Bob Ross's

The Joy of Painting

S21E05 - Cabin At Trails End

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Hi, welcome back.

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Certainly glad you could join it's today.

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Not today.

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We just have a good time and have

a happy little painting up here.

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So let's start out and hammer on

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I've

gotten done up here today.

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I've got a piece of, uh, he's

of bag paper stuck up here.

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Just contact paper, some that you

buy at the local hardware store

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supermarket, and I've cut a little

oval in it and just stuck it on there.

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And we've taken a little black Jesso.

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And have painted little design.

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I know I want a lot of dark

in here and I want a big Bush

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or tree or something there.

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Other than that, we don't really care.

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We let the black Jesso dry completely.

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Then we put a thin, thin coat of

liquid clear over all the black.

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Then I've covered that with just a little

bit of SAP green and Vandyke Brown.

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I put the Vandyke branded

just to dull it down a little.

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And with that, we'll have a good time.

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Let's see what happens now.

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You don't allow the liquid clear

in the transparent color to dry.

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Before you start, it's still wet.

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The black Jesso is dry, but

the transparent color is not.

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Let's start with a little

bit of Indian yellow today.

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Just a small amount on the two inch brush.

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Let's go right up in here.

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Maybe we'll have a little

glow coming right out of here.

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Very little color is needed

because it it'll mix with a

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liquid white that's on this part.

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I don't know if I've mentioned that

or not, but it's liquid white up

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there and you'll have just a very

nice little color right there.

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Okay.

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Now then we want any Marsha brush.

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I'm going to go right into a small amount

of bright red, just a small amount.

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It takes very little.

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Extremely strong.

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And we go up in here right above

the Indian yellow, and we just

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put in a little, little touch of

yellow bread mixture right there.

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Since I didn't clean the brush, we

have both yellow and red in the brush.

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Now that's going to make

a nice orangy color.

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And that's just what I'm looking for here.

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I will just keep right on going here.

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I'll take two.

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Let's just go into a little

touch of the three little blue.

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Now we've got, we started with yellow

and then we have some red in between.

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Now we're going into a

little touch of that.

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They little blue, we try to put the blue

right against the yellow Eberhard touched.

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Of course we'd have bright green.

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So be careful in this.

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You're looking for a nice green

sky there we wash the old brush.

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That's that's the fun part.

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This whole technique.

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Shake off the excess

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and just cover everything in the studio.

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Go ahead.

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All right now, with a clean, dry

brush, when I go back in here and just

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blend all this together like that,

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by using this black Jesso.

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You can see some of these little

designs here, come through and we're

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going to use those to our advantage.

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So.

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When you're, when you're putting this on,

I use a little sponge or a foam brush or

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something, let all these little patterns

happen because they become a good friend.

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They're going to, they're going to

create the illusion of all kinds

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of little things back in there.

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Watch what happens here.

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If we take, take a little bit,

we'll use a little bit of SAP green

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and a little touch of the van.

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Dyke Brown, same covers we have in

the background, but it much paint very

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little, very little, and we can go back.

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Let me just take the corner of

this old brush and we can begin

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dropping in some basic little shapes

here and there don't need a lot.

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Some of these that we did with a

Blake Jessel I want to leave alone.

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I want them to show, I want to touch him.

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I don't want to touch him yet.

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Okay.

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Now then tell you what let's use the

let's use a little oval brush today.

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And we'll go into a little touch of

the yellow, grab a little SAP, green

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SAP green, and you have a little yellow

ochre, maybe a little black, dull it down.

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So there we go.

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And in yellow, just touch.

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Give it a little push, a little push.

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We can go up in here.

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You can come in here just using

the top corner of that brush.

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Put in the indication of all kinds

of little leaves and stuff on all

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these little background trees.

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There, but that oval brush will

just make gorgeous, gorgeous

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things back in there very easily.

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We want these to be just

about the color of the sky.

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So they sort of just,

just blend right in there.

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Okay.

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Maybe over in here too.

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Some little bushes.

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Isn't that fantastic.

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I will.

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That little brush works.

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And it's easy to notice this one, it

has a black handle, and I say that

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over and over cause people sort of get

confused when they go to pick up a brush.

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That's the reason we made

this another black handle.

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So it'd be easy to tell

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and that's basically all we need back

here and let's have some fun today.

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Tell you about let's do so.

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Just paint in some streaks

over the black Jesso.

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I won't go right up in here and grab

a little, the use some midnight black.

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Maybe add a little bit dark Sienna to it.

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Just sort of working back and forth.

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Like he had a lot of color on the brush

and maybe in our world, maybe we'll have

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an old tree that lives are right there.

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Just like, so, and I have to do is pull

straight down, straight down and you

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can create the trunk and here's one,

it looks like it's broke off there.

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Now let's take a little titanium, white,

a little touch of the dark Sienna.

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Mix them together here.

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I'll put a little black in there too.

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I on a great dancer.

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So we have white little dark

Sienna and black cut off her

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little tiny rule of paint.

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They're very low and let's go up in here.

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And we'll just have to

make a determination.

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Where's the light coming from.

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I think it's coming from the right.

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So we put a little highlight

color over here, right there.

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Just let it work down,

down, down, down, down

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a little bit there.

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And once again, just

let it sorta work down.

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And even on this little trunk

here, it's been broke off

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little touch right in there too.

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All right now we get

our liner brush to that.

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We'll add paint, thinner, paint,

thinner, and go into the van.

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Dyke Brown, get the paint

very, very thin though.

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Very thin Kang.

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Let's go right up in here.

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Let's put some limbs on

these little trees here.

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There it is.

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See that.

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But if you have trouble making this

paint flow, add a little bit of paint

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thinner to it, it's all you need.

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You can create the illusion of all

kinds of little limbs and sticks

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and twigs that just protrude

out here from this little tree.

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Maybe this is an evergreen

tree of some kind there,

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but let your hand be a little nervous.

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Sometimes I get letters from people and

they say that they can't paint because

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they have a little nervous Twitch.

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In this case you're

ahead of the rest of us.

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Use it to your advantage.

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Sure.

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They're okay.

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Maybe there's even one hanging off there.

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I don't know.

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Wherever

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let's take, tell you what we're using.

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Number three, fan brush.

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I like it.

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I'm going to go right into a little

bit of the black little black.

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Let's go right up in here

and just push upward.

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We'll create the illusion of

some few little leaves back

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here, a little pine needles.

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There don't want a whole

bunch, just a little.

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Okay.

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Then we'll take that same color grit

through a little bit of the CAD yellow

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and black and yellow is, you know,

like a beautiful green there slowed

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a lot of color into the bristles.

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And we'll come along here and

put a few highlights on this.

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Don't overdo though.

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It's very easy to overdo.

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Just a few little doers

that live in there.

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There we go now, and we just

sort of work in layers here.

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I'm gonna take a little color on

the oval brush and just highlight

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right in there and that'll push that

whole tree back for the whole group

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of trees or several trees in there.

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Just by doing that though

the handle that'll push it

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back into the distance there.

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All right, shoot.

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Tell you what let's look at

this big old Bush over here.

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I'm gonna take a little

black little SAP green.

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We just mix them on the

brush little Crimson.

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We just mix them together.

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Okay, let's go right up in here.

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That may be up in here.

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There's some, we just take the

brush and push the corner of it.

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Maybe this is a big old,

big old Bush or a big tree.

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That was right in there.

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See how easy though?

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When you have the black Jesso

back here, this is very simple

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to push in a little color.

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If this was a white canvas, you'd have to

work quite hard to get this, that dark.

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So use that to your advantage.

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Let's have some fun.

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Tell you what, let's

take a fan brush today.

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We'll take some yellow.

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You call the yellows, Linden

yellow, yellow ochre, CAD

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yellow, get a little black.

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So we'll make a multitude of

greens right here on the brush.

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We have all different kinds of, I think

you can see there this, you can see

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layers of different color and it happens

because you mix the color on the brush.

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Rather to appear on the canvas.

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Now let's take and just

sort of pushing upward.

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Should we get a nice, easy way here

of making some very effective little,

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little bushes and trees just using the

fan brush and pushing upward, darker,

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darker, darker, darker, darker, darker

as it gets down toward the center

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here comes in another one, but just

push upward, leave some dark spaces in

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between the little individuals in there.

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Okay, maybe over in here

somewhere, there is one.

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Think about little clumps here, a little

groupings of the limbs and branches there.

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This is a very, very nice and easy.

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We'll put a little, little touch

of a bright red on there too.

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Let's have a sparkler right there.

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Yeah, there we go.

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Maybe a little bit more that red.

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I like it.

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Red

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just brightens up a little Bush there.

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This is a very, very simple way

of making a tree that looks a

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little different and it has a

multitude of things happening in it.

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Multitude of things, there

is a light would strike it.

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You can get carried away here.

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Sometimes.

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Maybe there's another one

that lives right there.

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Just push up or down.

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Don'ts all there is to it.

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It's so simple, but you can't overwork it.

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You have to do it and get away from it.

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Do it get away from it there, something

like, so over here, not as bright,

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because this would be more into shadow,

much more into shadow over here.

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Don't want a lot of detail in that one.

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All right.

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This is such a beautiful little

place I tell you what let's do.

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Let's have some fun maybe right here, too.

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Let's take some Vandyke Brown and

maybe in our world, there's a little,

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little cabin that lives right there.

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Just take the knife, just take the

knife and put in a basic little

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shape, something like, so, and if

you have a lot of paint here yeah.

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Which I don't at this time, but

you could scrape out a basic shape.

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And that room to remove the excess paint.

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I don't have much here right now,

so we don't have to do that, but

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sometimes you get a lot of paint

build up here and it makes it a

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lot easier if you'll just but out.

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Okay.

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Let's take some white, a

little black, mix it together.

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Okay.

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Like a mask, grayish color, maybe the

least little touch of a dark sand.

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Yeah.

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Oh, that's nice.

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That's nice.

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Okay.

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Cut off our little roll of paint.

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Very little.

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And let's go right on down here.

249

00:13:45,280 --> 00:13:47,969

Just sort of let the knife

just work and play and bounce.

250

00:13:48,420 --> 00:13:58,650

Just poop right on, down, down, down,

just like that, something like, so we'll

251

00:13:58,650 --> 00:14:03,660

take the small edge of the knife and

come over on this side and just touch.

252

00:14:04,040 --> 00:14:07,380

It looks like little shingles that

you're sort of looking up there and see.

253

00:14:08,760 --> 00:14:09,510

I'm in the front.

254

00:14:12,090 --> 00:14:14,280

I'll put a little more dark

Sienna in that same color.

255

00:14:14,310 --> 00:14:16,800

I want it to be more into

the Brown issues right now.

256

00:14:18,000 --> 00:14:21,810

Touch and pull straight

down, straight down.

257

00:14:22,230 --> 00:14:23,730

Delicate, delicate touch though.

258

00:14:23,910 --> 00:14:26,280

Barely, barely touching the canvas.

259

00:14:26,910 --> 00:14:27,840

Just graze it.

260

00:14:28,650 --> 00:14:29,100

Grace.

261

00:14:30,360 --> 00:14:33,330

I'm going to add a lot of Vandyke

Brown, that same color and come over

262

00:14:33,330 --> 00:14:36,630

here and put a dark side on this cabin.

263

00:14:37,425 --> 00:14:39,585

There's a little color

there, but it's much darker.

264

00:14:40,935 --> 00:14:46,305

Now we can take the Vandyke

Brown come across and not easy.

265

00:14:46,395 --> 00:14:48,105

We'll just build us a

little door in there.

266

00:14:49,425 --> 00:14:52,105

We can take a, just a

knife here and scrape out.

267

00:14:52,305 --> 00:14:53,295

Maybe there's a little window there.

268

00:14:53,295 --> 00:14:59,055

Just scraped paint off and

we'll take a little blue, little

269

00:14:59,055 --> 00:15:00,525

white Steelo blue and white.

270

00:15:00,945 --> 00:15:02,205

And we'll just put the indication.

271

00:15:02,205 --> 00:15:03,615

Maybe have a little light in the window.

272

00:15:03,675 --> 00:15:06,045

Not much, not much.

273

00:15:07,410 --> 00:15:08,340

Uh, Vandyke Brown.

274

00:15:08,340 --> 00:15:09,240

I don't edge of the knife.

275

00:15:09,270 --> 00:15:17,780

We can turn that into some little

boards, little spots there we are take

276

00:15:17,780 --> 00:15:19,370

the knife and just sort of cut around.

277

00:15:19,520 --> 00:15:22,520

So the doors stands out and we're

going to do a cabin ectomy, figure

278

00:15:22,520 --> 00:15:26,900

out where you want the bottom of

the cabin and just cut it off.

279

00:15:27,080 --> 00:15:28,640

You have unlimited power here.

280

00:15:28,640 --> 00:15:29,330

You can do that.

281

00:15:30,680 --> 00:15:31,670

You can do that.

282

00:15:33,704 --> 00:15:35,834

Shoot, you can do anything on this canvas.

283

00:15:36,135 --> 00:15:38,954

Anything, a little bit of highlight

right along there to make it stand

284

00:15:38,954 --> 00:15:44,204

out a little more, just like,

so now we can come back in here.

285

00:15:45,224 --> 00:15:47,505

We just use a table.

286

00:15:47,564 --> 00:15:54,584

We just get old, big pressure, little bit

of the black CAD, yellow, yellow ochre.

287

00:15:54,645 --> 00:15:55,305

And in yellow.

288

00:15:55,920 --> 00:15:56,130

Here.

289

00:15:56,130 --> 00:15:57,510

And there are some

bright red I'll use them.

290

00:15:58,050 --> 00:16:01,230

Let's begin just bouncing in some

little bushes that live back here.

291

00:16:01,230 --> 00:16:02,340

Maybe this guy is like me.

292

00:16:02,340 --> 00:16:03,240

He didn't cut his yard.

293

00:16:03,240 --> 00:16:03,760

Very good.

294

00:16:03,780 --> 00:16:06,900

And it's just sort of

growing up over the house.

295

00:16:07,470 --> 00:16:08,400

That'll touch their hand.

296

00:16:09,710 --> 00:16:17,430

There can sort of decide

where do you think it'll be?

297

00:16:18,900 --> 00:16:22,800

Maybe back in here, we can

begin seeing the indication of.

298

00:16:23,910 --> 00:16:26,550

Some little grassy areas

back here behind the cabin.

299

00:16:31,050 --> 00:16:35,280

All we're doing here is just

tapping, you know what I'm doing?

300

00:16:35,280 --> 00:16:39,930

This I'm going to put in a whole layer

of grass here, but every year, one of

301

00:16:39,930 --> 00:16:44,790

the highlights of my entire life is

going to New York city to central park.

302

00:16:45,720 --> 00:16:50,040

And in central park, we do a show

with all the, all the friends

303

00:16:50,040 --> 00:16:51,150

that we have in that area.

304

00:16:51,660 --> 00:16:56,160

And this is one of the most spectacular

events of the year for me, but look

305

00:16:56,160 --> 00:16:59,700

at the number of friends that come to

watch his paint and the paint with us.

306

00:16:59,700 --> 00:17:04,260

And we, we have one of the best

times, Hey, there's my wife Jane.

307

00:17:04,770 --> 00:17:05,339

Hi Jane.

308

00:17:06,420 --> 00:17:07,200

That's a first.

309

00:17:07,694 --> 00:17:08,264

How are you doing?

310

00:17:09,885 --> 00:17:11,714

And that was a net with her, my partner.

311

00:17:13,095 --> 00:17:14,804

You'll probably never see Jane on TV.

312

00:17:15,194 --> 00:17:20,294

Again, this is some young friends

that brought paintings for me to see,

313

00:17:21,974 --> 00:17:24,284

look at this, but can you believe

some of the paintings that these

314

00:17:24,284 --> 00:17:30,254

fantastic people are doing unreal

and people came from all over.

315

00:17:30,765 --> 00:17:33,795

To bring their paintings and show

us and to share a day with us.

316

00:17:33,795 --> 00:17:34,965

That was spectacular.

317

00:17:36,015 --> 00:17:37,635

Absolutely spectacular.

318

00:17:39,945 --> 00:17:40,425

Look at that.

319

00:17:40,425 --> 00:17:41,715

There's a father and son team.

320

00:17:41,745 --> 00:17:44,655

I believe that paints along

with us, watches this show.

321

00:17:45,765 --> 00:17:46,965

Look at this gentleman here.

322

00:17:47,055 --> 00:17:47,535

Good friend.

323

00:17:47,535 --> 00:17:48,675

He came all the way from Italy.

324

00:17:50,415 --> 00:17:52,485

Oh, we've met Lee and here's

some of my young friends.

325

00:17:52,665 --> 00:17:55,035

Of course, when he got home, his

mother probably raised a devil with,

326

00:17:55,155 --> 00:17:58,965

cause somebody wrote all over his

shirt, but we had fun doing it anyway.

327

00:18:02,820 --> 00:18:05,250

Look at this, isn't she the

most precious young thing.

328

00:18:05,610 --> 00:18:09,480

And here's my friend, the bulldog,

you just got a hat on and the little

329

00:18:09,480 --> 00:18:12,810

poodle, but didn't that super.

330

00:18:13,020 --> 00:18:16,200

If you're, if you live in that area,

when we're there next year, come

331

00:18:16,200 --> 00:18:19,320

and see us because we have a super

date and the people of New York

332

00:18:19,320 --> 00:18:21,540

city have been so fantastic to us.

333

00:18:22,950 --> 00:18:26,940

And I would like to thank each and every

one of them for coming out and seeing us

334

00:18:26,940 --> 00:18:28,650

and supporting us and painting with us.

335

00:18:30,945 --> 00:18:34,125

Makes it very special, very, very special.

336

00:18:35,865 --> 00:18:39,314

As I say this show each year in

central park is, is absolutely one

337

00:18:39,314 --> 00:18:40,935

of the highlights of my entire life.

338

00:18:42,935 --> 00:18:43,564

There we are.

339

00:18:45,004 --> 00:18:49,655

I think Joan did a whole section in the

newsletter this time about it showing some

340

00:18:49,655 --> 00:18:55,594

of the super people in the times that we

had, as you can see here, I'm just putting

341

00:18:55,594 --> 00:18:57,274

in layers of grass just by tapping.

342

00:18:57,930 --> 00:18:59,940

Now you have to decide,

maybe there's a little Bush.

343

00:18:59,940 --> 00:19:03,860

It lives right there, right there.

344

00:19:05,930 --> 00:19:06,110

Ooh.

345

00:19:06,290 --> 00:19:08,690

It's one of the little bit of

little touch, the bright red in it.

346

00:19:08,690 --> 00:19:15,080

That's pretty just sort of

feeling, I don't bring it together.

347

00:19:17,390 --> 00:19:22,130

Paris, another little Bush, but see, look

at all the different layers in there.

348

00:19:22,920 --> 00:19:25,710

At black Jessel was one of the most

marvelous things for doing this

349

00:19:25,710 --> 00:19:28,740

because a lot of it that you're

seeing is actually the black Jessel

350

00:19:28,770 --> 00:19:30,480

showing through the transparent paint.

351

00:19:31,200 --> 00:19:32,400

Let the Jesso work for you.

352

00:19:32,400 --> 00:19:34,530

That's one of the neatest

things that I've ever invented.

353

00:19:35,430 --> 00:19:38,280

And I really don't know why

somebody hadn't invented a long

354

00:19:38,280 --> 00:19:41,120

time ago, but it to me is logical.

355

00:19:41,150 --> 00:19:43,910

I think, think we should have

had that in art for many years.

356

00:19:45,230 --> 00:19:49,130

Let's take tell you why it would take a

little of the Vandyke Brown dark Sienna.

357

00:19:49,190 --> 00:19:49,970

Mix it together.

358

00:19:51,120 --> 00:19:54,540

He was the old fan brush and

there's a couple more trees here

359

00:19:55,230 --> 00:19:57,510

and let's just touch and pull down.

360

00:19:57,510 --> 00:19:58,709

Now we have to make a decision.

361

00:19:58,709 --> 00:20:00,120

I want these trees to be in the back.

362

00:20:02,370 --> 00:20:04,350

He's here to be more in the foreground.

363

00:20:04,409 --> 00:20:07,070

So we'll just pull them right

there and front that easy.

364

00:20:08,449 --> 00:20:08,870

There.

365

00:20:09,350 --> 00:20:11,060

Maybe there's a clump of trees here.

366

00:20:12,110 --> 00:20:12,199

Okay.

367

00:20:12,439 --> 00:20:16,639

Maybe it's a family of trees,

mama and Papa and little guy.

368

00:20:16,639 --> 00:20:18,770

They're little guys like Steve, my son.

369

00:20:18,770 --> 00:20:19,100

He's got.

370

00:20:19,440 --> 00:20:20,160

Bigger than I am.

371

00:20:21,330 --> 00:20:24,000

All right there.

372

00:20:25,890 --> 00:20:27,260

Take a little, the Vandyke Brown.

373

00:20:27,260 --> 00:20:32,420

So paint thinner liner brush, and let's

go right into here and we'll make some

374

00:20:33,020 --> 00:20:38,570

little branches of hanging off this little

branches, but the paint is very thin.

375

00:20:38,570 --> 00:20:47,540

So it just flows Sam, and you can put as

many or as few as you want in your world.

376

00:20:49,635 --> 00:20:52,995

Many or as few, just sort of

let your imagination take you

377

00:20:52,995 --> 00:20:56,025

wherever you want to go there.

378

00:20:57,775 --> 00:20:58,935

Maybe true.

379

00:20:59,025 --> 00:21:04,725

Let's take a little, little white

little touch of the dark CNN and we

380

00:21:04,735 --> 00:21:08,595

put a little highlight on that tree

to want a little touch right along

381

00:21:08,595 --> 00:21:13,785

there, something like, so there.

382

00:21:15,075 --> 00:21:18,585

Just enough to make it, make it

stand out a little from the canvas.

383

00:21:20,325 --> 00:21:24,165

Now, then they could fan brush

with a little Brown on it.

384

00:21:24,345 --> 00:21:25,635

A little bit of white.

385

00:21:27,300 --> 00:21:28,440

Don't overmix the color.

386

00:21:28,440 --> 00:21:28,770

They'll see.

387

00:21:28,770 --> 00:21:30,780

There's a multitude of

things happening on there.

388

00:21:31,500 --> 00:21:36,050

And maybe right up here, world, maybe

there's a, just a happy little path

389

00:21:36,050 --> 00:21:41,480

that lives right here and say, Oh, you

have to do is just go back and forth.

390

00:21:41,840 --> 00:21:45,169

And in my mind, there's a little

indentation in the center, so I sort of

391

00:21:45,169 --> 00:21:49,700

work the brush that way and it'll make

it look like people have walked on it

392

00:21:49,700 --> 00:21:51,350

for many years and sort of wore a little.

393

00:21:52,770 --> 00:21:53,880

Little Valley down here.

394

00:21:58,640 --> 00:21:59,090

Okay.

395

00:21:59,150 --> 00:22:02,180

Let me go back to her two inch

brushless, set that path down

396

00:22:02,180 --> 00:22:03,410

into the painting a little more.

397

00:22:03,890 --> 00:22:06,800

And by taking the large brush,

bringing some of these little grass

398

00:22:06,800 --> 00:22:11,360

areas right over the top, like

that, then it'll come together.

399

00:22:12,810 --> 00:22:16,250

See how that pushes that path

right down into their sneaky.

400

00:22:16,250 --> 00:22:16,460

Huh?

401

00:22:18,050 --> 00:22:18,620

There we go.

402

00:22:21,375 --> 00:22:22,065

Okay.

403

00:22:22,485 --> 00:22:25,065

This would also be a nice painting

to leave the cabin out and put a

404

00:22:25,065 --> 00:22:28,395

little stream or something in there

where you could really get, you

405

00:22:28,395 --> 00:22:29,715

could get carried away with this one.

406

00:22:30,465 --> 00:22:32,205

There's so many things

that you could do with it.

407

00:22:32,985 --> 00:22:34,695

And that's really what we're

trying to do with this show.

408

00:22:34,695 --> 00:22:37,575

We want to show you how to make

certain effects and just sort

409

00:22:37,575 --> 00:22:38,855

of turn you loose on the world.

410

00:22:38,875 --> 00:22:40,155

Let your imagination go.

411

00:22:41,805 --> 00:22:44,505

Because that's where painting

really becomes fun is when you

412

00:22:44,505 --> 00:22:48,435

use your imagination, your own

creativity, and you don't just copy.

413

00:22:49,935 --> 00:22:52,575

There, I won't have a few little

sticks at hanging out of this hole.

414

00:22:53,805 --> 00:22:55,785

Maybe this is some kind

of big Bush up here.

415

00:22:58,185 --> 00:23:00,135

There, you see things

like this in the woods.

416

00:23:00,135 --> 00:23:03,855

And there's old sticks that are

parts of limbs that have died

417

00:23:03,855 --> 00:23:07,305

or whatever, and hanging out and

they make them so interesting.

418

00:23:09,285 --> 00:23:10,205

So interesting.

419

00:23:10,235 --> 00:23:14,265

We take a little, a lighter

color, Brown and white, and

420

00:23:14,265 --> 00:23:15,915

maybe there's a few inside here.

421

00:23:16,995 --> 00:23:17,775

Just a few that.

422

00:23:18,225 --> 00:23:22,665

Or on insight, juke into my

account, something like that.

423

00:23:24,975 --> 00:23:29,925

They're wherever you want them,

where cover wherever, wherever.

424

00:23:29,925 --> 00:23:37,115

There we are all kinds of little

doers that live in there and phew

425

00:23:37,265 --> 00:23:40,595

that you've named season projecting

back in these little sticks.

426

00:23:40,595 --> 00:23:44,075

They'll give depth and distance

to all your little doers.

427

00:23:45,845 --> 00:23:46,385

Okay.

428

00:23:47,370 --> 00:23:50,160

Do you want us to bring the camera

paramount, take the contact paper off.

429

00:23:50,190 --> 00:23:50,790

Let's take a look.

430

00:23:50,790 --> 00:23:51,690

See what we have.

431

00:23:55,710 --> 00:23:58,050

This is called the moment of truth.

432

00:23:58,680 --> 00:23:59,880

Isn't that fantastic.

433

00:24:01,050 --> 00:24:03,900

I'd contact paper does such

beautiful little things

434

00:24:08,390 --> 00:24:09,040

not to take.

435

00:24:09,620 --> 00:24:11,990

Let's let these trees project

right on out of our painting.

436

00:24:12,650 --> 00:24:13,850

Sometimes I like to do that.

437

00:24:13,910 --> 00:24:15,920

Just let them slip right out.

438

00:24:16,755 --> 00:24:25,275

There they go wherever, wherever,

wherever they're, maybe that one

439

00:24:25,335 --> 00:24:26,805

goes sort of young high over there.

440

00:24:29,195 --> 00:24:31,415

So they're not all just

straight telephone poles.

441

00:24:32,375 --> 00:24:35,525

And we can go back to our script liner

brush with paint thinner on it, a

442

00:24:35,525 --> 00:24:40,445

little bit of the Vandyke Brown, and

let's come right in here and let's

443

00:24:40,445 --> 00:24:42,545

put in some Liams and stuff up here.

444

00:24:42,905 --> 00:24:45,635

This area here.

445

00:24:46,380 --> 00:24:47,850

Yeah, just wherever, wherever.

446

00:24:50,340 --> 00:24:50,730

Okay.

447

00:24:50,910 --> 00:24:55,010

If you go back in there, maybe we'll

even put some leaves on those trees.

448

00:24:55,040 --> 00:24:58,580

What the heck in your world?

449

00:24:58,970 --> 00:25:00,950

You decide maybe the trees are dead.

450

00:25:01,010 --> 00:25:02,030

Don't have any leaves.

451

00:25:03,200 --> 00:25:09,260

Maybe they, maybe they just went and ball,

who knows what's happening to me there.

452

00:25:12,449 --> 00:25:12,689

Okay.

453

00:25:12,689 --> 00:25:14,370

Now let's take her.

454

00:25:14,669 --> 00:25:16,080

When does he use that little oval brush?

455

00:25:16,080 --> 00:25:16,260

Shoot.

456

00:25:16,260 --> 00:25:17,639

It's worked so well for us today.

457

00:25:19,020 --> 00:25:20,939

Take a little green put in there.

458

00:25:21,210 --> 00:25:25,620

A little black and yellow makes a

NASA green and I'm double loading it.

459

00:25:25,649 --> 00:25:26,649

I've put a dark color.

460

00:25:26,649 --> 00:25:29,490

And then I went to a little bit of

this brighter color, right on the tip.

461

00:25:30,000 --> 00:25:33,240

So if we look in there, see a dark

and right on the tip, that little

462

00:25:33,240 --> 00:25:35,699

bit of yellow now watch, watch it.

463

00:25:36,344 --> 00:25:39,435

When you come up here, go straight

into the canvas, just take it

464

00:25:40,004 --> 00:25:41,175

like you're trying to stab it.

465

00:25:41,685 --> 00:25:44,354

Barely touch, barely touch.

466

00:25:46,725 --> 00:25:51,975

So you get to highlight in the shadow

all in one stroke, but just go straight

467

00:25:51,975 --> 00:25:56,864

in, fairly touching and think about form.

468

00:25:56,895 --> 00:26:00,074

Think about shape there.

469

00:26:00,364 --> 00:26:02,685

See how those little leaves

just float all around in there.

470

00:26:04,110 --> 00:26:05,820

This oval brush makes that happen.

471

00:26:05,820 --> 00:26:10,710

So easy, so easy when

we're teaching people.

472

00:26:11,160 --> 00:26:13,200

This is the one that they

usually fall in love with.

473

00:26:14,400 --> 00:26:18,780

This is the brush because it works,

even if you've never painted before

474

00:26:19,470 --> 00:26:21,210

this little devil works great for you.

475

00:26:23,600 --> 00:26:27,290

No, just decide wherever

you think there's leaves.

476

00:26:27,290 --> 00:26:31,010

And maybe there's not leaves on

everything once in a while, you

477

00:26:31,010 --> 00:26:32,480

can dip it into liquid clear.

478

00:26:33,780 --> 00:26:35,370

And touch and it'll go right over.

479

00:26:37,899 --> 00:26:38,570

All right.

480

00:26:40,760 --> 00:26:41,330

I don't like it.

481

00:26:41,330 --> 00:26:42,530

I don't want to kill my background.

482

00:26:42,570 --> 00:26:46,430

That's that gives us an indication to you.

483

00:26:46,490 --> 00:26:50,659

Let's take our liner brush little

paint, thinner, little bit of the

484

00:26:50,659 --> 00:26:53,360

braid red and let's sign this one.

485

00:26:54,800 --> 00:26:56,149

We'll sign it right along in here.

486

00:26:57,260 --> 00:26:59,570

Luckily, I have a very short

name for it's easy to say.

487

00:27:01,755 --> 00:27:02,955

They're okay.

488

00:27:03,155 --> 00:27:03,875

We'll call that one.

489

00:27:03,875 --> 00:27:05,975

Finished hope you've enjoyed this.

490

00:27:05,975 --> 00:27:10,475

It'll give you, give you some nice ideas

and you'll like it from all of us here.

491

00:27:10,715 --> 00:27:12,005

I'd like to wish you happy painting.

492

00:27:12,785 --> 00:27:13,895

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S21E05 - Cabin At Trails End

Bob Ross's

The Joy of Painting

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