Bob Ross's

The Joy of Painting

S17E01 - Golden Mist Oval

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Hello, I'm Bob Ross.

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And I'd like to welcome you to

the 17th joy of painting series.

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First of all, let me thank

you for inviting me back for

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another series of painting shows.

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It's very special to

me to be here with you.

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And if this is your first time with

us, allow me to extend a personal

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invitation for you to drag out your

brushes and your oil paints and spend

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a relaxing half hour with us as we

enjoy some of Matrice masterpieces.

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So tell you what on this

series we're going to use.

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Some unorthodox brushes.

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Great big old Rascals

about a dozen colors.

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And I'm going to show you some of

the most fantastic things you've

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ever seen in the way of painting.

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So come on up here.

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Let me tell you what I've

got started for today.

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Today.

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I thought we'd start

this series with an oval.

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So I've taken a piece of contact paper

and just cut a little oval out of it.

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And then we've covered this part of the

canvas with a thin even coat of liquid

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white and the liquid white is own here

just to make the canvas wet and slick.

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What we do here is a wet on wet.

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Technique.

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So the first thing that we need to

do is to make the canvas wet and

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that's all that liquid white is for.

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So we have it covered.

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The biggest mistake made is

applying too much liquid white.

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So just put a thin even coat.

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And I thought today it's

such a fantastic day.

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We just do a beautiful little painting.

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That's nice and warm, soft,

and I think you'll enjoy it.

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Let's start with the old big brush here.

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This is a two inch brush.

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We'll use a little bit

of the yellow ochre.

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I'll be right back.

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Reach up here, get a touch of dark Sienna.

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So we have yellow ochre and dark

Sam just mix it right on the brush.

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Shoot.

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No use working too hard.

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Okay, let's go up here now.

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Maybe, maybe today we'll have just

a beautiful, warm little scene with

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some trees and maybe a little sun.

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So let's, let's just start up here.

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Just making little crisscross strokes.

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And begin placing in some color,

dark Sienna and yellow ochre.

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That's all we're using at

this point, now that Janice.

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So I'm going to go right back and get

a little touch more about yellow ochre.

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I want this center here to be a

little bit brighter, a little bit

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shiny or so we'll just put a little

yellow ochre right in here and let it

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blend outward, outward, outward that.

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Just like, so there we go.

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I think we're going to run in all

the colors across the screen, so

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you'll know exactly what we're using.

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And if you're going to paint along

with us, that way you can have your

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pallet all set up and ready to go.

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Now, maybe without cleaning the

brush, I'll add just the least

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little touch of a lizard Crimson.

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We don't want much just a very

small amount and just tap it into

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the bristles that helps ensure a

nice even distribution of color.

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All the way through the brush.

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Yeah.

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Maybe right up in here.

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We'll just pull that a little

bit of that shine through.

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It's a very warm,

beautiful painting there.

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That's nice already.

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There we go.

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Right on around now that maybe.

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If you painted with me before, you

know, I'm an absolute fanatic for water.

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I love water.

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I think it's so beautiful.

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So let's have a little water

and take a little touch of CAD

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yellow, cadmium yellow, just the

least little amount and mix it.

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I want this to be a little brighter and

if this is going to be our sun area right

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here, we'll have him assigned, just going

to pull down a little streak of color.

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This is a very simple little

painting, little yellow ochre.

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Even if you've never painted before this

one, you can do this when you can do that.

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Any problem, little dark Sienna,

and we'll just pull that stuff.

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There we are.

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Okay.

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Dark sand on this side.

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So basically we have light in the center

in this getting darker toward the edges.

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Maybe you want to make this light

area a little stronger, so you

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can take a little titanium white.

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Yeah.

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Decide where your lightest

area is going to be and pull it

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straight down now, very lightly.

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We're just going to go

across this whole thing.

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So there is to it.

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Now we said, there's going

to have a little sun in this

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painting, so we will do that.

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Now we can use, we'll

just use our finger today.

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Decide where the sun is going to be.

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Maybe it lives right here, right up here.

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And all we do is just make

a little circle there.

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Okay.

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Now we can take our knife

and very lightly soup.

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Sip it off the value.

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Still remains in the canvas.

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So now you have to do it just

very gently blend that a little

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and you have an instant sun.

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And that yellow we put in becomes

sort of like a halo around it.

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And it's a very, very attractive there.

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That's a super effective,

very easy little sky.

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Now let's take a little bit of

the dark Sienna, little dark

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sea, and I'll be right back.

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Get a little yellow ochre.

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Little yellow ochre, maybe

a little bit of that.

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A lizard Crimson, just

to warm up there we are.

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I got to touch more of the yellow ochre.

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Ooh, that's nice.

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That's a good enough detail.

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Now, then I'm just

going to pull the brush.

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So I load both sides of it, both

sides of what's going on up here.

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Maybe there's some nice trees and

this is, this is probably the simplest

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easiest way I've ever found of

making some very nice little trees.

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Take the breast touch.

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And just give a push,

see there, look at there.

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Now, turn it over, give it a

little push and do the other side.

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Just let the bristles work that easy.

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Maybe he has a friend, you know me, if

you've paid it with me before, I think

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everybody needs a friend, friends are

the most valuable things in the world.

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And even a little tree

needs a friend there.

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See sometimes we avoid this big brush,

but when right here, because it's so

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large, but it will do fantastic things

and do them very well easy for you.

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Very easy.

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This is a lazy man's way of painting

terribly, but I have another

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one right here in your world.

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You decide how many trees live here?

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You know, you have to

do is just drop them in.

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You need these trees out here.

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So the birds have a place to sit.

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There we go.

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Maybe, maybe, maybe.

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Yep.

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You're right.

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There is another one.

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And you decide once again.

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Painting is as individual as people are.

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So when you're doing in your

painting, you look at it and

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you decide what makes you happy.

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If it makes you happy, then it's good.

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Then it's good.

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Then I'm just going to tap the

brush right into those same colors.

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Just tap it firmly.

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I'm loading paint right into the corner.

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Things go right up here.

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Same colors.

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Well, then let's begin putting the

indication, just tapping downward,

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very gently of little trees and

bushes that live all back in here.

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There, you have to make

some big decisions.

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Where do they live?

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How many are they?

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All kinds of things.

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There's one and we'll let

them come right on over here.

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We don't know where they go.

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Shoot.

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Maybe there's a big one here.

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You can make big ones and little

ones and small ones, fat ones.

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Can't evens.

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And these trees are just like people.

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They're individuals.

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They each have personalities.

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So make them that way.

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I'm going to take a little paint

thinner on the liner brush.

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We want us to be very, very

thin consistency of ink and a

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liner brush has long bristles.

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So turn the brush.

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It loads it full.

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Just turn it maybe back in

here, just here and there.

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We'll just put the indication

of some little trunks and stuff.

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Maybe even some of these

trees just here and there.

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Don't overdue just wherever you want them.

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Maybe there's an old tree there

and a few sticks and twigs, all

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kinds of happy little things.

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Now then let's allow that

to begin coming forward.

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Let's mix.

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We'll take some fellow

blue and some bright red.

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I'm just going to mix

that up with a knife.

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So this'll make sort of a lavender

color, little white in it,

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maybe a little more white in it.

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The hair and you can mix this to

the blue side or to the red side,

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depending on how much of the bright

red that you put in, or the blue that

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you put in, it's up to you make it.

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All right.

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Beautiful color.

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Just beautiful.

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Like lavender's okay.

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Let me clean my knife off and we just

wiped the knife on old paper towel.

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Now, then I think we

use a fan brush today.

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We just load it full of color,

just both sides back and forth.

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Alexa, let's go right up in here.

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Now you have to make some big

decisions maybe, and I'm just

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using the corner of the brush and

just wiggling it, just wiggle.

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See.

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So all there is to just give it a little

wiggle, but you have to make decisions

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where these little things live and maybe

there's a little bullshit lives there.

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And another one here.

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Give them names, if it

helps it's all right.

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You know, people who paint have

an artist's license says you

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can do anything on this canvas

that you want to do anything.

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And if you want to talk to

your bushes, that's all right.

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If you want to give them names, that's

okay, because this is your world right

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here, and there's no right or wrong as

long as it makes you happy and it doesn't

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hurt anybody else, then it's fantastic.

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There we go, you there, and this is

just using the corner of the brush

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and just wiggling it back and forth.

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It's very similar to making foam waves.

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Have you ever do seascapes with me

and maybe down here at the bottom, we

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want to create the illusion of mist.

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So for that, we'll take a nice

clean brush and just kind of tap

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the base of this, just the base.

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I want to create a nice, soft Misty

area at the bottom of these bushes.

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Very calm, peaceful, very soft.

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And the more you tap,

the softer it'll become.

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Now, the thing it gives gifts,

paintings, distance, and depth.

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Or different planes or different

layers in the painting.

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So it's very important to have

a lot of layers in here if you

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want to create that illusion.

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So now this mist that you placed

in here is extremely important.

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It's your best friend.

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Don't kill it, treat it.

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Good three.

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Good, nice.

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See, see how that missed

right there though.

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Separates those two entities.

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There, it can be the same color,

but the mist is your separator.

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Is that site such that your very good

friend and like all good friends,

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you've treated with respect and love

and you take care of it and it'll do

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two fantastic things for you here.

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We're here.

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And we're still just basically using

nothing more than the corner of the brush.

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Just the corner of the brush.

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There now.

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Once again, I want to create that

illusion of missed at the base.

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So I take the big brush and just have

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all the way across.

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There we go.

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See how soft it becomes just instantly.

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And maybe here and there, you want

to put the indication of some little,

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little things that are standing up

back in here because you have bushes

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that are all different shapes and sizes

summer in front, summer in the back,

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just to use your imagination, let it go.

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No painting allows you to

literally play streams on canvas.

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And that's why we'll show you how to do.

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There and you can do it.

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You can do anything, but you want to do.

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Okay.

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Very nice.

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I like that.

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Yeah.

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We'll take once again, paint

thinner into the same color.

251

00:13:00,860 --> 00:13:02,120

We want this to be very thin.

252

00:13:02,180 --> 00:13:03,079

Turn that brush.

253

00:13:03,589 --> 00:13:06,199

Turn the brush in here and there.

254

00:13:06,410 --> 00:13:08,390

We want a few little sticks and twigs and.

255

00:13:09,165 --> 00:13:10,155

Little trunks and things.

256

00:13:10,155 --> 00:13:13,515

These little details, make your

painting special to make it stand out.

257

00:13:14,565 --> 00:13:15,225

There we go.

258

00:13:15,375 --> 00:13:15,645

I didn't know.

259

00:13:15,645 --> 00:13:16,845

It takes a second to put it.

260

00:13:16,845 --> 00:13:18,165

Some of these little Rascals hidden there.

261

00:13:20,955 --> 00:13:21,435

Okay.

262

00:13:22,965 --> 00:13:24,105

Now maybe in our world.

263

00:13:24,585 --> 00:13:25,485

Shoot, who knows?

264

00:13:26,594 --> 00:13:28,425

Maybe, maybe there's some land back here.

265

00:13:29,204 --> 00:13:34,454

Let's take a little bend, like

Brown and a little bit Derek CN.

266

00:13:34,454 --> 00:13:37,605

I would just mix them together

there, pull it out as flat as

267

00:13:37,605 --> 00:13:39,675

you can get it, then cut across.

268

00:13:40,605 --> 00:13:42,435

Get that small roller paint there.

269

00:13:42,435 --> 00:13:42,885

You can see it.

270

00:13:42,885 --> 00:13:43,125

Good.

271

00:13:43,125 --> 00:13:44,175

Right on the edge of the knife.

272

00:13:44,925 --> 00:13:49,995

Now, then with that roll of paint,

hold it just like so, and you can

273

00:13:49,995 --> 00:13:51,495

begin this making big decisions.

274

00:13:51,495 --> 00:13:53,714

You decide where you

land masses live in this.

275

00:13:54,225 --> 00:13:56,235

See, all you gotta do is

just sort of scrub it off.

276

00:13:57,885 --> 00:13:58,755

Just scrub it off.

277

00:13:59,805 --> 00:14:01,395

Maybe comes right on there.

278

00:14:01,405 --> 00:14:01,545

Here.

279

00:14:01,545 --> 00:14:02,025

We don't know.

280

00:14:03,465 --> 00:14:05,925

We don't know if you've

painted with me before you also

281

00:14:05,925 --> 00:14:08,775

know we don't make mistakes.

282

00:14:09,525 --> 00:14:14,375

We have happy accidents and we learned to

work with those accidents and things that

283

00:14:14,375 --> 00:14:18,814

happen sometimes are more beautiful than

things you, you really set and planned.

284

00:14:19,590 --> 00:14:21,930

So take one, let's make

a little reflection here.

285

00:14:22,860 --> 00:14:25,560

I'm just gonna take a large burst, take

a little bit of that same lavender color.

286

00:14:25,590 --> 00:14:29,449

Let's go right here and

touch and pull straight down.

287

00:14:29,480 --> 00:14:35,000

It's important that we go straight down,

straight down when as a traditional

288

00:14:35,000 --> 00:14:39,410

painter reflections are one of those

things that were so beautiful, but they

289

00:14:39,410 --> 00:14:41,800

drove me crazy and look how easy they are.

290

00:14:41,819 --> 00:14:42,680

Pull it straight down.

291

00:14:43,140 --> 00:14:47,040

It didn't come across so obvious

to us all there is to it.

292

00:14:48,300 --> 00:14:54,869

You have instant reflections

now that maybe we have T now

293

00:14:54,900 --> 00:14:56,130

we have reflection in there.

294

00:14:56,790 --> 00:14:57,689

That's bringing us down.

295

00:14:57,719 --> 00:15:01,530

Maybe it comes right down there, Mike.

296

00:15:01,530 --> 00:15:07,469

So we'll have a little peninsula

of land coming right out there.

297

00:15:09,569 --> 00:15:10,859

Once again, when you were painting.

298

00:15:11,219 --> 00:15:12,329

Make big decisions.

299

00:15:13,620 --> 00:15:17,400

Maybe you want your peninsula, we

down here or up there or not at all.

300

00:15:18,209 --> 00:15:23,599

There's freedom on this canvas,

absolute and total freedom here.

301

00:15:23,599 --> 00:15:25,729

You can do anything that you want to do.

302

00:15:27,420 --> 00:15:32,970

And anything, a little bit more

of the reflection straight down,

303

00:15:33,000 --> 00:15:35,640

it's important to go straight down

sometimes a tendency to sort of go

304

00:15:35,640 --> 00:15:37,680

to the side, but it won't look right.

305

00:15:37,680 --> 00:15:40,020

It'll make your water look like

it's going to drip off the side.

306

00:15:41,610 --> 00:15:41,820

Okay.

307

00:15:41,820 --> 00:15:43,530

Now then we'll take another fan brush.

308

00:15:44,430 --> 00:15:46,350

And I have several of each

brush going here, so I don't

309

00:15:46,350 --> 00:15:47,610

have to spend all of my time.

310

00:15:48,089 --> 00:15:49,230

Just washing brushes.

311

00:15:49,469 --> 00:15:52,110

It is fun, but we want

to do some other things.

312

00:15:53,390 --> 00:15:55,349

I'm gonna take a little bit of

the yellow ochre, a little touch

313

00:15:55,349 --> 00:15:58,770

of the bright red, not much, just

a little bright red CAD, yellow.

314

00:16:00,270 --> 00:16:00,819

You right back.

315

00:16:00,819 --> 00:16:03,000

Get a little touch to the

dark Sienna, bill it down.

316

00:16:04,140 --> 00:16:04,439

Okay.

317

00:16:04,500 --> 00:16:06,750

Let's go right up in here and then maybe.

318

00:16:07,185 --> 00:16:08,985

There's some little

grassy things back here.

319

00:16:09,824 --> 00:16:11,685

Don't let this color get

too bright on us though.

320

00:16:13,305 --> 00:16:17,265

There were just some little things I'm

just pushing upward with a fan brush.

321

00:16:18,255 --> 00:16:22,485

Now, when you're doing this, if

you begin getting smiley faces,

322

00:16:22,515 --> 00:16:24,375

just big faces with your fan brush.

323

00:16:25,320 --> 00:16:26,490

Or smiley frowns.

324

00:16:26,850 --> 00:16:27,720

No, that's not right.

325

00:16:29,290 --> 00:16:29,940

You know what I mean?

326

00:16:29,970 --> 00:16:33,630

If it goes out of the way, turn the fan

brush and use more of the corner of it

327

00:16:34,740 --> 00:16:36,480

and it'll it'll work right out for you.

328

00:16:38,370 --> 00:16:39,060

There we are.

329

00:16:40,680 --> 00:16:46,290

Now then Teddy, you may be back

here in our rural their lives.

330

00:16:46,770 --> 00:16:51,930

There lives, a happy little tree, and

I'll just take some of that same lavender

331

00:16:51,930 --> 00:16:59,310

color that we used and let's build

this, maybe their lives right there.

332

00:17:00,660 --> 00:17:01,500

There's this trunk.

333

00:17:01,530 --> 00:17:02,790

And all we're doing is just tapping.

334

00:17:03,390 --> 00:17:04,200

Now we'll come back.

335

00:17:04,319 --> 00:17:09,720

You just the corner of the fan

brush and let's put in a few leaves.

336

00:17:10,360 --> 00:17:12,329

I want to leave some of this

trunk showing I don't want it

337

00:17:12,780 --> 00:17:14,069

all to go away and leave me.

338

00:17:15,660 --> 00:17:19,470

This is far away and we're looking

mainly for silhouette back here, just

339

00:17:19,470 --> 00:17:23,579

mainly a silhouette there just enough.

340

00:17:23,579 --> 00:17:27,750

So it stands out a little,

that's all we want now then.

341

00:17:28,755 --> 00:17:34,335

And we'll dip a fan brush and a small

amount of liquid white liquid white only

342

00:17:34,335 --> 00:17:36,075

thins, the paint, that's all it does.

343

00:17:36,825 --> 00:17:39,015

And that's one of our golden

rules in his technique.

344

00:17:39,105 --> 00:17:44,865

A thin paint will stick to a thick paint

thin to thick at the least little touch

345

00:17:44,865 --> 00:17:47,535

of Tayloe blue to at least a little touch.

346

00:17:48,405 --> 00:17:52,035

And maybe, maybe in our world,

maybe there's a little water

347

00:17:52,035 --> 00:17:53,175

lives right back in here.

348

00:17:54,165 --> 00:17:56,475

It just floats along and has a good time.

349

00:17:56,625 --> 00:17:57,405

Water's free.

350

00:17:58,560 --> 00:18:01,400

But it's lazy was lazy.

351

00:18:01,400 --> 00:18:04,730

It always goes to a

recessed area or a low area.

352

00:18:04,760 --> 00:18:10,280

Otherwise it'll lay flat and keep these

lines basically straight, basically

353

00:18:10,280 --> 00:18:13,130

straight, or to look like your water's

going to run right out of the painting.

354

00:18:13,310 --> 00:18:14,270

Get your floor all wet.

355

00:18:16,010 --> 00:18:16,310

Okay.

356

00:18:16,640 --> 00:18:17,570

Tell you what miss do.

357

00:18:19,010 --> 00:18:22,190

Yeah, I put the water in because you

do the thing as father stay away first

358

00:18:22,190 --> 00:18:23,720

and then continually work forward.

359

00:18:24,840 --> 00:18:27,060

Now, let's put some land

over here on the other side.

360

00:18:27,060 --> 00:18:31,770

So we'll go back to her Brown

that's band-aid dark Sienna.

361

00:18:32,370 --> 00:18:38,040

Just make some together, pull across

that flat, pull across and our

362

00:18:38,040 --> 00:18:39,510

little roll of paint everywhere.

363

00:18:40,230 --> 00:18:41,760

And we had to make some big decisions.

364

00:18:41,760 --> 00:18:45,480

Maybe our land lives right there.

365

00:18:45,720 --> 00:18:47,700

You've got to make a sort

of noises or don't work.

366

00:18:49,440 --> 00:18:50,310

Maybe it comes down on that.

367

00:18:50,379 --> 00:18:52,379

We don't know where it goes

wherever you want it to go.

368

00:18:52,860 --> 00:18:53,790

That's just right.

369

00:18:57,570 --> 00:18:59,730

And the counts right there.

370

00:19:01,200 --> 00:19:01,440

I know.

371

00:19:01,440 --> 00:19:02,090

How are we doing here?

372

00:19:02,129 --> 00:19:03,540

Just filling that in with color.

373

00:19:03,570 --> 00:19:04,590

Just blocking it in.

374

00:19:06,210 --> 00:19:08,700

You could put this in

with, with a paint roller.

375

00:19:08,700 --> 00:19:11,040

It doesn't matter any old way.

376

00:19:11,040 --> 00:19:11,730

You can get it on there.

377

00:19:13,379 --> 00:19:14,070

There we are.

378

00:19:14,310 --> 00:19:17,669

Now then take our brush with

a little lavender on it.

379

00:19:18,195 --> 00:19:22,685

Come back and we want to

stark reflection under that.

380

00:19:23,044 --> 00:19:24,665

Grab it, pull it straight down again.

381

00:19:26,524 --> 00:19:27,245

Very lightly.

382

00:19:27,304 --> 00:19:30,155

Go across very lightly.

383

00:19:31,054 --> 00:19:32,885

Notice I'm going across

only in this direction.

384

00:19:32,885 --> 00:19:35,375

If you start out here and come

across at a, leave a big straight

385

00:19:35,375 --> 00:19:39,605

line out here, which will it'll

upset you you'll be unhappy with me.

386

00:19:40,050 --> 00:19:42,780

Back to my fan brush with a

yellows and a little touch of the

387

00:19:42,780 --> 00:19:46,740

bright red loaded, some color.

388

00:19:47,850 --> 00:19:53,070

Let's go back in here now, then we'll

just pop him some little grassy areas

389

00:19:53,070 --> 00:19:54,420

that live right out here on this land.

390

00:19:55,350 --> 00:19:59,700

And if you want to, you can just wiggle

in a little Bush shrub here and there.

391

00:20:00,540 --> 00:20:07,620

Just make it to say, drop it in

there, wherever where ever you want.

392

00:20:09,450 --> 00:20:14,130

I say to me, painting represents

freedom on this canvas.

393

00:20:14,130 --> 00:20:16,590

You can do anything that makes you happy.

394

00:20:17,850 --> 00:20:18,150

Okay.

395

00:20:18,180 --> 00:20:21,900

Maybe we'll make that like

a little, little bank and

396

00:20:21,900 --> 00:20:23,940

sometimes it's nice to have.

397

00:20:24,330 --> 00:20:27,780

Just a little stone in here, just

a happy little rocket lives there.

398

00:20:28,620 --> 00:20:32,639

We'll take a little part eight,

the little, the Vandyke Brown.

399

00:20:33,570 --> 00:20:35,310

And I come back in here.

400

00:20:35,790 --> 00:20:40,649

You would put a little highlight

on him there just a little,

401

00:20:42,240 --> 00:20:43,290

and we can just pull that.

402

00:20:45,225 --> 00:20:49,725

And little baby rock lifts

right there now, right there.

403

00:20:50,235 --> 00:20:54,495

And he's her friend put

some grass right around.

404

00:20:56,565 --> 00:20:58,335

I tell you what, I'll

tell you what I tell you.

405

00:20:59,145 --> 00:21:00,195

Sometimes you get excited.

406

00:21:00,195 --> 00:21:04,125

You see things when you're painting and

when you're painting this method, don't

407

00:21:04,125 --> 00:21:06,945

worry about drawing patterns or tracings.

408

00:21:07,605 --> 00:21:08,865

Look at what's happening.

409

00:21:08,955 --> 00:21:10,515

Let your imagination guide you.

410

00:21:11,655 --> 00:21:13,545

Learn to compose as you paint.

411

00:21:14,115 --> 00:21:14,535

You see?

412

00:21:14,535 --> 00:21:14,955

Thanks.

413

00:21:14,985 --> 00:21:18,315

I see another peninsula

here, so let's drop it in.

414

00:21:18,645 --> 00:21:22,865

Don't be afraid of it

because you can do anything.

415

00:21:24,755 --> 00:21:25,655

I know you can't.

416

00:21:27,545 --> 00:21:28,595

No, you can.

417

00:21:28,835 --> 00:21:29,375

There we are.

418

00:21:31,245 --> 00:21:31,455

Mike.

419

00:21:31,465 --> 00:21:34,875

So this would be a nice place to fish.

420

00:21:36,225 --> 00:21:40,005

I love to fish, but I'm not

a very good fishermen to make

421

00:21:40,005 --> 00:21:41,445

other fishermen mad, I guess.

422

00:21:42,225 --> 00:21:46,635

Cause I catch a fish now put a

bandaid on, even Pat him on the

423

00:21:46,825 --> 00:21:47,985

two and put him back in the water.

424

00:21:48,045 --> 00:21:53,565

Give him a little CPR if it's

needed and let him go the next time.

425

00:21:53,985 --> 00:21:55,065

Maybe I can catch him again.

426

00:21:57,254 --> 00:22:00,975

There I live beside a little pond.

427

00:22:00,975 --> 00:22:04,965

One time I had caught some fish

so many times they here, I think

428

00:22:04,965 --> 00:22:06,254

they had scars on their mouth.

429

00:22:06,285 --> 00:22:07,635

They would just come up

and say, put it here.

430

00:22:08,565 --> 00:22:11,295

Didn't even bother to bite the bait.

431

00:22:11,745 --> 00:22:15,645

Maybe it's a little bit of grass right

along in here, but they literally got

432

00:22:15,645 --> 00:22:17,055

to where they would eat out of my hands.

433

00:22:19,125 --> 00:22:22,845

And if you have, you have a

little patience, it's unreal.

434

00:22:22,845 --> 00:22:23,985

What you can do with animals.

435

00:22:25,870 --> 00:22:27,070

Reveal what you can do with them.

436

00:22:28,870 --> 00:22:30,010

And they're very nice.

437

00:22:31,330 --> 00:22:33,100

Now then let's go back to our brush.

438

00:22:33,100 --> 00:22:39,280

It has the liquid white titanium point, a

little touch of that little touch of that.

439

00:22:39,280 --> 00:22:40,600

They low blue don't need much.

440

00:22:41,380 --> 00:22:45,100

Maybe the water is coming along here

and all of a sudden just falls over.

441

00:22:45,820 --> 00:22:48,310

We'll just make a happy little

waterfall lives right there.

442

00:22:49,035 --> 00:22:51,195

Go over, pull down over and down.

443

00:22:51,765 --> 00:22:55,065

It's all there is to it where it

hits, push with a corner, make

444

00:22:55,065 --> 00:22:56,385

a few little happy splashes.

445

00:22:57,855 --> 00:22:59,295

Now this is a thin paint.

446

00:22:59,385 --> 00:23:01,455

So you can work over the

top of this thicker paint

447

00:23:02,475 --> 00:23:04,005

without becoming a mud mixer.

448

00:23:04,935 --> 00:23:07,545

And if you stand in, just keep

rubbing it, you will become a

449

00:23:07,545 --> 00:23:09,825

mundane, but just work right over it.

450

00:23:11,595 --> 00:23:13,515

But you need these thick and thin paints.

451

00:23:14,159 --> 00:23:16,020

If you don't have that, you're in trouble.

452

00:23:16,110 --> 00:23:23,070

The painted we use the dark colors

is extremely firm, very dry, and

453

00:23:23,070 --> 00:23:24,570

that's an absolute necessity.

454

00:23:27,060 --> 00:23:27,689

Okay.

455

00:23:27,990 --> 00:23:29,550

Shoot this looking nice.

456

00:23:29,560 --> 00:23:31,919

I'm having a good time

today and I hope you are.

457

00:23:32,760 --> 00:23:34,919

Let's go back to summer lavender

and the old fan brush and

458

00:23:34,919 --> 00:23:36,000

maybe in our world that lives.

459

00:23:37,005 --> 00:23:37,785

Right there.

460

00:23:38,125 --> 00:23:39,705

Do you know me?

461

00:23:39,705 --> 00:23:40,965

I like he's old big trees.

462

00:23:41,475 --> 00:23:42,045

There he is.

463

00:23:44,325 --> 00:23:46,335

We're still looking

mainly for silhouettes.

464

00:23:46,335 --> 00:23:47,865

We're not looking for a lot of detail.

465

00:23:48,525 --> 00:23:49,695

Maybe he's got a little frame.

466

00:23:51,405 --> 00:23:52,095

That's right there.

467

00:23:54,035 --> 00:23:54,785

There we go.

468

00:23:56,075 --> 00:23:57,045

Now let's take.

469

00:23:57,389 --> 00:24:01,739

I just, she, the corner of the brush

again, put the indication here and

470

00:24:01,739 --> 00:24:03,780

very refueled lambs that are hanging.

471

00:24:05,149 --> 00:24:06,020

Here we go.

472

00:24:07,800 --> 00:24:08,879

Just however many you want.

473

00:24:09,750 --> 00:24:11,129

I don't want to lose all that background.

474

00:24:11,129 --> 00:24:12,120

So we won't put too many.

475

00:24:12,179 --> 00:24:13,260

I like that background.

476

00:24:13,260 --> 00:24:14,730

It's very soft and gentle.

477

00:24:16,200 --> 00:24:18,389

Very quiet there.

478

00:24:19,020 --> 00:24:20,669

My mother likes these kind of paintings.

479

00:24:21,600 --> 00:24:23,220

Maybe we'll dedicate this one to her.

480

00:24:23,250 --> 00:24:24,419

She's my favorite lady.

481

00:24:25,740 --> 00:24:27,419

She likes these little soft paintings.

482

00:24:28,139 --> 00:24:28,800

There we go.

483

00:24:30,419 --> 00:24:30,840

Now there.

484

00:24:31,455 --> 00:24:32,534

Now then comes the fun.

485

00:24:33,315 --> 00:24:35,835

Tell you what let's bring the

camera right up close here, and

486

00:24:35,835 --> 00:24:38,774

then we'll pull the contact paper

off and let you see what we have.

487

00:24:40,125 --> 00:24:41,264

This is the moment of truth.

488

00:24:41,925 --> 00:24:42,375

Look at that.

489

00:24:44,264 --> 00:24:44,504

Isn't that?

490

00:24:44,595 --> 00:24:45,524

Fantastic.

491

00:24:46,784 --> 00:24:49,575

Now, shoot, let's really have some fun.

492

00:24:49,575 --> 00:24:53,145

We got a minute or so left

here, so let's have some fun.

493

00:24:53,145 --> 00:24:55,065

I'll take a bunch more

of that bright grid.

494

00:24:56,610 --> 00:25:00,889

And we've put in some blue and I'm

gonna reach up here and get some, the

495

00:25:00,889 --> 00:25:06,389

black, I want this to be darker midnight

black, just sort of mix it all together.

496

00:25:07,560 --> 00:25:12,419

You clean the knife off

and grab the old fan brush.

497

00:25:12,450 --> 00:25:14,189

I'm a little lot of color into the brush.

498

00:25:14,310 --> 00:25:21,870

Really loaded up a lot of color now that

maybe in our world there lives a big tree.

499

00:25:23,835 --> 00:25:24,465

Get brave.

500

00:25:24,495 --> 00:25:29,715

This is your bravery test and

it comes right down there.

501

00:25:30,345 --> 00:25:35,325

Like so big, strong tree.

502

00:25:35,925 --> 00:25:37,605

There he is right there.

503

00:25:39,135 --> 00:25:39,524

Okay.

504

00:25:40,185 --> 00:25:43,064

Now I'm going to take the brush

that has the light color on it.

505

00:25:43,995 --> 00:25:44,895

This is just white.

506

00:25:45,240 --> 00:25:49,230

And then we'll come right

along this age and just tap it.

507

00:25:49,260 --> 00:25:51,060

I want a little bit of light on this one.

508

00:25:51,060 --> 00:25:51,840

It's a little closer.

509

00:25:51,840 --> 00:25:55,860

You're going to see a little bit

more detail now, then go along

510

00:25:55,860 --> 00:25:59,520

the edge first and then begin just

tapping and gently blending it over.

511

00:25:59,520 --> 00:26:02,610

So it gets darker, darker, darker,

darker, as it comes around with tree.

512

00:26:03,540 --> 00:26:07,800

That'll give you tree the appearance

and the feeling of around this.

513

00:26:08,970 --> 00:26:14,280

Now, then we go back to our dark color

and here and there, and let's just put in.

514

00:26:15,780 --> 00:26:22,590

Just the indication above in there.

515

00:26:23,250 --> 00:26:23,820

That'd be careful.

516

00:26:23,820 --> 00:26:25,260

Cause you'll cover up all your background.

517

00:26:25,260 --> 00:26:26,820

I'm going to leave some big spaces here.

518

00:26:29,670 --> 00:26:30,410

There we are.

519

00:26:30,510 --> 00:26:34,860

I just want to show just, just some

little things in here and some in there.

520

00:26:36,780 --> 00:26:39,390

All right, shoot.

521

00:26:41,250 --> 00:26:42,360

We'll take her liner brush.

522

00:26:44,084 --> 00:26:45,135

A little bit of thin paint.

523

00:26:45,375 --> 00:26:48,645

We'll put the indication

just a little later on.

524

00:26:50,465 --> 00:26:51,215

There we are.

525

00:26:53,584 --> 00:26:55,355

And I think we about

have a finished painting.

526

00:26:56,044 --> 00:26:59,855

Take a little paint thinner, go right

into my bright red, then this down

527

00:26:59,855 --> 00:27:01,985

like water and I'll sign this one.

528

00:27:03,004 --> 00:27:04,834

I certainly hope you've

enjoyed this painting.

529

00:27:05,495 --> 00:27:06,304

It's very simple.

530

00:27:06,544 --> 00:27:09,004

It'll give you a lot of experience.

531

00:27:10,475 --> 00:27:13,605

And from all of us here, I'd

like to wish you happy painting.

532

00:27:14,295 --> 00:27:14,895

God bless.

533

00:27:14,895 --> 00:27:16,395

I look forward to seeing you next time.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S17E01 - Golden Mist Oval

Bob Ross's

The Joy of Painting

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