Bob Ross's

The Joy of Painting

S20E13 - Double Take

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Hi, welcome back.

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Certainly glad to see you today.

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This is the last show of the 20th series,

so I'm very, very glad you're with us.

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Tell you what let's start out the, and

have him run all the colors across the

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screen that you need to paint along with

us at home while they're doing that.

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Let me show you this crazy thing.

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I got going up here today.

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I've taken him a plain old canvas

and it's been the last show.

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We were a little silly here today,

so we thought we'd just play.

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I've taken a little bit of tape paired.

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Taped a little here.

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And then I've just, I had some

contact paper leftover and I've

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just covered a couple of areas

and I thought we'd do something.

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Hmm.

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I say it's the last show.

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So let's, let's just have some fun.

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Let's try it out today with a two

inch brush, a little touch of that.

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They load blue, just a small

amount, little fellow blue.

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Let's go right up in here.

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Maybe we'll do that two

paintings at what's today.

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How is that?

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Might as well have a little

challenge, two paintings at once.

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Um, Let's do one in

summer and one in winter.

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How's that one in summary, one way, that'd

be a challenge off the same palette.

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That'll give you some experience with both

seasons, just to make things nice for you.

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This had probably get

that blue going there.

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I'm going to put the least, least,

little touch that they low green into it.

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Just the least little

touch don't want much.

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And I've got a little line tape

right here and I want to stay.

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On the right side of that line.

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There we go.

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Don't want to contaminate these two.

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If it's going to look like two

different paintings, think I'll

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have it looking like one painting

is laying on top of the other one.

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All right.

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We'll just try that and see if it works.

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If it doesn't, we've had a good time.

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Anyway, I've certainly

enjoyed being with you.

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There we go now, then

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what I have several brushes go

into, let me grab another one here.

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Now I'm going to the least

little touch of the Indian,

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yellow, just a very small amount.

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And maybe in this one, I have a little

touchy yellow right here in the sky, just

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a little bright spot and, and we'll go.

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Without cleaning the brush, go

into a little bit of bright red.

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Just let it blend together.

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Right up to that little piece of tape.

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Don't want to go across it.

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Don't want to contaminate there

now then maybe we'll take a

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little blue and a little lizard.

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Crimson will make us a

little lavender color.

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Now we can do that right on the brush.

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Just mixed on the brush.

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What the heck?

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And we'll come right in here.

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We'll have a little bit of that in there.

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Just to have fun and enjoy there we are

then maybe just a little blue over here.

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All right.

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And then down here, just

pull across like that.

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All right.

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Let me wash the old brush here.

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Getting too many of them dirty.

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Shake off the excess caffeine, everybody

in the studio, you don't have to be

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crazy to do this, but it does help.

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Now then we'll just

blame this all together.

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Make sure the breast is good and dry.

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It's not, it'll thin your paint out

and it just doesn't work too well.

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Well, she'll brush it off again.

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As clean as I can.

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And dry it off and very lightly here

and a little touch of a titanium white.

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I want to make this very bright.

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Like this is our light source.

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Start with the white and the

light area and work out there that

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just takes off any excess paint.

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There this'll be our winter scene here.

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So I have a little bright spot in the

sky, so it's not too dark now then

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maybe we'll use a one inch brush.

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Maybe we have a little cloud up

in the sky up here in this way.

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And a little cloud lives.

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There is a little titanium

life, a little cloud just lives

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right here and floats around.

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Has a good time plays.

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There he is.

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Oh, okay.

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Little bit more of that white there.

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Just make little circular patterns.

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Just, just enjoy.

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Let it just sort of float around.

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Have fun.

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There it is.

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Okay.

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We'll take a clean, dry two inch

brush and we just sort of mix that up.

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Stirred a little bit using just the

top corner, just blending a little bit.

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So it sort of comes together.

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Then lifted, fluff it.

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There we are clean brush, very

lightly go across and that easy.

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We have a happy little

cloud living up here.

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Me now.

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Shoot, let's have some more fun.

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We'll take some black little

pressure blue and some alizarin

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Crimson, black blue lizard Crimson.

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Can cut us off our little

roll of paint as usual.

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And let's build this a little mountain

and a little mountain right here.

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There he is.

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Just however you wanting, maybe

there's another little peak there

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it goes out now while we have that,

let's do the same scene down here.

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Only in winter.

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We'll do one in summer and one in

winter and they won't be exact, but

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we'll just have a basic idea here.

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There's a little mountain.

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It go right down through there.

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Sometimes we can use the

same colors for both of them.

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And we had a little bump there and we

go scrape off all the excess paint just

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to really get in there and scrape it.

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Take a clean two inch brush,

grab that and pull it.

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Just pull it, let it move there.

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We blend right out to nothing.

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Okay.

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And appear on this one.

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Same thing.

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We want to grab this product.

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Just pull that color.

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There's two things.

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As you know, if you've painted along

with us for moves, excess paint makes

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the next layer stick much easier

and it creates this Misty illusion

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down at the base of the mountain.

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All right.

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Okay.

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Now we can wash the old brush again.

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There we go.

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There we go.

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Now then there'll be glad here.

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This is the last show of the series.

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They probably take them a

week clean the studio up.

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Let's say he will take some.

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Let's take some white, some

midnight black, maybe the least

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little touch of dark CNN to it

there, leave it marbled like that.

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Don't overmix it.

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Then cut across in our

little roll of paint.

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Let's go up here on this little

mountain and let's just put in some

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nice little highlights up there.

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Barely touching the canvas.

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Barely touching, whisper

light, whisper light.

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Somebody had this series I've told

about when I was teaching my son,

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Steve to paint, used to tell him

just to pretend he was a whisper

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floating across the mountain.

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And it certainly must've worked that

little son of a gun help pay me.

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Now don't tell him, I said

that he'll be wanting my job.

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Okay.

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Hmm, maybe read along in there,

clean off a little spot to

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work with, make a shadow color.

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We'd take some white, a little bit of

pressure and blue, not much, very strong

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black, and would make a very dark, grayish

color, but sorted to the blue side.

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There we go.

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Nice little roller paint again,

and let's go right up in here.

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And just put the indication of

just a happy little shadow that

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lives up here in this mountain

and a little bit right in here.

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There's more, a little bit back here too.

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There are some, and we'll just sort

of let that just go right on, out

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into nothing right out into nothing.

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There,

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this is a very special series to me.

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A 20th series means there's

260 half hour shows.

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Now it's unbelievable that we've

been able to accomplish that.

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And it's not, not something you do alone.

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There's a lot of very special

people that have worked very hard.

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To make this come together and to

bring you to these shows as well.

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The net, my partners,

they're always there.

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They always very supportive and

I appreciate all their efforts.

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And I'd like to publicly say

thank you to both of them.

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Very special to me and my wife, Jane.

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She hangs in there.

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It's hard to live with

a crazy old painter.

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I'll tell you that.

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All right.

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But these people are very special to me.

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Just take two inch brush here and

tap a little, lifted it up blended

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like, so it's a little bit over here.

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There we go.

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We just started let it

just go right into nothing.

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My cat.

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I'll put a little more at the top of her.

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I don't care for the top there.

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Like it better.

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Just break it up a little down here

in this with miss, take some white,

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a little bit of the bright red in it.

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Not much.

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Just a little, just a little.

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And on this one, since it's winter, let's

just use white, little bit of bright red,

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but them little Rascals right in there.

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There you go.

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Touch back here, like here and we'll

use a little pressure and blue and

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white for a shadow come right in here.

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Drop it in.

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All right.

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There's the same basic idea.

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It's using a different color.

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Then if you want to do the same thing,

we've done up here by putting some little.

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Little doers here and there some

little ridges and everything.

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You can drop those in

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there.

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Yeah.

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That's I say it's hard to

believe there's 260 shows.

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It's not have a gun.

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That's almost unreal.

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And if you hadn't got to see all

of them and you would like to.

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First, I'm just assuming that you'd

like to give you a station, a cop,

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let them know it's important that

they know that you want to see

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them, and if you want to see them.

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So I say, just give them a call for

shows are certainly available to them.

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There we are.

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Okay.

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Maybe I'll put a little touchy shadow

right there behind that little peak.

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Got to have one there too.

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Yeah.

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Then let's just take, we'll take

a little SAP, green, little dark

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Sienna, grab some white here,

whatever color we got, whatever.

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Okay.

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There we are making sort

of a greenish color.

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Let's go right up here in this top one.

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Maybe there's a little footy

Hill that lives right back here.

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We'll just do a very

basic little painting day.

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Very simple, very simple.

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This is a good one for you just

to practice and have fun with.

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Don't want it to get too complicated,

not if we have to do two of

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them, especially their touch hold

straight down, straight down.

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We'll just turn that right

into some reflections.

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Get a clean brush.

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Nice clean brush, pull

it down and go across.

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And we have instant

reflections that easy and easy.

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We'll take a little liquid white on the

knife, put it on the pallet polygon,

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very flat kind of cross anymore.

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Just take the knife and literally

cut in a little water line here.

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Do you guys cutting down?

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Okay, touch more there and we

can see a little ripple here.

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All right.

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Now, then come down here in this bottom

one for them, but then I'm going to

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take a little touch of the lavender

into a little white, same lavender.

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We made the mountain out

of into a little pipe.

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And will make us a little

footie Hill on this one.

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Just a little tiny Foothill there.

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Okay.

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Are right there.

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Same thing though.

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Pull down to create that reflection

go gently across gently, across

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back to our liquid white.

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And we can use that just to cut

us in a little water line there.

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Okay.

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Now sometimes it's neat.

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We can take a one inch brush.

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If you have to make us look like a little

distant trees, we'll start up here at

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the top and grab it and just lift up

little tiny, short strokes, or in layers,

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it'll create that illusion of a little

distant trees that are far, far away.

254

00:14:59,115 --> 00:15:00,105

Clean the brush a little bit.

255

00:15:00,105 --> 00:15:03,875

When you do the same thing down here

in this winter with no difference,

256

00:15:05,915 --> 00:15:11,045

now that I have to really have

some fun, tell you what let's do.

257

00:15:11,495 --> 00:15:13,025

Let me clear off a space to work here.

258

00:15:15,215 --> 00:15:19,505

I get carried away as big as this pallet

is I fill it up with a lot of garbage,

259

00:15:20,435 --> 00:15:22,655

take some black suppression blue.

260

00:15:23,225 --> 00:15:24,935

We'll put some alizarin Crimson in there.

261

00:15:25,800 --> 00:15:26,340

My cat.

262

00:15:29,910 --> 00:15:30,180

Okay.

263

00:15:30,180 --> 00:15:31,470

Let me clean off the old knife.

264

00:15:32,400 --> 00:15:34,260

Let's make us a little evergreen trees.

265

00:15:35,760 --> 00:15:39,150

Grab a fan brush, fill

brush full of color.

266

00:15:39,450 --> 00:15:41,640

Just a lot of color, both sides.

267

00:15:42,510 --> 00:15:47,010

Let's do the ones down here in the

winter scene first and we'll have a

268

00:15:47,010 --> 00:15:49,260

nice little evergreen lives right here.

269

00:15:49,440 --> 00:15:51,330

Or a big evergreen shoot rascal.

270

00:15:51,330 --> 00:15:52,050

Get big on us.

271

00:15:53,820 --> 00:15:57,990

But notice in the winter

when I use no green.

272

00:15:59,010 --> 00:16:02,070

Cause if we're going to have snow

down here, the only thing worse

273

00:16:02,070 --> 00:16:04,350

than yellow snow is green snow.

274

00:16:05,250 --> 00:16:09,120

So we're not going to use

any green in these trees.

275

00:16:10,710 --> 00:16:11,220

There we go.

276

00:16:12,060 --> 00:16:13,200

I have a little friend there.

277

00:16:17,390 --> 00:16:18,890

Tell you what, let's have a third one.

278

00:16:18,890 --> 00:16:20,420

I like, I like little trees.

279

00:16:20,420 --> 00:16:23,090

Maybe this one's sort of got

a little, little crooked here.

280

00:16:25,610 --> 00:16:28,550

This is a crooked tree there.

281

00:16:35,625 --> 00:16:36,344

Have that going?

282

00:16:36,685 --> 00:16:37,935

I'll just take a one inch brush.

283

00:16:38,775 --> 00:16:40,305

This is predominantly blue though.

284

00:16:40,844 --> 00:16:43,785

That's the main color here

and let's go right in here.

285

00:16:45,824 --> 00:16:47,984

Maybe we'll have some little

bushes that live right here.

286

00:16:49,244 --> 00:16:50,204

We just started let them move.

287

00:16:50,204 --> 00:16:50,295

Right.

288

00:16:50,314 --> 00:16:50,765

I don't know.

289

00:16:51,125 --> 00:16:53,964

Click it like that wherever you want.

290

00:16:56,614 --> 00:16:57,005

Okay.

291

00:17:00,334 --> 00:17:02,584

Now let's take.

292

00:17:03,645 --> 00:17:04,454

Same color.

293

00:17:04,754 --> 00:17:07,484

And I did this winter when first,

because I want to take the fellow

294

00:17:07,494 --> 00:17:11,385

green that I have and add it

right into that same dark color.

295

00:17:12,315 --> 00:17:14,504

And then in the summer, trees

they'll have some green in them.

296

00:17:18,605 --> 00:17:18,815

Okay.

297

00:17:18,815 --> 00:17:20,375

We could use the same fan brush.

298

00:17:20,444 --> 00:17:21,004

Doesn't matter.

299

00:17:21,875 --> 00:17:22,534

Doesn't matter.

300

00:17:22,534 --> 00:17:25,085

We'll just fill it right

up a lot of color though.

301

00:17:26,915 --> 00:17:27,694

There we are.

302

00:17:28,725 --> 00:17:29,865

Okay, let's go back up here.

303

00:17:30,965 --> 00:17:34,935

Let's see whole tree lives ping,

but right there certainly does.

304

00:17:34,935 --> 00:17:40,274

Now there we are that she

was the corner of the brush.

305

00:17:40,784 --> 00:17:42,824

And off you go, I can

306

00:17:46,245 --> 00:17:49,064

see there, the more trees live

in there, you just have to sort

307

00:17:49,064 --> 00:17:52,334

of, you have to scare them out

sometimes, but they're in there.

308

00:17:52,514 --> 00:17:56,955

They live right in your fan

brush right in the old fan brush.

309

00:17:58,170 --> 00:17:59,520

And we had a second tree.

310

00:17:59,910 --> 00:18:00,150

Yep.

311

00:18:00,210 --> 00:18:00,750

Right there.

312

00:18:01,500 --> 00:18:02,370

There he is.

313

00:18:04,200 --> 00:18:10,680

And here we go right on down

and we hit that little baby tree

314

00:18:10,680 --> 00:18:15,630

that was sort of leaning over

and he lives right about there.

315

00:18:17,310 --> 00:18:17,700

Okay.

316

00:18:17,730 --> 00:18:18,420

Here it comes.

317

00:18:19,754 --> 00:18:21,435

Little guy, little guy.

318

00:18:22,304 --> 00:18:22,995

I have to give him a name.

319

00:18:23,024 --> 00:18:25,004

Maybe, maybe his name's Oscar.

320

00:18:25,155 --> 00:18:25,814

What the heck?

321

00:18:27,104 --> 00:18:27,645

Whatever.

322

00:18:27,975 --> 00:18:28,544

It doesn't matter.

323

00:18:28,574 --> 00:18:30,014

Just make up a little name, give him

324

00:18:34,665 --> 00:18:35,985

back to her one inch brush.

325

00:18:37,425 --> 00:18:38,804

And we had a little Bush.

326

00:18:39,225 --> 00:18:44,175

Let's see, I'll make it close as I can

to the one down below, had it coming

327

00:18:44,175 --> 00:18:45,645

all the way on out here like that.

328

00:18:45,885 --> 00:18:46,485

Okay.

329

00:18:47,685 --> 00:18:49,995

Can do that there.

330

00:18:51,985 --> 00:18:53,175

We'll just fill all that in.

331

00:18:59,295 --> 00:18:59,955

All right.

332

00:19:02,865 --> 00:19:03,585

No, we go,

333

00:19:09,705 --> 00:19:10,305

okay.

334

00:19:11,504 --> 00:19:13,155

Yeah, we'll take some point.

335

00:19:14,670 --> 00:19:15,930

A little bit of a dark Sienna.

336

00:19:16,080 --> 00:19:21,720

We'll mix that together there, cut

across, get our little roll of paint.

337

00:19:21,750 --> 00:19:24,300

So you can just cut across 30 it's

right on the edge of the knife.

338

00:19:25,100 --> 00:19:27,440

And with that, we'll go right up here.

339

00:19:28,550 --> 00:19:31,730

But the indication here and there

of a little tree trunk, and just

340

00:19:31,730 --> 00:19:37,220

sort of hides out in the middle

of this, the tree, there we are.

341

00:19:41,325 --> 00:19:43,935

We can even put a little in this

winter saying too, it doesn't matter.

342

00:19:44,475 --> 00:19:45,075

It's smaller.

343

00:19:45,075 --> 00:19:46,455

You're not going to see as much though.

344

00:19:49,955 --> 00:19:54,125

And with a clean knife, you can just

scrape through here, put all kinds of

345

00:19:54,125 --> 00:19:55,835

little sticks and twigs and your bushes.

346

00:19:57,065 --> 00:20:00,035

And 90% of these will be covered

up and put the highlighter.

347

00:20:00,335 --> 00:20:02,945

But here and there, people

are going to see one or two.

348

00:20:03,785 --> 00:20:06,275

And they're going to think you work

for days and days with your little one

349

00:20:06,275 --> 00:20:07,685

haired brush, putting all those in.

350

00:20:08,130 --> 00:20:11,220

Sh we don't tell them any

different that's our secret.

351

00:20:13,590 --> 00:20:15,450

If you just raise the price

of your painting a little bit

352

00:20:15,450 --> 00:20:18,000

and keep on going, all right.

353

00:20:18,420 --> 00:20:22,290

Wherever we think they should

be now, then that's fine.

354

00:20:22,410 --> 00:20:23,070

That's fine too.

355

00:20:23,310 --> 00:20:23,610

Nice.

356

00:20:23,610 --> 00:20:24,690

One inch brush here.

357

00:20:26,760 --> 00:20:29,940

Maybe we use this one, dip it

a little bit of liquid white.

358

00:20:31,665 --> 00:20:35,105

Liquid white would go

right into some kid yellow.

359

00:20:35,125 --> 00:20:37,275

Be right back, get a little SAP green.

360

00:20:37,425 --> 00:20:38,385

Oh, that's nice.

361

00:20:39,945 --> 00:20:41,535

Pull that brush in one direction.

362

00:20:41,625 --> 00:20:43,215

A load, a lot of color to the bristles.

363

00:20:43,215 --> 00:20:43,935

Look at the end.

364

00:20:45,015 --> 00:20:48,615

Look at all the painters and

that's what makes it work now.

365

00:20:48,645 --> 00:20:50,985

Right up here, this nice summer scene.

366

00:20:52,305 --> 00:20:55,155

Let's put some little leaves on some

of these bushes and stuff right here.

367

00:20:56,355 --> 00:20:58,125

The yellow ochre, Indian, yellow.

368

00:20:58,590 --> 00:20:58,800

Here.

369

00:20:58,800 --> 00:21:02,220

And there may even a little

touch of the bright red there.

370

00:21:03,990 --> 00:21:04,740

Okay.

371

00:21:05,800 --> 00:21:06,420

Get crazy.

372

00:21:06,420 --> 00:21:10,620

Here's a little green Bush

with red flowers there.

373

00:21:13,350 --> 00:21:14,340

Little bit more.

374

00:21:14,430 --> 00:21:16,980

The SAP green and, Ooh,

there's a nice one.

375

00:21:17,970 --> 00:21:18,900

There's a nice one.

376

00:21:18,960 --> 00:21:22,040

I start working in layers layer.

377

00:21:22,050 --> 00:21:24,330

I tell you what, tell you what

we need a way to get out there.

378

00:21:26,129 --> 00:21:26,550

Shoot.

379

00:21:26,550 --> 00:21:29,310

If you had a nice place like that,

you'd have to get out there and catch

380

00:21:29,310 --> 00:21:31,080

a big fish that lives out there.

381

00:21:31,080 --> 00:21:33,120

Let's take a little bit van

Dyke Brown on the knife.

382

00:21:33,210 --> 00:21:33,660

There we are.

383

00:21:34,590 --> 00:21:39,510

And let's go right in here and let's

put the indication of a little path,

384

00:21:41,460 --> 00:21:43,139

a little path, a little Brown down.

385

00:21:45,750 --> 00:21:48,790

So I say, you'd have to have a

way to get out here, but a bit of

386

00:21:48,790 --> 00:21:50,330

Brown and white for the highlight.

387

00:21:51,500 --> 00:21:55,250

Let the paint break barely,

barely touch the canvas.

388

00:21:55,605 --> 00:21:56,805

Just caress it.

389

00:21:58,805 --> 00:22:03,065

And in fact, her one inch brush that

has the, the highlight colors on it,

390

00:22:03,835 --> 00:22:08,315

little green and the yellow, Indian,

yellow, yellow ochre, all those nice

391

00:22:08,315 --> 00:22:09,905

colors lit a lot of pain in that.

392

00:22:11,255 --> 00:22:13,085

And right here, there it is.

393

00:22:13,985 --> 00:22:17,915

So by loading a lot of paint, you

just barely have to touch the canvas.

394

00:22:19,685 --> 00:22:22,265

If you have just a little pain in

there, you really got to suck it hard

395

00:22:22,265 --> 00:22:23,585

to try to get the paint to come out.

396

00:22:24,315 --> 00:22:25,575

And then it mushes together.

397

00:22:25,935 --> 00:22:26,415

That's the word.

398

00:22:26,415 --> 00:22:30,855

My son uses it mushes together

and you end up with mud and

399

00:22:30,855 --> 00:22:31,845

we're not looking for that.

400

00:22:32,415 --> 00:22:33,645

We're not looking for that.

401

00:22:34,425 --> 00:22:36,795

Tell you what, get a new

brush for the one down below.

402

00:22:36,975 --> 00:22:44,805

We'll take quite liquid white and we'll

go into the titanium white be right back.

403

00:22:44,835 --> 00:22:48,165

I'm gonna get the least little

touch-up alizarin Crimson.

404

00:22:48,285 --> 00:22:49,095

Ooh, that's nice.

405

00:22:49,095 --> 00:22:50,505

Give it a little pinkish flavor.

406

00:22:51,629 --> 00:22:55,970

Let's go out of here, come back

in here and do the same thing.

407

00:22:56,060 --> 00:23:01,490

Basically using a little

bit of the they're.

408

00:23:02,270 --> 00:23:03,139

All right.

409

00:23:04,460 --> 00:23:06,740

All those little doers,

little snow covered things.

410

00:23:08,149 --> 00:23:10,370

Now back to her knife,

take a little tattoo.

411

00:23:10,590 --> 00:23:11,030

White.

412

00:23:12,800 --> 00:23:17,480

We need a little path in

there too, but the same thing.

413

00:23:18,030 --> 00:23:21,149

It needs something to

go over the path there.

414

00:23:21,540 --> 00:23:25,659

CNN pushes it right down into

the painting, just like that.

415

00:23:28,440 --> 00:23:33,690

Now that will take a thin brush, a little

liquid white, little titanium, white,

416

00:23:33,690 --> 00:23:35,250

and a little touch of the fellow blue.

417

00:23:36,690 --> 00:23:40,680

And with that, we'll come back in

here, but the indication is some little

418

00:23:40,680 --> 00:23:42,360

highlights on these evergreen trees.

419

00:23:42,480 --> 00:23:43,050

There we go.

420

00:23:43,800 --> 00:23:45,810

Darker, darker, darker down

toward the bottom though.

421

00:23:47,625 --> 00:23:52,005

You know, one other group of people

I would like to thank for making

422

00:23:52,335 --> 00:23:53,745

the joy of painting, what it is.

423

00:23:55,305 --> 00:24:00,435

I think we have one of the best

crews here, any PBS station in the

424

00:24:00,435 --> 00:24:02,835

nation right here in one San Deanna.

425

00:24:03,465 --> 00:24:08,925

And I'd like to thank all of these

people, the director, producers,

426

00:24:08,925 --> 00:24:10,485

everybody for making this.

427

00:24:10,605 --> 00:24:17,765

Yeah, such a success because without

these people, there wouldn't be anything.

428

00:24:19,165 --> 00:24:25,115

I'm gonna put a little green on the brush

here, there, and not only are these people

429

00:24:25,115 --> 00:24:27,215

such fantastic people in television.

430

00:24:27,815 --> 00:24:31,655

They're also my friends and

they become very special to me.

431

00:24:33,395 --> 00:24:34,805

Very, very special to me.

432

00:24:37,685 --> 00:24:38,285

There we go.

433

00:24:40,365 --> 00:24:44,955

Let's just take, let's take a clean

knife and here and there at the back,

434

00:24:46,575 --> 00:24:50,935

just scraping some sticks and twigs

down here in this last little winter,

435

00:24:51,195 --> 00:24:54,075

same thing, little twigs and sticks.

436

00:24:54,075 --> 00:24:54,855

It still be there.

437

00:24:55,425 --> 00:25:00,675

They'd be a little colder down here,

but they'd be here now, then you've got

438

00:25:00,675 --> 00:25:03,255

let's do I think we're to the point?

439

00:25:03,405 --> 00:25:06,165

Let's see if we can get all

this off and see what we have.

440

00:25:07,200 --> 00:25:09,090

Now down here is just contact paper.

441

00:25:10,560 --> 00:25:12,060

It was just a piece I had leftover.

442

00:25:13,080 --> 00:25:17,490

We'll take that off saying

that was painted black and

443

00:25:17,490 --> 00:25:18,390

we'll come right in here.

444

00:25:19,440 --> 00:25:20,940

And why it's a hard one to grab.

445

00:25:20,940 --> 00:25:21,330

Hold on.

446

00:25:22,980 --> 00:25:23,520

We'll get it.

447

00:25:24,000 --> 00:25:24,300

Oops.

448

00:25:26,070 --> 00:25:27,390

Well maybe it's going to come off.

449

00:25:27,450 --> 00:25:31,800

Maybe it's not, let me grab the knife.

450

00:25:31,830 --> 00:25:32,520

Maybe I can get into it.

451

00:25:33,450 --> 00:25:34,170

Let's do this one.

452

00:25:44,075 --> 00:25:46,175

Yeah, there's some little

pieces of tape right here.

453

00:25:46,355 --> 00:25:51,365

I want to take off, I left that

white, but you sorta have to

454

00:25:51,365 --> 00:25:52,685

plan this before you do it.

455

00:25:52,685 --> 00:25:57,245

So you get all these little pieces of tape

in the right place and it'll make it look

456

00:25:57,245 --> 00:25:59,225

like there's a little border around here.

457

00:26:00,930 --> 00:26:03,330

There we go see you there.

458

00:26:04,160 --> 00:26:06,980

And it sort of looks like there's

two paintings overlapping each

459

00:26:06,980 --> 00:26:08,960

other and it's sorta different.

460

00:26:08,960 --> 00:26:13,730

It's it gives us sort of a, almost like

a graphic appearance, but it's very neat.

461

00:26:13,820 --> 00:26:14,420

Give it a try.

462

00:26:14,420 --> 00:26:15,410

I think you'll enjoy it.

463

00:26:16,790 --> 00:26:20,830

I think we'll sign that one or those,

the sensors to have them take a little,

464

00:26:20,850 --> 00:26:23,270

the red and assign it right here.

465

00:26:24,440 --> 00:26:25,850

I really hope you've enjoyed this.

466

00:26:25,910 --> 00:26:28,100

It's a little different going

to sign this one up here.

467

00:26:28,995 --> 00:26:30,764

We'll have two signatures on this one.

468

00:26:32,024 --> 00:26:33,075

I really hope you've enjoyed it.

469

00:26:33,165 --> 00:26:35,504

It's it is a little different.

470

00:26:36,735 --> 00:26:40,335

And from all of us here from the

whole staff of this station, I'd

471

00:26:40,335 --> 00:26:41,925

like to wish you happy painting.

472

00:26:42,405 --> 00:26:43,065

God bless it.

473

00:26:43,065 --> 00:26:46,335

I look forward to seeing you the

next series take care of my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S20E13 - Double Take

Bob Ross's

The Joy of Painting

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