Bob Ross's

The Joy of Painting

S26E08 - Early Autumn

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Hi, welcome back.

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Certainly glad you could join us today.

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I thought today we'd just

do a little painting.

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It's a lot of fun and I

think you'll enjoy it.

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So let's start out and have him run

all the colors across the screen.

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That you need to paint along

with us while they're doing that.

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Let me show you what I got today.

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Today.

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I have my regular old pre-stretch

double prime canvas up here, and I'm

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using an 18 by 24, but you use whatever

size is convenient and I've taken a

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piece of contact paper or sticky bank

paper, and I've just cut an oval in.

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It might not be able to see that too plain

yet we will, by the end of this show, just

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cut an oval in it, stuck it on the canvas.

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Then I've covered for this

part with liquid white.

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So it's all wet and slick and ready to go.

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Let's start it.

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They were a little two inch brush.

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We'll go right into fallow blue.

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I like the yellow blue has such

a beautiful, warm blue color.

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Get a little bit on the bristles.

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Go right up in here.

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And today let's just, let's

just do a happy little sky.

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Just one that, that I think you'll

like to just do a little bit.

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Chris cross' something about

like, it would come right

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on down maybe right there.

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I'll tell you why don't

I get to the blue going?

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I think we'll have some water in this one.

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We'll just go across

and put in some water.

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If you've painted with me before, you

know, I'm an absolute fanatic for water.

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I love it.

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I think it's so gorgeous in paintings.

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There we are.

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Any, anything we don't want to be

water would just paint right over it.

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Doesn't matter.

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Now that I'm going to go back into

that fellow blue, same identical

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color, but this time I'm going to tap,

I'm tapping the bristles into the,

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a very, very small amount of color.

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See, there's not much paint there.

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I'm just tapping and

we'll go back up here.

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I want to make, uh, an indication of a big

old, fluffy cloud that just floats around

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up here in this guy and has fun all day.

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So I just tap it in.

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Did I say we're using that identical

same color only darker there.

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You ask him to tap into some basic shapes.

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Something about like, yeah, pay what,

let me get the little blender brush.

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This is a new brush we introduced in

this series, but it'll get up here

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and you can blend all these colors

without, without tearing them up.

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So you can go right over the top of that.

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Just blend it.

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Our regular brushes are a little

bit too firm to blend like this.

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So this is a super way of doing all right.

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Fluff it up a little, you can just

keep going over and over each time

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you blend it, though, it gets a little

softer until it finally would just it'll

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just go away and leave you all right.

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Now then maybe, maybe, maybe we'll take a

little bit of black, a little bit of blue.

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And some white, I want to color

this very close to the sky color.

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I like get a little roll of

paint and let's cook in here.

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Maybe we get back in the background,

say it just barely shows.

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That's why, what I'm looking

for back here somewhere.

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Maybe there's a big old mountain

that lives we've back in there.

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So somewhere far away, far

away, just looking for a little,

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little quiet one up here.

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It wouldn't take two

inch brush and grab that.

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I want to blend it to soften

it even more till it just about

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disappears right up here to the sky.

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We can just blend right over the entire

mountain, this little rascal, when we

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get done, it'll just barely, barely

show back here by not show at all.

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And that's all right.

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Okay.

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Now it's makeup.

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Just make a big mountain today

for that, let's take some black,

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black, I'm going to get a lizard and

Crimson a little more Crimson there.

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We aren't black and lizard Crimson,

maybe a little bit of pressure and blue.

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Not too much.

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I want this to have sort of a lavender

flavor to it, pull it out and get

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our little roll of paint again.

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There we go.

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Let's go up in here.

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Come right up in here.

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Let's make a big mountain.

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There comes down right there.

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Let's have it come down.

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Just let your imagination go.

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I think we'll just, let's do a big old,

crazy looking mountain today that gives

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you a lot of practice using the knife.

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And it's a lot of fun.

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Mountains are one of the best things

going to give you practice with a knife.

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And if you make friends with

this knife, there's just no

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limit to what you can paint with.

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I think I mentioned in some of the

earlier series, we've done entire

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paintings using nothing off the knife.

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We would just have it

come right out like that.

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Yeah.

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So you can just change the shape,

however you want it, because

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this is your world right here,

scrape off all the excess paint.

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Really get in there and scrape it off.

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Take a big brush, pull that paint down

once again, that removes excess paint.

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And it's continually

blending with the liquid.

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White is on the canvas.

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So your mountain automatically

will get lighter and lighter

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down here toward the base.

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Right now, it doesn't look like too

much, but hopefully in a few minutes,

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it'll get a little better looking.

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All right.

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Let's mix up some color to go

on our mountain for that today.

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I think I'll use white,

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great down something maybe a little more.

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They're just white, a little bit of

black in it, something like that.

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Cut off our little roll of paint.

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Let's go back up here.

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Maybe today let's have,

let's have a mountain.

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Maybe it's highlighted

over here on this side.

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Just let that shit flow right on down.

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Comes right up here, there bagel mountain.

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And this weed back here.

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Maybe maybe, maybe, yeah.

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Let's let's have it come right down.

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No, let's have it come right on out here.

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I don't care when you're doing your

painting, you decide where your milk

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lives, what it looks like, how the angles

are, where the highlights and the shadows

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are just totally and completely up to you.

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I'll mix up a little more, take

some height, a little bit of

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the Prussian blue and put some

black in there to dull it down.

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Don't overmix, I'm even going to

put a little Brown into it, a little

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dark Sienna, a little Vandyke.

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So see how marble the color is though.

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That's I want to keep that because

that's right there in that role of paint.

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And with that, we can come up here and we

can begin adding in a few, little shadows.

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Just a few little shadows.

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They live right in here.

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They're just little sneaky things.

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Pick up a little bit of the dark CNO.

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Just let it bounce right along in here.

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Like you can see some

of the mountain color.

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There we go.

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Just sort of let these little

things play and bounce across here.

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Very gently.

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I'm going back to the solid dark

color that I use to make the mountain.

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We'll put a little bit

of that here and there.

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See that makes deep dark areas in there.

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Just sort of separates everything.

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Just a few of them here and there.

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There I'm going over in here.

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Put a few little things to

make that look very deep, dark

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little area in between there.

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Maybe shoot.

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I tell you what, maybe

there's a little peak in here.

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I don't know.

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Come right along with a little bit

of the highlight color, drop that in.

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Then we can begin playing.

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But I just want another little

projection that lives right out there

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that easy just to make it stand out.

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Look rough and ragged.

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All right.

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Maybe where you want to put

little dark areas in at home.

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Take your time and just really get in here

and play and put all these little things.

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Yeah.

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You'll be amazed at the kind of things

that you can create in your world.

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Just let them happen.

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Let them happen.

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They're just little things in there.

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That's in these dark

colors, just play through

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well, mountain climber would have

a rough time on that one even.

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Okay.

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Now then I want to create a Misty

effect down at the base of that.

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Get a clean brush that one's not quite

clean enough and just begin to tap there.

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Then gently, gently lift up and

I'll go right into, let's get a

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little touch with the set green, a

little bit of that mountain color.

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Just go mix them together

on the brush here.

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Just looking for some various colors.

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Oh, that's right there.

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Let's go pin here.

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Okay.

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We'll put some little things right in

here that eventually, hopefully we'll

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look like little trees that go right

up the side of the mountain because

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we're going to lift them upward.

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Just give them a little upward lift there.

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See all kinds of little

things that live in there.

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Just pop them up that easy.

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Just load a little more

paint there, pop these up,

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to see all the different planes

that you can make in there.

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Look at there.

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You'd have to track all the way up

here to get cleaned up that mountain.

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We keep going here.

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We're going to have Mount McKinley.

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I used to live not far

from Mount McKinley.

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It's one of the most

gorgeous places in the world.

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That's wash the old brush, shake it

off just to beat the devil out of it.

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All right.

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Today, maybe.

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Maybe I'll use a little, little

round brush and let's go here.

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We use a little bit of

that mountain color.

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We'll put a little bit of SAP green

with it, be right back and we'll

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grab a little white over here.

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Ooh, that's nice color.

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A little more green into it though.

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All right.

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Okay, let's go up in here.

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Maybe they're in our worlds.

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A little footie hilt lives right here.

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Like, so I don't know where it goes.

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I don't know that we even care at

this point goes wherever you want it

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to go, then grab this and lift it up.

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Just another layer.

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Now I want to Crete missed at the bottom

of this, I'll take a two inch brush just

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to clean two inch brush, tap it, softened

the bottom of it, make it very, very soft.

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And maybe let's have something a little

darker in there now let's have the baby.

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Some, a little bushes

that live right in here.

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I want to put a dark area against

the lights, still using the

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little, little small round brush,

just to put the indication of

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some little things that left.

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We back in the distance,

far away, far away there.

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Then I'm going to go back.

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And once again, miss this, just missing

the base of it though, and this little

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Misty area, as you can see above

there, that becomes your separator,

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that separates the different planes in

your painting or the different layers.

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I'm going to add a little bit of

cadmium yellow to the same color.

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That I did the back.

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When with it, maybe put another layer.

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Yeah, the yellow ochre too.

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When it's up there, that's much better.

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It stands out better.

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Now.

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See, just lifted up, but

very gently, very gently.

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And that'll give us all kinds of little

things that live we're back in there.

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Lightly piping, just

barely, barely touching.

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Let's see here, let's take a little bit of

green, a little bit of that black into it.

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Let's just put something here.

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We'll just lay a little color on,

then you can just take the, alright.

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You can take a fan brush and lift it up.

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Look like little trees live way back here.

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Just lay a little thick

color on C, pop it up.

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That easy, get a little touch of

the liquid light, pull it out flat.

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A little bit of that same color, a

greenish color that we were using before,

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but he didn't have liquid white, get

a little bit on the edge of the knife

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and we can go right up in here, make it

look like a little grassy banks right

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along in there, something like that.

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Bacterial brush.

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It has all those colors on it.

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We use, let me add a little

more and how we have this here.

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Let's pull that down.

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Just make a happy little reflection.

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That's right out here.

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I probably should have done this

before I put the water line here

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would made it easier so we can just

go right back and put it in again.

246

00:14:12,330 --> 00:14:13,110

It's easy to do.

247

00:14:14,714 --> 00:14:16,875

Because as you know, we

don't make any mistakes.

248

00:14:19,064 --> 00:14:19,844

There we are.

249

00:14:21,405 --> 00:14:22,724

Okay, good.

250

00:14:24,255 --> 00:14:27,905

And then maybe let's

see what we got caught.

251

00:14:27,905 --> 00:14:30,275

And I got to clean off a spot to

work, even with a pallet, this

252

00:14:30,275 --> 00:14:32,645

big run out of room sometime.

253

00:14:35,130 --> 00:14:38,640

That's take some black pression

blue alizarin, Crimson,

254

00:14:39,530 --> 00:14:40,830

a little SAP green in it.

255

00:14:42,570 --> 00:14:43,320

Okay.

256

00:14:43,350 --> 00:14:47,340

Maybe a little more green,

like wipe off the old knife.

257

00:14:50,620 --> 00:14:53,910

Go in here with the, I'm using

a number three fan brush today.

258

00:14:54,900 --> 00:14:55,080

Okay.

259

00:14:55,090 --> 00:14:55,830

Let's go up in here.

260

00:14:56,970 --> 00:14:57,870

Maybe in our world.

261

00:14:57,870 --> 00:14:58,410

There lives.

262

00:14:59,335 --> 00:15:02,505

Few little evergreen trees, right in here.

263

00:15:04,485 --> 00:15:09,075

Something about like, give him a little

friend that lives there with him.

264

00:15:10,665 --> 00:15:13,395

If you know me, I think everybody

should have a little friend.

265

00:15:14,235 --> 00:15:14,895

There we go.

266

00:15:16,155 --> 00:15:16,725

Shoot.

267

00:15:17,155 --> 00:15:18,135

I have another one.

268

00:15:21,015 --> 00:15:24,645

They're little Rascals live everywhere.

269

00:15:26,385 --> 00:15:27,135

Okay.

270

00:15:28,875 --> 00:15:29,535

Find my brush.

271

00:15:29,535 --> 00:15:33,585

There got too many brushes going

maybe right in front of here.

272

00:15:34,125 --> 00:15:35,385

We'll put another little layer.

273

00:15:36,225 --> 00:15:38,655

That'll help push those trees

back a little bit farther.

274

00:15:39,225 --> 00:15:42,765

Each layer causes more and more

depth than your painting, and

275

00:15:42,765 --> 00:15:44,415

it just gets deeper and deeper.

276

00:15:45,855 --> 00:15:51,045

Okay, now then the time for some big

decisions and we'll find a bigger fan

277

00:15:51,045 --> 00:15:52,575

brush, cause it's a little bit faster.

278

00:15:54,255 --> 00:15:55,995

I go back into the same tree color.

279

00:15:56,115 --> 00:16:01,215

I'm going to make another tree that

was so much fun, loaded, full of color.

280

00:16:01,275 --> 00:16:03,585

A lot of paint scoping here.

281

00:16:05,085 --> 00:16:06,825

Maybe you're right there.

282

00:16:06,825 --> 00:16:07,215

It is.

283

00:16:10,349 --> 00:16:12,719

There he lives little

tree lives right there.

284

00:16:14,160 --> 00:16:15,510

You can ask him to be a pretty big tree.

285

00:16:16,349 --> 00:16:16,890

That's all right.

286

00:16:17,939 --> 00:16:18,750

It's our world.

287

00:16:18,780 --> 00:16:22,530

We can make a tree any

size we want any size.

288

00:16:22,530 --> 00:16:22,920

We want it.

289

00:16:24,209 --> 00:16:25,650

In fact, let's make one even bigger.

290

00:16:28,140 --> 00:16:30,270

There was just a corner of the brush.

291

00:16:30,270 --> 00:16:34,079

And as you work down, push harder and

harder forcing the bristles to bend.

292

00:16:34,439 --> 00:16:37,079

We'll separate them with,

with highlights right now.

293

00:16:37,079 --> 00:16:39,930

We're just looking for just

looking for basic shapes.

294

00:16:39,930 --> 00:16:40,380

That's all.

295

00:16:41,589 --> 00:16:42,050

Just take it.

296

00:16:42,069 --> 00:16:43,979

Same color, a little round brush here.

297

00:16:46,319 --> 00:16:49,530

Maybe there's a little, little peninsula

that sticks right out like that.

298

00:16:50,490 --> 00:16:52,199

And if we had all that,

we need a reflection.

299

00:16:52,199 --> 00:16:53,880

So we might as well just drop it in all.

300

00:16:53,880 --> 00:16:57,300

We get the old brush going there.

301

00:16:57,300 --> 00:16:57,660

We are.

302

00:16:58,950 --> 00:17:01,530

Take a two inch brush,

grab that, pull it down.

303

00:17:03,480 --> 00:17:06,089

Instant reflections that easy.

304

00:17:07,530 --> 00:17:08,280

Let's see here.

305

00:17:08,700 --> 00:17:09,089

Here's one.

306

00:17:09,089 --> 00:17:09,960

That's not too dirty.

307

00:17:12,270 --> 00:17:16,530

Take a little bit of yellow, a little

bit of Sam green, yellow ochre, Indian,

308

00:17:16,530 --> 00:17:20,670

yellow, and occasionally I'll probably

hit a little bit of the bright red.

309

00:17:21,060 --> 00:17:21,420

Okay.

310

00:17:21,480 --> 00:17:22,829

Tap a little color on the brush.

311

00:17:24,200 --> 00:17:25,290

Maybe up in here.

312

00:17:25,890 --> 00:17:29,010

We will just have a few little

highlights right in there.

313

00:17:29,370 --> 00:17:30,960

Let me look a little more color on here.

314

00:17:32,490 --> 00:17:34,110

So it shows up a little stronger.

315

00:17:34,200 --> 00:17:34,980

There we go.

316

00:17:35,670 --> 00:17:36,360

That's nice.

317

00:17:37,680 --> 00:17:38,370

That's nice.

318

00:17:38,370 --> 00:17:40,200

Maybe just make a decision.

319

00:17:41,640 --> 00:17:42,810

See there there's a little Bush.

320

00:17:42,810 --> 00:17:46,650

It has little yellow flowers on it and

that's just one of those happy accidents.

321

00:17:47,880 --> 00:17:48,390

It works.

322

00:17:48,390 --> 00:17:51,660

Sometimes there, we have all

kinds of little things out here.

323

00:17:53,175 --> 00:17:54,855

Take a little bit of Vandyke Brown.

324

00:17:56,534 --> 00:17:57,345

That's just coming here.

325

00:17:57,705 --> 00:17:59,504

Put in the indication of a little land

326

00:18:03,495 --> 00:18:08,024

will touch a Brown and white

come right back, put in a

327

00:18:08,895 --> 00:18:12,314

little bit of highlight on next.

328

00:18:12,314 --> 00:18:19,754

We'll take some liquid white chest cut

in indication of a little waterline.

329

00:18:20,580 --> 00:18:25,590

Something like, so maybe we'll

get the small knife I'll to

330

00:18:26,310 --> 00:18:27,600

maybe come right up in here.

331

00:18:27,630 --> 00:18:32,400

Maybe there's some little stones see

here live right out here in the water.

332

00:18:32,730 --> 00:18:38,010

Just some happy little stones,

some that little highlight color,

333

00:18:38,430 --> 00:18:42,810

just go across like cabin there.

334

00:18:42,810 --> 00:18:44,700

We are going to touch the liquid wipe.

335

00:18:46,065 --> 00:18:49,305

But some water lines around those

little stones, look at that.

336

00:18:49,395 --> 00:18:51,915

Or they come there.

337

00:18:51,915 --> 00:18:52,395

They are.

338

00:18:53,715 --> 00:18:55,245

We get the old two inch brush here.

339

00:18:56,639 --> 00:18:57,210

Maybe.

340

00:18:57,300 --> 00:18:57,510

Yeah.

341

00:18:58,770 --> 00:19:01,200

Let's have some nice big bushy

things that live right up in here.

342

00:19:03,960 --> 00:19:04,710

They're careful.

343

00:19:04,710 --> 00:19:06,060

I don't want to cover up my little stones.

344

00:19:06,060 --> 00:19:09,480

I like him looks like a

little way to go across there.

345

00:19:12,780 --> 00:19:13,800

Cans a little things.

346

00:19:15,060 --> 00:19:15,840

Just like him.

347

00:19:17,429 --> 00:19:18,689

Maybe that comes all the way up there.

348

00:19:18,870 --> 00:19:19,350

I don't know.

349

00:19:20,370 --> 00:19:20,970

It's up to you.

350

00:19:22,230 --> 00:19:23,820

You make the big decisions.

351

00:19:24,885 --> 00:19:28,665

There, back to my brush.

352

00:19:28,665 --> 00:19:29,685

It has the green zone.

353

00:19:29,685 --> 00:19:32,565

It was come right in here.

354

00:19:33,315 --> 00:19:35,895

Put the indication of all kinds

of little highlights on there.

355

00:19:37,004 --> 00:19:40,095

Very colors, little yellow

ochre, and right there.

356

00:19:41,205 --> 00:19:42,225

Nice one nice one.

357

00:19:43,125 --> 00:19:44,625

Don't kill all those dark areas though.

358

00:19:44,685 --> 00:19:49,215

Sometimes it, it gets good and

you get carried away and you, you

359

00:19:49,215 --> 00:19:50,475

kill all those little dark areas.

360

00:19:50,475 --> 00:19:52,095

That's what makes your painting deep.

361

00:19:52,875 --> 00:19:54,465

Save those treasure them.

362

00:19:54,705 --> 00:19:58,365

They're your best friends when

you're painting your absolute

363

00:19:58,365 --> 00:20:00,495

best friends, take care of them.

364

00:20:01,935 --> 00:20:02,775

Take care of them.

365

00:20:02,925 --> 00:20:04,635

Cause you always have to

take care of your friends.

366

00:20:06,225 --> 00:20:06,855

There we go.

367

00:20:09,165 --> 00:20:10,335

When Annette and I were traveling.

368

00:20:10,725 --> 00:20:13,045

For many years, I don't, I don't

travel and teach much anymore.

369

00:20:13,065 --> 00:20:13,785

Got too old.

370

00:20:14,955 --> 00:20:17,745

We have too many instructors that do

it now, but in that, and I traveled for

371

00:20:17,745 --> 00:20:21,254

many years and we met some of the most

fantastic people in the whole world.

372

00:20:22,305 --> 00:20:24,764

I still keep in touch with a lot

of them after all these years.

373

00:20:26,175 --> 00:20:28,125

Now maybe we'll have some

more water down here.

374

00:20:28,185 --> 00:20:32,745

So we just grabbed this,

pull it down and go across.

375

00:20:32,745 --> 00:20:33,225

Look there.

376

00:20:33,375 --> 00:20:37,545

I see you just, you just decide

where you think water should be.

377

00:20:37,889 --> 00:20:38,639

I drop it in.

378

00:20:38,699 --> 00:20:39,540

We'll come back in here.

379

00:20:40,530 --> 00:20:41,730

Put us in a little water line.

380

00:20:44,520 --> 00:20:48,030

We can take a small knife, put

a few rocks here and there.

381

00:20:48,090 --> 00:20:55,260

There's a rock, a little bit

of highlight on a rock shoot.

382

00:20:55,350 --> 00:20:59,669

Maybe pull it over a little there,

a little more of the liquid height.

383

00:21:01,949 --> 00:21:02,610

All right.

384

00:21:04,750 --> 00:21:05,730

Write it on like that.

385

00:21:07,125 --> 00:21:10,665

This painting has, it's got a

lot of planes and it just goes

386

00:21:10,665 --> 00:21:14,085

back forever, but that's good.

387

00:21:14,085 --> 00:21:15,045

I liked that in painting.

388

00:21:15,045 --> 00:21:18,135

So let's put up a little tree trunk

in here, a little Brown, little white.

389

00:21:18,935 --> 00:21:19,145

Yup.

390

00:21:22,265 --> 00:21:28,985

Find her fan brush, put some green

on it and we'll come back in here.

391

00:21:30,395 --> 00:21:32,345

Put a few highlights in

our little evergreen tree.

392

00:21:32,345 --> 00:21:32,915

So it stands.

393

00:21:32,915 --> 00:21:35,645

I don't want a whole bunch of highlights

cause evergreens are normally.

394

00:21:36,165 --> 00:21:37,215

They're normally pretty dark.

395

00:21:37,215 --> 00:21:37,665

Anyway.

396

00:21:38,595 --> 00:21:39,554

I want to keep them dark.

397

00:21:41,145 --> 00:21:42,465

Especially down toward the base.

398

00:21:42,465 --> 00:21:44,955

One would get darker and darker,

darker down toward the base.

399

00:21:46,514 --> 00:21:55,695

Now then let's take bright red,

dark Sienna, Vandyke Brown making

400

00:21:55,695 --> 00:21:57,645

sort of a reddish Brown color here.

401

00:21:58,995 --> 00:21:59,355

Okay.

402

00:21:59,985 --> 00:22:00,695

Maybe an hour.

403

00:22:00,705 --> 00:22:01,304

Let's go up here.

404

00:22:02,834 --> 00:22:04,034

This is your brave retest.

405

00:22:05,250 --> 00:22:10,290

In our world, their lives fuel

boiler does now a big old tree hangs

406

00:22:10,290 --> 00:22:11,729

right off the side of this canvas.

407

00:22:12,510 --> 00:22:17,550

She just, I'm just putting in some

base color so that our lighter color

408

00:22:17,550 --> 00:22:20,669

will show maybe healing right there.

409

00:22:21,000 --> 00:22:21,360

I know.

410

00:22:21,439 --> 00:22:21,709

I know.

411

00:22:21,709 --> 00:22:21,979

I know.

412

00:22:21,979 --> 00:22:22,219

I know.

413

00:22:22,500 --> 00:22:23,250

Let's get crazy.

414

00:22:24,750 --> 00:22:29,280

Maybe there's another

tree over here there.

415

00:22:29,429 --> 00:22:29,699

I know.

416

00:22:29,699 --> 00:22:30,330

That's scary.

417

00:22:31,295 --> 00:22:35,045

After you worked so hard to put these

things in, then you get up here.

418

00:22:35,795 --> 00:22:40,795

Some fuzzy haired, crazy guy tells

you that to drop a big old tree.

419

00:22:40,805 --> 00:22:42,725

And I know that's scary.

420

00:22:43,775 --> 00:22:47,035

And in your world, if you don't want

to put this tree, you don't put it in.

421

00:22:48,205 --> 00:22:51,865

You don't put it in, but if

you want to, it's a lot of fun.

422

00:22:52,795 --> 00:22:53,635

Let's see here.

423

00:22:55,555 --> 00:22:59,335

Oh, we'll take a little bit of Brown, a

little Brown, little Brown, little Brown.

424

00:22:59,700 --> 00:23:05,190

Right there on the fan brush, put

a little white on one side and go,

425

00:23:07,140 --> 00:23:10,500

got to have a, got to have some kind

of tree trunk to hold all that up.

426

00:23:11,940 --> 00:23:18,000

I can't on the other side here,

maybe this is an old legal Dee tree.

427

00:23:19,590 --> 00:23:20,400

There we go.

428

00:23:21,150 --> 00:23:25,950

Take our liner, brush a little bit

of that same Brown color and we

429

00:23:25,950 --> 00:23:27,420

can put an arm or two out here.

430

00:23:28,560 --> 00:23:31,050

Wherever you think he's old

tree limb should be up to you.

431

00:23:32,580 --> 00:23:33,030

Totally.

432

00:23:33,070 --> 00:23:34,080

Completely up to you.

433

00:23:34,080 --> 00:23:34,920

Here we go.

434

00:23:35,160 --> 00:23:36,150

There's some over here.

435

00:23:36,360 --> 00:23:42,680

Maybe here's one that leaves

her on sort of a naked there.

436

00:23:45,440 --> 00:23:46,160

We can come back.

437

00:23:47,960 --> 00:23:51,770

We do run into yellow ochre,

bright red, mixed together.

438

00:23:52,790 --> 00:23:53,390

Nice color.

439

00:23:55,120 --> 00:23:55,700

Let's put that.

440

00:23:56,595 --> 00:23:57,585

Yeah, isn't that great.

441

00:23:58,215 --> 00:24:01,865

Let's put some leaves, apparently

his tree just using the corner of

442

00:24:01,865 --> 00:24:09,275

the old brush, just like, so just

like, so yeah, troublemaking, mystic,

443

00:24:09,305 --> 00:24:10,445

add a little bit of paint thinner.

444

00:24:11,435 --> 00:24:17,945

There were a few on the other side,

like a dad, isn't that fantastic.

445

00:24:19,445 --> 00:24:22,475

I've painted that thousands and

thousands of paintings and it still,

446

00:24:22,865 --> 00:24:24,725

still gets me excited to see this work.

447

00:24:25,590 --> 00:24:28,380

I think it's a moment of truth to bring

the camera up here and let's take the

448

00:24:28,380 --> 00:24:30,070

contact paper off and see what, yeah.

449

00:24:32,810 --> 00:24:33,410

Look there.

450

00:24:34,010 --> 00:24:37,830

Isn't that something I think we

can sign this one, take a little,

451

00:24:37,830 --> 00:24:41,840

the paint, thinner, a little bit

of bright red and we'll sign it.

452

00:24:41,900 --> 00:24:43,040

I really hope you've enjoyed it.

453

00:24:43,340 --> 00:24:45,200

This is quite a nice little painting.

454

00:24:45,680 --> 00:24:47,630

Give you a lot of practice

with all the equipment.

455

00:24:49,100 --> 00:24:49,670

I thank you.

456

00:24:50,090 --> 00:24:52,370

As I say, thank you to

enjoy from all of us here.

457

00:24:52,460 --> 00:24:53,810

I'd like to wish you happy painting.

458

00:24:54,255 --> 00:24:55,335

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S26E08 - Early Autumn

Bob Ross's

The Joy of Painting

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