Bob Ross's

The Joy of Painting

S16E08 - High Tide

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Hi, welcome back.

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Certainly glad you could join us today.

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It's a fantastic day and I

hope you're enjoying yourself.

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So I'll tell you what,

let's start out today.

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Have him run all the colors across the

screen that you need to paint alone

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with me while they're doing that.

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Let me tell you what I've

gotten done up here already.

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Okay.

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Today, as you can plainly, see,

we have a black canvas up here

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now to make a canvas black.

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We painted with black Jesso.

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Allow that to dry completely.

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Then I've covered the entire

canvas with transparent color.

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And let me tell you what colors I've got

up here, because I want to, I want to have

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a beautiful, bright little painting today.

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So in here I have Indian yellow,

which is a transparent yellow.

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It may look sort of green on your

screen, but we watch what happens

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then right above that, I have

little lizard Crimson with a touch.

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If they low blue in it, the top is

just the little blue on the bottom.

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I've got a little streak

going right down here.

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The same colors.

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This is just Indian, yellow.

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Put a little of that lavender color

on each side, down here in the bottom.

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Little dark Sienna that we do a

little ocean scene today, and I'm

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going to have a beach down here.

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So the dark Sienna will turn out to be

your little Sandy area, if all goes well.

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And then I decided where

the horizon was going to be.

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And here I've just put a piece

of masking tape across a we'll

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have a nice straight horizon line

and it's slightly above center.

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You don't want it right dead

in the minute in the middle.

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It just, it won't look right.

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Okay.

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So let's have some fun.

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Now this is a fantastic painting

to do for friends and neighbors.

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And, and don't tell them that you've

already put all this transparent

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color up here because it looked black.

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And then you, all you do is

take a little bit of the white.

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We'll just use the old big brush today.

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As I say, don't tell him anything,

prepare the canvas so they can't see it.

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I'm telling you all the secrets,

but don't tell him what you've done.

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And then just walk up to the canvas.

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Give them a big smile.

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And touch it with white and watch

what happens because when you touch it

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with a white, all of these beautiful

colors will just come alive and they'll

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think you're a magician years ago.

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When I first started demonstrating, I

used to do a lot of canvases like this,

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just start with a canvas that looked

black and they begin adding a white

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and letting all these colors happen.

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Okay.

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Now I'm going to wash the brush.

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Wash the old brush.

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That's the fun part.

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And there's a screen down here in

the bottom of my cam that I scrubbed

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can't shake off the excess just to

have a little fun and off you go.

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Now, then you can make this guy as

bright as you want, but I suggest

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strongly that each time you start

with a fresh brush by that, I mean,

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good and clean and fresh color.

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And go right in here and decide

where your light area is going

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to be starting the light area.

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And once again, blend outward

just blamed it outward there.

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Fantastic.

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You have to wear sunglasses

when you do these paintings.

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They're so bright and so beautiful.

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Now on up in here, we're going to begin

hitting that little lavender color and

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a little more of a white to the brush.

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Isn't that something.

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We just blend them together here.

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You're putting an opaque color,

which is the white on top of

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all this transparent color.

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It's over the black Jessa, a little

more of the white over right up in here.

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Now we begin hitting

the fellow blue there.

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Just making little crisscross strokes.

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A little more of the white,

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but what a sky you can make color

stands out so much brighter.

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All these black canvases there.

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Can you let me wash the old brush again?

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One thing about these though,

you will become an expert brush

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washer and that's all right.

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It's a lot of fun.

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There

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one of these days, I'm going to

show you our camera people so

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you can see what they look like.

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Yeah.

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And all I'm doing here is just

blending these colors together.

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So you can't tell where one color starts.

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The next color stops.

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Just, just blend them together.

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So they're nice and friendly.

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Be careful not to pull this

blue down into this yellow or

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you'll have a bright green sky.

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Okay.

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Chances are, that's not what

you're looking for today.

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Very good.

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One more time.

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Let's grab a fan brush.

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I'm going to go right into,

let's see, we'll use some black

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and some alizarin Crimson.

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That's good.

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Just black and Crimson.

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Nah, nah, man.

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Maybe there's a few happy little

clouds that live out here.

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So let's just go right in here.

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Just barely touching the

canvas with a fan brush.

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Just decide where your little clouds live.

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Just put in some very basic little

shapes using sort of a, a rocking stroke,

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sort of let that breath just rock.

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And we play there.

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Rocking chair stroke.

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Sometimes I feel that's where I

should be is in your rocking chair.

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There we go.

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But then you drag out your paint brush

and you realize how much fun life

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is the heck with a rocking chair.

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Let's paint.

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Let's paint.

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There we are.

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No story.

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I like to tell over and over again,

cause I, I hear this so many times

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people write and they say, Bob,

I'm not satisfied with my painting.

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And you've heard me say this before.

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I hope you're plagued with

dissatisfaction as long as you live.

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Because as long as you are,

you'll strive to do better.

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Each painting that you do brings

you a new insight into painting.

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You learn from it.

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And that's what makes it so much fun.

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And if you paint a thousand paintings

or 10,000 paintings, the next one's

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always going to be the masterpiece.

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You'll always find room

for improvement there.

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See, we got some basic little

basic little cloud shapes.

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Now then let me just grab

another in the brush.

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I have several of them here.

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Take a little look, white, a little white.

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Be right back.

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Get a little, little tiny touch

of lizard Crimson, but in it.

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Okay.

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Yeah.

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Then maybe we'll just add a

little highlight here and there.

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I don't want much too much.

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Just a little just here and there.

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Just to make these little clouds,

little light sparkling here and there.

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Just think about the little light raises

hanging through, having fun there.

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Yeah, clean brush.

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This is your bravery test.

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Just go right over that.

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It'll blend it right together.

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Be very gentle.

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You can create beautiful little

clouds, that easy hair right now.

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Then let's take, let's take, let's

take our, pull some white out there.

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Put at least a little touch

of yellow ochre into it.

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Least little touch of alizarin Crimson.

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Make sort of a peachy color,

maybe a little more of the ochre.

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Okay.

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Ochre.

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There we are.

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Oh, that's nice.

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That's getting nice.

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And that's even better.

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It makes you feel good just to look at it.

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Okay.

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Let's go right up here.

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Maybe back in here, we have

just a happy little cloud.

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He lives right back here on the horizon.

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It floats around, he watches

the ocean and all the little sea

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goals and he just has a good time.

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Maybe it's a big cloud, maybe over here.

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There's some more see, but just use

the corner of the brush and use a

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little tiny around strokes, tiny little

strokes, tiny, tiny little strokes there.

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Don't let them get too big there.

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Could all them little

clouds and then fantastic.

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Grab a little touch more the Crimson here.

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I want to be a little darker.

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It's farther away from the

light source over here.

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A little bit darker, a little

darker wash the old brush off.

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Okay.

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Large brush.

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All we're going to do is just stirred up

a little, just blend it, mix it, tease it.

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Barely are we're going to flip it

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very lightly, very gently

over the entire thing.

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And if you want to get a little crazier

and heavily more fun and take a little

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touch of the white and go right in here

and maybe just put the indication of a

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few little highlights that live on just

some of these don't overdo don't overdo.

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Sometimes it starts to feel

good and you get carried away.

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They're just a few just to sort

of break them up and show some

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definition between them there.

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Now we'll gently blend the bottom

out, saving those top edges.

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Fluff it.

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There you go.

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Look at that.

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Just float right out there in the sky.

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Let's do that.

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Do what the heck, let them all at once.

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Isn't that a very, very effective

little sky that you can do just

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quick as the devil can do easy.

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Okay.

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Now let's take and pull this piece

of masking tape off and you have

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a nice straight horizon line.

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Just as straight as it can be,

but there was no pain under there.

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So I'll take a little bit of the

Indian, yellow, and we'll just

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come right up to the horizon line.

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Add little that color in there

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there.

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Hmm.

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We'll take a little touch of

the lavender put on the sides.

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Same as we have everywhere else.

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Then it'll all, it'll all work together.

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We're in business now, then

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clean the old brush.

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One more time.

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Yeah, I'm going to take the fan

brush and just plain titanium,

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white, plain old white.

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Now then we have to start

making some big decision here.

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Maybe we're going to have a

big wave back here somewhere.

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You can just take the fan brush and just.

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Put in a basic idea, maybe it comes

up like it wherever you want it.

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Just, we want to save that area.

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So we'll just drop that in

here's our light source go

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right into that with pure white.

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Just begin.

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Still making that little I'll exaggerate

it a little rocking type stroke.

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I'm really exaggerating there,

but that'll, that'll begin

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creating the illusion, a little

things happening back there.

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It picks up that color.

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It's underneath all those beautiful

little things happen automatically.

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You don't have to worry about it.

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Don't have to sit and try to plan it.

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It will happen for you.

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Maybe.

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I bet if we have a nice

little deal lives right there.

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See you just give her up and then wipe

your brush off and then very gently

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we can blending that color back there.

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Just blend it back.

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Okay.

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Same thing right here.

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Let's just blend a little led color back.

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We want to save this dark area.

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That's very important to good friends.

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Good, good friend.

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Just like so darker, darker, darker

as it gets away from you over here.

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Okay.

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Maybe there's some, some part

of that wave it's curling over.

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So for that, I'll take some

way, a little touch of blue.

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She'll be right back and get a

little bit of little, tiny, tiny

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bit of CAD yellow head in there.

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What this to be sort of greenish color

right now, maybe this way, maybe it

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comes here and the light's hitting it.

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Got to make those little sounds.

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If you don't make those

little sounds work.

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Yeah, maybe it will, but it's more

fun if you make the sounds there.

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It's like, so they're shooting.

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We don't know.

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Maybe there's some over here too.

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We'll have a, we'll have

a nice breaker in here.

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okay.

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I'm gonna grab, I use that.

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Maybe I use a number three fan brush.

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That's fine.

256

00:13:55,819 --> 00:13:56,209

Brush.

257

00:13:57,140 --> 00:14:02,660

We'll take some blues and blue, some

alizarin Crimson, reach down here and

258

00:14:02,660 --> 00:14:05,600

grab a little touch of white, more white.

259

00:14:07,709 --> 00:14:10,709

Just mixing up, uh, a dark lavender color.

260

00:14:10,979 --> 00:14:11,459

There we go.

261

00:14:11,849 --> 00:14:12,239

Nice.

262

00:14:13,410 --> 00:14:13,650

Okay.

263

00:14:14,310 --> 00:14:16,020

Maybe we'll just use a fan barista.

264

00:14:16,020 --> 00:14:19,739

You could use your Filbert or your

fan, whatever I'm scrubbing in.

265

00:14:20,069 --> 00:14:21,209

Some shadows here.

266

00:14:21,300 --> 00:14:24,150

All I'm doing is I hope you

can see that it's putting in

267

00:14:24,150 --> 00:14:25,979

a dark color for the shadows.

268

00:14:28,680 --> 00:14:32,550

Maybe that when he comes up,

maybe it breaks on itself right

269

00:14:32,550 --> 00:14:34,500

here, wherever you want it.

270

00:14:36,210 --> 00:14:38,760

Just sorta think like a wave your water.

271

00:14:38,760 --> 00:14:43,740

You're coming over here

and you're crashing there.

272

00:14:45,870 --> 00:14:46,530

Okay.

273

00:14:46,800 --> 00:14:47,760

Why should old rush?

274

00:14:48,760 --> 00:14:50,750

That was the number three fan brush.

275

00:14:50,800 --> 00:14:53,370

We wash it and thinner and then

just wipe it on a paper towel

276

00:14:55,170 --> 00:14:56,430

preferred to be, get it clean.

277

00:14:56,550 --> 00:14:58,620

I didn't get mine clean

for a life to bear.

278

00:14:59,760 --> 00:15:03,660

Now, then let's just go into

some white, plain, or white.

279

00:15:04,125 --> 00:15:07,365

Once again, number three, fan brush at it.

280

00:15:09,165 --> 00:15:13,245

Come right on top of that color

that we laid on the lavender.

281

00:15:14,115 --> 00:15:21,105

Just use the corner of the brush

again, just pushing up, make all

282

00:15:21,105 --> 00:15:22,605

those beautiful little foamy things.

283

00:15:26,715 --> 00:15:28,125

Maybe they just go we on over.

284

00:15:28,155 --> 00:15:28,965

We don't know where they go.

285

00:15:32,550 --> 00:15:33,480

Is there anything on over

286

00:15:37,930 --> 00:15:39,839

say it helps to make

all those little noises

287

00:15:45,990 --> 00:15:46,319

there.

288

00:15:46,349 --> 00:15:48,930

Just all kinds of nice little foam areas.

289

00:15:49,530 --> 00:15:54,270

Now, then good clean,

dry brush, be shirts dry.

290

00:15:54,839 --> 00:15:58,050

And we're going to take the top

corner of the brush and just.

291

00:15:59,069 --> 00:16:04,860

Barely barely moving the bristles,

barely moving, barely moving.

292

00:16:04,860 --> 00:16:07,770

It looks like I'm moving at a

great deal, but it's just barely

293

00:16:09,090 --> 00:16:12,000

just winding it up a little and

it'll bring that right together.

294

00:16:15,000 --> 00:16:21,090

Tiniest little strokes,

tiniest little strokes there.

295

00:16:25,260 --> 00:16:27,120

And that lavender that we put underneath.

296

00:16:27,435 --> 00:16:32,295

Automatically becomes your shadow when

you wave or in the breaker, in the

297

00:16:32,295 --> 00:16:33,465

phone, whatever you want to call it.

298

00:16:35,165 --> 00:16:35,705

There we go.

299

00:16:36,185 --> 00:16:42,035

Now then let's take some white, take a

little hype, find a little, little yellow.

300

00:16:42,064 --> 00:16:42,665

There we are.

301

00:16:44,705 --> 00:16:45,425

And let's go.

302

00:16:45,515 --> 00:16:46,505

There's a little blue in there too.

303

00:16:46,505 --> 00:16:50,255

So it makes a nice green let's go

right up in here and let's just

304

00:16:50,255 --> 00:16:55,325

scrub in a nice eye or transparency.

305

00:16:56,225 --> 00:16:56,765

This is the.

306

00:16:57,570 --> 00:16:58,590

This is the light part.

307

00:17:00,390 --> 00:17:03,990

Now, once again, take this brush.

308

00:17:05,550 --> 00:17:06,990

You're barely, barely moved.

309

00:17:06,990 --> 00:17:09,000

The bristles barely move.

310

00:17:09,050 --> 00:17:13,980

It would probably be better if you

did this before you put the phone

311

00:17:13,980 --> 00:17:20,130

one easier and begin thinking about

the shape and the form of the water.

312

00:17:22,350 --> 00:17:22,850

And.

313

00:17:25,290 --> 00:17:29,000

I want to go back in here,

just redefine this edge of this

314

00:17:29,180 --> 00:17:30,980

nice foamy thing right here.

315

00:17:31,070 --> 00:17:32,150

Almost broke it up.

316

00:17:36,440 --> 00:17:40,400

Very gently, blend that all back together.

317

00:17:44,865 --> 00:17:45,405

Okay.

318

00:17:45,465 --> 00:17:49,575

Maybe if this is our light source tune,

maybe there's some light shines right

319

00:17:49,575 --> 00:17:51,735

through there wherever you want it.

320

00:17:52,125 --> 00:17:58,455

Just pull it down, grab it, pull hard.

321

00:17:58,665 --> 00:17:59,595

We're going to get tough with it.

322

00:17:59,935 --> 00:18:03,504

Given a strong pole

and then just go across

323

00:18:08,305 --> 00:18:08,754

there.

324

00:18:10,375 --> 00:18:11,365

It looks wet already.

325

00:18:16,585 --> 00:18:19,825

And then tell you what,

let's take the knife.

326

00:18:20,015 --> 00:18:25,405

We're using the small knife and get

little tiny rule of just white paint.

327

00:18:26,280 --> 00:18:30,930

Now let's make a decision

maybe in our world, right?

328

00:18:30,930 --> 00:18:34,470

Here's the foam coming down.

329

00:18:36,600 --> 00:18:38,580

Let's take a knife, push very hard.

330

00:18:38,700 --> 00:18:39,930

I'm bending the blade.

331

00:18:41,700 --> 00:18:43,350

Absolutely bending the blade.

332

00:18:48,090 --> 00:18:52,290

Now, then somebody find

a clean fan brush here.

333

00:18:56,824 --> 00:19:00,485

now we want to take this, touch it

and just begin blending it back.

334

00:19:03,425 --> 00:19:04,024

There we go.

335

00:19:09,844 --> 00:19:12,155

And that easy it's a super way.

336

00:19:12,665 --> 00:19:18,395

Or making some very effective little

seascapes, very, very effective.

337

00:19:19,475 --> 00:19:21,635

Now that we have some things

coming out of this wave.

338

00:19:22,875 --> 00:19:27,845

It's a nice foam patterns that are

happening here wherever you want.

339

00:19:29,585 --> 00:19:31,085

All these little doers in here.

340

00:19:31,715 --> 00:19:31,804

Okay.

341

00:19:32,284 --> 00:19:33,395

That's what makes it interesting.

342

00:19:33,395 --> 00:19:35,585

And at home you have unlimited time.

343

00:19:35,615 --> 00:19:38,495

You can just sit and make

beautiful, beautiful things.

344

00:19:39,455 --> 00:19:43,534

So I mentioned before, if I go over 30

minutes, I don't have any sense of humor.

345

00:19:43,534 --> 00:19:50,495

Here they come out and drag me off

here and do evil things to me now.

346

00:19:52,395 --> 00:19:55,805

That's begin putting some

little doers in here.

347

00:19:55,805 --> 00:20:04,895

This is just some of the lavender colors,

just making all kinds of little things.

348

00:20:04,895 --> 00:20:11,345

We can go in here and pick up some

of that lighter colors, just all

349

00:20:11,345 --> 00:20:12,395

of them and bring them together.

350

00:20:14,945 --> 00:20:17,165

And these little lines, they

really make it stand out.

351

00:20:21,645 --> 00:20:22,155

You what?

352

00:20:23,135 --> 00:20:23,405

Shoot.

353

00:20:23,554 --> 00:20:24,304

That was so much fun.

354

00:20:24,304 --> 00:20:24,995

Let's have another one.

355

00:20:26,344 --> 00:20:29,824

Maybe there's a, another

one lives right about here.

356

00:20:33,885 --> 00:20:34,475

About there.

357

00:20:36,604 --> 00:20:38,824

Just put the paint on mash

very hard with that night.

358

00:20:38,854 --> 00:20:39,965

Really been that night.

359

00:20:40,445 --> 00:20:41,284

Get tough with it.

360

00:20:42,959 --> 00:20:47,100

And then back to her fan brush,

grab that and just begin blending

361

00:20:47,100 --> 00:20:50,729

it back, just blend it back.

362

00:20:52,250 --> 00:20:56,929

It was one of the nicest, simplest ways

I've ever seen to make some very effective

363

00:20:56,929 --> 00:21:00,830

little seascapes, very effective.

364

00:21:07,129 --> 00:21:10,850

Just think about angles and how

the water would play through there.

365

00:21:15,495 --> 00:21:16,185

There we go.

366

00:21:18,065 --> 00:21:18,185

Yeah.

367

00:21:18,185 --> 00:21:19,865

This color just jumps alive.

368

00:21:19,955 --> 00:21:23,284

These black canvases are some

of the most beautiful, beautiful

369

00:21:23,284 --> 00:21:25,385

effects that I've ever seen.

370

00:21:26,405 --> 00:21:26,735

Shoot.

371

00:21:26,855 --> 00:21:27,635

I won't do that again.

372

00:21:29,735 --> 00:21:30,605

Maybe there's another one.

373

00:21:30,605 --> 00:21:31,355

We over here,

374

00:21:36,544 --> 00:21:37,385

we over here.

375

00:21:41,345 --> 00:21:45,155

maybe this one here is just

a wet spot in the sand.

376

00:21:45,155 --> 00:21:50,515

It's not as, not as much water

here, just on the phones.

377

00:21:50,945 --> 00:21:51,965

It's laying out here.

378

00:21:58,335 --> 00:22:02,435

There we go pulling that down.

379

00:22:02,465 --> 00:22:04,475

You have, you already have

your reflection there.

380

00:22:05,044 --> 00:22:05,705

This is lazy.

381

00:22:05,705 --> 00:22:09,514

Man's way to paint a little bit

of white little yellow ochre.

382

00:22:10,865 --> 00:22:16,024

Since we have that dark sand on the

canvas, just by blending that in,

383

00:22:16,865 --> 00:22:21,335

it gives us some instant sand there.

384

00:22:22,865 --> 00:22:25,175

And if you want to make it look

wet, just grab a little of it.

385

00:22:26,310 --> 00:22:27,810

Pull down, go across.

386

00:22:27,810 --> 00:22:29,970

It'll make the little, make

little shimmers in there.

387

00:22:33,290 --> 00:22:34,100

Okay.

388

00:22:36,560 --> 00:22:41,420

Back to paint thinner on the liner,

brush a little bit of color and

389

00:22:41,420 --> 00:22:45,620

you can just go in here and put all

kinds of beautiful little details.

390

00:22:47,210 --> 00:22:48,140

Let's go up top here.

391

00:22:48,200 --> 00:22:49,310

I want to put some in here too.

392

00:22:51,200 --> 00:22:52,970

You can just put all

kinds of little things.

393

00:22:55,905 --> 00:23:01,115

Little say all kinds of little doers

happening, falling the falling,

394

00:23:01,115 --> 00:23:02,705

the basic angles of the wave.

395

00:23:03,245 --> 00:23:04,295

It's most important.

396

00:23:04,295 --> 00:23:08,015

There comes one right over the

top, but these little details.

397

00:23:08,375 --> 00:23:10,655

That's what will make

your painting special.

398

00:23:12,245 --> 00:23:12,875

There we go.

399

00:23:16,235 --> 00:23:16,835

Canaan.

400

00:23:17,435 --> 00:23:18,125

No.

401

00:23:19,064 --> 00:23:23,085

Tropical looking seascape would be

complete without a happy little Palm tree.

402

00:23:23,085 --> 00:23:27,435

Let's go right into black

street or at night black.

403

00:23:28,095 --> 00:23:31,695

I reach up here and grab a little van

Dyke Brown, put with it, black and

404

00:23:31,695 --> 00:23:33,345

Brown or Brown and black, whatever.

405

00:23:34,905 --> 00:23:38,294

Maybe we'll have a, maybe

this is your bravery test

406

00:23:42,185 --> 00:23:42,605

right there.

407

00:23:43,875 --> 00:23:44,495

Right there.

408

00:23:44,735 --> 00:23:47,195

Let's give him a friend friend lives.

409

00:23:49,545 --> 00:23:50,085

Right there.

410

00:23:50,655 --> 00:23:52,185

Now we need something

for all that to sit on.

411

00:23:52,665 --> 00:23:55,005

Maybe there's a little

projection right out here.

412

00:23:55,185 --> 00:23:59,475

I can just use a fan brush, whatever

you've got handy, whatever you

413

00:23:59,475 --> 00:24:02,865

got handy, big brush fan brush.

414

00:24:02,865 --> 00:24:03,435

It doesn't matter.

415

00:24:04,785 --> 00:24:05,505

All we're doing here.

416

00:24:05,505 --> 00:24:10,125

It's just, maybe there's some little

green things living out here, there.

417

00:24:11,655 --> 00:24:11,955

Okay.

418

00:24:12,225 --> 00:24:15,825

Take a little white, a little

yellow, little SAP green.

419

00:24:16,275 --> 00:24:17,145

Mix it together.

420

00:24:19,725 --> 00:24:21,375

Nice sparkly, little green color.

421

00:24:23,525 --> 00:24:27,035

Just put a few little highlights here

and there on some of those little things.

422

00:24:29,975 --> 00:24:32,405

Think about little individual

bushes that live in here

423

00:24:37,265 --> 00:24:38,254

right around this flips.

424

00:24:38,435 --> 00:24:39,335

A little bit of Brown

425

00:24:43,535 --> 00:24:44,195

comes right out.

426

00:24:44,195 --> 00:24:44,915

Like there.

427

00:24:49,520 --> 00:24:52,550

And we can take on this Palm tree,

pull a little left to the side.

428

00:24:52,550 --> 00:24:56,000

That'll just make it, give

it a little more character, a

429

00:24:56,000 --> 00:24:57,139

little white on the brush here.

430

00:24:57,170 --> 00:24:59,629

Very little, just enough

to make it look around.

431

00:25:03,230 --> 00:25:07,670

Let's go into our black, with a

liner brush with paint thinner on it.

432

00:25:07,670 --> 00:25:09,470

So it's very, very thin, very thin.

433

00:25:10,670 --> 00:25:10,910

Okay.

434

00:25:10,940 --> 00:25:11,480

Let's go up here.

435

00:25:12,000 --> 00:25:13,340

Begin thinking about how you.

436

00:25:13,725 --> 00:25:15,195

Palm names are going to hang off.

437

00:25:18,075 --> 00:25:25,805

We can put in just some just

basic ideas wherever you want.

438

00:25:25,805 --> 00:25:29,645

It just looks like my umbrella.

439

00:25:31,595 --> 00:25:32,345

All right.

440

00:25:33,455 --> 00:25:35,045

Maybe it was a bad year for Palm trees.

441

00:25:35,045 --> 00:25:36,245

We will just leave them like that.

442

00:25:38,195 --> 00:25:40,145

Seagulls ate all the

leaves right off of them.

443

00:25:44,175 --> 00:25:44,745

There we are.

444

00:25:45,544 --> 00:25:48,425

And that's just to give you a

basic idea of where you want to be.

445

00:25:49,715 --> 00:25:51,274

Shoot me, just grab a fan brush.

446

00:25:51,665 --> 00:25:53,735

I'm going to dip the

brush into paint thinner.

447

00:25:54,274 --> 00:25:57,995

I want this paint to be very thin and

then we were right into the midnight

448

00:25:57,995 --> 00:26:01,715

black, but see how thin that is.

449

00:26:01,715 --> 00:26:05,855

It will literally run, literally

run if you're not careful.

450

00:26:06,095 --> 00:26:06,334

Okay.

451

00:26:07,385 --> 00:26:09,514

Now then begin thinking about.

452

00:26:09,959 --> 00:26:12,929

Where you went to beautiful

leaves on this Palm, grab it.

453

00:26:13,409 --> 00:26:15,030

Just give it a little downward pull.

454

00:26:16,439 --> 00:26:21,899

See, maybe this one comes

over, like, so shoot.

455

00:26:21,899 --> 00:26:25,879

We put a little something on

the other side, look at there.

456

00:26:27,230 --> 00:26:34,399

So these are one of the simplest kinds

of trees to make very, very easy.

457

00:26:38,595 --> 00:26:42,915

Shoot, maybe there's some things

over on the other side, like, so

458

00:26:44,415 --> 00:26:49,455

that'll do her out here wherever

you want them is your Palm tree.

459

00:26:49,485 --> 00:26:51,585

So you can do anything

with it that you want.

460

00:26:52,535 --> 00:26:58,425

Take a little SAP green and just come

back and lay in a touch of highlight just

461

00:26:59,235 --> 00:27:02,525

here and there just to make it stand down.

462

00:27:03,935 --> 00:27:04,655

Okay, go ahead.

463

00:27:04,925 --> 00:27:05,225

Go ahead.

464

00:27:07,500 --> 00:27:11,929

I know you can do it

just wherever you want.

465

00:27:11,929 --> 00:27:13,639

These, there is one

466

00:27:18,139 --> 00:27:21,379

armed with this information, or you

can do some of the most beautiful

467

00:27:21,379 --> 00:27:23,480

seascapes, but try these black canvases.

468

00:27:24,110 --> 00:27:27,500

I think you will find them exciting,

not only to yourself, but to

469

00:27:27,500 --> 00:27:29,510

anybody who watches your paint.

470

00:27:30,320 --> 00:27:34,065

As I mentioned earlier, You know,

don't tell anybody that you've

471

00:27:34,065 --> 00:27:37,275

put all the color, the transparent

color on top of the black Jesso.

472

00:27:37,745 --> 00:27:41,135

And when you start playing that

white on there, these beautiful

473

00:27:41,135 --> 00:27:44,975

things will happen and people will

absolutely think you're magician.

474

00:27:45,455 --> 00:27:48,215

So I think we'll call that when

finished from all of us here,

475

00:27:48,365 --> 00:27:50,405

happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S16E08 - High Tide

Bob Ross's

The Joy of Painting

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