Bob Ross's

The Joy of Painting

S18E09 - Seascape Fantasy

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Super time together.

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So I tell you what, let's start out,

hammering, run all the colors across the

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screen that you need to paint this little

seascape with me while they're doing that.

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Let me show you what I've already done.

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Standard old 18 by 24 inch

double prime pre-stretch canvas.

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And I coded the bottom of

it here with black Jesso and

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allowed that to dry completely.

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And I just put a little piece of

masking tape across here and the

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masking tape's only to keep the

horizon line straight underneath here.

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I've covered this with a mixture of green

and van Vandyke Brown mixed about halfway.

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A little bit of Indian, yellow, and right

here in the corner, a little dark Sienna.

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Now these colors are

all transparent enough.

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This still looks black.

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The top of this, I sort of put in

a little basic cloud shape on a

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big cloud here with black Jesso.

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And then we just covered this with a

thin even coat of the liquid white.

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So it's all wet and ready to go.

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So let's have some fun, let's

start out today with a little

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touch of the yellow ochre.

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Very small amounts.

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All we need on the two inch

brush, just a tiny little bit.

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Maybe we leave mad, a

little, the CAD yellow to it.

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There.

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Just mix those two sort of together.

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And let's go right up here.

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Just a little bit of this

yellow right across here.

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Chris cross strokes there.

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Tell me about like, so then we'll go

back into a little more of the yellow

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ochre and lay that right in there.

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A little touch more.

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It gets quiet enough.

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We'll just let that one

blend right on down.

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This is just the yellow ochre

and a little bit of CAD yellow.

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It's all we have here right in the bottom.

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We just do a beautiful,

beautiful sky today.

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We'll spend most of our

time working on the sky.

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And we'll put, we'll put a

little seascape down in here.

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Can you maybe the least, little touch,

least little touch, a little bit of the

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Elysium Crimson right along in there.

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We just sort of playing

with nice warm colors,

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blend that all together.

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Hmm.

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Let me clean old brush.

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Just wash her brush with

odorless thinner, shake it off

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and just cover everybody in the studio.

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All right.

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Let's make us a nice

lavender color for that.

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We'll take some alizarin Crimson

and Tayloe blue Crimson and blue.

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Okay.

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A little more blue.

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What is sort of to the bluish side

today and depends on depending

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on your mood, you may want it to

the red side or to the blue side.

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Take a little white, check it out.

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See what we have.

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That's not bad.

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That's a good color.

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Can you guys clean off

the old knife today?

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Let's use the fan brush.

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We will take a fan brush and add a little

bit of this lavender color onto it.

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We made.

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Just like, so let's just go up in

here and using little and I'm going

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to exaggerate a little Rocky strokes.

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Like it let's just begin putting

in some very basic little,

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little cloud formations here.

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There we go.

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And I use this lavender color mainly.

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So in case it touches some of this yellow,

it won't turn a bright green on us.

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Green skies are all right.

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I guess.

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But that's not what

we're looking for today.

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There we go today.

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We're looking for just

a nice, beautiful sky.

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We don't want it.

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We don't want it to be green.

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Maybe it just runs right open

here, wherever, just be very loose

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for this and just throw it in.

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I put the black Jesso underneath

this only, so that dark shows

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through it really helps.

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Make this a lot easier.

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Maybe this comes right over

maybe a little stringy thing

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that goes right up through here.

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Summer.

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All we're doing is laying on some base

color, watch a mean looking scowl already.

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And then now, then while I have that

little bit of lavender on here, let's

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go right in here and maybe just put the

indication of a happy little cloud or two.

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That's just sort of floating

around, having a good time.

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Where ever you think they would live?

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Sorta pull them out there, maybe on

add a little bit more of the Crimson

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to that and right on down in here,

maybe it's right at the water line.

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Maybe there's a nice cloud that's

living right here there, and just

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sort of make up little stories and

little, little things like that.

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And that's your imagination sort

of just take you everywhere.

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There it goes.

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Maybe.

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Maybe it comes all the way over, who

cares and turns around and comes back

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saying you can do anything in here,

annual thing that you want to do.

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Maybe, maybe right up in here,

we have a nice bright area.

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We can put that into, take a little

white and just begin working at that.

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In fact it's right here.

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There just slept at work for, I don't

know, this is a straight titanium point.

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You could even go so far as take your

finger a little white on it and make

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the indication of a little sun in there.

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If you want it to, you can do that.

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There, and then very gently

just blend over it and the

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indication will still be there.

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And that white that you put on then

becomes the bright area right around it.

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We can just blend these middle clouds.

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We can blend those right into the sky.

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Easy fact.

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Take one, let's have a little

cloud comes right around my kiss.

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Maybe he just floats around the sky

and he comes right on down here.

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We don't know where he

goes, wherever you want him.

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That's where he should be there.

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And take our big brush and just blend.

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All right.

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I have several fan brushes go inside and I

had to spend all my time washing brushes.

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We'll take a little white

on the fan brush here.

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Can you just go back up here?

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Maybe there's a little, little highlight

lives right here on this cloud.

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Don't want a great deal.

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Just enough to make it

stand out a little there.

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A little right here.

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Let's see, there's your light source.

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So wherever you think light would hit it,

just make that decision and drop it in.

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Just drop it in.

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Maybe was a little up here on top of this.

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Okay.

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Now, when you're doing this at home,

you can put a lot more detail into it.

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You have unlimited amounts of time here.

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If I go over 30 medicines, me,

no director gets all over me.

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But at home, you can do it any

way that you want to do it.

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We can fluff that up, slammed

it a little bit, and it makes

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quite a nice guy down here.

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Let's go back into our fan brush

and let's go up in here and let's

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just begin picking out some little

shapes and things that are happening.

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All we're going to do is just bounce.

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A little highlight here and there.

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Just bounce it in.

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They will come back and

blend it a little bit there.

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I remember really working at

paint right into the fabric.

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maybe a little right over in here

and they had a little Crimson into

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my white little lizard Crimson to

brighten it up just a tiny bit.

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see what he put all kinds of little things

for the lights, saying it through there.

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There we go between some of these, maybe

there's even a little bit of payload blue

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and we can take a clean,

dry two inch brush.

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And this is where we can

blend all this together.

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Yes.

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Using the corner of the

brush and lifted blended.

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Very likely, fairly likely

just work it all together.

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There I'd work with each individual

cloud, make friends with it, begin

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to see things happening in it.

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And you can create some of the most

beautiful illusions imaginable.

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There we go.

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Little highlights up here, zing it around.

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There some little things in here.

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Just drop a man.

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Yeah.

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Let's drop a man and blend them.

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Bring them together.

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There we are clean dry two

inch brush, just very gently.

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Bring all this together.

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See there.

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Planned it,

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there we go.

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You can make some unbelievable skies.

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Very simply.

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All you have to do is just

practice a little bit.

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You wouldn't believe what you

could make with not believe.

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All right.

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Maybe somewhere up in

here, even there we go.

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Just put all of these things

and I see another one right

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here, wherever you want them.

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Just sort of look around it

and make big decisions where

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you think they should live.

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There.

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We are.

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That one runs red off.

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Right?

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I don't know.

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Off the top of here.

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We don't even know where to go.

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We don't care where it goes.

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It's up there somewhere though,

way up there in the sky there

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or something over in here.

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Wherever you think they should

live, came back, clean, dry two inch

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brush and very gently just blend.

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There we go

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there.

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Can I talk about this

Mino director all time?

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We're going to put a picture

of in the newsletter so you

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can see what she looks like.

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Right.

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Or you can continue to work with this and

just create all kinds of beautiful things.

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Just work with it, keep building,

but don't kill all your dark areas.

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It's a very easy to get carried

away, kill all the dark areas,

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those dark areas of what.

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Kevin depth and strength.

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Make it look big.

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Powerful.

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There we go.

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Okay.

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We don't want to spend the

whole show working on this guy.

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So.

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Move on down here a little bit.

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Cause I love to play with skies and I

could spend the rest of the day here,

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not just the show, but the rest of

the whole day here, because I think

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this is really a great deal of fun.

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All right.

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NAZA does that mention when we started, I

have a piece of masking tape right here.

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The masking tape is only to keep the

horizon straight, so we'll take that off.

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But now underneath that tape, of course.

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There's none of the color that

we put up there because the

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tape wouldn't stick to them.

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So we'll take a little Vandyke,

Brown, little SAP green, and

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I'll just run right in here.

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We'll just lay on a little bit of

color, right up to the horizon line.

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There we are.

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Okay.

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We're in business now, then what

I would recommend when you're

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doing a seascape, first of all.

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We'll just take the old Filbert brush.

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Let's lay out our major wave here.

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That'll make everything much

easier if you have that laid out.

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And so let's say it's going to

come up here and maybe it's going

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to crash over and go right in

here somewhere and it'll come out.

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Like yes, then all your waves back here.

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Well, they will spread out

like a fan, just like a fan.

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Okay.

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Clean off the old brush here.

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Wipe it down, this Filbert brush, we

just cleaned with paint thinner and then

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wipe it off, grab a fan brush and take

a little bit of the titanium white let's

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go right back here and decide where

are waves behind the major waves are

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going to live, maybe they're right here.

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So all you have to do is sort of block it

in just about like, so maybe just put the

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indication back here, but the other one.

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Thank them, wipe all the excess

paint off her brush, and then

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very gently grabbed that and began

working it back, back and back.

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And that light becomes the troth

or the area in between the waves.

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And we just let the sort plan the bag.

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A little more white.

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We can go back here to the horizon.

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We began adding in all kinds

of little distant things.

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We just want indications.

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We backed here.

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It'll pick up that SAP green

that's underneath and automatically

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that'll jump right out at you.

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Okay.

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Maybe this way he's going to

come right down through here.

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And then let me wipe off that excess

Stan we'll blend that back very lightly.

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Very, very lightly.

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Don't lose that dark area right there.

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00:14:45,450 --> 00:14:47,850

That little dark area, right

there is a very important to us.

253

00:14:48,540 --> 00:14:49,200

That's our friend.

254

00:14:49,320 --> 00:14:50,220

We want to take care of it.

255

00:14:52,440 --> 00:14:53,160

Okay.

256

00:14:53,730 --> 00:14:58,740

Now the fun part of any wave is this

eye right here, or the transparency.

257

00:14:59,625 --> 00:15:03,915

So let's take a little bit of the

titanium, white, least, least little

258

00:15:03,915 --> 00:15:05,205

touch of the CAD, yellow in it.

259

00:15:05,865 --> 00:15:10,725

And we'll use the old Filbert

brush load the color into it.

260

00:15:10,785 --> 00:15:15,075

Let's go up here, decide where this

transparency is going to live or the

261

00:15:15,075 --> 00:15:20,385

either way, and just really scrubbed

this color in this, scrub it right in.

262

00:15:21,105 --> 00:15:24,945

And you can do this as many times as

you want to achieve a desired lightness.

263

00:15:26,565 --> 00:15:27,195

There we go.

264

00:15:28,965 --> 00:15:29,145

Okay.

265

00:15:29,145 --> 00:15:35,115

Now we'll take a clean, try two inch

brush and just use the top corner and

266

00:15:35,115 --> 00:15:37,275

very gently just sort of wind it up.

267

00:15:39,015 --> 00:15:40,365

The brush is hardly moving.

268

00:15:41,775 --> 00:15:44,235

It just sort of stays in one place

and goes around and around and

269

00:15:44,235 --> 00:15:45,465

that'll blend all that together.

270

00:15:46,805 --> 00:15:52,515

It'll get just as smooth as silk,

just as smooth as it can be.

271

00:15:54,585 --> 00:15:56,175

We just let that run right on out too.

272

00:15:56,175 --> 00:15:56,895

It disappears.

273

00:15:58,260 --> 00:16:02,430

Now we can begin thinking

about the shape blend

274

00:16:11,130 --> 00:16:11,610

in already.

275

00:16:11,610 --> 00:16:14,880

We begin having the general

outline of our wave there.

276

00:16:17,640 --> 00:16:18,300

Okay.

277

00:16:18,720 --> 00:16:19,980

We'll clean up some brushes here.

278

00:16:21,180 --> 00:16:22,560

Watch this progression.

279

00:16:25,275 --> 00:16:26,325

Be sure it's dry.

280

00:16:28,455 --> 00:16:28,875

Okay.

281

00:16:29,655 --> 00:16:35,295

And then I have several fan verses

going, so let's take a little, the

282

00:16:35,295 --> 00:16:42,885

titanium point on the fan brush and

let's make this wave curve over.

283

00:16:43,305 --> 00:16:44,505

Maybe it comes right here.

284

00:16:45,035 --> 00:16:49,755

Goes can make those little noises

and have it just curve right over.

285

00:16:50,954 --> 00:16:52,395

Maybe it curves to right there.

286

00:16:52,395 --> 00:16:53,415

We don't know where it goes.

287

00:16:53,415 --> 00:16:56,265

I don't know that we really care.

288

00:16:58,395 --> 00:16:59,474

Just bring it right over.

289

00:17:02,025 --> 00:17:02,564

There we go.

290

00:17:03,795 --> 00:17:07,635

Now back to our film and we'll

use a little, this, Oh, we can

291

00:17:07,635 --> 00:17:08,895

use a little lavender color.

292

00:17:08,895 --> 00:17:10,425

It doesn't matter what the heck.

293

00:17:11,714 --> 00:17:16,724

And let's go in here and just put

in some shadow indications for foam.

294

00:17:17,774 --> 00:17:19,905

This is just basically the lavender color.

295

00:17:20,504 --> 00:17:22,845

Maybe it comes right on up there.

296

00:17:22,845 --> 00:17:28,065

It is just like, so there.

297

00:17:30,840 --> 00:17:35,040

Right on around, and there's a

nice splash churn wherever you

298

00:17:35,040 --> 00:17:37,710

want it, wherever you want it.

299

00:17:39,660 --> 00:17:40,200

There we go.

300

00:17:44,610 --> 00:17:45,240

Okay.

301

00:17:45,540 --> 00:17:50,370

Wash off the old brush, dry it off.

302

00:17:51,210 --> 00:17:53,670

And we'll go right into a little

bit of that titanium white.

303

00:17:54,030 --> 00:17:56,820

You could even put the least

little bit of that purple into it.

304

00:17:56,820 --> 00:17:57,720

Just to give it a little.

305

00:17:58,020 --> 00:17:59,730

Lavender hue, but not much.

306

00:18:02,550 --> 00:18:02,850

Okay.

307

00:18:02,910 --> 00:18:04,500

Maybe let's go right in here.

308

00:18:05,040 --> 00:18:07,080

Now let's put a little

highlight on his phone.

309

00:18:08,280 --> 00:18:09,270

Push very hard.

310

00:18:09,930 --> 00:18:11,490

Make it just jump right off.

311

00:18:11,490 --> 00:18:14,880

There, there a little more color.

312

00:18:19,245 --> 00:18:19,965

St over here.

313

00:18:19,965 --> 00:18:22,514

We're going to have all these

nice lashes and crashes.

314

00:18:23,114 --> 00:18:25,695

And when your color gets

contaminated, just wipe your brush

315

00:18:25,695 --> 00:18:27,584

off real good and go back into it.

316

00:18:28,725 --> 00:18:37,245

There they'll have a nice crashing up

in here wherever you think it should be.

317

00:18:37,455 --> 00:18:40,695

Just sort of look at it, figure out order.

318

00:18:40,715 --> 00:18:41,205

She'd go.

319

00:18:43,080 --> 00:18:47,940

There comes right on, down in

there now then back to our large

320

00:18:47,970 --> 00:18:51,170

brush, but be sure it's not in dry.

321

00:18:51,380 --> 00:18:54,380

You're going to mix us all up into

mud and you're going to be very upset

322

00:18:54,380 --> 00:18:58,430

with me just using the top bristles.

323

00:18:59,870 --> 00:19:04,130

And I find the two inch brush works

better than the one inch, but you

324

00:19:04,130 --> 00:19:05,270

might want to try the one inch.

325

00:19:05,690 --> 00:19:07,100

A lot of people seem to like it better.

326

00:19:07,100 --> 00:19:08,930

I just prefer the two inches more hair.

327

00:19:09,600 --> 00:19:11,940

It's actually touching the

canvas over the one inch.

328

00:19:13,920 --> 00:19:14,520

There we go.

329

00:19:17,880 --> 00:19:18,390

Let's see here

330

00:19:22,350 --> 00:19:23,100

that easy.

331

00:19:23,460 --> 00:19:25,590

Keep your brush clean and dry.

332

00:19:30,210 --> 00:19:30,840

All right.

333

00:19:32,450 --> 00:19:36,260

And then we can take our liner

brush liner, brush liner, brush.

334

00:19:37,815 --> 00:19:41,865

We'll take some of the white, that's

just titanium white with paint thinner,

335

00:19:42,615 --> 00:19:45,465

and we can go right along here and

we can begin highlighting some of

336

00:19:45,465 --> 00:19:47,865

these little things right in here.

337

00:19:47,975 --> 00:19:48,455

Excellent.

338

00:19:50,645 --> 00:19:51,155

Stay there.

339

00:19:53,055 --> 00:19:53,735

There we go.

340

00:19:54,635 --> 00:19:55,835

And here's our light source.

341

00:19:56,825 --> 00:19:56,915

Okay.

342

00:19:57,515 --> 00:20:02,795

So that's where we want this

to be the lightest and we

343

00:20:02,795 --> 00:20:04,025

can come right back in here.

344

00:20:05,310 --> 00:20:07,850

Just begin dropping in some

little highlights stuff

345

00:20:11,960 --> 00:20:12,560

there.

346

00:20:14,600 --> 00:20:16,639

I'm going to start adding a little

lavender here and there is our

347

00:20:16,639 --> 00:20:17,840

work away from that lighter.

348

00:20:17,840 --> 00:20:19,310

So it won't be quite as bright.

349

00:20:20,149 --> 00:20:21,560

I want to retain that brightness

350

00:20:24,679 --> 00:20:27,530

and we can begin just putting

in all kinds of little things.

351

00:20:33,530 --> 00:20:38,240

see, and the more of these little

details that you put in the better, your

352

00:20:38,240 --> 00:20:41,480

particular painting will look at that.

353

00:20:41,600 --> 00:20:43,460

That'll make you happy when

they look good like that.

354

00:20:45,890 --> 00:20:46,490

There we go.

355

00:20:49,280 --> 00:20:55,160

Maybe back in here as some

of these go back there.

356

00:20:56,354 --> 00:20:58,574

And these little lines

create shape and form.

357

00:21:02,495 --> 00:21:05,344

And back in here, there's a few, okay.

358

00:21:05,375 --> 00:21:08,854

This gives you wave around this shows,

foam patterns and stuff that are

359

00:21:08,854 --> 00:21:10,415

working all up in here and playing.

360

00:21:13,985 --> 00:21:15,754

But this is where it all comes together.

361

00:21:17,905 --> 00:21:22,385

All of these little, little happy

things here, and we can take a

362

00:21:22,385 --> 00:21:24,364

little, the darker color and.

363

00:21:24,795 --> 00:21:29,115

Come right around here, but a little

line in there and that'll act as your

364

00:21:29,115 --> 00:21:32,385

separator, bring it right in there.

365

00:21:34,335 --> 00:21:39,345

Just like, so maybe let's have

a little shimmer on the water.

366

00:21:39,345 --> 00:21:39,735

Shoot.

367

00:21:39,764 --> 00:21:42,825

Let's have some fun, take

a little titanium white.

368

00:21:43,185 --> 00:21:44,175

Here's our light source.

369

00:21:44,805 --> 00:21:47,504

Let's just pull this right down,

straight down, right there.

370

00:21:48,795 --> 00:21:50,685

All we're using the little titanium point.

371

00:21:52,050 --> 00:21:54,180

But all those beautiful

colors are underneath here.

372

00:21:54,180 --> 00:21:56,250

This is the Indian,

yellow, and the dark CNAs.

373

00:21:56,250 --> 00:21:57,450

It's all coming alive.

374

00:21:57,480 --> 00:21:57,660

Now.

375

00:21:58,980 --> 00:22:02,250

We don't hardly even know it's there until

you start putting a little white on there

376

00:22:02,340 --> 00:22:05,010

and then Kaboom jumps right out at you.

377

00:22:07,010 --> 00:22:07,700

There we go.

378

00:22:10,640 --> 00:22:13,850

Wherever you want them sort of

look at where you light sources,

379

00:22:15,890 --> 00:22:19,370

very lightly visual across, and

that'll give the indication.

380

00:22:21,300 --> 00:22:24,660

Ferry wet areas sort of blended together.

381

00:22:28,380 --> 00:22:29,010

There we go.

382

00:22:31,530 --> 00:22:33,060

See how that just comes right together.

383

00:22:34,200 --> 00:22:34,770

Sneaky.

384

00:22:36,510 --> 00:22:37,980

Now let's take the small knife.

385

00:22:38,010 --> 00:22:39,360

I like that little knife for this.

386

00:22:39,520 --> 00:22:44,730

We'll take a little bit of the white

Tanium way now come right down in

387

00:22:44,730 --> 00:22:46,230

here so we can watch right here.

388

00:22:46,470 --> 00:22:47,640

See where this is going to come.

389

00:22:48,720 --> 00:22:53,490

Push, very friendly, very

friendly, but reload, the knife.

390

00:22:54,360 --> 00:22:55,440

Just that little roll of paint.

391

00:23:00,410 --> 00:23:01,010

There we go.

392

00:23:02,630 --> 00:23:04,910

This little knife really works

better for this than the big

393

00:23:04,940 --> 00:23:07,430

knife really works better.

394

00:23:08,000 --> 00:23:09,620

We can put a few little things in here.

395

00:23:13,460 --> 00:23:15,890

See how you can make all those

little ripples and stuff.

396

00:23:17,820 --> 00:23:24,149

There we go, whatever you think there

should be, that we can take a fan brush

397

00:23:24,360 --> 00:23:27,510

and very lightly grab that blended back.

398

00:23:30,270 --> 00:23:31,980

Sam, leave some of those shiny things.

399

00:23:31,980 --> 00:23:33,840

She went through, it

looks like wet areas here.

400

00:23:35,280 --> 00:23:35,879

Beautiful.

401

00:23:35,970 --> 00:23:36,600

Very pretty.

402

00:23:39,689 --> 00:23:42,240

And we got all of her phone

was traveling up the wave.

403

00:23:44,460 --> 00:23:45,120

Sarah we go,

404

00:23:48,840 --> 00:23:49,320

okay.

405

00:23:50,330 --> 00:23:50,659

Yeah.

406

00:23:50,659 --> 00:23:52,460

That's backed her little liner brush.

407

00:23:55,340 --> 00:23:58,790

And maybe here there's some, there you go.

408

00:23:59,270 --> 00:24:00,590

That's a nice little water area.

409

00:24:01,250 --> 00:24:01,939

It goes right there.

410

00:24:04,550 --> 00:24:05,179

Like, so

411

00:24:09,050 --> 00:24:09,800

there it is.

412

00:24:12,260 --> 00:24:12,530

There.

413

00:24:15,600 --> 00:24:21,889

Okay in here, just all kinds

of little things at home.

414

00:24:21,889 --> 00:24:26,300

You have time to do this and a lot

of detail and you will be amazed.

415

00:24:26,870 --> 00:24:31,040

It was an effective way to say

this, to do some very beautiful

416

00:24:31,040 --> 00:24:34,399

seascapes, just spectacular times.

417

00:24:36,050 --> 00:24:38,990

There we are, and anybody can do it.

418

00:24:39,720 --> 00:24:43,260

And I do these kind rather than just the

little, little ones that look like that,

419

00:24:44,040 --> 00:24:45,540

because they're a little more interesting.

420

00:24:50,419 --> 00:24:53,780

That's easy to make those, it just look

like one little wave is sort of fell over.

421

00:24:54,440 --> 00:24:56,659

I like to make some, it's got

a nice way of going at them and

422

00:24:56,659 --> 00:24:59,840

some action and shoot, maybe we'll

even put a rock or two in here.

423

00:24:59,870 --> 00:25:03,290

What the heck, uh, liked

to put rocks in there.

424

00:25:03,290 --> 00:25:05,780

It gives away you have something to

splash it against and have fun with.

425

00:25:08,370 --> 00:25:09,570

Oh, we got that old brush wet.

426

00:25:10,110 --> 00:25:11,429

I'll take a little bit of the Brown.

427

00:25:12,300 --> 00:25:14,879

Maybe appear there.

428

00:25:15,270 --> 00:25:19,500

Maybe there we'll put some, some little

seagulls or Elm Bourges are called.

429

00:25:21,750 --> 00:25:22,379

There we go.

430

00:25:23,939 --> 00:25:26,040

There's some happy little birds

floating around up in there.

431

00:25:28,350 --> 00:25:29,610

Tell you what let's have some fun.

432

00:25:29,639 --> 00:25:30,990

Let's take, let's take.

433

00:25:33,165 --> 00:25:34,095

They will Filbert brush.

434

00:25:34,095 --> 00:25:35,295

We'll put some Vandyke in it.

435

00:25:35,415 --> 00:25:40,575

Let me reach over here and get a

little, little bit of the liquid white.

436

00:25:40,635 --> 00:25:45,945

I'm going to put some dark Sienna and

little yellow ochre in it, pile it up.

437

00:25:47,835 --> 00:25:52,215

And I'm going to put Vandyke Brown

on both sides of the Filbert and

438

00:25:52,215 --> 00:25:57,525

in pull one side, just one side,

right through this light color.

439

00:25:57,645 --> 00:26:00,195

Now then maybe there's some

stones level right out in here.

440

00:26:01,470 --> 00:26:05,250

In the water, this is

easiest way I've ever seen.

441

00:26:06,210 --> 00:26:10,020

I'm making some very effective

little stones and maybe he's got

442

00:26:10,020 --> 00:26:11,160

a little friend that lives there.

443

00:26:12,840 --> 00:26:17,630

You know, however many you want, maybe

we will have three C and just let

444

00:26:17,630 --> 00:26:19,190

that highlight come right off there.

445

00:26:20,300 --> 00:26:24,230

Take our liner brush a little

bit of thin white paint on it.

446

00:26:24,620 --> 00:26:26,180

Put a little bottom around these stones.

447

00:26:26,450 --> 00:26:26,990

Shoot.

448

00:26:27,020 --> 00:26:28,370

Don't worry about having

finished painting.

449

00:26:30,300 --> 00:26:34,530

But give this one a try, and if you have

time, drop me a line, let me see what kind

450

00:26:34,530 --> 00:26:38,340

of, what kind of results you're having,

because that makes it all worthwhile.

451

00:26:38,340 --> 00:26:39,330

If it's working for you.

452

00:26:39,450 --> 00:26:40,590

And I'd love to hear from you.

453

00:26:41,880 --> 00:26:43,320

I think we'll call this one finished.

454

00:26:44,760 --> 00:26:48,120

So give this a try as

essay and drop me a line.

455

00:26:48,330 --> 00:26:50,240

We take all the pictures

sometime, put them together and

456

00:26:50,250 --> 00:26:51,480

we'd like to show them on TV.

457

00:26:51,480 --> 00:26:54,120

So maybe you'll see yours

here from all of us here.

458

00:26:54,360 --> 00:26:55,110

Happy painting.

459

00:26:55,830 --> 00:26:56,730

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S18E09 - Seascape Fantasy

Bob Ross's

The Joy of Painting

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