Bob Ross's

The Joy of Painting

S27E04 - Wilderness Falls

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Hey, certainly glad to see you today.

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About today.

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We'd just do a painting.

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It's a lot of fun.

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I hope you have your paints out

and your big brushes and you're

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ready to get along here with us.

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So I tell you what, let's start out.

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They have run all the colors

across the screen that you

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need to paint along with us.

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And while they're doing that

as usual, let me show you what

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I've got done up here today.

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I have a standard old canvas up

here and I've covered the top

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of the canvas with liquid white,

the bottom with liquid black, and

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I've just blended them together.

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So you have a nice evening.

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Flow of color here.

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It goes from white to black, inside.

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Easy shoot.

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Let's have some fun today.

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I thought today, maybe

let's just do a painting.

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It's a lot of fun make

you feel good in here.

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Start with that small

amount of thalo blue.

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Don't need much, very strong,

just a little, just a tiny bit.

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Let's go up in here and let's just

tap in all kinds of little, just

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all kinds of little happy things.

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Tap, twirl, whatever.

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Let's make a sky that has

some life in it today.

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Has been in all kinds of

little, little doers like that.

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We're not too worried about them.

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Just have fun painting

should make you happy.

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Should be a good time

when you're painting.

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There C just sort of swirl it

in, let it go play with it.

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Reach over here and get a

small amount of a lizard.

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Crimson.

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I don't on the same brush,

very small amount though.

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And that'll give us sort of a reddish

lavender cause there's blue on there and

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we let that bounce and inherent in there.

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Just a little, just a little, we can

go back and get a little bite here and

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there just a little white on the brush.

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And we'll just spend a

little bit of that in there.

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I'm just varying colors.

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I want to sky's essay that has, has a lot

of little things happening in it and each

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and every one of these will be different.

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Yours will be different than this one.

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The next one that we do

here will be different.

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So don't try to just copy.

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Now let yours, that's yours

be an individual there.

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Just blend that a little bit

and you can vary back and forth.

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I went back into a little blue there,

there, the blue is much stronger

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than any other color up here.

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So you have to sort of keep that in mind.

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Blue will get it'll get away from you

sometimes if you're not careful and fallow

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blue is such a strong, beautiful color

might be just about my favorite color.

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There we go there.

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So it's quite a warm blue.

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Some blues are very, very cold feeling.

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He had to put on a coat

just to work with them.

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They, little blue is a warm

blue, probably has a little

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green in it, something like that.

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That's probably all we

need for that little scar.

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I got the old breast straight and we'll

put a little, little pressure blue, and

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I'm gonna go a over this dark color.

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Felt like it just let it

fill, ended up with easy.

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That is to cover when you

have the black on there.

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This black works are wonderful for areas

that, you know, in your painting are

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going to have a lot of dark in them.

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It works wonderful.

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And we got to clean the brush.

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If you've painted with me before,

you know, that's the most fun

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part of the whole technique

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and that's really, the fun is just beaten.

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He'll brush here.

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Tell you what today.

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Let's have a little mountain

that lives we'd back in.

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Oh, it's far away.

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Take a little black little

alizarin, Crimson, a little

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blue in it, something like that.

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Pull it out flat and cut across,

get our little roll of paint.

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And maybe in our world, a little

mountain lives right there.

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I don't want much paint

scrape off all the excess.

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If it bothers you, this crepe

had a little white to it.

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So that way it wouldn't be so dark.

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I don't mind scraping the canvas hard.

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All right, but just, just a small

amount of pain as you can put on there.

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Just enough to stay in the canvas.

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Now back to our two inch brush

and we want to grab this and pull

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it, just pull it and then blend it

outward on to make this a very light.

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The lighter mountain is the farther

away to look in your painting.

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If it's close to you, it'd

be very distinct and dark.

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I want this one to live.

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We back somewhere far away.

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So it's very light here.

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We are something about like, yeah, we can

just blend the entire thing a little bit.

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To bring it together.

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Okay.

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Okay.

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That's a little white, just a little time.

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Maybe I put the least little

touch of the bright red in it.

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Just enough to warm it up a little.

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We have a little pink in the sky, so

we'll, we'll have a little Latin here.

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Cut off a little roll of paint.

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Okay.

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Now I don't want a lot

of detail back here.

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So just put the tiniest

little bit of color on here.

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A little bit of white.

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Don't want much though, once again,

I want this to look far away, so I

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don't want a lot of detail in it.

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Just enough to give the indication that

there's a big mountain living back here.

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I don't even know what we'll do

in the foreground exactly yet,

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but we'll come up with something.

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Don't worry about it.

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That's what's so great about

this style of painting.

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You can literally start off and

only have a time of year in mind.

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That's really all you need in time

of day probably did to determine

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where your light's coming from.

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But other than that, you really

don't have to make any major

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decisions when you first start.

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And I liked that because

about halfway through.

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I'll probably change my mind.

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Anyway, a little blue oppression,

blue, a little white, maybe a

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little more white, lighting it up.

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Ooh, that's just perfect.

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Little roll of paint.

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Almost no color here.

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Just a hint.

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Just a hint, just enough to

give a little little indication.

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Cause I'm probably going to take

a little bender brush and blend

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this whole mountain to soften it.

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I'm not trying to put much detail in it,

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underbrush and very lightly

following the basic angles, this

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little bend to brush the hair.

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And it is so soft.

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You can paint right over this from

paint as long as it's very gentle.

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Without destroying it.

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They're soft knit blended.

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There we are.

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All right.

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We just push that little mountain back

up five or six miles right on back there.

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Now let's go into, we'll just use

that blue that we had right here.

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Just tap that brush right into it.

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Same old bluish color.

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Go up in here.

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I want to just take some of these angles

and begin coming downward with them.

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Make all kinds of little

shapes, grab another brush.

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I just, I want to do something.

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I'll take a leaflet.

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It's a bit, at least a little bit of

Indian, yellow, least a little bit.

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Least a little bit and just blend it up.

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Just had an idea.

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I think that's.

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There, watch your watch.

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It'll create all kinds of

little things happening down

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in here when we come across.

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Cause this yellow along with this

blue is going to give us a basic

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little green color, sneaky hint.

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Maybe there's a little

dirt comes down from here.

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Like we don't know.

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And then lift upward, make it look

like there's little trees living

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back here far away, far, far away.

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Just little devils and put a little black

with that color, but just a small amount.

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Maybe, maybe there's another little Dewar.

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Yep.

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You're right.

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And it comes right up in through here.

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Left it up there.

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Just let your imagination take

you wherever you want to be here.

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All these little Hills and

stuff, it lived back in here.

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You can have them, you can have

them wherever you want them.

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There we are

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very, a lot of these colors

lift that lifting though.

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Once again, we'll make it look

like little trees that live

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far away, way far, far away.

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All right.

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Leather brushed clean and dry.

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Now I want to create mist.

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So I'm going to tap the base of all this.

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It's just the base.

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And you can even add a little titanium

white to your brush, really want to create

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miss, but tiny bit, tiny bit, all kinds

of little, little soft areas in here.

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There we go.

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Wherever you think they should live.

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That's exactly how they should live.

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I like to make painting sometimes

that are very soft and very gentle.

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They don't show up too well on TV.

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So most than we do on

TV or a little brighter.

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But there's still a lot of

fun to do when you're at home.

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Try some of these let's go into, well,

there's some that lavender color we had,

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we made the mountain out of, I think

that was some black lizard Crimson.

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We're going to put some SAP green in it,

little blue, something about like cat and

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we get a little white and be right back.

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Ooh.

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Yeah.

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Nice color.

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Nice color.

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Maybe a little black in there too.

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Just, yeah.

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Perfect.

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Okay.

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Tap the brush, get a little pain

on it, maybe in our world, maybe.

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Yeah.

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Yeah.

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You're right.

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I don't want to make the indication

here of some little foothills,

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some little footy Hills that

live right along right along.

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Where do they live?

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Make a big decision.

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You decide where they live,

but just all kinds of little.

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Like little trees live far up on the Hill.

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I noticed each layer is getting a little

more distinct, a little more detail in it.

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There we go.

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Clean dry brush.

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And I'm going to tap the base of

this firmly using the top corner

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of the brush firmly though.

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I want to create that

illusion of mist under there.

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If debris soft, it becomes.

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Hmm, you can do that.

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Same color, same color, only darker.

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That'll set green, little black,

little blue, little Crimson,

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but darker each layer as it gets

closer to you should get darker.

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Yeah, here we go.

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All kind of little things

living right up in here.

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There is many, many ways of

making foothills, but this is one

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of the easiest, most effective

that I've come up with track.

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Try it before the series is over.

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We'll show you several different ways.

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Making these.

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There we go.

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Just have to decide where this one goes.

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I don't know.

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Maybe it goes all the way over here.

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Don't know if we didn't

care at this point.

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We only make one decision at a time here.

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All right.

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Back to our brush.

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It.

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We were using a Creek missed,

missed the base of it.

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Just really getting there and missed it

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already.

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You can see planes just one

after the other, all the way

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up through this mountain.

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There's already a lot of depth in this

and you've done very, very little.

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Shoot.

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That was fun.

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I'm gonna do it one more time.

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Same colors, same colors, but less

and less white each time, less white.

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So once again, it gets darker and darker

as it gets toward you comes towards you.

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Here we are, maybe this one, that's

almost the pure color, not quite a

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little white in it, but not a lot.

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And I'm using just the

corner of the brush here.

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Make some very basic little shapes.

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I'm not looking for detail too far away.

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Much much too far away.

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You don't see every leaf

in a tree this far away

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there.

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I got to the counter on the brush.

256

00:13:20,085 --> 00:13:21,095

Maybe there's water back here.

257

00:13:21,095 --> 00:13:25,444

We'll put a little, let down,

just pull it straight down.

258

00:13:26,465 --> 00:13:31,805

I can't reflections are one of my absolute

favorite things to do in this technique

259

00:13:31,805 --> 00:13:33,215

of a little white on the brush too.

260

00:13:34,245 --> 00:13:37,545

That'll make them sparkle

just a little though.

261

00:13:37,575 --> 00:13:39,435

Don't overdo, don't overdo.

262

00:13:40,965 --> 00:13:42,435

It gets working and it feels good.

263

00:13:42,435 --> 00:13:45,915

And next thing you know, you've over

done it now go across very lightly.

264

00:13:47,235 --> 00:13:50,685

Just enough to sort of move

everything out like that.

265

00:13:53,640 --> 00:13:55,560

Maybe there's a little

light spot out in here.

266

00:13:57,360 --> 00:14:01,500

It's up to you, just a little

shimmer across the water.

267

00:14:02,430 --> 00:14:14,220

You can do all these things that easy,

that easy there, sometimes at least

268

00:14:14,220 --> 00:14:18,060

little touch of pink in that plus to

reflect some of that color out of the sky.

269

00:14:18,810 --> 00:14:20,850

Not much though, least little touch.

270

00:14:22,094 --> 00:14:23,025

The slow touch,

271

00:14:27,584 --> 00:14:28,725

keep these strokes straight.

272

00:14:28,725 --> 00:14:30,285

So your water looks like it's a level.

273

00:14:31,635 --> 00:14:35,265

Otherwise it'll just sort of go away and

leave you take that same old, dirty brush.

274

00:14:35,265 --> 00:14:37,125

Go into a little SAP green.

275

00:14:37,935 --> 00:14:41,594

Some of the yellow is yellow, ochre,

Indian, yellow, all of them on make

276

00:14:41,594 --> 00:14:43,875

a little green color in my mind.

277

00:14:44,084 --> 00:14:47,115

This area right here is beginning

to get close enough to us

278

00:14:47,235 --> 00:14:48,645

that we can make out color.

279

00:14:49,830 --> 00:14:52,830

Not making out a lot of detail

yet, but we're getting some

280

00:14:52,830 --> 00:14:56,450

basic colors shape form.

281

00:14:57,860 --> 00:15:02,510

Once again, we're not getting a lot

of detail yet too much detail can be

282

00:15:02,510 --> 00:15:07,670

disturbing to the eye because even

if you're not aware of it, your mind

283

00:15:07,670 --> 00:15:10,550

knows the things that are far away.

284

00:15:10,550 --> 00:15:14,930

You can't see a lot of detail then

sometimes you're not aware of that.

285

00:15:16,365 --> 00:15:18,405

Consciously, but subconsciously you are.

286

00:15:19,214 --> 00:15:22,214

I don't know if it makes any sense, but I

know you've looked at paintings and you'd

287

00:15:22,214 --> 00:15:24,135

say something's wrong with that painting.

288

00:15:24,165 --> 00:15:27,375

I don't, I don't know what it

is, but something bothers my eye

289

00:15:27,375 --> 00:15:29,895

about that painting and it can

be something as simple as that.

290

00:15:29,915 --> 00:15:30,185

Yeah.

291

00:15:31,594 --> 00:15:32,135

There we go.

292

00:15:32,225 --> 00:15:34,834

I'm just taking a fan brush

with a little green on it.

293

00:15:35,795 --> 00:15:35,885

Okay.

294

00:15:36,005 --> 00:15:38,885

And just sort of pushing upward,

just a little, let me put a little

295

00:15:38,885 --> 00:15:40,115

liquid white in there to thin it.

296

00:15:42,165 --> 00:15:45,435

Then paint will stick to a

thick paint and also want it to

297

00:15:45,435 --> 00:15:46,665

be a little lighter in color.

298

00:15:46,665 --> 00:15:47,895

So it shows up a little better.

299

00:15:48,795 --> 00:15:51,495

So the liquid white

accomplishes that very easy.

300

00:15:53,085 --> 00:15:59,505

They're about like that a little

more than liquid white on the knife.

301

00:15:59,775 --> 00:16:03,135

Put a little, put the least

little touch of bright red in it.

302

00:16:03,135 --> 00:16:04,395

Just the least little touch.

303

00:16:06,195 --> 00:16:08,295

And we'll just take care

of cut in a waterline.

304

00:16:10,079 --> 00:16:11,099

Just cut it up.

305

00:16:13,709 --> 00:16:15,989

This is just sort of a light

area to break up between the

306

00:16:15,989 --> 00:16:21,329

darks about like cabin there.

307

00:16:25,979 --> 00:16:27,719

We usually know where

that goes over there.

308

00:16:28,050 --> 00:16:29,760

At this point, we don't even care.

309

00:16:31,260 --> 00:16:32,459

Don't even care.

310

00:16:35,310 --> 00:16:37,469

A little, few little ripples

on the water here and there.

311

00:16:38,810 --> 00:16:40,230

All those nice things.

312

00:16:40,950 --> 00:16:43,820

A friend of fan rush, liquid white.

313

00:16:45,740 --> 00:16:46,370

Okay.

314

00:16:46,370 --> 00:16:49,490

Fan brush, liquid white titanium white.

315

00:16:50,360 --> 00:16:51,710

I put the liquid white in there.

316

00:16:51,860 --> 00:16:55,640

Once again, only the thin the

titanium white be right back blue

317

00:16:56,690 --> 00:17:01,520

S very small amount of thing, a

little blue, red to have some fun.

318

00:17:02,900 --> 00:17:03,350

Let's do it.

319

00:17:04,579 --> 00:17:05,600

It's your brave retest.

320

00:17:06,110 --> 00:17:06,890

Pretend your water.

321

00:17:07,875 --> 00:17:09,284

And you're floating along here one day.

322

00:17:09,284 --> 00:17:10,335

You're just having a good time.

323

00:17:10,335 --> 00:17:12,794

You're not bothering

anybody so wonderful day.

324

00:17:12,794 --> 00:17:15,554

You're just floating along,

enjoying the scenery.

325

00:17:15,554 --> 00:17:19,214

And all of a sudden, somebody pulled

full of stopper right out of your worlds.

326

00:17:20,704 --> 00:17:28,685

And he goes over to and there it goes,

just let it come right over to, but

327

00:17:28,685 --> 00:17:31,504

if you go straight and then down,

it doesn't matter where you go here.

328

00:17:31,504 --> 00:17:33,095

We'll cover any of that

up that we don't like.

329

00:17:34,380 --> 00:17:36,210

It'll give them pression of water.

330

00:17:36,210 --> 00:17:37,530

That's falling over.

331

00:17:38,100 --> 00:17:39,660

Maybe that's the reason

it caused a waterfall.

332

00:17:41,130 --> 00:17:44,760

Let's take a little bit of Brown

paint, straight van Dyke Brown.

333

00:17:47,580 --> 00:17:49,110

I just want to put some dark in here.

334

00:17:50,700 --> 00:17:55,470

We'll put a lot of nice rocks in

this, but I just want some dark red

335

00:17:55,470 --> 00:17:56,760

along in here to get us started.

336

00:17:59,730 --> 00:18:00,960

Let me get in there and mash it in.

337

00:18:02,625 --> 00:18:03,645

I'm going to have some fun today.

338

00:18:05,445 --> 00:18:06,675

We clean off a spot to work.

339

00:18:09,824 --> 00:18:17,685

Let's take black, a little bit of

pressure, blue, a little Brown, maybe

340

00:18:17,745 --> 00:18:22,725

a little Crimson in it, and I'm going

to take paint thinner, and I'm going to

341

00:18:22,725 --> 00:18:24,975

thin this color till it's quite thin.

342

00:18:26,355 --> 00:18:32,085

Quite them just use paint, thinner,

plain old paint, thinner, preferably

343

00:18:32,085 --> 00:18:37,155

odorless, or you'll be working alone and

just mix it until it's nice and thin.

344

00:18:38,610 --> 00:18:44,100

Now that I want to take white and a

little bit of black to make a gray

345

00:18:44,189 --> 00:18:45,389

who has a little blue there too.

346

00:18:45,389 --> 00:18:50,280

So I guess we're going to have a little

blue in that too, but mostly black

347

00:18:50,280 --> 00:18:51,990

and white to make a nice gray color.

348

00:18:52,409 --> 00:18:54,000

Like not like that.

349

00:18:54,000 --> 00:18:54,929

Maybe a little darker.

350

00:18:55,919 --> 00:18:56,399

Perfect.

351

00:18:56,760 --> 00:18:58,110

Let me get a little thinner.

352

00:18:59,280 --> 00:19:00,810

I want this to be thin also.

353

00:19:02,545 --> 00:19:03,735

You remember our golden rule?

354

00:19:04,365 --> 00:19:06,375

I thin paint will stick

to the thick paint.

355

00:19:07,095 --> 00:19:09,675

That's all I'm doing here is

making us some thin paint.

356

00:19:09,675 --> 00:19:12,705

So it'll stick to all that thick

that we have up there already.

357

00:19:14,745 --> 00:19:16,515

Can you wipe off the old knife?

358

00:19:17,805 --> 00:19:20,115

Let's get us a, a little oval brush.

359

00:19:20,505 --> 00:19:23,585

Oval brushes are easy to distinguish it.

360

00:19:23,585 --> 00:19:25,725

The only brush we have

that has a black handle.

361

00:19:26,879 --> 00:19:27,899

And I did that intentionally.

362

00:19:27,899 --> 00:19:31,439

So you wouldn't, wouldn't get them

confused, load, both sides, full of color.

363

00:19:31,620 --> 00:19:32,520

I see both sides.

364

00:19:32,520 --> 00:19:36,540

Now take one side only one

and go through that light.

365

00:19:36,540 --> 00:19:38,810

Come on or dark light now watch.

366

00:19:39,560 --> 00:19:39,649

Okay.

367

00:19:39,800 --> 00:19:47,449

Appear in our world lives a big old

rock, big rock right there to see him.

368

00:19:48,530 --> 00:19:49,040

And he's got it.

369

00:19:50,010 --> 00:19:50,640

Fran there.

370

00:19:51,540 --> 00:19:52,170

All right.

371

00:19:52,350 --> 00:19:53,460

Now let's just have some fun.

372

00:19:53,880 --> 00:19:54,450

Here comes.

373

00:19:54,450 --> 00:19:55,800

One comes right over.

374

00:19:57,240 --> 00:20:03,360

Harry comes from, this is the nicest,

easiest way I have ever found.

375

00:20:04,050 --> 00:20:05,460

I'm making some gorgeous rocks.

376

00:20:06,300 --> 00:20:07,500

Now let's have some fun.

377

00:20:08,610 --> 00:20:12,930

Let's take black oppression,

blue, little SAP green.

378

00:20:13,620 --> 00:20:14,670

Let me get some fallow green.

379

00:20:14,670 --> 00:20:15,810

I like to say little green in there.

380

00:20:17,865 --> 00:20:21,165

In our world, you're ready there.

381

00:20:21,165 --> 00:20:24,465

Lifts decide where right there.

382

00:20:25,304 --> 00:20:26,685

One big evergreen tree.

383

00:20:28,004 --> 00:20:32,445

And when we said big today, we

mean big evergreen tree pushing

384

00:20:32,475 --> 00:20:35,475

upward, just pushing upward.

385

00:20:36,554 --> 00:20:42,195

There comes big tree, big tree here.

386

00:20:42,195 --> 00:20:42,585

It comes.

387

00:20:44,520 --> 00:20:49,830

There, I didn't realize how big a tree

was, but that's okay in our world.

388

00:20:49,830 --> 00:20:51,570

We can have a tree, any size we want it.

389

00:20:52,020 --> 00:20:54,750

I know it's going to be that

big, probably use a two inch

390

00:20:54,750 --> 00:20:56,250

brush to have made it easier.

391

00:20:58,530 --> 00:21:02,160

Now that same brush going to little

yellow, little yellow ochre, just

392

00:21:02,160 --> 00:21:04,170

mix them together and we can go back.

393

00:21:04,919 --> 00:21:06,690

Put in a few little

highlights to want a lot.

394

00:21:07,679 --> 00:21:14,100

Keep these trees basically, basically

dark, basically dark something like it.

395

00:21:14,340 --> 00:21:15,240

Take a two inch.

396

00:21:15,419 --> 00:21:19,800

We go into the same color,

black, the blue little separate

397

00:21:19,800 --> 00:21:21,300

green, or if they look green.

398

00:21:22,409 --> 00:21:22,649

Yup.

399

00:21:22,889 --> 00:21:23,310

Right there.

400

00:21:23,490 --> 00:21:24,240

There's a Bush.

401

00:21:26,340 --> 00:21:27,690

We can just drop them right in there.

402

00:21:30,810 --> 00:21:31,860

Just fill that all.

403

00:21:31,860 --> 00:21:33,389

Then over here on the other side.

404

00:21:35,205 --> 00:21:35,475

Yeah.

405

00:21:35,565 --> 00:21:39,315

Be brave using the corner of the

brush with this drop in another one,

406

00:21:40,215 --> 00:21:41,385

wherever you think they should be.

407

00:21:41,925 --> 00:21:44,025

Just drop them in to

sort of fill all this up.

408

00:21:45,885 --> 00:21:46,845

Just fill it out.

409

00:21:46,925 --> 00:21:47,645

There they come.

410

00:21:50,825 --> 00:21:54,695

All we're doing is putting in some

darks, our Lidl shell and this

411

00:21:54,695 --> 00:21:56,615

liquid black really makes that easy.

412

00:21:58,240 --> 00:21:58,520

Man.

413

00:21:58,520 --> 00:21:59,580

It makes it much easier.

414

00:21:59,580 --> 00:22:00,360

Here comes one.

415

00:22:00,420 --> 00:22:00,630

Yep.

416

00:22:00,720 --> 00:22:01,560

Right over the waterfall.

417

00:22:04,710 --> 00:22:09,510

And if we go, we go through some of that

yellow little SAP green on the brush.

418

00:22:10,020 --> 00:22:15,570

We can just use a two inch brush one

direction and go right above here.

419

00:22:15,930 --> 00:22:18,450

You could do this with a one and

10, do it with two inch today.

420

00:22:19,350 --> 00:22:19,950

Doesn't matter.

421

00:22:19,980 --> 00:22:24,060

Put a little liquid white over brush

needs to be a little touch there.

422

00:22:24,060 --> 00:22:24,810

So it'll stick.

423

00:22:25,395 --> 00:22:27,195

Very quickly, very quickly.

424

00:22:27,195 --> 00:22:28,245

You get a feel for this.

425

00:22:28,245 --> 00:22:32,565

As soon as you touch the canvas,

you'd know, you know, see they're

426

00:22:32,565 --> 00:22:37,455

darker, darker, darker down

here now then maybe in here.

427

00:22:38,445 --> 00:22:42,345

You're right there lives in

another happy little tree notice.

428

00:22:42,365 --> 00:22:44,145

I'm making this one with

a corner of the brush out.

429

00:22:44,145 --> 00:22:45,735

The one I made a pushing upward.

430

00:22:46,545 --> 00:22:48,495

Just so there's some

variations in your world.

431

00:22:49,185 --> 00:22:51,585

We want to all kinds of little

different things happening.

432

00:22:52,875 --> 00:22:53,595

There they go.

433

00:22:55,155 --> 00:22:57,615

Indian, yellow, yellow ochre, every

once in a while, little touch in that

434

00:22:57,615 --> 00:23:00,465

bright red, I'll give it a little fire.

435

00:23:02,145 --> 00:23:05,415

A little bit of fire makes

you paint any look nice.

436

00:23:09,185 --> 00:23:10,665

There we go.

437

00:23:10,785 --> 00:23:12,015

A little pitch right in here.

438

00:23:13,755 --> 00:23:14,445

Like it happened.

439

00:23:16,320 --> 00:23:20,490

Wherever you think these things should be

just think about all the little bushes.

440

00:23:20,520 --> 00:23:21,990

We can go back to our oval brush.

441

00:23:22,139 --> 00:23:27,810

It's got the dark paint, this thin light

on one side and here and there, put in

442

00:23:27,810 --> 00:23:32,370

the indication of another little rock

to wherever you think it should be.

443

00:23:33,930 --> 00:23:38,909

And in our world, maybe they

live all through here wherever

444

00:23:39,389 --> 00:23:41,360

dark on the bottom light on top.

445

00:23:42,900 --> 00:23:47,280

This allows you to do basically

in one stroke, maybe it comes all

446

00:23:47,280 --> 00:23:49,880

the way out by Kevin over here.

447

00:23:50,270 --> 00:23:54,770

There's one, there is one

get a little more dark in.

448

00:23:54,770 --> 00:23:56,960

There comes out.

449

00:23:57,830 --> 00:24:00,980

You put a bunch of these in, and

then we'll just go back there

450

00:24:01,970 --> 00:24:03,530

where the old two inch brush.

451

00:24:04,520 --> 00:24:05,900

Oh, two inch brush.

452

00:24:07,460 --> 00:24:09,890

And we just go in and fill

in all the little holes now.

453

00:24:10,965 --> 00:24:16,995

With all these little, all these little

things that live in here, see him.

454

00:24:17,415 --> 00:24:17,685

Okay.

455

00:24:17,715 --> 00:24:24,335

Other side, but a few over here,

there one little Bush at a time.

456

00:24:25,235 --> 00:24:25,985

There we are.

457

00:24:27,294 --> 00:24:27,895

Okay.

458

00:24:30,575 --> 00:24:31,835

Yellow ochre headed here and there.

459

00:24:31,835 --> 00:24:33,155

Just to change a flavor.

460

00:24:34,415 --> 00:24:35,135

There we are.

461

00:24:35,825 --> 00:24:36,485

Oh, nice.

462

00:24:36,485 --> 00:24:39,544

When they're little

sparkler, little sparkler.

463

00:24:41,595 --> 00:24:42,225

All right.

464

00:24:43,985 --> 00:24:46,505

And we can go back to our fan brush

has a little liquid white on it.

465

00:24:47,195 --> 00:24:50,735

A little bit of that, the little blue,

the splash, a little water back in here.

466

00:24:51,605 --> 00:24:55,175

Gotta make those little

noises that are waterfall.

467

00:24:55,175 --> 00:24:58,325

Just sort of wander around

little splashes here and there.

468

00:24:59,735 --> 00:25:00,275

Let it go.

469

00:25:00,725 --> 00:25:01,625

Just let it go.

470

00:25:03,185 --> 00:25:04,355

Something about like him.

471

00:25:06,690 --> 00:25:12,750

And that easy, that easy to

leave some little open spots,

472

00:25:12,750 --> 00:25:14,040

look like little pools in there.

473

00:25:15,300 --> 00:25:16,020

There we are.

474

00:25:16,890 --> 00:25:17,490

Okay.

475

00:25:18,300 --> 00:25:20,970

And I think with that shooting,

we'll call that a finished paint.

476

00:25:20,970 --> 00:25:23,100

Hope you enjoyed this

one from all of us here.

477

00:25:23,310 --> 00:25:24,720

I'd like to wish you happy painting.

478

00:25:25,290 --> 00:25:26,340

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Thursday, December 31, 2020

S27E04 - Wilderness Falls

Bob Ross's

The Joy of Painting

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