Bob Ross's

The Joy of Painting

S16E13 - Wooded Stream Oval

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Hey, I'm certainly glad

you could join us today.

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I thought today we'd just do a

lovely little painting since this

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is the last show of the 16th series.

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So tell you what, let's start out,

having run all the colors across the

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screen that you need to paint along

with me while they're doing that.

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Let me explain what I've

got going up here today.

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I have a canvas.

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Just regular 18 by 24 inch.

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Uh, put a, uh, contact

paper overloan here.

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Cut an oval out of contact paper.

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I've taken black Jesso and

just sort of painted a basic

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little shape, like so around.

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And let that dry completely.

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Then on top of that, I've put

transparent color and today I've

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made sort of a lavender color out

of fellow blue and lizard Crimson

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covered the dark area in the white.

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That's just plain old liquid white.

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So tell you what, let's just

do a fantastic little painting.

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I'm gonna start off the day with the

least little amount of the little blue.

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Just the tiniest little bit of fellow

blue on the old two inch brush.

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Let's just put the indication up here.

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Just a beautiful little sky.

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I just want a little bit of blue.

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We back here not much and just let

it fade more and more as it works

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down here for head on down to.

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The virtually nothing.

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They're very soft.

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I want this to be a soft painting today.

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Okay.

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Ma'am we can wash that old brush and

that's basically all that I'm looking for.

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There we go now back to the brush,

that splashing is the most fun.

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This is the brush that I used

to put the dark color on.

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It still has some of the

dark color in the bristles.

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And with that, I'm just going to

begin tapping in some very basic

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shapes of some nice limbs that

are hanging over here on trees.

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Just using the corner of the brush, just

begin putting in all these basic shapes,

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allow it to pick up a little bit of the

liquid white and work it back, just back

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and forth, forth, and back there we are.

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And maybe in here you can, you

can think up a little individual

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tree shapes and bushes.

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There we go.

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And if you run out of paint, just

reach down here and work back and forth

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and you pick up a little bit more.

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Keep right on going, maybe back here.

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There's just the indication

of a tree that lives.

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We back here somewhere,

a nice sized tree there.

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All we're looking for is just

very, very basic little shapes.

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Can hardly even see him at this point.

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I say, I would like to have

this a very soft painting

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when we're done there we are.

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Okay.

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And then take the old liner brush, dip

it into some paint, thinner, some paint.

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And then I go right into it.

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Same color that I put on the back.

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That lavender color.

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It's the little blue alizarin Crimson.

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Maybe I'll get just a touch,

more of the Crimson there.

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I wanted a little bit

more into the radish.

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Whew.

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There we are.

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All right, let's go up here now, then

maybe in here is a nice little tree trunk.

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Now, if you have trouble making this

flow, all you need to do is add a little

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bit of paint, thinner to your brush.

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Just add a little paint thinner.

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Now you can just put some

indications here and there.

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Little sticks, twigs, all kinds of

things that you'd see out in the woods.

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This is where the little

squirrel plays there.

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Maybe in here, there's a few

little things you can just make it.

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Oh, Ken's a little indications.

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Some of these we'll cover up.

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Some will leave and people think you work

for long, long periods of time to put

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all this much detail in your painting.

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And we don't tell them any

different that's our secret.

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There we go.

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I know, years ago I had someone

asked me, said, Bob, how long

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does it take you to do a painting?

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And I said, 20 minutes in 20 years,

it doesn't make much sense at

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first, but I practiced for 20 years

so I could do it in 20 minutes.

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That's all.

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Now then back in here.

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Let's start having spine.

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We'll take a little white, little

white, little white you're right back.

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Reach up here.

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Grab a touch of the lizard.

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Crimson little touch of the blue.

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I want sort of a pinkish lavender

color, whatever you want to call it.

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A Mav color, pretty color.

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That's all we care about there

now to tap the brush, give it a

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little forward when you do it.

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That'll that'll load paint right

out on the tips of the bristles.

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All right.

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Now, maybe in our world, maybe back

here in this little distant tree,

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there's a least little indication

here of some beautiful little leaves.

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Think about form and shape.

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Use just the corner of the brush.

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Just the corner of the brush.

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And if you have trouble making this

stick at the least little touch,

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the little touch of paint thinner,

or even a little liquid white

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liquid white will change the color.

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A little paint.

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Thinner will not.

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Okay.

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Just dilute it.

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There we are.

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There, he lives just some soft,

happy little things out here, but

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think about shape and form it's

so, so important, so, so important.

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And we can sort of vary these colors.

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I'll go into to a little bit more of the

they low blue, eh, a little more blue.

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That's not quite enough on little more.

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There we go.

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That's a little better.

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What?

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This almost blend right into the sky.

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So soft, so very soft,

quiet, happy little place.

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Just all kinds of little trees, bushes,

bunny, rabbits, hide back in here.

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See, there's another one.

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He lives right there, but

just the corner of the brush.

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You use a two inch brush,

one inch brush on occasion.

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I use a fan brush to do this,

just whatever, but work in layers.

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That's what's so very important.

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If you don't work in layers,

then it's going to look flat.

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And we want the depth

and distance in here.

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Little dark areas is that you can

look up in there and see between,

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okay, I'm going to get crazy now.

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What the heck?

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I want to add a little bit of SAP

green, some yellow, little yellow ochre.

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Put some Indian, yellow inherit

a minute, maybe here and there.

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They lives.

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Beautiful little.

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Ooh, isn't that pretty?

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The little green Bush right in here.

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And we're just playing with color here.

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And as I've mentioned before,

when you buy your first tube of

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paint, you get an artist license.

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So you can do anything

that you want to do.

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And a lot of times people buy paintings

more for color than for content.

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So if you're ever out selling paintings,

that's a good, good thing to remember.

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Okay.

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A little bit warmer, a little blue.

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A little bit more of the lizard

Crimson, just darkening that color up.

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Same color.

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I'm just making a little bit darker.

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Tap a little led into the brush Lin.

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That's pretty.

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Okay.

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Now maybe right in here.

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Oh, there's a nice little

Bush, nice little Bush.

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Work on individuals.

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One at a time.

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If necessary, give each one, a name,

make friends with it, whatever it

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takes, but work it one at a time.

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One at a time you get, you get in

a hurry, it starts feeling good

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and you take off and you'll knock,

give a whole bunch of them at once.

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And they just sort of blend

together one of the time.

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It's most, most important.

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That way you can put them in layers.

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See there's depth between these

two and all those little sticks

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are hiding in those dark places.

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That's what you're looking for.

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That's what makes your painting special?

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I have a couple of brushes here that

I'm sort of going back and forth with.

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One of them has the greenish colors

and the other one has pinkish colors.

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So I don't contaminate the two.

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That's a nice one.

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Just the corner of the brush.

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Oh, we need and get a little darker color.

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As we get back in here, things

are going to get darker.

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Darker,

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not as much light playing back here.

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Just little indications

of a few things there.

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That's where they moved.

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Nighttime creatures sleep.

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They come up here in the daytime,

get out of the light, got a

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little, little condo back here.

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And got the BMW parked in the garage.

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Okay.

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A little bit on the other side

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already, it looks like we

have a whole forest there

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just layer after layer, after layer.

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There now maybe, maybe, maybe,

maybe in our world back here, maybe

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there's a little water back here.

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You know me?

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I'm crazy about water.

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I think it's just so

beautiful that I'm painting.

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So we'll just take a little titanium

white on the two-inch brush.

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Now we've got to start

making some big decisions.

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Where does your water live?

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Maybe in our world, let's say.

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We're right about here.

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Make a decision touch, pull

straight down, just pull it because

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there's color on the canvas.

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That lavender color it'll mix with

the white and automatically these

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beautiful little things will just happen.

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They'll just happen.

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You don't have to worry

about them, fight with them.

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They're there because you put

that transparent color underneath.

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One of the questions that I

hear repeatedly is how do I

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tell if a color is transparent?

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Put it on a black canvas.

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Just take a little on your

finger, rub it on a black canvas.

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If a canvas still looks black, then it's

transparent enough for what we're doing.

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Some colors are only semi-transparent,

but they work for what we're doing

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now across like, so, but if you put

an opaque color on there, Right.

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Red or white you'll immediately,

immediately you'll know what

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I'm talking about because the

canvas won't look black anymore.

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It'll stand out.

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That's not what you're looking for.

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If you want a transparent color,

let's take Vandyke Brown, little

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roller paint on the knife.

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Have to start deciding

where land lives back here.

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Maybe, Oh, there's

another little projection.

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So see that happened just for the

brush was at, then you come back

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and put a little dirt on there

and make all kinds of things.

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Maybe there's.

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Shoot, maybe there's all

kinds of little there.

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It is just sort of look at

your individual painting.

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Don't don't just try to

copy what somebody has done.

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We will try to teach you to copy here.

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We want to show you how to do a technique

and then turn you loose on the world.

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Absolutely turn you loose.

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Because then you can do

anything that you want to do.

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All you have to do is

learn the basic technique.

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And I think, think this little show

will give you all that you need.

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As far as technique there, pull it out.

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Like, so cut across in

our little roll of tape.

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That's just dark sand, a little white

come right across legs, barely touching.

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Maybe I'll add a little more white

that I want to look brighter.

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I want you to be able to

see it a little better.

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Sometimes when we're doing TV, we paint

a little bit brighter than normal,

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just so it shows up a little better.

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When you do your painting,

you make that big decision.

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How do you want it to be darker?

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Lighter?

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It's up to you up to you.

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Just barely grazing the canvas there.

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That these things just

sort of bounce along.

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Don't kill all the dark though.

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Don't kill all the dark starts

feeling good and you just keep

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going and going and going.

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Next thing you know, there's nothing

left, but highlighter and you need

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the dark in order for your light to

show the that you really need them.

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Okay.

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Now let's go back to our

little one inch brush here.

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Maybe there's a happy little Bush.

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It lives right there.

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Sort of projects down on the

land, just wherever you want them.

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They're all kinds of little things.

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Um, okay.

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That just sort of brings it together

and kills that straight edge.

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It was right up there.

251

00:13:54,605 --> 00:13:58,115

Sometimes we take a little dark,

but underneath there, and it makes

252

00:13:58,115 --> 00:14:00,905

a whole new projection of you're

making little stones and rocks.

253

00:14:02,355 --> 00:14:03,135

And that's nice.

254

00:14:03,615 --> 00:14:08,355

That's a nice, let's take a little bit

of that lavender color on the knife.

255

00:14:08,445 --> 00:14:11,505

Same old lavender color here and there.

256

00:14:11,505 --> 00:14:17,595

Maybe just put the indication of a little,

little waterline just to sort of touch it.

257

00:14:23,910 --> 00:14:25,050

Just nice colors.

258

00:14:25,969 --> 00:14:28,490

It just can't help, but

like, and covers like this.

259

00:14:29,660 --> 00:14:34,939

And as I mentioned earlier, if you're out

selling paintings, colors, like this, sell

260

00:14:35,120 --> 00:14:39,410

people are looking for happy colors to put

in their house, take a little liquid white

261

00:14:39,410 --> 00:14:41,180

little titanium, white mix them together.

262

00:14:41,180 --> 00:14:43,400

Reach up here, little, stay low blue.

263

00:14:44,660 --> 00:14:45,890

Let's have some fun back here.

264

00:14:47,594 --> 00:14:50,505

Just take the fan brush and

begin just putting in some

265

00:14:50,505 --> 00:14:51,885

little highlights on the water.

266

00:14:53,145 --> 00:14:56,055

Don't want to kill all your

reflections because they'll show, let

267

00:14:56,055 --> 00:14:58,175

them show through these highlights

that you're putting on here.

268

00:15:02,584 --> 00:15:03,155

There we go.

269

00:15:04,265 --> 00:15:07,564

Maybe the water's just coming along

here and having a good time and

270

00:15:07,564 --> 00:15:09,905

all of a sudden show fell over.

271

00:15:11,495 --> 00:15:11,944

Look at that.

272

00:15:12,185 --> 00:15:15,005

See, maybe there's just a tiny.

273

00:15:15,660 --> 00:15:17,970

Little happy little

waterfall lives right there.

274

00:15:19,380 --> 00:15:20,340

It's not a very big one.

275

00:15:20,340 --> 00:15:22,830

It's just a tiny little splash

down here where it hits.

276

00:15:23,750 --> 00:15:24,530

Not too much.

277

00:15:27,200 --> 00:15:28,940

We don't want this scene

to get too violent.

278

00:15:28,970 --> 00:15:32,600

This is very peaceful, calm little thing.

279

00:15:34,910 --> 00:15:35,660

So there we are.

280

00:15:36,140 --> 00:15:38,090

That's enough, something like that.

281

00:15:39,860 --> 00:15:44,000

All right, there we go.

282

00:15:46,199 --> 00:15:50,370

Just sort of worked at brush back and

forth, but to see these areas like

283

00:15:50,370 --> 00:15:53,520

right in here, leave those don't,

don't try to cover them all up.

284

00:15:54,180 --> 00:15:55,920

They're very, very pretty.

285

00:15:55,920 --> 00:15:57,900

And you can see those

reflections we've put in there.

286

00:15:58,260 --> 00:15:59,130

They're hiding in there.

287

00:16:01,220 --> 00:16:02,000

All right.

288

00:16:04,755 --> 00:16:10,785

Now then maybe over here on this side,

let's just go back to our two inch brush.

289

00:16:10,905 --> 00:16:15,615

This is the same color that I

used and let's put a, it was a

290

00:16:15,615 --> 00:16:20,235

happy little group of bushes that

live right along here, wherever.

291

00:16:21,930 --> 00:16:25,650

Like any shape that you want here, let's

make some little individual things.

292

00:16:25,890 --> 00:16:29,310

Maybe it comes right on, back up in here

and that sort of brings it all together.

293

00:16:31,290 --> 00:16:32,280

Springs it together.

294

00:16:33,120 --> 00:16:34,949

You have to decide how

big your bushes here.

295

00:16:35,880 --> 00:16:36,360

Various.

296

00:16:39,630 --> 00:16:40,380

Okay.

297

00:16:41,250 --> 00:16:41,760

Yeah.

298

00:16:44,010 --> 00:16:45,060

There's our two brushes.

299

00:16:45,120 --> 00:16:46,079

I have two brushes.

300

00:16:46,725 --> 00:16:48,645

That I'm using to put these highlights.

301

00:16:48,645 --> 00:16:53,955

So when you're painting at home too,

you'll also find it two brushes,

302

00:16:54,285 --> 00:16:58,425

the one inch and the two inch will

save you a lot of, a lot of time.

303

00:16:58,425 --> 00:17:00,585

And a lot of brush cleaning

have one brush for lights.

304

00:17:00,585 --> 00:17:04,065

One for darks pays tremendous dividends.

305

00:17:04,545 --> 00:17:08,204

And if you're lazy, like I

am you really understand.

306

00:17:13,714 --> 00:17:14,075

Okay.

307

00:17:14,460 --> 00:17:19,620

Individuals again though,

one at a time, a nice one.

308

00:17:19,790 --> 00:17:24,050

It looks like it's sorta just hanging over

like a big, big Fern there or something.

309

00:17:24,770 --> 00:17:25,010

Hmm.

310

00:17:25,100 --> 00:17:27,560

That's one of those happy accidents

we talk about all the time.

311

00:17:28,580 --> 00:17:29,570

They just sort of happen.

312

00:17:30,890 --> 00:17:33,920

And when they happen, learn

to live with them sometimes

313

00:17:35,060 --> 00:17:36,530

when a happy accident happens.

314

00:17:37,170 --> 00:17:40,650

You'd jump in there and tear it up before

you think, look at it before you do.

315

00:17:41,700 --> 00:17:46,080

I'm just using the CAD yellow, yellow

ochre, little SAP, green, Indian, yellow

316

00:17:46,620 --> 00:17:48,060

touch, a bright red here and there.

317

00:17:49,770 --> 00:17:53,670

She didn't want to put the indication

of another little Bush right there.

318

00:17:55,800 --> 00:17:59,760

Like, so maybe he's got a

friend that's right there.

319

00:18:01,889 --> 00:18:03,270

Still working in layers.

320

00:18:03,480 --> 00:18:06,300

I know you get tired of hearing me

say that, but it's so important.

321

00:18:07,350 --> 00:18:08,580

So very important.

322

00:18:10,649 --> 00:18:10,980

Okay.

323

00:18:11,070 --> 00:18:12,000

Maybe right out here.

324

00:18:12,330 --> 00:18:13,350

Ooh, right over the water.

325

00:18:13,439 --> 00:18:17,459

And then pretty there he is

326

00:18:21,449 --> 00:18:22,439

go to my other brush

327

00:18:25,649 --> 00:18:27,510

maybe right in here somewhere.

328

00:18:27,600 --> 00:18:28,439

Well, there's a nice.

329

00:18:29,595 --> 00:18:33,885

Lavender one, just sort of back and forth.

330

00:18:33,885 --> 00:18:37,335

However you want there.

331

00:18:40,514 --> 00:18:45,645

Maybe, maybe in our world,

but a little Brown right here.

332

00:18:45,645 --> 00:18:48,075

Maybe there's a happy little stone here.

333

00:18:48,105 --> 00:18:50,294

We don't know sad where you want it.

334

00:18:50,504 --> 00:18:51,105

Drop it in.

335

00:18:52,004 --> 00:18:53,294

Take a little highlight color.

336

00:18:54,645 --> 00:18:55,905

Let it touch bounce.

337

00:18:56,264 --> 00:19:01,334

Barely touching sort of a bounce

right along there, brighten

338

00:19:01,334 --> 00:19:02,324

it up a little bit more.

339

00:19:02,354 --> 00:19:09,245

Who are there, there isn't

that day and you can do it.

340

00:19:09,485 --> 00:19:10,534

I know you can do it.

341

00:19:12,034 --> 00:19:15,125

No, you can do it everyday.

342

00:19:15,125 --> 00:19:17,794

I see evidence that people can do this.

343

00:19:19,740 --> 00:19:23,580

Literally thousands of people

have picked up brushes and

344

00:19:23,580 --> 00:19:25,860

tried, and that's all it takes.

345

00:19:26,550 --> 00:19:29,130

You can do anything that

you believe you can do.

346

00:19:30,390 --> 00:19:33,570

And if I know you can do it, you

certainly believe you can do it.

347

00:19:35,250 --> 00:19:37,620

Cause I wouldn't lie to you there.

348

00:19:39,030 --> 00:19:39,810

There we go.

349

00:19:44,010 --> 00:19:48,750

It's always sad for me to come to the

last show of a series that we're already

350

00:19:48,750 --> 00:19:50,340

under production for the next series.

351

00:19:50,420 --> 00:19:53,280

There's over 200 shows.

352

00:19:53,280 --> 00:19:56,940

Now, if you, haven't got to see all of

them in your area, give you station to

353

00:19:56,940 --> 00:19:58,320

call, tell him you'd like to see them.

354

00:19:58,320 --> 00:19:59,400

That's the only way they know.

355

00:20:00,810 --> 00:20:03,060

And to, to, if they want to

see them, we'll get them to,

356

00:20:03,420 --> 00:20:04,560

okay, let me be up in here.

357

00:20:05,100 --> 00:20:06,300

Let's have some nice trees.

358

00:20:08,205 --> 00:20:13,155

Take some, we will take some

paint, thinner Vandyke Brown.

359

00:20:13,155 --> 00:20:15,524

We'll be right back and reached down

here and get a little white dog.

360

00:20:16,574 --> 00:20:17,205

Ooh, that's nice.

361

00:20:17,205 --> 00:20:18,705

Maybe a little dark sand in there too.

362

00:20:19,995 --> 00:20:21,195

Let me get a little more thinner.

363

00:20:21,294 --> 00:20:21,854

Be right back.

364

00:20:24,274 --> 00:20:24,844

Oh, they're here.

365

00:20:24,875 --> 00:20:25,895

Here's what we're looking for.

366

00:20:26,044 --> 00:20:27,455

The cath that you see it run.

367

00:20:28,385 --> 00:20:31,655

That's the secret and it's the secret key.

368

00:20:32,700 --> 00:20:36,390

Maybe we want some nice tree

trunks up in here, touch.

369

00:20:37,080 --> 00:20:40,080

And as you work down here, let

the brush turn and wiggle jiggle.

370

00:20:40,680 --> 00:20:41,520

That did have fun.

371

00:20:42,630 --> 00:20:43,620

Let it have fun.

372

00:20:45,480 --> 00:20:45,930

There.

373

00:20:48,060 --> 00:20:48,810

There we go.

374

00:20:50,100 --> 00:20:52,590

Maybe he's got a friend right there.

375

00:20:54,780 --> 00:20:57,540

Now when you're doing this, if

you have trouble making it stick,

376

00:20:58,350 --> 00:20:59,700

add a little paint, thinner to it.

377

00:21:00,960 --> 00:21:05,940

Just means it's it doesn't flow

just means it's not quite done

378

00:21:05,940 --> 00:21:07,230

enough to flow right over there.

379

00:21:08,190 --> 00:21:08,720

And then paint.

380

00:21:08,720 --> 00:21:12,290

We use, I say it over and over only

case somebody has just tuned in.

381

00:21:12,950 --> 00:21:13,910

It's very thick.

382

00:21:14,180 --> 00:21:18,830

It's very dry, very firm,

except the highlight colors.

383

00:21:18,830 --> 00:21:27,770

Now the yellows are manufactured to

a thinner consistency, but these base

384

00:21:27,770 --> 00:21:29,300

color, especially the dark colors.

385

00:21:30,135 --> 00:21:33,285

Have to be extremely firm, dry and thick.

386

00:21:33,525 --> 00:21:37,785

Otherwise you, if you have to thin little

skinny paints and you try to paint one

387

00:21:37,785 --> 00:21:41,925

over top of the other, you're going to be

a mud mixer, and you're going to talk bad

388

00:21:41,925 --> 00:21:46,335

about me and I want it to work for you.

389

00:21:48,254 --> 00:21:49,095

A good test.

390

00:21:50,625 --> 00:21:52,305

Take you paint, take a top off of it.

391

00:21:52,575 --> 00:21:54,675

Give it a squeeze page.

392

00:21:54,725 --> 00:21:58,605

Stand about three quarters of an

inch or so above the tube by itself.

393

00:21:59,205 --> 00:22:04,095

It'll do that then it's probably probably

firm enough for what we're doing.

394

00:22:05,534 --> 00:22:06,915

Try a little bit on the other side here.

395

00:22:07,575 --> 00:22:09,465

Maybe it is an old tree

lives over here too.

396

00:22:10,514 --> 00:22:11,955

We got this nice dark area.

397

00:22:13,715 --> 00:22:19,865

There we are just put it in there.

398

00:22:22,274 --> 00:22:22,895

Little touch.

399

00:22:24,735 --> 00:22:26,415

Make a trunk, a little, a little bigger.

400

00:22:28,925 --> 00:22:29,165

Yeah.

401

00:22:29,495 --> 00:22:32,645

It's time to come up here and

begin putting some highlights

402

00:22:32,645 --> 00:22:33,575

on these old big trees.

403

00:22:33,575 --> 00:22:36,065

We'll just use, we'll use

some of this green color.

404

00:22:36,095 --> 00:22:36,605

What the heck?

405

00:22:37,235 --> 00:22:43,445

Maybe when you do yours, you want those

to be lavender or pink or blue, whatever.

406

00:22:43,805 --> 00:22:45,605

Tap a little color, push that brush.

407

00:22:45,605 --> 00:22:47,285

So you get that color

right out on the tip.

408

00:22:48,275 --> 00:22:50,225

Now I have to make big decisions here.

409

00:22:50,645 --> 00:22:52,535

Where does your leaves live up here?

410

00:22:53,445 --> 00:22:56,145

Using just the corner of

the brush, just the corner.

411

00:22:57,585 --> 00:23:01,055

Once again, about patterns and shapes.

412

00:23:02,135 --> 00:23:02,915

Don't just throw it.

413

00:23:04,895 --> 00:23:05,495

There we go.

414

00:23:07,575 --> 00:23:11,735

Sometimes when you watch the shows here,

it looks like we just run up here and

415

00:23:11,735 --> 00:23:13,835

sock it on and it just falls off any over.

416

00:23:15,945 --> 00:23:16,785

Take your time though.

417

00:23:16,785 --> 00:23:21,165

We have to do that because

we're, we have time restraints.

418

00:23:21,165 --> 00:23:30,405

You don't enjoy, enjoy the whole logic

of painting just to make you happy.

419

00:23:31,605 --> 00:23:34,785

We hope that it also brings

an awareness of nature.

420

00:23:35,595 --> 00:23:40,185

And all of God's little creatures

that you begin to see, things that you

421

00:23:40,185 --> 00:23:45,525

look around and you see color, you see

form, you see shape, you see all the

422

00:23:45,525 --> 00:23:48,135

beauty that's around you all the time.

423

00:23:48,135 --> 00:23:52,335

So often, so often we look all of

our lives, but we don't see anything.

424

00:23:52,980 --> 00:23:57,360

And painting will teach you to see

I've had people write and say, there's

425

00:23:57,360 --> 00:24:01,770

been a tree living in my front yard

for the 20 years, and I never saw it.

426

00:24:02,100 --> 00:24:07,560

I never saw it until I listened to you

and understood color and form and shape.

427

00:24:07,560 --> 00:24:10,980

And I looked out there and the tree

said, good morning to me today.

428

00:24:12,060 --> 00:24:13,710

And it's been there all this time.

429

00:24:16,440 --> 00:24:21,900

And if we can awaken an awareness in

you of God's creations and we've done

430

00:24:21,900 --> 00:24:30,620

a good job here, there let's go on the

other side, maybe it's right there.

431

00:24:31,740 --> 00:24:32,310

It's touch.

432

00:24:32,520 --> 00:24:39,030

That'd go wherever you want, wherever.

433

00:24:39,630 --> 00:24:40,680

Beautiful, beautiful.

434

00:24:41,490 --> 00:24:43,200

This is such a nice little painting.

435

00:24:44,880 --> 00:24:47,760

And if you've never painted before,

this is one you might want to try

436

00:24:48,300 --> 00:24:53,520

because it's easy enough that you can

do it on a first shot and it works.

437

00:24:54,270 --> 00:24:56,310

And you'll amaze your

family and your friends.

438

00:24:57,330 --> 00:24:58,350

They won't believe you done it.

439

00:24:58,710 --> 00:24:59,850

They'll think you went out and bought it.

440

00:25:02,145 --> 00:25:06,375

So then is when you paint for them, set

your canvas up and show them how to do it.

441

00:25:07,514 --> 00:25:13,555

And when you find something good, spread

it around to show others how to do it.

442

00:25:13,555 --> 00:25:17,865

Chewed that's that's where

half the fun of painting is, is

443

00:25:17,865 --> 00:25:19,245

sharing it with other people.

444

00:25:21,105 --> 00:25:22,575

Just sharing it there.

445

00:25:22,605 --> 00:25:26,955

I'm going to take a little bit of a very

light lavender color, some paint there.

446

00:25:28,515 --> 00:25:29,775

Let's go up here, maybe here and there.

447

00:25:29,775 --> 00:25:32,595

We can back in here and we can

see a little light stick in a

448

00:25:32,595 --> 00:25:35,875

twig, just wherever you want.

449

00:25:36,515 --> 00:25:37,145

There we go.

450

00:25:37,955 --> 00:25:39,935

There's just little things

living back in here.

451

00:25:40,844 --> 00:25:43,635

All the little doers that

live back in the woods.

452

00:25:45,195 --> 00:25:45,735

Okay.

453

00:25:45,735 --> 00:25:46,725

And take a clean knife.

454

00:25:47,084 --> 00:25:48,885

Scraping stick to two here.

455

00:25:49,425 --> 00:25:53,925

All we're doing is allowing some of

that black to show through makes it

456

00:25:53,925 --> 00:25:55,395

look like hundreds of little sticks.

457

00:25:55,635 --> 00:25:58,784

People think you worked yourself

half to death and we won't

458

00:25:58,784 --> 00:26:00,074

tell them that's our secret.

459

00:26:00,105 --> 00:26:04,185

Yours in mind, spring the camera

up here and take this oval off.

460

00:26:05,040 --> 00:26:06,360

I think we have a pretty painting.

461

00:26:06,390 --> 00:26:07,080

So let's see.

462

00:26:11,060 --> 00:26:11,570

Look at that.

463

00:26:15,320 --> 00:26:16,400

Isn't that fantastic.

464

00:26:17,930 --> 00:26:21,350

This is one of the nicest, most

interesting little scenes to do.

465

00:26:22,610 --> 00:26:26,120

I'm gonna take a little bit

bright red, little paint, thinner.

466

00:26:27,470 --> 00:26:28,730

I think we'll sign this one.

467

00:26:28,730 --> 00:26:29,600

Call it finished.

468

00:26:31,160 --> 00:26:32,270

I really hope you've enjoyed it.

469

00:26:34,290 --> 00:26:35,850

These little paintings

will make you happy.

470

00:26:36,149 --> 00:26:38,280

They're quite easy to do.

471

00:26:39,540 --> 00:26:41,909

They're bringing a lot

of richness to your life.

472

00:26:43,320 --> 00:26:47,820

And as I mentioned earlier, this is

our last show of the 16th series.

473

00:26:48,179 --> 00:26:49,409

I've enjoyed being with you.

474

00:26:50,010 --> 00:26:51,480

You're very, very special to me.

475

00:26:51,899 --> 00:26:55,110

And I want to wish you the very

best that life has to offer.

476

00:26:55,590 --> 00:26:58,950

I'll see you in the next series

and until then, happy painting.

477

00:26:59,790 --> 00:27:00,480

God bless.

478

00:27:01,500 --> 00:27:02,310

Take care of yourself.

479

00:27:02,310 --> 00:27:02,820

My friend

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S16E13 - Wooded Stream Oval

Bob Ross's

The Joy of Painting

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