Bob Ross's

The Joy of Painting

S16E07 - Deep Woods

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Hi, welcome back.

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It's a fantastic day and I'm certainly

glad you could join me today.

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So I tell you what, let's start out

today and have him run all the colors

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across the screen that you need to paint

along with me and they'll come across as

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usual in the same order as I have them

on the pallet, starting with a white.

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And working around, I have mole

standard 18 by 24 inch canvas up here.

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It's covered with a nice, thin

even coat of the liquid white.

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And it's all ready to go.

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So let's just do a beautiful

little scene today.

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That'll make you happy and

it's such a wonderful day.

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Let's just have some fun today.

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I'm to start out here

with a little dark Sienna.

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Okay.

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Little dark Sienna.

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Be right back.

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I'm gonna reach down here, grab a

little touch of the yellow ochre.

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So we have dark Sienna and yellow

ochre just a little bit, and let's

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just start appearing in the sky.

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Let's just, let's just start going around

and making little crisscross strokes, just

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little exes, like, so I let it blend out.

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Word outward, outward airway.

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Just nice, happy little

sky warm colors today.

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We're just going to make

beautiful, warm little there.

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Okay.

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Now I'm going to take same old color

dark Sienna reached down here and

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grab a little yellow ochre reach

over here, and then we'll put a least

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little touch of SAP green into it.

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So we have yellow ochre,

SAP, green, and dark Sienna.

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A little more of the salmon green.

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Ooh, that's nice.

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Beautiful color.

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Okay.

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We'll just begin laying that red

around like, so still making the

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little, little crisscross strokes.

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X's okay.

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Little more of the color.

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We'll just bring it all the way out.

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Like, so.

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Okay.

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And same thing on the other side,

a little more of the dark Sienna,

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the yellow ochre and SAP green.

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Just load both sides of the brush.

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Jump right up here.

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Okay.

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We'll just fill that right in.

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Okay.

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And when you use like a big old two

inch brush, it only takes a second

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here to cover the whole canvas.

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That easy now we'll just sort

of blend it all together.

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Go over the entire canvas.

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Let me sort of take a look,

see and see what we have there.

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Very nice.

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Now that I've got several old

brushes going here, so I don't have

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to spend all my time washing them.

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I want to take a little

titanium white on another.

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I want another two inch brush and

maybe up in here, there's a light spot.

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We'll just take out the brush.

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And work around and you can do

this as many times as you want to

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achieve a desired lightness and

we'll just blend it all together.

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And it looked like maybe this is where

the sun is here up behind the cloud.

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They're far away.

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It just gives us sort of a, a

little light source right there.

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And from that we can work around tape.

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Shoot this whole two inch

brush is so much fun.

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Let's go right back into our dark Sienna.

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Be right back.

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Get a little more that yellow

ochre travel over here.

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Get a little SAP green,

put them all together.

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Maybe a little more of

the green here we are now.

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Then let's begin making the indication

of some little trees that live

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we're back here in the distance.

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So let's just take the

brush and hold it up here.

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Like this touch.

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Give a little sidewards push.

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See there.

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Did the other side push it makes it look

like happy little tree out there and

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you can make two or three little trees.

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Wherever you want them now at

the same time, we can use the

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same color and just tap to use

just the top corner of the brush.

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And we could just tap and make the

indication of all kinds of little

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trees that are weed back at a distance.

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Far away.

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We're not looking for

a lot of detail here.

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It's too far away at this point later

on, they'll begin laying in detail.

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But right now, all we're

looking for is distance shapes.

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Okay, makes up a little more my color.

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And we're just mixing these, the colors

on the brush, maybe right in here.

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There lives another happy

little tree, same thing.

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We still are using dark Sienna, yellow

ochre, and little SAP green in it,

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but that easy you can make beautiful,

beautiful background trees.

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Just using a big old two inch brush.

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So often we avoid this brush

because it's because it's big.

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That's the son of a gun will

do fantastic things for you.

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Give it a chance.

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Try it.

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You'll like it.

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One more maybe right over in here.

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There we go.

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Now I want this painting

today to be extremely Misty.

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Just very soft and a lot of Misbeck here.

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So we'll take a clean, dry brush.

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All I'm going to do is firmly.

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You can probably hear

how hard I'm hitting.

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I'm going to just firmly tap this.

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I wanted to fuse the

bottom of it totally away.

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Just totally soften it.

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You can't even tell

where it stops or starts.

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There we go.

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Wait, just like, so

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yeah.

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Then let's have several different

planes in this painting.

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So let's, let's begin moving forward.

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I think today we'll use some,

I'll take some bright red.

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What the heck?

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Be brave.

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Be brave.

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Take a chance.

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Experiment.

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Enjoy.

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It's.

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What makes it fun?

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Little white, bright red.

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They look blue.

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We need a little more red in there.

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Oh, that's nice.

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That's nice.

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This is going to make sort of a

lavender color, sort of a bluish

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lavender is what I'm looking for.

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A little more of the white

that's pretty already.

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Okay.

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Let me grab a fan burst.

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I go use a fan brace today.

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Let's just load a little color.

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Just go back and forth with a fan brush.

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Just get a little bit of colored Emory

to here and get a little more white.

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I want it a little bit lighter, right?

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Oh, that's nicer now.

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Then I want to take just the corner

of the fan brush and just scrub it.

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All we're doing is the corner.

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Just the corner.

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Just, just sort of rub it, give it

a little push that's all there is

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to it and begin thinking about some

basic shapes here of some bushes and

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trees and all kinds of little things.

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There as things get closer to

you in the landscape, they should

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get darker, darker, and bad.

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There we go.

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I think just all kinds of little happy

things are going on back in here.

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All right.

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Layer after layer after layer.

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And that's what gives your painting depth.

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That's what, that's what make

your painting special is that

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it has depth and distance in it.

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It's not just old flat painting.

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Okay.

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Now we'll take a two inch

brush and tap the base of that.

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Only the base though.

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We don't want to mess

up those beautiful tops.

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Once again, that'll help create

that illusion and mist and

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that mist as your separator is

separates each plane in each layer.

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That's what we're looking for.

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Treasure that missed.

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It's very, very important to you that your

good friend take care of it treated well

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treated like you treat any good friend.

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With respect care about it.

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There we are.

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Other little Bush maybe lives right

here, and you can sort of vary these

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colors a little bit between the

bright red and the blue and the white.

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So you have all different

things happening.

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And just sort of figure out

where you think he's a little

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bushes live, drop them in

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just layer after layer, after

layer, a little more pate

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shoot, maybe like right here.

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Maybe there's a little tree.

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That's a poor little tree.

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He's scrawny.

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Scrawny little tree.

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That's that's my word for

the day from the South.

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I live in Florida.

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Now.

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I like those, some of those little

sayings that we have there, this is

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a scrawny tree, maybe over in here.

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There's some little bushes

that just sort of fade back

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there now.

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Once again, back to this old two

inch brush and we're going to tap,

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keep that Misty area going in here.

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It's very important.

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Give it a little upward lift

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and it's time to start having

fun now for that easy stuff.

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Let's get in here and do it now.

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Same old color.

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Maybe we'll add a touch of blue to it.

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I want it to be a little

bit more to the bluish side.

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All right, let's go right up here.

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Maybe in our world, their lives

or their does now a nice tree.

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He lives right here.

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Just looks out and sees the whole world.

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And all we're doing is tapping with a firm

with a firm pressure for the fan brush.

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Maybe he's got a friend.

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Yes, he does.

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There he is.

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I know me.

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I think everybody ought to have a friend,

everybody, or to have a friend let's

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put some indication out here, just some

little, some little leaves and stuff

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that are just silhouetted out here.

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We're not looking for a lot

of details too far away yet.

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There we are.

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If few on this one.

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They're just sorta decide where

you want to drop them in shoot.

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That was so much fun.

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I tell you what, maybe right here, just

sort of look at your painting, make a

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decision who that was crooked like that.

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I don't like an little

straight trees there.

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They just look like

future telephone poles.

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I like trees with character.

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And we'll give him a friend too.

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Yeah, maybe right down here.

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We'll just take the corner

that brush and scrub it again.

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Just to make the indication of some

more, little things that are happening.

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But all you're using just a corner and, or

the fan brush and just rub it, just rub.

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It's like you're making waves in

the ocean, almost same basic idea.

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If you've painted seascapes with

me using the fan, then you know

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exactly what I'm saying here.

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You can do it.

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Now then tap the base of that

really get in there and tap it.

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See how Misty that looks.

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Look at all the different

planes in here already.

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Just one after another,

it goes all the way up.

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Cenk tell you.

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I like his trees.

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Let's put another one in here.

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I had about him there.

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Shoot put a few little leaves on him.

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I don't want to overdo these cause

it'll kill all the background.

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I want to keep that background.

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I liked that.

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Maybe out here, we need a field.

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Don't want this whole tree left out.

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He'll get, he'll get angry and

run off and leave you there.

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Okay.

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This one here.

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I like these kinds of

paintings are so soft.

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It's so nice.

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They just make you feel good.

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Okay.

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Now then let's take our liner brush.

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I'll dip it in paint, thinner paint,

thinner, and go right through some

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of that same color we were using.

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Can you look me up in here?

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Just look around and see

maybe there's little.

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Uh, Leo Martu, that's hanging off here,

here and there, wherever you want them.

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Wherever a little squirrels

got to have a place to sit.

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Yeah.

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Pine cone that he finds out here.

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Got to think about them.

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Just make up little stories about the

little creatures that live out in here,

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and then there's a reason for all this.

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It makes it so much easier.

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They're

259

00:13:30,095 --> 00:13:30,485

just.

260

00:13:32,190 --> 00:13:37,710

More and more wherever these little

things are always hanging off the

261

00:13:37,710 --> 00:13:41,610

old trees, especially if they're

evergreen type trees of some kind.

262

00:13:43,530 --> 00:13:44,820

It's always a lot of them out there.

263

00:13:47,060 --> 00:13:47,320

Okay.

264

00:13:49,730 --> 00:13:52,760

Just using a little bit of Brown

on the liner brush and go back in

265

00:13:52,760 --> 00:13:56,360

here and here and there dropping the

indication of a few little trunks

266

00:13:56,360 --> 00:13:57,800

that are showing back between these.

267

00:13:59,505 --> 00:14:05,325

Wherever you want to, maybe

you can see indication there.

268

00:14:06,125 --> 00:14:06,485

Okay.

269

00:14:07,595 --> 00:14:11,135

I'd give us a basic idea of how to put in

a whole bunch of little twigs and sticks

270

00:14:11,135 --> 00:14:13,535

and all kinds of happy little things.

271

00:14:14,525 --> 00:14:14,975

All right.

272

00:14:15,185 --> 00:14:21,665

Let's go up here and get a little of the

Vandyke Brown like, so I'll put some SAP

273

00:14:21,725 --> 00:14:23,555

green and the lizard Crimson in there.

274

00:14:23,975 --> 00:14:25,235

Those two colors mixed together.

275

00:14:25,235 --> 00:14:27,245

Make a beautiful reddish Brown.

276

00:14:29,145 --> 00:14:32,165

There we are now, then maybe in here.

277

00:14:33,695 --> 00:14:33,905

Ooh.

278

00:14:33,905 --> 00:14:35,015

It not a beautiful color.

279

00:14:36,305 --> 00:14:39,455

See, maybe in here there's some

more little bushes and stuff

280

00:14:39,455 --> 00:14:42,695

that they just go right on over.

281

00:14:42,785 --> 00:14:43,985

Where do we want, where do we want?

282

00:14:44,765 --> 00:14:45,275

There we go.

283

00:14:45,545 --> 00:14:48,695

Just wherever, make a

decision, drop them in.

284

00:14:50,525 --> 00:14:53,105

Maybe this comes right up

here under these big trees.

285

00:14:57,035 --> 00:14:59,045

If you run out of paint on one

side of the breast, turn it

286

00:14:59,045 --> 00:15:01,025

over and use the other side.

287

00:15:01,025 --> 00:15:02,585

That's the reason we

put two sides on a bra.

288

00:15:03,605 --> 00:15:07,505

So you can paint with both

of them here and there.

289

00:15:07,505 --> 00:15:13,295

We can hit a touch of a titanium

white just to change the flavor of it.

290

00:15:13,295 --> 00:15:14,525

A little, same color.

291

00:15:14,585 --> 00:15:17,825

We're just changing the flavor lighter,

a little darker here and there.

292

00:15:19,755 --> 00:15:26,175

So look at it and make

a decision we're ever

293

00:15:29,505 --> 00:15:31,215

a little more into the Crimson side.

294

00:15:34,694 --> 00:15:36,135

I like these kind of little paintings.

295

00:15:36,135 --> 00:15:40,935

They are really very, very

pretty back to the white.

296

00:15:41,715 --> 00:15:42,735

I'm not cleaning the brush.

297

00:15:42,765 --> 00:15:45,885

I'm just varying color, right

on the same old, dirty brush.

298

00:15:48,165 --> 00:15:48,945

There we go.

299

00:15:50,295 --> 00:15:50,805

Okay.

300

00:15:51,615 --> 00:15:52,395

Let's get crazy.

301

00:15:53,055 --> 00:15:53,985

Find a big brush here.

302

00:15:54,855 --> 00:15:56,115

That little Rascals too slow.

303

00:15:56,125 --> 00:15:57,705

I'm gonna go right into

a little Vandyke Brown.

304

00:15:59,655 --> 00:16:01,125

Let's just put some color on them.

305

00:16:01,125 --> 00:16:04,965

Canvas, like, so.

306

00:16:06,765 --> 00:16:10,545

I know you're saying, Bob, you have

certainly, certainly done it this time.

307

00:16:11,685 --> 00:16:14,354

You may be right to it.

308

00:16:14,354 --> 00:16:20,655

Let's just see, I know all this needs to

be dark because I want to put a lot of

309

00:16:20,985 --> 00:16:23,714

nice things in here that need a dark base.

310

00:16:23,745 --> 00:16:25,515

So we can just paint all this dark.

311

00:16:25,604 --> 00:16:26,115

What the heck?

312

00:16:29,444 --> 00:16:32,474

There that's a lot easier

than worrying about it.

313

00:16:32,954 --> 00:16:33,765

Just throw it in.

314

00:16:37,785 --> 00:16:38,565

Good and dark.

315

00:16:43,365 --> 00:16:48,125

All right, now then take a

little Brown on the knife here.

316

00:16:48,545 --> 00:16:50,705

Maybe there's a little,

little Hill over here.

317

00:16:50,865 --> 00:16:54,725

We just take the knife and started

let it flow right down like that.

318

00:16:55,255 --> 00:16:55,625

Right.

319

00:16:57,875 --> 00:17:00,605

We will put some more rocks

and some stones and all kinds

320

00:17:00,605 --> 00:17:02,135

of little things over here.

321

00:17:03,335 --> 00:17:04,204

There they are.

322

00:17:05,745 --> 00:17:09,255

Just wherever you want them wherever.

323

00:17:11,555 --> 00:17:14,585

Can you take some wide,

a little dark Sienna?

324

00:17:15,755 --> 00:17:16,625

Just mix it up.

325

00:17:17,315 --> 00:17:18,815

Like someone put some black in there too.

326

00:17:19,745 --> 00:17:20,075

Nice.

327

00:17:20,675 --> 00:17:22,775

Leave it color marbled like that.

328

00:17:23,075 --> 00:17:24,545

Cut off a small roll of paint.

329

00:17:25,085 --> 00:17:29,075

So you have that little roll right out

there and let's go right in here and just.

330

00:17:29,534 --> 00:17:32,175

Drop in the indication here and

there some little highlights

331

00:17:32,175 --> 00:17:33,465

that live right along in there.

332

00:17:34,425 --> 00:17:38,175

So you get all those variations

because you didn't overmix you paint.

333

00:17:39,345 --> 00:17:44,115

If you over mix the paint, then you just

ended up with one flat old dead color.

334

00:17:45,375 --> 00:17:47,475

And we like paintings that

have a lot of life in them.

335

00:17:47,564 --> 00:17:51,855

Shoot, happy paintings, happy paintings.

336

00:17:51,855 --> 00:17:53,685

If you want sad things, watch the news.

337

00:17:56,355 --> 00:17:56,985

All right.

338

00:17:58,595 --> 00:18:03,915

I'm just going to go right in here and

just pop in some pop in some little,

339

00:18:04,155 --> 00:18:05,475

get a little color on the brush here.

340

00:18:06,625 --> 00:18:12,125

Few little things at

work, right down Pikes.

341

00:18:12,125 --> 00:18:15,995

So use a little small knife.

342

00:18:16,535 --> 00:18:16,625

Okay.

343

00:18:17,075 --> 00:18:20,465

And we can create the illusion

of some nice strong rocks or

344

00:18:20,465 --> 00:18:24,245

put a dark edge under there.

345

00:18:24,375 --> 00:18:26,645

See that all these little

things are just happening.

346

00:18:28,365 --> 00:18:30,945

Maybe, maybe right out in here.

347

00:18:31,514 --> 00:18:31,845

Shoot.

348

00:18:31,845 --> 00:18:34,004

Maybe we got all kinds

of stones right out here.

349

00:18:37,304 --> 00:18:39,215

Just wherever you want.

350

00:18:39,375 --> 00:18:41,685

Just the nice rocks and stones.

351

00:18:44,235 --> 00:18:46,635

I know you're saying I don't

look like rocks and stones to me.

352

00:18:47,595 --> 00:18:48,044

All right.

353

00:18:48,675 --> 00:18:49,455

It doesn't to me either.

354

00:18:49,544 --> 00:18:50,955

I don't, you mentioned let's cover.

355

00:18:52,514 --> 00:18:54,794

So to cover them up,

take another fan brush.

356

00:18:56,129 --> 00:18:59,760

I'm going to dip it and the liquid

white, and then go into titanium

357

00:18:59,760 --> 00:19:04,530

white, we right back and get a little

tiny, tiny bit of, they look blue, but

358

00:19:04,530 --> 00:19:05,939

there's a lot of color on the brush.

359

00:19:07,020 --> 00:19:09,929

I put the titanium white

in there only to thin it.

360

00:19:10,860 --> 00:19:12,750

Can this go back up here now?

361

00:19:12,750 --> 00:19:17,340

Maybe these rocks live down

here, but underneath there

362

00:19:17,340 --> 00:19:21,149

underneath, maybe, maybe just.

363

00:19:22,590 --> 00:19:24,450

Just a happy little waterfall.

364

00:19:24,900 --> 00:19:25,560

Maybe it lives.

365

00:19:26,180 --> 00:19:26,420

Yep.

366

00:19:26,600 --> 00:19:27,140

Right there.

367

00:19:28,510 --> 00:19:29,520

Right about in there.

368

00:19:30,500 --> 00:19:30,590

Okay.

369

00:19:30,800 --> 00:19:33,560

Saying it hits down here and

there's little splashes going on

370

00:19:38,090 --> 00:19:38,540

there.

371

00:19:39,650 --> 00:19:41,030

Tiniest little bit of blue though.

372

00:19:41,150 --> 00:19:41,690

Not much.

373

00:19:43,220 --> 00:19:45,530

And you let all kinds

of little things go on.

374

00:19:46,310 --> 00:19:49,790

Maybe there's little stones in there and

you can just have little splashy doers.

375

00:19:51,060 --> 00:19:57,210

Here and there wherever as many, or as

few as you want, now we can grab this.

376

00:19:57,900 --> 00:20:03,420

I want to pull this down straight

down, go across just like we were

377

00:20:03,420 --> 00:20:07,890

making a reflection because that's

what we want it to look like out here.

378

00:20:07,890 --> 00:20:11,370

Then come right along in here

and we can decide for all these

379

00:20:11,370 --> 00:20:15,090

little pools are see there.

380

00:20:18,165 --> 00:20:20,324

Just create all kinds of little illusions.

381

00:20:24,314 --> 00:20:24,945

There we are.

382

00:20:27,705 --> 00:20:32,205

It's a super, super nice and easy

way to make a happy little waterfall.

383

00:20:37,965 --> 00:20:38,594

There we go.

384

00:20:39,645 --> 00:20:40,064

Okay.

385

00:20:41,985 --> 00:20:42,705

Let's get over here.

386

00:20:43,605 --> 00:20:43,965

Shoot.

387

00:20:43,965 --> 00:20:47,715

I'm going to take some more of this

van, Dyke Brown, maybe over here.

388

00:20:47,745 --> 00:20:48,645

Let's come right down in here.

389

00:20:48,645 --> 00:20:52,215

Maybe there's a big, big

projection or big rocket lives.

390

00:20:52,335 --> 00:20:53,025

Yeah, there he is.

391

00:20:53,355 --> 00:20:54,375

He hangs out over here.

392

00:20:55,895 --> 00:20:56,645

Big stone.

393

00:20:58,805 --> 00:21:01,975

Maybe, maybe be another one

here, just wherever you want.

394

00:21:01,985 --> 00:21:03,365

I'm just sort of look at your painting.

395

00:21:03,565 --> 00:21:04,595

Make a big decision.

396

00:21:04,685 --> 00:21:05,165

There is.

397

00:21:06,959 --> 00:21:11,689

Drop it in, drop it in

where ever you want.

398

00:21:14,220 --> 00:21:14,970

Okay.

399

00:21:14,970 --> 00:21:15,300

Fine.

400

00:21:15,310 --> 00:21:16,290

Old fan brush.

401

00:21:16,439 --> 00:21:16,919

There's one.

402

00:21:18,510 --> 00:21:22,379

We'll take some of the Brown and

some of the white and just mix it

403

00:21:22,379 --> 00:21:25,080

together on the right on the fan brush.

404

00:21:27,990 --> 00:21:33,480

Maybe over in here, a little bushes

live out here on, on this projection.

405

00:21:35,085 --> 00:21:36,015

There they come.

406

00:21:36,315 --> 00:21:37,225

Do you knew they were there?

407

00:21:42,275 --> 00:21:43,265

That's me go right on up.

408

00:21:43,565 --> 00:21:45,785

We're still using just the

corner of the fan brush.

409

00:21:47,585 --> 00:21:51,545

And I just want to show you how you

can use just the corner and make the

410

00:21:51,545 --> 00:21:55,295

illusion of all kinds of little bushes

and stuff that they have out here.

411

00:22:02,075 --> 00:22:02,735

Okay.

412

00:22:03,959 --> 00:22:04,949

Take the knife.

413

00:22:05,159 --> 00:22:07,649

We use a little bit of this highlight

color, just Brown and white.

414

00:22:08,189 --> 00:22:08,969

Come right down here.

415

00:22:09,719 --> 00:22:11,250

Let's put a top on this big rock.

416

00:22:11,250 --> 00:22:14,820

See, by putting a top on it,

look at their son of a gun.

417

00:22:14,820 --> 00:22:16,020

Just jumps right out at you.

418

00:22:17,909 --> 00:22:18,780

Pull that downward.

419

00:22:19,139 --> 00:22:22,149

It allow it to grab just the least

little touch of that color and pull down.

420

00:22:22,149 --> 00:22:22,290

421

00:22:26,699 --> 00:22:27,689

maybe this one here.

422

00:22:28,740 --> 00:22:30,090

Maybe it comes right out here.

423

00:22:31,080 --> 00:22:31,679

It's up to you.

424

00:22:32,205 --> 00:22:34,875

It's up to you where ever you want it?

425

00:22:35,435 --> 00:22:35,555

Okay.

426

00:22:39,175 --> 00:22:40,775

Wash off the old thin brush.

427

00:22:43,325 --> 00:22:45,695

Do you want me to a little

white, a little Brown.

428

00:22:46,715 --> 00:22:49,205

This painting is done

almost totally in Browns.

429

00:22:49,205 --> 00:22:50,735

That's what makes it so very nice.

430

00:22:52,385 --> 00:22:54,665

Just very nice little painting.

431

00:23:02,025 --> 00:23:03,895

Okay right there.

432

00:23:05,535 --> 00:23:07,455

Tell you what, while we got

all this Brown, go ahead.

433

00:23:07,935 --> 00:23:12,195

Maybe there's just an indication

of a little path comes right along,

434

00:23:13,875 --> 00:23:18,615

right on the edge of the painting

there and right around the corner.

435

00:23:18,645 --> 00:23:20,055

We don't know where that rascal goes.

436

00:23:21,885 --> 00:23:23,055

A little touch of white on it.

437

00:23:23,055 --> 00:23:24,345

So it stands out a little bit.

438

00:23:24,345 --> 00:23:24,405

Yeah.

439

00:23:24,945 --> 00:23:26,565

I want it to be very subdued, though.

440

00:23:26,865 --> 00:23:27,645

Very quiet.

441

00:23:31,205 --> 00:23:31,475

okay.

442

00:23:31,475 --> 00:23:35,945

Maybe over in here, we can put the

indication of some little bushes and stuff

443

00:23:35,945 --> 00:23:37,475

that live here on the side of that path.

444

00:23:39,155 --> 00:23:39,605

Shoot.

445

00:23:39,605 --> 00:23:43,264

We can even get crazy and have a, maybe

there's a big old stone, one or two.

446

00:23:43,264 --> 00:23:49,145

It lives in here and there each side

it'll touch your highlight on it.

447

00:23:50,945 --> 00:23:51,365

See there.

448

00:23:53,610 --> 00:23:55,290

Okay, few more little bushes

449

00:24:01,850 --> 00:24:02,520

in yours.

450

00:24:02,550 --> 00:24:06,580

If you just put anything that

you want wherever you want.

451

00:24:09,420 --> 00:24:10,050

Okay.

452

00:24:11,640 --> 00:24:12,030

Shoot.

453

00:24:12,030 --> 00:24:12,780

Let's get crazy.

454

00:24:13,740 --> 00:24:16,350

I want to go right into the

straight Vandyke Brown, a

455

00:24:16,350 --> 00:24:17,490

lot of paint on the brush.

456

00:24:18,630 --> 00:24:18,720

Okay.

457

00:24:19,035 --> 00:24:26,505

Maybe in our world, our lives right

here, a huge tree, big, strong tree.

458

00:24:29,145 --> 00:24:29,775

There we go.

459

00:24:30,135 --> 00:24:32,145

If I glue to the side, you

can see them a little better.

460

00:24:33,555 --> 00:24:37,425

He lives right out here

and maybe he had a friend.

461

00:24:38,505 --> 00:24:39,855

Oh, he lived right here.

462

00:24:40,905 --> 00:24:41,835

Maybe he fell over.

463

00:24:42,555 --> 00:24:46,965

Maybe he took the week off, just

fell over in the stream or somewhere.

464

00:24:49,590 --> 00:24:50,010

Okay.

465

00:24:50,639 --> 00:24:54,990

Yeah, we'll take a fan brush that has

light color on it and we'll just take

466

00:24:55,320 --> 00:24:58,409

titanium white go right along this area.

467

00:25:01,250 --> 00:25:02,810

Just, just hang on there.

468

00:25:03,919 --> 00:25:05,090

Right out here on the stump.

469

00:25:05,780 --> 00:25:06,080

Thanks.

470

00:25:06,080 --> 00:25:11,870

So yeah, take the brush, grab it,

give it a little tiny little pool.

471

00:25:11,990 --> 00:25:13,129

See, it's all there is to it.

472

00:25:14,060 --> 00:25:14,930

Just give it a little pool.

473

00:25:15,120 --> 00:25:15,240

Yep.

474

00:25:15,440 --> 00:25:15,590

Yep.

475

00:25:16,010 --> 00:25:17,480

So I told you not to worry about it.

476

00:25:19,139 --> 00:25:20,820

There it makes a beautiful tree.

477

00:25:22,350 --> 00:25:23,520

I can take some of her Brown.

478

00:25:23,580 --> 00:25:30,030

Maybe there's a lamb or two lives out

here wherever you think they should be

479

00:25:33,689 --> 00:25:34,560

just here and there.

480

00:25:36,840 --> 00:25:37,439

Okay.

481

00:25:37,770 --> 00:25:39,360

Maybe let's have one over here.

482

00:25:39,360 --> 00:25:44,340

I don't want this side left down here

is another one big old set of a gun.

483

00:25:45,810 --> 00:25:47,100

And he's got a little friend,

484

00:25:50,360 --> 00:25:55,110

didn't this a fantastic way using

basically just a fan brush and knife

485

00:25:55,110 --> 00:25:59,610

and a couple of pieces of equipment

to make a super little painting.

486

00:26:00,030 --> 00:26:04,920

Maybe it was one off cookie, but you know

me, I'm like, he's all crooked trees.

487

00:26:07,650 --> 00:26:08,490

There he is.

488

00:26:09,270 --> 00:26:11,880

That's really lives back to her white.

489

00:26:14,190 --> 00:26:22,140

Come right along the edge, grab it,

pull it over, pull it over, see how it

490

00:26:22,140 --> 00:26:27,600

makes that tree look, look around, but

it'll paint thinner on the liner brush.

491

00:26:27,810 --> 00:26:29,340

We want this paint to be thin.

492

00:26:29,790 --> 00:26:39,270

I like kink and let's go in here,

put in a limb or to wherever maybe.

493

00:26:39,929 --> 00:26:41,699

Over here on this whole stop.

494

00:26:41,760 --> 00:26:45,679

There's still a limb or

two hanging off there.

495

00:26:45,679 --> 00:26:50,480

Waco, just all kinds

of little things there.

496

00:26:52,879 --> 00:26:55,250

And we need a few leaves on this one.

497

00:26:56,030 --> 00:26:57,620

And this whole painting

we'll be about done.

498

00:26:59,810 --> 00:27:00,260

Gotta wake up.

499

00:27:00,980 --> 00:27:02,629

Not too many, not too many.

500

00:27:02,870 --> 00:27:05,060

Maybe there's a little one that

goes right on off the canvas.

501

00:27:05,060 --> 00:27:05,330

There.

502

00:27:07,890 --> 00:27:10,140

And shoot a few finishing touches.

503

00:27:11,690 --> 00:27:14,930

And in yours you put a few sticks

and twigs and lambs, wherever

504

00:27:14,930 --> 00:27:18,110

you want them, that brings it all

together and makes it interesting.

505

00:27:20,330 --> 00:27:22,040

I think we're about ready for a signature.

506

00:27:23,960 --> 00:27:27,470

Take a little, the paint, thinner,

little bright red, well, sign

507

00:27:27,470 --> 00:27:29,150

this one her right over here.

508

00:27:30,030 --> 00:27:31,130

Hope you've enjoyed this one.

509

00:27:31,130 --> 00:27:31,970

It's sorta different.

510

00:27:32,960 --> 00:27:33,590

It'll certainly.

511

00:27:34,290 --> 00:27:35,820

Certainly give you a little challenge.

512

00:27:36,570 --> 00:27:38,880

So try this, but let me know how it works.

513

00:27:39,000 --> 00:27:39,810

Drop me a line.

514

00:27:39,840 --> 00:27:40,230

Okay.

515

00:27:40,350 --> 00:27:41,250

From all of us here.

516

00:27:41,520 --> 00:27:43,590

Happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S16E07 - Deep Woods

Bob Ross's

The Joy of Painting

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