Bob Ross's

The Joy of Painting

S18E13 - Rippling Waters

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Hi, welcome back.

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Certainly glad you could join me today.

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This is the last show of the 18th series.

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So I thought today we'd just do

a fantastic little painting and

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I think it'll make you happy.

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I tell you what, let's start out,

having run all the colors across the

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screen that you need to paint along

with me while they're doing that.

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Let me show you what I was doing when

I got called here, do they have my

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standard old 18 to 24 inch canvas up here?

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I've covered the top of it with

liquid white, about down to sew.

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And now the bottom, I'm just putting

a little bit of liquid black on

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just using the two inch brush, just

to assure that we have a nice even

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distribution of color all the way across.

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And I thought today, maybe

we'll do some well, let's see.

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Maybe we'll just do a beautiful

little painting that has.

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Maybe some little woodsy things here

and I don't know, let's just have some

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fun and see what happens now while we

have this brush with a liquid black on

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it, let's just go up in here just half

in some very basic little shapes of

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maybe some little bushes and stuff that

lived far back here in the distance.

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You have some very basic shapes and these.

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They will sort of show through after

we get everything done and it'll make

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it look like yours frees far, far

away, that you can't hardly see very

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distant little trees and you can just

use the side of the breast like this

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and make some very nice little shapes

or you can use it like this and just

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turn it to create all kinds of little

illusions, whatever works easiest for you.

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Try both and see which one you like.

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There we go.

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Okay.

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We'll wash the old brush just to get

it cleaned out here, shake it off

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and just beat the devil out of it.

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Now then thought today let's

have some, let's have some fun.

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Let's start off with a little

bit of yellow ochre red on

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the old two inch brush here.

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Just a little bit of yellow ochre.

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We don't need a lot great deal there.

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Okay.

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Tap the bristles in there that assures

a nice even distribution of color

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all the way through the bristles.

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See how even that is.

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Okay.

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Let's go up here.

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Maybe today.

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Let's put a little sun up here.

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I like to do little suns.

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The, the first advice I would give you

is don't put it right dead in the center

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of the canvas, but it to one side or

the other, but not right in the center.

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Kane, we'll just start off here

and lay in a little color, just

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using little crisscross strokes,

something about like, so.

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And just work that around and around

maybe October layer, wherever.

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Okay.

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Now then, now, then let's take

the wash, the old brush off again.

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All right, there we go.

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Now let's take a little alizarin

Crimson, nice reddish color.

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Tap a little dip right

on the two inch brush.

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Okay.

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Now right around the yellow here, I'm

gonna put it a little bit of this, a

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lesser in Crimson, like so, but I'm

still using little crisscross strokes.

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And by using those little crisscross

strokes, you'll find it as much,

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much easier to blend this together.

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When we start blending, rather than

just drawing a big circle around there.

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All these little loose lines

here are much easier to blend

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together than one big solid line.

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There

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now something like, so

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it looks like a big smiley face

already, so that makes us happy.

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So this is going to be a happy painting.

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All right.

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We like things that are happy here,

tell you what let's do that stuff.

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Collision Crimson and a little

touch of the theolo blue,

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but mostly alizarin Crimson.

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The blue is much, much

stronger, much stronger.

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And we just mix these on the brush.

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What the heck?

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It doesn't matter.

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Anyway, that makes you happy.

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Let's go back up here now,

right around the Crimson.

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So it'll take a little bit of this, the

little blue and blizzard Crimson mixture.

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And just bring it right around there.

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Like, so, and that fantastic.

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There we go.

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And I'm just going to have to blend right

down into these little liquid black shapes

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that we made and believe it or not, some

of them will still show through if you

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don't run them too hard, some of them

will still show we back in the background.

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And if you do rub them away, you

can go back, just tap it a few

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more, right over the top of the

color, either way doesn't matter.

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Or you can just leave them.

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Yeah.

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Tell you what next, cleaned the brush

one more time and we can begin blending

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all those colors together, shaken up

and just beat the devil out of it.

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Now.

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I want to take this clean, dry

brush and be sure it's dry.

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Be sure it's dry and just begin

blending this all together.

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Start from the yellow area and

work outward because that's

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the, the weakest color there.

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And try not to take this

dirty contaminated brush.

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Back up here into the center.

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If you do, you're going to lose your

nice color up here, but we're still using

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all those little crisscross strokes and

that'll just blend it right together.

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You know, you've got so many letters and

some of the earlier shows I showed my

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little squirrel that lives with me, and

we've got literally hundreds of letters

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and calls about the little rascal.

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So I thought I'd show him one more

time since this is the last show.

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And let's.

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Just let you see this little rascal and

see if you like him half as much as we do.

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This is what he looked like when

Annette and I first got here,

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like a little drowned rat, and

this is what he looks like today.

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He is one of the most precious

little creatures to me.

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And he lives in the house with me, sort

of runs around and tears everything up.

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But he's right on the verge

of being, being at the age

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where I have to turn him loose.

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Cause he's, he's ready to go free.

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Now, go live with his own character.

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And he just puts up with a

bushy haired guy so long, and

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then he's ready to go back.

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But he's very special to me, very special.

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And I hope you hope you enjoy

seeing that little devil.

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All I've been doing here is just blending.

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This what's very soft.

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Now then

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we'll clean that brush.

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One more time.

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I want to brighten this guy just a

little bit more because I really want

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this guy to stand out really strong.

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I want it to be an add grabber.

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Some will take and go right into titanium

white, just plain old titanium white.

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And I'll go right back up here

and start working at around

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just plain titanium white.

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Now it's going to pick up all the

colors that we have on the canvas,

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and it's going to brighten everything.

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You can do this over and over and over

and make it as bright as you want.

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There we go.

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But now you can spend quite a bit

of time here, just blending this.

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You cannot believe how smooth beautiful

you can make this just it's unreal,

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what you can do, and you want to

blend it to, when you step back from

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the canvas, you can't see where one

color stops and the next color starts.

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There we go.

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And we just take out the brush marks.

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So now that, so we want to put a sign

up here, so I'll just take my finger.

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She will do finger painting today,

decide where you want the sun to live.

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Maybe it's going to live her right here

and just make a little round circle,

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preferably a circle, those square sons

people sort of look at them funny.

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So suggest you just make

a little round one here.

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Dan very lightly, very lightly.

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You can just blame that all together

there and the more you blend it,

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the softer it'll become until

it literally just disappears.

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If you wanted to.

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Yeah, very lightly.

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We'll go over the entire canvas

just to remove brush strokes.

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Okay.

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That's why steel brush.

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Well, I still brush that's the that's

the most fun part of this whole

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procedure is washing the brush.

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But as I've mentioned to you.

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My camera.

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People don't think much of this procedure.

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Sometimes they get a little upset with me.

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In fact, I'll tell you what, I'm

going to ask them to turn the

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camera around and let you see.

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This is Richard.

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And Richard's been with

me since the first series.

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And as you can see, Richard has finally

got smart and he now wears a rain coat.

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He got tired of all of

his clothes being painted.

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So we, uh, we appreciate his.

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All of his work though, that he's done

with us and the fact that he stays with

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us, even though he's got splashed there.

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Now I want to go back with a little

bit of this liquid black and maybe

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just put in a few indications.

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I'll wipe most of mine out too.

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Believe it or not, a few of them

would still show through, but for the

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purposes of television here, we'll

make them a little more distinct.

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So you can see them now, maybe.

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Let's take a little, little bit of the

little blue, little touch of Crimson

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and let's just go right in here.

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A little color down here, right over the

liquid black, just a little bit of color.

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Let it blend right up into

basically nothing there.

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Maybe back in here, we're beginning

to see some trees and bushes

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that are a little more distinct.

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They are a little more color

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putting in some very basic little

shapes for not looking for a lot

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of detail yet just very basic

shapes and all we're using.

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It's just the corner of the brush.

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Here's a nice big one.

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It stands right up here.

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A little more paint, and this is just the

lizard and Crimson, a little blue there.

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That'll touch more.

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Maybe over in here, it's just

having another happy little Bush.

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It lives here, but I don't want

to kill all those ones that

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we've made with a liquid black.

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We want to leave those back there

and they will show through and they

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look like things that are very,

very distant and sort of hidden.

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In the midst back here, the

liquid black is excellent.

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When you want to do paintings that you

want to look very Misty and very, very

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soft because the black will mix with

everything that you put on here now.

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And it creates that illusion of softness.

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And sometimes, sometimes

that's extremely desirable.

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I like paintings that are very

soft for television purposes.

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A lot of times we paint

the paintings quite bright.

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Because everybody said as

adjusted just a little different.

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So we want the color to look well,

but when I'm at home painting, I paint

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paintings that are extremely, extremely

soft, almost looked like water colors,

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and this is an excellent way to do that.

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Using the liquid black, I've taken

a little paint thinner on the brush

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here, a little bit of a lavender color.

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We just put the indication here and there.

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I have some little tree

trunks that live back here.

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We're not looking for a lot of detail.

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We're going to highlight these.

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Most of it would be covered up there, but

you always have little sticks and twigs

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that are hanging around out here in play.

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And the little squirrel has to

have a place to come and sit.

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I really hope you've enjoyed seeing

the little squirrel in this series.

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He's very special to me.

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Yeah.

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So I say Annette and I raised

him from a little tiny thing.

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His eyes weren't even open when we

got him a couple of my neighbors,

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Terry Murray brought him over when

he was the tiniest little thing, he

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had fell out of a tree and a kitty

cat had got him and they rescued him,

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brought him over and we raised him.

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By the time you see this, he'll

probably be long, gone back to nature.

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He would probably have a family,

couple of kids of his own.

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Car payments, all those

things that we all have.

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There we go.

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I, we get a few little

sticks and twigs in there.

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What'd you use the same old, dirty brush.

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It doesn't matter.

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Go right into a little yellow, get

a little set, green, maybe even a

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little Brown to dull it down over.

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There we go.

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That's nice.

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That's nice.

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Tap a little bit into the bristle.

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I get a little yellow ochre to there.

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A little bit of yellow ochre.

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He must go right up here now then begin

picking out little individual things here.

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There's a happy little

tree lives right there.

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See.

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There he is.

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Okay.

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Maybe, right.

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Here's another one.

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Absolutely.

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You knew that you knew that he was

going to be a tree there, there, okay.

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00:14:10,944 --> 00:14:13,094

Maybe right over here on this one.

244

00:14:15,285 --> 00:14:19,064

And we'll just put all kinds

of little leaves and just

245

00:14:19,094 --> 00:14:21,135

foliage everywhere, everywhere.

246

00:14:21,615 --> 00:14:24,495

Get a little more of the green.

247

00:14:24,990 --> 00:14:26,040

Come right in here.

248

00:14:27,240 --> 00:14:28,110

There's a nice one.

249

00:14:29,970 --> 00:14:31,560

He was hiding back here in the background.

250

00:14:31,590 --> 00:14:32,490

We had to pull him out.

251

00:14:33,420 --> 00:14:36,930

He wants a while, maybe a little touch

of the Indian, yellow, and a little

252

00:14:36,930 --> 00:14:38,790

touch of bright red will sparkle it up.

253

00:14:38,820 --> 00:14:43,170

Ooh, that's pretty, that's pretty.

254

00:14:43,470 --> 00:14:45,360

These kinds of colors

just make you feel good.

255

00:14:47,760 --> 00:14:48,990

They make you feel good.

256

00:14:50,265 --> 00:14:53,115

And that's what paintings all

about should make you feel good

257

00:14:53,115 --> 00:14:56,175

inside when you paint there.

258

00:14:56,444 --> 00:14:59,745

And the most pleasure of all

in painting is sharing your

259

00:14:59,745 --> 00:15:00,765

painting with other people.

260

00:15:00,765 --> 00:15:05,265

You know, the fact, do a

painting and give it to a friend.

261

00:15:06,435 --> 00:15:10,985

It's the most fantastic feeling that

somebody and when they go, Ooh, and, and

262

00:15:11,025 --> 00:15:15,615

they say, you didn't paint this that's

because they won't believe you painted it.

263

00:15:16,245 --> 00:15:17,444

They will not believe it.

264

00:15:19,620 --> 00:15:24,300

And that may be the, the nicest thing

of this whole thing is just sharing

265

00:15:24,300 --> 00:15:26,370

what you can do with other people.

266

00:15:28,829 --> 00:15:29,400

There we go.

267

00:15:30,840 --> 00:15:36,720

Now maybe, maybe back in here, let's

begin making maybe some little grassy

268

00:15:36,720 --> 00:15:41,910

areas that live back in here wherever,

and all we're doing is tapping

269

00:15:41,910 --> 00:15:45,000

down for the greens and yellows.

270

00:15:47,505 --> 00:15:51,194

But see how subdued and soft

this looks that's because of

271

00:15:51,194 --> 00:15:52,665

the liquid black on the canvas.

272

00:15:54,435 --> 00:15:56,025

That's public and very, very soft.

273

00:15:56,775 --> 00:16:00,824

Now, if you use the black Jess, so

you could get the same idea, but it'll

274

00:16:00,824 --> 00:16:02,685

look totally and completely different.

275

00:16:02,775 --> 00:16:05,355

Don't get black Jesso and

liquid black confused.

276

00:16:06,135 --> 00:16:10,035

Like Jesso is like acrylic paint.

277

00:16:10,035 --> 00:16:10,785

It's a primer.

278

00:16:11,715 --> 00:16:12,855

It goes on the canvas.

279

00:16:14,740 --> 00:16:16,930

Liquid black is an oil based paint.

280

00:16:18,240 --> 00:16:19,439

It's a very slow drag.

281

00:16:19,590 --> 00:16:21,030

Whereas Jesso drives very quick.

282

00:16:22,800 --> 00:16:23,189

There

283

00:16:27,480 --> 00:16:30,390

you can put the Jesso on and probably

in about 30 minutes, you're ready to go.

284

00:16:30,780 --> 00:16:33,750

Uh, liquid black is designed to

stay wet through the entire page.

285

00:16:36,000 --> 00:16:36,480

Okay.

286

00:16:36,490 --> 00:16:36,870

Maybe.

287

00:16:38,354 --> 00:16:42,915

Maybe right in there, wherever,

wherever we can just put all kinds

288

00:16:42,915 --> 00:16:44,025

of happy, little things in there.

289

00:16:45,035 --> 00:16:48,694

Tell you what that just looks like a

perfect place to me, but let's do it.

290

00:16:48,814 --> 00:16:50,885

Let's do it in my mind.

291

00:16:50,885 --> 00:16:52,685

I see a happy little

stream lives back here.

292

00:16:52,685 --> 00:16:57,305

I'm going to dip the brush into a

little bit, a little bit of the liquid

293

00:16:57,305 --> 00:16:59,405

white and go right into titanium.

294

00:16:59,405 --> 00:17:03,964

White is pull the breast through

maybe the least, least little touch.

295

00:17:03,964 --> 00:17:05,855

If they look blue in there, least.

296

00:17:06,430 --> 00:17:10,770

Little touch just enough to

give it a little hint of color.

297

00:17:11,370 --> 00:17:11,700

Okay.

298

00:17:11,760 --> 00:17:12,660

Let's go back up here.

299

00:17:13,170 --> 00:17:13,320

Now.

300

00:17:13,320 --> 00:17:14,550

There may be our little stream.

301

00:17:15,630 --> 00:17:16,520

It comes from back here.

302

00:17:16,530 --> 00:17:17,550

So we don't know where it comes from.

303

00:17:17,550 --> 00:17:18,660

It comes around the corner.

304

00:17:18,660 --> 00:17:18,900

There.

305

00:17:20,220 --> 00:17:21,990

Maybe there's a little

waterfall right there.

306

00:17:23,940 --> 00:17:31,290

Push upward with a brush, just push

it up for like, so they're okay.

307

00:17:33,300 --> 00:17:36,030

Combs streams are so much

fun to make with this.

308

00:17:36,179 --> 00:17:41,310

And he comes out here and falls over and

there's all kinds of little rocks and

309

00:17:41,310 --> 00:17:43,379

stuff underneath here that we can't see.

310

00:17:44,850 --> 00:17:48,780

So just use your imagination and decide

where you think there might be a rock

311

00:17:48,810 --> 00:17:54,479

living underneath and it causes the water

to do all kinds of beautiful things.

312

00:17:54,750 --> 00:17:57,120

Sometimes just for no

reason, it looks like on top.

313

00:17:57,149 --> 00:17:58,530

There'll be a little blue, black yet.

314

00:17:59,880 --> 00:18:03,630

And it was just a rock

under there for a big stone.

315

00:18:06,450 --> 00:18:10,710

And sometimes when you little streams

just meandering along there and having

316

00:18:10,710 --> 00:18:12,870

fun and play they'll come along.

317

00:18:13,350 --> 00:18:16,440

And son we're getting somebody

pulled out there, went, pulled out

318

00:18:16,470 --> 00:18:18,870

all the stops and it slid right off.

319

00:18:19,410 --> 00:18:21,270

Maybe there's a big one

for something right there.

320

00:18:21,810 --> 00:18:22,980

Now watch here, watch here.

321

00:18:23,490 --> 00:18:24,810

Take a little bit of the liquid white.

322

00:18:26,130 --> 00:18:27,810

We'll put it up here, maybe a little more.

323

00:18:29,205 --> 00:18:29,625

To that.

324

00:18:29,655 --> 00:18:35,015

I'm going to add the least little touch,

uh, dark Sienna, maybe a little more.

325

00:18:36,485 --> 00:18:39,485

And we just want to make

a pile of very thin paint.

326

00:18:39,575 --> 00:18:40,325

It's light Brown.

327

00:18:40,325 --> 00:18:43,145

I'm just going to make a pile

and just pile it up like that.

328

00:18:43,145 --> 00:18:43,205

Yeah.

329

00:18:44,405 --> 00:18:48,905

Uh, yeah, that's take, we

use old Filbert brush today.

330

00:18:49,395 --> 00:18:52,575

We'll go right into Brown, put it

on both sides and we'll go down to

331

00:18:52,575 --> 00:18:56,625

this very thin paint with a light

Brown in it and just wipe through.

332

00:18:56,895 --> 00:19:01,485

So on one side there's light

and the other side is dark.

333

00:19:01,905 --> 00:19:02,355

See there.

334

00:19:02,925 --> 00:19:03,105

Okay.

335

00:19:03,105 --> 00:19:03,855

Let's go right up here.

336

00:19:04,395 --> 00:19:05,835

And it may be back here in our world.

337

00:19:06,435 --> 00:19:09,405

There live some little stones,

but this way you can make the

338

00:19:09,405 --> 00:19:13,965

highlight and the shadow of the

stone, both in one stroke that easy.

339

00:19:14,535 --> 00:19:16,515

Maybe, maybe there's

stones all over the place.

340

00:19:16,515 --> 00:19:17,685

We don't know wherever you want them.

341

00:19:18,645 --> 00:19:24,014

This is a super way of making a lot of

little stones, very rapidly, a little

342

00:19:24,014 --> 00:19:25,875

more of the color, maybe down in here.

343

00:19:26,985 --> 00:19:28,334

Maybe there's a big stone here.

344

00:19:28,574 --> 00:19:29,895

That's why there's a waterfall.

345

00:19:30,945 --> 00:19:33,645

Maybe it comes around

and all the way over.

346

00:19:34,725 --> 00:19:35,955

We don't know where it is.

347

00:19:37,965 --> 00:19:40,485

Just make up your mind where

you want it to drop it.

348

00:19:40,485 --> 00:19:46,334

In in fact, sometimes there's even stones

in the waterfall and we can do that too.

349

00:19:46,995 --> 00:19:47,535

That easy.

350

00:19:48,945 --> 00:19:53,555

We can put a happy little stone

right in the waterfall and would

351

00:19:53,555 --> 00:19:58,785

go back to her fan brush and bring

some water right over on this side.

352

00:19:58,845 --> 00:19:59,445

See you there.

353

00:20:00,405 --> 00:20:04,815

And we let this water come right in

front of the rock, but you see how now

354

00:20:04,815 --> 00:20:08,805

this little water going behind the rock

and some going in front, when it hits

355

00:20:08,805 --> 00:20:12,855

down here, dateless to say, it's going

to splash, push upward with a brush.

356

00:20:13,830 --> 00:20:16,860

And get that nice splash in the

foam and all the churning and

357

00:20:16,860 --> 00:20:18,330

carrying on it goes on down here.

358

00:20:19,200 --> 00:20:21,150

There, it goes over here.

359

00:20:21,700 --> 00:20:23,070

Got to make those little noises though.

360

00:20:23,910 --> 00:20:26,160

Of course, people look at you a

little weird when you're painting

361

00:20:26,160 --> 00:20:29,940

and you make all these funny little

noises, but that's all right.

362

00:20:30,450 --> 00:20:32,430

Painters are expected to

be a little different.

363

00:20:33,120 --> 00:20:37,170

So use your artists license,

your artists license comes

364

00:20:37,170 --> 00:20:38,430

with your first tube of paint.

365

00:20:40,405 --> 00:20:41,745

It says you're a painter.

366

00:20:41,775 --> 00:20:45,015

You can do weird things and you can

paint anything that you want on canvas.

367

00:20:45,045 --> 00:20:49,695

You can create your own world

and maybe grab another brush.

368

00:20:49,725 --> 00:20:50,895

Maybe over here on this side.

369

00:20:50,895 --> 00:20:51,465

Let's go over here.

370

00:20:52,455 --> 00:20:59,145

Let's take a little, a little black,

little Crimson, a little Brown.

371

00:20:59,175 --> 00:21:02,865

What the heck on the two inch brush

is tap a little color into it.

372

00:21:04,005 --> 00:21:05,535

Maybe, maybe over here.

373

00:21:07,320 --> 00:21:07,860

It'd be right here.

374

00:21:08,370 --> 00:21:08,850

We don't care.

375

00:21:09,360 --> 00:21:11,550

Maybe there's some big

bushes that live over here.

376

00:21:13,004 --> 00:21:18,764

Some were right there and we'll

bring him all the way out.

377

00:21:20,145 --> 00:21:24,405

Maybe that's what holds the

waterfall in here comes a week.

378

00:21:24,585 --> 00:21:29,115

And I can see this creates another

plane and pushes that waterfall.

379

00:21:29,205 --> 00:21:35,205

We back in the distance there, all we're

doing now is putting down some dark.

380

00:21:35,655 --> 00:21:37,845

So our light color will

show when we put it on here.

381

00:21:38,865 --> 00:21:43,155

That's the only reason we're using this

dark is to cover up over the waterfall.

382

00:21:43,155 --> 00:21:47,205

So it pushes it back there.

383

00:21:49,875 --> 00:21:52,215

Now then I'll go back to my other

two inch brush that we had our

384

00:21:52,215 --> 00:21:53,745

greens and yellows and all that on

385

00:21:57,675 --> 00:22:01,784

tap in a little bit of

color, but push that paint.

386

00:22:01,935 --> 00:22:03,225

You can see that little Ridge right there.

387

00:22:03,225 --> 00:22:04,155

That's most important.

388

00:22:04,935 --> 00:22:05,385

Let's go ahead.

389

00:22:05,385 --> 00:22:05,655

Up here.

390

00:22:06,225 --> 00:22:07,604

I didn't make some big decisions here.

391

00:22:07,604 --> 00:22:09,735

Where do you, where do you

want the highlights on this?

392

00:22:09,735 --> 00:22:15,195

Maybe it comes right about here and just

begin dropping in all these little things.

393

00:22:15,195 --> 00:22:16,905

And you can vary the colors a little bit.

394

00:22:18,314 --> 00:22:20,715

Maybe there's a little

yellow ochre right there.

395

00:22:21,885 --> 00:22:23,205

Little yellow ochre.

396

00:22:23,670 --> 00:22:27,510

There we go a little bit more and let

the light or the highlights come out

397

00:22:27,540 --> 00:22:31,830

a little bit past the dark area that

keeps the shadows inside the Bush.

398

00:22:31,860 --> 00:22:35,310

You don't want the shadows on

the outside and look just right.

399

00:22:35,340 --> 00:22:37,200

Shadows, the normal inside the Bush.

400

00:22:38,639 --> 00:22:39,420

There we go.

401

00:22:39,870 --> 00:22:42,970

Here's another one wherever you want.

402

00:22:44,280 --> 00:22:45,389

Maybe worse few.

403

00:22:47,220 --> 00:22:49,500

Just sort of look at the basic

shape that you dropped in.

404

00:22:50,475 --> 00:22:53,175

And from that, and you can

create all kinds of things.

405

00:22:53,175 --> 00:22:54,765

Maybe it just shoot.

406

00:22:54,765 --> 00:22:55,395

Look right here.

407

00:22:56,565 --> 00:22:57,555

I got to have a rock here.

408

00:22:57,735 --> 00:23:00,045

It looks like a rock place right here.

409

00:23:01,605 --> 00:23:04,695

Um, there's a big old

rocket lives right there.

410

00:23:06,255 --> 00:23:07,995

Shoot my name BIA.

411

00:23:08,595 --> 00:23:10,425

Maybe there's a flat rock

down here at the bottom.

412

00:23:10,425 --> 00:23:10,905

We don't know.

413

00:23:11,595 --> 00:23:14,745

It doesn't matter, whatever, whatever.

414

00:23:16,035 --> 00:23:19,485

They're tapping a few

little pushes around here.

415

00:23:21,965 --> 00:23:22,595

All right.

416

00:23:22,625 --> 00:23:27,215

Let me just take the knife, scraping

the indication here and there of a stick

417

00:23:27,215 --> 00:23:31,295

and a twig on the other side over here.

418

00:23:32,105 --> 00:23:33,575

Maybe we'll put something over here too.

419

00:23:34,115 --> 00:23:38,375

Maybe there's a happy little

Bush lives right here and it

420

00:23:38,375 --> 00:23:42,635

grows right down there wherever.

421

00:23:44,145 --> 00:23:48,975

Back to our brush with a highlight color,

throw some happy little leaves up here

422

00:23:48,975 --> 00:23:52,064

on this one had a bit right in there.

423

00:23:52,675 --> 00:23:52,865

Yeah.

424

00:23:56,254 --> 00:23:59,314

They just live right here in your brush

or you got to do a sort of shake them out.

425

00:24:00,425 --> 00:24:05,195

Let some of these bushes hang right

over, almost into the water there,

426

00:24:05,764 --> 00:24:10,804

back to our fan brush, put a little

water around the bottom of these.

427

00:24:12,195 --> 00:24:13,455

Shoot, we got it made there.

428

00:24:14,685 --> 00:24:17,685

Tell you what we got, we got

a minute or so left here.

429

00:24:17,774 --> 00:24:22,215

Let's have some fun maybe in our world,

you know, me and my big trees, maybe.

430

00:24:22,574 --> 00:24:22,784

Yep.

431

00:24:24,284 --> 00:24:25,395

Maybe there's a big tree.

432

00:24:25,395 --> 00:24:26,415

It lives right up here.

433

00:24:27,915 --> 00:24:31,784

And all we're doing is dropped it

into some dark here, just like,

434

00:24:31,784 --> 00:24:33,225

so that's the only way we do it.

435

00:24:33,274 --> 00:24:34,635

It's dropping in some base color.

436

00:24:35,745 --> 00:24:36,495

We don't want to cover up.

437

00:24:36,495 --> 00:24:37,304

Her son will come.

438

00:24:37,485 --> 00:24:39,375

Maybe we'll just come close

to it and let it go at that.

439

00:24:45,240 --> 00:24:47,310

Maybe some on the other side

too, we don't want it left out.

440

00:24:47,940 --> 00:24:51,179

It's just sort of a nice way just

to bring it all together here.

441

00:24:53,639 --> 00:24:54,300

There we go.

442

00:24:56,090 --> 00:24:58,889

Two inch brush it didn't take long

to drop in a whole bunch of stuff.

443

00:25:03,360 --> 00:25:06,450

There, there is another one

444

00:25:11,280 --> 00:25:12,270

who knows maybe there was a.

445

00:25:12,795 --> 00:25:14,835

Maybe there's a little

treat lives right out here.

446

00:25:14,865 --> 00:25:18,765

We'll put some leaves in and we'll

come back and put a trunk right there.

447

00:25:18,795 --> 00:25:19,815

We'll make a tree right there.

448

00:25:19,965 --> 00:25:21,795

We can do anything that we want here.

449

00:25:22,845 --> 00:25:26,955

Annual thing there

450

00:25:30,045 --> 00:25:31,905

that sort of just brings

the whole thing together.

451

00:25:31,905 --> 00:25:36,615

Let's take a liner brush,

lot of paint thinner on it.

452

00:25:37,785 --> 00:25:38,355

There we go.

453

00:25:38,555 --> 00:25:41,775

Go into a little bit of Brown and

let's make a little tree trunk.

454

00:25:43,230 --> 00:25:43,860

Right here.

455

00:25:43,889 --> 00:25:51,330

We promise this tree would make him a nice

trunk right then and there, there he is.

456

00:25:51,719 --> 00:25:54,689

Maybe we'll maybe we'll give him maybe

there's two little trees there who

457

00:25:54,689 --> 00:25:58,980

knows you put as many or as few as you

want in your world indication here and

458

00:25:58,980 --> 00:26:02,370

there about trunk or lamb or two on it.

459

00:26:03,120 --> 00:26:07,800

Their way on their way are a

little bit more paint thinner.

460

00:26:09,255 --> 00:26:13,965

Into our color and you can see the

indication here and there of a few little

461

00:26:13,965 --> 00:26:15,725

limbs and stuff it grew up through there.

462

00:26:15,755 --> 00:26:16,235

Yeah.

463

00:26:17,555 --> 00:26:18,815

And over here,

464

00:26:21,995 --> 00:26:22,535

there we are.

465

00:26:23,465 --> 00:26:24,125

Great big one.

466

00:26:26,165 --> 00:26:30,275

There put a few highlights

on those branches and we'll

467

00:26:30,275 --> 00:26:31,445

both have a finished painting.

468

00:26:32,520 --> 00:26:36,060

As I mentioned earlier, this is

the last show of the 18th series.

469

00:26:36,930 --> 00:26:40,950

And it's very, very special that

you've allowed me to come back

470

00:26:40,950 --> 00:26:43,890

into your home again for another

show, a series of painting shows,

471

00:26:45,030 --> 00:26:46,500

and we share this time together.

472

00:26:47,730 --> 00:26:50,940

And I thank you from the bottom of my

heart for allowing me to be part of

473

00:26:50,940 --> 00:26:54,300

your, of your activities and your family.

474

00:26:54,780 --> 00:26:56,010

It's very special to me.

475

00:26:59,774 --> 00:27:01,845

We already have the next

series under production.

476

00:27:02,085 --> 00:27:05,024

So if you'll keep watching this,

we'll, we'll keep right on painting.

477

00:27:05,805 --> 00:27:10,365

So I tell you what, throw a few

things on here, and we're going

478

00:27:10,365 --> 00:27:12,014

to call this painting all finished

479

00:27:15,665 --> 00:27:20,675

and until the next series, I'd

like to wish you happy painting.

480

00:27:21,335 --> 00:27:22,535

And God bless my friend.

481

00:27:55,365 --> 00:27:56,055

Of painting.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S18E13 - Rippling Waters

Bob Ross's

The Joy of Painting

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