Bob Ross's

The Joy of Painting

S17E05 - Country Time

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Hey, certainly glad you

could join me today.

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I thought today we'd do just a

fantastic little painting and

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I think you'll enjoy this one.

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So let's start out having run all

the colors across the screen that

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you need to paint along with me.

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And while they're doing that, let

me show you what I've done up here.

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Had my standard old, late

18 by 24 inch canvas.

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But you, you use whatever size you want.

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And today I've cut out, uh, an oval out

of just contact paper and stuck on there,

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but what's different inside of this oval.

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I've covered the center

of this with liquid clear.

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Right in here.

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And then on the top and the

bottom, I put liquid white, it

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just let them blend together today.

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We're going to do something it's a

little different and I want, I want

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this to stay very transparent in here.

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That's the reason we

have the clear in here.

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And when you apply this clear

apply very, very little.

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I can't say that enough.

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Shoot.

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One, one candidate that'll last.

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You probably the rest of your life.

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It takes very little biggest

mistake made as applying too much.

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So let's just have some fun

to start off with a little.

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Little touch of a fellow blue

today on the two inch brush.

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Just take a little out, tap the bristles

firmly into the paint that assures that

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we have a nice even distribution of

color all the way through the bristles.

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Okay, let's go up here now, then let's

just lay in a happy little sky, just

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making little crisscross strokes.

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Start at the top and work downward.

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And by working downward, that's

going to mix with the liquid white

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and automatically, automatically.

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It's going to get lighter and lighter

in value as it travels downwards.

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And that's exactly what we're looking for.

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That it works by itself.

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You don't, you don't have

to worry about it here.

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Let it happen.

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Hey, we'll have a little water in here.

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You know, me, I love water.

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So.

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Maybe down here on the bottom, we'll

just come right across, like, so they're

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same color, just the little blue and

coming from the other side, I'm trying

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to leave a little area open here.

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And if everything works just right

when we're all finished, that'll

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look like a little sheen of light

coming across the water and that too.

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What happened automatically for you?

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There?

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Maybe we'll put some buildings

today that are setting, setting

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out here on the edge of the water.

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I live in Florida, which I think

I've mentioned several times.

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And close to where I live

is the st John's river.

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And there's a lot of beautiful, beautiful

buildings it's set right on the river and

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some of the best fishing in the country.

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It's nice.

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Okay.

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I'll wash the old brush.

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We just wash it with odorless thinner.

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Give it a good shake and just

beat the devil out of it.

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Very lightly now.

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Very likely.

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We just spent all this

water area right together.

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See that light area remains in there.

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It's a good friend.

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Okay.

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Tell you what, let's take

a little black and blue.

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We'll put a happy little cloud up here.

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Very, very little paint

on the brush though.

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Very little paint in mostly black.

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Okay, it's coming up here.

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Maybe in our world appear in the sky.

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We'll put in some, just some little

clouds using just the corner of the brush.

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Saw all we're using there.

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See, just make little,

little round circles.

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Maybe there's a happy little

cloud that people try it out here.

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I don't know wherever you want it.

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Where ever you want it.

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Your world, you make this big decision and

decide where these little Rascals live.

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And just drop them in that easy there.

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Now then come here then.

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Let me go.

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I have a fan brush here.

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We'll take old fan brush, little

touch of the titanium, white on it.

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In fact, there's more than a touch.

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There's a lot of pain on that

brush just really loaded up.

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Now.

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Let's go up, been here and

it make some big decisions.

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Maybe there's some

highlights on these clouds.

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Take just use the corner of the

fan brush, make little tiny,

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circular, little circular strokes.

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Wow.

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That color is just sort

of blend back there.

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See just very gentle little clouds,

maybe the little light plan, right

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through there on that edge, whoever

wherever a little bit here at

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each painting will be different.

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An individual.

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We don't use any patterns that

we don't do any tracing here.

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This is a very free form of painting.

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Very, very free.

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Let your imagination work for you.

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Each of us has issued in imagination

when we're born use it and it's like any

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other muscle or anything in her body.

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The more you use it, the better it works.

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Get strong dislike.

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If you exercise your arm.

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Get strong, big use

your imagination there.

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It may be the most valuable

asset that any artist can have.

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There we are.

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It's very easy to learn to paint.

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Very easy.

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Shoot.

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We'll teach you to paint right here.

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Very rapidly.

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The problem does not end up being

what to paint or how to paint.

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I'm sorry, with what to paint.

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Yeah, what the paint becomes much

more difficult than how to paint that

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there's another little layer in that.

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Sometimes my tongue gets over my teeth

and I can't see what I'm saying there.

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Just blend that right out,

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man.

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I'd click.

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We have just a very nice little sky, very

simple little sky, but very effective.

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That'd be, would use the old round brush.

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What the heck?

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Let's just take Lou, take some black.

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It's going to mix color on the

brush, blacks and little SAP green.

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Be right back.

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Get a little Brown, little lizard Crimson.

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Whatever little touch

of the Prussian blue.

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Just the tap firmly, firmly tap.

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Okay, let's go right up here now,

then maybe in our world, there lives

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some happy little trees back here.

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So we'll take this brush and just

tap in some very basic little shapes.

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This brush is fantastic.

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For making little distant

tree shapes, leafy, folded.

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Jerry thinks it just works so well.

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There we are a little background

trees and this is just the dark.

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So we can come back and add a

little bit of light and they'll

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show you put dark against dark.

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You have nothing.

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Absolutely nothing.

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Doesn't show.

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If you put a light against

light, you have nothing.

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I want to create the illusion.

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I have a little miss down here.

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So I'm going to take the large

brush and just tap the base of this,

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just to soften, soften everything.

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This is where you take out

all your frustrations and

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hostilities and everything.

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This is better than going home

and arguing with your spouse or

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kicking the puppy dog around.

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Do it here.

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Doesn't hurt anybody.

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It makes you feel good

when you're all done.

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Did it being angry.

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You have a beautiful painting up here.

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So.

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It works for everybody.

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And then we'll take a

little paint thinner.

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We'll find a little dark

Sienna and a little white

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we'll mix them together there.

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Let me, let me retry it over

here and get a little more paint

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thinner, need a little more.

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I want this to be very thin.

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There we go.

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See how then that is almost

runs right off the pallet.

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Now we can go up in here and

put the indication here and

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there just a little tree trunk.

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There and put as few or as many

as you want, it's up to you.

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Maybe there's a couple little sticks

and twigs that stick out here.

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Maybe there was a tree there

at one time and he passed away.

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Okay.

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Nah, let me grab another round brush.

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I have a couple of them going here.

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Gonna dip it into a little touch.

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Little touch of a liquid white on it

at the end color, I'm going to start

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tapping it right into some yellows,

yellow ochre, middle Indian, yellow,

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all those nice colors here and there.

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A little bright red, whatever you

right back from giving them SAP green

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to just tap it, to load the bristles.

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See all you have to do.

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It's very simple works well.

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Now that we go up here and go

slightly above the dark, just tap in.

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All kinds of nice little highlights.

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Just tap it.

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Yeah.

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This brush works so well.

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It makes such nice effects.

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So very easy.

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Think about shape and form like little

individual things or in your little trees.

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Don't just hit it random.

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There's another one, change

the color a little bit.

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I'm just sort of varying back and forth

between all the yellows, whatever.

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Yeah.

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A little bright red here and there.

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Just to spark.

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There we go.

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Maybe a little touch right in there,

sort of gives a layered effect, makes

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it look like the bushes are deep.

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A lot of trees, a lot of

little things happening,

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something like, so this is

just background material.

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We're not really concerned about it.

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Strictly strictly background material.

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We're going to cover up a lot of it.

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Anyway.

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You can take a clean knife scrape and

the indication here, little sticks

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and twigs trunks, other places for the

squirrels to run up and down there.

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Right here.

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My little squirrel still lives with me.

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He lives in squirrel Hilton.

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We built him a great big cage.

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He's almost ready to turn loose now.

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Son of a guns ready to make it on his own.

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Okay, let's start out here

with some Vandyke Brown, pull

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it out very flat, very flat.

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Get tough with it.

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Cut across and get our small roll of

paint right on the edge of the knife.

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And maybe there's a wall back here.

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Maybe this is a sea wall

touch and pull down.

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Now we're into the we're

into the liquid clear now.

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Okay.

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Just touch it and pull it down

because up liquid clear is on there.

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It does not distort color

liquid white would distort

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your color and make it lighter.

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I don't want this to be distorted.

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Now I'm going to grab the base of

it with a large brush and pull down

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and you've probably guessed already.

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This is going to be the reflection

very lightly go across and just.

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Do like it's instant reflections.

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Now I want to make this look

like bored, standing up here.

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So we'll take, let's take the knife.

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And instead of adding paint today,

we're going to take pain away.

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Let's see, just push.

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You can probably hear how hard

I'm pushing and you can make all

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different sizes, a little boards, big

ones, small ones, whatever you want.

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Okay.

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This is a subtractive process

rather than adding paint.

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We're taking pain away.

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And it's very effective works.

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Very nice.

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Maybe in our world, let's have a building.

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That's come right in here.

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Maybe let's just sort of

scrape out a basic shape.

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Maybe there's an old

building lives right there.

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I scrape out this shape only

to remove this excess paint.

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So our color will remain

nice and nice and firm.

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Good color.

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When we put it on here,

let's take, start up here.

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A little bit of Vandyke Brown.

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Just give us a basic roof line.

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Like, so now let's take dark

Sienna, put a touch of Elysium,

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Crimson, and Vandyke Brown that too.

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Our a little roll of paint.

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Once again, there it is.

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Now, then all we're going to do.

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Don't worry about it here.

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Just very firmly apply this paint.

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Just all you're doing is blocking him.

258

00:13:14,205 --> 00:13:15,315

Don't worry about it.

259

00:13:16,215 --> 00:13:17,385

Don't get concerned.

260

00:13:18,615 --> 00:13:22,005

The only thing that matters is the roof

line and the straight edges on the side.

261

00:13:24,315 --> 00:13:26,625

We don't care about

anything else at this point.

262

00:13:29,085 --> 00:13:29,655

Later on.

263

00:13:29,655 --> 00:13:33,135

We'll begin worrying about details,

but right now, just, just block

264

00:13:33,135 --> 00:13:35,355

him very basic little shape.

265

00:13:36,105 --> 00:13:42,795

We'll take our large brush again,

grab it and pull down, pull down.

266

00:13:43,065 --> 00:13:44,595

And once again, you're right.

267

00:13:46,245 --> 00:13:47,205

Just reflections.

268

00:13:47,295 --> 00:13:47,955

Go across.

269

00:13:50,175 --> 00:13:54,974

And see how much different this is, where

the liquid clear their beautiful effects.

270

00:13:55,905 --> 00:14:02,204

Now that take the knife very

firmly, very firmly here.

271

00:14:02,295 --> 00:14:05,805

All we're doing is once again,

we're just removing paint,

272

00:14:09,135 --> 00:14:10,454

just removing paint.

273

00:14:10,484 --> 00:14:13,245

Now then maybe let's

make some boards in here.

274

00:14:14,025 --> 00:14:16,935

And by tilting the knife, let's do it

over here, seeing see tilting it this

275

00:14:16,935 --> 00:14:20,564

way or that way you can make it brighter

on one side and dollar on the other.

276

00:14:21,464 --> 00:14:22,755

Try this and it'll make sense.

277

00:14:22,755 --> 00:14:27,405

I know it's sorta see, it has

a light side and a dark side.

278

00:14:29,175 --> 00:14:32,535

Look at their, you know, how

long it take you to paint that

279

00:14:32,535 --> 00:14:35,685

many boards, a couple of minutes,

280

00:14:39,285 --> 00:14:41,745

but all you're doing is removing paint.

281

00:14:44,535 --> 00:14:48,945

And if thesis I've been out here on

this river or whatever it is for a

282

00:14:48,945 --> 00:14:54,825

long time, they're going to be weather

beaten, all banged up and everything.

283

00:14:54,825 --> 00:14:57,795

So don't worry about having them

a real smooth and real nice.

284

00:14:58,605 --> 00:14:59,595

It really adds to it.

285

00:14:59,595 --> 00:15:03,195

If they, if they have character

shoot, anybody can do it.

286

00:15:03,195 --> 00:15:04,305

A new, smooth building.

287

00:15:05,085 --> 00:15:07,095

Maybe there's a right in here.

288

00:15:08,610 --> 00:15:10,439

Maybe there's a door shoot.

289

00:15:10,439 --> 00:15:10,890

Who knows?

290

00:15:11,979 --> 00:15:12,569

Go up here.

291

00:15:13,020 --> 00:15:14,880

Maybe there's a window there.

292

00:15:15,900 --> 00:15:18,540

Maybe over here now the

window, however many long.

293

00:15:18,569 --> 00:15:19,260

Shoot you another one.

294

00:15:19,500 --> 00:15:21,300

There's one wherever you want to.

295

00:15:22,979 --> 00:15:23,750

Jess, put them in.

296

00:15:23,750 --> 00:15:25,219

Now we can just take our little knife.

297

00:15:25,250 --> 00:15:27,020

I use a little knife,

cause it really bends back.

298

00:15:28,670 --> 00:15:32,329

Maybe there's something across like

it all we're doing still though.

299

00:15:32,925 --> 00:15:34,305

Is removing paint.

300

00:15:35,564 --> 00:15:40,365

All we're doing is allowing the canvas

to show through it's all you what?

301

00:15:40,395 --> 00:15:43,995

Maybe here, maybe there's a walkway.

302

00:15:44,295 --> 00:15:49,875

So we'll first put it in all

we're doing scraping off paint.

303

00:15:49,935 --> 00:15:53,835

Once again, sometimes it'll

help take a little black.

304

00:15:54,135 --> 00:15:56,385

It'd put a very dark line under it.

305

00:15:58,065 --> 00:15:59,115

That way it'll stand out.

306

00:16:00,495 --> 00:16:00,645

Yeah.

307

00:16:00,645 --> 00:16:07,755

Then since this is water, I'll take some

white liquid white liquid whites, only

308

00:16:07,755 --> 00:16:10,575

the thin, a little touch of blue in it.

309

00:16:11,055 --> 00:16:12,105

Leaves little touch.

310

00:16:13,335 --> 00:16:14,805

Cut us off a tiny little bit.

311

00:16:15,345 --> 00:16:15,645

Okay.

312

00:16:16,185 --> 00:16:25,155

And let's go up here just very firmly,

very firmly, a little bit over.

313

00:16:25,545 --> 00:16:26,715

A little water line here and there.

314

00:16:27,945 --> 00:16:29,775

And you just a really gripping it in.

315

00:16:30,975 --> 00:16:34,095

You need to put this in and I'll show

you why before we do the next step.

316

00:16:37,905 --> 00:16:40,355

Cause we always do the thing as

fathers to wait and work forward.

317

00:16:40,365 --> 00:16:44,865

Now I'm going to take a little bit of

black displayed in black and maybe there

318

00:16:44,865 --> 00:16:49,125

are some little posts that go down in the

water that hold up this little walkway.

319

00:16:50,655 --> 00:16:51,135

See there.

320

00:16:52,095 --> 00:16:53,025

That's all there is to it.

321

00:16:56,100 --> 00:17:01,860

I'm just touching the canvas

and we'll grab that, pull that

322

00:17:01,860 --> 00:17:06,240

down, go across and reflect her

little post right into the water.

323

00:17:06,510 --> 00:17:08,069

Now these reflections, you can move them.

324

00:17:08,170 --> 00:17:10,829

See, you can make them

wiggle because it's wet.

325

00:17:10,860 --> 00:17:12,000

The liquid clears under there.

326

00:17:14,339 --> 00:17:15,000

There we go.

327

00:17:17,339 --> 00:17:21,210

Backed her liquid white with a little

blue, red, a little water out here,

328

00:17:21,240 --> 00:17:22,620

but so you wanted that water behind.

329

00:17:22,620 --> 00:17:24,000

That's the reason we

did that from back here.

330

00:17:24,000 --> 00:17:29,570

First few little things

here, there, shoot.

331

00:17:30,050 --> 00:17:33,230

I mean, you can also take the knife.

332

00:17:34,080 --> 00:17:38,610

Just use a small edge, scrape out a

little bit along these posts to make

333

00:17:38,610 --> 00:17:42,250

a highlight, just sort of cut it in.

334

00:17:43,710 --> 00:17:45,360

All you're doing is removing paint.

335

00:17:46,770 --> 00:17:50,490

So I say this is a subtractive

process rather than usually

336

00:17:50,490 --> 00:17:51,870

we're adding paint today.

337

00:17:51,870 --> 00:17:53,129

We're subtracting paint.

338

00:17:54,240 --> 00:17:54,930

Let's get crazy.

339

00:17:55,860 --> 00:17:56,639

Let's get crazy.

340

00:17:56,670 --> 00:17:57,629

Let's come right up in here.

341

00:17:58,500 --> 00:18:01,620

Let's take some black and some van

Dyke Brown, mostly black though.

342

00:18:02,370 --> 00:18:03,300

Mostly black.

343

00:18:04,280 --> 00:18:05,510

Let's come right in here.

344

00:18:06,680 --> 00:18:08,030

Maybe there's a big building.

345

00:18:08,570 --> 00:18:09,290

It's right here.

346

00:18:09,860 --> 00:18:10,610

We'll do the roof.

347

00:18:11,180 --> 00:18:14,000

And all we're doing right

now is just locking in color.

348

00:18:14,090 --> 00:18:15,200

Just like we did before.

349

00:18:16,129 --> 00:18:21,680

There's a roof and come right down.

350

00:18:22,129 --> 00:18:22,580

Look at there.

351

00:18:22,639 --> 00:18:22,940

Look at that.

352

00:18:23,985 --> 00:18:26,324

Hey, Kim's there it is right on down.

353

00:18:27,435 --> 00:18:33,705

We're just filling us all in very dark

color, black with a little bit of Brown in

354

00:18:33,705 --> 00:18:39,465

it, but mostly black, mostly black shoot.

355

00:18:39,495 --> 00:18:40,935

Maybe there's a projection out here.

356

00:18:40,935 --> 00:18:41,564

I don't know.

357

00:18:41,985 --> 00:18:44,115

Just sort of make up some buildings.

358

00:18:44,115 --> 00:18:46,425

Heck I don't have to be just

like something you've saw.

359

00:18:47,205 --> 00:18:47,955

Make them up.

360

00:18:48,584 --> 00:18:51,074

If an architect or somebody

hadn't made it up to begin with.

361

00:18:51,675 --> 00:18:52,395

He wouldn't be there.

362

00:18:53,955 --> 00:18:55,245

So you can do that on canvas.

363

00:18:55,245 --> 00:18:56,865

You can be an architect on canvas.

364

00:18:56,925 --> 00:18:59,024

You can create anything

that you want to create.

365

00:19:01,004 --> 00:19:04,514

And while we have that color on here,

we don't need a little underneath or

366

00:19:04,514 --> 00:19:06,284

once again to create a reflection.

367

00:19:07,814 --> 00:19:10,695

If you ever do a painting, it's on

water and you forget the reflection.

368

00:19:11,400 --> 00:19:14,940

It'll look like it's floating

above the water and sometimes

369

00:19:15,540 --> 00:19:16,530

you don't even notice it.

370

00:19:16,560 --> 00:19:19,650

You just sort of forget if you ever

do a painting, it looks like your

371

00:19:19,650 --> 00:19:24,210

object here is floating check to make

sure that you have a reflection under

372

00:19:24,210 --> 00:19:26,070

cause if you don't, that will happen.

373

00:19:26,760 --> 00:19:26,970

Now.

374

00:19:26,970 --> 00:19:30,060

Then once again, we're going

to use a subtractive process.

375

00:19:30,465 --> 00:19:35,955

And we'll take the small knife, a little

edge on it, and just sort of randomly

376

00:19:36,075 --> 00:19:42,284

pick off little spots if this works

just right, it looks like little stones.

377

00:19:42,524 --> 00:19:44,985

Maybe this is a little

buildings made out of stones.

378

00:19:45,840 --> 00:19:54,780

And just sorta don't kill all the dark,

just take the knife and pick them off.

379

00:19:55,620 --> 00:20:01,500

This is one of the easiest, most effective

ways I've ever designed to create

380

00:20:01,800 --> 00:20:03,570

an effective little stone buildings.

381

00:20:04,830 --> 00:20:05,250

Stay there.

382

00:20:05,610 --> 00:20:08,670

It's very, very simple, very simple.

383

00:20:08,670 --> 00:20:09,330

You'll love it.

384

00:20:09,570 --> 00:20:10,080

Promise.

385

00:20:11,100 --> 00:20:12,450

Sounds like a used car salesman.

386

00:20:12,510 --> 00:20:19,260

Trust me, trust me, take a little dark

CNN and bright red and mix it together.

387

00:20:19,260 --> 00:20:19,560

Here.

388

00:20:21,300 --> 00:20:21,870

There we are.

389

00:20:22,230 --> 00:20:26,730

Pull it out flat, cut across our little

relative paint once again, and maybe up

390

00:20:26,730 --> 00:20:29,160

in here, maybe there's an old red roof.

391

00:20:31,425 --> 00:20:32,895

Just sorta let it come right on down.

392

00:20:33,665 --> 00:20:34,685

Add a little white to that.

393

00:20:35,135 --> 00:20:36,544

It's not bright enough.

394

00:20:37,594 --> 00:20:38,824

I want you to be able

to see it a little bit.

395

00:20:38,854 --> 00:20:39,274

All right.

396

00:20:39,334 --> 00:20:39,905

All right there.

397

00:20:40,774 --> 00:20:42,695

Yeah, that works better.

398

00:20:43,534 --> 00:20:45,155

See, now you can see it a little better.

399

00:20:47,735 --> 00:20:48,544

There's our roof.

400

00:20:49,655 --> 00:20:52,925

Now, maybe in our building

here, get a little black.

401

00:20:53,225 --> 00:20:54,094

Maybe there's a window.

402

00:20:54,334 --> 00:20:56,915

Come right up here with a

camera to see it appear.

403

00:20:57,544 --> 00:20:58,895

There is a window that lives.

404

00:20:59,534 --> 00:21:00,824

Right there just come across.

405

00:21:00,824 --> 00:21:01,725

That's all there is to it.

406

00:21:02,294 --> 00:21:05,044

Maybe he's got a friend

another window right there.

407

00:21:05,254 --> 00:21:06,365

I don't know wherever you want them.

408

00:21:07,745 --> 00:21:08,465

I, same thing.

409

00:21:09,064 --> 00:21:14,495

Take a small knife here and just sort of

scraped around this window to create a

410

00:21:14,495 --> 00:21:16,205

highlight skews marm for just a second.

411

00:21:16,205 --> 00:21:16,544

So I can go.

412

00:21:16,625 --> 00:21:25,145

Yeah, there were, and that easy, it sort

of outlined as though a little window.

413

00:21:27,774 --> 00:21:31,905

You created a highlight around the

winter that easy and maybe shoot,

414

00:21:31,915 --> 00:21:33,735

maybe there's a walkway up there.

415

00:21:33,735 --> 00:21:35,774

We'll take some black

little reel of paint.

416

00:21:36,485 --> 00:21:37,534

Let's come right in here.

417

00:21:39,165 --> 00:21:41,735

Here comes a little walkway

and it projects up past that.

418

00:21:42,455 --> 00:21:50,165

And then go, now that clean the

knife, we can turn once again,

419

00:21:51,274 --> 00:21:53,135

scrape off a highlight on top.

420

00:21:55,485 --> 00:22:02,054

Just firmly, firmly scrape, man,

we need a top rail watch here.

421

00:22:02,175 --> 00:22:04,905

Maybe the top rail there's

enough dark paint on there.

422

00:22:04,905 --> 00:22:06,435

You almost don't even

have to hide anymore.

423

00:22:07,335 --> 00:22:07,995

Just scrape it.

424

00:22:08,835 --> 00:22:13,064

There's a rail and I'm bouncing

back and forth between the

425

00:22:13,064 --> 00:22:14,115

little knife and the large.

426

00:22:14,115 --> 00:22:18,675

And I have, depending on the size, we

need put some little doers in there.

427

00:22:19,514 --> 00:22:23,205

And once again, You can just scrape those.

428

00:22:23,955 --> 00:22:24,825

Give him a little highlight,

429

00:22:28,665 --> 00:22:31,365

Dan, easy, maybe right along

here to separate this ledge.

430

00:22:33,105 --> 00:22:39,285

We'll just scrape a little paint off to

create a little highlight right there.

431

00:22:39,555 --> 00:22:42,165

See, but that easy, this looks

at, it looks like an old stone

432

00:22:42,165 --> 00:22:43,275

building setting out here.

433

00:22:44,055 --> 00:22:48,315

It's a million and a half years

old, at least a decade or two.

434

00:22:50,445 --> 00:22:51,585

Isn't that fantastic though.

435

00:22:52,005 --> 00:22:55,535

I love these kinds of little paintings

and you'll find they work for you

436

00:22:55,745 --> 00:22:57,155

a little waterline right into here.

437

00:23:00,365 --> 00:23:01,115

I say on the st.

438

00:23:01,115 --> 00:23:04,295

John's river in Florida, there's a lot of

buildings and stuff that set right on the

439

00:23:04,295 --> 00:23:07,055

river like this, and it's spectacular.

440

00:23:09,155 --> 00:23:11,555

I like to set up on some of

these old walls and stuff.

441

00:23:12,665 --> 00:23:14,285

Catch a big bass that lives out there.

442

00:23:16,605 --> 00:23:17,115

But dinner.

443

00:23:17,715 --> 00:23:22,065

As I mentioned before, then I bring

him in, put a bandaid on his mouth,

444

00:23:22,095 --> 00:23:23,865

give him a little CPR, turning loose.

445

00:23:24,465 --> 00:23:27,855

Let's come on up here and take the

contact paper off, see what we have here.

446

00:23:30,255 --> 00:23:33,165

And we are that easy.

447

00:23:33,165 --> 00:23:36,405

We have beautiful little thing here now.

448

00:23:36,405 --> 00:23:39,645

You know me, I always have to

put a big tree in everything.

449

00:23:40,740 --> 00:23:42,780

Sometimes I get letters from

people and I say, why did you

450

00:23:42,780 --> 00:23:44,010

have to put the big tree in there?

451

00:23:45,300 --> 00:23:47,040

I liked it better before

you put it in there.

452

00:23:47,580 --> 00:23:50,910

If that's the case,

leave the big tree out.

453

00:23:51,270 --> 00:23:53,100

We only want to show you

how to do things here.

454

00:23:53,100 --> 00:23:56,280

We're not, we're not trying to tell

you this is the way to do it, or

455

00:23:56,280 --> 00:23:57,870

the only way to do it the right way.

456

00:23:58,350 --> 00:23:58,920

Wrong way.

457

00:24:00,020 --> 00:24:05,600

In art, I don't believe there is

a right or wrong way you do what

458

00:24:05,600 --> 00:24:11,209

makes you happy or it's too free

to be confined by distinct rules.

459

00:24:11,750 --> 00:24:12,949

It's an individual thing.

460

00:24:14,505 --> 00:24:16,095

So I want a big tree here.

461

00:24:16,095 --> 00:24:16,515

Anyway.

462

00:24:18,375 --> 00:24:19,215

There it goes.

463

00:24:19,605 --> 00:24:23,865

And all I'm doing is I'm just using

two integration, just putting in

464

00:24:23,865 --> 00:24:26,655

a basic shape, just very basic.

465

00:24:26,655 --> 00:24:31,935

I'm not worried about the detail,

just a big, old, basic shape.

466

00:24:31,985 --> 00:24:32,565

There is

467

00:24:38,805 --> 00:24:39,375

there.

468

00:24:42,360 --> 00:24:44,220

Maybe we need a little

reflection right into here.

469

00:24:46,260 --> 00:24:51,540

Take a clean brush and just pull that

straight down and go across to that easy.

470

00:24:51,900 --> 00:24:55,350

We got a nice reflection and

let's have this, maybe come there.

471

00:24:55,350 --> 00:25:00,570

It is let it come right on

out here wherever you want.

472

00:25:01,170 --> 00:25:02,640

That's just where it should be.

473

00:25:04,140 --> 00:25:04,680

Man.

474

00:25:05,280 --> 00:25:06,150

Take a fan brush.

475

00:25:06,150 --> 00:25:08,460

We'll put a little white

little dark scene in on it.

476

00:25:12,645 --> 00:25:16,245

Okay, let's go right up in here.

477

00:25:17,495 --> 00:25:21,575

And here's our old tree trucks there.

478

00:25:21,575 --> 00:25:27,455

He is just drop him or right here, we'll

go back to her around brush a little

479

00:25:27,455 --> 00:25:29,645

bit of color and let's highlight this.

480

00:25:31,905 --> 00:25:32,865

Think about forum.

481

00:25:32,985 --> 00:25:33,975

Think about shape.

482

00:25:34,875 --> 00:25:38,084

Sounds like a song that's maybe

a good way to remember it.

483

00:25:39,254 --> 00:25:41,865

If I could sing it, sing it

to you, then think about it.

484

00:25:42,495 --> 00:25:48,135

Think about shape and build a tree there.

485

00:25:51,015 --> 00:25:51,735

Fantastic.

486

00:25:51,735 --> 00:25:53,415

That's all around breast

as a wonderful thing.

487

00:25:54,275 --> 00:25:59,345

You can paint entire paintings with

it entire painting, and it's not

488

00:25:59,345 --> 00:26:02,165

really around it's sort of oval shape.

489

00:26:02,585 --> 00:26:05,525

So you can, you can bring it

to a nice, sharp chisel edge.

490

00:26:05,525 --> 00:26:08,405

If you want to make beautiful

evergreens, all kinds of things.

491

00:26:09,215 --> 00:26:09,935

Clouds.

492

00:26:10,889 --> 00:26:13,310

Whatever, whatever try.

493

00:26:15,090 --> 00:26:15,660

There we go.

494

00:26:16,080 --> 00:26:19,590

Now, maybe back in here, maybe

there's some little individual

495

00:26:19,590 --> 00:26:24,360

bushes just figuring out where

they're at, drop them and change the

496

00:26:24,360 --> 00:26:30,450

colors a little wherever they are.

497

00:26:32,250 --> 00:26:32,550

Okay.

498

00:26:34,530 --> 00:26:37,260

And in your world, you make the big

decisions where all these little

499

00:26:37,260 --> 00:26:40,680

things live in, drop them in.

500

00:26:42,360 --> 00:26:45,360

Now then let me come right along here.

501

00:26:45,720 --> 00:26:49,680

Take a little bit of the liquid white,

put a little water line right in there.

502

00:26:50,639 --> 00:26:54,420

The old clock tells me it's about

time to leave you for the day.

503

00:26:54,420 --> 00:26:57,840

So I'm going to leave you putting in,

take a little Brown, little quiet.

504

00:26:59,189 --> 00:27:02,429

But in a landmass right

here, look at that.

505

00:27:03,899 --> 00:27:09,570

And we can take, we can take

her fan brush, pop in some nice

506

00:27:09,570 --> 00:27:15,689

little items, just like, so here

and there isn't that something.

507

00:27:16,469 --> 00:27:19,649

I hope you try this one because

I know that you'll enjoy it.

508

00:27:20,280 --> 00:27:23,010

It's a fantastic way to

paint from all of us here.

509

00:27:23,429 --> 00:27:24,179

Happy painting.

510

00:27:24,690 --> 00:27:25,560

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S17E05 - Country Time

Bob Ross's

The Joy of Painting

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