Bob Ross's
The Joy of Painting
S25E09 - Downstream View
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Hi, I'm glad you could join us today.
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Thought today would just do
a fantastic little painting.
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That's very easy.
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I think you'll enjoy it.
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So let's start out and have him run
all the colors right across the screen
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there that you'll need to paint along
with us while they're doing that.
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Let me show you what I've
gotten done up here already.
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I have my standard old pre-stretch double
prime canvas, and I've taken a little
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bit of black Jesso and, and just actually
used a paper towel here and just sort of
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put in a basic shaping use a paper towel
or a sponge or foam brush works well.
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I thought maybe they would have a
little river that's coming around
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here and I want to show the indication
of little stones under the water.
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So I took a little bit of white Jesso
and black Jesso and mixed it together.
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To make a nice gray GSO,
an old Filbert brush.
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And I just made the indication
here of a lot of little
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stones, just very quickly up.
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Let all that dry completely.
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Then we've covered all the dark area here.
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All across the bottom with liquid
clear the top, we've put a little bit
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of liquid white on like we normally
would, but the big thing is here.
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Let the black Jesso dry completely,
all this dry completely before you
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put the clear and the white on that's.
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The reason we had to do it
before the show started.
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And with that.
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Let's take our old two inch brush
go right into the fellow blue.
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And let's just put a happy
little sky in this painting.
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We'll just put a little blue in the
brush and go right up here and just
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begin making little crisscross strokes.
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Let's just make a gorgeous
little painting out of this one.
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This one.
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Did it just make you feel good?
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Maybe we'll maybe we'll have
some big clouds in the sky.
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So tell you what, let's just leave
some areas open here where maybe this,
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maybe the old clouds will live there.
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I don't know exactly where
there'll be, but somewhere in here.
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So we'll just leave some open areas,
some, some holes in the sky, something
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about like that, a little more color.
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And let's go right over in here a little
bit, right in there between those can
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be some big trees in here and have him.
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I'll take a little bit of the midnight
black little pressure and blue.
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I'm going to just dark in the dark
in the corners here a little bit.
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Just, just to make it a little
more attractive when it's finished.
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Okay.
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Over near the corner, we'll do the
same thing, something about like that.
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And that's really all we need.
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And then very gently here.
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I'll just sort of blend this
together to get rid of any.
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Any harsh edges and we'll come
back and we'll put in some clowns.
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There we are.
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Okay.
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Now that, and the most fun part
of all, let's wash your brush.
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I just liked it.
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I like to wash this brush.
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It's a lot of fun to shake off
and just beat the devil out of it.
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There now, then I'm going to go into a
small, very small amount of the alizarin
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Crimson, just a very small amount.
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I want these clouds to have a
little, little pinkish hue to them.
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So we'll take a little that Crimson Gretta
up in here and very lightly in this area.
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I'm just going to put a little
Crimson, just so it'll show through.
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When we put the cloud, you said
something about like, yeah.
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Shoot, we just use it a big brush.
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It's working pretty good for us.
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We'll tap in a little titanium
white and let's start up in here
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and just begin putting in some basic
cloud shapes, just titanium white.
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That's all we're using here because
we already had some Crimson on the
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brush when you have blue and Crimson
already on the canvas and it's
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continually, continually going to
mix so automatically, you're going to
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get all kinds of little variations.
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Anyway, there.
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Just sort of blend that layer
out, bend out the base of them.
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Fluff him a little bit, just a little
and very lightly, very lightly.
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Just go over just to sort
of blend them all together.
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So back into her flight and maybe
there's another little layer here, but
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work on one layer of clouds at a time.
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Don't get greedy.
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Sometimes it gets, it gets working good.
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Feels good.
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And you just get carried away
to one little layer at a time.
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Let's take that one.
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Just, just blend it
out here on the bottom.
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Just blend it out then we'll fluff
it a little bit there and see if
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there's a little separation between
them a little bit more white, maybe.
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Yep.
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Right there.
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We have just another happy little cloud.
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They just float around
here and have a good time.
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All day.
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Good time.
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There we go.
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Thank you.
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Going to enjoy this painting, the,
the black Jess, over in the some
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color gestures and liquid clear
makes beautiful, beautiful effects.
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We've tried to, we've tried to devote
a large part of this series to show him
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that because I'd had so many cards and
letters from people asking about it.
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So thank you going to enjoy this one.
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I have some, I have some good ideas here.
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We just see if we can pull them off there.
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Maybe the little cloud just
floats right along here.
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I don't know where he lives.
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We have a huge big cloud lives
in our, in our world already.
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Shoot them.
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Maybe there's a little over in here too.
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You can see he's just a little
soft cloud now I'm fluffy and very
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lightly three hairs in ScentAir
disciplining the entire canvas.
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Not easy.
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We got some pretty good old clouds there.
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Some of the edges you can just,
you can just phase them out.
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And let them just float around.
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Cause you don't, you don't
always see the entire cloud.
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It just sorta gets soft and
you sorta flipped around there.
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Let's have some fun.
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Maybe get back here in the background.
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I'll take some black, blue, little
Brown, little Crimson, precious blue.
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I don't want this to be very dark.
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So I'm gonna take some white Nixon.
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I we'll paint a little mountain.
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I think it lives.
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We read back in the distance far away.
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I want just to color about
like that little roll of paint.
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And let's go up in here and decide
maybe we have a little mountain.
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Yep.
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That's right in there.
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Just wherever you want him to live.
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I had a little bump here and a little
bump there, here, bumped their bump.
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Wherever you want them there.
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These are far, far away now, so we
don't want to get too big or too bright.
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You're far away, far away, and we'd
take her old two inch brush, just
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like we normally do when we paint
mountains and just pull that down.
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Just pull it down.
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Like, so something about like, yeah.
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Hm.
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Okay.
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Let's take a little bit of
the titanium white, pull it
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out as flat as we can get it.
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Really get tough with it and go down.
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There we go.
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Kind of cross you get
that little roll of pink.
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Don't do that again.
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So you can see it, pull it out flat.
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Just cut across.
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Say a little roll of paint.
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There's a red over the edge of the knife.
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So all there is to it.
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Flat cut across.
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Okay.
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And with that, let's put some nice
little highlights and shadows on here.
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All kinds of little things.
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This is just a little baby mountain lives.
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We'd you'd be back here in the
distance a little bit, right in there
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wherever you want them say there.
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No pressure.
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Absolutely no pressure though.
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Just pretend you're a whisper
floating through there.
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Just barely caressing the mountain,
take a little blue, little blue and
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white little blue, mix it together.
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Cut off another roll of paint again.
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Then we can go up in here and we can
just begin laying into indication
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of all kinds of little shadows.
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If we get back here.
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There we go.
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Maybe this one comes right on through
push that other one right back into the
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distance, a little bit of shadow in there.
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So you can just sneak right in.
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But again, give the indication of a
little, little mountain that lives there.
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Okay.
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You can add all kinds of little
details, too many details, because
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we want these mountains to be far
away, but too much detail in them.
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They'll begin to look too close to you.
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We don't want that.
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We want to keep them back
here in the distance.
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Stay back mountains there.
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Now take a clean.
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Very dry two inch brush.
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Just tap the base of it.
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I don't want to miss down here at the
base, so it'll be far away, far away.
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There we go.
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When he leaves, we eat back
in a distance back here now.
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Now that must take.
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I worked pretty good.
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I just keep going here.
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We take a little Crimson, a little
wine, a little bit of dilute blue,
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gonna make sort of a lavender color.
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We use a two inch brush, just tap a little
bit right in there and, and, and push it.
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Say, just give it, shove it like that.
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Okay.
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Let's go up in here.
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And with that, maybe back here,
their lives, a little footie
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Hill, just a little Foothill.
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We back in the Destin's just tap.
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I did a basic shape that I'm
going to using very short little
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strokes, lift up, make it look like
a little distant trees, far away.
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Far away.
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They live, we back here a little
more of the same colors put together.
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Cause I want to another one and we're
going to make it a little darker.
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That way.
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It'll indicate that it's
closer to us in the landscape.
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As you know, as things get closer
to us, they get darker in value.
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So we'll use the same color only darker.
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He didn't maybe.
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Yep.
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You're right.
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I like to put seven, the layers
sometimes and these little
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foothills, because it, it helps with
that illusion of distance again.
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And I think it's so important in a
painting there and we just pushed
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that mountain back another five miles.
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Maybe we don't know, but it lives
way back here now, far away.
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Far away.
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He didn't need that.
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You can push mountains around.
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You can do that.
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You can do that.
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All right.
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Maybe we'll put some
nice trees right in here.
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And for that, let you let you clean
off a spot to wear black Prussian
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blue alizarin, Crimson, fellow green.
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I like the little green and trees.
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Sometimes.
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There we go.
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I start color.
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Let me wipe off the old knife.
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Hey, maybe today.
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We'll let's use the old fan brush.
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What the heck load.
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A lot of color in there.
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A lot of paint we're going
to put, come put that.
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Maybe there's some evergreens
that live right here.
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You have to make a big determination.
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Some of them are about that.
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Tall.
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Some are short, some are big.
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Some are a little, there we go.
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A little mountain reminds me.
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We were, we were in Mexico city here
a while back and there was gorgeous
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mountains around Mexico city.
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Popo and all kinds of
mountains, they are gorgeous.
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And until I went there, I never
realize Mexico had so many mountains.
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You know, our, our program is
playing in Mexico and many, many
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other foreign countries now.
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And I want to share with you.
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Some of our instructors there and some
of the fantastic things they're doing.
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I got a couple of photographs here.
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First of all, let me show you this late.
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00:13:06,615 --> 00:13:10,095
They took us out on a boat to the floating
gardens to paint the floating gardens.
244
00:13:10,095 --> 00:13:14,115
And this was Bob pier getting ready
to go out on a beautiful boat.
245
00:13:14,145 --> 00:13:18,075
They had really decorated it
nice and a lot of fun out there.
246
00:13:18,795 --> 00:13:20,775
And here's a net with some
of her instructors and.
247
00:13:21,660 --> 00:13:22,590
And that fuzzy haired guy.
248
00:13:22,590 --> 00:13:23,100
Thanks me.
249
00:13:23,100 --> 00:13:27,690
And good looking gal there on the
right is Lulu and, and the other
250
00:13:28,260 --> 00:13:29,760
young lady is a good friend of mine.
251
00:13:29,790 --> 00:13:32,850
Her father works for this there.
252
00:13:33,200 --> 00:13:35,100
I'm just putting in little trees
while you're watching this.
253
00:13:35,670 --> 00:13:37,440
Here's the net with
some of her instructors.
254
00:13:37,800 --> 00:13:41,010
We have certified instructors
in Mexico now that are all
255
00:13:41,010 --> 00:13:42,450
they're doing gorgeous paintings.
256
00:13:42,690 --> 00:13:44,010
Just gorgeous.
257
00:13:45,105 --> 00:13:48,165
And they can really paint and
net has really, really done a
258
00:13:48,165 --> 00:13:49,725
fantastic job working with them.
259
00:13:50,565 --> 00:13:52,935
And now they're sharing the
joy of painting with many,
260
00:13:52,935 --> 00:13:55,635
many people all over Mexico.
261
00:13:56,985 --> 00:13:59,625
And we, we really thank them for that.
262
00:13:59,625 --> 00:14:01,905
It's a lot of fun there.
263
00:14:03,225 --> 00:14:07,725
I'm going to get to go to Mexico again
very soon and spend some time with some
264
00:14:07,725 --> 00:14:11,205
of the most fantastic friends there.
265
00:14:14,265 --> 00:14:16,935
See there, but we're just putting
in a whole kinds of little trees.
266
00:14:16,935 --> 00:14:18,015
I'd also helps.
267
00:14:18,375 --> 00:14:21,045
Give the illusion to those
mountains live much farther back.
268
00:14:23,115 --> 00:14:25,935
Just keep pushing things farther
and farther back in his painting.
269
00:14:27,605 --> 00:14:28,175
There we go
270
00:14:31,705 --> 00:14:36,575
there, but all we're doing here is
just tapping downward, real easy.
271
00:14:37,085 --> 00:14:40,575
Sometimes you can pick out a nutria too,
and just give it a little sideboard pull.
272
00:14:40,595 --> 00:14:42,425
It makes it look like
little limb sticking out.
273
00:14:42,485 --> 00:14:44,795
I wouldn't do it to all of them
because they're too far away.
274
00:14:46,080 --> 00:14:49,440
Too far away at your room, that illusion
of distance, but a few here and there,
275
00:14:49,650 --> 00:14:50,930
it makes it sort of interesting.
276
00:14:52,760 --> 00:14:53,360
All right.
277
00:14:59,480 --> 00:14:59,870
Okay.
278
00:14:59,890 --> 00:15:00,740
Let's have some fun.
279
00:15:02,415 --> 00:15:03,584
Let me find a clean brush.
280
00:15:03,584 --> 00:15:04,064
There's one.
281
00:15:05,834 --> 00:15:08,444
I got several old brushes going,
so I have to spend every minute
282
00:15:08,444 --> 00:15:11,474
of my time just washing brushes,
because it's the fun part.
283
00:15:11,865 --> 00:15:13,545
I'll take a little bit of salal blue hair.
284
00:15:14,834 --> 00:15:16,844
Now, then let's take
this, the little blue.
285
00:15:17,204 --> 00:15:21,104
It's very transparent and paint right over
the top because we have liquid clear here.
286
00:15:21,104 --> 00:15:22,785
So it's slick and wet and we can do that.
287
00:15:23,234 --> 00:15:25,245
Let's paint right over
the top of the water.
288
00:15:25,425 --> 00:15:26,474
Watch what happens.
289
00:15:27,585 --> 00:15:28,545
Watch what happens?
290
00:15:29,925 --> 00:15:31,125
Isn't that fantastic.
291
00:15:31,605 --> 00:15:35,235
All of a sudden we can
see through the water.
292
00:15:36,615 --> 00:15:38,355
We can see right through the water.
293
00:15:39,285 --> 00:15:42,974
But you have to use a transparent
paint and fellow blue, Prussian
294
00:15:42,974 --> 00:15:44,474
blue, both are very transparent.
295
00:15:46,365 --> 00:15:47,025
There we go.
296
00:15:48,435 --> 00:15:50,805
See there isn't that sneaky.
297
00:15:52,055 --> 00:15:55,865
I used to work so hard to try to create
the illusion of rocks and stones.
298
00:15:57,305 --> 00:15:58,805
Then we put a few ripples on here.
299
00:15:58,925 --> 00:16:03,875
It'll look even better, but that easy
that's really all you have to do.
300
00:16:04,535 --> 00:16:05,405
Oh, you have to do.
301
00:16:08,165 --> 00:16:08,855
Okay.
302
00:16:10,525 --> 00:16:12,324
It's gorgeous looking little streamer.
303
00:16:12,335 --> 00:16:13,765
I might take at least little touches.
304
00:16:13,795 --> 00:16:14,925
They look green to an ad.
305
00:16:15,025 --> 00:16:15,175
Yeah.
306
00:16:19,095 --> 00:16:24,645
Now then maybe in our world, wipe off
the old fan brush here, it's got some
307
00:16:24,735 --> 00:16:26,475
dark tree color and I'm going to yellow.
308
00:16:27,315 --> 00:16:33,225
And maybe in our world here, we have
a little bit of nice green, little
309
00:16:33,225 --> 00:16:34,875
grassy areas that grow back here.
310
00:16:35,715 --> 00:16:40,395
Cancel let's go up in here and we can
do that, but just deciding where they
311
00:16:40,395 --> 00:16:42,615
live and give them a little upward push.
312
00:16:44,045 --> 00:16:44,805
Upward push.
313
00:16:44,985 --> 00:16:46,485
And it goes way back in here.
314
00:16:49,725 --> 00:16:52,605
I can see, and you can lift it up, right?
315
00:16:52,605 --> 00:16:54,885
If you want to make it look like
little bushy things here and there
316
00:16:56,985 --> 00:16:58,515
just all kinds of little things.
317
00:16:59,655 --> 00:17:02,865
And in your world, you create any
kind of illusion that you want,
318
00:17:04,575 --> 00:17:06,194
any kind of illusion that you want.
319
00:17:06,194 --> 00:17:07,694
Nice little grassy areas here.
320
00:17:08,745 --> 00:17:09,585
Say there they are.
321
00:17:09,585 --> 00:17:09,975
They come.
322
00:17:12,390 --> 00:17:13,170
That easy though.
323
00:17:15,600 --> 00:17:16,350
Okay.
324
00:17:17,030 --> 00:17:21,860
And maybe we have a little
dark Sienna, a little white.
325
00:17:22,310 --> 00:17:25,640
And with that, we'll make up a
little Brown color, maybe a little
326
00:17:25,640 --> 00:17:26,870
more of the dark sand in there.
327
00:17:26,930 --> 00:17:27,290
Yeah.
328
00:17:29,000 --> 00:17:33,350
Let's come in here, but the
indications and I have some land
329
00:17:33,350 --> 00:17:36,440
right under this, let's say there.
330
00:17:36,710 --> 00:17:36,920
Hmm.
331
00:17:39,440 --> 00:17:40,130
Bad, easy.
332
00:17:40,995 --> 00:17:43,034
Maybe it goes way back in here somewhere.
333
00:17:43,274 --> 00:17:44,324
I don't know where it goes.
334
00:17:45,495 --> 00:17:48,254
This little stream or
river hit me on Anders.
335
00:17:48,254 --> 00:17:52,034
We back in there, we
don't know where it goes.
336
00:17:52,034 --> 00:17:53,205
Don't know that we even care.
337
00:17:53,264 --> 00:17:54,584
Let's take a little liquid white.
338
00:17:56,355 --> 00:17:59,685
Here, I'm gonna take a least little
touch of blue and put in it just
339
00:17:59,685 --> 00:18:02,325
enough to give it a little bluish tone.
340
00:18:02,625 --> 00:18:05,385
Not much, not much though.
341
00:18:05,445 --> 00:18:06,764
Just enough to flavor it.
342
00:18:06,764 --> 00:18:07,065
Good.
343
00:18:08,175 --> 00:18:10,965
Cut across, get our little bit of
paint right on the edge of the knife.
344
00:18:12,105 --> 00:18:15,465
And then let's go up in here and
begin putting some water lines right
345
00:18:15,465 --> 00:18:20,285
over the top of this transparent
water that we've made there.
346
00:18:25,335 --> 00:18:28,725
Maybe this comes out through here.
347
00:18:30,905 --> 00:18:34,845
We can still see through the
water can see right through it.
348
00:18:35,475 --> 00:18:35,955
Shoot.
349
00:18:35,955 --> 00:18:36,195
I bet.
350
00:18:36,195 --> 00:18:39,915
If you look close there, there's a big
old trail just floating right down the
351
00:18:39,915 --> 00:18:43,635
river, taking life easy and enjoying.
352
00:18:43,635 --> 00:18:46,935
It certainly is a pretty place to live.
353
00:18:47,145 --> 00:18:47,745
Tell you that.
354
00:18:49,304 --> 00:18:50,564
All right now.
355
00:18:52,095 --> 00:18:53,655
Let's go back to her nice dark color.
356
00:18:55,380 --> 00:18:57,810
And we don't have, I'm just putting
a little dark paint on there.
357
00:18:58,590 --> 00:19:02,700
Cause I'm going to put some light color
on top of it and I want it to stand out.
358
00:19:02,800 --> 00:19:04,370
I want it to mix with that dark color.
359
00:19:05,910 --> 00:19:07,910
Don't have to do much cause
of black Jessel's there.
360
00:19:07,910 --> 00:19:09,380
I just want enough paint on there.
361
00:19:09,380 --> 00:19:16,040
So it mixes with the color we're
going to, but on top, like it don't
362
00:19:16,040 --> 00:19:17,300
even matter if you've covered good.
363
00:19:19,670 --> 00:19:21,020
Something about my cat.
364
00:19:22,545 --> 00:19:23,865
Let me just try that same old brush.
365
00:19:24,315 --> 00:19:29,955
We go right into the yellow little
set, green little yellow ochre there.
366
00:19:30,855 --> 00:19:33,925
Say all those colors, Nan.
367
00:19:33,925 --> 00:19:35,055
And just give it a little tap.
368
00:19:36,525 --> 00:19:41,565
See, you're just pushing that paint, push
it loads a little bit of paint around
369
00:19:41,565 --> 00:19:45,705
the end edge of the brush that we can
go up here with that and just touch.
370
00:19:46,035 --> 00:19:49,305
We can begin with buddy all
kinds of little grassy areas
371
00:19:49,305 --> 00:19:50,325
that live back in here.
372
00:19:51,105 --> 00:19:55,335
Just by touching and the more you tap
on this, the more it's coating mixed
373
00:19:55,335 --> 00:19:56,595
with that color that's underneath.
374
00:19:56,625 --> 00:20:00,285
That's the reason we put it into there and
it'll get darker and darker and darker.
375
00:20:02,525 --> 00:20:02,795
I see.
376
00:20:04,895 --> 00:20:04,985
Okay.
377
00:20:05,015 --> 00:20:05,645
That's area.
378
00:20:05,915 --> 00:20:07,265
This is going to be a big tree right here.
379
00:20:07,265 --> 00:20:08,705
That's the area behind the tree.
380
00:20:09,929 --> 00:20:14,429
Now we can take some dark color and we
have to make our first major decision
381
00:20:14,429 --> 00:20:19,210
in the tree business or does our big old
tree live when we put some black Jesso.
382
00:20:19,210 --> 00:20:19,620
So a pair.
383
00:20:19,620 --> 00:20:21,840
So we knew basically
where it's going to be.
384
00:20:27,120 --> 00:20:29,820
And I don't cover all those
black GSL things, either.
385
00:20:29,820 --> 00:20:32,940
Some of them showing through over
here and when the paintings all
386
00:20:32,940 --> 00:20:35,399
done, people will actually see.
387
00:20:36,705 --> 00:20:41,865
Foliage that's behind the tree
and he'll go crazy trying to
388
00:20:41,865 --> 00:20:43,004
figure out how you did that.
389
00:20:44,325 --> 00:20:45,254
And that's our secret.
390
00:20:47,024 --> 00:20:47,655
There we go.
391
00:20:48,705 --> 00:20:52,485
That's our secret, but you
can share it with everybody.
392
00:20:52,485 --> 00:20:52,965
If you like.
393
00:20:54,315 --> 00:20:57,855
That may be the most fun of painting
is when you share it with other people.
394
00:20:57,855 --> 00:21:01,785
I get letters every day from people that
have started painting from watching this
395
00:21:01,785 --> 00:21:05,415
show, and then they did a painting for a
friend or a relative and let them watch
396
00:21:05,435 --> 00:21:07,635
and do the painting and the friends.
397
00:21:07,825 --> 00:21:08,595
Absolutely.
398
00:21:08,595 --> 00:21:10,985
If they hadn't seen it, could
not believe they're doing it.
399
00:21:11,855 --> 00:21:12,575
And they are.
400
00:21:13,595 --> 00:21:17,165
And our newsletter, we just, we just
showed the picture of a lady who's
401
00:21:17,165 --> 00:21:22,145
in her nineties who was painting
now, and she's doing a fantastic job.
402
00:21:23,460 --> 00:21:24,900
This is just a little Brown and white.
403
00:21:25,380 --> 00:21:28,710
Just want to put the indication
here and there and there in here,
404
00:21:29,160 --> 00:21:31,470
wherever have a few little trunks.
405
00:21:31,500 --> 00:21:33,960
I'm going to put some leaves on
here and we're probably going to
406
00:21:33,960 --> 00:21:38,630
lose most of those, but if some of
them shoot through that's wonderful.
407
00:21:40,040 --> 00:21:40,970
All right.
408
00:21:41,370 --> 00:21:45,860
Dip the little oval brush right
into some liquor, which white.
409
00:21:45,889 --> 00:21:52,370
I would go into little kid, yellow, little
SAP, green, yellow, ochre, Indian, yellow.
410
00:21:53,300 --> 00:21:53,389
Okay.
411
00:21:53,450 --> 00:21:54,350
All those colors.
412
00:21:54,980 --> 00:21:58,280
Push that little brush to load
it, to give it a little push.
413
00:21:58,430 --> 00:22:02,060
I can't just go up in here and let's
put some gorgeous little leaves up here.
414
00:22:02,240 --> 00:22:04,790
This little oval brush to
some of the neatest leaves.
415
00:22:05,629 --> 00:22:08,899
They just literally just, just
almost fall off your brush.
416
00:22:10,815 --> 00:22:16,784
There they go something about my
cat, but think about shape and form.
417
00:22:16,784 --> 00:22:18,195
Don't just throw them on at random.
418
00:22:18,615 --> 00:22:22,365
I know I say that every time
I use any brush to do leaves,
419
00:22:23,205 --> 00:22:24,315
but that's so important.
420
00:22:26,055 --> 00:22:27,645
Think about shape and form.
421
00:22:29,504 --> 00:22:34,514
Gotta to give this old
tree some character there.
422
00:22:36,165 --> 00:22:36,615
Down here.
423
00:22:36,615 --> 00:22:38,265
We let him get dark and darker and darker.
424
00:22:38,265 --> 00:22:43,485
We need those dark shadows down at the
bottom to give him depth there a little
425
00:22:43,485 --> 00:22:49,365
bit over in here, but then that makes
them beautiful shaped for your trees.
426
00:22:49,785 --> 00:22:51,495
And it almost happens automatically.
427
00:22:52,815 --> 00:22:54,855
Almost automatic little over brushes.
428
00:22:54,885 --> 00:22:55,455
Really neat.
429
00:22:57,725 --> 00:22:58,115
Right.
430
00:23:01,355 --> 00:23:01,805
Shoot.
431
00:23:02,225 --> 00:23:03,305
Let me find all brush.
432
00:23:03,305 --> 00:23:06,395
We were making some grassy
areas with, and we'll just start
433
00:23:06,395 --> 00:23:07,865
bringing them right on down.
434
00:23:09,035 --> 00:23:10,205
These are in front there.
435
00:23:12,979 --> 00:23:19,719
So here we are keep on coming down with
those and you can really practice a
436
00:23:19,719 --> 00:23:21,159
little bit of this and you can make grass.
437
00:23:21,159 --> 00:23:23,639
It's just, it looks like
velvet nearly laying up.
438
00:23:23,649 --> 00:23:26,709
Yeah, maybe an hour.
439
00:23:26,770 --> 00:23:30,040
Well, this is a nice little Bush
that lives right here under the tree.
440
00:23:31,209 --> 00:23:34,889
So we'll put some nice leaves on him, just
using the corner, the old two inch brush.
441
00:23:34,899 --> 00:23:38,379
He doesn't matter whatever
brush and mix makes you happy.
442
00:23:41,205 --> 00:23:45,275
They're adding a little bit
more of that dark color.
443
00:23:45,335 --> 00:23:46,955
I see another Bush libs right there.
444
00:23:48,335 --> 00:23:50,645
Once again, I'll leave some
of the black Jesso behind
445
00:23:50,645 --> 00:23:52,145
there and let it show through.
446
00:23:55,085 --> 00:23:57,935
Yes, I had to make it,
make it look real neat.
447
00:23:59,790 --> 00:24:02,939
Back to our little oval brush, put a
few little highlights on that little,
448
00:24:03,149 --> 00:24:09,830
little baby tree there, little baby
tree, but he'll grow up to be big tree.
449
00:24:10,070 --> 00:24:13,340
He just needs a lot of water and
sunshine, love and affection.
450
00:24:14,060 --> 00:24:19,969
Same as all of us there,
something about like, so.
451
00:24:22,980 --> 00:24:23,730
Back to her brush.
452
00:24:23,730 --> 00:24:28,770
It has some nice little color on it
here, and we'll, we'll just continue on
453
00:24:28,770 --> 00:24:30,750
making all kinds of little grassy areas.
454
00:24:32,040 --> 00:24:32,820
I know what we need.
455
00:24:32,970 --> 00:24:33,810
Take a little Brown.
456
00:24:34,650 --> 00:24:36,780
We need some dirt out here.
457
00:24:38,250 --> 00:24:44,460
So we just use a little Brown
here and there, the Brown and
458
00:24:44,460 --> 00:24:45,870
white for some touch, a highlight.
459
00:24:45,900 --> 00:24:47,340
I don't want a lot of highlight on this.
460
00:24:47,340 --> 00:24:48,300
Maybe just a little bit.
461
00:24:49,470 --> 00:24:50,820
Don't want to distract from the water.
462
00:24:50,860 --> 00:24:52,590
The water is what's
important in this painting.
463
00:24:54,510 --> 00:24:55,350
Just a little.
464
00:24:57,990 --> 00:24:58,650
There we go
465
00:25:02,220 --> 00:25:02,760
there.
466
00:25:06,030 --> 00:25:09,990
So just keep tapping it in there.
467
00:25:13,660 --> 00:25:14,230
Okay.
468
00:25:17,090 --> 00:25:21,740
It was, I say, the more you tap this, the
soft rid of the cover, it'll get so neat.
469
00:25:23,025 --> 00:25:29,625
They're just layer after layer, after
layer, wherever you think it should live.
470
00:25:29,985 --> 00:25:31,215
Bring some right down in here.
471
00:25:32,865 --> 00:25:33,525
All right.
472
00:25:33,735 --> 00:25:35,355
Let me wash this old oval brush.
473
00:25:37,275 --> 00:25:38,085
I'm going to take and go.
474
00:25:39,675 --> 00:25:42,825
Shake off the excess go right
through some vending Brown where
475
00:25:42,825 --> 00:25:44,295
they'd get it loaded with color.
476
00:25:46,095 --> 00:25:49,365
Then the other side, a little more
paint than it needs to be thin
477
00:25:49,485 --> 00:25:50,685
thick, a little white and Brown.
478
00:25:50,715 --> 00:25:54,495
The other side, maybe even a
little black on the dark side.
479
00:25:54,495 --> 00:25:56,264
So one side we have full of light color.
480
00:25:56,355 --> 00:25:59,445
The other, we have full of dark
and let's just go right up in here.
481
00:25:59,445 --> 00:26:03,825
And maybe, maybe there's some
big rocks that live around here.
482
00:26:03,915 --> 00:26:04,274
See them.
483
00:26:04,485 --> 00:26:06,645
You can make them in one
stroke, a little black.
484
00:26:07,635 --> 00:26:12,195
Brown little white, but these
little stones and rocks, wherever
485
00:26:12,195 --> 00:26:13,185
you think they should live.
486
00:26:15,165 --> 00:26:18,195
Something like, so wherever,
487
00:26:22,215 --> 00:26:29,504
a little bit of liquid white, a little
water line red around these stones there.
488
00:26:31,095 --> 00:26:36,555
And that Neato Travis idea with putting
rocks under water, just see what kind
489
00:26:36,555 --> 00:26:37,935
of things that you can come up with.
490
00:26:38,685 --> 00:26:41,175
You'll be amazed at what what'll happen.
491
00:26:41,265 --> 00:26:44,535
Just a little bit of practice, do
it with all colors of different,
492
00:26:44,715 --> 00:26:49,725
different colors under here with
Jesso and little acrylic paint.
493
00:26:51,045 --> 00:26:54,315
And I think you'll be very
satisfied with the effect to get.
494
00:26:56,340 --> 00:26:59,520
Okay, scratch a few sticks
and takes her in there.
495
00:27:00,570 --> 00:27:02,129
I think we're about to finish painting.
496
00:27:02,939 --> 00:27:03,629
I hope you liked this.
497
00:27:03,629 --> 00:27:05,659
One's a little different
thing we've done before.
498
00:27:05,710 --> 00:27:08,419
Give you a whole new idea to
work with from all of us here.
499
00:27:08,510 --> 00:27:10,580
I'd like to wish you happy painting in.
500
00:27:10,580 --> 00:27:10,820
God.
501
00:27:10,820 --> 00:27:11,570
Bless my friend.
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