Bob Ross's

The Joy of Painting

S15E01 - Splendor Of Winter

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Hello, I'm Bob Ross.

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And I'd like to welcome you to

the 15th joy of painting series.

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First of all, I'd like to thank

you for inviting me back for

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another series of painting shows.

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And if this is your first time with us,

that makes them a personal invitation

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for you to get out your brushes and

paint along, or I'll tell you what,

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just drag up the old easy chair and

spend a relaxing half-hour enjoying

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some of nature's masterpieces.

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We're painting with about a dozen

oil colors, a few unorthodox brushes.

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And in each program, I'll try to

show you how easy it is to paint and

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how much fun you can have doing it.

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So I'll tell you what,

let's start it out today.

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I haven't run all the colors

across the screen that you need to

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paint this little picture with me.

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And while they're doing that, let me tell

you what I've already gotten done up here.

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I've got my standard old 18

by 24 pre stretched canvas.

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And onto that, I've put a thin

even coat of the liquid white.

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So it's all wet and slick and ready to go.

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So let's do a fantastic

little painting together.

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I'm going to start with, they were

the old one inch right here and go

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into the smallest little amount.

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Of the CAD yellow.

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I thought I'd do a little winter

little winter scene today, retread

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over here and get a touch of the red

and have a little bit of bright red

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and CAD yellow on the one inch brush.

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Just mix them on the brush.

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What the heck, let's go right up here.

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Maybe, maybe we'll have a

little sun appear in the sky.

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So decide basically who your son's going

to live maybe right about in there.

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Right along in there.

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We just drop that in.

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And we're just looking for sort of a

circular shape and I'll wash the brush.

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And if you've painted with us before,

you know, we always, we always wash

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our brushes, but odorless thinner,

be sure it's odorous there to run

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everybody in the neighborhood away.

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Now then let's have some fun take

titanium, white, be right back, reach a

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pier, get a little touch of your lizard.

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Crimson.

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A little bit more.

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Maybe there we go.

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Little lizard, Crimson, happy little

color now, then right around this

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first little circle, I'm going to

use little crisscross strokes and

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just throw in a little bit of color.

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Like, so just like, so a

little bit over in here.

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There we go.

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See.

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But use these little crisscross strokes.

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We're going to blend all this together.

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And if you just draw a big circle

around here, it's a son of a

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gun to try to blend it together.

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And the little crisscross

strokes they blend pretty easy.

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All right.

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That's pretty already.

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It's just some nice warm color.

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Sometimes the winter scenes

can be so cold that there.

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Or they're not, they're

not fun to look at.

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So I like to put a little touch of

warmth into, into my little winter scene.

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I'm going to add the least little

amount I have not watched the brush

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a little amount of fallow blew

right into that Crimson and white.

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So it makes sort of a lavender color.

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Let's go back up here now

that right around here, we

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just had a little bit of that.

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Just like, so still using the

little crisscross strokes.

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They're more of the blue and a little

more of the Crimson and practice.

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Just mixing your colors on the,

on the pallet, using a brush.

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That way you don't end up

with one old dead color.

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There's excitement happening

in your brush there.

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Okay.

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See, now we're just sort of

blending all those together.

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I tell you what I'm going

to retread up in here.

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And get a little touch.

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I've been Knight black,

little touch, a black bear.

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Okay.

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Let's just put a little bit of

that right in the corner here.

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And that'll dark and these

edges bring it all together a

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little bit for the other side.

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Like, so now then.

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Okay, now that would take a two inch

brush and be sure it's good and dry.

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Be sure it's dry.

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Cause you don't want your color to run.

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We use a very firm, dry thick

oil paint here, and we want it

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to stay as dry as possible so we

can blend colorful is still wet,

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just using steel, the crisscross strokes.

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I want to blend this to where

you can't tell her one color

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stops and the next color starts.

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It makes it very soft, beautiful sky.

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It has some nice colors in it.

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There we go.

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See there a little bit over

here, but you always blend

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from the light area out the out

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there.

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We got a little hair right there.

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We'll just pop him right off.

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Get a hair on your canvas.

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Just take the corner of

the brush and pop them off.

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Okay.

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Now that let me grab a fan brush.

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Let's get crazy today.

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I'm going right back into that.

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Black, just put some color

right into the fan brush.

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Just black.

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You can reach up here and get a

little bit of the Vandyke Brown

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if you want to mainly black.

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Okay.

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Maybe in our world, maybe

there's a happy little cloud.

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It lives, who is going to be a big

cloud comes right around there.

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It is like, so maybe right on

down here, tell you what let's do.

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Let's put a sun in there for that.

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I just use my finger and a little bit of

titanium white, that yellow color that we

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put in first, the reddish and the yellow.

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That becomes the aura around the sun.

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Now they've come right back up here.

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I'm going to take my

knife and just zip it off.

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The value still remains in the

canvas or the light spot there.

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Okay.

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And maybe there's another

little cloud and I'm just using

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little rocking strokes here.

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Maybe he just lives right there back.

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So.

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And in your painting, you decide

where all these things live, because

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this is your world right here.

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And you can do anything that

your heart desires here, maybe

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that one comes over right across

anything that you want to do here.

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Let's have some more dark up in here.

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We're going to come back with a larger

brush and blend all these albums.

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All we're doing now is just

applying a little bit of color.

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Maybe there's some little stringy

streaky clouds that live in

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here, like so saying, okay.

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Yeah, they're just a few here and there.

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And then once again, be sure

your brush is good and dry.

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And let's come right up in here

and just begin blending these,

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and you can blend them to any

degree of softness that you want.

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You can blend them until they absolutely

become part of the sky, but that's

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really not what we're looking for here.

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We want these to stand out a little bit.

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There we go.

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Now, as your brush picks up paint,

you can just give it a good wrap like

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that, and that'll remove that excess

paint without, without going through

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the whole entire cleaning procedure.

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Again.

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There we go.

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Maybe over here there.

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My call FedEx, excess pink.

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Very lightly right here.

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Just barely, barely grazing the canvas.

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You can make a wild sky

here just, just a minute.

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See what?

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The more you blend it, the

more it all comes together.

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There we go.

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If any areas too dark or too light.

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Change it, you can do anything here.

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Absolutely.

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Anything.

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All right.

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I think we've got a pretty nice little

sky there for just a little quickie.

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So let's have some more fun.

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Tell you what, let's build a

little mouse back here for that.

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I'm going to take some black,

some black, a little touch of

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oppression and blue, some Brown.

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And Liz Greene Crimson.

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So we have black, blue Crimson, a little

bit of Brown, pull it out as flat as

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you can get it, go straight down, cut

across, get our little roll of paint.

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Now then you have to

make a major decision.

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Where does your mountain

live in your world?

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Right there, right there.

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It lives these mountains to be far away.

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So I don't want them to get too big.

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In proportion to the

painting here, not like, so

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there, now we take a large brush and

because this is wet, we can literally

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move color on here so we can grab

this and pull it, just pull it.

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And it'll mix with the liquid white

and automatically, automatically

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your mountain would get lighter

in value toward the base.

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And that's what we're looking for.

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That sounded again, just sort

of floating around, having a

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good time already that easy.

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There we go.

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Now we can take, let's take, let's

take, let's take a little bit of

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titanium point, probably that flat.

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Don't put the least little touch of the

bright red into at least little touch.

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I don't want to set these on fire.

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Just want to give it a little pink issue.

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Probably that flat.

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And once again, our little roll of

paint, now that barely touched the

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canvas, barely touch see there and yeah.

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To make some big decisions

here, where's light going to

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strike your mountain, maybe.

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Yep.

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Right there, wherever you want it.

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That's where it ought to be paint a break.

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If I break, I mean, have all

these little holes in it.

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And that's done by very,

very delicate little touch.

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Oh, you just barely graze in the canvas.

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And I was teaching my son, Steve to paint.

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I used to tell him just pretend he

was a whisper and he floated right

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across the mountain that easy,

gentle Michael left to caress it.

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There you go.

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See if you can do anything here.

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And the secret to doing anything

is believing that you can do it.

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Anything that you believe you can do

strong enough, you can do anything

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as long as you believe they can.

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Little, they low blue and white hair.

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Just mix it together.

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And once again, flats

are a little tiny paint.

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Now then let's put a little

shadow here, here, and there still

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that delicate little touch down.

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I could touch a little bit right in there.

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Like so, and that easy, you can

make those little mountains just pop

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right out and you can, you can go

back and add little bumps and peaks

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and whatever you want in there.

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There we are.

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See.

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Okay.

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Clean, dry to answer brush.

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I want to tap the base of that.

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There we go.

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Just tap it.

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And then very gently,

very gently lift up there.

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There we are.

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Okay.

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Okay.

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Tell you what I've got.

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Here's a dirty brush.

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We'll just use it.

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I'm gonna go back into that same color.

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I used to make the

mountain, same old color.

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Take the old two inch oppression, add a

little white to it and just load a little

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color right onto the two inch brush there.

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Just tap it firmly.

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Shoot.

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Okay.

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Now that maybe there's

a little back in here.

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Yep.

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You're right.

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There lives a little Foothill right

here, just using the corner of the

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brush and tapping gently downward pike.

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So see, it's all there is to it.

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Maybe it goes, we don't know

where it goes over here.

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What the heck?

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What the heck?

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And we can take a one inch brush

and lift upward here and there.

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Yes.

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Short, tiny little strokes,

tiniest of strokes.

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Okay.

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Now, if you want to create the illusion

of missed under there, take the two inch

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brush, take the top corner of it and

just have it for me right on the bottom.

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There you go.

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Just tap it then lift gently up or

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maybe.

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Maybe in our world pay hot.

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Maybe there's another row of foothills

there we'll go back and do the same color.

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Only add more of the dark.

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I want this to be a little bit darker.

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As things get closer to

you in a landscape, they

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00:13:43,155 --> 00:13:44,084

should get a little darker.

255

00:13:45,885 --> 00:13:49,515

They're that easy you

can drop in another row.

256

00:13:51,045 --> 00:13:54,765

And each time you put in a row of

little foothills, like, yes, it creates

257

00:13:54,765 --> 00:13:59,235

another plane in your painting and it

helps create that illusion of distance.

258

00:14:04,735 --> 00:14:10,305

Right here on the base and that'll

give us our Misty effect, lift up,

259

00:14:13,395 --> 00:14:14,204

shoot that easy.

260

00:14:16,425 --> 00:14:18,584

Now then maybe just

put some snow in there.

261

00:14:19,755 --> 00:14:20,354

We'll go right in.

262

00:14:20,385 --> 00:14:21,915

I'm just using the same

old two inch brush.

263

00:14:21,915 --> 00:14:24,074

We'll go right into some titanium white.

264

00:14:24,855 --> 00:14:26,625

Get the least little

touch be right back here.

265

00:14:26,714 --> 00:14:28,995

Luis little touch of the fellow blue.

266

00:14:29,775 --> 00:14:33,435

Just enough to give the

white, a little coolness.

267

00:14:33,704 --> 00:14:34,005

Okay.

268

00:14:35,235 --> 00:14:37,454

And maybe we said this

was going to be winter.

269

00:14:37,964 --> 00:14:41,745

So come on up here and watch, you have

to decide where snow is going to live.

270

00:14:48,454 --> 00:14:50,375

these little touch of

the blue in there, man.

271

00:14:51,660 --> 00:14:56,160

That just gives it a feeling of a little

coldness to want it to get too warm.

272

00:14:57,165 --> 00:14:59,745

Snow it all melt and run off on

your floor and make a big puddle.

273

00:15:01,785 --> 00:15:02,295

There we go.

274

00:15:07,714 --> 00:15:08,854

I see something back here.

275

00:15:09,334 --> 00:15:12,155

When you're painting with

this method, you'll learn very

276

00:15:12,155 --> 00:15:15,755

quickly that you see things that

happening and you get all excited.

277

00:15:15,755 --> 00:15:16,714

You can change your mind.

278

00:15:16,714 --> 00:15:16,864

Right?

279

00:15:16,864 --> 00:15:23,255

In midstream, I see a place for Nash tree,

so I will take some black and blue and

280

00:15:23,255 --> 00:15:26,194

Vandyke Brown, blue, black, and Brown.

281

00:15:26,910 --> 00:15:27,420

Mix it up.

282

00:15:27,449 --> 00:15:34,829

Let me clean the knife off here and take

off with this used the small fan brush.

283

00:15:34,829 --> 00:15:39,150

It's the number three fan brush

loaded, full of color, both sides.

284

00:15:39,329 --> 00:15:44,099

A lot of paint cadence go up here,

maybe their lives in our world.

285

00:15:44,760 --> 00:15:47,040

And he lives right there.

286

00:15:48,060 --> 00:15:49,349

Just to happy little evergreen.

287

00:15:50,130 --> 00:15:51,839

Yeah, give it a little upward push,

288

00:15:56,189 --> 00:15:57,180

just push it up or down.

289

00:15:57,300 --> 00:15:58,350

I want these limits to go.

290

00:16:02,579 --> 00:16:03,270

Fantastic.

291

00:16:03,270 --> 00:16:05,010

You can build a tree that easy.

292

00:16:06,060 --> 00:16:06,630

You can.

293

00:16:08,100 --> 00:16:08,910

Let's give him a friend.

294

00:16:08,910 --> 00:16:10,589

I don't want this little

tree to be lonely.

295

00:16:12,239 --> 00:16:12,930

You know me.

296

00:16:13,079 --> 00:16:18,630

I think everybody deserves a

friend, friends are maybe the

297

00:16:18,630 --> 00:16:20,339

most precious commodity we have.

298

00:16:21,839 --> 00:16:22,380

There we go.

299

00:16:22,829 --> 00:16:26,250

Now then to blend this right into

the snow, I'm going to take some

300

00:16:26,250 --> 00:16:31,170

white and grab it, grab the bottom

of it with the brush and allow

301

00:16:31,170 --> 00:16:33,510

some of that color back there.

302

00:16:35,205 --> 00:16:37,245

See, we can set him right

up on a little Hill.

303

00:16:39,195 --> 00:16:39,915

There we go.

304

00:16:40,545 --> 00:16:40,875

See him.

305

00:16:40,955 --> 00:16:43,665

Remember those songs

it's on a Hill far away.

306

00:16:44,595 --> 00:16:45,165

There it is.

307

00:16:45,165 --> 00:16:46,275

I'd say he'll far away.

308

00:16:48,165 --> 00:16:54,285

Now, once in a while, I'm going to

add the least little touch of a lizard

309

00:16:54,335 --> 00:16:58,275

Crimson to my color and that'll warm it.

310

00:16:58,455 --> 00:16:59,385

We have cold.

311

00:17:00,330 --> 00:17:01,830

Colors, the blue and white.

312

00:17:01,830 --> 00:17:06,360

And I will put a little bit of the

Crimson and warm adhere in there.

313

00:17:06,360 --> 00:17:07,500

Like as little sunlight.

314

00:17:07,530 --> 00:17:11,340

This is thing, and right

across there just to warm it.

315

00:17:14,250 --> 00:17:14,700

Okay.

316

00:17:14,970 --> 00:17:16,410

Let me find that little brush against you.

317

00:17:16,440 --> 00:17:17,190

That was so much fun.

318

00:17:17,190 --> 00:17:21,840

This let's make a bigger tree still

using the number three fan brush,

319

00:17:21,840 --> 00:17:25,920

but you could use number six, number

three, whatever doesn't make any

320

00:17:25,920 --> 00:17:27,300

difference, as long as it works for you.

321

00:17:27,944 --> 00:17:31,815

Maybe in our world, their lives right

up here by the sun while he's up here,

322

00:17:31,815 --> 00:17:39,945

checking out the sun right there, another

tree, this one's going to be closer to us.

323

00:17:40,545 --> 00:17:42,585

So proportionately, it'll be bigger.

324

00:17:43,965 --> 00:17:44,685

It'll be bigger.

325

00:17:45,435 --> 00:17:47,025

And I'm making him look like he's closer.

326

00:17:54,255 --> 00:17:55,545

Be careful that you don't cover up.

327

00:17:55,545 --> 00:17:56,375

The sun shoots.

328

00:17:56,375 --> 00:17:57,735

You worked so hard to put it in there.

329

00:18:00,075 --> 00:18:02,445

Look at that tree lives

right in your brush.

330

00:18:02,535 --> 00:18:08,595

All you gotta do is just push

him out and we'll decide maybe

331

00:18:08,595 --> 00:18:10,095

he lives right down to there.

332

00:18:11,265 --> 00:18:12,495

And let's give him a friend too.

333

00:18:13,425 --> 00:18:16,245

He sort of crooked there.

334

00:18:18,320 --> 00:18:19,290

That's a crooked tree.

335

00:18:19,320 --> 00:18:20,550

We'll send him to Washington.

336

00:18:26,010 --> 00:18:29,550

We'll push up another

little friend that easy.

337

00:18:31,740 --> 00:18:32,250

Okay.

338

00:18:33,240 --> 00:18:35,909

Now then let's put a tree

trunk here and there for that.

339

00:18:36,120 --> 00:18:38,189

Take a little quiet little dark Sienna.

340

00:18:38,250 --> 00:18:42,540

Mix them together, pull them

out in a very flat cut across.

341

00:18:42,540 --> 00:18:44,280

And once again, our little roll of paint.

342

00:18:47,325 --> 00:18:47,925

There we are.

343

00:18:48,705 --> 00:18:49,785

And just touch her in there.

344

00:18:51,255 --> 00:18:56,885

Just let the indication of a little

tree trunk a little bit back in here.

345

00:18:57,035 --> 00:19:02,105

These are far away, so you're not going to

see as much detail you can take that point

346

00:19:03,265 --> 00:19:07,265

and just cut through here and there, but

in the indication of little stick Twain

347

00:19:07,285 --> 00:19:12,995

and whatever you want that easy, they're

going, gonna wash my little brush here.

348

00:19:14,670 --> 00:19:16,680

And for the little brush, I don't beat it.

349

00:19:16,680 --> 00:19:19,440

I just wipe it on a paper towel there.

350

00:19:21,780 --> 00:19:23,640

It's not as much fun

to beat and bang on it.

351

00:19:23,790 --> 00:19:24,510

It's too small.

352

00:19:26,190 --> 00:19:26,400

353

00:19:26,400 --> 00:19:30,210

I'll take some, I'm gonna use

some white and fellow blue.

354

00:19:31,320 --> 00:19:32,370

Just mix them with a brush.

355

00:19:32,370 --> 00:19:32,640

Shoot.

356

00:19:32,670 --> 00:19:33,270

No big deal.

357

00:19:35,070 --> 00:19:35,340

Right?

358

00:19:35,580 --> 00:19:38,610

They little blue cans go back up here.

359

00:19:39,120 --> 00:19:40,320

Maybe on these little trees.

360

00:19:41,890 --> 00:19:44,640

Just put the indication of some

highlights for this, just to

361

00:19:44,640 --> 00:19:45,780

make them really stand out.

362

00:19:47,160 --> 00:19:48,270

Don't kill all your dark.

363

00:19:49,800 --> 00:19:54,240

Don't kill all your dark eye contrast

is so pretty, a dark color against

364

00:19:54,240 --> 00:19:56,280

all these nice bright colors.

365

00:19:58,950 --> 00:19:59,160

Okay.

366

00:19:59,170 --> 00:20:00,520

Maybe a little touch back in here.

367

00:20:00,520 --> 00:20:01,710

And I don't want a whole

bunch of back here.

368

00:20:03,900 --> 00:20:05,520

I want to keep detail

away from these ones.

369

00:20:05,820 --> 00:20:11,419

Because I want him to have that illusion

of distance, maybe a little more

370

00:20:11,419 --> 00:20:13,700

right in there, wherever you want to

371

00:20:17,060 --> 00:20:20,610

find my brush come right up.

372

00:20:20,610 --> 00:20:21,800

I knew the bottom of that tree there.

373

00:20:21,950 --> 00:20:26,300

Let's have some fun, take a little

bit of our titanium, white on a

374

00:20:26,300 --> 00:20:30,230

grab that and pull, allow it to

pick up a little bit of that color.

375

00:20:31,669 --> 00:20:32,090

We'll see you there.

376

00:20:33,360 --> 00:20:35,910

And once again, it's unreal.

377

00:20:37,290 --> 00:20:39,360

How about just grabbing a

little touch of that color?

378

00:20:39,840 --> 00:20:39,930

Okay.

379

00:20:40,590 --> 00:20:43,290

You can make all kinds of

beautiful effects in the snow.

380

00:20:44,340 --> 00:20:47,640

And one thing you might have noticed

when I'm doing winter trees, it's very

381

00:20:47,640 --> 00:20:51,840

rare that I ever put any green into

a cause of green gets into your snow.

382

00:20:53,190 --> 00:20:54,780

It just doesn't, it just doesn't look.

383

00:20:54,780 --> 00:20:55,050

Right.

384

00:20:55,290 --> 00:20:59,220

So the only thing, the only

thing worse than worse than worse

385

00:20:59,230 --> 00:21:00,990

than yellow snow is green snow.

386

00:21:01,470 --> 00:21:03,730

So it's very rare.

387

00:21:03,730 --> 00:21:05,100

I've used green in these trees.

388

00:21:06,960 --> 00:21:07,590

All right.

389

00:21:11,670 --> 00:21:14,160

We'll see that a little bit of

color helps separate all that.

390

00:21:21,960 --> 00:21:22,500

Okay.

391

00:21:23,190 --> 00:21:24,240

Let's get crazy today.

392

00:21:24,840 --> 00:21:25,260

Shoot.

393

00:21:27,570 --> 00:21:28,290

I'm going to grab that.

394

00:21:28,350 --> 00:21:29,340

Let me go around brushing.

395

00:21:29,340 --> 00:21:32,340

Maybe there's some big

trees that live here.

396

00:21:32,340 --> 00:21:36,300

I'm gonna take a little bit of Bandag

brand some dark Sienna, and I'm just

397

00:21:36,300 --> 00:21:38,100

going to tap the round brush into it.

398

00:21:38,669 --> 00:21:40,439

Just tap it to this, tap it.

399

00:21:41,669 --> 00:21:44,550

Let's go right in here and

we'll start at the base of these

400

00:21:44,550 --> 00:21:49,139

trees and work up that way.

401

00:21:49,139 --> 00:21:49,919

The darkest.

402

00:21:50,940 --> 00:21:54,450

Mary will be down here and it'll

give the indication of the shadows

403

00:21:56,190 --> 00:21:59,460

shadows happening, and you have

to make a big decision here.

404

00:21:59,580 --> 00:22:00,900

Where did you treat live?

405

00:22:01,080 --> 00:22:03,240

How tall is it healthy?

406

00:22:05,010 --> 00:22:06,030

Is it dead or alive?

407

00:22:07,200 --> 00:22:08,820

You have to make all these big decisions.

408

00:22:10,920 --> 00:22:11,460

There we go.

409

00:22:13,050 --> 00:22:14,730

Maybe comes right on down.

410

00:22:15,525 --> 00:22:16,755

Wherever it doesn't matter.

411

00:22:17,565 --> 00:22:18,705

Can you just put it where you want it?

412

00:22:21,285 --> 00:22:21,585

All right.

413

00:22:21,585 --> 00:22:23,985

Let's go on the other side and have

a happy little tree over there too.

414

00:22:24,015 --> 00:22:25,785

Maybe right here.

415

00:22:28,485 --> 00:22:30,735

You can put trees where ever

you want up in your world.

416

00:22:35,265 --> 00:22:36,525

Maybe this camera's right up here.

417

00:22:41,205 --> 00:22:42,705

I'm gonna take my script liner brush.

418

00:22:44,370 --> 00:22:46,110

Put some paint then on and

go right into the Brown.

419

00:22:46,110 --> 00:22:50,190

I want this to be as thin as

ink, a lot of paint thinner.

420

00:22:50,580 --> 00:22:50,850

Okay.

421

00:22:51,540 --> 00:22:54,450

And then here and there,

let's just put the indication.

422

00:22:55,200 --> 00:22:59,340

I have a little tree trunk go on

the big tree on the other side here.

423

00:22:59,400 --> 00:23:00,120

I didn't need something to

424

00:23:06,050 --> 00:23:08,300

just happy little tree

trunk here and there.

425

00:23:16,205 --> 00:23:17,014

maybe here and there.

426

00:23:17,014 --> 00:23:20,795

You can see the indication of

just little things and some of

427

00:23:20,795 --> 00:23:22,085

them are coming clean up over.

428

00:23:24,335 --> 00:23:26,345

It adds interest in

detail to your painting.

429

00:23:26,435 --> 00:23:28,295

Go back into my yellows here.

430

00:23:28,295 --> 00:23:32,165

I'm going to take a li little touch

of yellow ochre, and then just kind

431

00:23:32,165 --> 00:23:34,205

of tap that right into the bristles.

432

00:23:35,825 --> 00:23:38,254

A little bit of the bright red,

but very little of the red.

433

00:23:38,435 --> 00:23:38,735

Okay.

434

00:23:39,305 --> 00:23:39,665

Now that.

435

00:23:40,740 --> 00:23:44,610

The yellow ochre and I've just come put

the indication of a little highlight

436

00:23:46,320 --> 00:23:51,030

just right up here on the tree and

think about form and shape and his

437

00:23:51,030 --> 00:23:54,180

limbs in there that create all kinds

of beautiful little things to happen.

438

00:23:55,740 --> 00:24:00,510

Like a bear it's round brush will

do fantastic things for you, super

439

00:24:00,540 --> 00:24:03,930

for making trees and bushes there.

440

00:24:06,930 --> 00:24:07,440

Okay.

441

00:24:07,710 --> 00:24:08,310

There we are.

442

00:24:10,770 --> 00:24:16,650

Maybe a little touch right out,

right out there, wherever, wherever.

443

00:24:18,530 --> 00:24:19,130

I don't want much.

444

00:24:19,130 --> 00:24:20,390

I don't want this to get too bright.

445

00:24:21,130 --> 00:24:24,860

Just an indication a little

bit over in here too, but.

446

00:24:26,070 --> 00:24:29,550

Once again, pay attention to

your form and shape that will

447

00:24:30,129 --> 00:24:31,590

really make your tree special.

448

00:24:32,969 --> 00:24:34,050

And that's what makes you happy.

449

00:24:34,050 --> 00:24:36,090

So on that side of it, again, it

works and you can see all those

450

00:24:36,090 --> 00:24:37,350

little bushes and stuff in there.

451

00:24:38,805 --> 00:24:44,565

There we go now back to my big

brush and I'm going to grab this

452

00:24:45,885 --> 00:24:49,245

and just like with evergreens, I'm

going to pull a little touch of that

453

00:24:49,245 --> 00:24:52,635

color right out into my painting.

454

00:24:52,875 --> 00:24:54,495

So it'll look like shadows under there,

455

00:24:58,315 --> 00:24:58,595

right there.

456

00:24:59,130 --> 00:24:59,970

That'll be it right there.

457

00:25:02,130 --> 00:25:05,580

And if you painted with him before,

you know, we don't make mistakes,

458

00:25:05,760 --> 00:25:07,680

we have, we have happy accidents.

459

00:25:08,730 --> 00:25:09,390

That's our secret.

460

00:25:09,390 --> 00:25:16,260

Don't tell anybody I'm going back to my

liner brush, go back right into that.

461

00:25:17,160 --> 00:25:18,210

Good old Bandag Brown.

462

00:25:18,210 --> 00:25:19,050

Get it very thin.

463

00:25:20,010 --> 00:25:22,500

Very thin to see a good place right here.

464

00:25:23,760 --> 00:25:24,030

Shoot.

465

00:25:24,030 --> 00:25:26,550

Maybe the old farmer that

used to farm out here.

466

00:25:26,910 --> 00:25:28,080

Maybe he had a fence.

467

00:25:29,595 --> 00:25:33,225

So just take your liner brush.

468

00:25:34,575 --> 00:25:36,254

Maybe that fence goes over the Hill.

469

00:25:38,145 --> 00:25:38,565

Look there.

470

00:25:39,945 --> 00:25:42,805

I haven't put some rails on it to do that.

471

00:25:42,805 --> 00:25:45,315

Do you don't make those

little noises that don't work.

472

00:25:47,295 --> 00:25:47,625

Get that

473

00:25:51,345 --> 00:25:53,205

same, maybe a little shadow.

474

00:25:55,245 --> 00:25:55,845

Just touch it.

475

00:25:55,995 --> 00:25:56,835

Give it a little pull.

476

00:25:58,440 --> 00:25:59,130

Didn't that sneaky

477

00:26:02,130 --> 00:26:03,270

and you can really get carried away.

478

00:26:03,270 --> 00:26:07,650

You take a touch of the liquid white

and put the indication up on top here.

479

00:26:07,650 --> 00:26:08,970

There's a little snow land up here.

480

00:26:10,710 --> 00:26:11,130

Whatever

481

00:26:15,240 --> 00:26:16,620

came back into my Brown.

482

00:26:16,920 --> 00:26:21,420

I was going to put an indication here and

there, but just a little stick in a twig.

483

00:26:22,920 --> 00:26:25,320

So that's a nice way to sort of

clean the edges up and had little

484

00:26:25,410 --> 00:26:28,560

interest, little paint, thinner.

485

00:26:28,650 --> 00:26:30,120

I'll go right into some bright red.

486

00:26:31,260 --> 00:26:33,540

I think we'll sign this

one, sign him right here.

487

00:26:34,620 --> 00:26:37,400

That when you sign your painting,

because I get letters all the time, say

488

00:26:37,400 --> 00:26:40,260

I don't want to sign my painting and

red that's fantastic sign at the end.

489

00:26:40,380 --> 00:26:45,690

Any car that you want there's as

many different ways to sign your

490

00:26:45,690 --> 00:26:47,700

painting as there are artists.

491

00:26:48,604 --> 00:26:50,655

I think, I think I can put

this in one of my books.

492

00:26:50,655 --> 00:26:54,794

One of the most memorable signatures ever

seen was a fantastic lady and she used to

493

00:26:54,794 --> 00:26:59,235

sign her painting grandpa's wife and it

was different and everybody remembered it.

494

00:26:59,625 --> 00:27:03,375

So come up with your own signature where

there'd be a name and initial assemble,

495

00:27:03,495 --> 00:27:05,925

whatever you want and then special to you.

496

00:27:06,435 --> 00:27:09,254

And until next time I'd like

to wish you happy painting.

497

00:27:09,705 --> 00:27:10,395

God bless.

498

00:27:10,905 --> 00:27:11,685

And I'll see you again.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S15E01 - Splendor Of Winter

Bob Ross's

The Joy of Painting

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