Wednesday, December 30, 2020

S21E11 - Desert Glow

Bob Ross's

The Joy of Painting


S21E11 - Desert Glow

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Hi, welcome back.


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I have my little friend

Falchi here again today.


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We've got so many cards and so many people

have called in wanting to know about this


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little devil thought that show him again.


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This little rascal is

just absolutely gorgeous.


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He's a Kestrel.


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The caddy minutes.


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Yeah.


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Isn't that something?


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See if you'll eat a little something here.


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There you go.


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So you would give him a little

bit of beef heart, and that's


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what you'll have for lunch today.


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You a little more.


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There he is absolutely precious.


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Some places, as I mentioned

earlier, they call him a Sparrow


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Hawk, but he's just gorgeous.


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Let's see if we can make his wings

go up so you can see how he looks.


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He's a little baby there.


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He's just learning to fly.


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All right.


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And you notice I have a big glove on here.


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He has some claws that

are absolutely unreal.


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All right.


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I think this will set him

down here just a second.


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Tell you what, while I'm setting

him down, let's have him run all the


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colors across the screen that you

need to paint along with us today.


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And while they're doing that, why

don't you come up here and let me show


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you what I've gotten done already.


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I have my standard old

18 by 24 inch canvas.


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And we've today took.


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And made a little over a lot of

contact paper or any of he's a


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back paper and we've put that on

and just get it stuck real good.


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And then we've covered the entire canvas

with a thin even coat of the liquid white.


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So it's all wet and slick and ready to go.


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So now we can take off

and we can just have fun.


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All right.


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Let's start out today.


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Maybe we'll just have a happy

little scene, something that


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gives a feeling of, of desert.


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I'm going to start with a

small amount of the Indian,


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yellow, just a tiny little bit.


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And maybe go right up in here and

just use little crisscross strokes and


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they'll just drop in some yellow color

right along there, something like that.


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Without cleaning the brush, I'm going

to go right into a little yellow Booker.


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That's sort of a golden color.


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Very nice, beautiful color.


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Thank you, Kevin.


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So we have just a little bit of a gold

color, right above Indian, yellow.


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Okay.


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Once again, cleaning the brush.


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I'm going to go into a small

amount of a lizard and Crimson.


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Doesn't take much just a little,

I will go right up above that


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and just drop analytic Crimson.


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Still using the little Xs

or the criss-cross strokes,


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whatever you want to call them.


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We can take it all the way to the top.


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It doesn't matter going

to something like that.


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Can we just blend this to you?


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Can't tell for one color stops.


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Next color starts.


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That might be right down there.


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I know what we'll do.


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Let's take some Crimson Crimson.


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And a little bit of the theolo blue,

just mixed together, a little Crimson,


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little fellow blue mix, sort of a

lavender color Kings go back up in here.


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And maybe our horizons going

to be right below center here.


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We'll take a little that lavender color

and just sort of lift it in one direction.


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Like just sort of pull

it sorta curve it upward.


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There.


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And you could even tap and make the

indication of some little, little


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string you'd clouds, just going

right on along, something like that.


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And down there, we just

cleaned the brush off.


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Didn't much matter down there.


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Let me wash mow brush.


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That's the fun part.


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That's the fun part.


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Shake off the excess and just beat the

devil out of that with a clean, dry brush.


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I'm going to gently start here and

brim this like, so, and the rest


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of it will just blend a little bit

to take out some brush strokes.


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Now, then.


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Let's mix up a little more

of that lavender color.


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I want to take, like, we'll have some fun.


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I'm gonna take some they little blue

and lizard crims and mix it together.


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Proportionately much, much

more Crimson than blue.


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I need a bigger pie.


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There might as well mix up some, okay.


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Something about like that.


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Let me clean the whole knife off.


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Yeah, then I just grab it.


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We use a fan brush day.


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What the heck put a little

that color in a fan brush.


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And maybe we got some big old

clouds that live right up in here.


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So we're going to make a stroke.


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That's I'm exaggerating.


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Let me really exaggerate.


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It looks like that only smaller

and not quite as much angle, but


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that'll give you an exaggeration

exaggerated view of what it is.


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Yes.


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They're just, just sorta overlap

all these little strokes.


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My cat sort of like you're doing an ocean.


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Maybe there's a little

Dewar hangs out around here


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sometimes.


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It's nice.


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Just to make maybe very lightly.


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There's a little, little fluffer

cloud that just floats around here.


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A little fluffy one.


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Okay, let me grab a clean, dry

be sure it's dry to enterprise.


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And then I'm just going to blend that

little cloud right in watch here though.


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Just blend the bottom of it right out.


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So it just sorta just sort of blends

right into the background, except for


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the top edges, because I want this

little cloud to be very quiet, dude.


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He's just sort of hiding back here.


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And then we can take and in the

foreground, then we can put another


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little cloud and it'll look distinctly

like it's in the foreground.


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That's the reason I wanted

to blend that one back there.


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And who knows, maybe over here, there's

even a couple of little stringer


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clouds at hangout over in this area.


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Just sort of let your imagination

take you wherever you want to go.


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Enjoy painting should make you happy.


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If it does nothing else

should make you happy.


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All right.


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Right.


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Two inch brush once again,

and let's begin blending, the


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little clouds we've made here.


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Another thing that painting will do,

it'll make you see and appreciate nature


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every day, every single day, I received

letters from people that say that


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painting has done nothing else for them.


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It's made them appreciate

some of God's creations.


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I never forget.


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I got a letter from him.


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Lady one time told me she had lived

with a tree in her front yard for


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25 years until she started painting.


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She had never actually seen it.


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She had looked at it over and over.


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She looked at it, but she had

never seen it from painting.


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We'll make you see things in

a whole different light there.


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See how you can just make it look like

a big old mean cloud land up here.


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Good.


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Let's watch that one.


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I just like to wash brushes.


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We use odorless thinner odorless

paint, thinner, shake off the


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access and cover the whole room.


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And that's really a nice way

to redecorate your whole house.


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You can do it in about a heart.


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Beat.


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If you, if you beat the brush like that

in your living room, you're certainly


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going to become very unpopular.


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If you do it, I suggest to get you a

little brush feeder req let's take, we'll


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use that same little lavender color.


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Maybe I put a little touch, more

blue in it, get it to the blue


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hue or the blue side of lavender.


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Maybe we're going to have like

a little deserty type scene.


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Maybe we eat back in here.


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There's maybe just a little

mountain that lives I'll just


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use the corner of the fan brush.


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And just sort of pull it downward.


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Can you see him what's happening there?


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There's sort of pull it down, right?


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Make all those beautiful little

shapes and designs that you have on


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some of those fantastic mountains

out there, Arizona, New Mexico,


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all the way down into old Mexico.


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I've been spending a little

time in old Mexico here lately.


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Oh my God has that gorgeous.


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That is so beautiful.


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We recently did a show where we

went to the floating gardens and


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painted right outside of Mexico city.


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So one of the most gorgeous sites

you've ever seen, if you get a


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chance to see that, I never knew it

existed, but I'm certainly going back.


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There we are.


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And we just sort of bring

it right on down here.


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Okay.


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It worked out and this

one's far, far away.


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We don't want a lot of detail in it yet.


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We want a lot of detail.


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Let me grab a Sammy, grab what he use.


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The two impression with the

heck, grab it, pull it, pull it.


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There we are.


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So it all blends right into the painting.


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Sure hope you like that little bird.


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I little Kestrel is one of the neatest

little birds, but I'm not kidding.


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Certainly certainly have to wear gloves.


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When you work with him, sign of

a gun, has any talons on him?


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It's unreal, even though he's small and

that moves that one was just a baby.


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He still can get you.


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And I borrowed him from Diana Shaffer,

the bird lady here in Munster.


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And she'll raising till he's

just a little bit older.


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He needs another couple of months

and then she will release him.


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I didn't let him go back and, and

start his own family because they're,


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they're a very protected bird.


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So we have to take care of them.


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Let's have some fun today.


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Let me clear off a little spot to work.


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Uncle make a NASA green and

Brown, green, and Crimson mixture.


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I mean, alizarin, Crimson and SAP green.


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Let's just mix them together.


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And I really want to mix these

thoroughly because I want to make


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a beautiful, beautiful Brown color.


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This makes one of the nicest Browns,

but you have to mix it pretty good.


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Normally we leave our paints

marbled, but in this case, I don't


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want to mix it up quite well.


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Okay.


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Proportionately it's about equal, about

equal and wipe off the old knife here.


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And we can take a two inch brush, just put

a little that beautiful Brown color red on


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the brush, and let's just begin applying

some of it right here, very lightly at


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first, because as things get things,

get closer to you in a landscape, they


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should get darker and darker in value.


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So back here, we just

want a light Brown color.


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Too carried away yet darker

and darker as it comes forward.


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And to make it darker.


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Of course, all you do is

add a little more paint.


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Okay.


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Down here toward the base a

little bit darker, even yet.


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Ready.


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Just by that difference in values,

it'll give you the indication that is


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going further and further away from you.


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That's what helps create that

illusion of distance in your pain.


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I'm back in that need to

have at works, causes you to


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have the feeling of distance.


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I tell you what let's get crazy today.


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Let's get crazy.


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Maybe it was a big old stone right there.


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I like to do big old stones,

show you an easy way to do it.


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We use that same Brown color, use

the knife, pull it out, flat, cut


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across, get a little roll of paint.


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And that little rule of paint should

live right on the edge of the night.


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Kings go up here and maybe, I

don't know, maybe we've got a big


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old stone that was right there.


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And just begin with a basic shape there.


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Have a little more paint there.


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See, but just decide how this old

stone looks and how it was formed.


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It's up to you.


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You look around, you can find

a stone just about any shape


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that you want it just about.


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Anne is shaping


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a little bit down in here.


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No we're doing, it's

just blocking the sander.


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We're filling it up full of color.


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Okay.


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Maybe there's a little

projection back here.


241

00:13:52,715 --> 00:13:53,255

I don't care.


242

00:13:54,775 --> 00:13:58,715

Whatever SSA stones can

be about any old color.


243

00:13:58,715 --> 00:13:59,345

We want them to be.


244

00:14:04,095 --> 00:14:04,755

Okay,


245

00:14:10,445 --> 00:14:16,325

now then let's take, let's take, we

use of bright red, a little bit of that


246

00:14:16,325 --> 00:14:18,575

Brown that we made and mix it together.


247

00:14:19,655 --> 00:14:20,705

Get a little white,


248

00:14:24,045 --> 00:14:27,725

there's some most beautiful

colors in the desert, so you can


249

00:14:27,725 --> 00:14:29,225

really go wild with your palette.


250

00:14:29,255 --> 00:14:30,665

Let me wipe off the old knife.


251

00:14:31,475 --> 00:14:31,564

Okay.


252

00:14:31,950 --> 00:14:33,750

You can go crazy with his knife.


253

00:14:34,170 --> 00:14:37,740

I mean, with color in that, when

you're doing desert scenes, cut off our


254

00:14:37,750 --> 00:14:40,470

little roll of paint and no pressure.


255

00:14:40,560 --> 00:14:41,280

Absolutely.


256

00:14:41,280 --> 00:14:41,850

No pressure.


257

00:14:41,850 --> 00:14:43,080

Just like we're doing a mountain.


258

00:14:43,200 --> 00:14:46,500

Mountain is only a

stone that has grown up.


259

00:14:46,740 --> 00:14:47,940

Just barely touch.


260

00:14:48,960 --> 00:14:51,090

Just let it graze down there.


261

00:14:52,400 --> 00:14:53,610

There it comes.


262

00:14:53,730 --> 00:14:54,090

Watch it.


263

00:14:55,710 --> 00:14:59,070

Look at all those little things just

happening and you can turn the knife.


264

00:15:01,589 --> 00:15:10,439

There we go, but just barely, barely

crazy canvas, barely Gracie canvas there.


265

00:15:11,640 --> 00:15:12,709

And the paint breaks.


266

00:15:12,709 --> 00:15:16,939

In other words, it has all those little

holes there, little openings, and


267

00:15:16,939 --> 00:15:19,280

that's what really makes it outstanding.


268

00:15:21,110 --> 00:15:22,219

Outstanding.


269

00:15:22,760 --> 00:15:27,110

There come right on down through there.


270

00:15:29,325 --> 00:15:30,525

Something like that.


271

00:15:30,915 --> 00:15:31,425

I don't know.


272

00:15:31,455 --> 00:15:37,185

However you want the old stone

to be rough, ragged looking.


273

00:15:38,715 --> 00:15:40,335

It's had a hard life out here.


274

00:15:42,585 --> 00:15:43,485

There we go.


275

00:15:44,655 --> 00:15:46,035

We'll leave at quite dark in there.


276

00:15:46,035 --> 00:15:48,645

Sort of look like a

recessed or Ooh, creatures.


277

00:15:48,645 --> 00:15:50,535

You've got to have a place

to get in there and hide too.


278

00:15:51,285 --> 00:15:52,335

We got to take care of them.


279

00:15:53,819 --> 00:15:54,030

Okay.


280

00:15:54,030 --> 00:15:54,930

I have to take care of them.


281

00:15:55,500 --> 00:15:58,579

They, my friends there,


282

00:16:02,150 --> 00:16:05,959

I would just make it all stone come

right on down here or something like, so


283

00:16:09,020 --> 00:16:11,780

you can just keep on to this

little patch of rocks here.


284

00:16:11,780 --> 00:16:14,120

We'll take over your whole

painting and that's okay.


285

00:16:15,579 --> 00:16:16,400

That's okay.


286

00:16:19,395 --> 00:16:20,055

There we go.


287

00:16:21,635 --> 00:16:25,145

Tiny little bit of that color

will make us one little flatter.


288

00:16:25,145 --> 00:16:30,005

So we'll just put a little something

on the top only, and you can take the


289

00:16:30,005 --> 00:16:31,444

knife to me, get a little color here.


290

00:16:31,775 --> 00:16:35,555

Just pull down, lying at least

little touch to that color you


291

00:16:35,555 --> 00:16:36,844

have on top to come downward.


292

00:16:38,074 --> 00:16:42,365

It'll create the illusion of

a nice sharp edge right there.


293

00:16:44,940 --> 00:16:49,170

And maybe then we'll bring this

one right on, down in through


294

00:16:49,320 --> 00:16:50,670

sort of pushed that one back.


295

00:16:51,690 --> 00:16:52,830

It's just playing games.


296

00:16:52,830 --> 00:16:55,200

Painting is nothing but games of illusion.


297

00:16:56,750 --> 00:16:57,440

There we go.


298

00:17:02,180 --> 00:17:04,250

So I say, I really hope you

like seeing that little bird.


299

00:17:04,250 --> 00:17:07,400

I have always my whole life

enjoyed little critters.


300

00:17:08,300 --> 00:17:10,310

I never forget when I was very young.


301

00:17:11,025 --> 00:17:15,075

I worked at a big department store, close

to Orlando, Florida, where I was raised.


302

00:17:16,035 --> 00:17:20,325

And instead of paying me off

in money, they paid me off in


303

00:17:20,325 --> 00:17:22,815

creatures and they told me I could

take whatever kind of creature I


304

00:17:22,815 --> 00:17:24,464

wanted that they had in the store.


305

00:17:25,244 --> 00:17:29,025

And back in those days, they used

to still sell alligators in Florida.


306

00:17:29,985 --> 00:17:32,415

And there was a little alligator

in there about two feet long.


307

00:17:33,465 --> 00:17:36,435

So I told the store manager, I said,

well, no, won't that Allen gear.


308

00:17:37,635 --> 00:17:39,885

Uh, everything was fine till I got home.


309

00:17:41,495 --> 00:17:44,045

And I remember, remember I

went into the living room.


310

00:17:44,045 --> 00:17:49,205

I must've been about 12, 13 years old,

and I had that old alligator in a cloth


311

00:17:49,205 --> 00:17:51,005

bag and I dropped him out on the floor.


312

00:17:52,145 --> 00:17:54,365

And my mother just about came unglued.


313

00:17:54,695 --> 00:17:59,345

I thought she was going to kill

me, but we finally made peace and


314

00:17:59,435 --> 00:18:04,115

she allowed me to keep the little

alligator, but he never was one of her.


315

00:18:04,530 --> 00:18:06,750

More popular pets around the house.


316

00:18:07,590 --> 00:18:10,860

Cause he tried to bite me the day he

got him and he tried to bite me the


317

00:18:10,860 --> 00:18:14,400

day I let him loose, which was about

must have been close to a year later.


318

00:18:15,930 --> 00:18:17,990

And I turned him loose in

one of the lakes in Orlando.


319

00:18:18,000 --> 00:18:21,330

And right now he's probably 10 feet long.


320

00:18:22,800 --> 00:18:23,370

There we go.


321

00:18:23,640 --> 00:18:25,470

I'm just going to pull the

base of this out a little bit.


322

00:18:26,689 --> 00:18:27,840

Just let it blend outward,


323

00:18:34,790 --> 00:18:37,159

but I don't think alligator

makes a very good pit, man.


324

00:18:37,159 --> 00:18:39,379

I don't believe you could

tame one in 50 years.


325

00:18:42,465 --> 00:18:47,985

Always going to be a pretty mean

old critter, but they're not near


326

00:18:47,985 --> 00:18:49,455

as dangerous as you think they are.


327

00:18:52,035 --> 00:18:52,965

I tell you what let's do.


328

00:18:52,965 --> 00:18:54,105

Let's have some fun maybe.


329

00:18:54,915 --> 00:18:55,155

Hmm.


330

00:18:55,275 --> 00:18:57,795

Maybe, you know me and maybe.


331

00:18:58,425 --> 00:19:02,625

Maybe there's a little, little

path goes out behind this rock and


332

00:19:03,345 --> 00:19:08,295

just sorta comes forward and I'm

making a little S motion like that.


333

00:19:08,385 --> 00:19:15,015

I'm exaggerating, but so it looks like

his path has been awar down and this


334

00:19:15,015 --> 00:19:19,275

may have been animals that traveled up

and down this path in front of this old


335

00:19:19,275 --> 00:19:25,175

rocker, might've been people, I don't

know, maybe back in the old days, the


336

00:19:25,175 --> 00:19:27,035

old wagon train came this direction.


337

00:19:30,300 --> 00:19:30,389

Okay.


338

00:19:30,770 --> 00:19:33,139

Maybe it's just a nice place

for the little coyote to go.


339

00:19:33,169 --> 00:19:33,439

I don't know.


340

00:19:34,760 --> 00:19:38,720

Let me put little stories though, and

we'll blend the light color back into


341

00:19:38,720 --> 00:19:42,649

it, just by pulling it in one direction,

just to bring it back together.


342

00:19:44,330 --> 00:19:48,139

So it sort of sets down in there

and we can go there across very


343

00:19:48,139 --> 00:19:50,659

gently to hairs in some air.


344

00:19:55,669 --> 00:19:56,270

Maybe there's a.


345

00:19:57,000 --> 00:19:59,370

Maybe there's a little

weed lives right there.


346

00:20:01,379 --> 00:20:07,889

Push upward with that with a fan

brush, just happy little Bush there.


347

00:20:13,439 --> 00:20:19,050

Take another little fan brush, a

little bit of that lighter dirt color.


348

00:20:19,649 --> 00:20:21,719

Just grabbed the bottom of

it, pulled it out a little.


349

00:20:23,159 --> 00:20:24,479

So it fits right in there.


350

00:20:35,210 --> 00:20:39,320

liner brush and use that

little paint thinner, go into


351

00:20:39,320 --> 00:20:40,700

that same old Brown color.


352

00:20:42,230 --> 00:20:44,800

Maybe there's an old,

gnarly Bush that lives.


353

00:20:47,420 --> 00:20:47,810

I don't know.


354

00:20:47,870 --> 00:20:50,570

I haven't spent a great deal of

time around the deserts, but maybe


355

00:20:50,570 --> 00:20:54,170

this is maybe this is going to be

a future tumbleweed or something.


356

00:20:55,575 --> 00:20:59,145

I remember tumbleweeds from when I was

young and used to listen to the cowboy


357

00:20:59,145 --> 00:21:03,615

shows and they were always talking about

the tumbleweeds going across the desert.


358

00:21:06,015 --> 00:21:07,035

That was back in the days.


359

00:21:07,035 --> 00:21:12,765

And we used to listen to shows on

radio before TV was invented or before


360

00:21:12,765 --> 00:21:18,425

it was popular enough for people in

my neighborhood to have one there.


361

00:21:21,635 --> 00:21:24,935

I would never tell anybody, but I

used to listen to some of the shows


362

00:21:24,935 --> 00:21:27,875

and they'd be sad at the end and

I'd cried and threatened my brother.


363

00:21:27,875 --> 00:21:32,345

If he told anybody at school that I

got Sabi I'd over some of these things.


364

00:21:33,455 --> 00:21:38,315

I think he told everybody, and he's

a policeman today in bigger than me.


365

00:21:38,315 --> 00:21:40,925

So I guess I won't hassle him too much.


366

00:21:42,514 --> 00:21:42,995

All right.


367

00:21:43,655 --> 00:21:47,645

We'll take a little bit of a liquid white.


368

00:21:48,090 --> 00:21:50,100

A little bit of that

same Brown color into it.


369

00:21:51,720 --> 00:21:52,140

Okay.


370

00:21:52,380 --> 00:21:53,340

Let me clean the knife.


371

00:21:55,170 --> 00:21:56,700

So I have a very thin paint.


372

00:21:59,030 --> 00:22:05,330

No, I'll take Filbert brush a little

bit of the Brown on both sides.


373

00:22:05,990 --> 00:22:06,380

Okay.


374

00:22:06,530 --> 00:22:08,030

Down here now let's just stay there.


375

00:22:08,030 --> 00:22:11,660

I'll find you there and

pull one side through that.


376

00:22:12,560 --> 00:22:13,940

Have dark and light.


377

00:22:15,375 --> 00:22:15,794

Okay.


378

00:22:15,824 --> 00:22:20,024

Maybe there's just a little stone

or two lives right out in here.


379

00:22:21,254 --> 00:22:27,074

So you can just put a little happy little

stone here and there, there may be over


380

00:22:27,074 --> 00:22:32,054

here on this side, there lives a little

stone wherever you think they should be.


381

00:22:32,205 --> 00:22:36,645

But by loading the fan or the

Filbert brush, both sides like it,


382

00:22:36,675 --> 00:22:40,695

you can double load the brush and

these little Rascals are so easy.


383

00:22:41,190 --> 00:22:45,420

So easy, just pull a little bit

of that gum based color into it.


384

00:22:45,420 --> 00:22:47,940

So it just blends right together.


385

00:22:49,770 --> 00:22:50,850

I tell you what let's do.


386

00:22:51,570 --> 00:22:55,379

I'm going to take the sticky back paper

here off and let's see what works.


387

00:22:59,420 --> 00:23:01,760

This is what they call the

moment of truth right here.


388

00:23:02,870 --> 00:23:08,600

And then if you want to get crazy and do

you know me always, can you be satisfied?


389

00:23:08,600 --> 00:23:09,830

I have to do one more little thing.


390

00:23:11,220 --> 00:23:13,770

Let me just quickly here

mix up a little bit more.


391

00:23:13,770 --> 00:23:17,010

That Brown sat, green lizard

Crimson, just mixed together.


392

00:23:19,730 --> 00:23:20,240

All right.


393

00:23:23,420 --> 00:23:24,890

Maybe outside of our oval.


394

00:23:25,010 --> 00:23:29,090

Just to break it up a little bit,

maybe there's a, maybe there's


395

00:23:29,090 --> 00:23:30,590

a little cactus living out here.


396

00:23:30,740 --> 00:23:31,400

I don't know.


397

00:23:33,110 --> 00:23:33,560

I don't know.


398

00:23:33,560 --> 00:23:36,650

Maybe it's a cactus and

he lives right there.


399

00:23:37,820 --> 00:23:39,590

It goes strong cactus.


400

00:23:40,965 --> 00:23:44,595

And we will make him make

his little top pair around.


401

00:23:45,795 --> 00:23:47,235

There was square cactus.


402

00:23:47,455 --> 00:23:48,764

They seem to bother people.


403

00:23:51,395 --> 00:23:51,965

All right.


404

00:23:53,555 --> 00:23:53,795

Yeah.


405

00:23:54,275 --> 00:23:55,385

Let's give him an arm.


406

00:23:56,375 --> 00:24:02,165

You always think about cactuses having

an arm hanging out at least one.


407

00:24:03,065 --> 00:24:06,095

Maybe, maybe this one's got two who knows.


408

00:24:07,065 --> 00:24:13,845

You put as many arms on your cactus as

you want down here, maybe there's just


409

00:24:13,845 --> 00:24:15,315

going to be some little pushes down here.


410

00:24:15,315 --> 00:24:15,675

I dunno.


411

00:24:15,705 --> 00:24:19,065

We'll have a little place for

him to sit, so he don't look


412

00:24:19,065 --> 00:24:20,625

like he's just hanging out there.


413

00:24:21,915 --> 00:24:25,514

I want to take a little bit of,

let's take a little white little,


414

00:24:25,514 --> 00:24:27,135

midnight, black mixed together.


415

00:24:28,185 --> 00:24:29,805

Make a nice sort of gray.


416

00:24:29,835 --> 00:24:31,245

Maybe put a little bit Brown in there.


417

00:24:31,274 --> 00:24:31,965

Oh, it's nice.


418

00:24:32,745 --> 00:24:35,745

Cut off a little tiny role

of paint and we go up here.


419

00:24:37,365 --> 00:24:39,735

And just begin touching,

just touch the edge.


420

00:24:39,735 --> 00:24:43,605

I want to make it look like there's

little ridges, cactus have ridges.


421

00:24:46,145 --> 00:24:46,745

There we go.


422

00:24:47,705 --> 00:24:48,215

Same.


423

00:24:48,815 --> 00:24:48,905

Okay.


424

00:24:49,085 --> 00:24:51,995

But just by touching the

canvas, just touch it.


425

00:24:53,145 --> 00:24:54,725

Canvas will take off what it wants.


426

00:24:54,825 --> 00:24:55,385

Give you back.


427

00:24:55,385 --> 00:24:56,045

What's left.


428

00:24:57,725 --> 00:24:58,205

There you go.


429

00:25:01,560 --> 00:25:01,770

Okay.


430

00:25:01,770 --> 00:25:04,830

Now, maybe this arm is on this side

and the other arms on the other


431

00:25:04,830 --> 00:25:06,210

side, you have to make that decision.


432

00:25:07,170 --> 00:25:09,120

So that's what we'll decide in our world.


433

00:25:10,230 --> 00:25:11,220

Let me get that little knife.


434

00:25:11,250 --> 00:25:14,520

I like a little knife for

getting these smaller places.


435

00:25:16,200 --> 00:25:21,600

It's hard to make a round CAC tie

with a square knife, but we can


436

00:25:21,600 --> 00:25:26,010

do it because we can do anything

as long as we believe we can.


437

00:25:26,730 --> 00:25:27,870

And we believe we can do that.


438

00:25:29,564 --> 00:25:33,784

A little bit on the other side, shoot.


439

00:25:34,264 --> 00:25:35,254

It's not too bad looking.


440

00:25:35,264 --> 00:25:35,685

Okay.


441

00:25:37,715 --> 00:25:39,814

And we can even take off, I'm

gonna put a little touch of the


442

00:25:39,814 --> 00:25:41,225

SAP green on the other side.


443

00:25:41,225 --> 00:25:44,975

So when you look close, you'll

see a little greenish hue, but I


444

00:25:44,975 --> 00:25:46,655

want it to be mostly silhouetted.


445

00:25:47,915 --> 00:25:51,245

Just a little tiny bit the

green or, Oh, it's good.


446

00:25:52,745 --> 00:25:54,125

Just a little here and there.


447

00:25:54,245 --> 00:25:55,024

Not too much.


448

00:25:56,675 --> 00:25:57,125

Okay.


449

00:25:57,804 --> 00:25:58,215

Good.


450

00:25:59,504 --> 00:26:01,274

Hope you can see that

there is some green there.


451

00:26:01,685 --> 00:26:06,925

I don't want to create the, let's

take a little bit of Brown and white.


452

00:26:08,314 --> 00:26:13,325

I can look like a little soil

right down there, like that.


453

00:26:13,655 --> 00:26:18,064

Take a fan brush, use little yellow ochre,

little bit of that Brown mixed together.


454

00:26:19,335 --> 00:26:21,795

Just go up in here and pop in

a few little highlights around


455

00:26:21,795 --> 00:26:23,145

the foot of that little cactus.


456

00:26:26,175 --> 00:26:26,505

There.


457

00:26:28,125 --> 00:26:31,215

Hope this gives you an idea of how you

can make some super little paintings.


458

00:26:31,485 --> 00:26:32,445

Very, very easy.


459

00:26:33,465 --> 00:26:35,835

Cause it's a lot of fun

and you'll enjoy this one.


460

00:26:36,195 --> 00:26:41,595

We'll take a little, the Brown with

a liner brush, maybe there's weed


461

00:26:41,605 --> 00:26:42,885

or two growing around the bottom.


462

00:26:44,255 --> 00:26:45,465

I need to be an old stick.


463

00:26:46,710 --> 00:26:50,790

Just sort of whatever you want there.


464

00:26:51,440 --> 00:26:53,330

Shoot, I think without

having a finished painting.


465

00:26:54,470 --> 00:26:56,150

So let's say hope you

give this one, a try.


466

00:26:56,180 --> 00:26:57,080

You'll enjoy it.


467

00:26:57,200 --> 00:27:00,170

And from all of us here, I'd

like to wish you happy painting


468

00:27:00,860 --> 00:27:01,970

and God bless my friend.


End .srt file.



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