Bob Ross's

The Joy of Painting

S22E07 - Dimensions

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Hi, welcome back.

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Certainly glad you could join us today.

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It's a fantastic day here and

I hope it is wherever you are.

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Take it away.

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Let's get right on it today.

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Let's start out in here and run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me tell you what I've

gotten done up here already.

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I thought today, we'd do the

little opening that you see the

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painting that the little painter

man is wiping off with a big brush.

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And I want to show you how that was made.

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So I've taken just a plain

old 18 to 24 inch canvas.

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And I've picked up some masking

tape laying around the studio

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here, and I've just put one

square here and one square there.

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I've just.

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Masking tape solid is, and I've

covered the whole canvas with a

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thin even coat of the liquid white.

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So it's all ready to go.

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So let's just have a good time.

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Let's start out today with a small

amount of yellow ochre, very, very

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small amount on the two inch brush.

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Now this won't be an exact

duplicate of what you see on the

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opening, but it's close enough.

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You'll see exactly how it was made.

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And then you can do your own at home, but

just paint right over the masking tape.

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Just like it wasn't even there.

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Just like, so we had a little bit

of yellow up here in this guy.

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They're not like that.

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That's all we're looking for.

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And this is just plain yellow

ochre, but it's blending with a

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liquid wave that's already on the

canvas and all these fantastic cues

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happen automatically, automatically.

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Okay.

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Okay.

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What I'm going to grab another brush.

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I have several of them, so I don't have

to spend all my time washing brushes

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and go right into a small amount of

the midnight black don't need much.

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Just a little, just a little can

you, let's go back up here now.

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Now over here, we'll just take that black.

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It would just begin on

the other side of the sky.

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Now, once again, this also is going

to mix with the liquid white and the

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black of course is going to become gray.

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So we have a gray sky with a little bit

of yellow in it, and that's all that's

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in that sky that you see in the opening.

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I like that opening that

little painter man is so cute.

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That was the idea of a special friend

that works here at the station.

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Jerry Morton.

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He put that thing together for us.

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He's very talented.

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And I thank him for doing that.

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Can you just.

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Lindy's together.

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So you can't tell her one color

stops and the next color starts.

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That's all we're looking for.

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And then very lightly, very lightly

go across the entire canvas.

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And that just removes the brush strokes

will blend a little more right there.

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Okay.

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Great.

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Something like, so now, then, okay.

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Let me wash the old brush here.

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When did you know we wash your

brushes with odorless thinner?

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Shake off the excess and just

beat the devil out of it.

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Oh, I've got to show you something here.

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I have to show you that a

gentlemen made this for me.

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This is a cane that he carved and it

is unreal, but he he's actually put an

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image of Obama on the end of it here.

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And this was done by Mike Weaver.

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He's one of our certified

instructors in Missouri.

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But as you can see, he's talented in many

ways, but that's really fantastic Canaan.

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I think he's trying to tell me something.

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Okay, let's keep going here.

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We'll take a little of the black,

put a little mountain in here.

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A little black, little touch you a little

touch of they little blue in there.

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Maybe even a little alizarin

Crimson, pull it out.

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Very flat, cut across and

get our little roll of paint.

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Now, these little squares,

we're going to play some games

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here with different planes.

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So I'm going to have a mountain

that projects above this right here.

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And comes down something like, so,

but I'm going to stop it or right

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here at this piece of tape there,

we'll let that come right on down.

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Like, so here's another peak right here.

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Just wherever you think a

little peak should live.

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That's exactly where it

should be right on down.

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And we'll stop it right

there at that piece of tape.

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Okay.

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Little color right into there.

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Now we can take a clean, dry two inch

brush and just grab it and pull it just

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like we normally do to make a mountain

there, but I want to be careful not

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to let that color go pass the tape.

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Yeah.

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If you like this painting, you can

certainly do it without the tape.

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And it's still a beautiful painting,

or you can make your own designs.

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These designs are very interesting

and people like them try them.

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It's very simple.

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You can do it with tape or

contact paper, just any of the

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things it'll stick to the canvas.

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Yeah, let's just take some titanium white.

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We'll pull it out.

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Very flat.

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Cut across, get our little

roll of paint again.

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Always have that little roll of paint.

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Now we can go up in here, here,

and just start laying on some

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highlights right on this mountain.

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Barely, barely touching or touching.

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Just graze the canvas.

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As I've mentioned before, when

I was teaching my son, Steve to

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paint, I used to tell him just

to pretend that he was a whisper.

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Just floating right across the mountain.

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It's that light.

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It's that delicate of a touch.

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You were to see what kind of

mountains he's painting today?

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Well, you might've saw him

or some of the previous shows

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does some fantastic mountains.

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He does better mountains than I do.

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Don't tell him.

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I said that let's take a little

Hawaii, a little bit of thing,

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a little blue mixed together.

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We'll use that for a shadow color chain.

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I'll just take a little edge.

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We can go up in here.

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Maybe I'll just sort of pull downward

a little bit, make the indication

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of some little ridges back here.

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Sometimes it's fun to play little games in

your mountains and we can come back here

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so that all these little things happen.

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Little touch up in here,

just so we can see a little.

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Now we know there's tape there.

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Nothing's going to show, so we don't care.

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We'll just bring that right across

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wherever we need a shadow,

then we can just lay it in.

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It'll touch right in there.

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We'll push that little rascal right

back that easy, easy on this canvas.

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You have unlimited power.

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Can do anything here.

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You can change your world.

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Anything, little white.

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We just play some games back and forth.

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Let that just sort of float in

there wherever I would take a

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clean and very dry two inch brush.

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That's what all that Beaton was.

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I was just making sure it was dry

and then very gently lift upward.

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That'll help create that illusion of

mist down at the base of the mountain

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over here, this direction and lift up.

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Sometimes you can grab just a little

bit of that and pull, it looks like

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a little light has spilled over.

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It's quite pretty there.

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Okay.

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Now that we're ready to start

putting some little footy Hills.

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Yeah.

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So for that, we'll take, we'll

just use that same old mountain

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color, same old mountain color

with a little be right back.

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A little bit of white in it.

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Just want to lighten it up,

but it's the same basic color

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there let's go right up here.

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Very simple little Foothill.

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We just have it come right on

down, down, down, down, maybe.

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Maybe you're right along there.

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All we're doing is tapping with a corner

now, but watch, come back over this way.

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I tried here say, I'm going to

let this go into this plane.

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Notice the mountain stops here, but this

one is going to come through this plane.

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And don't over.

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This is about as close to an abstract

painting as I've ever done on television.

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Of course, I've made some mistakes

at home and we call those abstracts.

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This is the first one

we've done intentionally.

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I normally don't do paintings

that I have to explain there.

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Okay.

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Now let's have a little water down here.

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Hold we have this color on here.

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If we can just come right in here,

put in the indication, a little bit of

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water floating around something like, so

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there, this is just, just

basic old mountain color.

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A little bit on the other side, over here.

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I'm going to keep writing here.

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I'm going to keep it inside of this border

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there.

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And maybe down here, we'll let it

slip out something like that, but

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just play games with different planes

in your painting, and you'll be

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surprised at what you can create.

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You'll absolutely be amazed now then.

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Mean you can color put a little

that straight down, straight down.

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That'll end up being our reflections under

that little Foothill back here, gently

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across that easy, instant reflections.

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That's sneaky.

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Isn't it a little bit of the liquid

white, probably about as flat as

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you can get it and then take it

knife and just cut across all.

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There is to it.

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Then go up here and act just

like you trying to cut a hole

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right through the canvas.

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And this whole canvas is tough.

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You're not going to hurt

it, not going to hurt it.

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I don't think you get out the

butcher knife in the kitchen.

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You certainly can, but this knife is dull.

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You're not going to hurt it.

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And right on over into here too, we

want, wanted to be all the way over.

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Okay.

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Now I'm gonna mix up a

little more color here.

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We'll use black, some fellow blue.

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Maybe I'll put a little

pressure in blue in there too.

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On the beginning of darkening,

this blue down at a little

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lizard and Crimson in there.

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Something like so least a

little touch of SAP green.

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All right, Katie, my wife deal knife

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shoot.

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Maybe we'll use a one inch brush day.

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Fan brush would worked just as well, but.

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Since I have it, let's use it.

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And let's go in here.

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Now this one stopped at that plane.

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Let's have this group

of little distant trees.

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They're bigger, closer to us.

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If I remember they come right

down something like, so.

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And we'll have these work their way.

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There they go right on up

and, uh, right off the canvas.

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So now each plane, the painting, each

layer of the painting has stopped at

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a different point within this tape.

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And that's one of the things that

makes this painting so interesting when

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people look at it and I guarantee you,

if you paint us, when people will look

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at it, There, pull that down a little.

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Now I want to create

mist right at the base.

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All you have to do is just tap,

tap, tap it all the way across and

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lift upward, upward, upward, and

that'll create the illusion of mist.

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Let's do it.

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I want to add to that same color.

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We just had some Brown, a little

bit of Brown, but more of the black.

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So it's a very dark color.

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Can you tap a little led in there now?

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I want to have some land areas here.

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I think the one that you see

in that opening has land areas

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that come right out like it.

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So we put some dark in only.

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So our light will show you

have to have dark in order to

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show light, just like in life.

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If you don't have a little sadness

in your life, you don't know

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when the happy times come there.

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You know, while I'm doing

this, this is very repetitious.

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I'm just going to be

putting in some dark areas.

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I want to share a piece of video

with you from a younger friend.

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Then realists may be one of the

youngest painters that I've run into.

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And this young man's name

is Earl Glenn Russell.

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And he comes to us out of

Springfield, Missouri, and he is

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just a fantastic little painter.

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I had the pleasure of having

dinner one night with Earl and

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his mother when I was there.

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And there's some of the loveliest

people I've ever met in my whole life.

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And this painting introduces you

to so many new friends and Earl

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and his mother are just two of many

people that I've had the opportunity

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to meet just through painting.

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Okay, but did not little rascal.

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Good.

249

00:14:01,920 --> 00:14:03,240

I mean, he can paint.

250

00:14:05,130 --> 00:14:07,200

All I'm doing is just making

some reflections in here

251

00:14:07,200 --> 00:14:07,950

while you're doing that.

252

00:14:09,360 --> 00:14:10,410

Look at that finished painting.

253

00:14:11,490 --> 00:14:14,610

And if I remember, I think Earl

was nine years old now going on 40

254

00:14:17,700 --> 00:14:20,070

and he something, I am so

proud of that young man.

255

00:14:21,000 --> 00:14:25,890

I'd love to just tap in a little dark

color here, trying to remember basically

256

00:14:25,890 --> 00:14:32,850

where we had things maybe that came

down about like somewhere in there.

257

00:14:34,380 --> 00:14:37,710

But notice as we're doing this, we're

putting the reflections with each layer

258

00:14:38,160 --> 00:14:42,450

because if I didn't pull this down, Before

I did this part, it would mess up that.

259

00:14:42,450 --> 00:14:42,930

Of course.

260

00:14:43,620 --> 00:14:46,440

So each layer pull your

reflections down, dislike.

261

00:14:46,440 --> 00:14:54,830

So before you do that, the next layer and

that way it'll work so much easier there.

262

00:14:55,190 --> 00:14:55,900

Now we can come back.

263

00:14:57,180 --> 00:15:02,190

Put in all kinds of little things

in here, something like that.

264

00:15:04,590 --> 00:15:06,180

I think it came right on out right there.

265

00:15:08,190 --> 00:15:09,030

Okay.

266

00:15:10,890 --> 00:15:13,350

Now we can just, we just

use that same old brush.

267

00:15:13,380 --> 00:15:16,710

We can go right into a little

bit, CAD yellow, yellow ochre, and

268

00:15:16,710 --> 00:15:21,240

green, yellow, and then I'll hit a

little touch of the bright red, but

269

00:15:21,360 --> 00:15:22,530

it makes the color on the brush.

270

00:15:22,530 --> 00:15:25,140

So you have a multitude of colors

happening right there in your brush.

271

00:15:25,665 --> 00:15:31,725

Okay, let's go back up here now we'll

put some nice green highlights right

272

00:15:31,725 --> 00:15:35,565

out here on this little peninsula

that jets out into the water.

273

00:15:37,695 --> 00:15:39,225

Just tap, tap, tap.

274

00:15:40,455 --> 00:15:42,585

Now then watch you play some games.

275

00:15:43,275 --> 00:15:44,205

Sometimes it's fun.

276

00:15:44,205 --> 00:15:49,805

Let me find we use a number three

fan bursts, maybe pile my color up B

277

00:15:49,805 --> 00:15:51,365

color gets too flat on the palette.

278

00:15:51,365 --> 00:15:52,535

You have to sort of pile it up.

279

00:15:53,250 --> 00:15:54,480

So you can load a brush.

280

00:15:54,660 --> 00:15:57,420

So if you ever have trouble loading

the brush yet, you know, there's

281

00:15:57,420 --> 00:16:01,020

enough pain, just put it in a pile

and then you can load your brush.

282

00:16:01,530 --> 00:16:05,250

Otherwise you just Polish

your pallet down there.

283

00:16:06,450 --> 00:16:11,840

Let's go right in here and make

it look like you're some trees

284

00:16:12,300 --> 00:16:14,970

just go right out like that.

285

00:16:16,140 --> 00:16:18,660

But you have to put that

grassy area back in here first.

286

00:16:19,065 --> 00:16:23,175

Then put your trees and then come back and

put your next layer so that it looks like

287

00:16:23,175 --> 00:16:28,845

there's layers and that's what will make

your painting stand out and be special.

288

00:16:30,795 --> 00:16:31,335

All right.

289

00:16:31,935 --> 00:16:37,335

Now then back to our big brush with

all the little grassy things on it.

290

00:16:37,365 --> 00:16:38,505

When you come right back in here.

291

00:16:40,185 --> 00:16:48,845

See there, they begin laying in

all kinds of little areas there.

292

00:16:50,975 --> 00:16:52,985

She can make his list as soft as a metal.

293

00:16:54,245 --> 00:16:57,245

Can you just have some fun

kind of mix up some more color?

294

00:16:59,165 --> 00:17:04,655

Let's use some oppression,

blue, some black in Crimson SAP.

295

00:17:04,685 --> 00:17:06,575

Green sounds good.

296

00:17:08,715 --> 00:17:10,545

Might as well, mix up a

pretty good pile of paint.

297

00:17:10,545 --> 00:17:12,375

We're going to use it

before this one's finished.

298

00:17:14,085 --> 00:17:15,194

Get a big fan brush.

299

00:17:15,225 --> 00:17:19,085

It's time we get got strong here, there.

300

00:17:21,535 --> 00:17:22,235

Okay.

301

00:17:22,265 --> 00:17:25,325

Just fill the brush up full

of color, a lot of color.

302

00:17:26,615 --> 00:17:31,925

Now then we have to make some

big decisions here, I think right

303

00:17:31,925 --> 00:17:36,785

there, or right here where he

will have a nice evergreen tree.

304

00:17:39,465 --> 00:17:41,925

And I'm intentionally letting

this go right over the tape.

305

00:17:42,465 --> 00:17:43,815

So then we pull the tape off.

306

00:17:45,165 --> 00:17:46,595

You'd only see part of the day three.

307

00:17:48,185 --> 00:17:49,325

Maybe we'll give him a friend.

308

00:17:49,895 --> 00:17:54,785

You know, me think everybody

needs a friend there.

309

00:17:56,195 --> 00:17:59,105

And as I say, that's one thing

that painting has done as a net.

310

00:17:59,105 --> 00:18:03,005

And I have traveled around the

country, teaching people, we have

311

00:18:03,005 --> 00:18:06,545

made so many fantastic friends that

have been with us for so long now.

312

00:18:08,219 --> 00:18:11,189

And that might truly be the

joy of painting is the friends

313

00:18:11,189 --> 00:18:12,199

that you make doing it.

314

00:18:13,709 --> 00:18:15,899

I'm going to take, we didn't let the home.

315

00:18:17,280 --> 00:18:19,649

I was about to leave his

trunk out for a little thing.

316

00:18:19,649 --> 00:18:21,179

Would fall over from weakness.

317

00:18:21,659 --> 00:18:26,100

Take a little dark CNN white

little roll of paint in our

318

00:18:26,100 --> 00:18:27,389

little evergreen tree here.

319

00:18:28,189 --> 00:18:34,889

Let's just put least little

indication of a tree trunk there.

320

00:18:36,810 --> 00:18:40,409

Now then I have dark

green on the little brush.

321

00:18:40,439 --> 00:18:41,699

It doesn't matter which brush you use.

322

00:18:41,699 --> 00:18:42,840

I just happened to pick it up.

323

00:18:44,040 --> 00:18:45,959

Put a few little highlights

on this rascal here.

324

00:18:50,810 --> 00:18:51,500

All right.

325

00:18:53,100 --> 00:18:58,310

And then let's take some van Brown on

the old knife and let's go right in here.

326

00:18:58,760 --> 00:19:00,620

Put some banks underneath this grass.

327

00:19:01,909 --> 00:19:03,110

She has some little banks.

328

00:19:04,815 --> 00:19:07,485

Wherever, maybe there's a lot

of dirt showing right there,

329

00:19:09,785 --> 00:19:12,755

there, wherever we can go ahead

and put some down in here too.

330

00:19:12,755 --> 00:19:17,015

Cause we know it's going to end up

being there and here and there, maybe

331

00:19:17,015 --> 00:19:22,175

there's going to be some dirt up in

here wherever it doesn't much matter.

332

00:19:23,405 --> 00:19:27,245

That'll touch a Brown and white

and we can just tip that a little.

333

00:19:29,675 --> 00:19:31,655

She has to make it look

like rocks and dirt.

334

00:19:33,180 --> 00:19:38,100

They're all kinds of little

things are happening there.

335

00:19:38,100 --> 00:19:38,460

They are

336

00:19:42,120 --> 00:19:42,390

there.

337

00:19:42,510 --> 00:19:43,110

Okay.

338

00:19:45,710 --> 00:19:45,980

Yeah.

339

00:19:45,980 --> 00:19:47,060

I won't take my fan breast.

340

00:19:47,060 --> 00:19:48,080

It has the green on it.

341

00:19:49,340 --> 00:19:53,150

I can go back in here and pop in

a little Bush here and there just

342

00:19:53,150 --> 00:19:55,460

enough to sort of break it by the

edge and bring all that together.

343

00:19:57,110 --> 00:19:59,720

Maybe there's some nice bushes right

here in front of those little trees.

344

00:20:02,235 --> 00:20:06,015

You take the knife scrape and

a few little sticks and twigs.

345

00:20:10,545 --> 00:20:12,075

And sometimes I scratched down.

346

00:20:12,075 --> 00:20:13,125

Sometimes I scratch up.

347

00:20:13,275 --> 00:20:15,435

Just depends on what kind of mood I'm in,

348

00:20:19,215 --> 00:20:21,465

but you'll find by touching it

and pulling up, you'll get a

349

00:20:21,465 --> 00:20:24,735

sharper point on the end there.

350

00:20:24,735 --> 00:20:26,865

If that makes sense, let's go.

351

00:20:26,895 --> 00:20:28,004

We use the one inch brush.

352

00:20:29,100 --> 00:20:31,830

Maybe we have a big Bush.

353

00:20:32,250 --> 00:20:33,030

I remember correctly.

354

00:20:33,030 --> 00:20:35,159

It lives right about here.

355

00:20:35,429 --> 00:20:36,840

So we just throw some dark inside.

356

00:20:36,840 --> 00:20:40,830

Our light will show, push

outward with the one-inch brush.

357

00:20:41,010 --> 00:20:44,490

Create all those little,

little leafy feelings.

358

00:20:45,030 --> 00:20:48,750

You're going to take another one

inch brush, dip it in liquid white.

359

00:20:49,710 --> 00:20:51,600

I'm going to go through the CAD yellow.

360

00:20:51,879 --> 00:20:53,879

Be right back here, a little SAP green.

361

00:20:54,794 --> 00:20:57,495

Pull the brush into one

direction, loading it fully.

362

00:20:57,675 --> 00:20:58,485

Who a lot of paint.

363

00:20:58,574 --> 00:20:59,445

Look at all the paint.

364

00:21:00,975 --> 00:21:04,365

A lot of paint that brush

let's go up here now.

365

00:21:04,784 --> 00:21:11,675

Gently push upward, just gently, gently,

and turn it the brush to form all these

366

00:21:11,675 --> 00:21:13,655

individual little limbs and branches too.

367

00:21:14,225 --> 00:21:15,875

Don't just push them all in one direction.

368

00:21:17,314 --> 00:21:20,855

He'll look like a lazy there.

369

00:21:21,855 --> 00:21:22,125

Okay.

370

00:21:22,125 --> 00:21:25,035

We can change the flavor just a

little bit with some yellow ochre.

371

00:21:25,245 --> 00:21:30,065

I landed in yellow, but another

little thing right in there,

372

00:21:34,025 --> 00:21:40,535

wherever where ever go back to the old two

inch brush, it had all the greens on it.

373

00:21:42,945 --> 00:21:51,495

And maybe tap him just the indication,

some little grassy areas back in there.

374

00:21:53,175 --> 00:21:57,165

Come right down here somewhere.

375

00:21:57,165 --> 00:22:02,955

And I couldn't there now at

this one come right on out.

376

00:22:05,160 --> 00:22:05,860

Wherever you want.

377

00:22:06,570 --> 00:22:11,010

And once again, this is not an exact

duplicate of what you see at the

378

00:22:11,010 --> 00:22:15,810

beginning of the show, but it will

show you exactly the way it was made.

379

00:22:17,700 --> 00:22:20,250

And it may turn out better than the

ones you see at the beginning of the

380

00:22:20,250 --> 00:22:25,920

show, who knows Kane, we can take

a little paint, thinner, a little

381

00:22:25,920 --> 00:22:29,550

Brown, make it thin, like ink.

382

00:22:31,545 --> 00:22:38,955

And we had see here, we right here,

we'll have a nice little tree.

383

00:22:38,955 --> 00:22:39,855

It lives right up there.

384

00:22:40,785 --> 00:22:41,385

There you go.

385

00:22:41,385 --> 00:22:47,415

So in fact, there was two of them other

than it was right on over there somewhere.

386

00:22:50,105 --> 00:22:55,025

And, and we can put all kinds of

little limbs and sticks and twigs

387

00:22:55,025 --> 00:22:56,585

and whatever you want on here.

388

00:22:58,175 --> 00:22:58,895

There we go.

389

00:23:02,675 --> 00:23:06,034

That's nice when you have a lot of time

and you can just sit and put all kinds

390

00:23:06,034 --> 00:23:07,655

of little branches and sticks on here.

391

00:23:08,645 --> 00:23:09,455

That's so pretty.

392

00:23:12,125 --> 00:23:16,205

They're a little bit more the thinner.

393

00:23:17,615 --> 00:23:20,945

Make that one, a little fatter

because he's the big guy.

394

00:23:22,504 --> 00:23:24,875

Give this one a little more

body and we're in business.

395

00:23:28,020 --> 00:23:30,290

Now then let's have some fun.

396

00:23:30,680 --> 00:23:33,350

I think it's time to take the tape

off and see what we have here.

397

00:23:34,880 --> 00:23:35,420

All right.

398

00:23:36,200 --> 00:23:41,480

Grab the old tape and just

pull it right off here,

399

00:23:44,840 --> 00:23:45,200

Kenny.

400

00:23:45,200 --> 00:23:46,040

And then we'll come back.

401

00:23:46,280 --> 00:23:47,330

Let's get the second one

402

00:23:50,510 --> 00:23:51,020

right off.

403

00:23:53,320 --> 00:23:54,629

Isn't that neat already.

404

00:23:54,629 --> 00:23:57,420

We have all that stuff there.

405

00:23:57,420 --> 00:23:57,690

Done.

406

00:23:59,550 --> 00:24:00,240

Okay.

407

00:24:02,399 --> 00:24:03,000

There we go.

408

00:24:04,020 --> 00:24:05,310

Tape gets stuck on everything.

409

00:24:07,170 --> 00:24:08,730

Now that now we can have some fun.

410

00:24:10,670 --> 00:24:16,889

I like taking the liner brush once

again, make that paint very thin and

411

00:24:16,889 --> 00:24:20,940

let's go back over and I want to pull

one of these trees through this line.

412

00:24:21,705 --> 00:24:25,545

It just, just sort of

makes it interesting.

413

00:24:25,635 --> 00:24:30,405

Everybody will be interested in

this when you do it this way.

414

00:24:30,885 --> 00:24:34,595

It's so different there.

415

00:24:35,945 --> 00:24:39,365

And then now this one, I don't want

to come through this one, but over

416

00:24:39,365 --> 00:24:40,685

here, I'm going to bring it through.

417

00:24:41,015 --> 00:24:42,425

That makes any sense at all.

418

00:24:43,835 --> 00:24:48,545

So it looks like it looks like

this one is a behind that line.

419

00:24:53,205 --> 00:24:53,805

All right.

420

00:24:57,995 --> 00:24:59,555

You know, me and my big trees here.

421

00:25:01,325 --> 00:25:06,785

Let's take, let's take the old fan

brush, Philadelphia, that dark,

422

00:25:06,785 --> 00:25:09,905

dark color and go right up here.

423

00:25:10,295 --> 00:25:13,385

I think there was a large

tree that lived boy does now.

424

00:25:14,054 --> 00:25:20,355

Right there and just start quantitative

brush, working back and forth.

425

00:25:20,715 --> 00:25:23,205

Back and forth there.

426

00:25:24,105 --> 00:25:28,215

Now the one that we show it to opening

has a, has a naked spot right there.

427

00:25:29,054 --> 00:25:30,524

He didn't grow any further right there.

428

00:25:32,205 --> 00:25:33,495

That's why they call them for trees.

429

00:25:34,935 --> 00:25:35,534

Okay.

430

00:25:37,544 --> 00:25:38,534

Right on down.

431

00:25:39,284 --> 00:25:39,885

Let him go.

432

00:25:40,935 --> 00:25:43,544

And all we're doing is putting in

some background color right now.

433

00:25:44,895 --> 00:25:48,044

Now that he had a friend

lived right there.

434

00:25:50,129 --> 00:25:50,760

There we go.

435

00:25:55,919 --> 00:26:01,229

And I'm going to let him project right

out, clean over the, where the tape was.

436

00:26:01,860 --> 00:26:03,270

So that'll push everything back.

437

00:26:03,750 --> 00:26:06,959

This whole painting is a game of planes.

438

00:26:07,979 --> 00:26:10,199

It's a lot of fun, a lot of fun.

439

00:26:10,199 --> 00:26:10,830

You enjoy it.

440

00:26:11,850 --> 00:26:14,159

Tap in a little bit of dark stuff here.

441

00:26:17,955 --> 00:26:21,425

I can go back, but the least little touch.

442

00:26:21,425 --> 00:26:25,535

Your highlight on this big

old tree was green and yellow.

443

00:26:25,835 --> 00:26:29,495

So how are you using something like that?

444

00:26:31,685 --> 00:26:34,835

Take our one inch brush, dip it in

the liquid point, go through our

445

00:26:34,835 --> 00:26:40,865

yellows greens and let's just make a

happy little Bush or two down here.

446

00:26:42,365 --> 00:26:44,435

And we got it there.

447

00:26:45,960 --> 00:26:47,790

Literally touching the

yellow ochre here and there.

448

00:26:47,790 --> 00:26:55,340

Just to break it up there we

are, but isn't that a fantastic

449

00:26:55,340 --> 00:26:57,410

little painting guarantee.

450

00:26:57,410 --> 00:27:00,260

If you do this one, it will

certainly get people's attention.

451

00:27:00,800 --> 00:27:01,580

They will love it.

452

00:27:02,900 --> 00:27:06,650

And I think with that, we're going to call

this one finished from all of us here.

453

00:27:06,980 --> 00:27:08,270

I'd like to wish you happy painting.

454

00:27:08,780 --> 00:27:09,830

And God blessed my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S22E07 - Dimensions

Bob Ross's

The Joy of Painting

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