Bob Ross's

The Joy of Painting

S23E13 - Winter Bliss

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Hi, welcome back.

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Certainly glad you could join

us today because today is the

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last show of the 23rd series.

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Can you believe at the 23 series?

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That's almost 300 half hours shows.

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So I thought today we do a

fantastic little winter scene

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that I think you'll enjoy.

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Let's start out in having run all

the colors across the screen that

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you need to paint along with us.

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And as usual they'll

come across right there.

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All right, come on up here and let

me show you what I've got done today.

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I have my standard old pre-stretch canvas.

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And I've cut out a little contact

paper, oval, and stuck on it.

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I like those little ovals, so I thought

we'd do one of those and I've covered

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the whole thing with a thin even coat

of liquid white, all ready to go.

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So let's just do a, let's just do

a very happy little scene today,

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since this is the last show.

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We're do a happy little painting.

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What to start with a little alizarin

Crimson, just a very small amount.

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Don't need much.

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We don't want to set this guy on fire.

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All we want to do is just put a very

nice little pinkish glow in there.

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Making little crisscross strokes.

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She has little Xs,

something about like that.

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It's all there is to it there.

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Maybe on that, just a little more.

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A little bit more there.

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Crimson is not a very strong color.

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So if there's any inheritance you,

don't like, it's very easy just to,

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just to cover it up till you want.

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Let's have a little water in this one.

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Maybe we'll maybe put a little

Crimson down here for it.

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There'd be somebody

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let's go in here and I'm going to maybe

I'll put some little clouds in there.

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What takes some Crimson reach over here

and let's get a little touch to that.

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They look blue just a little and we'll

just, we'll just mix them on the brush.

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Something like, so be right back.

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Don't go away.

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They're a little bit more.

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Maybe there we go.

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We're making sort of a, sort of a

nice pinkish lavender color there.

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Let's go ahead.

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Up in here, maybe in our world, our little

cloud, it just sort of floats along.

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You could do this with a fan brush or.

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Or whatever brush I'm just using

this one because it was handy

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already had some color on it.

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And I'm lazy here.

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We are very gently just sort of

just put in a basic little shape.

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We'll come back with a clean brush

and blend that all we're looking for.

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Just a very basic little

shape, but a little stringy

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things here and there on them.

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If you want them, whatever.

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Well, whatever, cloud's a very free

to sort of let them float around now.

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Good clean, dry brush.

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I have several of each brush going.

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I'm just going to blend that

out, lint, blender, and blend it.

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And then very lightly, very lightly.

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Just go over the entire thing using

long horizontal strokes and that easy.

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We can create the illusion of

a little cloud, see how you can

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just, I want to soften the edges.

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So all we're doing is just

bringing them together.

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Just like it, nothing to it.

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Now let's have another cloud

and we'll make it darker.

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So I'll add a little pressure and

blue, a little black, then I'll go

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right over here to the Crimson again.

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And back to my black and

blue back to Crimson.

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I want this one quite a bit darker.

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Let's go up here now then

have to decide where it lives.

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There it is.

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Maybe there's a little arm

hangs right out here like that.

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I don't know.

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It's just sort of let them happen.

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And I'm just using the corner of the

brush and just sort of winding it up.

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Little tiny circles, tiny little circles.

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There we are.

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There we are.

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So I see this is the last show of

this series and it's always sort

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of sad when we get to the last

show, but we're not going for long.

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We've already got the next series

planned and we'll be back with you.

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If you'll have us.

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The only reason we stay on television

is because you, you allow it.

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So if you like the shows and you

want to see more of them, or you want

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to see some of the old ones again,

because there's only 300 of them.

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Fact, I think there is 311, keep you

local station to car, let them know.

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That's only way they know what you

want to see just to clean brush.

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Yeah.

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And once again, we'll just

sort of blend that out.

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I can't let all those

little things just happen.

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There we go.

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Very simple little sky.

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Okay.

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Let's have some fun today.

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That's make us a little mountain.

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What the heck?

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I like mountains.

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We'll take some black there in Crimson,

a little bit of depression, blue, maybe

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even a little bit of Vandyke Brown there.

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Pull it out as flat as you can get it.

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Didn't cut across and get our

little roll of paint lives right

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out there on the edge of the knife.

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And maybe our mountain,

we will have a mountain.

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Yes, we will.

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Right there.

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See you really pushed that

color right into the fabric.

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Get tough with it.

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This is where you take

out all your frustrations.

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Hostilities.

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You don't hurt a thing.

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In fact, it's better.

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If you get a little, get a

little mean with it here.

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There we go, something like that.

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I don't know.

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You make your mountain

any shape that you want.

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It just sorta just started.

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Let it go.

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Let it go.

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Mountains are different in

different parts of the country.

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So you paint them.

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However, they look right to you.

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And all we're worried about

is this nice top edge up here.

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We could care less what's happening below.

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We don't even concern herself with that.

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Nice clean, dry brush.

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We grab it firmly, really grabbed

it and begin pulling it out.

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I want it to be very soft at the

bottom because if you can see the

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entire mountain, it's always more

distinct at the top than it is at the

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bottom, because at the bottom we have

missed, and now we have wonderful

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pollution that breaks up the light.

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Just breaks it up and diffuses it.

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And that's what creates that

illusion of miss down here.

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There we go.

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Something like, so let's see how

soft the base of that mountain is.

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And if everything works just right.

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Do you have a little touch of that

pink down in there when people would

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just go crazy trying to figure out

how you did it and that's our secret.

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Tell him, don't tell him.

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Yeah.

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Let's put a few little

highlights on there.

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We use some of the titanium white.

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I want to pull it out very flat,

just as flat as I can get it.

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And I want a tiny little roll of paint.

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Very little on the knife.

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Okay.

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Now these back here, I want to make

them look like they're farther away.

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So I'm going to use very,

very little pain on them.

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Very little.

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I don't want almost no highlight

on them too far away, too far away.

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We'll give him a little

friend right there.

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Once again though, almost no paint.

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This one, this one, this one we had

to give him sound and I'm really

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not looking for detail back here.

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We're gonna blend these out, push them

far away, something maybe about like,

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so I'm gonna mix up a little bit.

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It's a little blue and white, maybe

put a little black in there to Belle.

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It don't want it too bright back here.

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And put just a hint of shadow.

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Don't want much don't want much

too far away to see detail too

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far away to see much detail.

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There.

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All right, let me get a, get

an old two inch brush it's nice

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and dry and clean and tap this.

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Be very sure that you follow the angles

here that just tap, tapping, tapping.

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The more you tap it, the softer

it'll become, then lift gently

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upward to hairs and some air.

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But very gently.

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So it just sort of disappears back here

in the mist, but it's very soft and quiet.

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All right.

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At this one, this old mountain

there he's in the foreground.

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He's very distinct.

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Yeah, no pressure.

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Absolutely.

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No pressure.

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There, I think you've heard me say

over and over one of the ways when I

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was teaching my son, Steve to pain, I

got across to him how soft this was.

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I told him just to pretend that his

hand was a whisper and it floated right

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across the mountain with no pressure.

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And now he may very well be the best

mountain painter in this technique in the

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whole country, because he certainly cannot

paint me when it comes to mountains.

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And he travels all over and teachers

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maybe you'll get to meet him.

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He does a lot of demonstrations and

stuff you do go by and hassle him a

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little bit and tell him I sent you,

it needs to be hassled sometime there.

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This is just a little blue, white

touch, a black in it to dull it.

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Okay.

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Let me wipe off the whole night.

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It will take a little bit of that.

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And let's put a few little

shadows back in here.

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There's one that let's push that one back.

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Come right on down here,

go distinctly through it.

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And immediately, immediately

you just pushed it back into

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the distance one, right there.

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You ever believe you had that much power

that you could push mountains around?

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Shoot.

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And I go home.

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The only thing I can push

around is a garbage cart there.

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And I get to do that every

Wednesday come rain or shine there.

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That's my job.

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Garbage sits there and waits

on me till I come home.

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And I don't let it down.

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I'll always try to get it out there.

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I decided maybe I want to

change that a little, give it

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a little more right out there.

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Cause it's cause it's pretty.

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Me go,

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something like that.

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I don't know.

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I don't know whoever

you'd like to have it.

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That's where you should put it.

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And we will tap this one, following those

angles, once again, follow those angles.

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Most important.

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I want to create the illusion of mist down

at the base of this mountain over here.

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All of these angles doesn't

matter which side you're on.

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Always follow the angle.

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So then lift up.

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I takes out the little tap Mark

sort of brings it all together.

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I just tapped into it a little bit.

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Shadow color.

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Maybe we'll have just a little

Dewar that comes out here.

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It makes it look like another

plane in the mountain.

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Sorta sneaky.

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Huh?

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Where beat the brush,

knock off excess paint.

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Then we can blend that out times.

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All you have to do is just beat the

brush very firmly and it removes the pain

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enough, but you don't have to clean it.

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And if you're like me, I'm very lazy.

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I look for easy ways to

do things now, though.

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Let's take a little bit that, Oh,

we get a little dirty brush here.

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We got some, a little bit of

pressure and blue, a little Crimson.

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Just sort of mix them together.

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Let's go down here.

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Let's put the indication of

a little water down in here.

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This sort of pull that in

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from this side.

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Let me wash the old brush.

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They're cleaned up.

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This really is the fun part of this.

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Shake it off and then discovered

old studio, not in very lightly.

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We just go all the way across

and bring all this together.

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Just sort of bring us together.

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Maybe, maybe, maybe we're

our world back here.

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There's some little footy Hills.

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Let me mix up a little color here and

we take a little, quite some of that.

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Mountain color.

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So it's basically a gray sort of a blueish

gray color is what I'm looking for.

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And a little more that they look

blue in there, or the pressure

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didn't make any difference.

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Yeah.

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Clean off the knife.

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Nice.

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Use the same old dirty brush.

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It doesn't matter.

253

00:13:43,735 --> 00:13:45,985

Just tap some color right into the brush.

254

00:13:46,105 --> 00:13:49,195

Give it a little, little push

that little Ridge of paints.

255

00:13:49,195 --> 00:13:51,505

What we're looking for there now.

256

00:13:52,320 --> 00:13:56,040

Decide where your little footy

Hills live, maybe in my world.

257

00:13:56,760 --> 00:13:59,100

I think there's one or two right in here.

258

00:14:00,285 --> 00:14:05,564

Just like, so there they are just

use the corner of the brush and put

259

00:14:05,564 --> 00:14:07,395

in some very basic little shapes.

260

00:14:08,655 --> 00:14:12,165

Very basic there.

261

00:14:14,474 --> 00:14:16,515

Say they're all there is to it.

262

00:14:17,594 --> 00:14:17,745

Yeah.

263

00:14:17,875 --> 00:14:22,585

Very lightly left, upward, upward,

very, very short little strokes that

264

00:14:22,585 --> 00:14:27,645

don't make big strokes like that because

this represents little trees better.

265

00:14:27,945 --> 00:14:29,985

Oh, they're a long way off.

266

00:14:30,735 --> 00:14:33,885

Not a million miles, but almost, almost.

267

00:14:34,829 --> 00:14:40,589

Maybe, maybe there's some more right in

here, but you separate them by leaving

268

00:14:40,589 --> 00:14:42,180

a tiny little light area in there.

269

00:14:43,319 --> 00:14:44,819

Then they'll just separate right apart.

270

00:14:45,660 --> 00:14:47,339

And you can put as many

layers as you want.

271

00:14:47,459 --> 00:14:48,750

Just doing something like that.

272

00:14:49,469 --> 00:14:50,339

Lyft, Lyft.

273

00:14:55,285 --> 00:15:00,375

Burden, maybe even, maybe there's

even another layer who knows in your

274

00:15:00,375 --> 00:15:04,575

world, you put as many layers of

little foothills as you want, or as

275

00:15:04,575 --> 00:15:10,065

few, maybe you don't even want my

foothills totally, completely up to you.

276

00:15:10,665 --> 00:15:11,085

Lift up.

277

00:15:13,199 --> 00:15:20,550

I can now let's take same

cover, pull downward, just

278

00:15:20,550 --> 00:15:23,520

pull it down, straight down.

279

00:15:23,520 --> 00:15:24,930

Those important come straight down,

280

00:15:31,439 --> 00:15:36,540

take a clean brush, pull it down a

little more just to smooth it out.

281

00:15:36,540 --> 00:15:41,160

Good and come straight across by cap.

282

00:15:42,944 --> 00:15:49,604

And we have instant reflections that

easy that I would take her at knife.

283

00:15:49,979 --> 00:15:52,020

Take a little bit of the liquid white.

284

00:15:52,469 --> 00:15:55,620

Maybe I'll add the least little

touch of pinkish hue into it.

285

00:15:56,400 --> 00:15:57,300

Don't touch a Crimson.

286

00:15:57,300 --> 00:15:58,079

Not much though.

287

00:15:58,770 --> 00:16:00,060

Just enough to flavor it.

288

00:16:00,689 --> 00:16:04,829

Cut across, get our little roll of

paint and we can go right up in here.

289

00:16:06,599 --> 00:16:09,209

And then let's just begin cutting

in a little waterline push.

290

00:16:09,239 --> 00:16:12,449

Very hard act like you're trying

to cut a hole right in the canvas.

291

00:16:12,810 --> 00:16:14,219

You're not going to hurt this canvas.

292

00:16:15,000 --> 00:16:15,630

I don't think.

293

00:16:16,980 --> 00:16:20,970

Sure, as I say, you want somebody

to tell me they did, but normally

294

00:16:21,000 --> 00:16:21,870

you're not going to hurt it.

295

00:16:21,870 --> 00:16:28,080

It's a very tough, very strong cause she

could take her running start and hit it

296

00:16:28,080 --> 00:16:29,610

with a knife and put a hole through it.

297

00:16:29,610 --> 00:16:32,010

But other than that,

it's pretty difficult.

298

00:16:33,630 --> 00:16:36,900

Pretty difficult there.

299

00:16:39,720 --> 00:16:41,640

Maybe we'll just let

that come right on over.

300

00:16:42,120 --> 00:16:43,170

I don't know, wherever.

301

00:16:46,620 --> 00:16:50,070

Maybe there's even a little,

little Dewar out here in the water.

302

00:16:51,660 --> 00:16:54,840

Sometimes it's nice to have

a little thing like it.

303

00:16:56,490 --> 00:16:57,120

All right.

304

00:16:59,820 --> 00:17:00,360

Tell you what.

305

00:17:02,700 --> 00:17:04,620

Those little footy Hills

are so much fun to make.

306

00:17:05,700 --> 00:17:06,450

Let's make another one.

307

00:17:07,740 --> 00:17:11,520

Let's make another one there.

308

00:17:12,810 --> 00:17:14,040

Just push the brush though.

309

00:17:14,310 --> 00:17:15,540

Load a little color right in there.

310

00:17:16,020 --> 00:17:20,000

I want this one to be a little dark

then the one in the back and maybe.

311

00:17:20,819 --> 00:17:25,079

Oh, maybe it comes from a peer

somewhere who knows it comes right

312

00:17:25,079 --> 00:17:30,240

on down and out into the water, but

this will help create an illusion

313

00:17:30,300 --> 00:17:33,870

that, that goes, we back and hides

back here in the background somewhere.

314

00:17:34,710 --> 00:17:35,190

And it neat.

315

00:17:36,540 --> 00:17:41,700

It's a lot of depth in your painting

and you've done very little done

316

00:17:41,700 --> 00:17:46,290

very little because painting should

not always just be hard work.

317

00:17:46,320 --> 00:17:47,250

It should be fun.

318

00:17:48,330 --> 00:17:49,260

And we really try.

319

00:17:49,605 --> 00:17:50,715

To make it fun here.

320

00:17:51,255 --> 00:17:53,985

We'll try to make it

enjoyable for many years.

321

00:17:53,985 --> 00:17:58,125

And F and I traveled all over the country

teaching and during those periods,

322

00:17:58,515 --> 00:18:03,215

we begin to realize exactly how much

fun it could be because we've met so

323

00:18:03,215 --> 00:18:06,485

many people and people were happy.

324

00:18:07,115 --> 00:18:10,415

They were just amazed at the

results of what they were doing.

325

00:18:11,310 --> 00:18:13,590

People who never believed

they could paint.

326

00:18:16,020 --> 00:18:19,410

And that may be the true joy of painting

is when you share it with other people.

327

00:18:21,435 --> 00:18:23,175

I really believe that's the true joy.

328

00:18:24,515 --> 00:18:26,735

Whether you teach him to paint

or you give paintings to them

329

00:18:26,735 --> 00:18:30,605

as gifts or your personality

just improves because you paint.

330

00:18:31,645 --> 00:18:36,095

Sometimes it makes you, it makes

your personality a little better.

331

00:18:36,425 --> 00:18:39,185

If you're in a better mood and you've

accomplished something you feel better.

332

00:18:39,815 --> 00:18:42,995

And the people who love you, then they're

a little happier to be around you.

333

00:18:44,105 --> 00:18:46,535

So even that can be a joy of painting.

334

00:18:48,870 --> 00:18:49,560

All right.

335

00:18:49,620 --> 00:18:52,830

Just using a little bit of the,

a little bit of that liquid white

336

00:18:52,830 --> 00:18:58,260

still June is putting in a, just

a happy little water line there.

337

00:18:59,580 --> 00:19:00,689

We don't know where that goes.

338

00:19:01,139 --> 00:19:03,540

I can get carried away and

just go everywhere with it.

339

00:19:05,210 --> 00:19:11,990

Now then maybe find a clean brush,

maybe down here in the foreground.

340

00:19:11,990 --> 00:19:12,919

There's a little snow.

341

00:19:13,100 --> 00:19:13,520

Why not?

342

00:19:14,745 --> 00:19:16,785

And we can, we can start out here.

343

00:19:16,905 --> 00:19:19,755

We'll use the old two inch brush,

a little bit of the titanium,

344

00:19:19,785 --> 00:19:24,315

white, just load a little pain on

there and make an instant decision.

345

00:19:24,315 --> 00:19:26,865

Where's your snow live,

maybe in our world.

346

00:19:26,895 --> 00:19:31,395

It's right there to pull

in a little bit of snow.

347

00:19:34,445 --> 00:19:34,955

See there.

348

00:19:37,055 --> 00:19:38,735

That's basically all there is initially.

349

00:19:40,034 --> 00:19:44,115

And I'm going to take, I'm going to take a

one inch brush and we'll go right through

350

00:19:44,115 --> 00:19:49,845

some of that dark colored pressure, blue,

some Crimson, but a nice dark color.

351

00:19:50,295 --> 00:19:54,675

Pull it brush in one direction,

one direction like that.

352

00:19:55,740 --> 00:20:01,020

And we go up here and let's have some

little, some little bushes that live

353

00:20:01,020 --> 00:20:05,370

out here on this, just push upward, but

the brush take that rounded side toward

354

00:20:05,380 --> 00:20:10,140

the top and just push upward and you

can make all these happy little bushes.

355

00:20:10,170 --> 00:20:12,030

Maybe we'll have a whole

line of bushes who cares.

356

00:20:13,110 --> 00:20:17,970

When you do it, you decide, make

them anywhere you want them.

357

00:20:19,350 --> 00:20:22,199

We just have a whole line, a little

bushes that live all the way across here.

358

00:20:23,580 --> 00:20:28,740

Now maybe, maybe Jack Frost has touched

these little bushes and they've got some

359

00:20:28,740 --> 00:20:34,379

snow on I'm saying, well, dip, the one

inch brush and two into the liquid white.

360

00:20:35,459 --> 00:20:37,050

Then I'll go through titanium white.

361

00:20:38,425 --> 00:20:39,015

Be right back.

362

00:20:39,015 --> 00:20:40,035

Let me get a touch.

363

00:20:40,215 --> 00:20:43,305

Just the least little touch

of the alizarin Crimson.

364

00:20:43,305 --> 00:20:46,365

I want to just warm it up a little,

pull it in one direction, load a

365

00:20:46,365 --> 00:20:47,745

lot of color into the bristles.

366

00:20:48,405 --> 00:20:49,125

A lot of color.

367

00:20:49,725 --> 00:20:55,005

All right, let's go up here now with a

rounded corner up again, just push and

368

00:20:55,005 --> 00:20:59,775

you could make little bushes, little snow

covered bushes here that looked like lace.

369

00:21:00,975 --> 00:21:03,105

They're so gorgeous there.

370

00:21:05,430 --> 00:21:09,180

But these are just fantastic,

but don't kill all your dark.

371

00:21:09,390 --> 00:21:14,280

Once again, it starts working and it feels

good and you get carried away and you

372

00:21:14,280 --> 00:21:16,470

can kill all that dark in a heartbeat.

373

00:21:17,940 --> 00:21:19,890

And then you have no depth

in your little bushes

374

00:21:23,300 --> 00:21:26,750

so you can look back over the top of those

bushes and see little things behind it.

375

00:21:27,560 --> 00:21:31,040

That's where the little bunny rabbit

hides he lives back in there stays warm.

376

00:21:31,130 --> 00:21:32,510

Cause it gets cold out here.

377

00:21:34,139 --> 00:21:35,430

Rarely gets cold out here.

378

00:21:37,470 --> 00:21:38,159

Okay.

379

00:21:38,710 --> 00:21:41,520

Then we can take a brush.

380

00:21:41,520 --> 00:21:42,350

It had the height on it.

381

00:21:42,370 --> 00:21:46,590

Just sort of clean up the edges,

just a little here and there.

382

00:21:47,159 --> 00:21:48,990

Sometimes you can grab a little led color.

383

00:21:50,790 --> 00:21:54,030

Now, if you want to make it look like

the snow is really thick, taking a knife.

384

00:21:55,034 --> 00:21:58,425

The role of paint and just sorta

drag it across, like you did on the

385

00:21:58,425 --> 00:22:00,135

mountains up here, just drag it.

386

00:22:00,135 --> 00:22:03,975

So the paint breaks, Janice too.

387

00:22:03,975 --> 00:22:06,254

It breaks a little tiny bit just enough.

388

00:22:06,254 --> 00:22:10,754

So it shows say there, and it

really makes it look like it's,

389

00:22:12,825 --> 00:22:14,054

there's depth to that snow.

390

00:22:14,085 --> 00:22:15,105

It's not just flat.

391

00:22:17,550 --> 00:22:18,480

No just flat.

392

00:22:20,370 --> 00:22:23,580

And let's see here, we can take

the knife to scratching a little

393

00:22:23,580 --> 00:22:24,960

stick and twig here and there.

394

00:22:25,890 --> 00:22:28,080

Kind of handle some little

sticks to hold all this together.

395

00:22:28,470 --> 00:22:28,860

Shoot.

396

00:22:29,430 --> 00:22:32,820

So Rascals to get away, got

to have a skeleton in there.

397

00:22:34,080 --> 00:22:34,920

Let's get crazy.

398

00:22:35,070 --> 00:22:36,540

You know, me and my big trees.

399

00:22:37,020 --> 00:22:40,260

Let's take some van Dyke and a

little dark Santa mixed together.

400

00:22:41,670 --> 00:22:42,030

Pull it out.

401

00:22:42,030 --> 00:22:44,820

Very flat, cut off our

little roll of paint.

402

00:22:45,210 --> 00:22:49,230

Right out there on the edge

and then make a big decision.

403

00:22:50,460 --> 00:22:54,660

Maybe we'll have a tree

that lives right here.

404

00:22:54,660 --> 00:22:58,320

This is your brave retest because

you go right over your mountain

405

00:22:58,340 --> 00:23:05,640

sky, everything just like, so

there, this is your bravery test.

406

00:23:07,590 --> 00:23:08,580

This would check you out.

407

00:23:10,530 --> 00:23:12,930

After you've worked so hard on you

paying and coming on here and the

408

00:23:12,930 --> 00:23:15,210

stick, a big old tree trunk in there.

409

00:23:16,820 --> 00:23:19,730

All right, let's do two.

410

00:23:19,730 --> 00:23:24,950

Then if you made it through the first

one, this one ought to be easy there.

411

00:23:26,690 --> 00:23:31,000

And I like to just put them in

with dark Brown, first dark Sienna,

412

00:23:31,129 --> 00:23:37,129

van Dyke, and then come back with

a little bit of titanium, white,

413

00:23:37,129 --> 00:23:39,170

small rule of paint and touch.

414

00:23:39,554 --> 00:23:43,485

And just barely give it a little

pull right there on the edge.

415

00:23:44,504 --> 00:23:45,945

It makes it look like a little Birch tree.

416

00:23:45,945 --> 00:23:46,814

It lives out here.

417

00:23:49,754 --> 00:23:52,334

I have two, two crows live with me.

418

00:23:52,365 --> 00:23:53,294

I mean, real cruise.

419

00:23:53,294 --> 00:23:54,764

I'm not there.

420

00:23:56,115 --> 00:23:58,215

And both of them have been shot.

421

00:23:58,754 --> 00:23:59,925

Now they'd left the set out here.

422

00:24:01,034 --> 00:24:03,105

Somebody shoot, somebody

shot both of them.

423

00:24:04,245 --> 00:24:09,095

Not at the same time, but they live in a

big cage behind my house and I take care

424

00:24:09,095 --> 00:24:12,485

of them and take them food every day.

425

00:24:15,455 --> 00:24:16,355

They live pretty good.

426

00:24:16,355 --> 00:24:20,705

They've got sort of used to

their situation and the Audubon

427

00:24:20,705 --> 00:24:23,524

society told me they could live

up to 20 years in captivity.

428

00:24:23,524 --> 00:24:25,625

So I think this is going

to be a long relationship.

429

00:24:26,535 --> 00:24:26,925

All right.

430

00:24:26,925 --> 00:24:30,225

A little bit of paint, thinner, a little

bit of Vandyke Brown and dark Santa.

431

00:24:31,455 --> 00:24:35,715

I want to put a indication here and

there of a few little branches on

432

00:24:35,715 --> 00:24:39,254

this old tree, just here and there.

433

00:24:41,295 --> 00:24:42,495

Just like so,

434

00:24:46,145 --> 00:24:46,235

okay.

435

00:24:46,835 --> 00:24:50,645

And if you paint does not flow, add a

little more of the paint thinner to it.

436

00:24:51,155 --> 00:24:54,365

Cause at the end, paint will slide right

over the top of this thicker paint.

437

00:24:55,830 --> 00:24:56,460

There we are.

438

00:24:58,100 --> 00:25:02,060

So I say, this really is you brave,

retest to jump up here in the sky and

439

00:25:02,060 --> 00:25:03,980

start putting all these little things in.

440

00:25:06,290 --> 00:25:10,340

But I know you can do it and know

you can do it because you can do

441

00:25:10,340 --> 00:25:12,830

anything that you believe you can do.

442

00:25:14,780 --> 00:25:19,460

And if I believe you can do it,

you certainly know you can there

443

00:25:19,970 --> 00:25:22,640

one tree, this one's in the front.

444

00:25:22,640 --> 00:25:23,870

So we'll do him last.

445

00:25:24,615 --> 00:25:27,135

Give him some little arms

that stick up in the sky.

446

00:25:28,455 --> 00:25:33,035

I say this for my Chrome is set on there.

447

00:25:33,395 --> 00:25:35,315

Of course we'll have to get an

elevator to get him up there.

448

00:25:35,315 --> 00:25:36,965

Neither one of them can fly anymore.

449

00:25:39,275 --> 00:25:39,905

There we go.

450

00:25:40,265 --> 00:25:41,945

But they don't know that they still try.

451

00:25:44,045 --> 00:25:44,675

All right.

452

00:25:46,855 --> 00:25:50,735

Maybe a little arm right there, wherever.

453

00:25:51,555 --> 00:25:56,535

And you can put all kinds of little gnarly

things that have been broken off and just

454

00:25:56,535 --> 00:25:58,125

makes it look a little more realistic.

455

00:25:59,415 --> 00:26:01,695

And when you have a lot of time,

you can really play with this,

456

00:26:03,075 --> 00:26:04,275

but little doers everywhere.

457

00:26:04,575 --> 00:26:08,655

Maybe there's a little grassy

thing here and there, whatever.

458

00:26:10,065 --> 00:26:12,105

I think it's time for

the moment of truth here.

459

00:26:13,815 --> 00:26:15,345

So let's bring the camera right up here.

460

00:26:16,060 --> 00:26:18,930

Let's take the contact

paper, see what we have.

461

00:26:21,990 --> 00:26:23,220

Isn't that fantastic.

462

00:26:23,940 --> 00:26:24,720

I sort of food you.

463

00:26:24,740 --> 00:26:29,100

I didn't tell you about the

black on there, but try this one.

464

00:26:29,490 --> 00:26:30,300

You really like it.

465

00:26:30,300 --> 00:26:31,440

I think we'll sign this one.

466

00:26:32,130 --> 00:26:33,000

Call it finished.

467

00:26:34,020 --> 00:26:39,210

I hope you've enjoyed this painting

and this series, if you have let your

468

00:26:39,210 --> 00:26:43,290

TV station know, and until next time.

469

00:26:45,330 --> 00:26:49,110

I'd like to wish you happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S23E13 - Winter Bliss

Bob Ross's

The Joy of Painting

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