maybe this whole cloud

lives right here and he just

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sort of floats around there.

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But when you're doing this, it's just

sort of think like a cloud they're

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free and they have a good time.

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Just enjoy it.

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Little tiny circles and don't overwork it.

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If you overwork it, it'll begin

to looking like a big cotton ball

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that lives up here in the sky.

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We don't want that.

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We want some life in the sign of a gun.

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All right now, with a good clean, dry

brush, I'm going to gently, gently

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blend the base of these clouds.

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Just blend the base of it.

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There we go now, fluff them, grab them

and fluff them, and then very lightly

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blend the entire sky and that easy.

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You've got a fantastic little cloud.

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And while we're going here, let's do

the little summer scene over here.

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Same basic thing fluff.

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It, it lifted there.

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Very gently though.

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There we go.

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Now then let's have some fun

maybe in our world today.

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Maybe there's a little mountain back here.

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I like to paint mountains.

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I lived in Alaska for a dozen

years and mountains are very,

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Oh, they're very special to me.

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I like them.

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So we'll take some black Vandyke Brown,

put a little lizard Crimson in it.

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And a little bit of the Prussian

blue, very strong bloop.

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Pull the paint out very flat.

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Go straight down with a knife cut across.

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And that gives us a little roll of

paint, right on the edge of the knife.

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Okay.

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Now you have to make a major decision.

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Where does your mountain live?

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Maybe in our world lives right here.

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And I want this now and it'd be quite

small, just a little tiny mountain.

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It's far away.

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That's all we need is

just a basic little shape.

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He was little bump lips right there.

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The only thing we're concerned

with is a nice outside edge.

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We could care less.

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What's happening now, here.

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Don't worry about that.

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We'll take care of that.

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Don't worry about it.

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Okay.

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No, but here we use the same

color and we'll try to make a

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mountain that looks about the same.

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We're trying to do the same

scene in winter and summer.

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We'll make them look similar.

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There you go here.

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Okay.

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Maybe right there.

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Once again, we're only worried

about the top of the mountain.

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We could care less down here,

scrape off all the excess paint.

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Just scrape it off then

with a large brush.

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We want to grab this and move it

because the liquid whites on the canvas,

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you can literally move the paint.

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This was a drag canvas.

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You'd be in agony city right

now and just blend it down.

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Same thing over here on this

one, grab it and pull it.

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Just pull it.

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Think about the angles in your mouth.

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There we go.

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Just let it just sort of

blend right into nothing.

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Just like it's laying in the mist down

here now then we'll go back to our knife.

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And tell you what let's do.

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We'll take some titanium,

white dark Sienna.

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I'm going to mix them together,

but leave it marbled like that.

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Don't overmix and cut off

our little roll of paint.

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It's right down the edge of the blade.

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There.

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Let's go up here.

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Now.

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This one over here.

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It has the summer scene on it here.

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I want some nice Browns on it and

all kinds of things happening.

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And by not over mixing the paint,

this happens automatically.

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You get all kinds of beautiful

colors and shades and tones.

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You could work yourself to death,

trying to do this by mixing each color.

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This is a lazy man's way of painting.

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Let the canvas work, let the paint work.

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Maybe we'll put a little

bit right out there.

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There we go.

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Now we need a shadow color for that.

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I'll just take some, Oh, we'll

use some dark Sienna, a little bit

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of the pressure and blue in it.

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That'll gray it down once again.

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We'd cut off that little roll

of paint, small amount of paint,

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and we'll just put in a shadow.

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So all there is to it, just

in an opposite direction.

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Just sit there and you can create.

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Just the illusion of all kinds of

things happening in your world.

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There we go.

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Maybe right in here.

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Just let that come down.

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Just like, so, and where

you want him over here?

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A little bit.

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Okay.

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Now we'll take a clean, dry brush.

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Be sure it's dry.

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It's not dry.

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You're going to be upset for

me, cause your color is going

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to sort of just mix together.

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We just tap the base of it here.

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I want to create the illusion

of a mist soft Misty areas down

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here at the base of the mountain.

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It'll be lifted up and that'll

sort of bring it all together.

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There we go.

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All right.

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And that easy.

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We have a summer type mountain.

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Now let's go over here to the cold side.

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We'll take titanium white, and there's a

little bit of that gray color left in it.

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Not much once again, our little rule

of pate snow on this mountain, as they

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say in Alaska, the Hawk has came here.

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We are.

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The old Hawk, he put snow on the mountain

and we'll just let that come ride on that.

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Like him a little bit on this peak, like

we had on the other one too, gotta to

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make those little noises or didn't work.

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Let's take a little bit of a, we use a

little thing, a little blue and a little

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touch of the black in it, a little white.

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We'll make a happy little

shadow color once again, right

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out on the edge of the knife.

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Just let that do, but absolutely

no pressure, no pressure.

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It just floats across there.

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As I mentioned before, in other

shows, when I was teaching my son,

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Steve, to paint, I used to tell

him to just pretend that he was

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a whisper floating across here.

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It's that delicate of a touch.

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Just barely touch the canvas.

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Okay.

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Now then we'll tap this.

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You asked to create that whole

illusion of missed again.

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There.

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Just touch it, like, so, okay.

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Now then maybe there's some, maybe

there's some little foothills that live

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back here, so let's take, we'll use,

we'll use some awesome black Brown.

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I'm going to reach up here and

get a little touch of the SAP.

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Green, not too much green, a little

bit of white just to lighten it up.

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Okay, let's go up here,

maybe on this one here.

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We'll just touch with a corner of

the two inch brush and just make

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the indication, a little distant

foothills that lived far, far away.

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They're just touching.

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There's going to be water down here.

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Let's have a reflection.

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So all we'll do is just tap some

of that color right down, like, so,

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all right, that's coming along nice.

251

00:12:58,730 --> 00:12:59,660

And I take the big brush.

252

00:13:00,375 --> 00:13:06,945

Pull straight down, straight down, look at

their look at their instant reflections.

253

00:13:07,995 --> 00:13:10,905

When I was traditional painter

reflections used to drive me crazy.

254

00:13:11,385 --> 00:13:13,785

And it's one of the easiest things

you can do in this technique.

255

00:13:14,715 --> 00:13:15,165

All right.

256

00:13:15,195 --> 00:13:16,935

Let's put some over

here on the winter side.

257

00:13:16,935 --> 00:13:21,165

We'll take some white, some white,

I'm going to grab some black here.

258

00:13:21,165 --> 00:13:22,695

We are a little bit of black.

259

00:13:23,730 --> 00:13:25,020

Least little touch of blue.

260

00:13:26,550 --> 00:13:30,540

We want these to be gray

once again, this is winter.

261

00:13:30,870 --> 00:13:32,100

So a little more drab.

262

00:13:32,850 --> 00:13:33,240

Okay.

263

00:13:33,510 --> 00:13:34,980

Let's go right up here now.

264

00:13:35,010 --> 00:13:36,120

Same basic shape.

265

00:13:36,450 --> 00:13:39,570

We're just happy in here.

266

00:13:39,570 --> 00:13:41,790

We are all there is to it.

267

00:13:41,830 --> 00:13:46,740

Just, just think in your mind where a

little Foothill lifts and put it in.

268

00:13:48,630 --> 00:13:52,440

Put it in, this is your world

on this piece of canvas.

269

00:13:52,950 --> 00:13:55,320

And you could do anything

that your heart desires here.

270

00:13:55,650 --> 00:13:58,050

Do you have absolute and total power?

271

00:13:59,430 --> 00:14:00,690

This is the only place in the world.

272

00:14:00,690 --> 00:14:03,900

I have any power, but here,

here, I'm the dictator.

273

00:14:04,000 --> 00:14:06,210

I can do anything here, anything.

274

00:14:06,630 --> 00:14:11,400

And you came to just think

of a scene in your mind.

275

00:14:12,600 --> 00:14:16,380

And put it on canvas that easy.

276

00:14:16,380 --> 00:14:17,880

We have a happy little reflection.

277

00:14:18,840 --> 00:14:20,850

I would dip the knife into a

little bit of the liquid white.

278

00:14:23,250 --> 00:14:24,990

Just pull that through you.

279

00:14:24,990 --> 00:14:25,440

Right back.

280

00:14:25,440 --> 00:14:28,080

Get a little touch of

Crimson to the brightness.

281

00:14:28,080 --> 00:14:30,900

One up, pull it out and then cut across.

282

00:14:30,970 --> 00:14:31,680

Just like it.

283

00:14:31,770 --> 00:14:37,410

Just go up here now let's put in

just a happy little waterline and

284

00:14:37,410 --> 00:14:39,810

we act just like, we're trying

to cut a hole in the canvas.

285

00:14:41,235 --> 00:14:42,194

It's all there is to it.

286

00:14:42,735 --> 00:14:45,194

Just a little ripple here and there.

287

00:14:46,995 --> 00:14:47,415

Okay.

288

00:14:49,305 --> 00:14:52,305

On the other side, I'm using

just straight liquid white.

289

00:14:53,265 --> 00:14:54,405

Don't want the pink over there.

290

00:14:54,435 --> 00:14:58,035

I want this one to be

a little colder there.

291

00:15:00,735 --> 00:15:02,265

See there side easy though.

292

00:15:03,945 --> 00:15:04,575

You can do it.

293

00:15:04,905 --> 00:15:05,985

You can do anything.

294

00:15:06,285 --> 00:15:11,055

Anything that the mind can conceive,

you can do at least up here.

295

00:15:13,065 --> 00:15:13,695

All right.

296

00:15:14,805 --> 00:15:16,965

Now we have to make some big decision.

297

00:15:17,355 --> 00:15:19,665

What lives at the foreground here.

298

00:15:20,915 --> 00:15:22,995

I'll tell you what, let's just get crazy.

299

00:15:23,055 --> 00:15:25,785

We'll take some black.

300

00:15:26,670 --> 00:15:30,930

So blue, uh, grabbed some lizard,

Crimson, a little Vandyke Brown.

301

00:15:31,860 --> 00:15:35,280

I'm not using any green in this, then

I'll use the same color on the both sides.

302

00:15:36,510 --> 00:15:40,290

Just the blues, both blues

and black Brown Crimson.

303

00:15:41,640 --> 00:15:41,939

Okay.

304

00:15:42,239 --> 00:15:43,050

Let's go right up here.

305

00:15:43,319 --> 00:15:48,239

Maybe, maybe their lives in our

world, a nice tree, big tree.

306

00:15:50,069 --> 00:15:51,959

And he lives here and

he watches everything.

307

00:15:54,510 --> 00:15:56,760

Just push in the brush upward.

308

00:15:59,055 --> 00:15:59,805

There we go.

309

00:16:00,855 --> 00:16:01,964

Maybe there's shoot.

310

00:16:01,985 --> 00:16:03,795

Maybe there's a little land

that comes right across here.

311

00:16:05,175 --> 00:16:05,745

I don't know.

312

00:16:07,485 --> 00:16:10,574

Just whatever you want here.

313

00:16:10,574 --> 00:16:13,485

You can create any

illusion that pleases you.

314

00:16:15,584 --> 00:16:17,055

All we're doing is just filling that in.

315

00:16:18,135 --> 00:16:18,435

Okay.

316

00:16:19,485 --> 00:16:22,694

Now then pull the brush in one direction.

317

00:16:22,694 --> 00:16:26,595

When you're doing this, see one

direction that causes a curve.

318

00:16:27,104 --> 00:16:28,094

Will you turn the brush over.

319

00:16:28,094 --> 00:16:29,354

So it curves to the top.

320

00:16:29,385 --> 00:16:30,045

How's it go up here.

321

00:16:30,885 --> 00:16:32,925

Let's push you in a tree over

here on the winter scene.

322

00:16:33,224 --> 00:16:34,305

Same basic tree.

323

00:16:35,204 --> 00:16:36,194

Maybe we'll do one over here.

324

00:16:36,194 --> 00:16:40,694

That's all covered with snow

cold over here on this site.

325

00:16:40,734 --> 00:16:49,334

Have to wear a coat when you paint

this one, just like, so tell you

326

00:16:49,334 --> 00:16:52,574

what, just so you have some practice.

327

00:16:52,964 --> 00:16:54,074

Let's let's do this.

328

00:16:54,074 --> 00:16:56,025

Uh, Find a fan brush there.

329

00:16:56,715 --> 00:16:58,635

Let's do a happy little

evergreen tree too.

330

00:16:58,755 --> 00:16:59,195

What do you use?

331

00:16:59,195 --> 00:17:02,175

Some blue and some black and

Brown crims and just those

332

00:17:02,175 --> 00:17:05,025

same colors, same old colors.

333

00:17:05,025 --> 00:17:06,465

Load the brush full of paint.

334

00:17:06,555 --> 00:17:10,275

Let's go right up here, maybe

in our world, their lives.

335

00:17:10,730 --> 00:17:15,780

Does now just a happy little

evergreen tree, just go back

336

00:17:15,780 --> 00:17:17,429

and forth, back and forth.

337

00:17:17,429 --> 00:17:20,310

See they live here and your fan breaks.

338

00:17:20,310 --> 00:17:22,290

Sometimes you have to

sort of scare them out.

339

00:17:23,040 --> 00:17:23,550

There we go.

340

00:17:25,365 --> 00:17:29,595

There we go and leave some

arms out here like this.

341

00:17:29,595 --> 00:17:35,625

So the birds have a place to

sit when they come there and

342

00:17:35,625 --> 00:17:36,675

he goes down here somewhere.

343

00:17:36,675 --> 00:17:39,645

We don't know where he goes over here.

344

00:17:40,514 --> 00:17:43,185

Let's put one about the same height.

345

00:17:46,845 --> 00:17:52,355

We'll just drop him in paintings will

give you a lot of practice, show you

346

00:17:52,355 --> 00:17:54,545

how to do all kinds of different things.

347

00:17:54,615 --> 00:17:56,525

Use all the equipments, all the colors.

348

00:17:57,695 --> 00:18:01,295

We only use about a dozen

colors, 13 to be exact.

349

00:18:02,555 --> 00:18:05,405

And of those 13 colors,

you can do anything.

350

00:18:06,135 --> 00:18:06,705

It's unreal.

351

00:18:07,995 --> 00:18:08,685

Unreal.

352

00:18:09,195 --> 00:18:11,745

What you can do, maybe see

some time you change your mind.

353

00:18:11,745 --> 00:18:13,755

Maybe there needs to be a

little baby tree right here.

354

00:18:15,705 --> 00:18:19,995

Don't want that tree to get

only so we can just put him in.

355

00:18:21,495 --> 00:18:24,075

And when you do your

painting, let's go over here.

356

00:18:24,810 --> 00:18:27,989

When you do your painting, you just

sort of look at it and you decide

357

00:18:27,989 --> 00:18:29,580

how many trees live in your world.

358

00:18:30,510 --> 00:18:40,320

You can have two 10, zero, any number

in between any number in between assets.

359

00:18:40,320 --> 00:18:41,790

This is a winter scene over here.

360

00:18:42,389 --> 00:18:43,770

We need some snow on the ground.

361

00:18:43,889 --> 00:18:46,250

So let's just take titanium

white on the big brush.

362

00:18:46,830 --> 00:18:49,560

Just pull some in there, just like so.

363

00:18:50,790 --> 00:18:55,800

Now then decide where your snow lives,

maybe it lives right here into the

364

00:18:55,800 --> 00:19:02,969

trees, just like, so that's, what's

great about this old big brush.

365

00:19:03,120 --> 00:19:07,320

You can just do it quick and

say, allow some of that dark

366

00:19:07,320 --> 00:19:09,780

color pickup and pull it.

367

00:19:10,469 --> 00:19:13,110

Then it looks like shadows

under these bushes and trees.

368

00:19:14,625 --> 00:19:17,805

Okay, now then let's

start having some fun.

369

00:19:19,815 --> 00:19:21,105

Maybe we'll highlight this.

370

00:19:21,585 --> 00:19:25,785

So, and we'll dip the brush into a touch

of the liquid white on the one inch brush.

371

00:19:26,445 --> 00:19:27,225

And let's start out.

372

00:19:27,525 --> 00:19:29,325

We'll go through CAD yellow.

373

00:19:29,355 --> 00:19:32,235

Let's do this summer

when first, just caddy.

374

00:19:32,235 --> 00:19:33,075

I'll be right back.

375

00:19:33,105 --> 00:19:34,785

Don't go away right there.

376

00:19:36,015 --> 00:19:37,935

A little bit of the SAP green added to it.

377

00:19:39,284 --> 00:19:42,435

Pull the brush in one direction though,

and look at the amount of paint us in the

378

00:19:42,435 --> 00:19:44,564

bristles, the tremendous amount of paint.

379

00:19:45,844 --> 00:19:46,685

That's what you need.

380

00:19:46,685 --> 00:19:47,135

Okay.

381

00:19:48,034 --> 00:19:50,584

Nephew, I have a lot of paint

in here and it's a thin paint.

382

00:19:50,584 --> 00:19:52,685

This is thinner than the paint

that's already on the canvas.

383

00:19:52,685 --> 00:19:54,844

We use a very firm dry paint up here.

384

00:19:55,385 --> 00:19:56,195

Now this is thin.

385

00:19:57,064 --> 00:20:00,965

Now all you need is a gentle little

touch and you can put beautiful

386

00:20:00,965 --> 00:20:02,314

highlights out here on your tree.

387

00:20:04,245 --> 00:20:05,295

Beautiful highlights.

388

00:20:05,685 --> 00:20:08,655

But now think like a tree tree has limbs.

389

00:20:08,655 --> 00:20:10,275

It has little arms that live in here.

390

00:20:10,695 --> 00:20:13,695

Don't just don't understand

these own random.

391

00:20:14,265 --> 00:20:18,675

Think about shape, there's little branches

and stuff that live inside of here.

392

00:20:19,125 --> 00:20:21,045

And they're little individuals.

393

00:20:21,285 --> 00:20:22,635

They each have a personality.

394

00:20:23,925 --> 00:20:24,185

Okay.

395

00:20:24,235 --> 00:20:28,905

We can add a little yellow ochre,

Indian, yellow here and there.

396

00:20:28,905 --> 00:20:31,275

Maybe a little touch of the

bright red just to sparkle it.

397

00:20:37,635 --> 00:20:40,025

Yeah, little touch, bright red shoot.

398

00:20:40,115 --> 00:20:42,125

Maybe there's a firecracker

lives right out here.

399

00:20:42,425 --> 00:20:42,695

Hmm.

400

00:20:43,025 --> 00:20:45,215

Well, that's pretty, that's pretty.

401

00:20:47,645 --> 00:20:52,685

So I have a go, let's see, put work in

layers now, then come right up in here.

402

00:20:53,285 --> 00:20:55,535

Notice that we leave

some of the dark areas.

403

00:20:55,775 --> 00:20:58,985

Those little dark areas in

between are very important.

404

00:21:00,285 --> 00:21:02,115

That's what gives you a

little bushes and trees?

405

00:21:02,145 --> 00:21:02,385

Depth.

406

00:21:04,805 --> 00:21:05,345

Okay.

407

00:21:06,095 --> 00:21:10,895

Now let's take, we'll

use a fan brush here.

408

00:21:12,065 --> 00:21:16,145

I'll just take a little yellow,

some SAP green mixed in it.

409

00:21:16,895 --> 00:21:21,845

Pretty dark color load, a lot of pain in

the bristles and our evergreen tree here.

410

00:21:24,105 --> 00:21:25,965

Just to add some little

highlights on them.

411

00:21:25,965 --> 00:21:26,745

Don't overdo.

412

00:21:27,435 --> 00:21:28,575

This gets working so well.

413

00:21:28,605 --> 00:21:32,055

Did you just want to cover up all the dark

and you lose your beautiful little tree,

414

00:21:32,055 --> 00:21:36,735

then you go, go away and leave you there.

415

00:21:38,475 --> 00:21:38,955

Okay.

416

00:21:38,955 --> 00:21:42,405

Now here's an old, dirty, there's

just two inch brushes dirty.

417

00:21:43,784 --> 00:21:45,915

We've just tap it right

into the various colors.

418

00:21:46,514 --> 00:21:48,105

Just tap, give it a little push.

419

00:21:49,095 --> 00:21:54,405

Now that it's come right down here and we

can begin putting in all kinds of little

420

00:21:54,405 --> 00:21:59,985

happy grassy areas that easy, that easy.

421

00:22:01,605 --> 00:22:03,345

Think about the lay of the land here.

422

00:22:05,595 --> 00:22:07,425

Just layer after layer, after layer.

423

00:22:09,870 --> 00:22:15,420

Okay, maybe look at there so you can

create a whole nother plane that, that

424

00:22:15,420 --> 00:22:20,430

easy there, but don't kill all that dark.

425

00:22:20,460 --> 00:22:24,000

Once again, it gets, it gets

feeling good and you just go crazy

426

00:22:26,250 --> 00:22:27,720

and you can kill all that dark.

427

00:22:29,250 --> 00:22:31,230

And then your painting

gets very, very flat.

428

00:22:31,860 --> 00:22:34,230

It looks like you almost like

you cut it out, a newspaper or

429

00:22:34,230 --> 00:22:35,280

something and glued it up here.

430

00:22:35,820 --> 00:22:38,070

Now we just take a knife, clean knife.

431

00:22:38,715 --> 00:22:39,405

Can't hear in there.

432

00:22:39,405 --> 00:22:42,165

We'll just creep in the indication

of some little sticks and

433

00:22:42,165 --> 00:22:44,325

twigs and little happy things.

434

00:22:44,525 --> 00:22:45,514

They've all back in here.

435

00:22:46,835 --> 00:22:47,855

And that's all there is to it.

436

00:22:48,845 --> 00:22:49,535

Let's do the other one.

437

00:22:49,535 --> 00:22:49,745

Now.

438

00:22:51,514 --> 00:22:54,395

Now I have several fan brushes

going, so I don't have to

439

00:22:54,395 --> 00:22:55,685

spend all my time washing them.

440

00:22:57,004 --> 00:22:58,805

We'll take, we'll take some white.

441

00:22:58,835 --> 00:22:59,675

I'll be right back.

442

00:22:59,915 --> 00:23:01,355

A little touch of the thalo blue.

443

00:23:02,555 --> 00:23:03,635

Nice warm blue.

444

00:23:03,935 --> 00:23:04,655

Very pretty.

445

00:23:05,910 --> 00:23:08,100

There came a scope here.

446

00:23:09,090 --> 00:23:11,100

Maybe there's a little

snow hanging on this tree.

447

00:23:11,220 --> 00:23:11,430

Yeah.

448

00:23:15,860 --> 00:23:18,200

See that's where the

bird set right out here.

449

00:23:19,130 --> 00:23:21,260

Even the winter time, they

have to have a place to sit.

450

00:23:23,000 --> 00:23:25,850

Sometimes you, when you painted,

you can almost, you can almost

451

00:23:25,850 --> 00:23:28,790

hear the little birds there.

452

00:23:31,500 --> 00:23:37,110

So just once again, they'll make up little

stories and think that this is your world.

453

00:23:37,140 --> 00:23:39,960

It, it becomes a special place to you.

454

00:23:41,490 --> 00:23:43,350

And of course, people may look at you.

455

00:23:43,350 --> 00:23:46,620

Like you're a little strange, but us

painters, you know, we have an artist

456

00:23:46,620 --> 00:23:50,400

licensed and it says you can do anything

on this canvas that makes you happy

457

00:23:51,090 --> 00:23:53,970

utilize that we'll take titanium white.

458

00:23:54,899 --> 00:23:59,100

And liquid white mixed together on the

brush, pulled it in one direction, load

459

00:23:59,100 --> 00:24:04,170

a lot of paint, a lot of paint, the

liquid whites in there only to make

460

00:24:04,170 --> 00:24:07,920

the paint thinner screw right up here,

but the rounded corner to the top.

461

00:24:09,000 --> 00:24:13,800

And let's just put all kinds of beautiful

little snow covered lambs out here.

462

00:24:15,060 --> 00:24:18,330

Now, if you wanted to, you could

just take your liner brush and

463

00:24:18,330 --> 00:24:19,560

just make like a tree trunk.

464

00:24:19,590 --> 00:24:21,360

Maybe all the leaves

fell off in your world.

465

00:24:22,470 --> 00:24:24,300

I sort of liked to have

these snow covered things.

466

00:24:24,300 --> 00:24:27,360

To me, it was just beautiful.

467

00:24:28,410 --> 00:24:32,610

When I lived in Alaska, everything looked

like this in the winter at times, and

468

00:24:32,610 --> 00:24:39,740

it was maybe one of the most beautiful

times of the year in Alaska cold.

469

00:24:41,390 --> 00:24:41,900

It's pretty.

470

00:24:42,200 --> 00:24:43,070

It is so pretty.

471

00:24:43,640 --> 00:24:49,550

God was having a good day when he made

Alaska things were going right there.

472

00:24:49,550 --> 00:24:49,910

We are.

473

00:24:51,630 --> 00:24:53,940

And maybe down in here

lives up a little Bush.

474

00:24:54,000 --> 00:24:54,420

There he is.

475

00:24:56,640 --> 00:25:00,960

This make up all kinds of

little stories maybe over here.

476

00:25:02,130 --> 00:25:07,230

So you put a little Bush right

there, just wherever you want them.

477

00:25:08,040 --> 00:25:11,130

Now then once again,

with our clean knife and.

478

00:25:11,655 --> 00:25:12,885

Come right up here with a camera.

479

00:25:13,304 --> 00:25:14,324

See this dark area.

480

00:25:14,685 --> 00:25:16,365

That's where you want to put your stamps.

481

00:25:17,235 --> 00:25:20,024

You don't want to put them up here,

put them down in the dark area because

482

00:25:20,024 --> 00:25:24,645

that's where you'd see them and just,

just scratch them to scratch them.

483

00:25:24,645 --> 00:25:26,895

And all you're doing is allowing

the canvas to show through.

484

00:25:31,814 --> 00:25:35,564

Once again, though, mainly in these

dark areas, we can come over here, drop

485

00:25:35,564 --> 00:25:38,945

in a couple, just wherever you want.

486

00:25:41,280 --> 00:25:41,909

Okay.

487

00:25:42,480 --> 00:25:49,170

I find the old liner brush, go into

some paint, thinner, some dark Sienna,

488

00:25:50,970 --> 00:25:53,250

and we want this paint to be thin.

489

00:25:53,370 --> 00:25:57,899

Like ink turned the bristles,

turn it a liner brush has

490

00:25:57,899 --> 00:25:59,100

a very long bristles on it.

491

00:25:59,100 --> 00:26:00,360

Loads a lot of paint.

492

00:26:01,530 --> 00:26:02,160

There we go.

493

00:26:02,760 --> 00:26:02,940

Okay.

494

00:26:02,940 --> 00:26:07,670

Maybe, maybe in our world right up here,

lives in a little stick, just take touch.

495

00:26:08,300 --> 00:26:09,080

And it helps here.

496

00:26:09,110 --> 00:26:13,100

If you're a little nervous, it makes a

much more interesting little stick than

497

00:26:13,100 --> 00:26:20,420

one is just, or I think so just you sort

of make the decision maybe in your world.

498

00:26:20,450 --> 00:26:21,710

You want all straight sticks.

499

00:26:22,010 --> 00:26:25,430

I like to have them with

little character Kane.

500

00:26:25,480 --> 00:26:26,630

We can take that same color.

501

00:26:27,020 --> 00:26:28,340

Let's go over into the winter side.

502

00:26:29,370 --> 00:26:31,860

And maybe a little stake lives right here.

503

00:26:32,550 --> 00:26:33,690

See, there he is.

504

00:26:33,960 --> 00:26:34,380

There he is.

505

00:26:35,520 --> 00:26:42,780

You knew he was there, there, just

touch it, give it a little pull.

506

00:26:44,670 --> 00:26:47,820

That's all there is to it and you

can put them wherever you want to.

507

00:26:50,490 --> 00:26:53,760

And that's how easy it is

to make two scenes at once.

508

00:26:54,060 --> 00:26:55,260

I'm going to take a

little more of the paint.

509

00:26:55,260 --> 00:26:56,730

Then I go into some bright red.

510

00:26:57,315 --> 00:27:03,225

And let's sign these and just then

you paint once again, just like it was

511

00:27:03,555 --> 00:27:08,865

ink and you can sign and we'll go step

right over to the winter one sign yet.

512

00:27:10,665 --> 00:27:11,775

And I think we're all finished.

513

00:27:11,775 --> 00:27:14,415

We have two paintings

today for the price of one.

514

00:27:16,175 --> 00:27:16,805

There we are.

515

00:27:18,065 --> 00:27:20,105

And I hope you've enjoyed this

and it shows you how to do.

516

00:27:20,490 --> 00:27:24,270

A winter and a summer scene of

the same palette at the same time.

517

00:27:24,780 --> 00:27:25,080

Thank you.

518

00:27:25,080 --> 00:27:25,590

And enjoy.

519

00:27:25,950 --> 00:27:27,870

And from all of us here, happy painting.

520

00:27:28,514 --> 00:27:29,294

And God bless.

521

00:27:29,355 --> 00:27:30,314

I'll see you next time.

End .srt file.

S15E13 - Christmas Eve Snow

Bob Ross's

The Joy of Painting

S15E13 - Christmas Eve Snow

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:28,310 --> 00:00:29,240

Hi, welcome back.

00:00:29,690 --> 00:00:31,910

I'm certainly glad you could spend

a little time with us today and

00:00:31,910 --> 00:00:33,380

do a fantastic little painting.

00:00:33,980 --> 00:00:35,390

So I tell you what let's get started.

00:00:35,420 --> 00:00:38,390

Having run all the colors across

the screen that you need to paint

00:00:38,390 --> 00:00:40,970

along with me and they'll come

across in the same order as I have

00:00:40,970 --> 00:00:44,860

them on the pallet, starting with

the white and working around today.

00:00:44,950 --> 00:00:48,330

As you can plainly see, I have

a black canvas up here and.

00:00:48,855 --> 00:00:52,335

I've just covered this with black

Jesso, allowed it to dry completely.

00:00:52,815 --> 00:00:58,155

And then on top of that, I've added a

mixture of midnight black and a little bit

00:00:58,155 --> 00:01:02,495

of Prussian blue, not much Persian blue,

just enough to give it up bluish tint.

00:01:03,035 --> 00:01:06,545

And I thought they would do a little

mountain winter scene something.

00:01:07,085 --> 00:01:08,435

Let's just do it and see what happens.

00:01:08,435 --> 00:01:08,735

Okay.

00:01:09,375 --> 00:01:11,225

Start off with the old

to enterprise today.

00:01:11,885 --> 00:01:13,355

Go right into a small amount.

00:01:14,039 --> 00:01:17,190

Of titanium white, as I've

mentioned before, these

00:01:17,190 --> 00:01:18,660

black canvases are fantastic.

00:01:18,660 --> 00:01:21,960

If you wanna, if you want to amaze friends

and relatives and et cetera, because

00:01:21,960 --> 00:01:25,140

they don't see, you put the color on

top of the black and it's transparent.

00:01:25,590 --> 00:01:29,690

And then when you come in here and you

add a little bit of just all kinds of

00:01:29,690 --> 00:01:32,000

beautiful little things just happened.

00:01:32,420 --> 00:01:37,550

And today I just want to add a

very small amount of the titanium

00:01:37,550 --> 00:01:40,250

white juice to get the indication

of a little color here and there.

00:01:41,415 --> 00:01:42,855

Don't want a lot of color today?

00:01:43,125 --> 00:01:44,805

Just a little, I'm going

to put some clouds.

00:01:44,805 --> 00:01:50,115

I think in here, all I'm looking for is

just a little background, color this.

00:01:50,115 --> 00:01:51,975

So this is behind the clouds.

00:01:52,515 --> 00:01:53,445

We'll do that first.

00:01:54,445 --> 00:01:56,895

We'll come in with a drop in a

happy little cloud here and there.

00:01:58,620 --> 00:01:58,740

Right.

00:01:59,130 --> 00:02:02,400

I like his black canvases because

a little bit of color shows

00:02:02,400 --> 00:02:04,110

up so strong and so beautiful.

00:02:05,280 --> 00:02:07,530

It just it's unreal what

you can do with them.

00:02:09,150 --> 00:02:14,960

Um, you know, I get letters from people

every day and they send me photographs of

00:02:14,960 --> 00:02:16,370

the paintings that they're doing at home.

00:02:16,370 --> 00:02:19,130

And these black canvases,

maybe some of the favorites.

00:02:20,364 --> 00:02:23,035

And these are from people that

a lot of them have never had.

00:02:24,055 --> 00:02:27,505

They've never even suspected

that they had any art talent.

00:02:27,505 --> 00:02:28,704

They've never had any lessons.

00:02:29,424 --> 00:02:34,704

They just watched the shows, picked up

ideas, got enough confidence, grabbed the

00:02:34,704 --> 00:02:39,535

old brush and they're doing some beautiful

paintings and you can too, you really can.

00:02:40,195 --> 00:02:46,375

Let's wash the brush, shake it

off, beat the devil out of it.

00:02:48,120 --> 00:02:49,950

All right, let's get us a one inch brush.

00:02:50,530 --> 00:02:53,910

If we're going to have a happy little

cloud, we'll just continue to use the

00:02:53,910 --> 00:02:58,500

titanium white, just pull a little

color into the bristles and we have

00:02:58,500 --> 00:03:00,630

to make our first major decision here.

00:03:00,690 --> 00:03:02,550

Where does our little

clouds live in our world?

00:03:03,600 --> 00:03:04,019

Maybe?

00:03:04,380 --> 00:03:04,650

Yep.

00:03:04,680 --> 00:03:06,090

You're right there he is.

00:03:07,290 --> 00:03:12,630

I'm just using the top corner of the brush

and just making tiny little circles, just

00:03:12,630 --> 00:03:15,060

tiny little circles, tiny little circles.

00:03:16,394 --> 00:03:19,695

There you go, just sing along

as you, as you're doing this.

00:03:19,695 --> 00:03:22,244

Think about tiny little

circles or there you go.

00:03:23,415 --> 00:03:23,924

Okay.

00:03:24,554 --> 00:03:31,155

And blend it out like a dad, but look,

how color stands out on this black canvas?

00:03:31,665 --> 00:03:32,864

It's real.

00:03:33,225 --> 00:03:34,065

It's real.

00:03:35,535 --> 00:03:36,855

Maybe there's another little cloud.

00:03:37,185 --> 00:03:38,894

He just floats around right here.

00:03:38,984 --> 00:03:42,495

Wherever, wherever there we are.

00:03:48,180 --> 00:03:49,590

Maybe a little more of the color.

00:03:51,410 --> 00:03:52,130

Yeah, you're right.

00:03:52,430 --> 00:03:53,239

Let's have another clap.

00:03:53,239 --> 00:03:56,630

This, this will give us a little bit of

practice doing some happy little clouds.

00:03:56,780 --> 00:04:01,100

There are a lot of fun, a lot of

fun, and they're very easy to do.

00:04:02,660 --> 00:04:03,560

Very easy to do.

00:04:05,269 --> 00:04:06,560

And he comes right on.

00:04:06,560 --> 00:04:07,730

We don't know where it goes here.

00:04:09,620 --> 00:04:10,640

Little fluffer there.

00:04:12,540 --> 00:04:16,170

Clouds are so free, so free.

00:04:16,170 --> 00:04:20,130

They're just one of the freest things

in nature maybe comes out through here.

00:04:26,150 --> 00:04:28,490

Whereas the job I want my next

life, I want to come back and

00:04:28,490 --> 00:04:29,880

get cloud and just float around.

00:04:30,620 --> 00:04:31,880

Have a good time all the time.

00:04:33,500 --> 00:04:33,740

Okay.

00:04:33,740 --> 00:04:34,970

And how to take a large brush.

00:04:35,000 --> 00:04:37,010

And I'm very gently just begin.

00:04:37,310 --> 00:04:38,240

Beginning to blend.

00:04:39,495 --> 00:04:44,925

The base of this very lightly

genius blended blended blended.

00:04:46,635 --> 00:04:52,815

Once again, color shows up so much

stronger on the black canvases, much

00:04:52,815 --> 00:04:54,195

stronger than on a white canvas.

00:04:54,945 --> 00:04:55,455

There we go.

00:04:58,235 --> 00:04:59,615

Or you can blend these till they're dead.

00:04:59,675 --> 00:05:04,085

So don't overdo it just the,

just enough to turn them up a

00:05:04,085 --> 00:05:06,695

little bit and mix them up there.

00:05:08,969 --> 00:05:12,119

Hang in there, man.

00:05:12,299 --> 00:05:14,760

I beat the brush just to

remove excess paint off of it.

00:05:15,179 --> 00:05:16,469

So I don't have to clean it again.

00:05:17,159 --> 00:05:21,359

Then I'm going to fluff them,

lift them, tease them, pull them.

00:05:22,500 --> 00:05:26,010

This is not, not a very firm

pressure on applying now.

00:05:26,039 --> 00:05:27,330

Just gentle, just gentle.

00:05:27,900 --> 00:05:29,940

Just enough to grab it,

move it a little bit.

00:05:31,700 --> 00:05:33,840

Lightly, fairly lightly.

00:05:35,040 --> 00:05:35,580

Look at that.

00:05:35,850 --> 00:05:36,570

Look at that.

00:05:38,550 --> 00:05:41,490

Or that's some fantastic little cloud

00:05:47,280 --> 00:05:47,490

there.

100

00:05:48,230 --> 00:05:49,490

They stand out once again.

101

00:05:49,490 --> 00:05:54,110

So strong on these black canvases as black

Jessica was one of the most panicked.

102

00:05:54,205 --> 00:05:58,045

Tastic things years ago, I used

to just use flack house paint.

103

00:05:59,365 --> 00:06:01,345

I've had some letters from

people they wrote and told me

104

00:06:01,345 --> 00:06:02,785

that it didn't do too well.

105

00:06:06,475 --> 00:06:09,205

So the black Jessa was

designed specifically for this.

106

00:06:10,495 --> 00:06:11,185

Okay.

107

00:06:12,955 --> 00:06:13,855

Let's build this a mountain.

108

00:06:14,845 --> 00:06:16,345

Let's build this a mountain today.

109

00:06:16,555 --> 00:06:17,815

I'm going to use just black.

110

00:06:18,675 --> 00:06:23,325

And Vandyke Brown, little Prussian blue.

111

00:06:24,495 --> 00:06:26,175

We'll throw some alizarin

Crimson in there, too.

112

00:06:26,175 --> 00:06:26,715

What the heck?

113

00:06:27,715 --> 00:06:31,185

Looking for a color that looks very dark.

114

00:06:31,185 --> 00:06:31,905

It looks black.

115

00:06:33,705 --> 00:06:34,365

Okay.

116

00:06:34,545 --> 00:06:37,545

Cut off a little roll of paint, have

it right on the edge of the knife.

117

00:06:38,355 --> 00:06:40,305

And then you have to

make a major decision.

118

00:06:40,305 --> 00:06:41,805

Where does your mountain

live in your world?

119

00:06:42,705 --> 00:06:45,284

I think he's going to live over

here, so let's go right up in

120

00:06:45,284 --> 00:06:47,505

here and let's just drop a sin.

121

00:06:48,450 --> 00:06:49,740

A nice fucking mountain.

122

00:06:51,480 --> 00:06:52,320

Nice big map.

123

00:06:52,350 --> 00:06:57,300

I like, I like to do mountains

because it gives you, gives you

124

00:06:57,300 --> 00:06:58,920

a lot of experience with a knife.

125

00:07:00,270 --> 00:07:03,840

Once you learn how to do mountains

with this knife, all it's your friends.

126

00:07:03,840 --> 00:07:04,590

You can do anything.

127

00:07:05,340 --> 00:07:10,260

Maybe this comes over here and

there's another peak lives right there

128

00:07:13,740 --> 00:07:14,940

where I really want to.

129

00:07:18,299 --> 00:07:23,729

There, if you can do mountains with this

knife, you can do this, or you can do

130

00:07:23,729 --> 00:07:27,330

rocks and stones and roads and buildings.

131

00:07:28,890 --> 00:07:32,370

And some of the past series

we've done entire paintings

132

00:07:32,370 --> 00:07:33,780

using nothing but tonight.

133

00:07:34,169 --> 00:07:35,549

Absolutely nothing, but tonight

134

00:07:41,010 --> 00:07:42,750

we'll have to do some more

of those types of shows.

135

00:07:43,500 --> 00:07:45,150

It's interesting to

see why it can be done.

136

00:07:45,239 --> 00:07:46,140

Just using a knife.

137

00:07:47,460 --> 00:07:49,770

It's a little difficult

because of the time restraints.

138

00:07:51,919 --> 00:07:52,429

There we go.

139

00:07:55,310 --> 00:07:56,719

No, I'm just using a two inch brush.

140

00:07:57,320 --> 00:07:58,580

I just want to pull this down.

141

00:08:01,070 --> 00:08:03,890

This is an excellent way of

laying out highlights and shadows.

142

00:08:04,455 --> 00:08:06,045

You can see those brush strokes in there.

143

00:08:06,045 --> 00:08:07,935

Every stroke you make stands out.

144

00:08:08,385 --> 00:08:11,775

And I hope you can see those on

your, on your TV set, but you can

145

00:08:11,805 --> 00:08:15,555

lay out entire mountains, just,

just using the brush strokes.

146

00:08:15,974 --> 00:08:16,875

And you're not committed.

147

00:08:16,875 --> 00:08:21,465

You can change it for repeatedly,

literally hundreds of times, but it

148

00:08:21,465 --> 00:08:25,215

teaches you how to, how to make your

mountain look the way you want it to look.

149

00:08:29,534 --> 00:08:30,525

You can just get carried away.

150

00:08:31,830 --> 00:08:35,309

Make all kinds of beautiful effects Kang.

151

00:08:35,319 --> 00:08:37,020

Let's put some snow on

that mountain for that.

152

00:08:37,169 --> 00:08:39,059

I'm going to use titanium white.

153

00:08:39,900 --> 00:08:42,150

Let me put a little bit of black

with it, just to dull it down.

154

00:08:43,799 --> 00:08:44,550

Just a dollar.

155

00:08:44,550 --> 00:08:45,810

So it's not pure white.

156

00:08:47,339 --> 00:08:48,780

Pull the paint out firmly.

157

00:08:48,839 --> 00:08:51,750

Just really get in there

and raise the devil with it.

158

00:08:52,020 --> 00:08:54,449

And then cut us off at

little roll of paint again.

159

00:08:55,140 --> 00:08:57,390

You won't have to be right

on the edge of the knife.

160

00:08:57,930 --> 00:08:58,180

Okay.

161

00:08:59,300 --> 00:09:01,220

Now then no pressure.

162

00:09:02,145 --> 00:09:04,035

Just let it touch the canvas and graze.

163

00:09:04,035 --> 00:09:05,775

All this touching is that roller paint.

164

00:09:06,824 --> 00:09:08,355

It just grazes the canvas.

165

00:09:10,865 --> 00:09:13,235

Grace Caressa there.

166

00:09:15,155 --> 00:09:16,685

Make good friends with it.

167

00:09:17,765 --> 00:09:20,944

Pick up that paint break and work for you.

168

00:09:22,235 --> 00:09:27,725

We have a very firm paint and it's

designed specifically for this

169

00:09:27,725 --> 00:09:30,574

technique and it works so well.

170

00:09:31,515 --> 00:09:37,995

But you need a very firm, dry paint

it's most, most important, and you

171

00:09:37,995 --> 00:09:39,255

have to make some big decisions.

172

00:09:39,255 --> 00:09:40,335

Where does these peaks live?

173

00:09:40,335 --> 00:09:41,325

Are they in the background?

174

00:09:41,325 --> 00:09:42,075

In the foreground?

175

00:09:43,455 --> 00:09:44,835

We'll put this one in the foreground.

176

00:09:46,575 --> 00:09:47,085

Xcel.

177

00:09:48,925 --> 00:09:49,445

Here we are.

178

00:09:55,055 --> 00:09:56,755

Just let them go wherever you want.

179

00:09:58,335 --> 00:10:00,075

Think about it, where it

looked like with strike.

180

00:10:01,865 --> 00:10:02,075

Okay.

181

00:10:02,075 --> 00:10:07,595

I'm going to take some white, do

some impression, blue and blue,

182

00:10:07,625 --> 00:10:14,735

some black looking for a gray blue

color instead of a grayish blue.

183

00:10:15,965 --> 00:10:16,685

That's not bad.

184

00:10:16,745 --> 00:10:19,655

Something like, so once again,

our little roll of paint.

185

00:10:20,835 --> 00:10:25,365

Now we can come back in here

and we can begin laying in

186

00:10:25,365 --> 00:10:26,865

all kinds of little shadows.

187

00:10:27,945 --> 00:10:29,655

Just follow the lay of the mountain here.

188

00:10:31,485 --> 00:10:32,475

See here comes one.

189

00:10:33,465 --> 00:10:35,205

To me, it looks like there's

a Valley right in here.

190

00:10:35,205 --> 00:10:44,825

So just pull it, create that

illusion, a delusion there.

191

00:10:47,415 --> 00:10:48,705

I didn't see that peak right there.

192

00:10:48,855 --> 00:10:51,314

I want to push it back, watch

here until you might've seen me do

193

00:10:51,314 --> 00:10:52,875

this before, but it's always fun.

194

00:10:52,905 --> 00:10:56,475

Just come directly,

distinctly through that.

195

00:10:56,925 --> 00:10:58,965

And it pushes that son of

a gun right on the back.

196

00:11:02,015 --> 00:11:03,095

You don't want to leave at dark.

197

00:11:03,095 --> 00:11:08,765

So it looks like our nice recessed

area leaves some dark in there times.

198

00:11:09,395 --> 00:11:09,485

Okay.

199

00:11:10,865 --> 00:11:11,495

There we go.

200

00:11:14,865 --> 00:11:18,255

Here's a nice one in here

and there there's one.

201

00:11:18,585 --> 00:11:22,745

You can put the indication of shadows

and it causes like little ridges and

202

00:11:22,745 --> 00:11:24,995

all kinds of beautiful little effects.

203

00:11:25,505 --> 00:11:29,935

They simply change that.

204

00:11:32,055 --> 00:11:33,095

Go wherever you want to.

205

00:11:35,400 --> 00:11:40,290

But practice, these mountains will

open whole new worlds for you.

206

00:11:40,290 --> 00:11:45,330

Once you learn to make friends with

this knife, get a little more of

207

00:11:45,330 --> 00:11:50,850

the titanium, white with a touch of

black in it, pull it out flat once

208

00:11:50,850 --> 00:11:52,320

again, our little roll of paint.

209

00:11:53,580 --> 00:11:56,820

I want to put a few highlights

over here on this little mountain.

210

00:11:59,940 --> 00:12:01,620

This reminds me of my home in Alaska.

211

00:12:04,065 --> 00:12:07,755

What God was having a good day

when he made Alaska so beautiful.

212

00:12:08,895 --> 00:12:11,745

If you've never been there,

you were, you were ready to go

213

00:12:11,745 --> 00:12:13,185

see it while it's still wild.

214

00:12:14,655 --> 00:12:16,755

You can see more creatures

there in one day.

215

00:12:17,555 --> 00:12:17,695

Yeah.

216

00:12:19,775 --> 00:12:20,705

So beautiful.

217

00:12:24,395 --> 00:12:25,745

My favorite uncle sent me there.

218

00:12:26,505 --> 00:12:29,745

Uncle Sam, you know, he, he asked

me if I'd like to go up there for

219

00:12:29,745 --> 00:12:35,505

a while and if you don't go, you're

going to jail, you know how it

220

00:12:35,505 --> 00:12:36,525

goes, say, I'm asking you to go.

221

00:12:37,815 --> 00:12:40,185

But I went up there and I fell

in love with a crazy place.

222

00:12:41,805 --> 00:12:43,395

It is so spectacular.

223

00:12:43,425 --> 00:12:44,895

I was born and raised in Florida.

224

00:12:45,345 --> 00:12:47,655

I didn't know, things

like that even existed.

225

00:12:49,185 --> 00:12:50,385

I had never dreamed of.

226

00:12:54,135 --> 00:12:54,555

There.

227

00:13:01,170 --> 00:13:02,010

No pressure.

228

00:13:02,220 --> 00:13:07,680

We want that paint to break creates

all of those beautiful little effects.

229

00:13:13,440 --> 00:13:15,180

Just sort of bring it

together right in there.

230

00:13:16,320 --> 00:13:17,310

I collect a little Valley.

231

00:13:17,310 --> 00:13:18,000

It lives in there.

232

00:13:21,280 --> 00:13:23,310

Little mountain goat has

to have a place to go hide.

233

00:13:23,640 --> 00:13:27,900

Now then we'll take, we'll take two

eight depression and very lightly

234

00:13:28,740 --> 00:13:31,590

they'll begin tapping, always

following the angles in their mouth.

235

00:13:34,200 --> 00:13:36,120

Now I'm going to have snow down

here, so it doesn't matter.

236

00:13:36,120 --> 00:13:38,640

If we get a little paint down here,

we're going to cover it all up.

237

00:13:39,750 --> 00:13:40,770

So don't be worried about it.

238

00:13:41,920 --> 00:13:43,840

Don't be worried about it over here.

239

00:13:43,900 --> 00:13:45,340

We want to follow these angles.

240

00:13:46,840 --> 00:13:52,060

Look at the angles in your mountain

and follow them on to create

241

00:13:52,060 --> 00:13:57,100

that illusion of missed, beat

the brush to remove excess paint.

242

00:13:57,699 --> 00:13:59,920

Now, maybe right in here.

243

00:14:00,235 --> 00:14:03,625

Sometimes you can very gently

just blend things together here.

244

00:14:04,555 --> 00:14:05,815

See, just blend them together.

245

00:14:05,855 --> 00:14:08,335

It'll make it look like it's

a little Misty or you're

246

00:14:08,335 --> 00:14:09,565

laying right between those.

247

00:14:12,455 --> 00:14:13,435

Bring it right down down.

248

00:14:16,225 --> 00:14:17,035

Not very lightly.

249

00:14:17,695 --> 00:14:21,535

Two hairs in some air grab

that they lift up burden.

250

00:14:22,890 --> 00:14:27,270

Gently lift up or up or down there.

251

00:14:27,780 --> 00:14:27,990

Okay.

252

00:14:28,069 --> 00:14:31,400

Here, follow these angles

and lifted up right now.

253

00:14:31,400 --> 00:14:32,480

You're just lifting right in here.

254

00:14:32,480 --> 00:14:35,060

You don't want to lift and

destroy all of these, just

255

00:14:35,510 --> 00:14:36,890

diffuse the bottom of the mouth.

256

00:14:37,160 --> 00:14:41,540

So it looks like it's sitting

right, right in the mist.

257

00:14:42,315 --> 00:14:43,875

Okay, we can wash your soul brush.

258

00:14:45,135 --> 00:14:46,065

Give him a good strip.

259

00:14:46,155 --> 00:14:46,755

Shake him up.

260

00:14:48,525 --> 00:14:50,625

Cover a couple of cameraman

and we're in business.

261

00:14:51,945 --> 00:14:52,845

You're in business.

262

00:14:53,685 --> 00:14:56,235

All right, let's use the

same old dark color here.

263

00:14:56,235 --> 00:15:00,895

We had some black, some precious

blue, some Vandyke Brown lizard.

264

00:15:00,925 --> 00:15:03,345

Crimson doesn't matter.

265

00:15:05,265 --> 00:15:06,315

There's some dark Santa.

266

00:15:06,315 --> 00:15:07,275

We can throw that in there.

267

00:15:07,395 --> 00:15:08,115

Whatever you have.

268

00:15:09,075 --> 00:15:15,495

They're going to be cleaned the knife

that's grabbed as a fan brush here, there,

269

00:15:16,995 --> 00:15:21,285

and I'm going to load it full of this dark

color that we just made full of color.

270

00:15:21,675 --> 00:15:22,395

A lot of painting.

271

00:15:23,295 --> 00:15:27,855

And back in here, back in here,

we're going to have some little

272

00:15:27,855 --> 00:15:31,095

evergreen trees that are far away now.

273

00:15:31,095 --> 00:15:32,025

They'll stand out.

274

00:15:32,449 --> 00:15:34,760

Picking against that

lighter mountain color.

275

00:15:36,830 --> 00:15:42,050

Maybe they come down and they go, I

don't know what this just to be straight.

276

00:15:42,080 --> 00:15:44,780

So I'm going to have it go

uphill here a little bit.

277

00:15:44,780 --> 00:15:49,730

So we have some, have some

variation in our, in our land.

278

00:15:51,080 --> 00:15:54,949

Make it look a little more, a little more

interesting if it goes over, which way.

279

00:16:00,089 --> 00:16:01,010

Maybe it comes around.

280

00:16:01,010 --> 00:16:01,770

I don't have a peer.

281

00:16:01,770 --> 00:16:03,119

I don't know wherever you want.

282

00:16:03,119 --> 00:16:03,180

283

00:16:10,439 --> 00:16:12,390

helps push all those mountains back.

284

00:16:12,530 --> 00:16:13,640

But you need that little Misty.

285

00:16:13,640 --> 00:16:17,810

Are you in between a little

Mysterio is your separator.

286

00:16:18,500 --> 00:16:21,710

It keeps, it keeps the

mountains and the trees apart.

287

00:16:22,520 --> 00:16:25,100

I'm going to put a little bit

of that shadow color had left

288

00:16:25,100 --> 00:16:30,230

here and just lift up burden to

create the, the illusion of them.

289

00:16:30,555 --> 00:16:31,545

Distant tree trunks.

290

00:16:31,545 --> 00:16:36,435

I want this very subdued, very

quiet and C just shows up.

291

00:16:36,465 --> 00:16:36,705

Good.

292

00:16:36,765 --> 00:16:37,305

That's all.

293

00:16:38,895 --> 00:16:41,265

Now, if you get one it's too

bright, you don't like it.

294

00:16:41,505 --> 00:16:48,195

All you have to do is continue to rub

it down and it'll go away and go away.

295

00:16:50,955 --> 00:16:51,945

Now, maybe back here.

296

00:16:52,770 --> 00:16:53,130

Shoot.

297

00:16:53,970 --> 00:17:00,930

Let's have some fun lot of paint, a

lot of paint, or I want a messy brush.

298

00:17:00,930 --> 00:17:01,470

I got there.

299

00:17:01,949 --> 00:17:02,850

Look at that son of a gun.

300

00:17:02,850 --> 00:17:04,650

I got paint all the way up to the furrow.

301

00:17:05,700 --> 00:17:06,300

That's okay.

302

00:17:07,560 --> 00:17:09,000

Maybe back in here, their lives.

303

00:17:10,079 --> 00:17:14,220

A few trees are closer to us and

they're big and they're strong.

304

00:17:15,780 --> 00:17:17,010

There they are same.

305

00:17:19,220 --> 00:17:22,159

Now, if you have problems making you

paint, stick over this mountain, cause

306

00:17:22,159 --> 00:17:23,750

it's, there's a lot of paint back here.

307

00:17:24,230 --> 00:17:25,639

Add some paint thinner to your dark.

308

00:17:25,639 --> 00:17:26,270

I'm doing all right.

309

00:17:26,270 --> 00:17:26,899

Right here today.

310

00:17:28,725 --> 00:17:30,495

But sometimes you have a little problem.

311

00:17:31,094 --> 00:17:34,604

If I had occurred, just add a little

thinner because at then paint will

312

00:17:34,604 --> 00:17:38,774

stick on top of a thicker paint there.

313

00:17:42,824 --> 00:17:45,344

And I do realize that happens

sometime people write and tell me

314

00:17:45,344 --> 00:17:47,175

that they're having some problems.

315

00:17:48,615 --> 00:17:50,865

Usually if you just had a little

paint thinner, that'll carry them

316

00:17:54,195 --> 00:17:54,584

here.

317

00:17:55,715 --> 00:17:57,965

You know, I've mentioned before

we travel all over the country, we

318

00:17:57,965 --> 00:18:02,165

give painting demonstrations and

work with PBS stations and other

319

00:18:02,165 --> 00:18:07,205

charity groups around the country to

help them make a happy buck or two.

320

00:18:08,165 --> 00:18:10,385

And if we get to your area, come see us.

321

00:18:10,505 --> 00:18:10,775

Shoot.

322

00:18:10,775 --> 00:18:12,935

I'd love to have the opportunity

to meet you and talk with you.

323

00:18:12,935 --> 00:18:15,275

I've met literally thousands of people.

324

00:18:16,865 --> 00:18:18,245

It's, it's fantastic.

325

00:18:18,245 --> 00:18:20,165

They bring photographs

of their paintings in.

326

00:18:21,160 --> 00:18:22,810

Sound real what people are doing.

327

00:18:24,150 --> 00:18:27,210

And if you'd like to know when I'm

going to be in your area, drop me

328

00:18:27,210 --> 00:18:30,060

a line, just put your name in an

address on my card and send it to the

329

00:18:30,450 --> 00:18:31,920

address at the end of the station.

330

00:18:32,640 --> 00:18:33,480

They'll send it to me.

331

00:18:34,200 --> 00:18:36,030

We maintain a little mailing list to know.

332

00:18:36,840 --> 00:18:37,830

I'll try to drop your card.

333

00:18:37,960 --> 00:18:39,990

Let you know when we're

going to be in your area.

334

00:18:41,910 --> 00:18:43,680

When we got a whole mess

of trees going there.

335

00:18:45,335 --> 00:18:49,335

I just going to take a

knife just here and there.

336

00:18:51,675 --> 00:18:54,135

I know those are hard to see, but

there's little lines in there.

337

00:18:56,605 --> 00:18:57,915

We need to brighten this picture up.

338

00:18:57,915 --> 00:18:58,995

I'll put some snow in it.

339

00:18:58,995 --> 00:19:01,095

That'll that'll zing it.

340

00:19:01,935 --> 00:19:03,045

We find a big brush.

341

00:19:05,205 --> 00:19:06,765

Okay, let's get serious.

342

00:19:07,565 --> 00:19:09,155

We're writing to titanium white.

343

00:19:09,575 --> 00:19:11,675

Now we have color on the canvas already.

344

00:19:11,675 --> 00:19:13,055

We have a blue and black mixture.

345

00:19:13,385 --> 00:19:19,835

So when we, when we put color on, get a

little bit shadow color, too, when we put

346

00:19:19,835 --> 00:19:22,415

color on there as come to get a little

darker than what we have on the brush,

347

00:19:23,225 --> 00:19:24,305

and we're depending ending on that.

348

00:19:24,665 --> 00:19:24,995

Okay.

349

00:19:25,445 --> 00:19:26,465

Got to make a big decision.

350

00:19:26,525 --> 00:19:28,595

Whereas this no lift, let's say.

351

00:19:29,100 --> 00:19:30,149

Soon goes, right.

352

00:19:30,240 --> 00:19:30,899

Let's go uphill.

353

00:19:30,899 --> 00:19:32,129

Now, look at that thing.

354

00:19:34,320 --> 00:19:34,699

All right.

355

00:19:34,710 --> 00:19:37,649

I know you're saying Bobby

made a mess this time.

356

00:19:38,669 --> 00:19:39,659

You may be right too.

357

00:19:41,040 --> 00:19:42,629

I've certainly been known to do that.

358

00:19:44,389 --> 00:19:45,020

There we go.

359

00:19:48,540 --> 00:19:50,270

We don't, we don't make mistakes.

360

00:19:50,270 --> 00:19:52,129

You know, we have happy accidents.

361

00:19:56,365 --> 00:19:57,115

Very soon.

362

00:19:57,835 --> 00:20:00,835

Very soon after you start painting

in this method, you'll learn.

363

00:20:02,814 --> 00:20:04,885

There's nothing that goes

wrong and correct anything.

364

00:20:04,885 --> 00:20:05,514

It happens.

365

00:20:06,865 --> 00:20:09,324

It's one of the things when I

was teaching classes continually.

366

00:20:10,500 --> 00:20:11,160

It's so good.

367

00:20:11,580 --> 00:20:16,950

And if you're ever teaching, this will

help you with students is if you show them

368

00:20:17,130 --> 00:20:23,670

that there, there are no mistakes, you can

fix everything it happens, and that really

369

00:20:23,670 --> 00:20:25,650

helps get you over some of that fear.

370

00:20:26,580 --> 00:20:27,600

Well, we have a lot of fear.

371

00:20:27,600 --> 00:20:29,400

We first touch a big old blank canvas.

372

00:20:31,530 --> 00:20:34,970

Once you, once you get over

that, that's when you really.

373

00:20:36,085 --> 00:20:40,705

Really begin to experience,

enjoy a pain there.

374

00:20:44,125 --> 00:20:45,475

See that, that quickly.

375

00:20:45,505 --> 00:20:52,405

Well, we've got a whole snowbank

in there, just like, so, okay.

376

00:20:52,435 --> 00:20:53,605

Where'd my brush go.

377

00:20:53,605 --> 00:20:54,055

There it is.

378

00:20:55,375 --> 00:20:55,825

What's happening?

379

00:20:55,825 --> 00:20:59,485

Evergreen on the other side, the same

old color, same old color, really

380

00:20:59,485 --> 00:21:01,225

loading that brush full of color.

381

00:21:01,620 --> 00:21:02,879

A lot of paint, both sides.

382

00:21:04,050 --> 00:21:04,560

All right.

383

00:21:04,890 --> 00:21:07,710

Maybe it is a tree that

lives in our world.

384

00:21:08,490 --> 00:21:08,790

Yep.

385

00:21:09,240 --> 00:21:09,720

Right there.

386

00:21:11,310 --> 00:21:12,030

Right there.

387

00:21:12,030 --> 00:21:13,620

Here it comes there.

388

00:21:13,620 --> 00:21:15,120

It comes just working back and forth.

389

00:21:15,120 --> 00:21:16,710

Making the bristles bend downward.

390

00:21:17,790 --> 00:21:21,600

As you work down, the tree gets stronger

and stronger and more and more pressure.

391

00:21:22,320 --> 00:21:23,220

They can bend them more.

392

00:21:23,520 --> 00:21:25,860

It makes those little things of

hanging on to the limbs, little.

393

00:21:26,490 --> 00:21:30,150

I call them hanging downs for

lack of a better word, but

394

00:21:30,150 --> 00:21:31,500

they're always in evergreen tree.

395

00:21:31,500 --> 00:21:32,490

So it was a little hanging down.

396

00:21:32,520 --> 00:21:32,880

Thanks.

397

00:21:35,685 --> 00:21:40,425

So, you know, this one's closer to

us and by putting trees in different

398

00:21:40,425 --> 00:21:45,375

places that once again helps

create that illusion and distance.

399

00:21:46,245 --> 00:21:47,715

They'll having a little

friend right there.

400

00:21:50,715 --> 00:21:51,435

Okay.

401

00:21:51,915 --> 00:21:55,515

Now that we can reach up into here to

grab some of that dark and pull it down,

402

00:21:56,685 --> 00:22:02,025

that creates our shadow under a tree fixes

the bottom of the tree calls one stroke.

403

00:22:03,735 --> 00:22:06,885

And then I'm going to take some

white and a little bit of thalo blue.

404

00:22:06,885 --> 00:22:07,754

I like a fellow blue.

405

00:22:07,754 --> 00:22:11,085

It's a brighter blue, nice bright blue.

406

00:22:11,895 --> 00:22:12,165

Okay.

407

00:22:12,794 --> 00:22:15,225

Maybe there's a happy little, little path.

408

00:22:16,034 --> 00:22:18,375

Need a little more blue than

show up enough for you to see it.

409

00:22:18,375 --> 00:22:24,570

Well, There see just a little

path that lives right in there.

410

00:22:26,480 --> 00:22:27,440

There, yes.

411

00:22:29,150 --> 00:22:32,240

That blue makes it cold,

but they lose quite warm.

412

00:22:32,240 --> 00:22:32,930

It's a nice blue.

413

00:22:38,420 --> 00:22:38,480

Yeah.

414

00:22:38,510 --> 00:22:42,050

There, you can bring some little

things down the fan brush.

415

00:22:43,040 --> 00:22:45,530

You can really get in there

and smooth things out and put

416

00:22:45,530 --> 00:22:46,910

the little individual things.

417

00:22:47,850 --> 00:22:48,540

And blend them.

418

00:22:50,790 --> 00:22:53,010

Just make all kinds of happy,

little things going on.

419

00:22:54,660 --> 00:22:55,260

I'll tell you what.

420

00:22:56,850 --> 00:22:59,220

This is a nice place

for a little building.

421

00:23:00,060 --> 00:23:03,659

Let's have maybe right back here

against these trees come right up here.

422

00:23:03,659 --> 00:23:06,600

So we can, I'm going to

scrape out a basic shape.

423

00:23:06,659 --> 00:23:12,120

Just take the knife, scrape out a basic

idea of what it is that you want here.

424

00:23:14,020 --> 00:23:15,000

Just scrape it out.

425

00:23:17,445 --> 00:23:21,645

They're still not committed at that point.

426

00:23:21,825 --> 00:23:23,685

All you're doing is just scraping it out.

427

00:23:25,455 --> 00:23:28,085

Can you take some point the roof on there?

428

00:23:29,105 --> 00:23:30,125

Need a roof, right?

429

00:23:30,155 --> 00:23:31,025

Here's a little trick.

430

00:23:31,115 --> 00:23:36,065

So you can come down that edge, get

all your lines nice and straight.

431

00:23:36,065 --> 00:23:41,045

And when you pull this down, did you

have a beautiful street edge sneaky, huh?

432

00:23:43,095 --> 00:23:43,695

There we go.

433

00:23:43,965 --> 00:23:47,115

Now we need a little bit of snow on

the other side of the roof over here.

434

00:23:47,445 --> 00:23:51,225

Just like you get into some Vandyke Brown.

435

00:23:53,855 --> 00:23:54,545

There we are.

436

00:23:55,625 --> 00:23:55,715

Okay.

437

00:23:56,515 --> 00:23:57,575

Say there we're putting in.

438

00:23:57,815 --> 00:23:59,555

All we're doing is blocking in some color.

439

00:24:01,395 --> 00:24:06,615

They're just blocking it in and

then we'll take some dark Sienna.

440

00:24:06,975 --> 00:24:07,784

That's some white,

441

00:24:11,885 --> 00:24:14,465

very gently, very gently.

442

00:24:15,665 --> 00:24:21,814

She pull straight down, make

us some nice boards there.

443

00:24:23,295 --> 00:24:28,305

Add a little fat back Brown to that

and darken it down a little more there.

444

00:24:30,135 --> 00:24:33,705

Yeah, we can just whack off the bottom.

445

00:24:33,945 --> 00:24:34,875

Get it the way we want it.

446

00:24:37,004 --> 00:24:41,415

You know, maybe tell you what

let's go right up in here.

447

00:24:45,525 --> 00:24:46,215

Excuse Mark.

448

00:24:46,245 --> 00:24:46,965

Just a second.

449

00:24:47,595 --> 00:24:47,685

Okay.

450

00:24:51,735 --> 00:24:55,745

You can see that I'm going to put

some little things like that and

451

00:24:55,754 --> 00:24:59,564

we'll go right up here on the top

little, a little bit of white.

452

00:25:01,395 --> 00:25:07,064

Maybe we'll just take and turn this into

a little church that lives out here.

453

00:25:07,750 --> 00:25:09,090

A little steeple right up there.

454

00:25:10,409 --> 00:25:11,970

And it's all covered with snow.

455

00:25:11,970 --> 00:25:18,560

When it's really cold out here, there

was a snow laying all up around there.

456

00:25:21,169 --> 00:25:24,169

Now, maybe tell you what, let's do this.

457

00:25:25,820 --> 00:25:27,800

Maybe getting ready for a service.

458

00:25:27,800 --> 00:25:30,439

And they've turned, they've

turned lights on here.

459

00:25:30,439 --> 00:25:32,300

They've got the lights

burning in the windows.

460

00:25:33,439 --> 00:25:34,490

So let's just scrape out.

461

00:25:35,395 --> 00:25:37,695

Indication of some happy little windows.

462

00:25:39,075 --> 00:25:44,445

We'll take a little bit of CAD yellow,

just put in the indication of a little

463

00:25:44,445 --> 00:25:48,125

light coming through those windows there.

464

00:25:49,805 --> 00:25:51,635

People are going to be

arriving pretty soon.

465

00:25:56,415 --> 00:25:58,425

Cold day cold day.

466

00:26:01,115 --> 00:26:02,045

Okay.

467

00:26:02,165 --> 00:26:04,655

Back to my fan brush here.

468

00:26:06,425 --> 00:26:08,375

Let's put some snow right

up around the foot here.

469

00:26:10,145 --> 00:26:10,595

I can,

470

00:26:16,265 --> 00:26:18,905

maybe to your point, maybe

right here in the foreground.

471

00:26:20,594 --> 00:26:22,605

Let's just put up a little

tree that lives right there.

472

00:26:22,665 --> 00:26:23,145

There he is.

473

00:26:23,504 --> 00:26:28,635

Give him a little friend or

too small to push you up.

474

00:26:30,254 --> 00:26:31,725

Just want to put a little something here.

475

00:26:33,314 --> 00:26:34,844

That'll push everything back.

476

00:26:35,625 --> 00:26:38,655

And that helps create that illusion

of distance in your painting.

477

00:26:40,004 --> 00:26:42,584

A little bit, a little

bit of shadow underneath

478

00:26:46,245 --> 00:26:46,544

shoot.

479

00:26:46,544 --> 00:26:49,034

I think we about have a finished painting.

480

00:26:50,115 --> 00:26:52,245

I hope it gives you some ideas

shows you what can be done.

481

00:26:52,274 --> 00:26:55,514

Black canvas hope you enjoy

our little church in the, in

482

00:26:55,514 --> 00:26:57,074

the snow from all of us here.

483

00:26:57,165 --> 00:26:57,885

Happy painting.

484

00:26:58,304 --> 00:26:59,145

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S16E01 - Two Seasons

Bob Ross's

The Joy of Painting

S15E13 - Christmas Eve Snow

Bob Ross's

The Joy of Painting

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

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