Bob Ross's

The Joy of Painting

S26E04 - Lake in the Valley

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Hey, welcome back.

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Certainly glad you could join us today

because I thought today, maybe we just

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do just a little fantasy painting,

one, this very nice, very simple.

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And I think you'll enjoy it.

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We're going to use a lot of

pretty colors and we just do

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something that makes you happy.

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So let's start out today and have

run all the colors across the screen

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that you need to paint along with us.

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Now, come on up here.

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Let me show you what

I've got done already.

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I took my standard old pre

stretched double prime canvas.

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And I'm using an 18 by 24, but you

use whatever size is convenient

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and I've taken black Jesso on a

natural sponge and just sorta did

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this all over with a black Jessle.

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Then I've allowed the black

Jesso to dry completely.

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And on top of that, we've covered

the entire canvas with a very,

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very thin coat of the liquid clear.

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And the clear just makes it wet.

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That's the only reason it's there.

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It allows us to actually blend the

color right here on the canvas.

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So let's start out today with

we'll use a little, two inch

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brush and just have some fun.

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Maybe, maybe we'll start with just a

touch, just a touch of the Indian yellow.

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We'll go right up in here.

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Doesn't take much, just a little,

we'll just put in a little touch

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of color right along there.

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Something about like

yet very, very little,

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just to just a nice warm color

without, without cleaning the brush.

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I'm going to add a little bit

of a yellow ochre red above it.

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Just to give it a little,

a little golden color.

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They're like that.

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Okay.

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Maybe take them without

cleaning the brush.

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Let's just use a little bit

of a lizard and Crimson.

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Not much.

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It doesn't take much.

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And since we're doing a painting that has

a lot of beautiful colors in it, we'll

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just use these gorgeous, gorgeous colors.

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When you do this, maybe you

want to try it in some other

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colors or some other flavors.

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It's up to you.

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I just want to show you one way of making

very, very, pretty little painting.

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There we are.

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Together a little bit and we're in the

business and that's really about all

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I'm going to do for this little sky.

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Okay.

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I've got several, these

old two inch presses.

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Let me grab another one.

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And down here on the bottom, I'm going

to take a little bit of fail-over

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blue and fellow green, just mixed

together, little green, little

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blue, both in the theolo colors.

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As I say, I want to play with color today.

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Just do something that makes you

feel good, but go up in here and

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maybe down in here, we'll just go

across and put some of this gorgeous

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coloring, just a delightful cover.

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It's pretty makes you happy.

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And all these colors that we've used.

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Are fairly transparent.

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Some of them are very transparent,

but all of them are transparent enough

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that you can see this black design

that we put on here right through it.

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We just covered that all up.

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We'll make big decisions later on what

goes, where and anything we don't want.

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We just covered up causes, you

know, we don't make mistakes.

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We just have happy accidents,

time to wash your brush.

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That's my favorite thing.

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Wash it off with odorless

paint, thinner, shake it and

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just beat the devil out of it.

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You can change the decor

of a room very quickly.

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If you're not careful doing

that, I suggest if you're going

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to do this at home, maybe get

a little brushed beater, right.

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And put the bottom of a wastepaper

can, and then you can shake the brush

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off in the can and then beat the rack.

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It's all contained.

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It'll save you a happy

home in your marriage.

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Let's take, let's take some

pressure and blue alizarin Crimson.

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Handsome black, pretty heavy, pretty

heavy on the Crimson Dawn sort of

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looking for lavender, sorta Kate

pulled it out very flat, like, so cut

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across, get a little roll of paint,

right on the edge of the knife there.

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I'll tell you what I want.

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Do I want to take a little bit of

that and put some white with it?

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Maybe we'll make a little

mountain as far away, and then

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we'll make one that's closer.

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Show you how to do that with the same

color, put white in a little bit of

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it and get a little roll of paint.

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There we are.

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And maybe if we want to make a distant

mountain, just take the night and

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put in a very basic little shape

and the further away you want it to

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look, the more white you add to it.

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Because when it's far away,

it'll be very lightened value,

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scrape off all the excess paint.

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Just really get in there and

scrape it with a clean, dry brush.

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Then you want to grab that and

pull it once again, because

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we have the clear on there.

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You can move this color can literally

pull it all over the canvas there.

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Very gently here.

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We'll just blend it all together.

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So it's very soft and very far away,

just a happy little mountain that lives

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way back in the distance somewhere.

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There we are.

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All right.

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And that's all I'm going to

do because I don't want a lot

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of detail in that mountain.

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It's far away now we'll go

to the solid dark color.

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It's the same color without white in it.

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Cut off our little roll of paint again.

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And maybe right here.

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There's a mountain that

lives closer to us.

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So we'll just drop your pants.

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Just a very simple little mountain,

nothing real complicated at this point.

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All you're looking for is

the nice outside edge here.

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We could care less.

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What's going on in here.

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We're just looking for

a little outside edge.

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Maybe something about like, once

again, scrape off the excess paint,

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they will grab the old two inch

brush, give it a little pool.

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And I want this to blend out till

it literally just blends into.

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Into nothing.

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Just knock off at excess pain.

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I'm trying to remove all the excess paint

here that I can cause I want the bottom of

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this mountain to be lighter than the top.

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Very soft on the bottom.

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Very Misty, quiet little devil.

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There's a lady back here there gives

us a basic shape and already you

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can see two ranges of mountains and

the reason this one looks closer.

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Is because it's darker.

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That's the only reason because here's,

you know, it's the same color we just.

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Add a little white to the backward.

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Now then let's take some titanium

white and we'll put a little black

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in a little bit of black in it.

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And maybe, maybe a little

bit of the bright red.

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That's pretty much make it look like

that, but I want it to remain marble.

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I don't want to overmix this color,

all those beautiful patterns in here.

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When you get that little roll

of paint there, right there.

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Now let's go up in here.

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Gotta make some big

decisions in our world.

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Maybe he had his little highlight

Liz right up in there, like that.

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We don't know where it goes.

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I don't know that we even care.

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Shoot.

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Maybe there's a little

rage that comes right.

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Okay.

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I like that.

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And like that, maybe one in here

and had a fantastic way though,

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to make a little distant mountain.

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Works easy.

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You can do this.

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The biggest thing to remember is apply.

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Absolutely no pressure, no pressure.

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Other series I've mentioned when

I was teaching my son, Steve to

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paint, I told him just to pretend

that he was a whisper, that just

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floated right across the mountain.

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And that was where I made him

understand what a delicate time.

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And today Steve probably paints

the best mountains in the country.

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And this technique, that's his specialty.

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All right.

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Let's take a little, quite a

bit of the oppression blue.

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This one to make a blue and white color.

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Not like yet.

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We'll go up in here and

very gently see there.

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We just put in an indication

of some little shadows live

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back here in our mountain.

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Just a few there.

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Wherever you think they should

live maybe in our world.

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There's some little things right in here.

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Oh, there's a nice one lives

right there that we can come

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back with our highlight color.

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We can work on shape and form.

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You can change your mind.

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You can move mountains here.

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On this piece of canvas that

you can literally do anything.

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There we go.

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A little more of the shadow color,

retry the spender there, grab

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that and put a little shadow.

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When did that peak each little

peak though needs its own

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shadow or won't play with you.

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It'll just sort of go in, leave you there.

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Maybe right up in here.

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Little touch right there.

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All right.

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Good clean dry brush.

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And I want to create the illusion of miss

town at the base of this whole mountain.

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It's all we're doing here.

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It's just tapping follow the

angles in your mountain and

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tap gently, gently, gently.

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Gently.

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We don't want to destroy.

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We want to diffuse over here, but go

ahead this direction, just like, so still

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tapping, following those ankles and then

very lightly just lift up right here.

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Left in that direction, always

following the angles that

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you've painted in your mountain.

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There isn't that a neat, nice,

simple little way to make a

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gorgeous mountains and it works.

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It works.

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You can do this.

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What?

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We'll just use that same old color.

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Take a little tattoo on me.

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Clean off a pallet here, a little

bit, getting too much stuff going.

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There got to get some room to

work, even with a pallet this

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big, sometimes I run out of room.

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When you use in large brushes,

you need a big pallet.

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Okay.

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Yeah.

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Then now we've got some room to work.

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We'll take a little bit, it looks like

some blue and white little lizard Crimson.

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There we are basically

the mountain colors.

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I've added a little

touch, more blue to it.

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All right.

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Maybe back here in our world,

maybe some little footy Hills live.

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We back in here and go right on out.

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Maybe.

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Right there, right there.

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See, I don't have nothing want him to

get smaller down here that way it'll

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look like it's going away from you there.

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We just sort of fill that in a little

bit and how that very gently, short

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little, tiny strokes, maybe a quarter

of an inch high, grab it and lift up.

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It makes it look like little trees

that live back there right at the

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base of that gorgeous mountain.

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Work in layers.

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Keep working down, down, down,

down till you have them all in.

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If you want to separate it a little

bit, take a little darker color.

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You can come right back in there.

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Same color, only a little darker and

lift that up saying it'll make it look

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like a whole nother layer that easy.

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Isn't that sneaky.

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All right.

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Well, we got that color on the brush.

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Let's take a little bit of it and

pull it down like that to kind of make

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those little noises or it doesn't work.

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Right.

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But just pull it down and

then go slightly across.

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Sometimes you can touch the brush into

the least little tattoo white and come

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back, see how to make that water shimmer.

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But don't overdo this effect.

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It's so nice.

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Sometimes you want to overdo it

and if you overdo it, then it

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loses it, loses its effectiveness.

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Stay there and just come back.

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Just give it a little wiggle.

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All right.

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Yeah.

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A little touch of the liquid white.

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Which has put a little bit out here on the

old pallet, I'm going to put the tiniest

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little amount of the break, read into it.

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Just enough to warm it.

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A little cut across, get a little

bit right on the edge of the knife.

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We'd go up in here.

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And just begin putting in a waterline

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in that nice little bit of pink in there.

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Just, just sets it off.

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She just sets it off, but

you don't want to overdo it.

252

00:13:38,385 --> 00:13:39,585

It's easy to overdo

253

00:13:44,325 --> 00:13:45,495

something about ICAT.

254

00:13:48,555 --> 00:13:49,155

Alright.

255

00:13:50,295 --> 00:13:52,725

I like these kind of little

paintings with a black Jessup.

256

00:13:53,115 --> 00:13:55,755

I think the black Jessell

and all the color gestures

257

00:13:55,755 --> 00:13:58,125

that we've, we've introduced.

258

00:13:58,125 --> 00:13:59,865

Just one of the neatest

things in painting.

259

00:14:00,915 --> 00:14:02,985

I don't know why somebody hadn't

done that a long time ago.

260

00:14:02,985 --> 00:14:08,655

It's now colored Jessa was just

about a standard in the art world.

261

00:14:08,655 --> 00:14:11,445

Now, there we go.

262

00:14:12,885 --> 00:14:14,445

But you can make all kinds of effects.

263

00:14:17,580 --> 00:14:20,100

All right, shoot.

264

00:14:21,160 --> 00:14:23,370

We can come on down here and

start having some real fun.

265

00:14:23,370 --> 00:14:24,510

Now let me find a brush.

266

00:14:25,440 --> 00:14:25,710

Okay.

267

00:14:26,280 --> 00:14:27,990

When does he use that

same old mountain color?

268

00:14:28,020 --> 00:14:28,620

It doesn't matter.

269

00:14:30,240 --> 00:14:34,470

Use impression blue in there, some

lizard and Crimson and reach up

270

00:14:34,470 --> 00:14:35,580

here and grab a little SAP green.

271

00:14:35,580 --> 00:14:36,480

Just add right to it.

272

00:14:36,480 --> 00:14:40,380

Just a little SAP green,

just load the brush full.

273

00:14:40,530 --> 00:14:42,690

We have to start making some

big decisions here on some.

274

00:14:44,025 --> 00:14:45,195

What lives in our world.

275

00:14:45,435 --> 00:14:48,525

And I put all this here because

in my mind, I see a great big old

276

00:14:48,525 --> 00:14:52,185

tree that lives here and just sorta

comes around this whole composition.

277

00:14:52,845 --> 00:14:53,745

So let's do that.

278

00:14:54,795 --> 00:14:57,435

And when you do your painting,

you may see something totally

279

00:14:57,495 --> 00:14:58,725

and completely different in it.

280

00:14:59,805 --> 00:15:01,365

And if you do change it.

281

00:15:01,930 --> 00:15:03,699

Don't just try to do

what we're doing here.

282

00:15:05,500 --> 00:15:06,430

Look at your painting.

283

00:15:06,490 --> 00:15:09,160

Every painting in the world

is going to be different.

284

00:15:10,060 --> 00:15:11,740

That's what makes it so fantastic.

285

00:15:12,760 --> 00:15:15,310

Look at your painting, evaluated the side.

286

00:15:15,310 --> 00:15:17,949

What you have, what you want,

what you don't want you to cover

287

00:15:17,949 --> 00:15:19,030

up things you don't want in it.

288

00:15:20,380 --> 00:15:22,300

You can emphasize things that you like.

289

00:15:22,750 --> 00:15:24,610

If you get something good and

you painting, don't learn it.

290

00:15:25,900 --> 00:15:28,000

She has black Jessup makes

this very easy to do.

291

00:15:28,000 --> 00:15:29,680

You just have to put a

little bit of color here.

292

00:15:31,010 --> 00:15:34,130

And some of these things will show through

and it looks like thousands of little tree

293

00:15:34,130 --> 00:15:35,720

leaves and stuff that live back in there.

294

00:15:37,430 --> 00:15:40,850

And you did hardly

nothing, hardly nothing.

295

00:15:42,230 --> 00:15:45,410

There were just let it come right over

that old distant mountain back here.

296

00:15:47,630 --> 00:15:51,080

Okay, good down in here.

297

00:15:51,080 --> 00:15:53,240

We'll just put in some color

to dark up a little bit.

298

00:15:53,690 --> 00:15:57,200

That's much matter once again,

the Jessa was working for us.

299

00:15:58,650 --> 00:15:59,640

Over on this side.

300

00:16:00,330 --> 00:16:05,460

Maybe, maybe, maybe like there's

a little Bush right there.

301

00:16:07,980 --> 00:16:08,850

Hope you can see that.

302

00:16:08,850 --> 00:16:12,030

All it looks like right now is

big dark masses, but you need

303

00:16:12,030 --> 00:16:13,650

dark in order to show light.

304

00:16:14,370 --> 00:16:18,780

You need that dark, that dark

color, the light wouldn't show up.

305

00:16:19,650 --> 00:16:22,170

We depend on it, just like it life.

306

00:16:22,260 --> 00:16:25,980

Sometimes you have to have a little

sorrow in your life then, you

307

00:16:25,980 --> 00:16:30,420

know, when the good times come,

everything was good all the time.

308

00:16:31,860 --> 00:16:36,720

Chances are you just get used to

it and accepted as normal sometime.

309

00:16:36,720 --> 00:16:40,290

I think that's why God put some

what's some dark times in our lives.

310

00:16:40,980 --> 00:16:42,810

So we'd really appreciate these goods.

311

00:16:46,650 --> 00:16:47,430

All right.

312

00:16:48,120 --> 00:16:52,440

Just use the old two inch brush here

and just, just throw these things out.

313

00:16:52,920 --> 00:16:54,750

Once again, up here, I'm

not putting much color.

314

00:16:56,160 --> 00:16:58,140

I want that black Jesso

to work for our son.

315

00:17:06,555 --> 00:17:08,685

Sorta go all the way around that mountain.

316

00:17:08,685 --> 00:17:13,964

So it just looks like it's sitting

right in the middle of all this now.

317

00:17:14,609 --> 00:17:15,690

I think she was at the same old brush.

318

00:17:15,720 --> 00:17:21,060

It's working pretty good going

to some SAP green for CAD

319

00:17:22,290 --> 00:17:24,720

Andy now, yellow ochre for it.

320

00:17:24,720 --> 00:17:26,579

So with that, I'm going to

be hitting on the bright red.

321

00:17:26,849 --> 00:17:30,390

Now push the brush, create

that little Ridge of painting.

322

00:17:30,390 --> 00:17:35,340

See it right along in there there,

see, it's important how you load it.

323

00:17:35,745 --> 00:17:36,585

Let's go back up here.

324

00:17:37,455 --> 00:17:39,885

Now we have to figure out

what's in the background.

325

00:17:40,065 --> 00:17:41,985

We want to do that first

and then we'll come forward.

326

00:17:42,014 --> 00:17:46,625

So let's decide maybe, maybe, yep.

327

00:17:47,855 --> 00:17:50,375

This big old tree here

lives in the background.

328

00:17:51,635 --> 00:17:55,145

So begin thinking about has a

little arms would hang out there.

329

00:17:55,865 --> 00:17:57,185

We won't shape and form.

330

00:17:57,185 --> 00:17:57,845

That's important.

331

00:17:58,235 --> 00:18:00,514

That's important there.

332

00:18:02,025 --> 00:18:04,695

Quieter quieter, quieter down

toward the base or darker.

333

00:18:06,125 --> 00:18:08,105

Want the shadows to

stay down with the base.

334

00:18:09,225 --> 00:18:10,385

You have any trouble at all.

335

00:18:10,445 --> 00:18:15,485

Getting your paint to stick at the least

little touch of paint, thinner to it.

336

00:18:16,685 --> 00:18:18,695

Just the least little

touch of paint better.

337

00:18:18,845 --> 00:18:19,685

That'll thin the paint.

338

00:18:20,525 --> 00:18:24,485

And did you know, our golden

rule is a thin paint will stick

339

00:18:24,485 --> 00:18:26,675

to a thick paint thin to thick.

340

00:18:27,930 --> 00:18:31,080

There's another happy little

Bush and he lives right there.

341

00:18:31,530 --> 00:18:33,330

Wouldn't this be a gorgeous place to live?

342

00:18:35,070 --> 00:18:37,950

Build me a little cabin

right here in the eternity.

343

00:18:37,950 --> 00:18:41,280

Just looking out across that

gorgeous Lake, the old mountain.

344

00:18:44,090 --> 00:18:44,810

There we are.

345

00:18:45,200 --> 00:18:47,450

Maybe there's a happy

little Bush over here too.

346

00:18:48,890 --> 00:18:51,590

Anywhere you have these little

dark areas and just drop them in.

347

00:18:56,910 --> 00:18:57,630

Nothing here.

348

00:18:57,690 --> 00:18:58,290

There is one.

349

00:19:00,390 --> 00:19:01,220

It's all there is to it.

350

00:19:01,250 --> 00:19:03,660

I'm just using the corner

of this old two inch brush.

351

00:19:03,660 --> 00:19:06,870

You could do this with a one

inch brush oval brush works.

352

00:19:06,870 --> 00:19:07,440

Very good.

353

00:19:07,440 --> 00:19:08,400

It's a little bit slower.

354

00:19:10,255 --> 00:19:11,145

A little bit slower.

355

00:19:11,145 --> 00:19:14,325

And for TV, I usually use

the oneness, the fastest.

356

00:19:15,585 --> 00:19:18,165

I work with the Mino director

and she has no sense of humor.

357

00:19:18,165 --> 00:19:22,395

If I go over 30 minutes, there we are.

358

00:19:24,195 --> 00:19:26,115

I had a little more green to that.

359

00:19:26,145 --> 00:19:27,765

Maybe even a little black to dial it down.

360

00:19:28,980 --> 00:19:31,980

And let's begin figuring out

where land is going to go here.

361

00:19:32,280 --> 00:19:37,770

Something about like, yes, like, so

we're going to put in all, we're going

362

00:19:37,770 --> 00:19:39,330

to put in a lot of little things here.

363

00:19:39,840 --> 00:19:44,160

I'm just going to put in a lot of little

land areas, you know, and recently.

364

00:19:45,435 --> 00:19:49,725

Recently I had, I had the opportunity

to meet a couple of very fantastic

365

00:19:49,725 --> 00:19:54,915

people and they have a little kitty

cat that I want you to see these

366

00:19:54,915 --> 00:20:01,264

two fantastic people or raising a

couple of little Florida Panthers.

367

00:20:01,264 --> 00:20:03,215

That's Bennett and

Chris they're very good.

368

00:20:03,695 --> 00:20:04,355

Very good friends.

369

00:20:04,355 --> 00:20:05,885

And they're raising these little Panthers.

370

00:20:07,020 --> 00:20:09,300

Until they're adults and

then they want to use them.

371

00:20:10,470 --> 00:20:15,620

They want to use them to teach children

about how fantastic animals are.

372

00:20:16,310 --> 00:20:17,810

And they work with big cats.

373

00:20:18,110 --> 00:20:19,700

Aren't these little devils gorgeous.

374

00:20:20,300 --> 00:20:22,310

When we filmed this, one

of them was six weeks old.

375

00:20:22,340 --> 00:20:23,300

I haven't the seven weeks old.

376

00:20:23,300 --> 00:20:26,870

I don't know which one this

one is, but they are so pretty.

377

00:20:28,665 --> 00:20:29,295

There we are.

378

00:20:31,535 --> 00:20:33,845

These very well may be

if they're not for sure.

379

00:20:34,385 --> 00:20:39,515

The most endangered, most endangered

mammal on the North American continent.

380

00:20:39,875 --> 00:20:41,195

These are the Florida Panthers.

381

00:20:42,005 --> 00:20:45,515

When I was a little boy living in

Florida, they weren't that rare.

382

00:20:45,515 --> 00:20:46,155

I would hear them.

383

00:20:46,445 --> 00:20:48,815

I actually never saw them very

often, but you would hear them

384

00:20:48,815 --> 00:20:51,065

at night and they make a sound.

385

00:20:51,065 --> 00:20:52,625

That sounds what it sounds.

386

00:20:52,625 --> 00:20:56,855

Just like a lady, a lady screaming far off

in the distance, and I would hear them.

387

00:20:58,520 --> 00:21:03,440

They're almost, non-existent

now the few that remain, most

388

00:21:03,440 --> 00:21:04,580

of them are in captivity.

389

00:21:05,660 --> 00:21:08,840

It's probably the only chance

they have of making it, but

390

00:21:08,840 --> 00:21:10,040

weren't, they just gorgeous.

391

00:21:13,335 --> 00:21:17,745

I'm just tapping in all these

little layers of grassy areas here

392

00:21:18,615 --> 00:21:20,985

about you'd rather see the kitty

cats and just watch all this.

393

00:21:22,965 --> 00:21:24,615

I'm an absolute animal freak.

394

00:21:25,035 --> 00:21:27,795

I love all these little

creatures that God put here.

395

00:21:29,695 --> 00:21:30,325

There we are.

396

00:21:30,525 --> 00:21:32,995

If it was up to me, I'd just raise

them all, take them all home.

397

00:21:34,765 --> 00:21:35,875

I guess you can't do that.

398

00:21:36,295 --> 00:21:40,975

I raise all kinds of little animals

each year, and then we turn them loose.

399

00:21:41,185 --> 00:21:43,735

I don't keep them, we turn

them loose and turn them back

400

00:21:43,735 --> 00:21:44,815

to nature where they belong.

401

00:21:46,105 --> 00:21:49,855

But sometimes they get injured or

orphaned and they need a little help.

402

00:21:51,385 --> 00:21:55,405

And I work with some fantastic people

that have taught me a little bit

403

00:21:55,405 --> 00:21:57,715

about animals and they allowed me to.

404

00:21:58,290 --> 00:22:01,470

To work with them on some of these

things, tell you what, don't take the old

405

00:22:01,470 --> 00:22:06,149

brush, dip it in some depends on paint

thinner, go through some Vandyke Brown,

406

00:22:06,149 --> 00:22:07,740

little dark Sienna mixed together there.

407

00:22:07,800 --> 00:22:08,850

Just mix them on the brush.

408

00:22:10,649 --> 00:22:13,050

And then maybe with the other

side of the brush, we'll just

409

00:22:13,050 --> 00:22:14,639

pick up a little bit of light.

410

00:22:14,750 --> 00:22:19,340

Tell her little white on one side,

Angela are lights coming from that side.

411

00:22:20,010 --> 00:22:25,830

Let's have in our room, there's

going to live big old tree Ray.

412

00:22:25,830 --> 00:22:27,180

About there.

413

00:22:27,710 --> 00:22:28,230

There he is.

414

00:22:29,690 --> 00:22:30,480

Let's give them a friggin.

415

00:22:31,960 --> 00:22:33,020

We'll have another tree here.

416

00:22:34,550 --> 00:22:34,820

There.

417

00:22:37,280 --> 00:22:39,800

Take a little bit of light

didn't show up very well.

418

00:22:39,800 --> 00:22:40,940

Amanda, I'll do a little more.

419

00:22:43,035 --> 00:22:47,145

That's a simple, nice way though, of

making some very, very effective trees.

420

00:22:47,835 --> 00:22:49,905

Oh, some on the other

side, I like big trees.

421

00:22:51,405 --> 00:22:54,825

You paid him money before, you

know, I like he's old big trees.

422

00:22:56,565 --> 00:22:57,195

There we go.

423

00:22:57,705 --> 00:22:58,785

That's the one right in there.

424

00:22:59,925 --> 00:23:01,185

Give him a big old foot to stand.

425

00:23:01,185 --> 00:23:04,695

Don't shoot, maybe in our world.

426

00:23:04,695 --> 00:23:06,255

Maybe there's a little

one that lives right here.

427

00:23:07,919 --> 00:23:12,300

There now we can take a liner,

brush a little paint thinner on it.

428

00:23:12,879 --> 00:23:13,710

Same color.

429

00:23:13,740 --> 00:23:15,270

Just that Brown Vandyke Brown.

430

00:23:16,399 --> 00:23:21,770

Let's put a few, little, few, little

twigs live out here on this rascal.

431

00:23:23,419 --> 00:23:23,720

There.

432

00:23:23,750 --> 00:23:24,590

We don't want too many.

433

00:23:24,649 --> 00:23:25,310

Just a few.

434

00:23:27,409 --> 00:23:28,220

Maybe this one's dead.

435

00:23:28,220 --> 00:23:28,940

We'll have one dead.

436

00:23:28,940 --> 00:23:30,830

One in there got to

have one here and there.

437

00:23:32,070 --> 00:23:35,040

All right now we need some leaves

up here in this big old tree.

438

00:23:35,070 --> 00:23:39,870

So we'll take that same old breasts or

greens and just begin picking them out.

439

00:23:40,320 --> 00:23:41,189

Just pick them out.

440

00:23:43,229 --> 00:23:46,020

So you think about clumps by clumps?

441

00:23:46,020 --> 00:23:51,689

I mean, our branch has projecting

out at you and it creates one

442

00:23:51,689 --> 00:23:55,199

shape, one form, one at a time.

443

00:23:55,229 --> 00:23:56,489

Don't try to do them all at once.

444

00:23:56,489 --> 00:23:59,909

I know it gets feeling good and he

gets, you get to wanting to do them all.

445

00:24:01,334 --> 00:24:02,564

But just do one at a time.

446

00:24:03,504 --> 00:24:08,264

Think about one group of one group

of bushes limbs here at the times.

447

00:24:09,735 --> 00:24:12,885

They're darker, darker, darker

down here toward the base.

448

00:24:14,504 --> 00:24:18,584

All right, let's go on the other

side, little touch, the bright

449

00:24:18,584 --> 00:24:19,725

red and there to dull it down.

450

00:24:19,784 --> 00:24:24,615

Red dulls down green, but a

few little things over in here.

451

00:24:26,295 --> 00:24:29,055

Once again, just think about

basic form and shape, and

452

00:24:29,055 --> 00:24:30,045

that's all we're looking for

453

00:24:33,855 --> 00:24:37,155

little touch more right in there.

454

00:24:39,555 --> 00:24:40,665

Something like, so.

455

00:24:42,885 --> 00:24:47,385

But this is a neat way of doing

just a fantastic little bit.

456

00:24:47,405 --> 00:24:50,325

Hope you try this one and

also hope you drop me a line.

457

00:24:50,355 --> 00:24:51,635

Let me know how it worked for you.

458

00:24:51,735 --> 00:24:54,435

Send me a photograph every once in

a while we show them on TV here.

459

00:24:55,815 --> 00:24:58,155

Shoot, take a brush,

a little bit of Brown.

460

00:24:59,175 --> 00:25:00,225

We'll make that a little path.

461

00:25:00,225 --> 00:25:02,564

And with that, I think we'll

have a little finished painting.

462

00:25:03,375 --> 00:25:04,004

What you think?

463

00:25:04,754 --> 00:25:07,845

Isn't that a neat way to

do a little painting there.

464

00:25:08,985 --> 00:25:10,754

I think with that, we're going

to call that one finished.

465

00:25:10,845 --> 00:25:13,365

And from all of us here, I'd

like to wish you happy painting.

466

00:25:14,340 --> 00:25:15,420

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S26E04 - Lake in the Valley

Bob Ross's

The Joy of Painting

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