Bob Ross's

The Joy of Painting

S16E01 - Two Seasons

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Hello, I'm Bob Ross.

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And I'd like to welcome to the

16th joy of painting series.

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First of all, let me thank

you for inviting me back for

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another series of painting shows.

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If this is your first time with us, let

me extend a personal invitation for you

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to get out your old brushes and your oil

paints and paint along with a sea Cho.

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Or just pull up the old easy chair,

but you foot's up and enjoy a

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relaxing half hour as we play some

of nature's masterpieces on canvas.

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Tell you what, let's start out by having

to run all the colors across the screen

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that you need to paint along with me.

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And while they're doing that, come

on, let's go up here and let me

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show you what I've already done.

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I've got two canvases up here today.

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We thought we'd do something

a little different.

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I get a lot of requests from people

wanting to do like winter and

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summer or the different scenes.

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So I thought today I would show you how

to do two paintings at one time, and

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this'll be your challenge for the day.

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So let's start out with an

old two inch brush today.

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I'm going to go right into a small

amount of the fellow blue, just tap

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a tiny bit of it into the bristles.

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Just pull a little pain out and tap it.

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The tapping assures that we have

an even distribution of color

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all the way through the bristles.

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Okay, let's go right up here.

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Now, maybe on this one, we'll

just start up at the top and

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make little crisscross strokes.

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Let's say the one over on this side

is our summer scene, so we'll just.

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Put in a happy blue

little sky, just like, so.

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Just using little crisscross strokes.

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Now, the canvases were both

coated with liquid white.

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So the liquid white is

continually mixing with a color.

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And that allows us to actually

blend color red on the canvas rather

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than working herself to death on

the palette or the canvas take a

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small amount of lizard and Crimson.

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And maybe, maybe right in here, we'll

just add a little touch of that.

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I don't make a nice little lavender hue.

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Right in there just to

sparkle it up again there.

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Okay.

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Now then without cleaning the

brush, let's go right over to the

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canvas and let's say it's winter.

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The other one will have winter.

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I'm going to take fallow blue and I'll

retread up here and get a touch of the

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midnight black, because this is a winter.

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I want a gray, the sky a little bit.

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I want to make it a little

chillier, a little more mood to it.

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Okay.

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And here we'll just once again, use

the little crisscross strokes and

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depending on what you want, you can

add more of the black, you can gray

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it down or you can leave it brighter.

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It all depends on you.

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However you want your world to be.

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That's the way it ought to be.

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Okay.

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That's a nice little gray sky there.

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So tell you what let's take some of that

same color, just the black and the blue.

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That's all we need.

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And let's go down here and let's have

a little water in these paintings.

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What the heck?

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What the heck pull from the

outside inward outside the Emery.

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There both sides that way to leave

a little open area right in here.

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And when it's all done, it looked like

a little sheen of light coming across

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there and be very pretty now, very

gently, very gently three hairs and some

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air we just go across and blend that the

little light area still remains in there.

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Okay.

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I'm going back into my fellow blue.

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And I'm gonna add a touch.

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And let me say that again.

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A touch of fatal green, it's

very strong, very strong.

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It will go back to our summer

canvas and let's do the same thing.

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I put the green in there once again

to make this one, a little brighter.

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This is summer it's happier.

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Oh, the birds are having a good time.

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So that's what we want to show

over here, but still pull from

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the outside in there we go.

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It was very lightly.

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Just go across.

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Okay.

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Now we can wash the old brush and

if you've painted with me before.

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You know, this is the fun

part of this whole technique.

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We wash our brushes with odorless

thinner, shake them up and just

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beat the devil out of them.

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And that's where you take all

your hostilities and frustrations.

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And it's a lot of fun.

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Okay.

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Let's put some clouds in here.

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What the heck take titanium white.

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Let's do the summer when first we'll

take quite be right back, right back.

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Get a little touch of the

bright, red little touch.

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Not much.

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Okay.

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Maybe their lives in our world,

a little cloud right up here.

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We're making small little tiny

circular strokes, little tiny

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circles, little tiny circles.

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There we go.

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And just sort of let the

cloud float around, have fun.

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Maybe they just got a little

friend lives over here, there.

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See how easy that is now.

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Then on the other side, In our winter

scene, I'm going to add a touch

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of gray to it, a little bit of the

midnight black, just to gray it down.

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Because once again, we

don't want this as bright.

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Now, maybe this whole cloud

lives right here and he just

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sort of floats around there.

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But when you're doing this, it's just

sort of think like a cloud they're

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free and they have a good time.

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Just enjoy it.

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Little tiny circles and don't overwork it.

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If you overwork it, it'll begin

to looking like a big cotton ball

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that lives up here in the sky.

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We don't want that.

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We want some life in the sign of a gun.

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All right now, with a good clean, dry

brush, I'm going to gently, gently

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blend the base of these clouds.

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Just blend the base of it.

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There we go now, fluff them, grab them

and fluff them, and then very lightly

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blend the entire sky and that easy.

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You've got a fantastic little cloud.

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And while we're going here, let's do

the little summer scene over here.

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Same basic thing fluff.

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It, it lifted there.

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Very gently though.

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There we go.

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Now then let's have some fun

maybe in our world today.

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Maybe there's a little mountain back here.

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I like to paint mountains.

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I lived in Alaska for a dozen

years and mountains are very,

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Oh, they're very special to me.

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I like them.

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So we'll take some black Vandyke Brown,

put a little lizard Crimson in it.

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And a little bit of the Prussian

blue, very strong bloop.

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Pull the paint out very flat.

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Go straight down with a knife cut across.

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And that gives us a little roll of

paint, right on the edge of the knife.

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Okay.

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Now you have to make a major decision.

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Where does your mountain live?

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Maybe in our world lives right here.

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And I want this now and it'd be quite

small, just a little tiny mountain.

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It's far away.

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That's all we need is

just a basic little shape.

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He was little bump lips right there.

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The only thing we're concerned

with is a nice outside edge.

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We could care less.

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What's happening now, here.

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Don't worry about that.

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We'll take care of that.

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Don't worry about it.

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Okay.

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No, but here we use the same

color and we'll try to make a

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mountain that looks about the same.

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We're trying to do the same

scene in winter and summer.

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We'll make them look similar.

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There you go here.

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Okay.

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Maybe right there.

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Once again, we're only worried

about the top of the mountain.

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We could care less down here,

scrape off all the excess paint.

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Just scrape it off then

with a large brush.

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We want to grab this and move it

because the liquid whites on the canvas,

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you can literally move the paint.

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This was a drag canvas.

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You'd be in agony city right

now and just blend it down.

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Same thing over here on this

one, grab it and pull it.

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Just pull it.

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Think about the angles in your mouth.

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There we go.

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Just let it just sort of

blend right into nothing.

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Just like it's laying in the mist down

here now then we'll go back to our knife.

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And tell you what let's do.

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We'll take some titanium,

white dark Sienna.

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I'm going to mix them together,

but leave it marbled like that.

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Don't overmix and cut off

our little roll of paint.

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It's right down the edge of the blade.

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There.

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Let's go up here.

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Now.

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This one over here.

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It has the summer scene on it here.

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I want some nice Browns on it and

all kinds of things happening.

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And by not over mixing the paint,

this happens automatically.

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You get all kinds of beautiful

colors and shades and tones.

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You could work yourself to death,

trying to do this by mixing each color.

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This is a lazy man's way of painting.

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Let the canvas work, let the paint work.

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Maybe we'll put a little

bit right out there.

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There we go.

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Now we need a shadow color for that.

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I'll just take some, Oh, we'll

use some dark Sienna, a little bit

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of the pressure and blue in it.

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That'll gray it down once again.

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We'd cut off that little roll

of paint, small amount of paint,

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and we'll just put in a shadow.

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So all there is to it, just

in an opposite direction.

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Just sit there and you can create.

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Just the illusion of all kinds of

things happening in your world.

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There we go.

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Maybe right in here.

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Just let that come down.

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Just like, so, and where

you want him over here?

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A little bit.

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Okay.

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Now we'll take a clean, dry brush.

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Be sure it's dry.

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It's not dry.

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You're going to be upset for

me, cause your color is going

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to sort of just mix together.

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We just tap the base of it here.

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I want to create the illusion

of a mist soft Misty areas down

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here at the base of the mountain.

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It'll be lifted up and that'll

sort of bring it all together.

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There we go.

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All right.

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And that easy.

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We have a summer type mountain.

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Now let's go over here to the cold side.

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We'll take titanium white, and there's a

little bit of that gray color left in it.

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Not much once again, our little rule

of pate snow on this mountain, as they

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say in Alaska, the Hawk has came here.

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We are.

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The old Hawk, he put snow on the mountain

and we'll just let that come ride on that.

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Like him a little bit on this peak, like

we had on the other one too, gotta to

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make those little noises or didn't work.

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Let's take a little bit of a, we use a

little thing, a little blue and a little

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touch of the black in it, a little white.

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We'll make a happy little

shadow color once again, right

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out on the edge of the knife.

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Just let that do, but absolutely

no pressure, no pressure.

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It just floats across there.

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As I mentioned before, in other

shows, when I was teaching my son,

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Steve, to paint, I used to tell

him to just pretend that he was

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a whisper floating across here.

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It's that delicate of a touch.

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Just barely touch the canvas.

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Okay.

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Now then we'll tap this.

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You asked to create that whole

illusion of missed again.

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There.

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Just touch it, like, so, okay.

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Now then maybe there's some, maybe

there's some little foothills that live

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back here, so let's take, we'll use,

we'll use some awesome black Brown.

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I'm going to reach up here and

get a little touch of the SAP.

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Green, not too much green, a little

bit of white just to lighten it up.

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Okay, let's go up here,

maybe on this one here.

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We'll just touch with a corner of

the two inch brush and just make

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the indication, a little distant

foothills that lived far, far away.

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They're just touching.

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There's going to be water down here.

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Let's have a reflection.

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So all we'll do is just tap some

of that color right down, like, so,

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all right, that's coming along nice.

251

00:12:58,730 --> 00:12:59,660

And I take the big brush.

252

00:13:00,375 --> 00:13:06,945

Pull straight down, straight down, look at

their look at their instant reflections.

253

00:13:07,995 --> 00:13:10,905

When I was traditional painter

reflections used to drive me crazy.

254

00:13:11,385 --> 00:13:13,785

And it's one of the easiest things

you can do in this technique.

255

00:13:14,715 --> 00:13:15,165

All right.

256

00:13:15,195 --> 00:13:16,935

Let's put some over

here on the winter side.

257

00:13:16,935 --> 00:13:21,165

We'll take some white, some white,

I'm going to grab some black here.

258

00:13:21,165 --> 00:13:22,695

We are a little bit of black.

259

00:13:23,730 --> 00:13:25,020

Least little touch of blue.

260

00:13:26,550 --> 00:13:30,540

We want these to be gray

once again, this is winter.

261

00:13:30,870 --> 00:13:32,100

So a little more drab.

262

00:13:32,850 --> 00:13:33,240

Okay.

263

00:13:33,510 --> 00:13:34,980

Let's go right up here now.

264

00:13:35,010 --> 00:13:36,120

Same basic shape.

265

00:13:36,450 --> 00:13:39,570

We're just happy in here.

266

00:13:39,570 --> 00:13:41,790

We are all there is to it.

267

00:13:41,830 --> 00:13:46,740

Just, just think in your mind where a

little Foothill lifts and put it in.

268

00:13:48,630 --> 00:13:52,440

Put it in, this is your world

on this piece of canvas.

269

00:13:52,950 --> 00:13:55,320

And you could do anything

that your heart desires here.

270

00:13:55,650 --> 00:13:58,050

Do you have absolute and total power?

271

00:13:59,430 --> 00:14:00,690

This is the only place in the world.

272

00:14:00,690 --> 00:14:03,900

I have any power, but here,

here, I'm the dictator.

273

00:14:04,000 --> 00:14:06,210

I can do anything here, anything.

274

00:14:06,630 --> 00:14:11,400

And you came to just think

of a scene in your mind.

275

00:14:12,600 --> 00:14:16,380

And put it on canvas that easy.

276

00:14:16,380 --> 00:14:17,880

We have a happy little reflection.

277

00:14:18,840 --> 00:14:20,850

I would dip the knife into a

little bit of the liquid white.

278

00:14:23,250 --> 00:14:24,990

Just pull that through you.

279

00:14:24,990 --> 00:14:25,440

Right back.

280

00:14:25,440 --> 00:14:28,080

Get a little touch of

Crimson to the brightness.

281

00:14:28,080 --> 00:14:30,900

One up, pull it out and then cut across.

282

00:14:30,970 --> 00:14:31,680

Just like it.

283

00:14:31,770 --> 00:14:37,410

Just go up here now let's put in

just a happy little waterline and

284

00:14:37,410 --> 00:14:39,810

we act just like, we're trying

to cut a hole in the canvas.

285

00:14:41,235 --> 00:14:42,194

It's all there is to it.

286

00:14:42,735 --> 00:14:45,194

Just a little ripple here and there.

287

00:14:46,995 --> 00:14:47,415

Okay.

288

00:14:49,305 --> 00:14:52,305

On the other side, I'm using

just straight liquid white.

289

00:14:53,265 --> 00:14:54,405

Don't want the pink over there.

290

00:14:54,435 --> 00:14:58,035

I want this one to be

a little colder there.

291

00:15:00,735 --> 00:15:02,265

See there side easy though.

292

00:15:03,945 --> 00:15:04,575

You can do it.

293

00:15:04,905 --> 00:15:05,985

You can do anything.

294

00:15:06,285 --> 00:15:11,055

Anything that the mind can conceive,

you can do at least up here.

295

00:15:13,065 --> 00:15:13,695

All right.

296

00:15:14,805 --> 00:15:16,965

Now we have to make some big decision.

297

00:15:17,355 --> 00:15:19,665

What lives at the foreground here.

298

00:15:20,915 --> 00:15:22,995

I'll tell you what, let's just get crazy.

299

00:15:23,055 --> 00:15:25,785

We'll take some black.

300

00:15:26,670 --> 00:15:30,930

So blue, uh, grabbed some lizard,

Crimson, a little Vandyke Brown.

301

00:15:31,860 --> 00:15:35,280

I'm not using any green in this, then

I'll use the same color on the both sides.

302

00:15:36,510 --> 00:15:40,290

Just the blues, both blues

and black Brown Crimson.

303

00:15:41,640 --> 00:15:41,939

Okay.

304

00:15:42,239 --> 00:15:43,050

Let's go right up here.

305

00:15:43,319 --> 00:15:48,239

Maybe, maybe their lives in our

world, a nice tree, big tree.

306

00:15:50,069 --> 00:15:51,959

And he lives here and

he watches everything.

307

00:15:54,510 --> 00:15:56,760

Just push in the brush upward.

308

00:15:59,055 --> 00:15:59,805

There we go.

309

00:16:00,855 --> 00:16:01,964

Maybe there's shoot.

310

00:16:01,985 --> 00:16:03,795

Maybe there's a little land

that comes right across here.

311

00:16:05,175 --> 00:16:05,745

I don't know.

312

00:16:07,485 --> 00:16:10,574

Just whatever you want here.

313

00:16:10,574 --> 00:16:13,485

You can create any

illusion that pleases you.

314

00:16:15,584 --> 00:16:17,055

All we're doing is just filling that in.

315

00:16:18,135 --> 00:16:18,435

Okay.

316

00:16:19,485 --> 00:16:22,694

Now then pull the brush in one direction.

317

00:16:22,694 --> 00:16:26,595

When you're doing this, see one

direction that causes a curve.

318

00:16:27,104 --> 00:16:28,094

Will you turn the brush over.

319

00:16:28,094 --> 00:16:29,354

So it curves to the top.

320

00:16:29,385 --> 00:16:30,045

How's it go up here.

321

00:16:30,885 --> 00:16:32,925

Let's push you in a tree over

here on the winter scene.

322

00:16:33,224 --> 00:16:34,305

Same basic tree.

323

00:16:35,204 --> 00:16:36,194

Maybe we'll do one over here.

324

00:16:36,194 --> 00:16:40,694

That's all covered with snow

cold over here on this site.

325

00:16:40,734 --> 00:16:49,334

Have to wear a coat when you paint

this one, just like, so tell you

326

00:16:49,334 --> 00:16:52,574

what, just so you have some practice.

327

00:16:52,964 --> 00:16:54,074

Let's let's do this.

328

00:16:54,074 --> 00:16:56,025

Uh, Find a fan brush there.

329

00:16:56,715 --> 00:16:58,635

Let's do a happy little

evergreen tree too.

330

00:16:58,755 --> 00:16:59,195

What do you use?

331

00:16:59,195 --> 00:17:02,175

Some blue and some black and

Brown crims and just those

332

00:17:02,175 --> 00:17:05,025

same colors, same old colors.

333

00:17:05,025 --> 00:17:06,465

Load the brush full of paint.

334

00:17:06,555 --> 00:17:10,275

Let's go right up here, maybe

in our world, their lives.

335

00:17:10,730 --> 00:17:15,780

Does now just a happy little

evergreen tree, just go back

336

00:17:15,780 --> 00:17:17,429

and forth, back and forth.

337

00:17:17,429 --> 00:17:20,310

See they live here and your fan breaks.

338

00:17:20,310 --> 00:17:22,290

Sometimes you have to

sort of scare them out.

339

00:17:23,040 --> 00:17:23,550

There we go.

340

00:17:25,365 --> 00:17:29,595

There we go and leave some

arms out here like this.

341

00:17:29,595 --> 00:17:35,625

So the birds have a place to

sit when they come there and

342

00:17:35,625 --> 00:17:36,675

he goes down here somewhere.

343

00:17:36,675 --> 00:17:39,645

We don't know where he goes over here.

344

00:17:40,514 --> 00:17:43,185

Let's put one about the same height.

345

00:17:46,845 --> 00:17:52,355

We'll just drop him in paintings will

give you a lot of practice, show you

346

00:17:52,355 --> 00:17:54,545

how to do all kinds of different things.

347

00:17:54,615 --> 00:17:56,525

Use all the equipments, all the colors.

348

00:17:57,695 --> 00:18:01,295

We only use about a dozen

colors, 13 to be exact.

349

00:18:02,555 --> 00:18:05,405

And of those 13 colors,

you can do anything.

350

00:18:06,135 --> 00:18:06,705

It's unreal.

351

00:18:07,995 --> 00:18:08,685

Unreal.

352

00:18:09,195 --> 00:18:11,745

What you can do, maybe see

some time you change your mind.

353

00:18:11,745 --> 00:18:13,755

Maybe there needs to be a

little baby tree right here.

354

00:18:15,705 --> 00:18:19,995

Don't want that tree to get

only so we can just put him in.

355

00:18:21,495 --> 00:18:24,075

And when you do your

painting, let's go over here.

356

00:18:24,810 --> 00:18:27,989

When you do your painting, you just

sort of look at it and you decide

357

00:18:27,989 --> 00:18:29,580

how many trees live in your world.

358

00:18:30,510 --> 00:18:40,320

You can have two 10, zero, any number

in between any number in between assets.

359

00:18:40,320 --> 00:18:41,790

This is a winter scene over here.

360

00:18:42,389 --> 00:18:43,770

We need some snow on the ground.

361

00:18:43,889 --> 00:18:46,250

So let's just take titanium

white on the big brush.

362

00:18:46,830 --> 00:18:49,560

Just pull some in there, just like so.

363

00:18:50,790 --> 00:18:55,800

Now then decide where your snow lives,

maybe it lives right here into the

364

00:18:55,800 --> 00:19:02,969

trees, just like, so that's, what's

great about this old big brush.

365

00:19:03,120 --> 00:19:07,320

You can just do it quick and

say, allow some of that dark

366

00:19:07,320 --> 00:19:09,780

color pickup and pull it.

367

00:19:10,469 --> 00:19:13,110

Then it looks like shadows

under these bushes and trees.

368

00:19:14,625 --> 00:19:17,805

Okay, now then let's

start having some fun.

369

00:19:19,815 --> 00:19:21,105

Maybe we'll highlight this.

370

00:19:21,585 --> 00:19:25,785

So, and we'll dip the brush into a touch

of the liquid white on the one inch brush.

371

00:19:26,445 --> 00:19:27,225

And let's start out.

372

00:19:27,525 --> 00:19:29,325

We'll go through CAD yellow.

373

00:19:29,355 --> 00:19:32,235

Let's do this summer

when first, just caddy.

374

00:19:32,235 --> 00:19:33,075

I'll be right back.

375

00:19:33,105 --> 00:19:34,785

Don't go away right there.

376

00:19:36,015 --> 00:19:37,935

A little bit of the SAP green added to it.

377

00:19:39,284 --> 00:19:42,435

Pull the brush in one direction though,

and look at the amount of paint us in the

378

00:19:42,435 --> 00:19:44,564

bristles, the tremendous amount of paint.

379

00:19:45,844 --> 00:19:46,685

That's what you need.

380

00:19:46,685 --> 00:19:47,135

Okay.

381

00:19:48,034 --> 00:19:50,584

Nephew, I have a lot of paint

in here and it's a thin paint.

382

00:19:50,584 --> 00:19:52,685

This is thinner than the paint

that's already on the canvas.

383

00:19:52,685 --> 00:19:54,844

We use a very firm dry paint up here.

384

00:19:55,385 --> 00:19:56,195

Now this is thin.

385

00:19:57,064 --> 00:20:00,965

Now all you need is a gentle little

touch and you can put beautiful

386

00:20:00,965 --> 00:20:02,314

highlights out here on your tree.

387

00:20:04,245 --> 00:20:05,295

Beautiful highlights.

388

00:20:05,685 --> 00:20:08,655

But now think like a tree tree has limbs.

389

00:20:08,655 --> 00:20:10,275

It has little arms that live in here.

390

00:20:10,695 --> 00:20:13,695

Don't just don't understand

these own random.

391

00:20:14,265 --> 00:20:18,675

Think about shape, there's little branches

and stuff that live inside of here.

392

00:20:19,125 --> 00:20:21,045

And they're little individuals.

393

00:20:21,285 --> 00:20:22,635

They each have a personality.

394

00:20:23,925 --> 00:20:24,185

Okay.

395

00:20:24,235 --> 00:20:28,905

We can add a little yellow ochre,

Indian, yellow here and there.

396

00:20:28,905 --> 00:20:31,275

Maybe a little touch of the

bright red just to sparkle it.

397

00:20:37,635 --> 00:20:40,025

Yeah, little touch, bright red shoot.

398

00:20:40,115 --> 00:20:42,125

Maybe there's a firecracker

lives right out here.

399

00:20:42,425 --> 00:20:42,695

Hmm.

400

00:20:43,025 --> 00:20:45,215

Well, that's pretty, that's pretty.

401

00:20:47,645 --> 00:20:52,685

So I have a go, let's see, put work in

layers now, then come right up in here.

402

00:20:53,285 --> 00:20:55,535

Notice that we leave

some of the dark areas.

403

00:20:55,775 --> 00:20:58,985

Those little dark areas in

between are very important.

404

00:21:00,285 --> 00:21:02,115

That's what gives you a

little bushes and trees?

405

00:21:02,145 --> 00:21:02,385

Depth.

406

00:21:04,805 --> 00:21:05,345

Okay.

407

00:21:06,095 --> 00:21:10,895

Now let's take, we'll

use a fan brush here.

408

00:21:12,065 --> 00:21:16,145

I'll just take a little yellow,

some SAP green mixed in it.

409

00:21:16,895 --> 00:21:21,845

Pretty dark color load, a lot of pain in

the bristles and our evergreen tree here.

410

00:21:24,105 --> 00:21:25,965

Just to add some little

highlights on them.

411

00:21:25,965 --> 00:21:26,745

Don't overdo.

412

00:21:27,435 --> 00:21:28,575

This gets working so well.

413

00:21:28,605 --> 00:21:32,055

Did you just want to cover up all the dark

and you lose your beautiful little tree,

414

00:21:32,055 --> 00:21:36,735

then you go, go away and leave you there.

415

00:21:38,475 --> 00:21:38,955

Okay.

416

00:21:38,955 --> 00:21:42,405

Now here's an old, dirty, there's

just two inch brushes dirty.

417

00:21:43,784 --> 00:21:45,915

We've just tap it right

into the various colors.

418

00:21:46,514 --> 00:21:48,105

Just tap, give it a little push.

419

00:21:49,095 --> 00:21:54,405

Now that it's come right down here and we

can begin putting in all kinds of little

420

00:21:54,405 --> 00:21:59,985

happy grassy areas that easy, that easy.

421

00:22:01,605 --> 00:22:03,345

Think about the lay of the land here.

422

00:22:05,595 --> 00:22:07,425

Just layer after layer, after layer.

423

00:22:09,870 --> 00:22:15,420

Okay, maybe look at there so you can

create a whole nother plane that, that

424

00:22:15,420 --> 00:22:20,430

easy there, but don't kill all that dark.

425

00:22:20,460 --> 00:22:24,000

Once again, it gets, it gets

feeling good and you just go crazy

426

00:22:26,250 --> 00:22:27,720

and you can kill all that dark.

427

00:22:29,250 --> 00:22:31,230

And then your painting

gets very, very flat.

428

00:22:31,860 --> 00:22:34,230

It looks like you almost like

you cut it out, a newspaper or

429

00:22:34,230 --> 00:22:35,280

something and glued it up here.

430

00:22:35,820 --> 00:22:38,070

Now we just take a knife, clean knife.

431

00:22:38,715 --> 00:22:39,405

Can't hear in there.

432

00:22:39,405 --> 00:22:42,165

We'll just creep in the indication

of some little sticks and

433

00:22:42,165 --> 00:22:44,325

twigs and little happy things.

434

00:22:44,525 --> 00:22:45,514

They've all back in here.

435

00:22:46,835 --> 00:22:47,855

And that's all there is to it.

436

00:22:48,845 --> 00:22:49,535

Let's do the other one.

437

00:22:49,535 --> 00:22:49,745

Now.

438

00:22:51,514 --> 00:22:54,395

Now I have several fan brushes

going, so I don't have to

439

00:22:54,395 --> 00:22:55,685

spend all my time washing them.

440

00:22:57,004 --> 00:22:58,805

We'll take, we'll take some white.

441

00:22:58,835 --> 00:22:59,675

I'll be right back.

442

00:22:59,915 --> 00:23:01,355

A little touch of the thalo blue.

443

00:23:02,555 --> 00:23:03,635

Nice warm blue.

444

00:23:03,935 --> 00:23:04,655

Very pretty.

445

00:23:05,910 --> 00:23:08,100

There came a scope here.

446

00:23:09,090 --> 00:23:11,100

Maybe there's a little

snow hanging on this tree.

447

00:23:11,220 --> 00:23:11,430

Yeah.

448

00:23:15,860 --> 00:23:18,200

See that's where the

bird set right out here.

449

00:23:19,130 --> 00:23:21,260

Even the winter time, they

have to have a place to sit.

450

00:23:23,000 --> 00:23:25,850

Sometimes you, when you painted,

you can almost, you can almost

451

00:23:25,850 --> 00:23:28,790

hear the little birds there.

452

00:23:31,500 --> 00:23:37,110

So just once again, they'll make up little

stories and think that this is your world.

453

00:23:37,140 --> 00:23:39,960

It, it becomes a special place to you.

454

00:23:41,490 --> 00:23:43,350

And of course, people may look at you.

455

00:23:43,350 --> 00:23:46,620

Like you're a little strange, but us

painters, you know, we have an artist

456

00:23:46,620 --> 00:23:50,400

licensed and it says you can do anything

on this canvas that makes you happy

457

00:23:51,090 --> 00:23:53,970

utilize that we'll take titanium white.

458

00:23:54,899 --> 00:23:59,100

And liquid white mixed together on the

brush, pulled it in one direction, load

459

00:23:59,100 --> 00:24:04,170

a lot of paint, a lot of paint, the

liquid whites in there only to make

460

00:24:04,170 --> 00:24:07,920

the paint thinner screw right up here,

but the rounded corner to the top.

461

00:24:09,000 --> 00:24:13,800

And let's just put all kinds of beautiful

little snow covered lambs out here.

462

00:24:15,060 --> 00:24:18,330

Now, if you wanted to, you could

just take your liner brush and

463

00:24:18,330 --> 00:24:19,560

just make like a tree trunk.

464

00:24:19,590 --> 00:24:21,360

Maybe all the leaves

fell off in your world.

465

00:24:22,470 --> 00:24:24,300

I sort of liked to have

these snow covered things.

466

00:24:24,300 --> 00:24:27,360

To me, it was just beautiful.

467

00:24:28,410 --> 00:24:32,610

When I lived in Alaska, everything looked

like this in the winter at times, and

468

00:24:32,610 --> 00:24:39,740

it was maybe one of the most beautiful

times of the year in Alaska cold.

469

00:24:41,390 --> 00:24:41,900

It's pretty.

470

00:24:42,200 --> 00:24:43,070

It is so pretty.

471

00:24:43,640 --> 00:24:49,550

God was having a good day when he made

Alaska things were going right there.

472

00:24:49,550 --> 00:24:49,910

We are.

473

00:24:51,630 --> 00:24:53,940

And maybe down in here

lives up a little Bush.

474

00:24:54,000 --> 00:24:54,420

There he is.

475

00:24:56,640 --> 00:25:00,960

This make up all kinds of

little stories maybe over here.

476

00:25:02,130 --> 00:25:07,230

So you put a little Bush right

there, just wherever you want them.

477

00:25:08,040 --> 00:25:11,130

Now then once again,

with our clean knife and.

478

00:25:11,655 --> 00:25:12,885

Come right up here with a camera.

479

00:25:13,304 --> 00:25:14,324

See this dark area.

480

00:25:14,685 --> 00:25:16,365

That's where you want to put your stamps.

481

00:25:17,235 --> 00:25:20,024

You don't want to put them up here,

put them down in the dark area because

482

00:25:20,024 --> 00:25:24,645

that's where you'd see them and just,

just scratch them to scratch them.

483

00:25:24,645 --> 00:25:26,895

And all you're doing is allowing

the canvas to show through.

484

00:25:31,814 --> 00:25:35,564

Once again, though, mainly in these

dark areas, we can come over here, drop

485

00:25:35,564 --> 00:25:38,945

in a couple, just wherever you want.

486

00:25:41,280 --> 00:25:41,909

Okay.

487

00:25:42,480 --> 00:25:49,170

I find the old liner brush, go into

some paint, thinner, some dark Sienna,

488

00:25:50,970 --> 00:25:53,250

and we want this paint to be thin.

489

00:25:53,370 --> 00:25:57,899

Like ink turned the bristles,

turn it a liner brush has

490

00:25:57,899 --> 00:25:59,100

a very long bristles on it.

491

00:25:59,100 --> 00:26:00,360

Loads a lot of paint.

492

00:26:01,530 --> 00:26:02,160

There we go.

493

00:26:02,760 --> 00:26:02,940

Okay.

494

00:26:02,940 --> 00:26:07,670

Maybe, maybe in our world right up here,

lives in a little stick, just take touch.

495

00:26:08,300 --> 00:26:09,080

And it helps here.

496

00:26:09,110 --> 00:26:13,100

If you're a little nervous, it makes a

much more interesting little stick than

497

00:26:13,100 --> 00:26:20,420

one is just, or I think so just you sort

of make the decision maybe in your world.

498

00:26:20,450 --> 00:26:21,710

You want all straight sticks.

499

00:26:22,010 --> 00:26:25,430

I like to have them with

little character Kane.

500

00:26:25,480 --> 00:26:26,630

We can take that same color.

501

00:26:27,020 --> 00:26:28,340

Let's go over into the winter side.

502

00:26:29,370 --> 00:26:31,860

And maybe a little stake lives right here.

503

00:26:32,550 --> 00:26:33,690

See, there he is.

504

00:26:33,960 --> 00:26:34,380

There he is.

505

00:26:35,520 --> 00:26:42,780

You knew he was there, there, just

touch it, give it a little pull.

506

00:26:44,670 --> 00:26:47,820

That's all there is to it and you

can put them wherever you want to.

507

00:26:50,490 --> 00:26:53,760

And that's how easy it is

to make two scenes at once.

508

00:26:54,060 --> 00:26:55,260

I'm going to take a

little more of the paint.

509

00:26:55,260 --> 00:26:56,730

Then I go into some bright red.

510

00:26:57,315 --> 00:27:03,225

And let's sign these and just then

you paint once again, just like it was

511

00:27:03,555 --> 00:27:08,865

ink and you can sign and we'll go step

right over to the winter one sign yet.

512

00:27:10,665 --> 00:27:11,775

And I think we're all finished.

513

00:27:11,775 --> 00:27:14,415

We have two paintings

today for the price of one.

514

00:27:16,175 --> 00:27:16,805

There we are.

515

00:27:18,065 --> 00:27:20,105

And I hope you've enjoyed this

and it shows you how to do.

516

00:27:20,490 --> 00:27:24,270

A winter and a summer scene of

the same palette at the same time.

517

00:27:24,780 --> 00:27:25,080

Thank you.

518

00:27:25,080 --> 00:27:25,590

And enjoy.

519

00:27:25,950 --> 00:27:27,870

And from all of us here, happy painting.

520

00:27:28,514 --> 00:27:29,294

And God bless.

521

00:27:29,355 --> 00:27:30,314

I'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S16E01 - Two Seasons

Bob Ross's

The Joy of Painting

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