Bob Ross's

The Joy of Painting

S21E07 - Wilderness Cabin

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Hi, welcome back once again.

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I'm certainly glad you could join us.

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And today I thought we'd do the

little painting that you see at the

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opening, where the little character

throws the brush and everything.

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So I'll tell you what, let's start out

and have him run all the colors across

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the screen that you need to paint

along with us while they're doing that.

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Let me show you what

I've gotten done up here.

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Have our standard old pre-stretch canvas

and I've taken a little black Jesso and

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just took a little sponge and just sorta

tapped in some basic little shapes.

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That's really, all you have to

do is just take a spine in sorta.

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Tap Pender.

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I've let that dry.

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Totally.

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Then I've covered all the black

area here with liquid clear.

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And on top of that, just a little

bit of SAP green, mixed with

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a little Vandyke Brown, just.

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The Browns are just a dull, the

green down a little, the top

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is with liquid white as usual.

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And with that, we're going

to do that little painting.

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So let's start out today.

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Take a little bit of thalo blue, just

a very small amount on the old two

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inch brush and I'll reach up here.

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Be right back.

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Get a little bit of black.

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So we have blue and black or black and

blue, whatever your preference there.

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It's cool.

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Up in here.

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We'll just put in a, just a

little, little sky back in here.

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This is just the little

blue and midnight black.

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There we go.

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And you determine if you want it to be

more to the dark side of the, or the

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blue side, it's up to you to you, Dan.

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We'll just sort of let it

just come right over these.

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We don't care, but both of these

colors are very transparent.

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So the black Jessel was still show

through, which is exactly what we wanted

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to do in this particular painting.

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Little more black, a little more blue.

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There we are.

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You want to just put that in using

little crisscross strokes or horn, little

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Xs, whatever you want to call them?

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Yeah.

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So I mentioned earlier, that's that's the

way the teacher used to grade my paper.

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When I was in school.

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She just go through it and

go X, X, X, X, X, X that's.

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That's how I learned to do this.

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All right.

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okay.

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And that's basically all we need

for a little background sky.

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Now, then we had some little trees in the

background and that's what this is for.

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So let's make those out of a, let's

use a little black little stay,

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low blue, and I'll get a little

touch of the Elizabeth and Crimson.

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Can we just sort of mix them together?

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Let me, let me get a little more Crimson.

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So it's sort of a lavender

color to the blue side.

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All right.

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Tap a little color on there.

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And up in here, let's just go with the

corner of the brush and put in some very

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basic little shapes or some little, some

little tree things that live back in here.

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And all we're looking for

is very basic little shapes.

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We're not looking for

detailed at this point.

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The detail that'll come later right now.

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Just little things that live

back here in the shadows there.

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There's some more and if you don't hit

everything, it doesn't matter because all

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the black Jesso so that you put on his

back there and it will make it look just

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like there's beautiful things happening.

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Also allow that black

gesture to work for you.

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It's one of the neatest things in the

art world a little bit, right in here.

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Can we maybe, maybe right here,

we'll just have another little Dewar.

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These little light spots are just

with a SAP green and the van Dyke

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Brown came up and touch the liquid

white and that happens automatically.

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And I want to save those.

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Those are very special.

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They're beautiful.

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Okay.

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Now, on the other side, over here,

grab a little more of the color.

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Let's have a little tree right here.

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All we're doing is just using the corner

of the brush and tapping, just tapping.

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All right,

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we'll take a little bit of a

liquid white, put it out, grandpa,

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a little touch of dark Sienna.

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Put it right in there with it.

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So we have dark sand and liquid white.

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Well, all we've done is

made a very thin Brown.

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Let me wipe the knife and I

find a little liner brush here.

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I'm going to take it, put a

little paint thinner on it.

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We'll go through Vandyke Brown first

and loaded full of Vandyke Brown.

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And then I'm going to just pull

one side through the thin color.

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Now watch we can make a little tree

trunk back here for this tree that

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has both the highlight in the shadow.

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At one time lazy man's

lifesaver right here.

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It will make another one right

there wherever you want them.

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But this is one of the neatest

ways going of making little tree

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trunks, and maybe here and there.

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You can make out a little later on.

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We're going to put a few leaves on there,

so we won't see much of this there.

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Okay.

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Let's just see if it will brush.

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We were using.

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With a dark when it will work.

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I want to, I want to take this

a little bit anyway with color.

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So I'll just use no dirty

brush and tap right into some

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titanium, white, just a little.

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And I just want to use that then to sort

of highlight some of these thinkers,

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little bushes were highlighted.

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I can in that other one,

that little opening.

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Isn't that?

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The cutest little thing.

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Okay.

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I like it.

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That's our little painter man.

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That's what we call him.

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The little painter man there.

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And that was, that idea was devised

and put together by a very good friend.

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And one of the engineers here at the

station by the name of Jerry Morton.

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Thanks dear.

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That was a good one.

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I enjoyed it.

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They're a little bit up in here.

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And off we go.

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So all the one is a little, just a

few little indications back here.

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Cause I remember there was big

evergreens in here, so we're going

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to cover up a great deal of this.

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We're not, not too concerned.

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We just want to make sure that

if any of it shows through,

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there's a little color on it.

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They're just all kinds of

little doers in there wherever.

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Can't ever tell even the things that are

just black, just so like right in there.

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You can highlight those too.

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Okay.

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Let's go over to this one

over three, over here.

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There he is.

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Give him some nice highlights.

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Do we even want him left out?

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Just use the corners.

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Just the corners.

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All it takes

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here.

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We are.

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Got it.

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I'll take it.

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Same old brush.

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And I'm going to go

into a little touch of.

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The yellow, we have grabbed a little more

black, so we have yellow and black, which

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makes a beautiful, beautiful green color.

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Just have a little that into the

bristles, maybe a little yellow ochre.

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That's it.

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That's it.

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There we go.

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Now, back in here, we're beginning

to see a little bit of color, just

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a little color, just going to use

that corner of the brush steel.

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And we're going to begin putting in the

indication of some little bushes that

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we can see in here, here, or there.

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Just hearing their, a little

more of the yellow ochre, Indian,

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yellow, there there's one.

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Ooh, isn't that beautiful.

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Look at that little rascal

Sharon out there in the sun.

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So you, by changing the angle, you

can make those little devils hangover

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and be lazy or whatever, whatever.

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Use your own imagination, touch

the bright red hair in there.

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Just to change the flavor.

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Not much quicker there just enough.

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To make it a little more interesting.

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Do one little Bush at a time,

one little Bush at a time.

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Let's go on the other side over

here, put a one right there.

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Okay.

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Something bad like him now with her liner

brush where the old liner brush a little

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bit of that dark color that we were using.

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Let's just put here and there.

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Some nice little trunks and

sticks and twigs and some little

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things that you might see there.

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Sometimes you can see them right

through some of the branches, like

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yes, where there's something growing

up through there and it makes your

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painting a little more interesting there

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she has to wherever.

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Cause there's always little

sticks and twigs out in the woods.

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Okay.

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Now then that's fine.

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That's fine.

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It's a fan brush and mix

up a big old GABA color.

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Let me clean off a spot to work in here.

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Let's take, I want to

use thalo green today.

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They little green Prussian, blue,

black, a lot of color Crimson,

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maybe even some Vandyke Brown

who cares as long as it's dark.

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And I want to throw little green

in there because that green.

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Will take over it'll everything

that's comes out of this pile.

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We'll have that green issue to it.

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That fellow green hue, let me wipe the

whole night and we just wipe her knife on.

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We've got some paper towels down here.

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We wipe it off.

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All right, let's take the old

fan brush maybe in our world,

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their lives, some trees.

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I think Harrison evergreen trees

where it goes our beautiful

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little tree right there.

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Right over the top of that, I will push

upward today, touch with the corner of

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the brush and give it an upward push.

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Or as my son, Steve says, if

you've watched him on some of the

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show, he says, move shit, give it

an upward English, just push it.

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They're very dark.

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Very, very dark.

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There is a tree.

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Yeah, thanks.

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There was a big one that went

clean off the canvas right there.

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So.

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Push outward.

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There we go.

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Great, big old tree, big old

tree, and just work down down,

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down, and you push harder and

harder as you work down the tree.

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Just really get in there

and push down here.

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We don't care.

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We'll separate all of

this with highlights.

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You could put this part on

with a, with a paint roller.

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Another tree, maybe he lives right there

and the same thing, give it a little

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upward, push upward, big, strong tree.

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It goes right on off the canvas.

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And sometimes it's neat to leave a

little bit of the little piece of

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the trunk showing we'll do that.

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How's that little naked spot there.

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Sometimes in some parts of the country,

the limbs hanging down on evergreens and

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other parts of the country, they go up.

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Or like when I lived in Alaska, you

can go some places, they hang down,

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some places they go up, maybe it just

depends on how they felt that day.

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Actually, I think it has something

to do with the amount of water and

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cold and everything, but who knows?

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Yeah.

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You just, I don't try to

understand everything in nature.

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I just look at it.

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Enjoy enjoyed just a little light

strike in the trunk right there,

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where it's going to show like that.

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Okay.

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I have several little fan brushes

going, goodness, take some yellow.

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And some of that same color

we use to make the tree.

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Maybe I'll reach up here.

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Be right back, get a little

black, want a dull it there.

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Good, good.

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Very good.

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Black and yellow.

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Make a beautiful green and

sometimes even a little Brown.

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Who that, yeah, that

does it down even more.

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Okay.

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Now we can go up in here and

just begin placing a few little

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highlights on some of these trees.

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Once again, we're still pushing upper

Dell, but this is where you separate them.

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Put all their little arms on him, like

a dad and he a cute little rascal.

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This is my little friend Clyde here.

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I give them names.

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Shoot people, look at you.

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Like you're a little weird, but

you know, painters are expected to

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be a little, a little different.

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Little different and that's all right.

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Right.

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Huh.

252

00:13:27,160 --> 00:13:28,130

Always been a little weird.

253

00:13:28,130 --> 00:13:29,330

So no big deal.

254

00:13:29,660 --> 00:13:34,100

Everybody who knows me expects that there.

255

00:13:37,830 --> 00:13:41,490

Okay, just right on down, but think

about shape and form and how you want

256

00:13:41,490 --> 00:13:45,870

the limbs to look, because this is where

we separate all them little Rascals,

257

00:13:46,070 --> 00:13:47,640

darker, darker, darker down here.

258

00:13:48,060 --> 00:13:53,160

And if you don't add any more paint, that

will happen automatically, automatically

259

00:13:53,160 --> 00:13:54,480

because you're running out of color.

260

00:13:54,915 --> 00:13:56,265

And you're picking up the dark color.

261

00:13:56,265 --> 00:13:58,035

That's on the canvas automatically.

262

00:13:58,574 --> 00:14:05,734

If you allow it to happen, it'll get

darker and darker as it works down there.

263

00:14:07,745 --> 00:14:11,824

There's another one rascal.

264

00:14:11,824 --> 00:14:15,094

So you can just make as many or

as few as you want here up to you.

265

00:14:19,114 --> 00:14:20,375

Let's find another brush here.

266

00:14:21,735 --> 00:14:22,695

I'm gonna take a little bit of that.

267

00:14:22,695 --> 00:14:28,395

Same greenish color, little yellow ochre,

Indian, yellow, put them all together.

268

00:14:28,935 --> 00:14:29,895

Give it a little tap.

269

00:14:30,975 --> 00:14:31,875

Push that brush.

270

00:14:31,875 --> 00:14:34,425

See creates that little Ridge.

271

00:14:34,805 --> 00:14:35,675

All right, let's go up here.

272

00:14:36,635 --> 00:14:41,525

And then back in here, we had a

little grass soft grassy area.

273

00:14:41,525 --> 00:14:43,325

So just take the brush and begin tapping.

274

00:14:44,975 --> 00:14:48,785

Just begin tapping like

this begin working together.

275

00:14:49,995 --> 00:14:51,315

Think about the lay of the land.

276

00:14:51,315 --> 00:14:55,685

Now, it's very important that you

begin thinking about that there.

277

00:14:57,815 --> 00:15:01,535

So by changing the flavor a little

bit, you can see the different planes.

278

00:15:02,855 --> 00:15:06,395

All you have to do is

add another color there.

279

00:15:07,265 --> 00:15:09,245

Think about where the light

would play through here.

280

00:15:11,650 --> 00:15:13,620

Look at her, you could walk

right on, back in there now.

281

00:15:15,150 --> 00:15:16,530

Good place to walk back here.

282

00:15:16,530 --> 00:15:18,420

Also a good place for a

little mosquito to hide.

283

00:15:18,420 --> 00:15:21,360

I bet you, I bet you'd

catch a mosquito in there.

284

00:15:24,975 --> 00:15:25,545

There we are.

285

00:15:25,835 --> 00:15:26,795

I live in Florida.

286

00:15:26,915 --> 00:15:31,745

So to have the mosquitoes in the

world, I think we have our fair share.

287

00:15:32,795 --> 00:15:34,895

I tell you, we had a little

cabin right in there.

288

00:15:34,895 --> 00:15:35,645

So let's do that.

289

00:15:35,915 --> 00:15:37,595

I think that that's fun.

290

00:15:37,865 --> 00:15:42,485

We have a lot of paint here, so let's

take and just scrape out a basic shape.

291

00:15:43,595 --> 00:15:45,995

And this is great because you're

not committed at this point.

292

00:15:45,995 --> 00:15:48,365

You can just play a pedal, all you want.

293

00:15:49,079 --> 00:15:51,810

It allows you to lay out

your whole little cabin.

294

00:15:51,810 --> 00:15:57,180

We had a log cabin, I think, but you

can lay it all out without really being

295

00:15:57,180 --> 00:16:03,209

committed to support, but most important,

it removes all this excess paint.

296

00:16:03,240 --> 00:16:06,630

We have a lot of paint back

here now, several layers.

297

00:16:06,630 --> 00:16:08,189

So just want to get that out of there.

298

00:16:09,660 --> 00:16:11,300

I'm won't take it.

299

00:16:11,300 --> 00:16:15,600

We'll start with Vandyke Brown,

just plain old Vandyke Brown.

300

00:16:16,515 --> 00:16:18,525

Or another fantastic way to make Brown.

301

00:16:18,555 --> 00:16:22,805

And I use this very often when I'm

painting at home is take a lizard

302

00:16:22,824 --> 00:16:28,094

Crimson and mix it with SAP green.

303

00:16:28,395 --> 00:16:31,245

It makes one of the most beautiful

Browns that you've ever seen.

304

00:16:32,265 --> 00:16:35,505

A very good friend that I used to paint

with, turned me onto that Audrey golden.

305

00:16:35,505 --> 00:16:39,435

Who's one of our instructors down

around Fort Lauderdale, but she used

306

00:16:39,435 --> 00:16:44,204

to use that and painted with her when I

first started and sort of picked it up.

307

00:16:45,650 --> 00:16:46,650

It's very nice.

308

00:16:48,180 --> 00:16:51,540

And then you take alizarin, Crimson

and filo green, and it makes a

309

00:16:51,540 --> 00:16:57,240

beautiful black, beautiful black there.

310

00:16:57,620 --> 00:16:57,860

Okay.

311

00:16:57,920 --> 00:17:00,560

All I did is block it

in with some dark color.

312

00:17:01,430 --> 00:17:05,720

We had shingles on the roof for

that they quite midnight black.

313

00:17:06,200 --> 00:17:07,280

We just mix it together.

314

00:17:08,060 --> 00:17:10,399

It makes sort of a, sort of a gray color.

315

00:17:10,430 --> 00:17:13,010

Let me wipe the knife now.

316

00:17:14,069 --> 00:17:17,069

For that, I'm going to use a

small ledge of the knife and we

317

00:17:17,069 --> 00:17:19,139

start and we just start pulling.

318

00:17:20,339 --> 00:17:25,919

It's just like, so they start at the

bottom and work up and that way they

319

00:17:25,919 --> 00:17:28,740

overlap and it looks like real shingles.

320

00:17:30,330 --> 00:17:33,870

Of course, in my younger day,

I was a carpenter and I've

321

00:17:33,870 --> 00:17:35,129

put on a lot of shingles.

322

00:17:35,310 --> 00:17:39,750

And I tell you what say, say in

the South, it ain't this easy.

323

00:17:42,345 --> 00:17:45,045

My father was a contractor.

324

00:17:46,245 --> 00:17:53,855

So I grew up as a carpenter and he taught

me how to add a book, little things.

325

00:17:54,725 --> 00:17:54,965

Oops.

326

00:17:54,965 --> 00:17:56,255

Missed, put one right there to peak.

327

00:17:56,255 --> 00:17:56,975

It would come right there.

328

00:18:00,365 --> 00:18:00,785

There.

329

00:18:02,850 --> 00:18:07,530

King now in here we had it

like, uh, I can all log.

330

00:18:07,560 --> 00:18:10,320

Kevin would take quite a little

dark Sienna, mix it together.

331

00:18:10,350 --> 00:18:14,700

Maybe even throw in a little

band Dyke in there just to yeah.

332

00:18:14,760 --> 00:18:18,930

Change the flavor, but don't, overmix

leave it if you don't like that little

333

00:18:18,930 --> 00:18:24,720

reel of paint and just take, figure out

where you want the little cabin logs to be

334

00:18:24,810 --> 00:18:28,110

touch, give a pool little sidewards, pull.

335

00:18:29,730 --> 00:18:33,090

Say their little side, which

pole that's all there is to it.

336

00:18:33,510 --> 00:18:36,330

Let the knife work there.

337

00:18:38,600 --> 00:18:42,540

Now we'll come back with a little

Brown and we just cut them off

338

00:18:42,840 --> 00:18:45,630

wherever we want them there.

339

00:18:47,610 --> 00:18:50,730

Now down this side logs go.

340

00:18:50,910 --> 00:18:54,090

I can just put them in.

341

00:18:56,580 --> 00:19:01,560

This is a very, very simple and effective

way of making a little cabin that looks

342

00:19:01,560 --> 00:19:06,210

like a log cabin without going to a great

deal of work, a little, the Vandyke Brown,

343

00:19:06,210 --> 00:19:11,520

just to put in between, and that sorta

finishes edges up and makes it look like

344

00:19:11,520 --> 00:19:13,020

there's some blood late in between there.

345

00:19:13,020 --> 00:19:14,310

Like you're in a log cabin.

346

00:19:15,590 --> 00:19:15,950

Okay.

347

00:19:15,980 --> 00:19:20,120

I'm going to take the Brown

much darker for this side.

348

00:19:20,300 --> 00:19:21,740

Not as much lights kind strike.

349

00:19:23,265 --> 00:19:24,175

Still too light one.

350

00:19:24,185 --> 00:19:25,935

It even darker a little black in there.

351

00:19:27,005 --> 00:19:27,785

That's better.

352

00:19:28,535 --> 00:19:28,955

Yes.

353

00:19:30,605 --> 00:19:32,975

I wanted to stay very dark

on this side just enough.

354

00:19:32,975 --> 00:19:34,925

So you can make it out if there's

something happening over there.

355

00:19:36,935 --> 00:19:38,855

And then let's take, let's take the knife.

356

00:19:38,915 --> 00:19:39,755

Let's put a window here.

357

00:19:40,625 --> 00:19:41,555

Just scrape it in.

358

00:19:42,125 --> 00:19:43,745

Maybe another one right there.

359

00:19:45,335 --> 00:19:47,015

We can take straight Vandyke Brown.

360

00:19:48,495 --> 00:19:49,275

Give us a door.

361

00:19:49,635 --> 00:19:56,135

We got a door we can get in and out

of this cabin, there we are maybe

362

00:19:56,135 --> 00:19:59,765

a little touch of a little blue or

pressure, but it doesn't matter.

363

00:20:00,515 --> 00:20:03,605

And just pull it down there.

364

00:20:03,635 --> 00:20:06,395

It makes it look like there's maybe

some, a little bit of glass in there.

365

00:20:06,395 --> 00:20:11,345

Reflecting a little bit of gray

on the knife and go around sort of

366

00:20:11,375 --> 00:20:13,325

outline the doors and the windows.

367

00:20:15,965 --> 00:20:16,565

There we are.

368

00:20:17,985 --> 00:20:21,585

And I used to take the point of the

knife with a little pain on it and

369

00:20:21,585 --> 00:20:26,285

just do like cat sort of makes it

look like the end of a law there.

370

00:20:28,605 --> 00:20:32,705

You can take a little highlight color

and just highlight those little ans

371

00:20:32,705 --> 00:20:36,875

a little bit, if you want to, just to

make them sort of stand out sneaky.

372

00:20:36,875 --> 00:20:37,085

Huh?

373

00:20:39,125 --> 00:20:42,095

All right, let's go back to our brush.

374

00:20:44,324 --> 00:20:46,245

My profit Xs, go back to her brace.

375

00:20:46,245 --> 00:20:48,915

It had the lawn color on it.

376

00:20:49,784 --> 00:20:50,955

This is our lawn out here.

377

00:20:51,595 --> 00:20:55,875

Let's begin tapping in indication

of some little grassy areas

378

00:20:55,875 --> 00:20:59,865

that live at near like a dam.

379

00:21:03,929 --> 00:21:05,159

There comes another one.

380

00:21:12,540 --> 00:21:17,580

Maybe there's a little Bush.

381

00:21:17,610 --> 00:21:18,389

He lives right there.

382

00:21:20,600 --> 00:21:21,210

A little Bush.

383

00:21:22,460 --> 00:21:23,179

Here's another one.

384

00:21:23,419 --> 00:21:25,280

This one hangs right over

the edge of the cabin.

385

00:21:26,810 --> 00:21:27,379

Not careful.

386

00:21:27,379 --> 00:21:29,330

It's gone take over the whole world.

387

00:21:30,950 --> 00:21:31,280

Maybe.

388

00:21:32,310 --> 00:21:35,370

Yeah, they'll have a bigger one to sit

right out here on the age, he's watching

389

00:21:35,370 --> 00:21:41,790

everything would make up little stories

about your plants and think about the

390

00:21:41,790 --> 00:21:43,379

little creatures that would live in here.

391

00:21:44,850 --> 00:21:50,100

There's probably all kinds of little

squirrels and rabbits and just a multitude

392

00:21:50,100 --> 00:21:51,780

of things that you may never see.

393

00:21:51,840 --> 00:21:52,439

But they're here.

394

00:21:53,399 --> 00:21:54,209

They're here, here.

395

00:21:55,649 --> 00:21:56,730

I'll take a touch of that.

396

00:21:58,770 --> 00:22:00,840

Just Brown and white or

gray and white, whatever.

397

00:22:01,514 --> 00:22:02,925

And let's put the indication here.

398

00:22:03,555 --> 00:22:08,055

Maybe there's a little path that

flows right out of that cabin just

399

00:22:08,325 --> 00:22:13,605

comes right out and we can take

it clean up the ages of that path.

400

00:22:13,605 --> 00:22:17,685

A little bit of brush and off we go now.

401

00:22:18,554 --> 00:22:19,635

Now, watch here.

402

00:22:19,725 --> 00:22:21,794

This is the fun part let's take.

403

00:22:22,364 --> 00:22:24,344

Let's just take pure titanium white.

404

00:22:25,425 --> 00:22:26,415

This is the fun part.

405

00:22:26,985 --> 00:22:31,844

Watch you just pull straight down and

because we have color green Vandyke

406

00:22:31,844 --> 00:22:35,145

Brown, we'll have instant water here.

407

00:22:36,435 --> 00:22:43,125

Just pull it straight down,

straight down, and then go across

408

00:22:43,435 --> 00:22:45,705

just enough to ripple it a little.

409

00:22:48,600 --> 00:22:52,170

Something like so that we can

give him a little pond right

410

00:22:52,170 --> 00:22:53,370

out here in front of his house.

411

00:22:54,920 --> 00:22:58,580

Just a little pond, take

a little abandoned brag,

412

00:22:58,880 --> 00:23:00,200

dark Sienna mixed together.

413

00:23:01,040 --> 00:23:02,570

And let's put some banks out here.

414

00:23:05,180 --> 00:23:08,300

Little polices got a little

Beaver, maybe lives in here.

415

00:23:08,420 --> 00:23:09,620

He's going to have a little place to sit.

416

00:23:11,810 --> 00:23:12,440

There we go.

417

00:23:12,800 --> 00:23:13,100

That's right.

418

00:23:13,100 --> 00:23:13,850

I don't know around.

419

00:23:15,120 --> 00:23:16,080

I'm in here.

420

00:23:16,290 --> 00:23:23,760

So I'm like, you know, wherever we're

ever going to touch a Brown and white

421

00:23:24,540 --> 00:23:31,110

in here and there indication, I have a

little highlight, think about angles.

422

00:23:31,110 --> 00:23:36,490

So most important, most

important they're there.

423

00:23:38,355 --> 00:23:39,645

Just a few little things.

424

00:23:39,645 --> 00:23:40,425

Don't work too much.

425

00:23:40,755 --> 00:23:43,575

Tell you what let's do

you want to listen to?

426

00:23:44,945 --> 00:23:47,675

Excellent liquid white, put it down here.

427

00:23:48,425 --> 00:23:50,735

It's dark CN and Vandyke

Brown mixed with it.

428

00:23:52,505 --> 00:23:55,895

There let's get her

we'll Philbrick breasts.

429

00:23:55,925 --> 00:23:57,935

I like to make rocks to

deal with Filbert brush.

430

00:23:57,965 --> 00:24:04,025

That works so well, so well, let's go

right into Vandyke Brown and dark sand.

431

00:24:04,025 --> 00:24:04,925

Just mix them together.

432

00:24:04,925 --> 00:24:05,345

Like it.

433

00:24:06,570 --> 00:24:07,890

Like so both sides.

434

00:24:07,890 --> 00:24:11,070

Then we go over to that then paint

and just pull one side through.

435

00:24:11,130 --> 00:24:17,510

So we get dark on one side and light

on the other now then touch and that

436

00:24:17,510 --> 00:24:20,720

quick you can make the indication

of a lot of little happy stones

437

00:24:20,780 --> 00:24:25,790

live right out here in the edge of

the water, wherever you want them.

438

00:24:28,130 --> 00:24:32,300

And as many, or as few as you want.

439

00:24:34,695 --> 00:24:39,435

Came maybe over in here

this, so let's see.

440

00:24:39,585 --> 00:24:40,035

Okay.

441

00:24:40,425 --> 00:24:44,235

Just sorta pick her out, pick

out the ones that you liked.

442

00:24:47,055 --> 00:24:48,855

Maybe there's even a few out in the water.

443

00:24:49,215 --> 00:24:54,645

Who knows, who knows if you put

them out in the water, grabbed the

444

00:24:54,645 --> 00:24:57,105

bottom of, and pulled down with

a little fan brush or something.

445

00:24:59,310 --> 00:25:00,780

And then go across that way.

446

00:25:00,810 --> 00:25:05,730

There'll be a reflection under the stones

to just pull straight down and go across

447

00:25:05,730 --> 00:25:10,200

just a little, just catch the bottom

of them, pull them across and down.

448

00:25:11,990 --> 00:25:13,160

Now that we can take it.

449

00:25:13,910 --> 00:25:14,000

Okay.

450

00:25:14,480 --> 00:25:16,880

A little bit of liquid high and

I'll put a little gray in it.

451

00:25:17,390 --> 00:25:19,550

Some of that black and white,

a little bit of black in there.

452

00:25:20,300 --> 00:25:24,020

Cause I want a gray color for

this, but it's standard paint.

453

00:25:24,710 --> 00:25:24,800

Okay.

454

00:25:25,395 --> 00:25:30,765

And we can come in here and we

can just add just a few, little

455

00:25:33,045 --> 00:25:34,545

waterlines as long in here.

456

00:25:36,515 --> 00:25:43,385

Something like, so wherever

we want them, they're there.

457

00:25:47,645 --> 00:25:50,555

And these water lines will sort of

clean up the bottom of your stones and

458

00:25:50,555 --> 00:25:52,115

your land and bring it all together.

459

00:25:55,245 --> 00:25:58,455

And it really, really adds a little

finishing touch to your painting.

460

00:26:03,305 --> 00:26:03,695

Okay.

461

00:26:04,655 --> 00:26:06,245

Don't want this little stone left out.

462

00:26:07,325 --> 00:26:08,615

Give him a little ripple too.

463

00:26:08,945 --> 00:26:13,235

And on the other side, same

thing, same thing over here.

464

00:26:14,795 --> 00:26:16,745

Just give a little ripple here and there.

465

00:26:18,645 --> 00:26:20,205

Now we can take a fan brush here.

466

00:26:20,285 --> 00:26:25,125

I have one that has a little green on

it, yellow ochre and Danielle Little

467

00:26:25,125 --> 00:26:26,625

bright red, maybe once in a while.

468

00:26:28,245 --> 00:26:31,845

And we can push in a few little, little

happy grassy things that come right

469

00:26:31,845 --> 00:26:34,215

down and bring all that together.

470

00:26:34,215 --> 00:26:37,875

So the land area, it's just not a

straight line across there that that sort

471

00:26:37,875 --> 00:26:39,435

of bothers me when it's just straight.

472

00:26:40,485 --> 00:26:42,825

So about pushing upward with

a corner of the fan brush.

473

00:26:43,335 --> 00:26:45,195

You can create all these

little bushes here.

474

00:26:47,415 --> 00:26:52,635

I tell you what, let's take the liner,

brush a little bit of bright red, then it

475

00:26:52,635 --> 00:26:55,395

down, and let's sign this little rascal.

476

00:26:55,785 --> 00:26:56,805

Hope you've enjoyed this one.

477

00:26:56,805 --> 00:27:01,955

This will show you how the

little opening was made there.

478

00:27:03,485 --> 00:27:06,725

And with that, we're going to

call this painting finished.

479

00:27:07,355 --> 00:27:10,055

And from all of us here, we'd

like to wish you happy painting.

480

00:27:10,085 --> 00:27:13,205

Look forward to seeing you

next time until then God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S21E07 - Wilderness Cabin

Bob Ross's

The Joy of Painting

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