Bob Ross's

The Joy of Painting

S16E02 - Nestled Cabin

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and he is a character.

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And as you can see hoot and I have the

same hairdresser or at sun, Oregon's

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got a hair, it looks just like mine.

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And he's just, Oh, he's

about two weeks old now.

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And this is his first

time in front of a camera.

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So he's a little nervous, but I

borrowed him from the bird lady.

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So I could show you that's Diane Schaffer.

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She lives here in Muncie and she

takes care of all these little

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characters when they get hurt.

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This one was orphaned, as I

say, he's about two weeks old.

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Hey, isn't he something though?

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Beautiful little bird.

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Yeah.

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Yeah.

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You got to talk a little bit.

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Okay.

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I think we have to go to work.

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Now I'll tell you what, let's have him

run all the colors across the screen that

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you need to paint along with me today.

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I'll set him down.

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I'll be right back with you.

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So we will just set him right over here.

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Here we go.

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He's still squawking

grabbed the old palette.

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As you can see it, they,

we have a canvas up here.

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That's, I've taken black Jesso and I've

sort of painted a basic shape in here.

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And on top of the black Jesso.

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Now we've allowed that to completely

dry and then we've taken and

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put transparent color over here.

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And that's the mixture of, uh, we've

put some van Dyke Brown, a little

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bit of halo, blue and fallow green.

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And then I just covered it in this spot.

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Right in here.

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I've just put liquid white and

everything is wet and it's ready to go.

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So let's go tell you what, let's start

out the day with an old two inch brush.

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I'm go right over here and pick up

the least little touch of the CAD

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yellow, just least little touch.

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Here we go.

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Okay.

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Now right here at the horizon,

I want to put a nice, bright

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little area right there.

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That easy, maybe a little

touch over in here.

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Okay.

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Now then without cleaning the

brush, I'm gonna go right back over.

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And pick up a small, small amount of

yellow ochre, just a little yellow ochre.

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Okay.

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Right above that and allowing

it to blend together.

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We'll put that ochre.

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It's pretty already.

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Okay.

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Once again, without cleaning the

brush, I'm gonna go right into.

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Bright red.

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So we started with CAD yellow, went

into yellow ochre, and now we're

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into bright red and just tap a little

into the bristles, just tap it.

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And that gets a nice even distribution of

color all the way through the bristles.

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Okay.

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Now then with a red, we

can go right in here.

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Are we just using sort of little

crisscross strokes and just apply

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a little bit because you had the

yellow, when you brush this is going

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to turn a beautiful orange color.

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There we just blend it right

on, down into the yellow.

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Okay.

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Just let it sort of disappear.

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That's pretty ready.

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I like these colors now then once again,

without cleaning the brush, this is one

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of those paintings I like, because you

don't have to clean the brush a lot.

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I'm lazy.

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I'm going to go ready to fade a little

blue, just a small amount of blue.

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And once again, tap the bristles.

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Okay, let's go back up here.

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I've been here.

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We'll put the blue.

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There we go.

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A little darker.

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I just let it blend right down to the red.

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Okay.

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Now we can wash your brush.

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Well, see seal brush.

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That's a fun part of all this,

shake it off, cover everything in

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a studio now with a nice clean,

dry brush and go back in here.

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Just blend all of this together.

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So you can't tell where one color stops

and the next color starts just like so,

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okay.

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And that gives us a beautiful little sky.

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And it's very, very simple.

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Now then I'll put a little black on the

brush and then I'm going into yellow.

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I put the black on the brush only to

make this turn green when I touch it

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little tiny bit of the midnight black.

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And I'm just going to

tap some color into it.

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Let's go right back up here.

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Yeah, maybe there's a little Hill.

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We back here in the distance.

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So all we do is just tap.

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Just tap.

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All you're doing is touching

the canvas with a brush.

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Canvas will pull off what it wants.

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Give you back.

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What's left, just like the tax man.

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He takes all what he wants and gives you.

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What's left.

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Usually there's not much left there.

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All you're doing is just

tapping gently, gently tapping.

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If you wanted to show maybe another plane

in here, you start with fresh color.

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And leave a little dark area between them

and you can create the illusion of another

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plane there that easy, and you can make as

many or as few as you want in your world.

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I hope you enjoy seeing

the little creatures.

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I like, I like to show you

the little birds and stuff.

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We have some birds that are grown and

I, I can't show those cause they're

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sort of hard to control that little owl.

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He's a character, one of the

most beautiful little birds.

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Okay.

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Well we have little brush going,

tell you what we'll just take.

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Maybe we just tap the corner

here into a little bit of paint.

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We'll get a little yellow

ochre, Linden yellow.

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Just the corner of it.

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Just that corner.

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Okay.

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Let's go back up here.

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Maybe right along here

lives a happy little tree.

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I'm just going to take the corner that

brush just begin creating the basic

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shape of a little tree there and just

a little touch of the bright red there.

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Makeup rascal, stand out and sing.

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All you need is a big old two inch

brush, little imagination, some practice.

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And you can paint fantastic

paintings, beautiful little paintings.

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Look at their, this

bullshit lives right there.

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Just sort of make up a scene in

your mind, drop it on the canvas.

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What's so nice about

this style of painting.

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You can put an idea on

canvas before it escapes.

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When I was traditional painter, I'd

get an idea in my mind and shoot.

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By the time I got around to

painting it, spending a week or

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two working on it, the vision in

my mind had totally changed here.

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You can do it while it's fresh there.

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All right.

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See.

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And we created a whole

nother plane right here.

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Just by doing that, just by doing

that, maybe tell you what to tell you

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why it helps to be a little crazy when

you do this and think up a little,

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think about little stories and make

up little things here in my mind.

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I think this is a beautiful place

back here to maybe have a little cabin

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that lives we back over in there.

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So for that, let's take some Vandyke

Brown, pull it out very flat and

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we take the old knife cut across.

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So we have a little roll of paint

right down the edge of the knife.

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There you can save good.

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And maybe our little

cabin, maybe it lives.

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Maybe it lives right there.

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We'll paint the back Eve first, just

like, so paint the other side of the roof.

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There we are.

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See how easy that is.

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If you don't make those little

noises, it won't work for you.

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You can make those little noises.

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There were one right down here,

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and one right here.

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And that is a nice way of blocking

in your basic shape for your little

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cabin and you're not committed yet.

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You could still change that little

rascal any way that you want to.

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Maybe it's got a roof on it.

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That's I use Brown and white,

a little bit of black in there.

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I want to make sort of a dirty gray color.

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Just leave your color marble like that.

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We don't want to overmix it.

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Once again, our little roll of paint.

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It's most important.

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How you load this knife now, then

just touch and get nervous here.

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Let it go.

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Boop.

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Boop, boop, boop, boop, boop, boop, boop.

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See there.

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And it makes beautiful little shapes

on your house and you just let it

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just bounce right along through there.

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It looks like little shingles.

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You can see far off in there.

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Maybe a little bit out

here on the other side.

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You'd see a little touch there now.

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They don't get the small knife.

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Small knife is fantastic for

sneaking into little places.

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We'll take some dark Sienna,

little white makes them

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together, but not over mix them.

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Maybe we'll put a touch

event like Brown there too.

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I like that.

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That's nice.

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He got beautiful colors

happening right there.

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And when you pick up that little

roll of paint, those same colors are

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right there in that role of paint.

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Now, then.

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Touch and just pull it down.

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Barely, barely grazing, barely grazing.

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Look at that.

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See, and that's simple.

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You can paint the front of your how's your

little cabin now for the side over here.

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Not as much light I'll hit that.

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So we'll add some more Vandyke Brown.

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We'll make it darker.

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Cut off a roll of paint.

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Same way.

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And, and hand look right there.

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We'll put a little bit on the side.

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See there.

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You can do that.

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It's easy.

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We make painting easy.

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We show you how to do it.

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The only thing you have

to add is imagination.

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There we are make it look like

or some little boards in there.

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Okay.

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Now we need a door.

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Let's put a door with takes

straight and Vandyke Brown.

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Maybe there's a little

door or right there.

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Just come across with some Brown.

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See, you can make your doors

big or small as you want it.

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Can you take a little touch of the white?

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That'll just sort of highlight

the edges of it so you can see,

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right?

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Right.

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So shoot, maybe there's a little

window in there who knows?

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We'll take a little blue,

little touch of blue.

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Least little touch, a wider, a

little, or we use a small edge

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of the knife, maybe loop there.

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That's enough to give the indication

that there's a little window in there.

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Sometimes.

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Maybe we just want to make his age,

stand out a little song, a little

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light color right along this edge.

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So it'll stand out there

and you can see it better.

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Now, then we want to fix the bottom of

this cabin so we can do a cabin ectomy.

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There you go, Kevin

ectomy, just cut it off.

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You have a nice little cabin right there.

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Now let's take a little Brown, little

crumbs and then we'll go into a

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yellow, only put those colors on there.

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So when they touch the yellow, you

get all these different shades.

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Don't want just straight yellow

and a lot of things happening.

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Little SAP, green, too.

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Indian, yellow.

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Yellow ochre and a tap.

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Give the brush a little push.

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So you have that brush a little

Ridge of paint right out there.

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That's what you're painting with now.

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Then let's come back in here

and just begin, barely touching.

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And we can add all these layers of

little grassy things that are happening

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there over here on the other side

of the cabin, maybe this comes down.

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Okay, tell you why we need to wait

to get to this little cabinet.

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Let's take some Vandyke

Brown go right in here.

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Just begin pushing that like, so.

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And we want to make this path get larger.

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Large is hard to see right now

against the black, but it'll show up,

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just have it comes right on around.

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Maybe down in here somewhere.

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Hmm.

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Okay.

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As I said, this Brown, it, it

probably won't show up a great deal

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against the black background, but

when we begin putting highlights

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in there, it'll come alive.

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So let's begin working on some little

bushes and stuff at our back here.

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We just go back to the old two inch brush

and just going to tap a little color

254

00:13:19,589 --> 00:13:21,420

right into the corner of it here again.

255

00:13:22,109 --> 00:13:25,709

That's a nice, easy way to make

some beautiful little tree and Bush

256

00:13:25,709 --> 00:13:28,290

shapes maybe right back in here.

257

00:13:28,800 --> 00:13:31,050

There lives a nice

little Bush right there.

258

00:13:31,140 --> 00:13:32,280

See, there he is.

259

00:13:32,730 --> 00:13:33,750

You knew he was there.

260

00:13:34,740 --> 00:13:36,030

You knew they was there.

261

00:13:37,709 --> 00:13:38,199

Look at that.

262

00:13:38,520 --> 00:13:42,060

See, and that sorta just pushes that

cabin right back into the distance.

263

00:13:43,380 --> 00:13:44,069

There we go.

264

00:13:45,240 --> 00:13:47,850

Now let's begin working on

maybe some of these trees here

265

00:13:47,850 --> 00:13:49,650

that are on the, on the sides.

266

00:13:50,040 --> 00:13:53,730

So for that you use the liner

brush and I'll go into, we'll

267

00:13:53,730 --> 00:13:54,780

just use this color right here.

268

00:13:54,780 --> 00:13:55,740

That's a nice color.

269

00:13:55,829 --> 00:13:57,000

That was just Brown and white.

270

00:13:58,305 --> 00:14:01,185

We want that paint to

be very thin, very thin.

271

00:14:01,185 --> 00:14:02,564

Let me get a little more

paint than are here.

272

00:14:03,615 --> 00:14:08,975

We want to be sure it's a real thin,

like ink turn the bristles in there.

273

00:14:10,145 --> 00:14:10,595

All right.

274

00:14:10,895 --> 00:14:11,074

Yeah.

275

00:14:11,495 --> 00:14:15,905

Maybe right up in here, maybe their

lives at Nash tree trunk, right there.

276

00:14:16,625 --> 00:14:20,885

Turn that brush, let it wiggle and

jiggle and all kinds of things happen

277

00:14:20,885 --> 00:14:22,505

as it works its way down there.

278

00:14:22,505 --> 00:14:23,495

Just keep it turning it.

279

00:14:24,625 --> 00:14:26,915

It makes very interesting tree trunks.

280

00:14:27,615 --> 00:14:31,545

And you can come back in here, drop

in the indication of some little limbs

281

00:14:31,545 --> 00:14:37,305

and branches and sticks and need a

place for that little owl to sit there.

282

00:14:38,145 --> 00:14:40,245

We had son of a guns,

got some talents on him.

283

00:14:41,025 --> 00:14:43,515

He'll get you there.

284

00:14:45,105 --> 00:14:48,465

You have to have to be

very careful with him.

285

00:14:48,495 --> 00:14:49,545

Be respectable.

286

00:14:52,635 --> 00:14:54,345

Cause he doesn't realize how strong he is.

287

00:14:54,900 --> 00:14:57,349

Even just a two week old baby album.

288

00:14:57,349 --> 00:14:59,280

He's a son of, I got maybe over here,

289

00:15:02,300 --> 00:15:03,560

see, there is another tree.

290

00:15:05,150 --> 00:15:08,209

Maybe he's got a friend right here.

291

00:15:09,079 --> 00:15:12,530

And in your painting, you put as

many or as few trunks as you want,

292

00:15:13,280 --> 00:15:16,130

just sort of look around and,

and each one will be different.

293

00:15:16,550 --> 00:15:19,670

Look at your painting because it's not

going to be exactly the same as mine.

294

00:15:20,520 --> 00:15:24,270

The only thing we try to do here is

show you how to, how to make affects

295

00:15:25,140 --> 00:15:26,880

how to create certain illusions.

296

00:15:26,940 --> 00:15:29,220

And then you do with

it, whatever you want.

297

00:15:29,490 --> 00:15:31,530

We each see nature through different eyes.

298

00:15:32,760 --> 00:15:34,830

So you paint the way you see it.

299

00:15:35,610 --> 00:15:36,510

And then it's right.

300

00:15:38,220 --> 00:15:39,150

And it's right.

301

00:15:39,420 --> 00:15:43,950

The only rule that I respect in art is

if it makes you happy, then it's good.

302

00:15:44,010 --> 00:15:46,080

You do what makes you happy?

303

00:15:47,400 --> 00:15:49,200

You paint scenes the way you see them.

304

00:15:51,120 --> 00:15:56,040

And that's when you really, really

experienced the joy of painting there.

305

00:15:56,660 --> 00:15:59,840

And we have all kinds of little tree

trunks and things happening in there.

306

00:16:00,020 --> 00:16:04,550

While I got that going, maybe back in

these little bushes here, we can make

307

00:16:04,550 --> 00:16:10,340

out the indication of some little things

that are projecting up there is one.

308

00:16:11,420 --> 00:16:15,470

And once again, you decide how many of

these live in your world and drop them in.

309

00:16:16,620 --> 00:16:20,040

Okay, tell you what let's do.

310

00:16:20,110 --> 00:16:25,050

Let's grab an old one inch brush

here and we'll begin putting some

311

00:16:25,050 --> 00:16:28,350

foliage in here, going to go up here

and grab a little touch of the black

312

00:16:29,280 --> 00:16:31,320

and go into the green or the yellow.

313

00:16:31,320 --> 00:16:33,900

Then it'll make green, yellow ochre.

314

00:16:35,189 --> 00:16:38,520

Now tap the bristles into

the paint, just tap them.

315

00:16:40,110 --> 00:16:43,350

That loads a small amount of

paint right out on the tip.

316

00:16:43,380 --> 00:16:45,210

So you can see it being

pushed up right there.

317

00:16:46,260 --> 00:16:46,710

Right there.

318

00:16:46,740 --> 00:16:47,760

That's what you're after.

319

00:16:48,300 --> 00:16:48,600

Okay.

320

00:16:49,290 --> 00:16:51,690

Now then begin thinking

about shape and form.

321

00:16:52,470 --> 00:16:56,700

And all you have to do is just barely

touch the canvas and begin laying in

322

00:16:56,730 --> 00:16:58,680

all kinds of beautiful little things.

323

00:17:00,630 --> 00:17:02,880

Like maybe I'll make it a little

bit brighter so you can see it

324

00:17:02,880 --> 00:17:05,130

a little better on TV there.

325

00:17:06,960 --> 00:17:09,390

But now when you're painting

your picture at home, you

326

00:17:09,390 --> 00:17:10,980

painted any way that you wanted.

327

00:17:11,160 --> 00:17:14,880

If you have trouble making your

paint stick at a small amount.

328

00:17:15,284 --> 00:17:19,605

Of the liquid white or a little

bit of paint thinner to your brush.

329

00:17:20,264 --> 00:17:20,895

There we go.

330

00:17:22,085 --> 00:17:27,034

Once again, the most important thing here

is worrying about shape all the little

331

00:17:27,034 --> 00:17:28,745

individual things that happened in here.

332

00:17:30,544 --> 00:17:31,175

There we are.

333

00:17:35,074 --> 00:17:39,004

This is one of the nicest, easiest

ways I've ever developed of making

334

00:17:39,034 --> 00:17:40,835

beautiful, beautiful little trees.

335

00:17:43,020 --> 00:17:47,810

And even if you've never painted

before you can do this, you can do it.

336

00:17:49,520 --> 00:17:50,990

We'll give you everything you need here.

337

00:17:51,170 --> 00:17:55,310

All you need is just a little

practice and a little imagination.

338

00:17:55,850 --> 00:18:02,660

And off you go, they're just layer

after layer and don't be in too big.

339

00:18:02,690 --> 00:18:07,550

A hurry, just work in one

section of your tree at a time.

340

00:18:08,715 --> 00:18:09,825

I have to be in a hurry here.

341

00:18:09,825 --> 00:18:14,385

If I don't get done in time, they have

no sense of humor where they'll get me.

342

00:18:16,305 --> 00:18:18,765

But at home, just take your time.

343

00:18:18,765 --> 00:18:20,505

Think about one comp of leaves.

344

00:18:21,525 --> 00:18:30,525

One group, one individual, one

friend there just layer after layer.

345

00:18:32,730 --> 00:18:36,180

All these beautiful things

live deep in the woods and the

346

00:18:36,180 --> 00:18:40,830

trees see sums in the back.

347

00:18:41,220 --> 00:18:43,300

Sometimes in the foreground

anywhere you want.

348

00:18:46,050 --> 00:18:52,040

There we go once again, if you have

trouble making the paint stick and

349

00:18:52,040 --> 00:18:56,120

the least little touch of paint,

thinner or liquid white, either

350

00:18:56,120 --> 00:18:59,990

one, the liquid white of course will

make your pain a little brighter.

351

00:19:00,920 --> 00:19:03,940

So if you don't want it to get

any brighter than add nothing but

352

00:19:04,280 --> 00:19:07,340

thinner, they're right in there.

353

00:19:10,245 --> 00:19:10,525

Hmm.

354

00:19:10,525 --> 00:19:11,115

Okay.

355

00:19:11,565 --> 00:19:13,004

Little baby when lives there too.

356

00:19:13,545 --> 00:19:14,805

Now let's go on the other side here.

357

00:19:14,865 --> 00:19:16,725

This big old tree, this

hanging out over here.

358

00:19:17,805 --> 00:19:19,455

We'll give him some nice highlights.

359

00:19:21,735 --> 00:19:28,175

There SI they were working

in clumps or groups.

360

00:19:29,435 --> 00:19:32,284

That's what makes that sound

again, stand out and save some

361

00:19:32,284 --> 00:19:33,605

of these dark areas in between.

362

00:19:33,605 --> 00:19:35,044

That's what gives you tree depth?

363

00:19:38,105 --> 00:19:39,665

The tree starts looking flat.

364

00:19:40,175 --> 00:19:44,915

Chances are you've killed all

those beautiful dark areas and

365

00:19:44,915 --> 00:19:46,564

you can go back and put them in.

366

00:19:46,665 --> 00:19:48,045

Because we don't make mistakes.

367

00:19:48,105 --> 00:19:51,795

We just have happy accidents learned

to work with anything that happens.

368

00:19:52,695 --> 00:19:53,865

Anything happens.

369

00:19:55,815 --> 00:19:56,175

Okay.

370

00:19:56,235 --> 00:19:59,925

Maybe since we have that area, we'll

just put some leaves right out here.

371

00:19:59,985 --> 00:20:02,625

Some nice highlights like a tab.

372

00:20:03,645 --> 00:20:05,955

Did you ever think you could take

a big old one inch brush and make

373

00:20:05,985 --> 00:20:10,395

just thousands of beautiful little

individual looking leaves that easy?

374

00:20:12,195 --> 00:20:14,955

You really can really can.

375

00:20:17,025 --> 00:20:17,775

There we go.

376

00:20:22,005 --> 00:20:22,545

Okay.

377

00:20:22,605 --> 00:20:22,845

Shoot.

378

00:20:22,845 --> 00:20:23,835

Ted brush is too slow.

379

00:20:23,895 --> 00:20:24,885

Let's get serious here.

380

00:20:25,665 --> 00:20:26,775

Get the old two inch brush.

381

00:20:26,785 --> 00:20:28,035

It does the same thing.

382

00:20:28,425 --> 00:20:29,265

Only faster.

383

00:20:29,895 --> 00:20:30,045

What?

384

00:20:30,045 --> 00:20:31,215

Tap a little color into it.

385

00:20:32,235 --> 00:20:33,165

Same old way.

386

00:20:34,065 --> 00:20:37,575

Now then let's begin

creating the lay of the land.

387

00:20:39,670 --> 00:20:43,990

Just begin deciding where this goes, as

it goes way back into the shadow area,

388

00:20:43,990 --> 00:20:46,210

back in here, use less and less pressure.

389

00:20:46,240 --> 00:20:50,160

Let it just sort of pier darker,

darker, darker back in here.

390

00:20:52,290 --> 00:20:54,000

It's just we're creature

Heights back in here.

391

00:20:54,030 --> 00:20:55,410

That's where the little

bunny rabbit lives.

392

00:20:55,410 --> 00:20:55,980

It's quiet.

393

00:20:56,070 --> 00:20:56,640

Dark.

394

00:20:58,320 --> 00:20:59,010

There we go.

395

00:21:01,980 --> 00:21:07,320

Okay, just varying the colors,

little bumps and Hills in your land.

396

00:21:10,890 --> 00:21:15,390

All kinds of happy little things

in here, but started the area,

397

00:21:15,390 --> 00:21:18,480

this fathers to weigh and work

continually forward, forward forward.

398

00:21:19,080 --> 00:21:22,200

And that helps create

that illusion of depth.

399

00:21:22,610 --> 00:21:24,649

The illusion of distance in your painting.

400

00:21:26,120 --> 00:21:29,659

And to me, that's extremely important in a

painting that it has a depth and distance

401

00:21:29,659 --> 00:21:31,280

in many, many different planes in it.

402

00:21:35,100 --> 00:21:35,790

There we go.

403

00:21:40,340 --> 00:21:43,699

But this, the curvature that you're

putting put in here, once again,

404

00:21:43,699 --> 00:21:47,570

that creates the lay of the land,

the way the land flows, the direction

405

00:21:47,570 --> 00:21:50,300

of the lamb, whatever you want to

call, it all means the same thing.

406

00:21:55,129 --> 00:22:00,110

And the more you tap this, the softer

it'll become, it just gets, it.

407

00:22:00,320 --> 00:22:01,280

It'll look like velvet.

408

00:22:01,280 --> 00:22:04,550

If you work it enough, but just

like velvet, I'm going to add the

409

00:22:04,550 --> 00:22:06,709

least little touch of liquid white.

410

00:22:07,340 --> 00:22:14,030

Just want to paint a little tiny bit

more, a little bit of liquid white.

411

00:22:15,149 --> 00:22:15,750

There we go.

412

00:22:16,290 --> 00:22:17,639

I see that sticks easier.

413

00:22:18,820 --> 00:22:22,340

Anytime you have problems making

the stick, just try adding a little

414

00:22:22,340 --> 00:22:23,689

bit of liquid whiter paint thinner.

415

00:22:26,780 --> 00:22:30,020

There were just layer

after layer after layer.

416

00:22:34,220 --> 00:22:35,840

This is a very simple little painting.

417

00:22:35,840 --> 00:22:39,860

If you've never, if you've never painted

before, this is a nice one to start with

418

00:22:40,010 --> 00:22:42,470

because it's very easy and it works well.

419

00:22:44,970 --> 00:22:45,330

Okay.

420

00:22:47,820 --> 00:22:49,770

Add another little,

little Hill right there.

421

00:22:51,460 --> 00:22:53,730

Let's go over to the other side

and have some fun over there too.

422

00:22:53,940 --> 00:22:55,200

We don't want this side to have it all.

423

00:22:55,200 --> 00:22:56,970

We'll use a little more of the SAP green.

424

00:22:58,290 --> 00:22:59,570

Just tap that right in there.

425

00:22:59,610 --> 00:23:00,480

Little, little brush up.

426

00:23:01,500 --> 00:23:03,600

Now, then I have to make a big decision.

427

00:23:03,600 --> 00:23:06,120

Maybe, maybe it comes right down here.

428

00:23:08,130 --> 00:23:10,530

You can just push that little

cabin as far back as you want.

429

00:23:10,890 --> 00:23:12,000

You could come we up in here.

430

00:23:12,000 --> 00:23:14,580

If you want it to look

like it's behind the Hill.

431

00:23:16,880 --> 00:23:17,510

There we are.

432

00:23:19,095 --> 00:23:24,255

Maybe this one comes from we over

here somewhere and just drops down.

433

00:23:28,245 --> 00:23:36,615

And maybe, maybe, maybe you want to

create, maybe this is a more severe drop.

434

00:23:36,675 --> 00:23:38,895

Maybe it drops off faster

than the other side.

435

00:23:39,735 --> 00:23:43,995

And you can do that just by changing the

angle, make up little stories in your

436

00:23:43,995 --> 00:23:46,305

mind once again, and just work from that.

437

00:23:48,225 --> 00:23:50,564

There, and you can turn this.

438

00:23:50,564 --> 00:23:51,495

So it comes to ward.

439

00:23:51,495 --> 00:23:55,725

You look like all those little

grassy things and little

440

00:23:55,725 --> 00:23:56,804

ferns that are hanging over

441

00:24:01,655 --> 00:24:02,735

just layer after layer.

442

00:24:03,425 --> 00:24:08,735

I've probably painted 20,000 paintings and

I still get excited when I see this work.

443

00:24:09,435 --> 00:24:10,725

So fantastic.

444

00:24:12,104 --> 00:24:12,495

Everyday.

445

00:24:12,495 --> 00:24:15,975

I get letters from people all over

the country who have never picked

446

00:24:15,975 --> 00:24:17,324

up a paint brush in their life.

447

00:24:17,534 --> 00:24:20,985

And they've tried this and it

works and they've experienced

448

00:24:20,985 --> 00:24:26,205

a whole new world, a whole new

world, and it makes people happy.

449

00:24:28,544 --> 00:24:32,385

And the people you share it with, it

brings, it brings a lot of joy to them.

450

00:24:32,475 --> 00:24:35,865

That's the reason we call this

the joy of painting there.

451

00:24:35,865 --> 00:24:38,294

I hit a little touch of

the bright red that time.

452

00:24:40,515 --> 00:24:43,095

See how this is hanging over.

453

00:24:44,085 --> 00:24:49,275

It's unbelievable how you can change these

angles and create all types of illusions.

454

00:24:50,475 --> 00:24:52,245

Can you now then let me

find an old fan brush.

455

00:24:52,985 --> 00:24:56,435

We put that van Dyke Brown in

here and it didn't show up much.

456

00:24:56,465 --> 00:24:57,425

Now watch what happens.

457

00:24:58,055 --> 00:25:01,715

I'll just take a little bit of

titanium white on the fan brush.

458

00:25:02,675 --> 00:25:03,425

Just a little.

459

00:25:04,385 --> 00:25:07,055

There we go back up here

and we just barely touch it.

460

00:25:07,995 --> 00:25:08,805

Barely touch.

461

00:25:09,495 --> 00:25:15,105

See, now that Brown begins to show

and we can clean up the bottom of all

462

00:25:15,105 --> 00:25:20,295

these little grassy areas, bring it all

back together and you can make this as

463

00:25:20,295 --> 00:25:27,015

light and bright as you want it just by

adding more white, you can add a little

464

00:25:27,015 --> 00:25:28,575

white with some dark Sienna in it.

465

00:25:28,755 --> 00:25:29,655

That's very pretty.

466

00:25:30,635 --> 00:25:32,975

Do you ever just sort

of experiment a little.

467

00:25:34,725 --> 00:25:38,645

The fun and painting is the

experimenting, learning new things.

468

00:25:38,645 --> 00:25:39,155

Every day.

469

00:25:39,185 --> 00:25:43,445

If you paint for a million years, the next

painting is going to be your masterpiece.

470

00:25:44,554 --> 00:25:47,435

You'll always see something in

your painting that you can approve.

471

00:25:48,695 --> 00:25:51,125

You know, I get letters from people

all the time and they say I did a

472

00:25:51,125 --> 00:25:53,764

painting and I'm not satisfied with it.

473

00:25:55,715 --> 00:25:56,675

That's fantastic.

474

00:25:58,125 --> 00:26:00,045

Because that makes you want

to go do another painting.

475

00:26:00,045 --> 00:26:01,815

You see what would make it better?

476

00:26:02,085 --> 00:26:04,845

I hope you're plagued with

dissatisfaction your entire life.

477

00:26:05,735 --> 00:26:07,985

That way you'll get better

and better and better.

478

00:26:10,595 --> 00:26:13,325

Now, maybe, maybe here and there.

479

00:26:13,325 --> 00:26:16,655

You can even see the indication

little Brown and there's too bright.

480

00:26:17,765 --> 00:26:21,335

There we are a little stone lives right up

here at climbs out up the side like that.

481

00:26:22,925 --> 00:26:25,295

You can just put anything

in here that you want.

482

00:26:26,745 --> 00:26:28,725

Okay, shoot.

483

00:26:28,725 --> 00:26:31,365

I think we about hammer

finish paint either.

484

00:26:32,915 --> 00:26:35,405

We'll take a little bit of the

bright red with paint thinner.

485

00:26:36,215 --> 00:26:39,215

And when you go to sign these, I get a

lot of questions about how do I sign it.

486

00:26:39,575 --> 00:26:40,895

Look how thin this paint is.

487

00:26:40,925 --> 00:26:42,965

I mean, it's literally it'll run.

488

00:26:43,035 --> 00:26:44,495

You can see it dripping

right off the pallet.

489

00:26:45,095 --> 00:26:49,415

Then like ink, turn the bristles

in there and let's go right up

490

00:26:49,415 --> 00:26:51,095

here and we'll sign this one.

491

00:26:52,195 --> 00:26:54,495

Hope you've enjoyed is a

fantastic little painting.

492

00:26:54,524 --> 00:26:55,754

It'll teach you a great deal.

493

00:26:56,475 --> 00:26:56,925

Try it.

494

00:26:57,135 --> 00:26:58,425

Let me know how it works for you.

495

00:27:00,135 --> 00:27:00,915

That one's signed.

496

00:27:00,915 --> 00:27:04,305

I think we're going to call this

painting finished and on behalf of

497

00:27:04,305 --> 00:27:07,065

my little friend, hoot that I showed

you at the beginning of the show,

498

00:27:07,784 --> 00:27:09,524

I want to wish you happy painting.

499

00:27:09,855 --> 00:27:10,485

God bless.

500

00:27:10,514 --> 00:27:11,895

I look forward to seeing you again.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S16E02 - Nestled Cabin

Bob Ross's

The Joy of Painting

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