Bob Ross's

The Joy of Painting

S17E04 - Stormy Seas

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Well, welcome back.

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Certainly glad you could join me today.

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It's a fantastic day here.

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I hope it is wherever you are.

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I thought today we'd do a beautiful

little seascape and I'm going

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to show you a very simple way to

make a very effective seascape.

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So I tell you what, let's start

out today and have him run all

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the colors across the screen that

you need to paint along with me.

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And as usual they'll come across in

the same order as I have one, the

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palette starting with a white, I've been

working around while they're doing that.

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Come on up here.

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Let me show you what I've done.

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Today, we have our standard

old size canvas up here.

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The bottom part I've

covered with black Jesso.

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Now I know there's going to be

a wave in here and I've left

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the eye of the wave opened.

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Right in here, the rest of it,

I've just painted with black Jesso.

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The top I've just covered

with liquid white.

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As we normally do down here after

the black Jessa was good and dry,

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I've covered the center of it

here with just a lizard Crimson.

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Then the edges on each side with

lizard Crimson, a little thalo blue.

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And then out here with a little bit of

Vandyke Brown and dark Sienna mixture.

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That's all.

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So we have Brown on the outside,

sort of a lavender and then

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alizarin Crimson in here.

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I thought today would do

a beautiful little scene.

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Maybe that has like a little

sunset and some big clouds.

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And I don't know, let's just

have some fun and do it.

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Let's be crazy.

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Let's start out today with some

CAD yellow, a little bit of cadmium

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yellow, and it's such a fantastic day.

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It's bright and shiny.

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Tell you what, let's make a painting.

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That's the same way.

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Let's take a little yellow and get brave.

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They just go right up here in the

sky and just put a big, big, old,

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yellow mass right up in here,

son of a guy, just be brave.

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Then without cleaning the brush would

go right back and grab yellow ochre.

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Same way.

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They're just tap a little in the brush.

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It didn't really matter how you load

it down here at the base of this.

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We'll put some yellow ochre.

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It's a very nice golden color.

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There we go.

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Now that still without cleaning the

brush, I'm going right into bright red.

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Just once again, tap a little on the

brush and blend it right into the base.

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Here, there, those colors

make you feel good already.

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We just nice and bright and warm

and cheery makes you feel good.

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We'll wash the brush, wash

it off, shake off the Pixus

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and just beat the devil out of it.

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Now that I'm going to go into titanium

white with a corner of the brush,

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only just the corner, then we'll go

back up here and right up here, I want

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to be the brightest area in the sky.

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So I'll put that corner of the

brush right up here and blend it.

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Just blended outward.

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There.

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And we just bring all this together

and I don't look really bright until

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we put some other things in the sky.

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Then I guarantee it'll

jump right out at us.

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Okay.

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Now let's finish up the

rest of the sky here.

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We'll take a little blue, little blue

reach up in here and get some black.

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So I have black and blue or

blue and black, whichever.

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Now they're using little

crisscross strokes.

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We'll just apply a little color

up into the sky here, there.

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Just bring it right down to this,

but we don't want to touch it.

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We'll blend in a second.

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Just like, so a little bit

over on the other side there.

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Okay.

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Once again, I'm going to wash the brush.

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There we are.

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It's a good exercise and brush

washing and nothing else now

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with a good clean, dry brush.

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We can begin blending all this together.

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Just blend it together

and that'll soften it.

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Smooth blend it.

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And I beat the brush only

to remove excess paint.

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As you pick up paint off the canvas,

then you can just beat the brush a little

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bit and blended right out that way.

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You don't have to go through the

whole cleaning procedure there.

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Give it another little knock and we'll

go right up here, but you can do that

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several times and that will keep your

brush nice and clean and fresh shoots.

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We got a very nice guy already.

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Okay.

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Now let's get crazy today.

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Tell you what, let's take a lizard

Crimson and a little bit of silo blue.

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We going to make a nice lavender

color here, but proportionately, we

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need much more Crimson than blue.

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The blue is very strong and it's

difficult to tell what color that is.

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So you take a little white, but

out here and then you can check it

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out and see if it's what you want.

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Maybe we'll have a little

more blue in there.

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Oh, you're going to go pick the

paint totally up off the pallet.

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Turn it over.

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Okay.

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Let me clean the knife, man.

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Then let's just use the one inch brush.

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They load a little paint in there.

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It's no big deal.

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However you want to load it.

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And maybe, maybe, maybe in our

world that lives just beautiful

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little cloud that floats around

up here at this lavender color.

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You can mix with yellow.

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Without it turning green.

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And of course the blue doesn't hurt it.

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So it's a nice, neutral color

that you can use with both of

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these without getting in trouble.

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There.

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Maybe this comes right on

around less and less pressure.

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We want to get softer.

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There we go.

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Maybe, I don't know if the canvas

shoot who knows this is your world.

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So you do anything that

you want to do here.

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I have a piece of just plain masking

tape across here, just to keep

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the horizon nice and straight.

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I want the horizon to be very straight

and that's the only reason it's there.

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There we go.

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Just wherever you want them.

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Just sort of let your imagination go here.

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Just make all kinds of

happy, little things,

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maybe some little, little

stringy things that live up here.

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Now, the clean dry brush.

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I'm just going to work this a little bit.

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All this does is remove excess paint.

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I want to highlight these clouds.

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So the more paint that you can remove, the

easier the next step will be there once

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again, just knocking off excess paint.

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Now then let's begin blending this

and working with, there we go.

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All kinds of beautiful things happen here.

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A lot of times, if you, if you're out

selling paintings and of course we're not

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interested in making that happy book, but

if it should be, if you're out selling

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paintings, A lot of times people buy

paintings more for color than for content.

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And this is one of those Rascals

it'll sell like hotcakes.

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If you're interested in that.

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And the only reason I mentioned selling

paintings to me, when you, when you

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sell a painting and someone's worth

willing to buy something that you

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made with your hand in a scene that

came out of your mind, Then selling

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is just sort of your report card.

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It says you've done a good job.

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Let's take some white, be right back.

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Get a little touch of the bright red,

just a little touch, which is very strong.

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It'll set your whole world on fire.

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Just a second.

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Just a little bit.

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Now that that's go up here and just

begin highlighting these clouds

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just right on the top up here.

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There we go.

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Wherever you want.

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Just pretty little things going on.

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Little tiny circles, bring some of it

right around my cat there and here.

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Sort of let your imagination go.

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Okay.

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Sort of follow the basic shapes that

you have in your, in your clouds here.

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Wander around.

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Right in here.

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We don't know clouds of very free.

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They just float around the

sky and have fun all day.

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And that's the way you should pay them.

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Very loose, very free,

happy little things.

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Okay.

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How we can come back with our good

dry brush use just the top corner.

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And very, very gently, very gently blend

this tiny little circular strokes with

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just the top corner of the brush, tiny

little strokes there don't overwork.

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It don't overwork it.

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There's almost a tendency to keep going.

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It gets, it gets towards good.

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And you just keep going

and going and going.

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And pretty soon it's

just all mushed together.

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Knock off the excess paint

again, and very lightly we can

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begin blending this just fluff.

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It lifted work with there.

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And we're very likely, we'll just blend

the entire sky three hairs in some air.

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And this is a fantastic way of making

a very effective sky, whether it's in a

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landscape or seascape, winter, summer.

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Beautiful.

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Well, then you can change the colors just

to fit the season or your particular mood.

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They're being looking, Scott.

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Okay.

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Let's have some fun.

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Now.

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I want to take off the masking tape.

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And as I say, that was there only to

preserve this nice street waterline.

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We already have colored it there.

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So let's take our fan brush today

and we'll go right into a little

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bit of titanium white and just

load some color onto the bristles.

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Both sides, just back and forth.

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Now then let's come back to

this horizon and very gently.

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And when you do this, let me exaggerate.

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I'm making strokes like this,

and I'm really exaggerating now.

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And those little strokes, little rocking

type strokes, like it helped create that

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illusion of waves that are far, far away.

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Leave some dark areas in there

and we have to make a decision.

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Maybe there's a.

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Sort of a large wave right here.

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So we come in here.

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Oop, I can't solve this too.

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It doesn't look much like a

wave yet, but it will be here.

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Okay.

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Now you can take a clean draft fan

brush and all you worried about.

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So dark area right in here.

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Watch what happens.

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Grab this and begin

blending the color back.

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Just begin, blending it back and

angles are very important here.

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See what happens

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and that easy, it begins creating that

illusion of water moving back there

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and we'll come back and highlight

those and really make them stand out.

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Now then.

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No some grain here.

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We're going to have a big crasher.

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So we have to start making some decisions.

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Let's go right up in here

and apply some color.

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This is just basically white,

lease little touchy yellow in it.

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There.

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Just let it work.

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Right.

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I don't know

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wherever you want to think of.

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Yeah, then we take a large brush,

be sure it's clean and very dry

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and just barely touching, barely

touching, just sort of winded up.

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The bristles are not moving much.

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It just blends everything together.

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Very softly there.

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Just let it work right on out.

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And that color that you have on the

canvas, the crimsons and the lavender's.

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All those beautiful colors

began working their way through.

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There were, we don't want

this way to get too big.

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He wants to stay quite

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take a little white come right

along this age, take our large Brown

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once again, just blend it back.

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That blending bag makes a little trough

in between the waves, a little light area.

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So you had that pushed

that way right back.

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Okay.

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We're having some fun now then back

into her white, a lot of color onto

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the bristles, at least little touch of

yellow into that least little touch.

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And then we have to make

some big decisions here.

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Where does our wave crashing over?

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Maybe could make us little noises.

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Fair terms just a little bit.

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Okay.

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Let that color.

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This zing right over there.

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And you begin forming that wave there.

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Yeah, from that angle, it probably won't

look just right when it comes straight on.

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You'll see the difference though.

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Let's take, let's take our old

number three fan brush, take a

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little bit of lavender color,

mix, a little white with it.

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This is a lizard and Crimson.

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They look blue, but I got the number

three fan brush, and we're going to

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have some foam splashing up in here.

250

00:15:13,079 --> 00:15:18,719

And all we do is take the corner of

the brush and just churn it, wiggle it.

251

00:15:19,380 --> 00:15:22,890

There it comes and start

working on basic shapes.

252

00:15:24,209 --> 00:15:26,219

Come right on, up red on up.

253

00:15:29,329 --> 00:15:31,560

See it there and fantastic.

254

00:15:34,305 --> 00:15:37,755

This is the most fun to do in a

seascape, this particular part.

255

00:15:38,655 --> 00:15:42,885

And all we're doing is putting the shadows

on right now, the dark part of the splash.

256

00:15:42,885 --> 00:15:44,835

Then we'll come back and

we'll put the light areas in.

257

00:15:46,064 --> 00:15:47,475

Sometimes it's so much fun.

258

00:15:47,475 --> 00:15:50,865

You want to put the light areas

in immediately, and then it's

259

00:15:50,865 --> 00:15:56,115

difficult to put this part in, put

the shadows on first and then work

260

00:15:56,115 --> 00:15:57,915

on you, then work on the goodies.

261

00:15:59,585 --> 00:16:00,155

Okay.

262

00:16:01,205 --> 00:16:02,165

Let's go right into.

263

00:16:03,030 --> 00:16:04,170

Uh, Tanium whiten.

264

00:16:05,520 --> 00:16:08,550

We load some color right on the

still number three fan brush.

265

00:16:11,550 --> 00:16:11,790

Okay.

266

00:16:11,790 --> 00:16:14,790

Now then let's begin putting

in some beautiful little

267

00:16:14,790 --> 00:16:16,740

splashy push upward with it.

268

00:16:16,740 --> 00:16:19,680

Brush the foam patterns.

269

00:16:20,460 --> 00:16:24,000

Splashing patterns here are

created on that upward stroke.

270

00:16:26,240 --> 00:16:27,890

Me just let him come right on around here.

271

00:16:36,770 --> 00:16:38,110

see how you let that just crashed.

272

00:16:38,110 --> 00:16:41,690

Just, just think about

water, splashed and crashing.

273

00:16:42,260 --> 00:16:45,860

And that's beginning to mix with that

dark shadow color we put in there and

274

00:16:45,860 --> 00:16:47,330

it gets darker and darker back here.

275

00:16:47,960 --> 00:16:49,640

And this will happen

automatically for you.

276

00:16:49,640 --> 00:16:51,800

You don't have to worry about that.

277

00:16:51,800 --> 00:16:53,900

The canvas work paints the colors.

278

00:16:55,260 --> 00:16:55,860

There we go.

279

00:16:56,340 --> 00:16:58,980

And sometimes I live in Florida

and in Florida, we don't

280

00:16:58,980 --> 00:17:00,300

have big rocks and stuff.

281

00:17:01,170 --> 00:17:03,540

Sometimes you just want to make

little tiny, simple seascapes.

282

00:17:03,540 --> 00:17:06,030

All you have to do is just touch

the top of a wave like cat.

283

00:17:07,380 --> 00:17:10,620

And he creates those little

waves, either just touch.

284

00:17:11,400 --> 00:17:13,950

So if you want to do a Florida

seascape, that's all it amounts to.

285

00:17:13,950 --> 00:17:15,569

And then you can pull a

little bit of that color down.

286

00:17:16,470 --> 00:17:21,260

It's a very simple way to make a nice

little seascape and that's all it takes.

287

00:17:23,430 --> 00:17:25,710

But I thought that they would

do ones a little more fun.

288

00:17:28,670 --> 00:17:28,760

Okay.

289

00:17:29,420 --> 00:17:29,830

Corner.

290

00:17:29,850 --> 00:17:30,710

The two inch brush.

291

00:17:31,010 --> 00:17:35,900

We want to just blend this gently,

gently two hairs in some hair,

292

00:17:36,980 --> 00:17:38,540

barely caressing the canvas.

293

00:17:40,370 --> 00:17:42,530

Just touch that, that it blended together.

294

00:17:44,510 --> 00:17:44,840

There.

295

00:17:49,139 --> 00:17:51,870

Now maybe, maybe the light

shining through here.

296

00:17:52,710 --> 00:17:55,050

Maybe we have a big

reflection coming all down.

297

00:17:56,010 --> 00:18:01,649

So let's just do something like, yes,

just put a little color straight down.

298

00:18:03,990 --> 00:18:08,400

Grab Grabow big brush bike.

299

00:18:08,420 --> 00:18:10,980

So see it mixes with all those

colors that are on there and all

300

00:18:10,980 --> 00:18:12,450

those beautiful things just happen.

301

00:18:13,680 --> 00:18:15,090

Very lightly go across.

302

00:18:16,020 --> 00:18:18,870

Doesn't look like much right

now, but as we began working on

303

00:18:18,870 --> 00:18:22,260

that, it looked like a shimmer in

there and just beautiful things.

304

00:18:23,100 --> 00:18:24,210

And maybe there's a little wave.

305

00:18:25,620 --> 00:18:26,250

Oh, there it is.

306

00:18:26,820 --> 00:18:29,910

You knew it was there

right there in the front.

307

00:18:30,824 --> 00:18:32,715

Dan once again, we'll blend it back.

308

00:18:34,665 --> 00:18:35,445

Let's blend it back.

309

00:18:37,665 --> 00:18:39,975

The strokes and the angles

are very important here.

310

00:18:40,604 --> 00:18:44,564

That little rocking just

planted right up in there.

311

00:18:47,865 --> 00:18:49,395

Darker, darker, darker over here.

312

00:18:54,645 --> 00:18:55,004

Okay.

313

00:18:56,655 --> 00:18:56,955

Shoot.

314

00:18:56,955 --> 00:18:57,675

Let's get crazy.

315

00:18:59,100 --> 00:19:02,430

Let's take a little white, I'm

gonna mix a least little touch.

316

00:19:02,430 --> 00:19:04,860

If they look blue with it,

just the least little touch.

317

00:19:04,860 --> 00:19:06,810

I just want it to have

sort of a blue cast.

318

00:19:08,410 --> 00:19:08,770

Yeah.

319

00:19:09,410 --> 00:19:14,000

Let's take the small night go in

here and we have to start making some

320

00:19:14,000 --> 00:19:17,330

determinations, a little role of pain and

smallness maybe come right up in here.

321

00:19:17,330 --> 00:19:20,660

Maybe there's a little,

little watery thing.

322

00:19:20,660 --> 00:19:23,390

It comes over right in

here and push very hard.

323

00:19:24,530 --> 00:19:25,130

Very hard.

324

00:19:27,225 --> 00:19:28,845

Just allow that to come right across.

325

00:19:29,595 --> 00:19:32,295

You're putting a little Ridge

of paint right out here.

326

00:19:34,695 --> 00:19:35,295

All right.

327

00:19:36,015 --> 00:19:40,245

Now we can take a clean fan

brush and very gently grab this

328

00:19:40,485 --> 00:19:41,775

and we get blending it back.

329

00:19:42,765 --> 00:19:46,965

Just grab it and blend it back there.

330

00:19:49,755 --> 00:19:50,865

Think about angles.

331

00:19:50,935 --> 00:19:52,125

What's happening in this though.

332

00:19:52,185 --> 00:19:53,955

Don't just, don't just

pull it back at angle.

333

00:19:53,955 --> 00:19:58,305

It needs to be flat to make that water

lay down and here and there, maybe

334

00:19:58,305 --> 00:20:03,675

there's some there where they're just

nice little things happening, but

335

00:20:03,675 --> 00:20:07,155

this is where you make the water move

up and down and wherever you want

336

00:20:07,155 --> 00:20:08,475

to do these little things in here.

337

00:20:12,240 --> 00:20:12,419

Okay.

338

00:20:12,830 --> 00:20:16,970

Maybe back in here, we have some big

rocks, you know, me, I like these

339

00:20:16,970 --> 00:20:20,780

big rocks and seascapes to me that

makes it more interesting, but you

340

00:20:20,780 --> 00:20:21,949

don't have to have them in yours.

341

00:20:21,990 --> 00:20:28,280

I'm just going to take some Brown, just

plain, old Vandyke Brown and a little dark

342

00:20:28,280 --> 00:20:31,189

sand in the lavender here and there, too.

343

00:20:31,189 --> 00:20:36,230

What the heck, whatever dark color you

happen to have, let's just fill that in.

344

00:20:37,995 --> 00:20:41,865

So even this rock I had painted the

basic shape and with the black Jesso,

345

00:20:47,225 --> 00:20:50,885

tell you what, maybe, maybe,

maybe, maybe there's another rock.

346

00:20:51,485 --> 00:20:52,205

Yeah, there we are.

347

00:20:52,265 --> 00:20:53,015

Lives right there.

348

00:20:55,505 --> 00:20:59,435

Just a nice little rock friendly,

little rock, maybe over in the other

349

00:20:59,435 --> 00:21:00,755

side here does have a rock over here.

350

00:21:00,755 --> 00:21:01,985

We don't want this side left out.

351

00:21:03,780 --> 00:21:04,530

Same color.

352

00:21:04,680 --> 00:21:07,170

And all we're doing here is

just applying a very basic

353

00:21:07,770 --> 00:21:09,390

shape, just blocking in color.

354

00:21:09,960 --> 00:21:12,090

And this probably won't hardly

even show at this point.

355

00:21:14,880 --> 00:21:16,290

I want to add a little black in this one.

356

00:21:16,620 --> 00:21:18,240

Just darken it up even more.

357

00:21:18,240 --> 00:21:22,020

I want this side to be very

dark and a little black right

358

00:21:22,020 --> 00:21:22,770

down here in the corner.

359

00:21:25,090 --> 00:21:28,130

We'll put a bump up here on

this rock, whatever you want.

360

00:21:31,225 --> 00:21:32,504

Any way that you want it.

361

00:21:33,675 --> 00:21:37,995

Now that color will allow us to

allow to paint other colors over

362

00:21:37,995 --> 00:21:39,284

it and beautiful things happen.

363

00:21:40,195 --> 00:21:42,554

He will have a little beach up

here, so I'll take a little white.

364

00:21:43,800 --> 00:21:47,100

And let's just go up in here

and because we put Brown on the

365

00:21:47,100 --> 00:21:50,670

canvas instantly, we have land.

366

00:21:52,980 --> 00:21:53,580

There we go.

367

00:21:56,280 --> 00:21:56,640

Yes.

368

00:21:56,650 --> 00:22:01,740

Like, so now if you want to show

reflections on the here, so you can

369

00:22:01,740 --> 00:22:05,160

just grab the edges of this pulled

down and go across and that'll

370

00:22:05,160 --> 00:22:09,000

make it look wet, just like that.

371

00:22:12,855 --> 00:22:19,775

Let's take a little, take a little, take

some hype, put some wire down here, grab

372

00:22:19,775 --> 00:22:26,225

a little bit of the lavender color and

maybe I'll add, touch more Crimson to it.

373

00:22:26,495 --> 00:22:27,365

Ooh, that's nice.

374

00:22:28,085 --> 00:22:32,315

Just load some on the fan brush now, then

let's begin shaping these rocks here.

375

00:22:34,660 --> 00:22:37,500

You can do this with a liner brush,

take your time and put all kinds

376

00:22:37,500 --> 00:22:41,880

of things in sort of hard to do in

the timeframe that we have here.

377

00:22:42,390 --> 00:22:45,740

But at home you do it

whichever way works best.

378

00:22:48,170 --> 00:22:48,860

There we go.

379

00:22:49,640 --> 00:22:53,570

See, but this is how you can

literally shape and form all kinds

380

00:22:53,570 --> 00:22:54,830

of things happening in your rocks.

381

00:22:54,830 --> 00:22:59,210

And you can just tap it,

make just the indication.

382

00:22:59,210 --> 00:23:01,190

All you're looking for is

the highlights in the rocks.

383

00:23:04,755 --> 00:23:08,475

Okay, just hang out here

wherever you want, wherever.

384

00:23:10,485 --> 00:23:13,215

There's another thing it's

happening right about there.

385

00:23:17,475 --> 00:23:18,675

Let's see how easy those are.

386

00:23:22,445 --> 00:23:25,985

We'll take a large brush and

very gently falling the angles.

387

00:23:26,705 --> 00:23:30,065

Just caress it just enough

to move the paint a little.

388

00:23:31,649 --> 00:23:34,409

Don't want to destroy all those little

lines and marks that you put in there

389

00:23:36,479 --> 00:23:41,250

just enough to move it, but look at

all the different planes in there.

390

00:23:42,360 --> 00:23:47,100

Okay, let's go over the other one,

do the same basic thing over in here.

391

00:23:48,689 --> 00:23:50,399

Since our light sources in the center.

392

00:23:53,580 --> 00:23:56,129

There we are here comes another one.

393

00:23:57,690 --> 00:24:00,420

So you just sort of look at it

and decide where you think all

394

00:24:00,420 --> 00:24:03,060

these little things live and play.

395

00:24:03,590 --> 00:24:03,770

All right.

396

00:24:06,200 --> 00:24:06,560

There,

397

00:24:09,740 --> 00:24:10,190

we are,

398

00:24:13,460 --> 00:24:16,430

make all types of shapes or

maybe there's another one.

399

00:24:16,610 --> 00:24:19,850

And there it is right on down.

400

00:24:21,470 --> 00:24:22,640

Like, so we'll have you on.

401

00:24:25,574 --> 00:24:30,544

There is one and everybody's

going to have different kinds

402

00:24:30,544 --> 00:24:31,465

of rocks in their paintings.

403

00:24:31,465 --> 00:24:32,254

So don't worry about it.

404

00:24:32,254 --> 00:24:35,375

If they don't look just like

these are just like dislike

405

00:24:35,385 --> 00:24:36,604

ones that somebody else done it.

406

00:24:38,584 --> 00:24:38,885

Okay.

407

00:24:38,945 --> 00:24:44,254

I would take our large brush and once

again, very lightly, just enough to,

408

00:24:44,945 --> 00:24:46,445

just enough to distort a little bit.

409

00:24:46,445 --> 00:24:49,655

It's sorta like when we do

reflections, we don't want to get

410

00:24:49,655 --> 00:24:51,574

carried away just enough to move it.

411

00:24:54,615 --> 00:24:55,905

Maybe shoot.

412

00:24:55,905 --> 00:24:56,775

Let's get crazy here.

413

00:24:58,425 --> 00:24:59,235

I'll take a little nap.

414

00:24:59,264 --> 00:25:00,195

I'll go right back into that.

415

00:25:00,195 --> 00:25:00,495

Blue.

416

00:25:00,855 --> 00:25:03,465

Maybe there's another little

ripple that lives right here.

417

00:25:05,115 --> 00:25:05,685

There it is.

418

00:25:07,665 --> 00:25:08,295

There it is.

419

00:25:08,655 --> 00:25:14,685

It's landing very lightly

blended back, just like before.

420

00:25:22,310 --> 00:25:24,500

We had the liner brush

a little paint thinner.

421

00:25:25,070 --> 00:25:28,700

Let's go back in here and I

want to firm up this edge.

422

00:25:30,470 --> 00:25:31,550

So it stands apart.

423

00:25:32,960 --> 00:25:41,420

And then just, just gently blended on

him just to make it stand out and put

424

00:25:41,420 --> 00:25:45,410

some little lines in here, indicating

little foamy things that are happening.

425

00:25:47,195 --> 00:25:51,375

This is what shapes your wave

paint should be very thin.

426

00:25:51,375 --> 00:25:52,515

And it'll literally flow.

427

00:25:54,165 --> 00:25:59,145

See, even back in here, you want all

kinds of little, little watery movements

428

00:26:01,025 --> 00:26:07,235

there, but these little details, this is

what really makes your seascapes special.

429

00:26:07,985 --> 00:26:09,005

Come right along here.

430

00:26:11,615 --> 00:26:15,425

There we are there.

431

00:26:16,300 --> 00:26:17,460

All kinds of little thanks.

432

00:26:17,460 --> 00:26:24,350

And I'll see you right around

red, around old stove or something

433

00:26:29,960 --> 00:26:30,650

that easy.

434

00:26:32,810 --> 00:26:37,070

And under this thing here, a

little dark line will help set

435

00:26:37,070 --> 00:26:39,260

that off, make it really stand up

436

00:26:42,770 --> 00:26:43,970

and at home when you're doing this.

437

00:26:44,475 --> 00:26:45,465

Spend some time with it.

438

00:26:45,495 --> 00:26:47,445

Just put all kinds of

little details in here.

439

00:26:47,445 --> 00:26:52,575

You'll be absolutely amazed at what an

effective and beautiful seascape you

440

00:26:52,575 --> 00:26:54,435

can make in just a matter of minutes.

441

00:26:55,425 --> 00:26:57,585

And the old clock on the wall

tells me it's about time.

442

00:26:58,935 --> 00:27:00,045

Shut it down for the day.

443

00:27:00,765 --> 00:27:01,845

I hope you've enjoyed this.

444

00:27:02,805 --> 00:27:05,265

It'll really give you a

nasty little thing to do.

445

00:27:05,315 --> 00:27:06,555

It's beautiful colors.

446

00:27:06,675 --> 00:27:07,905

It'll make you happy in here.

447

00:27:08,325 --> 00:27:12,465

So from all of us here, I'd like to

wish you happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S17E04 - Stormy Seas

Bob Ross's

The Joy of Painting

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