Bob Ross's
The Joy of Painting
S08E13 - Northern Lights
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Welcome back.
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Glad you could join me today.
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You know, they say that time really
goes by when you're having fun.
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And here we find ourselves on
our last show of this series.
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So I thought today, you know,
since I lived in Alaska so long,
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I'd do a special Alaskan painting.
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So if you come on up here to the canvas,
I'll tell you what we've already done.
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Now I've taken a black canvas, as you
can see, we painted this with just a flat
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black acrylic paint, allowed that to dry.
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And then on top of that, I've put all
different kinds of transparent colors.
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I've put some right in here, some
alizarin Crimson over in here, some
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fellow green, uh, they look blue
and green mixed all over the canvas.
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So it's completely covered
with a thick paint.
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So it's all ready to go.
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So let's have them graphically run all
the colors across the screen that you
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need to paint this project with me.
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And I think today we'll
do some Northern lights.
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So come on up here and
listen, let's get started.
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I want to use the old fan brush today.
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So cool.
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Probably one of the best ways to
do this is sorta take, and you
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can just own this black canvas.
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You can draw in some basic shapes
and if you've never seen the Northern
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lights, a lot of times they're in what
they call curtains or just layers.
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Uh, if in your part of the country,
there's no such thing as Northern
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lights, you can do the same scene,
leave the lights out and maybe
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put a little moon in the sky.
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It'll be just as effective.
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But once again, for my friends in
Alaska today, I want to do a Northern
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lights pitcher, start with the old
fan brush, or I didn't do titanium
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white that we already have all those
beautiful colors on the canvas.
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So all we need is white.
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Let's go up here now.
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Decide where these curtains are.
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These lights are going to
be, and just begin tapping.
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See, all I'm doing is just
tapping and tapping the color
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in and make your basic shapes.
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Just very basic shapes and put
a little more paint where you
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want it to be a little brighter.
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We have one coming right across here and
I'm just tapping titanium await on there.
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Sometimes there's little ridges and
they bounce around and they're it.
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Camps.
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Sorry, just right on, around bread,
on a rail and white people would have
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three layers of lights in this painting.
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And you can have as many as you want,
or as few as you want, it's up to you
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up to you now that I know that this is
where the fun starts and let's take a
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one inch brush and I'm going to begin
grabbing this and lifting it upward.
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Just grab it and pop it, pop it up.
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Okay.
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There we go.
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Already.
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You can see it begin picking up some
of the different colors and here, like,
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so let's grab this one, lift it up.
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What Johnny Horton wrote a beautiful song
about Northern lights, lights were running
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wild in the land of the midnight sun.
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And I lived there for over a dozen years.
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And that has to be, that has to be one
of the prettiest countries in the world.
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It's really having a good
day when he made Alaska.
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Now, then I'm gonna
take the two inch brush.
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And go all the way through this
and lift up all the way through
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all the same angles, all the way.
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Look at that.
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There you go.
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You can pull these as
high as you want them.
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And some parts of the country.
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They don't see a lot of
color in Northern lights.
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They see maybe only whites or yellows.
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And you can do yours that way, where
I lived right outside of Fairbanks
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and a little town called North pole.
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Sometimes we would see lights
in every color in the rainbow.
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So that makes it a
little more interesting.
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So I figured if I did a bunch
of colors, you would find
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your colored here somewhere.
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Okay.
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You see that right in here.
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This is where the Crimson was and you
have sort of a lavender field in here,
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blue and here over here, there's a
little fellow green mixing with it.
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They love blue.
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Make some beautiful,
beautiful colors in the sky.
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Let's watch the old
brush, give it a shape.
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This is beat the devil out of it.
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And no painting of Alaska would be
complete without an almighty mountain.
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Take a little bit of black, a
little bit of a little blue.
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I would even put a little
Vandyke Brown in there.
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Very dark, pull it out, flat, cut across.
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Get that little roll of paint
right on the edge of the knife.
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Okay, let's go up here.
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You have to make a big decision.
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Where does your mountain live?
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Maybe right there.
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It takes very little paint because
the canvas is already black,
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puts a little bumps and Hills and
valleys, whatever you want in your
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mountain, she let's drop it in there
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and scrape off all the excess paint.
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I really, really can't scrape too hard.
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Then we'll take a large brush.
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Grab it.
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And Paul, this just basically
removes excess paint.
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The more of this paint that you
can get off, the easier the next
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layer is to stick for takeoff.
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All of it that you can get off.
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This is also an excellent way
using brushstrokes to begin, laying
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out your highlights and shadows.
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See, see how you can pull
all kinds of effects there.
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Maybe you want to see,
and you're not committed.
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You can just keep changing
this and playing with it.
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Maybe you want a little shadow, you can
see there that side, easy to find out
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how your highlights and shadows will
look in there, pull it through, or you
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can just keep going to spend all day.
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Just play in there.
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Okay.
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Now let's use our old knife.
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I'm going to titanium white
and a little bit of blue, just
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a small amount of blue there.
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Just, just enough to tenent.
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Good.
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For that very flat, flat, as you can
get it, get tough with it and come
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across, get that a little roll of
paint right down the edge of the knife.
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He has come back up here and
then let's have some snow just
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coming right down the side of this
mountain, wherever you want it to go.
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No pressure, no pressure dog.
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Just let it flow.
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You want that paint to break on
all these little holes left in it.
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There you go.
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See it.
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And you can the wiggle that knife and
cause all kinds of little effects to him.
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Can you write a pair on the top?
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We want a little bit
of snow right up here.
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There it comes right down.
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Maybe it joins together.
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You have to make big decisions here.
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Maybe there's some light striking
right over here on that little Ridge.
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Let's begin with our shadows.
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For the shadows.
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We'll take the blue
white, mix it together.
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So
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maybe we'll make that a
little bit lighter, still a
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little dark for what I want.
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That's much better cut across it.
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Our little roll of paint again.
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Okay.
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Now then no pressure.
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No pressure.
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Just let it barely caress the canvas
and just began laying it all kinds
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of little things anywhere you want
a little Ridge, just drop it in.
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This is your painting.
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Your world.
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You can do anything that you want
here a little bit, right back here.
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See, now we can take this one and
pull it distinctly through and
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it pushes that one right back.
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Do you know you had that kind of power?
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Could you push the mountains
around or did I go home?
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Only thing I can push around as a chair,
but here I can push around to anything
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it's mountains and trees and rivers.
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There we go.
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Happy little piece right here.
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Yeah, we're using a very firm paint here.
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We want this point to be
as firm as possible that
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okay.
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Now see this little point here.
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It needs to have its own private shadow
and if it doesn't have its own chatter,
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And it won't stand out like an individual
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and you can just bounce it back and
forth here and play shoot, look at there.
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Maybe, maybe there's another one that
was right there as many, or as few as
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you want in your world is your creation.
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But each one of them sit here.
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Now, once again, right here,
we need to have another shadow.
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There we go.
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All the time.
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This is mixing with that beautiful color.
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This underneath.
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And allows all kinds of things to happen.
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Yeah.
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Just take a clean, dry two inch brush
and I'm going to gently, gently tap
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following the angles and the mountain.
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Always follow your angles
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and tap more down here at the
base than you do up here, up here.
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He just barely want to
whisper it down at the bottom.
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You want to tap it a little bit harder?
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If you begin collecting some
paint on your brush, just take.
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Beat the devil out of it.
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And that'll remove the excess
paint right off your brush without
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going through a lot of cleaning.
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See how soft that's
beginning to look over here.
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You follow these angles, always pay
attention to the angles in your mountain.
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And that's what you're looking for there.
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Very gently lift upward.
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This takes out all those little tap marks.
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Softens blends creates
the illusion of nest.
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Just like so easy one.
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Fantastic.
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Thanks.
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I forgot.
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There you go.
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Mountain there.
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Okay.
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Yeah, we can play some more.
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That's fine.
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As a fan brush, I think we'll just go
right into this mixture we had before
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we made the mountain, whether it was.
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Black, uh, they little
blue, little van Dyke Brown.
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Just mix them on the brush
load that brush full of paint.
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Look at all the paints in there.
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Okay, let's go back up here.
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Maybe there's some happy
little trees live back here.
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These are far away and
all we're looking for.
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It's just little indications, little
evergreens are far back in the distance.
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Far away,
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get a little more paint.
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So you're using the top part of
that brush and just tap down.
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That's all there is to it.
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You don't want to kill
all this Misty area.
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You kill this mist.
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It's right up here.
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All that'll happen is these trees
will run right into the mountain.
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You want them to stay
separated, so don't kill you.
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Miss the area, save them.
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They're precious.
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The good friends.
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Right here in this mountain area,
they may be your best friends.
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So cherish them.
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Now, if you get these too far
apart, they're going to begin
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looking like fence posts.
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So if you, if you little evergreens
that are far in the distance begin
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looking like a fence post chances
are, you just don't have enough.
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Add a few more and see if it doesn't
help take care of that little problem.
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Not easy.
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We got some happy little evergreens
live and leave you back there in
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the distance all the way across.
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Then we can take another fan brush.
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And I have, I have several of them
go on here, so I don't have to,
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don't have to continually wash them.
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We take a little blue and white.
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This was just a little, the
shadow color is leftover.
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Let's go up here.
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I want to just.
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Pop in some indication of some happy
little tree trunks, just on the
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bottom, touch it, pull it straight up.
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Touch, pull straight up
very lightly, very lightly.
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Just enough to create a little,
little light area down here
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at the base of these trees.
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Breeze just makes them a little prettier.
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So you're playing the light against
dark, dark against light content.
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That's what painting is all about.
245
00:13:10,530 --> 00:13:11,130
Yeah,
246
00:13:15,839 --> 00:13:16,260
baby.
247
00:13:17,160 --> 00:13:20,339
You be three back there in the distance.
248
00:13:21,239 --> 00:13:23,010
We can start playing with a little detail.
249
00:13:23,010 --> 00:13:24,510
We'll take that same old black color.
250
00:13:24,510 --> 00:13:31,290
Just put a lot of pain in the brush,
just black blue, a lot of paint.
251
00:13:31,710 --> 00:13:33,360
Look at there at the brush is really full.
252
00:13:33,600 --> 00:13:33,840
Okay.
253
00:13:34,860 --> 00:13:35,820
Let's go right up in here.
254
00:13:35,880 --> 00:13:39,210
And we just pop in a few little bushes.
255
00:13:39,210 --> 00:13:42,630
Don't want to kill all the little, little
tree trunk areas that you made there.
256
00:13:46,810 --> 00:13:50,250
So you got a little light area
now is your separator to divider
257
00:13:55,439 --> 00:14:00,450
just like, so now I'll go back to him.
258
00:14:01,785 --> 00:14:04,574
This fan brush has got mainly white on it.
259
00:14:07,245 --> 00:14:07,545
Okay.
260
00:14:07,574 --> 00:14:07,965
Take one.
261
00:14:07,965 --> 00:14:11,715
I'm going to do, I'm going to add at
least a little touch of the liquid
262
00:14:11,715 --> 00:14:13,125
white to it to make it a little thinner.
263
00:14:13,875 --> 00:14:17,625
It can just go back up here now,
then I want some, I want some
264
00:14:17,655 --> 00:14:22,365
bright things happening here, so
I'm going to take this and begin.
265
00:14:22,770 --> 00:14:26,730
Pushing upward to create just some
happy little grassy areas back here,
266
00:14:27,570 --> 00:14:31,950
allow it to make sure that color it's
underneath all the blues and blacks.
267
00:14:32,340 --> 00:14:35,550
So it creates all kinds of little things.
268
00:14:37,170 --> 00:14:37,890
There we go.
269
00:14:38,490 --> 00:14:41,130
Maybe comes right along in
there wherever you want it.
270
00:14:44,580 --> 00:14:45,600
Maybe there's one out there.
271
00:14:45,630 --> 00:14:46,620
We're going to have this one go up.
272
00:14:47,070 --> 00:14:48,990
Just sort of make a
decision, let it happen.
273
00:14:52,844 --> 00:14:55,895
Let's take a two inch brush and I'm
just going to tap it into a little bit,
274
00:14:55,905 --> 00:15:02,925
titanium white, just, just gently tap
it and see, okay, let's go up here now.
275
00:15:02,954 --> 00:15:05,834
I want a happy little reflection
to live right underneath here.
276
00:15:07,545 --> 00:15:10,185
All you need is white because the
color is already on the canvas.
277
00:15:12,344 --> 00:15:15,855
Pull it straight down, straight
down and start where you want
278
00:15:15,855 --> 00:15:19,005
it to be the brightest and then
work outward in both directions.
279
00:15:19,995 --> 00:15:22,905
And automatically it'll get darker
as it works away from that area.
280
00:15:23,925 --> 00:15:31,005
Now with a clean brush, you pull it
down firmly, like, so it's probably
281
00:15:31,005 --> 00:15:34,695
straight down and then go lightly across.
282
00:15:35,085 --> 00:15:37,275
Look at that, look at that.
283
00:15:40,785 --> 00:15:41,145
Okay.
284
00:15:43,595 --> 00:15:46,295
Then we'll take a little bit of.
285
00:15:46,770 --> 00:15:48,960
Liquid white and a little bit
of titanium white and mix it
286
00:15:48,960 --> 00:15:50,850
together, pull it out flat.
287
00:15:51,180 --> 00:15:52,860
Let's get a little roll
of paint on the knife.
288
00:15:53,010 --> 00:15:53,850
Tiny little role.
289
00:15:54,060 --> 00:15:54,600
There it is.
290
00:15:55,700 --> 00:15:59,450
And let's go up here and just put
the indication of a little snow
291
00:16:00,110 --> 00:16:04,730
sledding right along the base of it,
and just barely touching the canvas.
292
00:16:06,020 --> 00:16:10,220
Just barely touch it and allow
it to mix with that covers
293
00:16:10,220 --> 00:16:12,920
underneath don't fight these.
294
00:16:15,110 --> 00:16:15,980
Just let them happen.
295
00:16:22,095 --> 00:16:29,475
Okay, maybe tell you what let's
play a little, the blue and
296
00:16:29,475 --> 00:16:30,705
the black on the fan brush.
297
00:16:31,125 --> 00:16:31,905
Maybe right here.
298
00:16:32,265 --> 00:16:33,465
They have an evergreen.
299
00:16:33,465 --> 00:16:34,305
It's a little bigger.
300
00:16:34,485 --> 00:16:35,895
He's a little touch closer.
301
00:16:38,760 --> 00:16:40,170
We'll drop him in right there.
302
00:16:41,070 --> 00:16:41,760
Just like that.
303
00:16:42,960 --> 00:16:44,040
And he lives right out there.
304
00:16:45,570 --> 00:16:46,470
Give him a little friend.
305
00:16:46,470 --> 00:16:47,490
We don't need to be lonely.
306
00:16:49,380 --> 00:16:56,060
He's just right here watching the
Northern lights or, or Borealis
307
00:16:56,210 --> 00:16:56,960
or whatever you want to call it.
308
00:16:56,990 --> 00:16:58,250
Easier to say Northern lights.
309
00:17:00,560 --> 00:17:02,630
I'm going to take a little
touch of that blue and white
310
00:17:02,630 --> 00:17:04,340
mixture loaded on the fan brush.
311
00:17:05,190 --> 00:17:06,300
And come right along here.
312
00:17:06,460 --> 00:17:10,350
Just put the indication of
a few little highlights.
313
00:17:10,350 --> 00:17:11,400
These trees are far away.
314
00:17:11,460 --> 00:17:12,300
I don't want too many.
315
00:17:13,230 --> 00:17:14,970
If you get too many, just
take your dark paint.
316
00:17:15,240 --> 00:17:16,050
Go right back over.
317
00:17:16,050 --> 00:17:17,220
May lead it right up.
318
00:17:18,830 --> 00:17:19,580
All right.
319
00:17:20,330 --> 00:17:23,840
I'm right now let's have some fun.
320
00:17:24,530 --> 00:17:27,620
Let's put in some bigger
trees, same old color.
321
00:17:27,710 --> 00:17:33,560
Just use the blue black makes it
well, Kevin skull right up here.
322
00:17:34,590 --> 00:17:34,950
Maybe.
323
00:17:36,210 --> 00:17:36,630
Yep.
324
00:17:37,020 --> 00:17:38,910
I see a big tree that lives right there.
325
00:17:40,200 --> 00:17:42,630
Let's start with just the corner
of the fan brush, work it back
326
00:17:42,630 --> 00:17:44,550
and forth, back and forth.
327
00:17:46,320 --> 00:17:49,530
And as you work down the tree, add
more and more pressure down here.
328
00:17:49,530 --> 00:17:52,440
You're getting tough or
you're really taking out all
329
00:17:52,440 --> 00:17:53,670
your frustrations down here.
330
00:17:56,460 --> 00:17:57,120
There we go.
331
00:17:58,770 --> 00:18:00,300
Just a radio, bang it in there.
332
00:18:04,155 --> 00:18:05,685
There is another tree here.
333
00:18:10,350 --> 00:18:13,200
Start with a corner back and forth.
334
00:18:17,940 --> 00:18:24,480
I think everything's like people I've made
so many fantastic friends with painting.
335
00:18:25,740 --> 00:18:29,460
I think everything's got to
have friends, trees, and bushes
336
00:18:29,460 --> 00:18:32,100
and everything needs friends.
337
00:18:32,670 --> 00:18:33,840
Everybody needs a friend.
338
00:18:36,495 --> 00:18:37,905
I'm going on the other side over here.
339
00:18:38,354 --> 00:18:38,685
Let's shoot.
340
00:18:38,685 --> 00:18:39,465
Let's get crazy.
341
00:18:39,645 --> 00:18:42,885
I want one that goes way up and it goes
all the way through this Northern light.
342
00:18:45,284 --> 00:18:48,945
There's as many different ways to paint
Northern lights as there are painters,
343
00:18:49,155 --> 00:18:51,314
this is just one interpretation.
344
00:18:53,594 --> 00:18:55,485
This is what they look
like to me, where I live.
345
00:19:00,645 --> 00:19:04,365
Really makes a beautiful painting and
these black canvases, when you change
346
00:19:04,365 --> 00:19:06,435
the light source, the painting changes.
347
00:19:07,245 --> 00:19:11,085
You put this under three different lights
and you'd almost, you'd almost believe
348
00:19:11,085 --> 00:19:12,285
you had three different paintings.
349
00:19:12,315 --> 00:19:13,605
It changes that much.
350
00:19:14,535 --> 00:19:16,155
It's almost unbelievable.
351
00:19:17,505 --> 00:19:22,575
And at home, we'll try these black
canvases with any transparent color.
352
00:19:24,050 --> 00:19:28,860
I've got letters that have asked me,
how do I tell what color is transparent?
353
00:19:29,399 --> 00:19:31,649
There's a very, very simple test.
354
00:19:32,459 --> 00:19:34,679
In fact, I'll tell you what, while the
camera's right there, I'll show you
355
00:19:35,729 --> 00:19:39,840
take a color like blue, bring the camera
right in here so we can see, see if
356
00:19:39,840 --> 00:19:41,939
you take this blue and rub it on here.
357
00:19:43,199 --> 00:19:44,310
That's still looks black.
358
00:19:44,820 --> 00:19:48,209
That color is transparent,
and then let's take a color.
359
00:19:48,479 --> 00:19:48,929
Okay.
360
00:19:48,959 --> 00:19:50,070
Let's use bright red.
361
00:19:50,399 --> 00:19:50,659
That's.
362
00:19:51,030 --> 00:19:52,500
A very opaque color.
363
00:19:52,500 --> 00:19:58,080
Now, when you put it there, who see what
happens, that color is not transparent.
364
00:19:58,290 --> 00:20:01,680
It will not do for what
we're trying to do here.
365
00:20:01,770 --> 00:20:02,520
That's a good test.
366
00:20:03,960 --> 00:20:04,200
Of course.
367
00:20:04,200 --> 00:20:05,970
Now we've got a red spot on the canvas.
368
00:20:07,350 --> 00:20:08,310
Hey, paint.
369
00:20:08,310 --> 00:20:11,700
Another tree trees cover
up a multitude of sins.
370
00:20:13,080 --> 00:20:13,950
We'll have another one.
371
00:20:14,700 --> 00:20:16,020
Yeah, we'll put him right here.
372
00:20:17,190 --> 00:20:18,120
He's right there.
373
00:20:21,210 --> 00:20:29,100
Yes, this is still the blue
and the midnight black, black.
374
00:20:31,730 --> 00:20:32,149
Okay.
375
00:20:32,149 --> 00:20:33,800
I will get a, a one inch brush.
376
00:20:34,159 --> 00:20:35,419
We'll use it for a little bit.
377
00:20:36,230 --> 00:20:38,899
Take that same color, the
blue and the black shoot.
378
00:20:38,899 --> 00:20:41,629
We'll grab a little bit of this
lighter color and put it in there.
379
00:20:41,930 --> 00:20:43,490
Pull that brush in one direction.
380
00:20:43,610 --> 00:20:44,629
Bloated full of paint.
381
00:20:45,090 --> 00:20:46,170
So very dark blue.
382
00:20:47,250 --> 00:20:49,770
Can you just go ahead up here and
maybe we're going to have some
383
00:20:49,770 --> 00:20:51,330
happy little snow covered bushes.
384
00:20:52,200 --> 00:20:57,780
So all we're doing is just beginning to
lay in some of the very basic shapes.
385
00:20:57,780 --> 00:21:02,550
You're not looking for detail
yet only very basic shapes.
386
00:21:04,470 --> 00:21:05,370
Very basic.
387
00:21:07,380 --> 00:21:08,910
Okay, let's go right over in here.
388
00:21:08,910 --> 00:21:10,260
Maybe there's a happy Bush.
389
00:21:10,290 --> 00:21:10,470
Yep.
390
00:21:10,710 --> 00:21:11,670
That's right there.
391
00:21:12,810 --> 00:21:16,110
It comes right on out or just
wherever you want, where ever you
392
00:21:16,110 --> 00:21:19,530
want can have as many or as few.
393
00:21:20,580 --> 00:21:22,860
Just, just let your imagination take you
394
00:21:26,640 --> 00:21:28,020
if you've never been to Alaska.
395
00:21:28,695 --> 00:21:29,835
Your to go see it.
396
00:21:31,125 --> 00:21:32,295
It's almost unreal.
397
00:21:33,255 --> 00:21:34,635
I was born and raised in Florida.
398
00:21:35,915 --> 00:21:38,385
I was almost 20 years old
before I ever saw snow.
399
00:21:39,165 --> 00:21:45,405
And my favorite uncle, uncle Sam,
he sent me up there in January.
400
00:21:45,615 --> 00:21:46,425
Thought that would be fun.
401
00:21:48,365 --> 00:21:49,055
It was funny.
402
00:21:50,225 --> 00:21:51,445
Yeah, I got off the plane.
403
00:21:51,455 --> 00:21:54,575
The first thing I did was stepped
on the ice and fell on my bottom.
404
00:21:55,290 --> 00:21:56,669
Cause I didn't know how to walk on ice.
405
00:21:57,209 --> 00:22:00,120
Now I'm taking some liquid white
and going right into titanium
406
00:22:00,120 --> 00:22:02,250
Hawaii, pull it in one direction.
407
00:22:02,639 --> 00:22:06,899
We'll put a little tiny bit of blue
into that one direction, but could
408
00:22:06,899 --> 00:22:08,219
all the paint us on that brush?
409
00:22:08,370 --> 00:22:09,330
It's really full.
410
00:22:09,540 --> 00:22:11,750
Okay, let's go up here now.
411
00:22:11,750 --> 00:22:16,709
Then you begin picking out where all these
little bushes live and just barely touch.
412
00:22:16,850 --> 00:22:22,669
Give it a little push and create all these
little snow covered bushes in Alaska.
413
00:22:22,669 --> 00:22:23,840
They have ice fog.
414
00:22:24,960 --> 00:22:28,290
An ice fog occurs normally when
it's about 30 below or colder.
415
00:22:29,580 --> 00:22:35,340
And it covers everything, everything
with frost, it is so beautiful.
416
00:22:35,820 --> 00:22:39,840
Trees look like they're in
full foliage, so beautiful.
417
00:22:39,840 --> 00:22:40,980
And the light plays through it.
418
00:22:40,980 --> 00:22:46,500
And these, all these little ice covered
frosty things, they act like prisms and
419
00:22:46,500 --> 00:22:50,910
they break up the light and you see all
colors in the trees in the dead of winter.
420
00:22:51,480 --> 00:22:52,440
You can see just.
421
00:22:53,625 --> 00:22:54,465
You have to go see it.
422
00:22:54,825 --> 00:22:59,835
I can't, I can't explain it
all to you so pretty well.
423
00:22:59,835 --> 00:23:00,705
There's a nice push.
424
00:23:00,915 --> 00:23:02,235
Just grows right out of that brush.
425
00:23:03,825 --> 00:23:05,445
And we'll put another one right there.
426
00:23:08,985 --> 00:23:09,705
Let's drop them in.
427
00:23:11,085 --> 00:23:15,165
Just have the little
blushes happy little pushes
428
00:23:18,195 --> 00:23:18,555
there.
429
00:23:19,935 --> 00:23:23,595
Well, with the completion of
this painting, It's William.
430
00:23:23,755 --> 00:23:27,465
The eighth joy of painting series
is hard for me to believe that
431
00:23:28,065 --> 00:23:30,285
we have over a hundred shows.
432
00:23:30,285 --> 00:23:36,045
Now over a hundred shows,
taking a little blue here, put a
433
00:23:36,045 --> 00:23:37,275
little highlight on these trees.
434
00:23:38,205 --> 00:23:40,185
I really hope you've got
to see all the shows.
435
00:23:40,725 --> 00:23:44,475
If there's any of them that you've
missed, you'd like to see them give
436
00:23:44,475 --> 00:23:48,765
a station, a call, let them know,
let them know what you want to
437
00:23:48,765 --> 00:23:51,045
see and when they need some help.
438
00:23:51,735 --> 00:23:52,455
Give him a hand.
439
00:23:54,495 --> 00:23:55,065
There we are.
440
00:23:56,195 --> 00:23:57,155
Let's go over to this tree.
441
00:23:57,635 --> 00:23:58,685
Don't want him to be left out
442
00:24:02,465 --> 00:24:05,405
there, just here and there.
443
00:24:05,735 --> 00:24:07,295
Don't kill all the dark contrast.
444
00:24:07,295 --> 00:24:08,285
That's what makes it pretty.
445
00:24:08,975 --> 00:24:11,645
And you know, me, I got to
have a little cabin in here.
446
00:24:11,975 --> 00:24:14,075
So maybe with all this pain
I have on here, I'm going to
447
00:24:14,075 --> 00:24:18,425
scrape out just the basic shape
to get rid of that loose point.
448
00:24:19,350 --> 00:24:22,710
It's also a good way to lay out
your, your initial cabin shape.
449
00:24:23,020 --> 00:24:28,560
Start with a little bit of Ben Brown and
I'll mix some dark Sianna right in that.
450
00:24:28,560 --> 00:24:36,540
I just mix them together, hold it across
the little front on that cabin a little
451
00:24:36,540 --> 00:24:41,850
bit rattled on here, you know, and as
we're winding down this series, I'd
452
00:24:41,850 --> 00:24:47,550
like to take just a minute and thank the
people here at the television station.
453
00:24:48,060 --> 00:24:52,800
We have one of the finest crews
in the country and they, they make
454
00:24:52,800 --> 00:24:56,520
some of these beautiful television
shows and you never see them.
455
00:24:56,669 --> 00:24:58,379
You may never, they never get a thank you.
456
00:25:00,179 --> 00:25:03,479
But if it wasn't for them, they
wouldn't, there wouldn't be any show,
457
00:25:04,290 --> 00:25:07,709
a little bit of Brown and white here,
just to put some highlight on him.
458
00:25:09,360 --> 00:25:15,570
Give him a little door now tell you what
let's put some snow up here on his roof.
459
00:25:18,570 --> 00:25:22,980
Just like, so that gives
us a quick little cabin.
460
00:25:22,980 --> 00:25:25,920
We can just bring some
snow right down like that.
461
00:25:27,390 --> 00:25:28,440
See how easy that is.
462
00:25:30,180 --> 00:25:32,250
Put some snow over here on
the other side of the roof.
463
00:25:32,280 --> 00:25:37,140
We don't want that one to be left
out, but that wherever you want it.
464
00:25:39,330 --> 00:25:39,690
Okay.
465
00:25:39,750 --> 00:25:42,180
Maybe something's coming
there just like that.
466
00:25:44,020 --> 00:25:47,310
See and pay attention to your
angles when you're laying the
467
00:25:47,310 --> 00:25:50,100
snow in angles are very important.
468
00:25:50,460 --> 00:25:51,210
Very important.
469
00:25:54,120 --> 00:25:54,810
There we go.
470
00:25:57,389 --> 00:25:59,399
Just put all kinds of
little snow things here.
471
00:26:00,870 --> 00:26:03,720
Let's go back in here, pick
up some of the liquid point.
472
00:26:04,350 --> 00:26:05,970
Go right into my titanium.
473
00:26:05,970 --> 00:26:11,159
White hold the brush full and let's
pop a few more bushes right here.
474
00:26:13,334 --> 00:26:16,094
Work in layers completely the
most distant part of your painting
475
00:26:16,094 --> 00:26:17,385
first and working forward.
476
00:26:18,915 --> 00:26:24,764
Just make so few little bushy things
over in here, and we're on the verge
477
00:26:24,764 --> 00:26:26,024
of having a completed painting.
478
00:26:28,145 --> 00:26:32,565
Can take the knife, scratch through, let
some, these little sticks and twigs show.
479
00:26:34,485 --> 00:26:38,415
And this one's about done once again.
480
00:26:38,505 --> 00:26:42,195
I'd like to thank you for being with me
during this eighth joy of painting series.
481
00:26:42,585 --> 00:26:44,835
We have the ninth series
under production already.
482
00:26:44,895 --> 00:26:47,265
So we'll see you again
from all of us here.
483
00:26:47,565 --> 00:26:48,285
Happy painting.
484
00:26:49,005 --> 00:26:49,545
God blessed.
485
00:27:17,670 --> 00:27:18,780
Um,
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