Bob Ross's

The Joy of Painting

S25E07 - Autumn Palette

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I'm sorry.

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Glad you could join us today.

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I thought today we'd paint a little

painting that you see in the opening.

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So I tell you what, let's start out,

having run all the colors across the

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screen that you need to paint a little

painting with me while they're doing that.

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Let me show you what I get up here.

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The way the little painting was made.

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We started with a plain ordinary canvas,

just to pre-stretch double prime canvas.

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I took a little bit of white Jesso and

mixed yellow acrylic with a cadmium yellow

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acrylic with it painted the entire canvas.

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Allowed that to dry completely.

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Then I took, uh, a sponge and

some black GSO and just dobbed

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all this just everywhere.

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Just use a sponge.

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I like a natural sponge because it

has more shape to it than a manmade

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sponge after that was completely dry.

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And then we've covered the entire

canvas with just a very thin, thin coat

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of liquid clear and down here on the

bottom, I took a little Indian yellow,

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which is a transparent yellow and

put down here because that particular

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painting has sort of a yellow cast

throughout the entire painting.

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So I put the Indian yellow down here

at the base, just so that yellow cast

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and that painting continues throughout.

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So let's get started.

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Let me show you how we did that.

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To start out with the old two inch

brush and a variable, a very small

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amount of the fellow blue, just a little

bit of blue when you're using clear.

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With nothing in the background,

it takes very, very little color.

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Okay.

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Okay.

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Let's get right up here to the canvas

and we'll just take a little bit

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of that blue color and just, just

begin dropping it right on here.

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And it'll sort of have a little greenish

tint to it because there's yellow

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underneath, but if you had wet the yellow

underneath, you would have brilliant,

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bright green, and we don't want that.

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Let me just let that

bounce around here in play.

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Like, so, as I mentioned in one of the

earlier shows, we've had so many people

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write and say, show us some things that

you can do with this, this liquid clear

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we've diverted a lot of the paintings and

this particular series to liquid clear.

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There we go.

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See that easy.

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I don't want to kill all

these nice areas in here.

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I'm going to allow some of that

yellow Jesso to show through

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when the paintings complete.

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I'm going to go into a small, small

amount of the lizard Crimson it,

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it would just stance a little that

in here, just using little exes.

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Once again, there isn't very,

very little paint on the brush.

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About as close to no pain, as you

can be just enough to just enough

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to sort of stay in the canvas.

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And the colors that we're using

here are very, very transparent.

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So it allows that that acrylic color

underneath to show through and acrylic

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paint, blends very well with white Jesso.

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So you can make any color background

you want, it doesn't have to

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be yellow or red, or it can be.

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Any color your mind can imagine.

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So practice a little bit and

just to experiment and play.

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You'll find wonderful things

that happen doing this.

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All right.

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Something about like that, maybe

a little touch more than blue.

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I like that blue color in there.

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We'll just bring it right

on down in here somewhere.

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Okay.

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I'll just go right into a very

small amount of the titanium.

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White don't need much.

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Now the titanium white let's go

right up here is very opaque.

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In other words, you can't see

through it, but if you put it on

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thin enough, you can still make out

all these little details through it.

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But this will be our light

area in this painting.

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This is where our lights

just zinging from.

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Fair.

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And it'll give a nice, soft,

almost a Misty appearance.

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Very, very pleasant.

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This works so easy, even if you've never

painted before this again is one of those

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effects that you can make very easy.

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I just put a little bit here and there.

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So it looks like little Misty

areas that have played in the

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woods when we're all done.

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This is a soft painting.

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Very soft.

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Maybe we'll go near the side and

put just a wee bit over here too.

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We don't want that left out.

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There we go.

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And really, and truly, that's basically

about all that we have in this background.

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That's really about all we

have, it's that simple, but

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you can see there's areas here.

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That's the pure acrylic that

are showing right through.

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And those areas that have

more opaque color on them.

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And they look very Misty and very soft.

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It met a fantastic way of

making a background that.

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If you're out selling paintings and

forced, none of the Cerner has done

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happy bucks, but if you're out selling

paintings, are you sending the guns here?

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We'll sell like hotcakes.

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All right.

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Let's have some little sparkly bushes at

Lee back here in the distance for that.

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I'll just, I'll just keep using

the same old, dirty brush.

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Pick a little CAD yellow, a

little bit of yellow ochre, little

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Indian, yellow here and there.

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Just tapping a little into the bristles.

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There are some gorgeous

closeups we're getting there.

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Isn't it.

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You can really see how

that brush is being loaded.

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Let's go back up here now.

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Then we come right down here and I

just want some indications of some

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pretty little sparked or is it live

back here in the background there?

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She has some little sparklers.

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Maybe there's another one that lives

right about there not looking for

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a great deal of detail, not looking

for a lot of detail, just a little,

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this is done.

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It'll look like the lights, the

zing, and right through there and

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creating some gorgeous effects

on some of these little bushes.

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There's a nice bright one.

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It'll really show up.

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Of course, we get carried away

sometimes to cover up a lot of them.

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So it may disappear or it

may not, we don't know.

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We don't care.

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I'm going to the other side here,

maybe put one or two over here.

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Something about like, since in this

particular instance, I have an idea of

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exactly where this painting's going.

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I know most of that's going to

be covered up, so I'm not going

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to put a lot of effort into it.

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Okay.

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Now the fun part of this whole

technique, let's wash the old brush.

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Shake it off and just beat the devil,

but that really is the fun part of this.

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Now then let's start with

some nice background things.

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I'm gonna make a Brown color by using

about equal amounts of alizarin Crimson.

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And SAP green, these two colors mixed

together, make a gorgeous, gorgeous

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Brown, and you can take it to the

red side or the green side, just

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depending on your mood or, or how you

feel about the painting or whatever,

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either way you make the big decision.

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Let me clean the old knife off here.

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We just wiped the knife

on the paper towel.

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No big deal.

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Take a little bit at color.

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I'm a loaded the same way.

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Just tap right into it.

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See there.

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Just tap.

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Can you just go up here now, then you have

a few happy little bushes that live back

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in here and then a gorgeous Brown color.

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We're going to play dark against

light, light against dark.

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Can.

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Tenderly continually

throughout this painting.

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That's really what makes it work?

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There's an area that has a

little more Crimson than green.

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Isn't that gorgeous right in there.

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I hope it shows up when you're set.

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Okay.

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It's nice.

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Just to use this old two inch brush.

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Sometimes we're afraid of this

brush because it's so big.

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It'll do wonderful things for you.

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Just, just allow it to do it, to work for

you a little bit more of that color, and

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maybe we'll have one lives right there.

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See how you can create all

those little illusions.

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There, and these are far away.

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They're in the we in the playground.

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So we're not worried

about a lot of detail.

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Yet, as we get closer in the painting,

then we'll be concerned about detail and

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being able to count every leaf on a tree.

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But back here, back here,

we just want indications.

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Yeah, I want to create the

illusion of another layer.

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Let me grab another brush.

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I have several of them going here.

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We'll take your little Hawaiian

with just the least little

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touch of yellow ochre in it.

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And I'm just going to tap a little color.

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I want to create a light

area at the base of this.

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Something like, so knock

off the excess paint.

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And then we'll blend that right here.

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All I'm looking for is this Misty area.

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The rest of it, we're not concerned

with at this point, that light

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area will be your separator.

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And we put another layer in here.

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I'll take care of that little light area.

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It's your good friend.

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It'll do wonderful things

for you in the painting.

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There we go.

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Okay.

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See if you can tap a

brush, you can do this.

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That's all there is to it.

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Going back to my old dirty brush, we'll

go right into, we'll just use some

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midnight black loaded the same way.

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Just tap, just tap it like so

you can see up close there.

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We get a lot of comments about it.

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What the brush is, why

is it look like that?

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We type the brush of furrows

to keep them from shining when

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the, when the studio lights.

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But other than that, they're the same

identical brushes that you're using.

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This is just black.

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It's just.

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It's just a little bit of

duct tape put around there.

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Otherwise they would share

cause big glare and you know,

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it wouldn't look good on the TV.

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That's the only reason we do that.

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Can you see there now we have

another layer, but you see how that

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little light area is your separator.

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Without that it would have

a tendency to blend together

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more and we don't want that.

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We want it to separate.

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So you can tell there's different

Plains in your painting.

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There we go.

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Maybe

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just wherever.

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Maybe this one goes all the way up here.

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I don't know.

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Just sort of let your imagination take

you wherever you want to be because

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this piece of canvas has you heard

me say a million times truly is your

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world grab a little liner brush.

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Take a little bit of that

nice Brown color we made.

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We're going to put a

little paint thinner in it.

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We're going to thin

that paint down to it's.

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Well, it's not quite inconsistency,

but it's very thin with that.

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Let's put in the indication here and

there and there in here of some little

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sticks and twigs and all the little

things that live in the woods and

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they're all out in here there, cause

you always have these out in the woods.

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Just gobs of them, sometime lots

of them, lots and lots of them.

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There we go.

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And one of the questions I hear

is it better to pull down and make

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little sticks and twigs or go up.

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It really is up to you.

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Try it both ways.

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See which works the best for you.

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And that's the way that the exactly right.

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Cause painting is a

very individual pastime.

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Everybody does it different and everybody

enjoys it for different reasons.

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There.

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I enjoy it.

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I think it's my escape from reality.

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I can go in here and I can

really literally create any

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kind of world that I want.

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There's tranquility and peace in

my world has never any violence.

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I have all my little animal friends.

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They all live right here with me.

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All right.

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That's coming along.

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Pretty good.

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Let's just take a little white, a

little bit of that Brown that we made.

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Ooh, that's pretty hair.

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Maybe a little bit darker.

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Yeah, that's nice.

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Very nice.

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Cut off a little roll of paint.

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See there.

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Let's go up here.

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Now you have to start

making some decisions.

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Where did you only handle lift?

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Maybe, maybe ran along in here.

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So just take the knife, decide

where it lives, lay down, lay

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down wherever you want it to be.

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There we go.

250

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I say, I think he's kind of little

paintings with the liquid clear are so

251

00:13:10,875 --> 00:13:18,015

much fun and you're so, so effective,

so effective and they're easy to do.

252

00:13:19,855 --> 00:13:22,845

I'm just gonna take a clean

knife and just sort of fuzz up

253

00:13:22,845 --> 00:13:23,925

the edges here a little bit.

254

00:13:23,925 --> 00:13:28,185

Just, I don't know exactly what you would

call it other than just fuzzing it up.

255

00:13:28,215 --> 00:13:29,925

I just want a soft, dead chair.

256

00:13:29,925 --> 00:13:31,095

I don't want that hard inch.

257

00:13:32,564 --> 00:13:35,925

And you can just take the knife

and just sort of rub it in it'll

258

00:13:36,255 --> 00:13:37,515

it'll create that illusion.

259

00:13:38,595 --> 00:13:41,265

Sometimes it comes out looking

like little, little bushes and

260

00:13:41,265 --> 00:13:43,755

stuff that are far away and you

haven't hardly done a thing.

261

00:13:49,470 --> 00:13:49,650

Yeah.

262

00:13:50,220 --> 00:13:52,950

And, but not over mixing the

paint, you get these variations,

263

00:13:53,520 --> 00:13:54,780

don't over mix your color.

264

00:13:54,960 --> 00:13:57,120

Most of the time we

leave it sorta marbled.

265

00:13:58,350 --> 00:14:03,480

So the marbled and that way, these

happy accidents happen continually.

266

00:14:04,905 --> 00:14:05,834

Continually.

267

00:14:05,895 --> 00:14:10,875

And then you learn to use these accidents

to create beautiful, beautiful paintings.

268

00:14:11,895 --> 00:14:14,895

Because as you know,

we don't make mistakes.

269

00:14:15,285 --> 00:14:17,685

We just have happy accidents

every once in a while.

270

00:14:18,915 --> 00:14:20,775

Maybe it comes down, back up in here.

271

00:14:22,694 --> 00:14:25,875

Now this will not be an exact

duplicate of the little painting you

272

00:14:25,875 --> 00:14:29,204

see at the beginning of the show,

but it will show you how it was made.

273

00:14:30,405 --> 00:14:32,834

I like that little opening

where you sneak behind the tree.

274

00:14:32,895 --> 00:14:33,885

Isn't that fantastic.

275

00:14:35,565 --> 00:14:38,535

That was created by a very good friend

of mine that works here at the station

276

00:14:38,775 --> 00:14:44,265

by the name of Jerry Morton, him and a

lot of the other engineers put a lot of

277

00:14:44,265 --> 00:14:45,885

time in to making that little rascal.

278

00:14:47,025 --> 00:14:49,155

So I hope you enjoy it there.

279

00:14:50,385 --> 00:14:50,925

Okay.

280

00:14:53,565 --> 00:14:55,365

Well, you know, me.

281

00:14:56,580 --> 00:14:57,720

I like big trees.

282

00:14:57,810 --> 00:14:59,610

So I think it's time to make our big tree.

283

00:14:59,640 --> 00:15:00,900

I think I'll use the Philbrick today.

284

00:15:00,900 --> 00:15:03,390

Cause I won't paint this very

thick on the canvas and we'll go

285

00:15:03,390 --> 00:15:04,800

into the van, Dyke Brown and dark.

286

00:15:05,960 --> 00:15:09,170

I'm just going to gob a lot

of it right on the bristles.

287

00:15:09,200 --> 00:15:09,980

Let's go up in here.

288

00:15:10,760 --> 00:15:10,850

Okay.

289

00:15:11,210 --> 00:15:12,440

Major decision time.

290

00:15:12,560 --> 00:15:14,120

Where does your tree live?

291

00:15:14,160 --> 00:15:16,400

I think our tree does now.

292

00:15:17,180 --> 00:15:21,170

It lives right along here and just,

I'm putting the paint on very thick.

293

00:15:22,170 --> 00:15:26,310

Very very thick because I'm

going to put highlights on there

294

00:15:26,310 --> 00:15:29,400

and I'm going to depend on this

thickness to catch the highlights.

295

00:15:30,660 --> 00:15:34,830

So don't be afraid to

use a lot of color there.

296

00:15:34,830 --> 00:15:36,870

I see there, it's a lot of paint there.

297

00:15:38,010 --> 00:15:42,300

So we have Mary as in this particular

painting that are so thin, there's

298

00:15:42,300 --> 00:15:45,690

nothing there hardly except

liquid clear over acrylic color.

299

00:15:46,350 --> 00:15:47,550

We'll have a Liam right here that.

300

00:15:49,815 --> 00:15:53,685

And then we have other areas that could

be up to like eighth of an inch thick.

301

00:15:54,075 --> 00:15:58,935

And I like that in a painting

very much, very much.

302

00:16:00,405 --> 00:16:05,415

Let's give him another big old arm

over here and you can make him crookedy

303

00:16:05,415 --> 00:16:08,295

and have all kinds of character.

304

00:16:08,295 --> 00:16:10,335

Don't just make old, straight tree shoot.

305

00:16:12,689 --> 00:16:16,979

If you do that, lumberjacks would

come along and whacking down and

306

00:16:16,979 --> 00:16:18,449

make a telephone pole out of it.

307

00:16:18,780 --> 00:16:22,260

We want to treat here

that has character gnarly.

308

00:16:22,260 --> 00:16:27,300

Old tree has had a hard life things

weren't always good out here in the woods.

309

00:16:27,329 --> 00:16:30,839

There were some years that they didn't

get much water and maybe when he

310

00:16:30,839 --> 00:16:34,620

was little, they go, creature came

along and nog on him a little bit.

311

00:16:36,540 --> 00:16:37,740

Just make up a little story.

312

00:16:37,750 --> 00:16:40,560

So it makes sense while your

tree looks the way it does.

313

00:16:43,700 --> 00:16:43,790

Okay.

314

00:16:44,060 --> 00:16:46,790

Saying, well, put a big old foot

out here for him to stand on.

315

00:16:48,270 --> 00:16:48,800

Here we go.

316

00:16:50,630 --> 00:16:52,040

Or give him another arm or two.

317

00:16:52,040 --> 00:16:53,660

Maybe he's got an arm out here.

318

00:16:55,240 --> 00:16:56,630

I'm just going to put a few on here.

319

00:16:56,630 --> 00:16:59,750

When you're doing this in home, you

can put as many arms on your trees.

320

00:16:59,750 --> 00:17:00,080

You want.

321

00:17:02,310 --> 00:17:03,870

I just want to show you how they're made.

322

00:17:05,210 --> 00:17:07,900

It's a little Filbert brush still

works very good for doing things.

323

00:17:08,180 --> 00:17:08,480

Yes.

324

00:17:10,369 --> 00:17:11,089

There we go.

325

00:17:11,869 --> 00:17:17,720

See you there now, but that

paint is so thick on there.

326

00:17:17,930 --> 00:17:21,470

As I say, in some areas it's probably

a good eighth of an inch thick.

327

00:17:21,530 --> 00:17:27,109

It depends it has bumps and ridges on it.

328

00:17:27,109 --> 00:17:29,330

And when it dries, you can

actually feel the bark.

329

00:17:30,524 --> 00:17:36,315

All right now, I'm going to take,

I'm gonna take him and take a

330

00:17:36,315 --> 00:17:42,034

little script liner brush, put

a little Brown color over there.

331

00:17:43,745 --> 00:17:47,044

Well, some variation, script

liner and a paint thinner.

332

00:17:48,245 --> 00:17:50,315

Come get quite a bit of thinner

because I know I'm going to use

333

00:17:50,764 --> 00:17:54,754

several different strokes here, but

we want to fill the bristles full

334

00:17:54,754 --> 00:17:56,645

of color, fill them full of color.

335

00:17:56,645 --> 00:17:57,965

And the paint is very thin.

336

00:17:58,905 --> 00:18:02,475

But see, there's a lot of color in those

bristles and this is, uh, a liner brush

337

00:18:02,475 --> 00:18:04,245

has very long bristles, so it holds a lot.

338

00:18:04,275 --> 00:18:07,445

Let's go up here now, delicate touch.

339

00:18:08,015 --> 00:18:12,575

All we're going to do is just

barely touched the edge of this and

340

00:18:12,575 --> 00:18:17,195

allow the paint to be picked up on

those areas that are very thick.

341

00:18:17,225 --> 00:18:20,675

That's why we use the Filbert brush rather

than a fan brush or something to do this.

342

00:18:21,575 --> 00:18:22,955

I want it to be very thick.

343

00:18:24,389 --> 00:18:28,500

So that just those ridges of paint

I get up, you can make some of the

344

00:18:28,500 --> 00:18:30,570

most gorgeous looking bark, like yes.

345

00:18:30,570 --> 00:18:31,230

On trees.

346

00:18:32,540 --> 00:18:37,879

Stay there, see how these little

areas, I will push that limit to

347

00:18:37,879 --> 00:18:40,280

the back by just coming distinctly

through with that weapon.

348

00:18:40,290 --> 00:18:43,610

So he's behind didn't know

you had that kind of power.

349

00:18:43,610 --> 00:18:45,920

Did you all right?

350

00:18:46,460 --> 00:18:47,540

Let's just barely touch it.

351

00:18:47,540 --> 00:18:48,879

Just let the bristles great.

352

00:18:50,690 --> 00:18:52,399

Crazy, huh?

353

00:18:53,700 --> 00:18:56,940

I really do think this is one

of the neatest ways I've ever

354

00:18:56,940 --> 00:19:00,660

seen him putting all kinds of

gorgeous little things in there.

355

00:19:03,510 --> 00:19:03,870

Okay.

356

00:19:03,870 --> 00:19:07,860

And over here on this side, I'll just

put a few little things, a little

357

00:19:07,860 --> 00:19:12,120

more paint thinner, or the more

color you have trouble making it.

358

00:19:12,120 --> 00:19:12,840

Come off your breast.

359

00:19:12,840 --> 00:19:14,100

Just add a little more paint, thinner.

360

00:19:14,160 --> 00:19:14,550

That's all.

361

00:19:15,719 --> 00:19:18,540

If you don't get all these ridges

and bumps, it means that your

362

00:19:18,540 --> 00:19:20,520

under color was not thick enough.

363

00:19:20,580 --> 00:19:22,469

And you don't have all

those variations under that.

364

00:19:22,490 --> 00:19:22,669

Yeah.

365

00:19:24,129 --> 00:19:26,659

You can set and try to draw

these it'll take you forever,

366

00:19:27,860 --> 00:19:29,449

or you can just do it this way.

367

00:19:29,600 --> 00:19:31,820

And it just works like that.

368

00:19:32,870 --> 00:19:33,469

And that neat.

369

00:19:34,639 --> 00:19:37,909

And as I say, when this thing is

dry, you can feel this and it'll

370

00:19:37,909 --> 00:19:40,100

feel like real bark on a real tree.

371

00:19:40,980 --> 00:19:44,640

Maybe an old tree that you used to know

might've lived in your yard one time.

372

00:19:44,640 --> 00:19:45,690

Might've been your good friend.

373

00:19:46,650 --> 00:19:48,510

It's nothing wrong with

having a tree for a friend.

374

00:19:50,630 --> 00:19:51,200

There we go.

375

00:19:53,600 --> 00:19:58,670

Right on how to, wherever you

want to know, something like might

376

00:19:58,670 --> 00:20:00,260

be a little bit right in here.

377

00:20:03,675 --> 00:20:06,254

And if you really want to sparkly it

on the edge is just here and there.

378

00:20:06,254 --> 00:20:06,715

Don't over it.

379

00:20:06,845 --> 00:20:07,595

Don't overdue.

380

00:20:08,195 --> 00:20:09,995

You could just take a

little bit of light color.

381

00:20:10,835 --> 00:20:11,225

Look at that.

382

00:20:11,375 --> 00:20:11,675

Look at that.

383

00:20:12,514 --> 00:20:12,725

Cool.

384

00:20:13,235 --> 00:20:13,595

I'm sorry.

385

00:20:13,595 --> 00:20:14,195

I get excited.

386

00:20:14,195 --> 00:20:17,945

Sometimes I've painted thousands

and thousands of paintings and I

387

00:20:17,945 --> 00:20:19,655

still get excited when this works.

388

00:20:20,315 --> 00:20:21,575

It's so fantastic.

389

00:20:21,935 --> 00:20:22,115

Okay.

390

00:20:23,375 --> 00:20:23,945

All right.

391

00:20:24,665 --> 00:20:24,754

Okay.

392

00:20:25,295 --> 00:20:26,375

That'll show you how it's done.

393

00:20:27,185 --> 00:20:27,455

Okay.

394

00:20:28,545 --> 00:20:30,245

And all I got the old paint thinner going.

395

00:20:30,915 --> 00:20:34,875

We'll go right into a little

bit of this nice Brown color we

396

00:20:34,875 --> 00:20:38,205

made from Crimson and SAP green.

397

00:20:38,595 --> 00:20:40,965

And let's just put some little

arms here and there own this.

398

00:20:41,355 --> 00:20:45,405

SI just let it flow there.

399

00:20:46,755 --> 00:20:48,465

As I say this, I like these woods.

400

00:20:48,465 --> 00:20:51,945

He seems, cause this is a fantastic place

for all my little creatures to live.

401

00:20:52,365 --> 00:20:54,795

I got to show you one of

my little creatures here.

402

00:20:54,795 --> 00:20:58,815

Recently, I had the, I had the privilege

of going out and seeing a fantastic

403

00:20:58,815 --> 00:21:03,345

lady named Carmen Shaw, and she had

a little baby Fox and she told me he

404

00:21:03,345 --> 00:21:05,115

looked in the dictionary under cute.

405

00:21:05,415 --> 00:21:10,095

It would say baby Fox, isn't this the

most precious thing you've ever seen.

406

00:21:10,155 --> 00:21:11,925

I'm just putting Liam's on

while you're watching that.

407

00:21:13,050 --> 00:21:16,980

Not doing anything that you won't

see, but I love these little

408

00:21:16,980 --> 00:21:19,020

animals and Carmen, there she is.

409

00:21:19,500 --> 00:21:22,139

She brought a little raccoon

over to visit the little Fox.

410

00:21:22,410 --> 00:21:23,850

This is just a baby rat Kuhn.

411

00:21:24,810 --> 00:21:26,580

Of course he's a little

older than the Fox.

412

00:21:26,760 --> 00:21:27,150

It looks,

413

00:21:31,139 --> 00:21:34,650

I think maybe there's a little

personality conflict there, but

414

00:21:34,650 --> 00:21:36,060

aren't those precious little things.

415

00:21:37,290 --> 00:21:41,900

I have to agree with Carmen when,

when they made the word cute,

416

00:21:42,260 --> 00:21:43,880

they had that little Fox in mind.

417

00:21:43,940 --> 00:21:47,720

There is no doubt because

they are absolutely precious.

418

00:21:47,720 --> 00:21:53,660

I think that when the six or eight

weeks old Carmen's super lady lives

419

00:21:53,660 --> 00:21:57,740

right outside of Orlando, Florida,

and she's a rehab specialist.

420

00:21:57,740 --> 00:22:00,560

She takes care of all these little

animals that are injured and orphaned,

421

00:22:00,560 --> 00:22:04,430

and she nurses them back to health

or raises them up whatever they need.

422

00:22:04,460 --> 00:22:05,690

And then she turns them loose.

423

00:22:06,165 --> 00:22:08,295

Let some go back, back to nature.

424

00:22:09,015 --> 00:22:09,465

Okay.

425

00:22:10,515 --> 00:22:13,985

Now then let's take little

tree in the background.

426

00:22:13,985 --> 00:22:17,585

We'll take the old two inch

brush, a little bit of Brown,

427

00:22:18,095 --> 00:22:19,175

a little bit of bright red.

428

00:22:20,054 --> 00:22:22,995

A little more bright red, yellow

ochre, mixed them together.

429

00:22:23,475 --> 00:22:24,284

A little more bright red.

430

00:22:24,284 --> 00:22:24,794

I like it.

431

00:22:25,695 --> 00:22:26,504

Let's go right up here.

432

00:22:27,104 --> 00:22:31,814

Now over this dark area in our

world, we're going to put us a

433

00:22:31,824 --> 00:22:36,764

nice tree, but we're going to let

some of that show through there.

434

00:22:37,754 --> 00:22:41,504

Just a big tree that lives

up here has a good time.

435

00:22:42,735 --> 00:22:43,604

There we go.

436

00:22:45,014 --> 00:22:48,225

We got to take the little liner

brush I'm in that Brown color.

437

00:22:49,035 --> 00:22:52,695

Let's put the indication of a

trunk and a stick and a twig.

438

00:22:52,695 --> 00:22:53,445

It lives in there.

439

00:22:54,845 --> 00:22:55,775

They're just terrible.

440

00:22:55,775 --> 00:22:56,615

Mini doesn't matter.

441

00:22:57,965 --> 00:22:58,445

May I have it?

442

00:22:59,235 --> 00:23:01,305

Use that same old, dirty brush

it's working pretty good.

443

00:23:01,305 --> 00:23:02,775

We'll go back into some light color.

444

00:23:04,215 --> 00:23:05,235

This is CAD yellow.

445

00:23:06,015 --> 00:23:07,245

Just to give it a little highlight.

446

00:23:08,475 --> 00:23:10,185

Maybe I'll get a little white there.

447

00:23:10,185 --> 00:23:11,565

Hang in there with it there.

448

00:23:12,675 --> 00:23:12,975

Okay.

449

00:23:13,575 --> 00:23:18,375

Now then let's go right up in here in a

drop a few little highlights on there.

450

00:23:20,625 --> 00:23:21,435

There we go.

451

00:23:23,685 --> 00:23:24,375

That easy.

452

00:23:25,125 --> 00:23:26,595

We got us a pretty nice little tree.

453

00:23:26,595 --> 00:23:27,435

It lives back here.

454

00:23:29,100 --> 00:23:31,350

There he watches my little Fox back here.

455

00:23:33,550 --> 00:23:39,070

Let's take some white, a little

bit of that Brown we made and

456

00:23:39,300 --> 00:23:40,710

just come right along in here.

457

00:23:44,080 --> 00:23:47,100

We'll put in some, some

more little land area.

458

00:23:48,060 --> 00:23:49,620

Notice I'm not covering all this up.

459

00:23:49,650 --> 00:23:51,330

I want some of that dark to show through.

460

00:23:54,960 --> 00:23:58,320

Let's take a little bit of our Brown

we made from the Crimson in the green.

461

00:24:00,120 --> 00:24:02,040

Let's put some more little

bushes that live right here.

462

00:24:03,840 --> 00:24:06,570

Just a few little happy

bushes living right in there.

463

00:24:08,370 --> 00:24:08,790

There.

464

00:24:12,525 --> 00:24:13,245

All right.

465

00:24:15,075 --> 00:24:16,545

Bagel Bush lives right there.

466

00:24:17,795 --> 00:24:18,785

Go right into the black.

467

00:24:19,805 --> 00:24:21,485

So we have a little separator in there.

468

00:24:24,215 --> 00:24:25,205

So all there is to it.

469

00:24:26,855 --> 00:24:27,935

I haven't all I haven't gone.

470

00:24:27,935 --> 00:24:30,995

I'm going to touch just a little

bit of the color a little bit,

471

00:24:31,235 --> 00:24:32,675

just to put some indications.

472

00:24:32,735 --> 00:24:36,965

Don't want much, few indications

of highlight here and there.

473

00:24:39,825 --> 00:24:45,315

I'm gonna take my old Filbert, put

a little Brown on it, like Brown

474

00:24:45,315 --> 00:24:46,785

on one side, darker than the other.

475

00:24:46,815 --> 00:24:48,525

Maybe there's an old fence lips soup.

476

00:24:48,645 --> 00:24:48,825

Yep.

477

00:24:49,125 --> 00:24:49,665

Right there.

478

00:24:50,925 --> 00:24:51,135

Yep.

479

00:24:52,905 --> 00:24:56,145

Now this guy, he, he took care

of his fence about like I do.

480

00:24:56,155 --> 00:24:57,045

He didn't do too good.

481

00:24:57,435 --> 00:25:02,145

It's fallen down on him and

he just comes right on down.

482

00:25:02,685 --> 00:25:07,774

Maybe like maybe like maybe

just one O rail is still

483

00:25:07,774 --> 00:25:09,875

trying to hang on their bike.

484

00:25:09,885 --> 00:25:10,115

485

00:25:13,415 --> 00:25:18,004

put a little bit more of that color,

right in here to indicate some soil,

486

00:25:18,365 --> 00:25:20,585

dirt land, whatever you want to call it.

487

00:25:22,655 --> 00:25:23,044

There.

488

00:25:26,190 --> 00:25:33,900

Oh, I know we get that going shoot

a little more right in there.

489

00:25:34,050 --> 00:25:37,950

Just helps give it a little

more depth back into our black.

490

00:25:37,950 --> 00:25:40,170

That was just the Brown made

from the Crimson and green.

491

00:25:42,450 --> 00:25:43,050

There we go.

492

00:25:47,460 --> 00:25:50,520

Take a little more of that and

we can sort of bring it together.

493

00:25:51,390 --> 00:25:54,390

Look sort of like a little

road now goes back in there.

494

00:25:55,245 --> 00:25:56,435

We don't know where it goes.

495

00:25:56,625 --> 00:25:58,095

Don't know that we even care.

496

00:25:59,564 --> 00:26:01,695

It's just a nice little

place back in there.

497

00:26:03,524 --> 00:26:06,585

Take her liner, brush a

little bit of light Brown.

498

00:26:07,185 --> 00:26:11,264

We can flip up a few little weeds and

stick some things that live all in there.

499

00:26:13,155 --> 00:26:17,175

Something about my cat,

wherever you want to.

500

00:26:19,185 --> 00:26:22,245

This is one painting that I really hope

you'll give it a try because I think

501

00:26:22,245 --> 00:26:25,754

you'll find it to be one of the most

enjoyable little things using this

502

00:26:25,754 --> 00:26:27,545

liquid clear that you've ever done.

503

00:26:28,185 --> 00:26:28,754

And it worked.

504

00:26:29,195 --> 00:26:31,985

And maybe that may be one

of the greatest parts of it.

505

00:26:32,075 --> 00:26:33,125

It'll highlight right here.

506

00:26:34,355 --> 00:26:34,745

Good work.

507

00:26:34,805 --> 00:26:36,905

So easy, the clear and the blight, Jess.

508

00:26:36,915 --> 00:26:40,625

So we'll just make your,

it'll make you painting world.

509

00:26:40,925 --> 00:26:41,105

Hm.

510

00:26:41,415 --> 00:26:42,375

So much easier.

511

00:26:44,294 --> 00:26:46,455

Wait, I think we're

about finished painting.

512

00:26:46,455 --> 00:26:49,965

I won't take a little bit of the

bright red, but a paint thinner.

513

00:26:50,565 --> 00:26:53,985

And I'm going to sign this

one, have a short name.

514

00:26:53,985 --> 00:26:55,305

So it's very easy to sign it.

515

00:26:56,175 --> 00:26:59,595

So say, I hope you try this,

but if you have time, send me

516

00:26:59,595 --> 00:27:00,915

a photograph of your tapped.

517

00:27:00,915 --> 00:27:01,725

I'd love to see it.

518

00:27:02,205 --> 00:27:04,784

And from all of us here, I'd

like to wish you happy painting.

519

00:27:05,595 --> 00:27:06,735

And God bless my friends.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S25E07 - Autumn Palette

Bob Ross's

The Joy of Painting

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