Bob Ross's
The Joy of Painting
S21E11 - Desert Glow
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Hi, welcome back.
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I have my little friend
Falchi here again today.
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We've got so many cards and so many people
have called in wanting to know about this
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little devil thought that show him again.
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This little rascal is
just absolutely gorgeous.
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He's a Kestrel.
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The caddy minutes.
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Yeah.
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Isn't that something?
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See if you'll eat a little something here.
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There you go.
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So you would give him a little
bit of beef heart, and that's
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what you'll have for lunch today.
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You a little more.
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There he is absolutely precious.
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Some places, as I mentioned
earlier, they call him a Sparrow
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Hawk, but he's just gorgeous.
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Let's see if we can make his wings
go up so you can see how he looks.
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He's a little baby there.
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He's just learning to fly.
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All right.
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And you notice I have a big glove on here.
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He has some claws that
are absolutely unreal.
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All right.
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I think this will set him
down here just a second.
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Tell you what, while I'm setting
him down, let's have him run all the
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colors across the screen that you
need to paint along with us today.
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And while they're doing that, why
don't you come up here and let me show
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you what I've gotten done already.
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I have my standard old
18 by 24 inch canvas.
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And we've today took.
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And made a little over a lot of
contact paper or any of he's a
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back paper and we've put that on
and just get it stuck real good.
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And then we've covered the entire canvas
with a thin even coat of the liquid white.
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So it's all wet and slick and ready to go.
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So now we can take off
and we can just have fun.
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All right.
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Let's start out today.
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Maybe we'll just have a happy
little scene, something that
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gives a feeling of, of desert.
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I'm going to start with a
small amount of the Indian,
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yellow, just a tiny little bit.
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And maybe go right up in here and
just use little crisscross strokes and
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they'll just drop in some yellow color
right along there, something like that.
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Without cleaning the brush, I'm going
to go right into a little yellow Booker.
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That's sort of a golden color.
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Very nice, beautiful color.
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Thank you, Kevin.
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So we have just a little bit of a gold
color, right above Indian, yellow.
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Okay.
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Once again, cleaning the brush.
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I'm going to go into a small
amount of a lizard and Crimson.
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Doesn't take much just a little,
I will go right up above that
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and just drop analytic Crimson.
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Still using the little Xs
or the criss-cross strokes,
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whatever you want to call them.
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We can take it all the way to the top.
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It doesn't matter going
to something like that.
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Can we just blend this to you?
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Can't tell for one color stops.
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Next color starts.
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That might be right down there.
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I know what we'll do.
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Let's take some Crimson Crimson.
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And a little bit of the theolo blue,
just mixed together, a little Crimson,
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little fellow blue mix, sort of a
lavender color Kings go back up in here.
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And maybe our horizons going
to be right below center here.
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We'll take a little that lavender color
and just sort of lift it in one direction.
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Like just sort of pull
it sorta curve it upward.
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There.
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And you could even tap and make the
indication of some little, little
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string you'd clouds, just going
right on along, something like that.
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And down there, we just
cleaned the brush off.
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Didn't much matter down there.
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Let me wash mow brush.
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That's the fun part.
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That's the fun part.
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Shake off the excess and just beat the
devil out of that with a clean, dry brush.
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I'm going to gently start here and
brim this like, so, and the rest
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of it will just blend a little bit
to take out some brush strokes.
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Now, then.
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Let's mix up a little more
of that lavender color.
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I want to take, like, we'll have some fun.
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I'm gonna take some they little blue
and lizard crims and mix it together.
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Proportionately much, much
more Crimson than blue.
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I need a bigger pie.
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There might as well mix up some, okay.
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Something about like that.
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Let me clean the whole knife off.
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Yeah, then I just grab it.
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We use a fan brush day.
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What the heck put a little
that color in a fan brush.
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And maybe we got some big old
clouds that live right up in here.
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So we're going to make a stroke.
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That's I'm exaggerating.
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Let me really exaggerate.
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It looks like that only smaller
and not quite as much angle, but
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that'll give you an exaggeration
exaggerated view of what it is.
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Yes.
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They're just, just sorta overlap
all these little strokes.
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My cat sort of like you're doing an ocean.
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Maybe there's a little
Dewar hangs out around here
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sometimes.
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It's nice.
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Just to make maybe very lightly.
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There's a little, little fluffer
cloud that just floats around here.
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A little fluffy one.
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Okay, let me grab a clean, dry
be sure it's dry to enterprise.
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And then I'm just going to blend that
little cloud right in watch here though.
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Just blend the bottom of it right out.
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So it just sorta just sort of blends
right into the background, except for
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the top edges, because I want this
little cloud to be very quiet, dude.
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He's just sort of hiding back here.
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And then we can take and in the
foreground, then we can put another
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little cloud and it'll look distinctly
like it's in the foreground.
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That's the reason I wanted
to blend that one back there.
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And who knows, maybe over here, there's
even a couple of little stringer
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clouds at hangout over in this area.
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Just sort of let your imagination
take you wherever you want to go.
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Enjoy painting should make you happy.
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If it does nothing else
should make you happy.
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All right.
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Right.
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Two inch brush once again,
and let's begin blending, the
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little clouds we've made here.
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Another thing that painting will do,
it'll make you see and appreciate nature
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every day, every single day, I received
letters from people that say that
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painting has done nothing else for them.
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It's made them appreciate
some of God's creations.
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I never forget.
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I got a letter from him.
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Lady one time told me she had lived
with a tree in her front yard for
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25 years until she started painting.
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She had never actually seen it.
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She had looked at it over and over.
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She looked at it, but she had
never seen it from painting.
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We'll make you see things in
a whole different light there.
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See how you can just make it look like
a big old mean cloud land up here.
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Good.
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Let's watch that one.
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I just like to wash brushes.
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We use odorless thinner odorless
paint, thinner, shake off the
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access and cover the whole room.
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And that's really a nice way
to redecorate your whole house.
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You can do it in about a heart.
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Beat.
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If you, if you beat the brush like that
in your living room, you're certainly
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going to become very unpopular.
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If you do it, I suggest to get you a
little brush feeder req let's take, we'll
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use that same little lavender color.
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Maybe I put a little touch, more
blue in it, get it to the blue
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hue or the blue side of lavender.
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Maybe we're going to have like
a little deserty type scene.
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Maybe we eat back in here.
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There's maybe just a little
mountain that lives I'll just
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use the corner of the fan brush.
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And just sort of pull it downward.
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Can you see him what's happening there?
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There's sort of pull it down, right?
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Make all those beautiful little
shapes and designs that you have on
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some of those fantastic mountains
out there, Arizona, New Mexico,
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all the way down into old Mexico.
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I've been spending a little
time in old Mexico here lately.
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Oh my God has that gorgeous.
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That is so beautiful.
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We recently did a show where we
went to the floating gardens and
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painted right outside of Mexico city.
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So one of the most gorgeous sites
you've ever seen, if you get a
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chance to see that, I never knew it
existed, but I'm certainly going back.
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There we are.
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And we just sort of bring
it right on down here.
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Okay.
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It worked out and this
one's far, far away.
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We don't want a lot of detail in it yet.
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We want a lot of detail.
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Let me grab a Sammy, grab what he use.
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The two impression with the
heck, grab it, pull it, pull it.
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There we are.
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So it all blends right into the painting.
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Sure hope you like that little bird.
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I little Kestrel is one of the neatest
little birds, but I'm not kidding.
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Certainly certainly have to wear gloves.
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When you work with him, sign of
a gun, has any talons on him?
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It's unreal, even though he's small and
that moves that one was just a baby.
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He still can get you.
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And I borrowed him from Diana Shaffer,
the bird lady here in Munster.
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And she'll raising till he's
just a little bit older.
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He needs another couple of months
and then she will release him.
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I didn't let him go back and, and
start his own family because they're,
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they're a very protected bird.
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So we have to take care of them.
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Let's have some fun today.
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Let me clear off a little spot to work.
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Uncle make a NASA green and
Brown, green, and Crimson mixture.
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I mean, alizarin, Crimson and SAP green.
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Let's just mix them together.
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And I really want to mix these
thoroughly because I want to make
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a beautiful, beautiful Brown color.
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This makes one of the nicest Browns,
but you have to mix it pretty good.
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Normally we leave our paints
marbled, but in this case, I don't
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want to mix it up quite well.
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Okay.
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Proportionately it's about equal, about
equal and wipe off the old knife here.
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And we can take a two inch brush, just put
a little that beautiful Brown color red on
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the brush, and let's just begin applying
some of it right here, very lightly at
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first, because as things get things,
get closer to you in a landscape, they
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should get darker and darker in value.
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So back here, we just
want a light Brown color.
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Too carried away yet darker
and darker as it comes forward.
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And to make it darker.
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Of course, all you do is
add a little more paint.
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Okay.
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Down here toward the base a
little bit darker, even yet.
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Ready.
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Just by that difference in values,
it'll give you the indication that is
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going further and further away from you.
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That's what helps create that
illusion of distance in your pain.
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I'm back in that need to
have at works, causes you to
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have the feeling of distance.
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I tell you what let's get crazy today.
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Let's get crazy.
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Maybe it was a big old stone right there.
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I like to do big old stones,
show you an easy way to do it.
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We use that same Brown color, use
the knife, pull it out, flat, cut
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across, get a little roll of paint.
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And that little rule of paint should
live right on the edge of the night.
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Kings go up here and maybe, I
don't know, maybe we've got a big
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old stone that was right there.
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And just begin with a basic shape there.
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Have a little more paint there.
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See, but just decide how this old
stone looks and how it was formed.
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It's up to you.
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You look around, you can find
a stone just about any shape
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that you want it just about.
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Anne is shaping
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a little bit down in here.
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No we're doing, it's
just blocking the sander.
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We're filling it up full of color.
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Okay.
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Maybe there's a little
projection back here.
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I don't care.
242
00:13:54,775 --> 00:13:58,715
Whatever SSA stones can
be about any old color.
243
00:13:58,715 --> 00:13:59,345
We want them to be.
244
00:14:04,095 --> 00:14:04,755
Okay,
245
00:14:10,445 --> 00:14:16,325
now then let's take, let's take, we
use of bright red, a little bit of that
246
00:14:16,325 --> 00:14:18,575
Brown that we made and mix it together.
247
00:14:19,655 --> 00:14:20,705
Get a little white,
248
00:14:24,045 --> 00:14:27,725
there's some most beautiful
colors in the desert, so you can
249
00:14:27,725 --> 00:14:29,225
really go wild with your palette.
250
00:14:29,255 --> 00:14:30,665
Let me wipe off the old knife.
251
00:14:31,475 --> 00:14:31,564
Okay.
252
00:14:31,950 --> 00:14:33,750
You can go crazy with his knife.
253
00:14:34,170 --> 00:14:37,740
I mean, with color in that, when
you're doing desert scenes, cut off our
254
00:14:37,750 --> 00:14:40,470
little roll of paint and no pressure.
255
00:14:40,560 --> 00:14:41,280
Absolutely.
256
00:14:41,280 --> 00:14:41,850
No pressure.
257
00:14:41,850 --> 00:14:43,080
Just like we're doing a mountain.
258
00:14:43,200 --> 00:14:46,500
Mountain is only a
stone that has grown up.
259
00:14:46,740 --> 00:14:47,940
Just barely touch.
260
00:14:48,960 --> 00:14:51,090
Just let it graze down there.
261
00:14:52,400 --> 00:14:53,610
There it comes.
262
00:14:53,730 --> 00:14:54,090
Watch it.
263
00:14:55,710 --> 00:14:59,070
Look at all those little things just
happening and you can turn the knife.
264
00:15:01,589 --> 00:15:10,439
There we go, but just barely, barely
crazy canvas, barely Gracie canvas there.
265
00:15:11,640 --> 00:15:12,709
And the paint breaks.
266
00:15:12,709 --> 00:15:16,939
In other words, it has all those little
holes there, little openings, and
267
00:15:16,939 --> 00:15:19,280
that's what really makes it outstanding.
268
00:15:21,110 --> 00:15:22,219
Outstanding.
269
00:15:22,760 --> 00:15:27,110
There come right on down through there.
270
00:15:29,325 --> 00:15:30,525
Something like that.
271
00:15:30,915 --> 00:15:31,425
I don't know.
272
00:15:31,455 --> 00:15:37,185
However you want the old stone
to be rough, ragged looking.
273
00:15:38,715 --> 00:15:40,335
It's had a hard life out here.
274
00:15:42,585 --> 00:15:43,485
There we go.
275
00:15:44,655 --> 00:15:46,035
We'll leave at quite dark in there.
276
00:15:46,035 --> 00:15:48,645
Sort of look like a
recessed or Ooh, creatures.
277
00:15:48,645 --> 00:15:50,535
You've got to have a place
to get in there and hide too.
278
00:15:51,285 --> 00:15:52,335
We got to take care of them.
279
00:15:53,819 --> 00:15:54,030
Okay.
280
00:15:54,030 --> 00:15:54,930
I have to take care of them.
281
00:15:55,500 --> 00:15:58,579
They, my friends there,
282
00:16:02,150 --> 00:16:05,959
I would just make it all stone come
right on down here or something like, so
283
00:16:09,020 --> 00:16:11,780
you can just keep on to this
little patch of rocks here.
284
00:16:11,780 --> 00:16:14,120
We'll take over your whole
painting and that's okay.
285
00:16:15,579 --> 00:16:16,400
That's okay.
286
00:16:19,395 --> 00:16:20,055
There we go.
287
00:16:21,635 --> 00:16:25,145
Tiny little bit of that color
will make us one little flatter.
288
00:16:25,145 --> 00:16:30,005
So we'll just put a little something
on the top only, and you can take the
289
00:16:30,005 --> 00:16:31,444
knife to me, get a little color here.
290
00:16:31,775 --> 00:16:35,555
Just pull down, lying at least
little touch to that color you
291
00:16:35,555 --> 00:16:36,844
have on top to come downward.
292
00:16:38,074 --> 00:16:42,365
It'll create the illusion of
a nice sharp edge right there.
293
00:16:44,940 --> 00:16:49,170
And maybe then we'll bring this
one right on, down in through
294
00:16:49,320 --> 00:16:50,670
sort of pushed that one back.
295
00:16:51,690 --> 00:16:52,830
It's just playing games.
296
00:16:52,830 --> 00:16:55,200
Painting is nothing but games of illusion.
297
00:16:56,750 --> 00:16:57,440
There we go.
298
00:17:02,180 --> 00:17:04,250
So I say, I really hope you
like seeing that little bird.
299
00:17:04,250 --> 00:17:07,400
I have always my whole life
enjoyed little critters.
300
00:17:08,300 --> 00:17:10,310
I never forget when I was very young.
301
00:17:11,025 --> 00:17:15,075
I worked at a big department store, close
to Orlando, Florida, where I was raised.
302
00:17:16,035 --> 00:17:20,325
And instead of paying me off
in money, they paid me off in
303
00:17:20,325 --> 00:17:22,815
creatures and they told me I could
take whatever kind of creature I
304
00:17:22,815 --> 00:17:24,464
wanted that they had in the store.
305
00:17:25,244 --> 00:17:29,025
And back in those days, they used
to still sell alligators in Florida.
306
00:17:29,985 --> 00:17:32,415
And there was a little alligator
in there about two feet long.
307
00:17:33,465 --> 00:17:36,435
So I told the store manager, I said,
well, no, won't that Allen gear.
308
00:17:37,635 --> 00:17:39,885
Uh, everything was fine till I got home.
309
00:17:41,495 --> 00:17:44,045
And I remember, remember I
went into the living room.
310
00:17:44,045 --> 00:17:49,205
I must've been about 12, 13 years old,
and I had that old alligator in a cloth
311
00:17:49,205 --> 00:17:51,005
bag and I dropped him out on the floor.
312
00:17:52,145 --> 00:17:54,365
And my mother just about came unglued.
313
00:17:54,695 --> 00:17:59,345
I thought she was going to kill
me, but we finally made peace and
314
00:17:59,435 --> 00:18:04,115
she allowed me to keep the little
alligator, but he never was one of her.
315
00:18:04,530 --> 00:18:06,750
More popular pets around the house.
316
00:18:07,590 --> 00:18:10,860
Cause he tried to bite me the day he
got him and he tried to bite me the
317
00:18:10,860 --> 00:18:14,400
day I let him loose, which was about
must have been close to a year later.
318
00:18:15,930 --> 00:18:17,990
And I turned him loose in
one of the lakes in Orlando.
319
00:18:18,000 --> 00:18:21,330
And right now he's probably 10 feet long.
320
00:18:22,800 --> 00:18:23,370
There we go.
321
00:18:23,640 --> 00:18:25,470
I'm just going to pull the
base of this out a little bit.
322
00:18:26,689 --> 00:18:27,840
Just let it blend outward,
323
00:18:34,790 --> 00:18:37,159
but I don't think alligator
makes a very good pit, man.
324
00:18:37,159 --> 00:18:39,379
I don't believe you could
tame one in 50 years.
325
00:18:42,465 --> 00:18:47,985
Always going to be a pretty mean
old critter, but they're not near
326
00:18:47,985 --> 00:18:49,455
as dangerous as you think they are.
327
00:18:52,035 --> 00:18:52,965
I tell you what let's do.
328
00:18:52,965 --> 00:18:54,105
Let's have some fun maybe.
329
00:18:54,915 --> 00:18:55,155
Hmm.
330
00:18:55,275 --> 00:18:57,795
Maybe, you know me and maybe.
331
00:18:58,425 --> 00:19:02,625
Maybe there's a little, little
path goes out behind this rock and
332
00:19:03,345 --> 00:19:08,295
just sorta comes forward and I'm
making a little S motion like that.
333
00:19:08,385 --> 00:19:15,015
I'm exaggerating, but so it looks like
his path has been awar down and this
334
00:19:15,015 --> 00:19:19,275
may have been animals that traveled up
and down this path in front of this old
335
00:19:19,275 --> 00:19:25,175
rocker, might've been people, I don't
know, maybe back in the old days, the
336
00:19:25,175 --> 00:19:27,035
old wagon train came this direction.
337
00:19:30,300 --> 00:19:30,389
Okay.
338
00:19:30,770 --> 00:19:33,139
Maybe it's just a nice place
for the little coyote to go.
339
00:19:33,169 --> 00:19:33,439
I don't know.
340
00:19:34,760 --> 00:19:38,720
Let me put little stories though, and
we'll blend the light color back into
341
00:19:38,720 --> 00:19:42,649
it, just by pulling it in one direction,
just to bring it back together.
342
00:19:44,330 --> 00:19:48,139
So it sort of sets down in there
and we can go there across very
343
00:19:48,139 --> 00:19:50,659
gently to hairs in some air.
344
00:19:55,669 --> 00:19:56,270
Maybe there's a.
345
00:19:57,000 --> 00:19:59,370
Maybe there's a little
weed lives right there.
346
00:20:01,379 --> 00:20:07,889
Push upward with that with a fan
brush, just happy little Bush there.
347
00:20:13,439 --> 00:20:19,050
Take another little fan brush, a
little bit of that lighter dirt color.
348
00:20:19,649 --> 00:20:21,719
Just grabbed the bottom of
it, pulled it out a little.
349
00:20:23,159 --> 00:20:24,479
So it fits right in there.
350
00:20:35,210 --> 00:20:39,320
liner brush and use that
little paint thinner, go into
351
00:20:39,320 --> 00:20:40,700
that same old Brown color.
352
00:20:42,230 --> 00:20:44,800
Maybe there's an old,
gnarly Bush that lives.
353
00:20:47,420 --> 00:20:47,810
I don't know.
354
00:20:47,870 --> 00:20:50,570
I haven't spent a great deal of
time around the deserts, but maybe
355
00:20:50,570 --> 00:20:54,170
this is maybe this is going to be
a future tumbleweed or something.
356
00:20:55,575 --> 00:20:59,145
I remember tumbleweeds from when I was
young and used to listen to the cowboy
357
00:20:59,145 --> 00:21:03,615
shows and they were always talking about
the tumbleweeds going across the desert.
358
00:21:06,015 --> 00:21:07,035
That was back in the days.
359
00:21:07,035 --> 00:21:12,765
And we used to listen to shows on
radio before TV was invented or before
360
00:21:12,765 --> 00:21:18,425
it was popular enough for people in
my neighborhood to have one there.
361
00:21:21,635 --> 00:21:24,935
I would never tell anybody, but I
used to listen to some of the shows
362
00:21:24,935 --> 00:21:27,875
and they'd be sad at the end and
I'd cried and threatened my brother.
363
00:21:27,875 --> 00:21:32,345
If he told anybody at school that I
got Sabi I'd over some of these things.
364
00:21:33,455 --> 00:21:38,315
I think he told everybody, and he's
a policeman today in bigger than me.
365
00:21:38,315 --> 00:21:40,925
So I guess I won't hassle him too much.
366
00:21:42,514 --> 00:21:42,995
All right.
367
00:21:43,655 --> 00:21:47,645
We'll take a little bit of a liquid white.
368
00:21:48,090 --> 00:21:50,100
A little bit of that
same Brown color into it.
369
00:21:51,720 --> 00:21:52,140
Okay.
370
00:21:52,380 --> 00:21:53,340
Let me clean the knife.
371
00:21:55,170 --> 00:21:56,700
So I have a very thin paint.
372
00:21:59,030 --> 00:22:05,330
No, I'll take Filbert brush a little
bit of the Brown on both sides.
373
00:22:05,990 --> 00:22:06,380
Okay.
374
00:22:06,530 --> 00:22:08,030
Down here now let's just stay there.
375
00:22:08,030 --> 00:22:11,660
I'll find you there and
pull one side through that.
376
00:22:12,560 --> 00:22:13,940
Have dark and light.
377
00:22:15,375 --> 00:22:15,794
Okay.
378
00:22:15,824 --> 00:22:20,024
Maybe there's just a little stone
or two lives right out in here.
379
00:22:21,254 --> 00:22:27,074
So you can just put a little happy little
stone here and there, there may be over
380
00:22:27,074 --> 00:22:32,054
here on this side, there lives a little
stone wherever you think they should be.
381
00:22:32,205 --> 00:22:36,645
But by loading the fan or the
Filbert brush, both sides like it,
382
00:22:36,675 --> 00:22:40,695
you can double load the brush and
these little Rascals are so easy.
383
00:22:41,190 --> 00:22:45,420
So easy, just pull a little bit
of that gum based color into it.
384
00:22:45,420 --> 00:22:47,940
So it just blends right together.
385
00:22:49,770 --> 00:22:50,850
I tell you what let's do.
386
00:22:51,570 --> 00:22:55,379
I'm going to take the sticky back paper
here off and let's see what works.
387
00:22:59,420 --> 00:23:01,760
This is what they call the
moment of truth right here.
388
00:23:02,870 --> 00:23:08,600
And then if you want to get crazy and do
you know me always, can you be satisfied?
389
00:23:08,600 --> 00:23:09,830
I have to do one more little thing.
390
00:23:11,220 --> 00:23:13,770
Let me just quickly here
mix up a little bit more.
391
00:23:13,770 --> 00:23:17,010
That Brown sat, green lizard
Crimson, just mixed together.
392
00:23:19,730 --> 00:23:20,240
All right.
393
00:23:23,420 --> 00:23:24,890
Maybe outside of our oval.
394
00:23:25,010 --> 00:23:29,090
Just to break it up a little bit,
maybe there's a, maybe there's
395
00:23:29,090 --> 00:23:30,590
a little cactus living out here.
396
00:23:30,740 --> 00:23:31,400
I don't know.
397
00:23:33,110 --> 00:23:33,560
I don't know.
398
00:23:33,560 --> 00:23:36,650
Maybe it's a cactus and
he lives right there.
399
00:23:37,820 --> 00:23:39,590
It goes strong cactus.
400
00:23:40,965 --> 00:23:44,595
And we will make him make
his little top pair around.
401
00:23:45,795 --> 00:23:47,235
There was square cactus.
402
00:23:47,455 --> 00:23:48,764
They seem to bother people.
403
00:23:51,395 --> 00:23:51,965
All right.
404
00:23:53,555 --> 00:23:53,795
Yeah.
405
00:23:54,275 --> 00:23:55,385
Let's give him an arm.
406
00:23:56,375 --> 00:24:02,165
You always think about cactuses having
an arm hanging out at least one.
407
00:24:03,065 --> 00:24:06,095
Maybe, maybe this one's got two who knows.
408
00:24:07,065 --> 00:24:13,845
You put as many arms on your cactus as
you want down here, maybe there's just
409
00:24:13,845 --> 00:24:15,315
going to be some little pushes down here.
410
00:24:15,315 --> 00:24:15,675
I dunno.
411
00:24:15,705 --> 00:24:19,065
We'll have a little place for
him to sit, so he don't look
412
00:24:19,065 --> 00:24:20,625
like he's just hanging out there.
413
00:24:21,915 --> 00:24:25,514
I want to take a little bit of,
let's take a little white little,
414
00:24:25,514 --> 00:24:27,135
midnight, black mixed together.
415
00:24:28,185 --> 00:24:29,805
Make a nice sort of gray.
416
00:24:29,835 --> 00:24:31,245
Maybe put a little bit Brown in there.
417
00:24:31,274 --> 00:24:31,965
Oh, it's nice.
418
00:24:32,745 --> 00:24:35,745
Cut off a little tiny role
of paint and we go up here.
419
00:24:37,365 --> 00:24:39,735
And just begin touching,
just touch the edge.
420
00:24:39,735 --> 00:24:43,605
I want to make it look like there's
little ridges, cactus have ridges.
421
00:24:46,145 --> 00:24:46,745
There we go.
422
00:24:47,705 --> 00:24:48,215
Same.
423
00:24:48,815 --> 00:24:48,905
Okay.
424
00:24:49,085 --> 00:24:51,995
But just by touching the
canvas, just touch it.
425
00:24:53,145 --> 00:24:54,725
Canvas will take off what it wants.
426
00:24:54,825 --> 00:24:55,385
Give you back.
427
00:24:55,385 --> 00:24:56,045
What's left.
428
00:24:57,725 --> 00:24:58,205
There you go.
429
00:25:01,560 --> 00:25:01,770
Okay.
430
00:25:01,770 --> 00:25:04,830
Now, maybe this arm is on this side
and the other arms on the other
431
00:25:04,830 --> 00:25:06,210
side, you have to make that decision.
432
00:25:07,170 --> 00:25:09,120
So that's what we'll decide in our world.
433
00:25:10,230 --> 00:25:11,220
Let me get that little knife.
434
00:25:11,250 --> 00:25:14,520
I like a little knife for
getting these smaller places.
435
00:25:16,200 --> 00:25:21,600
It's hard to make a round CAC tie
with a square knife, but we can
436
00:25:21,600 --> 00:25:26,010
do it because we can do anything
as long as we believe we can.
437
00:25:26,730 --> 00:25:27,870
And we believe we can do that.
438
00:25:29,564 --> 00:25:33,784
A little bit on the other side, shoot.
439
00:25:34,264 --> 00:25:35,254
It's not too bad looking.
440
00:25:35,264 --> 00:25:35,685
Okay.
441
00:25:37,715 --> 00:25:39,814
And we can even take off, I'm
gonna put a little touch of the
442
00:25:39,814 --> 00:25:41,225
SAP green on the other side.
443
00:25:41,225 --> 00:25:44,975
So when you look close, you'll
see a little greenish hue, but I
444
00:25:44,975 --> 00:25:46,655
want it to be mostly silhouetted.
445
00:25:47,915 --> 00:25:51,245
Just a little tiny bit the
green or, Oh, it's good.
446
00:25:52,745 --> 00:25:54,125
Just a little here and there.
447
00:25:54,245 --> 00:25:55,024
Not too much.
448
00:25:56,675 --> 00:25:57,125
Okay.
449
00:25:57,804 --> 00:25:58,215
Good.
450
00:25:59,504 --> 00:26:01,274
Hope you can see that
there is some green there.
451
00:26:01,685 --> 00:26:06,925
I don't want to create the, let's
take a little bit of Brown and white.
452
00:26:08,314 --> 00:26:13,325
I can look like a little soil
right down there, like that.
453
00:26:13,655 --> 00:26:18,064
Take a fan brush, use little yellow ochre,
little bit of that Brown mixed together.
454
00:26:19,335 --> 00:26:21,795
Just go up in here and pop in
a few little highlights around
455
00:26:21,795 --> 00:26:23,145
the foot of that little cactus.
456
00:26:26,175 --> 00:26:26,505
There.
457
00:26:28,125 --> 00:26:31,215
Hope this gives you an idea of how you
can make some super little paintings.
458
00:26:31,485 --> 00:26:32,445
Very, very easy.
459
00:26:33,465 --> 00:26:35,835
Cause it's a lot of fun
and you'll enjoy this one.
460
00:26:36,195 --> 00:26:41,595
We'll take a little, the Brown with
a liner brush, maybe there's weed
461
00:26:41,605 --> 00:26:42,885
or two growing around the bottom.
462
00:26:44,255 --> 00:26:45,465
I need to be an old stick.
463
00:26:46,710 --> 00:26:50,790
Just sort of whatever you want there.
464
00:26:51,440 --> 00:26:53,330
Shoot, I think without
having a finished painting.
465
00:26:54,470 --> 00:26:56,150
So let's say hope you
give this one, a try.
466
00:26:56,180 --> 00:26:57,080
You'll enjoy it.
467
00:26:57,200 --> 00:27:00,170
And from all of us here, I'd
like to wish you happy painting
468
00:27:00,860 --> 00:27:01,970
and God bless my friend.
End .srt file.
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