Wednesday, December 30, 2020

S25E09 - Downstream View

Bob Ross's

The Joy of Painting


S25E09 - Downstream View

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Hi, I'm glad you could join us today.


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Thought today would just do

a fantastic little painting.


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That's very easy.


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I think you'll enjoy it.


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So let's start out and have him run

all the colors right across the screen


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there that you'll need to paint along

with us while they're doing that.


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Let me show you what I've

gotten done up here already.


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I have my standard old pre-stretch double

prime canvas, and I've taken a little


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bit of black Jesso and, and just actually

used a paper towel here and just sort of


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put in a basic shaping use a paper towel

or a sponge or foam brush works well.


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I thought maybe they would have a

little river that's coming around


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here and I want to show the indication

of little stones under the water.


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So I took a little bit of white Jesso

and black Jesso and mixed it together.


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To make a nice gray GSO,

an old Filbert brush.


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And I just made the indication

here of a lot of little


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stones, just very quickly up.


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Let all that dry completely.


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Then we've covered all the dark area here.


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All across the bottom with liquid

clear the top, we've put a little bit


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of liquid white on like we normally

would, but the big thing is here.


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Let the black Jesso dry completely,

all this dry completely before you


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put the clear and the white on that's.


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The reason we had to do it

before the show started.


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And with that.


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Let's take our old two inch brush

go right into the fellow blue.


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And let's just put a happy

little sky in this painting.


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We'll just put a little blue in the

brush and go right up here and just


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begin making little crisscross strokes.


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Let's just make a gorgeous

little painting out of this one.


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This one.


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Did it just make you feel good?


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Maybe we'll maybe we'll have

some big clouds in the sky.


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So tell you what, let's just leave

some areas open here where maybe this,


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maybe the old clouds will live there.


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I don't know exactly where

there'll be, but somewhere in here.


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So we'll just leave some open areas,

some, some holes in the sky, something


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about like that, a little more color.


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And let's go right over in here a little

bit, right in there between those can


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be some big trees in here and have him.


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I'll take a little bit of the midnight

black little pressure and blue.


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I'm going to just dark in the dark

in the corners here a little bit.


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Just, just to make it a little

more attractive when it's finished.


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Okay.


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Over near the corner, we'll do the

same thing, something about like that.


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And that's really all we need.


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And then very gently here.


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I'll just sort of blend this

together to get rid of any.


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Any harsh edges and we'll come

back and we'll put in some clowns.


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There we are.


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Okay.


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Now that, and the most fun part

of all, let's wash your brush.


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I just liked it.


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I like to wash this brush.


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It's a lot of fun to shake off

and just beat the devil out of it.


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There now, then I'm going to go into a

small, very small amount of the alizarin


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Crimson, just a very small amount.


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I want these clouds to have a

little, little pinkish hue to them.


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So we'll take a little that Crimson Gretta

up in here and very lightly in this area.


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I'm just going to put a little

Crimson, just so it'll show through.


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When we put the cloud, you said

something about like, yeah.


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Shoot, we just use it a big brush.


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It's working pretty good for us.


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We'll tap in a little titanium

white and let's start up in here


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and just begin putting in some basic

cloud shapes, just titanium white.


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That's all we're using here because

we already had some Crimson on the


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brush when you have blue and Crimson

already on the canvas and it's


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continually, continually going to

mix so automatically, you're going to


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get all kinds of little variations.


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Anyway, there.


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Just sort of blend that layer

out, bend out the base of them.


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Fluff him a little bit, just a little

and very lightly, very lightly.


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Just go over just to sort

of blend them all together.


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So back into her flight and maybe

there's another little layer here, but


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work on one layer of clouds at a time.


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Don't get greedy.


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Sometimes it gets, it gets working good.


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Feels good.


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And you just get carried away

to one little layer at a time.


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Let's take that one.


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Just, just blend it

out here on the bottom.


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Just blend it out then we'll fluff

it a little bit there and see if


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there's a little separation between

them a little bit more white, maybe.


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Yep.


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Right there.


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We have just another happy little cloud.


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They just float around

here and have a good time.


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All day.


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Good time.


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There we go.


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Thank you.


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Going to enjoy this painting, the,

the black Jess, over in the some


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color gestures and liquid clear

makes beautiful, beautiful effects.


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We've tried to, we've tried to devote

a large part of this series to show him


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that because I'd had so many cards and

letters from people asking about it.


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So thank you going to enjoy this one.


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I have some, I have some good ideas here.


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We just see if we can pull them off there.


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Maybe the little cloud just

floats right along here.


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I don't know where he lives.


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We have a huge big cloud lives

in our, in our world already.


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Shoot them.


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Maybe there's a little over in here too.


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You can see he's just a little

soft cloud now I'm fluffy and very


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lightly three hairs in ScentAir

disciplining the entire canvas.


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Not easy.


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We got some pretty good old clouds there.


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Some of the edges you can just,

you can just phase them out.


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And let them just float around.


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Cause you don't, you don't

always see the entire cloud.


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It just sorta gets soft and

you sorta flipped around there.


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Let's have some fun.


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Maybe get back here in the background.


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I'll take some black, blue, little

Brown, little Crimson, precious blue.


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I don't want this to be very dark.


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So I'm gonna take some white Nixon.


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I we'll paint a little mountain.


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I think it lives.


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We read back in the distance far away.


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I want just to color about

like that little roll of paint.


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And let's go up in here and decide

maybe we have a little mountain.


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Yep.


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That's right in there.


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Just wherever you want him to live.


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I had a little bump here and a little

bump there, here, bumped their bump.


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Wherever you want them there.


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These are far, far away now, so we

don't want to get too big or too bright.


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You're far away, far away, and we'd

take her old two inch brush, just


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like we normally do when we paint

mountains and just pull that down.


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Just pull it down.


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Like, so something about like, yeah.


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Hm.


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Okay.


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Let's take a little bit of

the titanium white, pull it


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out as flat as we can get it.


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Really get tough with it and go down.


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There we go.


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Kind of cross you get

that little roll of pink.


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Don't do that again.


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So you can see it, pull it out flat.


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Just cut across.


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Say a little roll of paint.


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There's a red over the edge of the knife.


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So all there is to it.


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Flat cut across.


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Okay.


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And with that, let's put some nice

little highlights and shadows on here.


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All kinds of little things.


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This is just a little baby mountain lives.


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We'd you'd be back here in the

distance a little bit, right in there


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wherever you want them say there.


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No pressure.


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Absolutely no pressure though.


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Just pretend you're a whisper

floating through there.


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Just barely caressing the mountain,

take a little blue, little blue and


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white little blue, mix it together.


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Cut off another roll of paint again.


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Then we can go up in here and we can

just begin laying into indication


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of all kinds of little shadows.


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If we get back here.


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There we go.


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Maybe this one comes right on through

push that other one right back into the


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distance, a little bit of shadow in there.


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So you can just sneak right in.


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But again, give the indication of a

little, little mountain that lives there.


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Okay.


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You can add all kinds of little

details, too many details, because


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we want these mountains to be far

away, but too much detail in them.


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They'll begin to look too close to you.


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We don't want that.


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We want to keep them back

here in the distance.


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Stay back mountains there.


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Now take a clean.


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Very dry two inch brush.


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Just tap the base of it.


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I don't want to miss down here at the

base, so it'll be far away, far away.


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There we go.


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When he leaves, we eat back

in a distance back here now.


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Now that must take.


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I worked pretty good.


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I just keep going here.


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We take a little Crimson, a little

wine, a little bit of dilute blue,


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gonna make sort of a lavender color.


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We use a two inch brush, just tap a little

bit right in there and, and, and push it.


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Say, just give it, shove it like that.


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Okay.


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Let's go up in here.


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And with that, maybe back here,

their lives, a little footie


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Hill, just a little Foothill.


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We back in the Destin's just tap.


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I did a basic shape that I'm

going to using very short little


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strokes, lift up, make it look like

a little distant trees, far away.


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Far away.


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They live, we back here a little

more of the same colors put together.


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Cause I want to another one and we're

going to make it a little darker.


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That way.


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It'll indicate that it's

closer to us in the landscape.


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As you know, as things get closer

to us, they get darker in value.


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So we'll use the same color only darker.


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He didn't maybe.


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Yep.


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You're right.


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I like to put seven, the layers

sometimes and these little


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foothills, because it, it helps with

that illusion of distance again.


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And I think it's so important in a

painting there and we just pushed


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that mountain back another five miles.


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Maybe we don't know, but it lives

way back here now, far away.


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Far away.


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He didn't need that.


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You can push mountains around.


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You can do that.


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You can do that.


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All right.


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Maybe we'll put some

nice trees right in here.


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And for that, let you let you clean

off a spot to wear black Prussian


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blue alizarin, Crimson, fellow green.


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I like the little green and trees.


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Sometimes.


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There we go.


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I start color.


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Let me wipe off the old knife.


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Hey, maybe today.


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We'll let's use the old fan brush.


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What the heck load.


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A lot of color in there.


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A lot of paint we're going

to put, come put that.


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Maybe there's some evergreens

that live right here.


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You have to make a big determination.


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Some of them are about that.


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Tall.


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Some are short, some are big.


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Some are a little, there we go.


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A little mountain reminds me.


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We were, we were in Mexico city here

a while back and there was gorgeous


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mountains around Mexico city.


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Popo and all kinds of

mountains, they are gorgeous.


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And until I went there, I never

realize Mexico had so many mountains.


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You know, our, our program is

playing in Mexico and many, many


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other foreign countries now.


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And I want to share with you.


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Some of our instructors there and some

of the fantastic things they're doing.


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I got a couple of photographs here.


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First of all, let me show you this late.


243

00:13:06,615 --> 00:13:10,095

They took us out on a boat to the floating

gardens to paint the floating gardens.


244

00:13:10,095 --> 00:13:14,115

And this was Bob pier getting ready

to go out on a beautiful boat.


245

00:13:14,145 --> 00:13:18,075

They had really decorated it

nice and a lot of fun out there.


246

00:13:18,795 --> 00:13:20,775

And here's a net with some

of her instructors and.


247

00:13:21,660 --> 00:13:22,590

And that fuzzy haired guy.


248

00:13:22,590 --> 00:13:23,100

Thanks me.


249

00:13:23,100 --> 00:13:27,690

And good looking gal there on the

right is Lulu and, and the other


250

00:13:28,260 --> 00:13:29,760

young lady is a good friend of mine.


251

00:13:29,790 --> 00:13:32,850

Her father works for this there.


252

00:13:33,200 --> 00:13:35,100

I'm just putting in little trees

while you're watching this.


253

00:13:35,670 --> 00:13:37,440

Here's the net with

some of her instructors.


254

00:13:37,800 --> 00:13:41,010

We have certified instructors

in Mexico now that are all


255

00:13:41,010 --> 00:13:42,450

they're doing gorgeous paintings.


256

00:13:42,690 --> 00:13:44,010

Just gorgeous.


257

00:13:45,105 --> 00:13:48,165

And they can really paint and

net has really, really done a


258

00:13:48,165 --> 00:13:49,725

fantastic job working with them.


259

00:13:50,565 --> 00:13:52,935

And now they're sharing the

joy of painting with many,


260

00:13:52,935 --> 00:13:55,635

many people all over Mexico.


261

00:13:56,985 --> 00:13:59,625

And we, we really thank them for that.


262

00:13:59,625 --> 00:14:01,905

It's a lot of fun there.


263

00:14:03,225 --> 00:14:07,725

I'm going to get to go to Mexico again

very soon and spend some time with some


264

00:14:07,725 --> 00:14:11,205

of the most fantastic friends there.


265

00:14:14,265 --> 00:14:16,935

See there, but we're just putting

in a whole kinds of little trees.


266

00:14:16,935 --> 00:14:18,015

I'd also helps.


267

00:14:18,375 --> 00:14:21,045

Give the illusion to those

mountains live much farther back.


268

00:14:23,115 --> 00:14:25,935

Just keep pushing things farther

and farther back in his painting.


269

00:14:27,605 --> 00:14:28,175

There we go


270

00:14:31,705 --> 00:14:36,575

there, but all we're doing here is

just tapping downward, real easy.


271

00:14:37,085 --> 00:14:40,575

Sometimes you can pick out a nutria too,

and just give it a little sideboard pull.


272

00:14:40,595 --> 00:14:42,425

It makes it look like

little limb sticking out.


273

00:14:42,485 --> 00:14:44,795

I wouldn't do it to all of them

because they're too far away.


274

00:14:46,080 --> 00:14:49,440

Too far away at your room, that illusion

of distance, but a few here and there,


275

00:14:49,650 --> 00:14:50,930

it makes it sort of interesting.


276

00:14:52,760 --> 00:14:53,360

All right.


277

00:14:59,480 --> 00:14:59,870

Okay.


278

00:14:59,890 --> 00:15:00,740

Let's have some fun.


279

00:15:02,415 --> 00:15:03,584

Let me find a clean brush.


280

00:15:03,584 --> 00:15:04,064

There's one.


281

00:15:05,834 --> 00:15:08,444

I got several old brushes going,

so I have to spend every minute


282

00:15:08,444 --> 00:15:11,474

of my time just washing brushes,

because it's the fun part.


283

00:15:11,865 --> 00:15:13,545

I'll take a little bit of salal blue hair.


284

00:15:14,834 --> 00:15:16,844

Now, then let's take

this, the little blue.


285

00:15:17,204 --> 00:15:21,104

It's very transparent and paint right over

the top because we have liquid clear here.


286

00:15:21,104 --> 00:15:22,785

So it's slick and wet and we can do that.


287

00:15:23,234 --> 00:15:25,245

Let's paint right over

the top of the water.


288

00:15:25,425 --> 00:15:26,474

Watch what happens.


289

00:15:27,585 --> 00:15:28,545

Watch what happens?


290

00:15:29,925 --> 00:15:31,125

Isn't that fantastic.


291

00:15:31,605 --> 00:15:35,235

All of a sudden we can

see through the water.


292

00:15:36,615 --> 00:15:38,355

We can see right through the water.


293

00:15:39,285 --> 00:15:42,974

But you have to use a transparent

paint and fellow blue, Prussian


294

00:15:42,974 --> 00:15:44,474

blue, both are very transparent.


295

00:15:46,365 --> 00:15:47,025

There we go.


296

00:15:48,435 --> 00:15:50,805

See there isn't that sneaky.


297

00:15:52,055 --> 00:15:55,865

I used to work so hard to try to create

the illusion of rocks and stones.


298

00:15:57,305 --> 00:15:58,805

Then we put a few ripples on here.


299

00:15:58,925 --> 00:16:03,875

It'll look even better, but that easy

that's really all you have to do.


300

00:16:04,535 --> 00:16:05,405

Oh, you have to do.


301

00:16:08,165 --> 00:16:08,855

Okay.


302

00:16:10,525 --> 00:16:12,324

It's gorgeous looking little streamer.


303

00:16:12,335 --> 00:16:13,765

I might take at least little touches.


304

00:16:13,795 --> 00:16:14,925

They look green to an ad.


305

00:16:15,025 --> 00:16:15,175

Yeah.


306

00:16:19,095 --> 00:16:24,645

Now then maybe in our world, wipe off

the old fan brush here, it's got some


307

00:16:24,735 --> 00:16:26,475

dark tree color and I'm going to yellow.


308

00:16:27,315 --> 00:16:33,225

And maybe in our world here, we have

a little bit of nice green, little


309

00:16:33,225 --> 00:16:34,875

grassy areas that grow back here.


310

00:16:35,715 --> 00:16:40,395

Cancel let's go up in here and we can

do that, but just deciding where they


311

00:16:40,395 --> 00:16:42,615

live and give them a little upward push.


312

00:16:44,045 --> 00:16:44,805

Upward push.


313

00:16:44,985 --> 00:16:46,485

And it goes way back in here.


314

00:16:49,725 --> 00:16:52,605

I can see, and you can lift it up, right?


315

00:16:52,605 --> 00:16:54,885

If you want to make it look like

little bushy things here and there


316

00:16:56,985 --> 00:16:58,515

just all kinds of little things.


317

00:16:59,655 --> 00:17:02,865

And in your world, you create any

kind of illusion that you want,


318

00:17:04,575 --> 00:17:06,194

any kind of illusion that you want.


319

00:17:06,194 --> 00:17:07,694

Nice little grassy areas here.


320

00:17:08,745 --> 00:17:09,585

Say there they are.


321

00:17:09,585 --> 00:17:09,975

They come.


322

00:17:12,390 --> 00:17:13,170

That easy though.


323

00:17:15,600 --> 00:17:16,350

Okay.


324

00:17:17,030 --> 00:17:21,860

And maybe we have a little

dark Sienna, a little white.


325

00:17:22,310 --> 00:17:25,640

And with that, we'll make up a

little Brown color, maybe a little


326

00:17:25,640 --> 00:17:26,870

more of the dark sand in there.


327

00:17:26,930 --> 00:17:27,290

Yeah.


328

00:17:29,000 --> 00:17:33,350

Let's come in here, but the

indications and I have some land


329

00:17:33,350 --> 00:17:36,440

right under this, let's say there.


330

00:17:36,710 --> 00:17:36,920

Hmm.


331

00:17:39,440 --> 00:17:40,130

Bad, easy.


332

00:17:40,995 --> 00:17:43,034

Maybe it goes way back in here somewhere.


333

00:17:43,274 --> 00:17:44,324

I don't know where it goes.


334

00:17:45,495 --> 00:17:48,254

This little stream or

river hit me on Anders.


335

00:17:48,254 --> 00:17:52,034

We back in there, we

don't know where it goes.


336

00:17:52,034 --> 00:17:53,205

Don't know that we even care.


337

00:17:53,264 --> 00:17:54,584

Let's take a little liquid white.


338

00:17:56,355 --> 00:17:59,685

Here, I'm gonna take a least little

touch of blue and put in it just


339

00:17:59,685 --> 00:18:02,325

enough to give it a little bluish tone.


340

00:18:02,625 --> 00:18:05,385

Not much, not much though.


341

00:18:05,445 --> 00:18:06,764

Just enough to flavor it.


342

00:18:06,764 --> 00:18:07,065

Good.


343

00:18:08,175 --> 00:18:10,965

Cut across, get our little bit of

paint right on the edge of the knife.


344

00:18:12,105 --> 00:18:15,465

And then let's go up in here and

begin putting some water lines right


345

00:18:15,465 --> 00:18:20,285

over the top of this transparent

water that we've made there.


346

00:18:25,335 --> 00:18:28,725

Maybe this comes out through here.


347

00:18:30,905 --> 00:18:34,845

We can still see through the

water can see right through it.


348

00:18:35,475 --> 00:18:35,955

Shoot.


349

00:18:35,955 --> 00:18:36,195

I bet.


350

00:18:36,195 --> 00:18:39,915

If you look close there, there's a big

old trail just floating right down the


351

00:18:39,915 --> 00:18:43,635

river, taking life easy and enjoying.


352

00:18:43,635 --> 00:18:46,935

It certainly is a pretty place to live.


353

00:18:47,145 --> 00:18:47,745

Tell you that.


354

00:18:49,304 --> 00:18:50,564

All right now.


355

00:18:52,095 --> 00:18:53,655

Let's go back to her nice dark color.


356

00:18:55,380 --> 00:18:57,810

And we don't have, I'm just putting

a little dark paint on there.


357

00:18:58,590 --> 00:19:02,700

Cause I'm going to put some light color

on top of it and I want it to stand out.


358

00:19:02,800 --> 00:19:04,370

I want it to mix with that dark color.


359

00:19:05,910 --> 00:19:07,910

Don't have to do much cause

of black Jessel's there.


360

00:19:07,910 --> 00:19:09,380

I just want enough paint on there.


361

00:19:09,380 --> 00:19:16,040

So it mixes with the color we're

going to, but on top, like it don't


362

00:19:16,040 --> 00:19:17,300

even matter if you've covered good.


363

00:19:19,670 --> 00:19:21,020

Something about my cat.


364

00:19:22,545 --> 00:19:23,865

Let me just try that same old brush.


365

00:19:24,315 --> 00:19:29,955

We go right into the yellow little

set, green little yellow ochre there.


366

00:19:30,855 --> 00:19:33,925

Say all those colors, Nan.


367

00:19:33,925 --> 00:19:35,055

And just give it a little tap.


368

00:19:36,525 --> 00:19:41,565

See, you're just pushing that paint, push

it loads a little bit of paint around


369

00:19:41,565 --> 00:19:45,705

the end edge of the brush that we can

go up here with that and just touch.


370

00:19:46,035 --> 00:19:49,305

We can begin with buddy all

kinds of little grassy areas


371

00:19:49,305 --> 00:19:50,325

that live back in here.


372

00:19:51,105 --> 00:19:55,335

Just by touching and the more you tap

on this, the more it's coating mixed


373

00:19:55,335 --> 00:19:56,595

with that color that's underneath.


374

00:19:56,625 --> 00:20:00,285

That's the reason we put it into there and

it'll get darker and darker and darker.


375

00:20:02,525 --> 00:20:02,795

I see.


376

00:20:04,895 --> 00:20:04,985

Okay.


377

00:20:05,015 --> 00:20:05,645

That's area.


378

00:20:05,915 --> 00:20:07,265

This is going to be a big tree right here.


379

00:20:07,265 --> 00:20:08,705

That's the area behind the tree.


380

00:20:09,929 --> 00:20:14,429

Now we can take some dark color and we

have to make our first major decision


381

00:20:14,429 --> 00:20:19,210

in the tree business or does our big old

tree live when we put some black Jesso.


382

00:20:19,210 --> 00:20:19,620

So a pair.


383

00:20:19,620 --> 00:20:21,840

So we knew basically

where it's going to be.


384

00:20:27,120 --> 00:20:29,820

And I don't cover all those

black GSL things, either.


385

00:20:29,820 --> 00:20:32,940

Some of them showing through over

here and when the paintings all


386

00:20:32,940 --> 00:20:35,399

done, people will actually see.


387

00:20:36,705 --> 00:20:41,865

Foliage that's behind the tree

and he'll go crazy trying to


388

00:20:41,865 --> 00:20:43,004

figure out how you did that.


389

00:20:44,325 --> 00:20:45,254

And that's our secret.


390

00:20:47,024 --> 00:20:47,655

There we go.


391

00:20:48,705 --> 00:20:52,485

That's our secret, but you

can share it with everybody.


392

00:20:52,485 --> 00:20:52,965

If you like.


393

00:20:54,315 --> 00:20:57,855

That may be the most fun of painting

is when you share it with other people.


394

00:20:57,855 --> 00:21:01,785

I get letters every day from people that

have started painting from watching this


395

00:21:01,785 --> 00:21:05,415

show, and then they did a painting for a

friend or a relative and let them watch


396

00:21:05,435 --> 00:21:07,635

and do the painting and the friends.


397

00:21:07,825 --> 00:21:08,595

Absolutely.


398

00:21:08,595 --> 00:21:10,985

If they hadn't seen it, could

not believe they're doing it.


399

00:21:11,855 --> 00:21:12,575

And they are.


400

00:21:13,595 --> 00:21:17,165

And our newsletter, we just, we just

showed the picture of a lady who's


401

00:21:17,165 --> 00:21:22,145

in her nineties who was painting

now, and she's doing a fantastic job.


402

00:21:23,460 --> 00:21:24,900

This is just a little Brown and white.


403

00:21:25,380 --> 00:21:28,710

Just want to put the indication

here and there and there in here,


404

00:21:29,160 --> 00:21:31,470

wherever have a few little trunks.


405

00:21:31,500 --> 00:21:33,960

I'm going to put some leaves on

here and we're probably going to


406

00:21:33,960 --> 00:21:38,630

lose most of those, but if some of

them shoot through that's wonderful.


407

00:21:40,040 --> 00:21:40,970

All right.


408

00:21:41,370 --> 00:21:45,860

Dip the little oval brush right

into some liquor, which white.


409

00:21:45,889 --> 00:21:52,370

I would go into little kid, yellow, little

SAP, green, yellow, ochre, Indian, yellow.


410

00:21:53,300 --> 00:21:53,389

Okay.


411

00:21:53,450 --> 00:21:54,350

All those colors.


412

00:21:54,980 --> 00:21:58,280

Push that little brush to load

it, to give it a little push.


413

00:21:58,430 --> 00:22:02,060

I can't just go up in here and let's

put some gorgeous little leaves up here.


414

00:22:02,240 --> 00:22:04,790

This little oval brush to

some of the neatest leaves.


415

00:22:05,629 --> 00:22:08,899

They just literally just, just

almost fall off your brush.


416

00:22:10,815 --> 00:22:16,784

There they go something about my

cat, but think about shape and form.


417

00:22:16,784 --> 00:22:18,195

Don't just throw them on at random.


418

00:22:18,615 --> 00:22:22,365

I know I say that every time

I use any brush to do leaves,


419

00:22:23,205 --> 00:22:24,315

but that's so important.


420

00:22:26,055 --> 00:22:27,645

Think about shape and form.


421

00:22:29,504 --> 00:22:34,514

Gotta to give this old

tree some character there.


422

00:22:36,165 --> 00:22:36,615

Down here.


423

00:22:36,615 --> 00:22:38,265

We let him get dark and darker and darker.


424

00:22:38,265 --> 00:22:43,485

We need those dark shadows down at the

bottom to give him depth there a little


425

00:22:43,485 --> 00:22:49,365

bit over in here, but then that makes

them beautiful shaped for your trees.


426

00:22:49,785 --> 00:22:51,495

And it almost happens automatically.


427

00:22:52,815 --> 00:22:54,855

Almost automatic little over brushes.


428

00:22:54,885 --> 00:22:55,455

Really neat.


429

00:22:57,725 --> 00:22:58,115

Right.


430

00:23:01,355 --> 00:23:01,805

Shoot.


431

00:23:02,225 --> 00:23:03,305

Let me find all brush.


432

00:23:03,305 --> 00:23:06,395

We were making some grassy

areas with, and we'll just start


433

00:23:06,395 --> 00:23:07,865

bringing them right on down.


434

00:23:09,035 --> 00:23:10,205

These are in front there.


435

00:23:12,979 --> 00:23:19,719

So here we are keep on coming down with

those and you can really practice a


436

00:23:19,719 --> 00:23:21,159

little bit of this and you can make grass.


437

00:23:21,159 --> 00:23:23,639

It's just, it looks like

velvet nearly laying up.


438

00:23:23,649 --> 00:23:26,709

Yeah, maybe an hour.


439

00:23:26,770 --> 00:23:30,040

Well, this is a nice little Bush

that lives right here under the tree.


440

00:23:31,209 --> 00:23:34,889

So we'll put some nice leaves on him, just

using the corner, the old two inch brush.


441

00:23:34,899 --> 00:23:38,379

He doesn't matter whatever

brush and mix makes you happy.


442

00:23:41,205 --> 00:23:45,275

They're adding a little bit

more of that dark color.


443

00:23:45,335 --> 00:23:46,955

I see another Bush libs right there.


444

00:23:48,335 --> 00:23:50,645

Once again, I'll leave some

of the black Jesso behind


445

00:23:50,645 --> 00:23:52,145

there and let it show through.


446

00:23:55,085 --> 00:23:57,935

Yes, I had to make it,

make it look real neat.


447

00:23:59,790 --> 00:24:02,939

Back to our little oval brush, put a

few little highlights on that little,


448

00:24:03,149 --> 00:24:09,830

little baby tree there, little baby

tree, but he'll grow up to be big tree.


449

00:24:10,070 --> 00:24:13,340

He just needs a lot of water and

sunshine, love and affection.


450

00:24:14,060 --> 00:24:19,969

Same as all of us there,

something about like, so.


451

00:24:22,980 --> 00:24:23,730

Back to her brush.


452

00:24:23,730 --> 00:24:28,770

It has some nice little color on it

here, and we'll, we'll just continue on


453

00:24:28,770 --> 00:24:30,750

making all kinds of little grassy areas.


454

00:24:32,040 --> 00:24:32,820

I know what we need.


455

00:24:32,970 --> 00:24:33,810

Take a little Brown.


456

00:24:34,650 --> 00:24:36,780

We need some dirt out here.


457

00:24:38,250 --> 00:24:44,460

So we just use a little Brown

here and there, the Brown and


458

00:24:44,460 --> 00:24:45,870

white for some touch, a highlight.


459

00:24:45,900 --> 00:24:47,340

I don't want a lot of highlight on this.


460

00:24:47,340 --> 00:24:48,300

Maybe just a little bit.


461

00:24:49,470 --> 00:24:50,820

Don't want to distract from the water.


462

00:24:50,860 --> 00:24:52,590

The water is what's

important in this painting.


463

00:24:54,510 --> 00:24:55,350

Just a little.


464

00:24:57,990 --> 00:24:58,650

There we go


465

00:25:02,220 --> 00:25:02,760

there.


466

00:25:06,030 --> 00:25:09,990

So just keep tapping it in there.


467

00:25:13,660 --> 00:25:14,230

Okay.


468

00:25:17,090 --> 00:25:21,740

It was, I say, the more you tap this, the

soft rid of the cover, it'll get so neat.


469

00:25:23,025 --> 00:25:29,625

They're just layer after layer, after

layer, wherever you think it should live.


470

00:25:29,985 --> 00:25:31,215

Bring some right down in here.


471

00:25:32,865 --> 00:25:33,525

All right.


472

00:25:33,735 --> 00:25:35,355

Let me wash this old oval brush.


473

00:25:37,275 --> 00:25:38,085

I'm going to take and go.


474

00:25:39,675 --> 00:25:42,825

Shake off the excess go right

through some vending Brown where


475

00:25:42,825 --> 00:25:44,295

they'd get it loaded with color.


476

00:25:46,095 --> 00:25:49,365

Then the other side, a little more

paint than it needs to be thin


477

00:25:49,485 --> 00:25:50,685

thick, a little white and Brown.


478

00:25:50,715 --> 00:25:54,495

The other side, maybe even a

little black on the dark side.


479

00:25:54,495 --> 00:25:56,264

So one side we have full of light color.


480

00:25:56,355 --> 00:25:59,445

The other, we have full of dark

and let's just go right up in here.


481

00:25:59,445 --> 00:26:03,825

And maybe, maybe there's some

big rocks that live around here.


482

00:26:03,915 --> 00:26:04,274

See them.


483

00:26:04,485 --> 00:26:06,645

You can make them in one

stroke, a little black.


484

00:26:07,635 --> 00:26:12,195

Brown little white, but these

little stones and rocks, wherever


485

00:26:12,195 --> 00:26:13,185

you think they should live.


486

00:26:15,165 --> 00:26:18,195

Something like, so wherever,


487

00:26:22,215 --> 00:26:29,504

a little bit of liquid white, a little

water line red around these stones there.


488

00:26:31,095 --> 00:26:36,555

And that Neato Travis idea with putting

rocks under water, just see what kind


489

00:26:36,555 --> 00:26:37,935

of things that you can come up with.


490

00:26:38,685 --> 00:26:41,175

You'll be amazed at what what'll happen.


491

00:26:41,265 --> 00:26:44,535

Just a little bit of practice, do

it with all colors of different,


492

00:26:44,715 --> 00:26:49,725

different colors under here with

Jesso and little acrylic paint.


493

00:26:51,045 --> 00:26:54,315

And I think you'll be very

satisfied with the effect to get.


494

00:26:56,340 --> 00:26:59,520

Okay, scratch a few sticks

and takes her in there.


495

00:27:00,570 --> 00:27:02,129

I think we're about to finish painting.


496

00:27:02,939 --> 00:27:03,629

I hope you liked this.


497

00:27:03,629 --> 00:27:05,659

One's a little different

thing we've done before.


498

00:27:05,710 --> 00:27:08,419

Give you a whole new idea to

work with from all of us here.


499

00:27:08,510 --> 00:27:10,580

I'd like to wish you happy painting in.


500

00:27:10,580 --> 00:27:10,820

God.


501

00:27:10,820 --> 00:27:11,570

Bless my friend.


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