Bob Ross's

The Joy of Painting

S17E02 - The Old Home Place

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Welcome back.

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Certainly glad you could join me today.

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And today I'd like to introduce you to

some little friends that I have with me.

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This is for little chimney

sweeps, and they're just sorta

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hanging right here on my shirt.

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These are the cutest little devils

and they live in 10 minutes.

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We've got one that's hungry here.

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And a lot of people here I'm in

the chimney, but not too often.

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Do you get a chance to see them and

believe it or not in this myth of

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birds here, there are four of them.

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There's one hidden under there.

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And they're a little bit,

just a couple of weeks.

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So I thought you might enjoy seeing these.

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I borrowed these from Diana Schaefer, the

bird lady here in monthly to show you.

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So I tell you what, let's have him run

all the colors across the screen that

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you need to paint along with me today.

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And while they're doing that, I'll

see if I can get these Rascals off of

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my shirt and we'll get started here.

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This is like pulling leeches off.

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So we'll just take them right off.

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They have unbelievable little claws.

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Come out.

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Here we go.

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Here's one.

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Yeah, there we are.

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Let's say you don't have to

worry about them falling.

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All right.

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Okay today, I have my standard

old 18 by 24 inch canvas up here.

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This is a triple primed canvas,

so it's all ready to go.

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And I've covered it with a nice,

thin even coat of the liquid white.

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So it's wet and slick

and we can get started.

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I think it's time to eat.

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Let's have some fun today.

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Let's start off the day with a

little touch of the CAD yellow,

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just a small amount on the brush.

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Just sort of tap the bristles into it.

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So you get a little tiny bit, we don't

want to overload it just a little bit.

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Okay.

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Let's go right up here.

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And this is such a fantastic day.

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Let's do just a beautiful,

happy little painting.

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Put a little tiny bit of

this yellow into the sky.

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Just a small amount.

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Just somewhere read along in there

now then without cleaning the brush.

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I want to add a little touch of

the yellow ochre and we'll put

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a little touch of that in there.

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Just let them blend together.

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Chest happy, little colors.

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They make you feel good.

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They're nice and bright warm colors.

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Now then maybe we'll still

without cleaning the brush.

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Cause I'm lazy.

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I look for easy ways to do things.

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A little of a lizard

Crimson, just a small amount.

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Right down in here, we'll just add

a little touch of Crimson and we're

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just making little crisscross strokes,

little Xs solvers to it, and just

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allow these colors to blend together.

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Just blend right together.

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Maybe a little bit of that Crimson

up in here, wherever you want.

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It just sort of look around

and decide where you think it

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should live in your painting.

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Hope you enjoy the little birds and

stuff that we show on the program.

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I'm such a fanatic for God's

little creatures that I like

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to share those with you.

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There we are.

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Now that maybe we have a

little light spot right here.

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So I tell you what, maybe I'll

just take my finger and take a

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little touch of that Crimson.

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Just very small amount of paint.

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It would just put the indication.

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Have a little sign up in there.

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We can take the big brush and blend it,

and this will soften it to any degree

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of lightness or darkness that you want.

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You can just soften it until it goes away.

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If you want to, we want to

keep a little tiny bit of it.

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There just enough.

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That is a little indication,

but some little clouds up there.

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And for that, I'm going to take

some alizarin, Crimson and a touch.

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Just a touch of that.

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The little blue.

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And the fellow blue is many, many

times stronger than the Crimson.

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So proportionately we're using much,

much more Crimson than we are blue.

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Be very careful at blue is so strong and

lean up your whole world in a heartbeat

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that we just take the old large brush.

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I still haven't cleaned it still.

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Haven't cleaned it.

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Just tap a little color into it.

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Yeah, maybe up in here, live

some nice, just happy little

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stringy clouds across here.

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Now, if you wish to use blue by itself

to do this and you touch the yellow.

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Oh my gosh.

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Well, you know what had happened?

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You'd have bright green and in

this particular painting, I'm

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not looking for a green sky.

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So by using this lavender color yep.

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When they hit the yellow, the worst

that can happen is it turns a beautiful

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brownish color and that's okay.

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We can live with that today.

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Maybe this one right here, you

have to make big decisions.

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Where does your little clouds live?

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They just float around

and have fun all day.

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There is another one.

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As many or as few as you want, let's

go to the other side over here.

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We have a few coming in here.

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Little stringy clouds.

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They're just sort of stair-step this

one, maybe it comes right on down.

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Mike, go right up to them.

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Sun there just right up to it.

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And, and a little bit right along

here, this will, this will be our

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horizon right along this area.

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So we just put a little color

right here, wherever you want it.

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Okay.

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Now, long last we'll wash the brush and

we wash our brush with odorless thinner.

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Shake off the excess and then

just beat the devil out of it.

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That's the most fun part of this

whole technique and take out all

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your frustrations and hostilities.

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Be sure your brush is good

and dry and barely touching.

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Barely touching three hairs in some air.

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Just gently blend the sky and you blend it

to any degree of softness that you want.

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You can continue to blend it until

it's just as soft as velvet, or

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you can leave it quite strong.

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It's up to you.

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It's up to you.

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Painting is a very individual thing.

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So you have to make big decisions

in your world there now.

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Tell you what?

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Let's take it.

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Same color.

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We'll just add a little bit more to

the two inch brush the haymow brush.

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Just a little bit of color.

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Maybe back in here, somewhere in here.

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Maybe there's a happy little

Hill that lives back here.

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I wanted almost the

same color as this guy.

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Very soft, very subdued.

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It's far away, far, far away.

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Don't let it get too strong

on your to stand out.

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We want this to be, we often the distance

somewhere far away, far, far away there.

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So you need

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to hear, we are here

to see our camera crew.

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Now we can soften that because

it just sets we back here now,

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then let's have some, maybe some

little grassy areas in there.

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Shoot.

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We'll take, we'll just

use that same color.

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I'm going to add a little Vandyke

Brown to it, and maybe a little black,

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just want a dark end up a little

bit, but the same lavender color with

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a little band, little black mixed.

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Just so it's darker.

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And let's begin tapping in

some basic little shapes here.

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Maybe there's a little

Hill, there's a Ray there.

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Maybe it comes down.

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Just make a decision.

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You have unlimited power here.

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You can create any illusion that

you can conceive in your mind.

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So just allow that to happen, allow

it to happen everywhere, again,

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thinking about where you are and

all these little things to live.

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See, now you can see how

distant that Hill looks.

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Really doesn't show up.

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Well, till you put something in

front of it, there were always

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playing darks against light lights

against dark continually continue.

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The finest paint made can only

capture a small portion of light.

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So we have to work with illusions.

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And when you paint, you play once

again, lights against the dark

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darks against like, there we go.

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Okay, pretty quickly.

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We have some background filled in here.

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Can you could really just wipe this off.

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This is just a super way to practice.

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You could put this on with a paint roller.

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All we're doing is just blocking

in some basic color here.

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Okay.

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Same old brush.

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I'm not even going to clean it.

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I'm going to go right down here.

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Pick up a little bit of the

yellow, little yellow ochre, little

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Indian, yellow here and there.

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We'll get the least little

touch of the bright red.

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Not much, not much.

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Maybe it'd be right back.

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Get a little touch of the dark

sand here just to dull it a little.

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So it's not too bright, a

little touch of SAP green too.

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Ooh, that's kinda nice.

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But by loading it on the brush and mixing

color on the brush and this brush, now

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we have a multitude of colors happening.

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It's not one Flato dead color and you can.

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Push that brush, give it a little push.

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That loads paint right on

the end of the bristles.

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And with that, then we can go up here

and very lightly begin tapping in some

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beautiful little grassy Hills started

in the area that's furthest away from

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you and work forward forward forward.

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Always coming forward there.

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Now, maybe watch here.

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Maybe it comes right down.

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See, now you created a

different plane there.

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That's simple, that's

simple power where you have.

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There we go.

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And I'm just going to vary these

same colors back and forth.

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A little darker.

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There is a little more of the

SAP green, but just very back

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and forth, forth and back.

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But now the lay of the land

begins to become very important.

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So begin thinking about how the land flows

a little Hills and the valleys and all

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these beautiful little things in here.

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All you're doing is tapping and

the more you tap the softer, it

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becomes, you can hear it a little

birds in the background there.

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They just chirp it and having a good time.

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Yeah, there was something else.

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Nothing else.

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In the last series we, we showed a baby

owl and later on in this series, I'm going

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to show you what he, he grew up to be.

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Cause he's, he's a big owl now, but

see just layer after layer, after layer

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and as many and the, as you want now,

sometimes, sometimes, sometimes you get

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excited and you see nice things here.

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Maybe you want to show, I'm

taking a little bit of that.

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Just straight titanium, white,

maybe there, you want to show a

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little light zinging through here.

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So just add a little white to your brush

and where you think light would hit.

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Just tap a little in

there, but don't overdo.

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If you overdue, then it

loses its effectiveness.

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It's effective only because

there's a small amount of it.

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It's like gold.

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If everybody had a lot of gold,

it wouldn't be worth anything.

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So treasure, these little

things don't, don't use them.

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Don't use them all up there.

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Good friends.

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Okay.

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Shoot.

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I such a nice place.

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There would be a beautiful place

to have just a happy little pond.

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Let me just take another two inch brush

and I have several of each brush go on.

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So I don't have to continually

wash brush and we had a little

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touch of the fellow blue.

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And maybe have to make a decision.

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Maybe we have a little

tiny body of water here.

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We back here, pull it straight

down, just straight down.

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And don't worry about this.

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If there's something here that you

don't want or don't like, all you

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have to do is cover it up, but see how

beautiful that is with that lavender

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that's underneath it, mixes with it.

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Don't fight.

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These things allow them to happen.

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It can be some of the most

beautiful effects now.

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Very lightly go across just enough to

give it a sheen or watery appearance.

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All it takes.

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Now, maybe back in here, let's

make like a little white, a little

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white, a little dark Sienna.

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So just white and dark can

pull it out as flat as you can

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get it, but leave it marble.

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So there's a lot of colors happening.

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Polocrosse get our tiny little roller

paint right on the edge of the knife.

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And maybe there's a little

bit of land back here

251

00:13:06,555 --> 00:13:07,995

and all I'm doing is scrubbing.

252

00:13:08,505 --> 00:13:12,555

Just really scrub it in there.

253

00:13:13,949 --> 00:13:14,459

Okay.

254

00:13:17,699 --> 00:13:18,329

All right.

255

00:13:20,550 --> 00:13:27,439

Now maybe, maybe our land continues

to get a little more of the Brown

256

00:13:27,470 --> 00:13:32,480

and a black little lizard Crimson

and a little touch of blue.

257

00:13:32,569 --> 00:13:34,010

All the same colors again.

258

00:13:34,970 --> 00:13:35,060

Okay.

259

00:13:35,445 --> 00:13:40,755

Maybe this is a very small little pond

here, so maybe, maybe, maybe let's have it

260

00:13:40,755 --> 00:13:45,195

count for a long, so not much of it shows.

261

00:13:45,255 --> 00:13:46,785

We just want an indication.

262

00:13:48,495 --> 00:13:50,475

There's a place back here

where all the creatures can go

263

00:13:50,475 --> 00:13:53,535

to get a little drink there.

264

00:13:55,845 --> 00:13:56,385

Okay.

265

00:13:58,715 --> 00:14:01,445

But this again, puts another plane

in the painting in each one of

266

00:14:01,445 --> 00:14:06,305

these planes helped create that

illusion of depth and distance.

267

00:14:06,995 --> 00:14:09,545

And to me, that's very, very

desirable in a painting.

268

00:14:11,375 --> 00:14:12,095

Here we go.

269

00:14:13,865 --> 00:14:18,635

Tell you what I just, what let's

take a little dark Sienna and white.

270

00:14:18,665 --> 00:14:21,275

We just use that same old brush

leave whatever's on there with it.

271

00:14:22,485 --> 00:14:27,905

Maybe we can just put some of this

color on like that, like look at all

272

00:14:27,905 --> 00:14:30,844

the beautiful colors that happened

because you don't clean the brush.

273

00:14:31,985 --> 00:14:35,194

If you've cleaned it and started with

fresh color, you'd have one dental cover

274

00:14:35,915 --> 00:14:39,454

as it is that you're picking up everything

it's there and it's all mixing together

275

00:14:40,685 --> 00:14:42,574

and just beautiful things are happening.

276

00:14:46,505 --> 00:14:47,015

Nanny.

277

00:14:47,610 --> 00:14:48,600

Go back to this brush.

278

00:14:48,630 --> 00:14:51,180

It has the yellows and the greens on it.

279

00:14:51,660 --> 00:14:53,010

Tap in a little bit of color.

280

00:14:54,720 --> 00:14:56,280

Just tap, give it that little push.

281

00:14:56,870 --> 00:14:58,980

See how that loads the

end of those bristles.

282

00:14:59,160 --> 00:15:00,090

Most important.

283

00:15:01,260 --> 00:15:02,040

There we go.

284

00:15:03,750 --> 00:15:05,760

It's surprising little ponds like this.

285

00:15:05,820 --> 00:15:09,330

Sometimes just the efficient

here can be fantastic.

286

00:15:10,050 --> 00:15:13,530

When I was a kid, I used to fish in

little ponds like this all over Florida.

287

00:15:15,060 --> 00:15:16,319

Costume pretty nice fish.

288

00:15:17,819 --> 00:15:21,240

I remember when I was only

about nine or 10 years old, I

289

00:15:21,240 --> 00:15:22,469

was looking for some fish meat.

290

00:15:22,500 --> 00:15:22,859

One day.

291

00:15:23,760 --> 00:15:27,420

One of the big guys in the neighborhood

told me that the larvae out of

292

00:15:27,420 --> 00:15:30,329

a wasp's nest mixed a beautiful

fish peak, which it does it does.

293

00:15:31,780 --> 00:15:34,170

I said, well, I don't know how

to catch it, how to get them.

294

00:15:35,265 --> 00:15:39,285

So this guy told me, he says, no, if you

want to catch, if you want to get a wasp

295

00:15:39,315 --> 00:15:42,855

nest to get the little RV out for fish

bait, I want you to do is find a big one.

296

00:15:43,635 --> 00:15:46,305

And then you take a pole in

your socket and when it falls

297

00:15:46,305 --> 00:15:47,925

down, you run and grab it.

298

00:15:47,925 --> 00:15:49,695

But in the meantime, all

these wasps are going to come.

299

00:15:50,205 --> 00:15:52,935

So if you stand real, still like

a tree, they'll think you're

300

00:15:52,935 --> 00:15:54,015

a tree and they won't buddy.

301

00:15:54,675 --> 00:15:57,135

But at nine years old made sense to me.

302

00:15:57,915 --> 00:16:01,275

So I went out and got a big pole on

MK biggest wash nest in town down.

303

00:16:02,220 --> 00:16:03,300

And stood real still.

304

00:16:03,600 --> 00:16:06,120

And these wasps use my face

for an aircraft carrier.

305

00:16:06,120 --> 00:16:11,040

They came in like jets and my

eyes literally swelled shut.

306

00:16:12,600 --> 00:16:14,670

I spent days on in the bed.

307

00:16:15,360 --> 00:16:16,920

Didn't do any fishing for a long time.

308

00:16:18,295 --> 00:16:22,705

So, if anybody tells you

that don't believe it, you're

309

00:16:22,705 --> 00:16:24,025

gonna knock a wasp nest down.

310

00:16:24,115 --> 00:16:24,925

You run.

311

00:16:26,814 --> 00:16:27,415

There we go.

312

00:16:30,205 --> 00:16:31,465

It looked like a little road there.

313

00:16:31,525 --> 00:16:33,385

So let's just put something on this side.

314

00:16:35,235 --> 00:16:35,545

Easy.

315

00:16:36,535 --> 00:16:39,685

And we're using the same old

colors, Crimson and Brown

316

00:16:39,775 --> 00:16:41,125

little touch of the blue.

317

00:16:42,444 --> 00:16:44,395

All we're doing is just

applying a dark color.

318

00:16:44,844 --> 00:16:46,495

So then we put a lighter color on there.

319

00:16:46,795 --> 00:16:51,775

It'll show have to have dark in order

to show light while we got that going,

320

00:16:52,035 --> 00:16:54,285

tell you what I see something else here.

321

00:16:55,875 --> 00:16:57,314

I see something now.

322

00:16:59,115 --> 00:17:02,355

Same old colors, maybe right in here.

323

00:17:03,895 --> 00:17:07,335

Still using this old brush,

maybe their lives in here.

324

00:17:08,385 --> 00:17:16,605

What it does now, maybe their lives

in here, a big tree, just a nice tree.

325

00:17:17,325 --> 00:17:17,685

The tree.

326

00:17:19,315 --> 00:17:19,944

There we go.

327

00:17:20,545 --> 00:17:22,735

I'm just using the corner of

the brush and just tapping in

328

00:17:22,735 --> 00:17:24,835

here a very basic little shape.

329

00:17:24,865 --> 00:17:29,925

I'm not looking for any detail,

just point in a minute and a minute.

330

00:17:29,925 --> 00:17:31,275

We'll find some details in it.

331

00:17:33,345 --> 00:17:37,515

Now we're just looking, looking

for a nice tree shape someplace

332

00:17:37,515 --> 00:17:39,125

for that little noisy bird to stay.

333

00:17:43,125 --> 00:17:43,665

Okay.

334

00:17:43,665 --> 00:17:45,315

And maybe comes right on down here.

335

00:17:45,315 --> 00:17:45,855

We don't know.

336

00:17:46,215 --> 00:17:46,754

Wait, I don't know.

337

00:17:46,754 --> 00:17:50,774

Maybe it was a nasty little Bush

lives here, whatever you want.

338

00:17:52,695 --> 00:17:54,825

Just have to make a

decision and drop it in.

339

00:17:56,774 --> 00:17:57,284

Okay.

340

00:17:59,345 --> 00:18:02,585

I don't want to take some of the

liquid white, put it out here.

341

00:18:02,885 --> 00:18:07,385

We'll pick a little yellow ochre, a little

dark Sienna, not much, just a little,

342

00:18:08,195 --> 00:18:09,544

maybe a little more of the dark sand.

343

00:18:10,560 --> 00:18:13,290

Mix it all up there.

344

00:18:13,290 --> 00:18:14,490

Now this is a very thin paint.

345

00:18:14,490 --> 00:18:18,900

Let me clean my knife clean, and

now we'll take our liner brush.

346

00:18:20,100 --> 00:18:21,390

We're going to some paint thinner.

347

00:18:21,660 --> 00:18:23,040

I want to go into van Dyke Brown.

348

00:18:23,040 --> 00:18:24,120

Let me get a little more thinner.

349

00:18:24,840 --> 00:18:26,790

We want this to be very thin paint.

350

00:18:28,260 --> 00:18:31,170

So we load the bristles

full of Vandyke Brown.

351

00:18:31,800 --> 00:18:32,070

352

00:18:32,070 --> 00:18:33,630

Now I'm going to just go right down here.

353

00:18:34,514 --> 00:18:37,215

Now take where we have this

liquid white with color in it,

354

00:18:37,365 --> 00:18:38,955

pull one side of it only through.

355

00:18:39,465 --> 00:18:42,345

So you have a light side and a dark side.

356

00:18:43,754 --> 00:18:50,054

Now let's go up in here in

this bill is a trunk in there.

357

00:18:50,355 --> 00:18:53,504

That's all we put a little more

color, the dark little, the light.

358

00:18:53,534 --> 00:18:58,965

You have to be careful that your light's

always on the same side and get nervous.

359

00:18:58,965 --> 00:19:00,945

Let it wiggle and jiggle and have fun.

360

00:19:01,935 --> 00:19:02,595

Shoot.

361

00:19:03,240 --> 00:19:06,900

With some character in a tree,

just make an old street tree.

362

00:19:08,130 --> 00:19:11,910

These are so much more interesting

when they have some shape and gnarly.

363

00:19:12,090 --> 00:19:19,980

I like that word gnarly there now to

tell you what we've used this old two

364

00:19:19,980 --> 00:19:26,340

inch brush so much, let's just add a

little bit of green, Sam, green, little

365

00:19:26,340 --> 00:19:28,620

kid, yellow, a little yellow ochre.

366

00:19:28,620 --> 00:19:30,060

And in yellow, whatever you got there.

367

00:19:30,959 --> 00:19:32,189

Tap a little color into it.

368

00:19:33,629 --> 00:19:36,899

Now the yellow paint is

thinner than other colors.

369

00:19:38,159 --> 00:19:40,739

We intentionally make that

to a thinner consistency.

370

00:19:41,550 --> 00:19:46,080

So it'll stick because yellow is nearly

always the highlight color or using

371

00:19:46,080 --> 00:19:51,270

just the corner that big old two inch

brush you can begin placing in all kinds

372

00:19:51,270 --> 00:19:53,310

of beautiful little leaf indications.

373

00:19:53,879 --> 00:19:57,179

Think about form and

shape the most important.

374

00:19:57,239 --> 00:19:58,590

Don't just throw them in at random.

375

00:19:59,835 --> 00:20:00,615

There we go.

376

00:20:03,155 --> 00:20:07,024

But that easy using a big old

brush shoot, you can make a

377

00:20:07,024 --> 00:20:09,784

beautiful tree, beautiful tree.

378

00:20:09,784 --> 00:20:14,045

I'm going into a little

yellow ochre, maybe in hair.

379

00:20:14,105 --> 00:20:18,395

There's another little Bush, pick

out a few little individual things.

380

00:20:19,145 --> 00:20:22,715

There have to touch the bright red to it.

381

00:20:22,805 --> 00:20:23,825

Sparkle it up a little.

382

00:20:24,720 --> 00:20:25,320

There we go.

383

00:20:26,010 --> 00:20:32,120

Maybe he's got a little friend that lives

over there, here named Clyde, whatever.

384

00:20:33,710 --> 00:20:36,830

No, that one, a little more yellow

there and it'll stand out there.

385

00:20:36,830 --> 00:20:39,290

He is just changing the color a little.

386

00:20:39,650 --> 00:20:41,810

And then you have layer

after layer of bushes.

387

00:20:44,520 --> 00:20:44,960

True.

388

00:20:45,920 --> 00:20:46,010

Okay.

389

00:20:46,220 --> 00:20:48,650

Maybe there's a little

Bush lift right here.

390

00:20:49,790 --> 00:20:51,050

Okay, go ahead.

391

00:20:51,940 --> 00:20:52,910

Take the point of the night.

392

00:20:53,630 --> 00:20:58,500

Just scraped through putting in

a few little sticks and twigs.

393

00:20:58,590 --> 00:21:02,580

I tell you what, tell you what

that's such a beautiful little place,

394

00:21:02,790 --> 00:21:03,990

where to have a little house there.

395

00:21:04,290 --> 00:21:06,810

Let's build a little house,

maybe the little house.

396

00:21:06,870 --> 00:21:08,130

Here's the roof coming right here.

397

00:21:08,130 --> 00:21:09,180

I scrape it out first.

398

00:21:09,180 --> 00:21:11,220

That sort of helps you lay it out.

399

00:21:12,840 --> 00:21:14,220

Like, so maybe it's a porch.

400

00:21:14,580 --> 00:21:19,110

If you're on a porch I gotta to

do is pull out, down, out and I

401

00:21:19,110 --> 00:21:20,250

was going to live right there.

402

00:21:20,760 --> 00:21:21,899

And we're not committed yet.

403

00:21:21,959 --> 00:21:24,449

All we're doing is just

putting in a basic idea.

404

00:21:26,459 --> 00:21:26,730

There.

405

00:21:31,669 --> 00:21:33,500

But it lays out your whole cabin.

406

00:21:33,830 --> 00:21:37,340

And at the same time, it allows you

to remove some of that excess paint.

407

00:21:37,340 --> 00:21:41,570

I'm gonna take a little point,

a little touch, a little touch,

408

00:21:42,050 --> 00:21:49,190

a little blue, a little touch of

black, just a little like so, okay.

409

00:21:49,250 --> 00:21:50,510

Let's build us a roof on there.

410

00:21:50,540 --> 00:21:51,950

You learn a little roller paint.

411

00:21:52,760 --> 00:21:53,659

Here's a little trick.

412

00:21:53,750 --> 00:21:55,790

Outline it first with a knife.

413

00:21:56,669 --> 00:21:59,610

And then when you come down, then

you have a nice straight edge.

414

00:22:01,980 --> 00:22:03,510

Like, so just let it go.

415

00:22:04,919 --> 00:22:06,179

It's an old house here.

416

00:22:06,210 --> 00:22:09,870

Maybe this is someplace

someplace in the deep South.

417

00:22:10,169 --> 00:22:11,760

I was born and raised in Florida.

418

00:22:13,409 --> 00:22:15,510

So I like the Southern scenes.

419

00:22:16,800 --> 00:22:17,040

Nice.

420

00:22:17,110 --> 00:22:21,899

Just put old or Southern type house there.

421

00:22:21,899 --> 00:22:22,590

It's old too.

422

00:22:22,590 --> 00:22:23,129

I mean, it's.

423

00:22:23,565 --> 00:22:26,205

Seen its better day, a little

bit over here on this side.

424

00:22:27,705 --> 00:22:28,055

Thanks.

425

00:22:28,055 --> 00:22:35,505

So now that maybe, maybe the soul house,

maybe it has like a screen porch on it.

426

00:22:36,285 --> 00:22:44,055

So that just sorta looks dark,

sort of looks dark the whole porch.

427

00:22:45,825 --> 00:22:46,455

There we are.

428

00:22:48,045 --> 00:22:48,765

Nah, take off.

429

00:22:50,235 --> 00:22:57,345

Let's take Y least little touch-up

lease these little touch of black

430

00:22:57,345 --> 00:23:02,445

in it, then a little touch of dark

Sienna just to dull it down real nice.

431

00:23:04,305 --> 00:23:04,635

Okay.

432

00:23:05,175 --> 00:23:10,845

Now then over here, we need just

a touch more of the CNN there.

433

00:23:10,845 --> 00:23:12,225

So it shows up a little bit better.

434

00:23:13,805 --> 00:23:14,375

There we go.

435

00:23:16,265 --> 00:23:16,985

Very nice.

436

00:23:19,215 --> 00:23:19,784

Fair.

437

00:23:22,534 --> 00:23:25,745

And there'd be a little shadow, a little

Brown under here, just to create a

438

00:23:25,745 --> 00:23:31,835

little shadow, maybe a little bit running

right down there and we'll take that

439

00:23:32,284 --> 00:23:34,475

same color and add a little bite to it.

440

00:23:35,435 --> 00:23:36,845

So it'll be a little bit brighter.

441

00:23:37,625 --> 00:23:39,304

And underneath her porch out here.

442

00:23:47,490 --> 00:23:49,320

Just let that slide

right down through there.

443

00:23:50,710 --> 00:23:54,720

We can take a little Brown and

just put the indication here

444

00:23:54,720 --> 00:23:57,030

and there of some nice boards.

445

00:24:04,230 --> 00:24:05,580

Maybe you can make out here.

446

00:24:05,580 --> 00:24:08,220

And there a few little things.

447

00:24:10,410 --> 00:24:12,060

There's a rail that runs right along here.

448

00:24:15,669 --> 00:24:20,340

Okay, now that it's a

little bit more of a Sienna.

449

00:24:20,909 --> 00:24:23,820

I want this edge where they come

together here to be a little darker.

450

00:24:23,820 --> 00:24:27,690

So it shows there and just pull it down.

451

00:24:27,690 --> 00:24:28,680

So it blends right in.

452

00:24:30,820 --> 00:24:31,419

Okay.

453

00:24:32,700 --> 00:24:33,960

Let's go back to a big brush.

454

00:24:34,919 --> 00:24:35,010

Okay.

455

00:24:35,385 --> 00:24:42,645

Uh, bushes here growing up, this guy cuts

grass like I do, which aren't too good.

456

00:24:44,065 --> 00:24:46,185

I'm not a very good lawn keeper.

457

00:24:47,175 --> 00:24:50,025

So we'll just have a few bushes

growing up around his old house.

458

00:24:53,625 --> 00:24:56,475

So, and sometimes you

can just get crazy here.

459

00:24:56,475 --> 00:24:59,835

Maybe tell you what,

maybe take a little Brown.

460

00:25:01,365 --> 00:25:03,645

Maybe there's what

remains of an old fence.

461

00:25:03,945 --> 00:25:06,915

And then maybe start in the right.

462

00:25:06,915 --> 00:25:11,045

There just goes right along the road here.

463

00:25:13,625 --> 00:25:21,035

Because, because if you had a beautiful

pond, like it, there probably be a

464

00:25:21,035 --> 00:25:25,685

trout in there and everybody be after

your trout, a little Brown and white.

465

00:25:25,865 --> 00:25:30,125

So we'll put up a little

fence to keep them out there.

466

00:25:30,524 --> 00:25:34,725

That's a little highlight on it

now, right through the liquid white.

467

00:25:36,044 --> 00:25:41,175

And let's just take and use the

heel of the knife and cut in the

468

00:25:41,175 --> 00:25:43,185

indication of a little bit of wire.

469

00:25:45,495 --> 00:25:50,145

How many strands you want to

three, Tim, talk to you that easy.

470

00:25:50,205 --> 00:25:55,034

You can just drop them in no

problem at all, but a bit of

471

00:25:55,034 --> 00:25:56,655

color come right down in here.

472

00:25:57,075 --> 00:25:58,725

Put a little grass at the foot to these.

473

00:26:01,905 --> 00:26:06,675

Now we can take her a big brush,

Glen, that little path, right?

474

00:26:06,675 --> 00:26:10,315

It's just the way we want it over.

475

00:26:10,315 --> 00:26:13,785

Run this side here we need, we

need a little bit of grassy things.

476

00:26:15,645 --> 00:26:16,995

Same greens and stuff.

477

00:26:16,995 --> 00:26:23,105

And we'll tap in just a few

little things scare away.

478

00:26:24,845 --> 00:26:31,445

This sort of reminds me though, of a place

I grew up in Florida because it was very.

479

00:26:32,490 --> 00:26:33,840

Quiet had a few Hills.

480

00:26:33,840 --> 00:26:38,160

There are a few places in Florida did

have a few little Hills when we were kids.

481

00:26:38,160 --> 00:26:39,480

We thought those were mountains.

482

00:26:41,160 --> 00:26:41,910

Here's later.

483

00:26:42,570 --> 00:26:44,850

I never suspected I'd

ended up living in Alaska.

484

00:26:45,930 --> 00:26:48,180

Let's see some of the most

beautiful mountains in the world.

485

00:26:51,370 --> 00:26:51,790

Okay.

486

00:26:53,300 --> 00:26:55,700

I'll tell you what I think we've

been having finished painting.

487

00:26:56,390 --> 00:26:57,470

Take a little bit of thinner.

488

00:26:57,955 --> 00:27:01,304

Little touch of the bright

red and we'll sign this one.

489

00:27:01,754 --> 00:27:02,685

I hope you've enjoyed it.

490

00:27:03,585 --> 00:27:06,254

And once again, I hope you enjoyed

the little critters that we had

491

00:27:06,254 --> 00:27:07,425

on at the beginning of the show.

492

00:27:08,355 --> 00:27:09,885

I certainly enjoy bringing them to you.

493

00:27:10,335 --> 00:27:14,595

So from all of us here, I'd like to

wish you happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S17E02 - The Old Home Place

Bob Ross's

The Joy of Painting

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