Bob Ross's

The Joy of Painting

S07E13 - Dark Waterfall

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Hi, I'm glad you could

join me again today.

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And they say, sometimes

you save the best to last.

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And this is our last show

of this, the seven series.

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So maybe this is the best today.

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I've got a little bit of

different effect going here.

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I've already covered the canvas

with liquid black around here, and

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then liquid white right in here.

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And then sort of just blended it together.

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So I'll tell you what, let's have them

graphically run all the colors across

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the screen that you need to paint this

painting with me and they'll come across

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in the same order as I have on my pallet.

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While they're doing that, let's go on up

here and get started and have some fun.

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I'm going to put a very

colorful little sky in here.

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We'll make a happy little painting.

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I'm going to touch of Indian,

yellow, just a touch, just a touch,

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put a little bit of that out.

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Tap it into the bristles.

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Just like it.

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Just gently tap.

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Okay.

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Let's go up here now, maybe right in here.

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Very lightly.

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Just making a little crosses, just

bouncing some happy little colors.

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There we go.

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That quick, that easy without cleaning

the brush, I'm going right into a touch

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of a lizard Crimson and just tap a

little of that right onto the brush.

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Okay.

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Maybe we'll just float a little

bit of that here and there.

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There we go.

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Nice warm colors.

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This is a happy sky there.

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This is one of those paintings

that you'd make you make you relax

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and just really, really enjoy.

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It's very soft, very quiet.

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Okay.

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Now, once again, without cleaning the

brush, I'm going to go right into it.

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Vandyke Brown and a little touch

of the blue, then it'll touch you

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the blue and the Vandyke Brown.

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Okay, let's go right up here.

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Now.

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All of this is mixing with the liquid

fight and all these effects just happened.

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I don't want to, don't want to

kill all these little colors.

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There we go.

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I just want to lay a little

this around right now.

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Little bit right in here,

wherever you want it, wherever.

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Okay.

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Let me clean this brush, scrub it

off, scrubbing off, shake off excess,

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just beat the devil out of it.

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Getting out with a clean brush.

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I'm going to go back in here and then

we'll begin blending all of this.

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Just making little crisscross strokes and

it doesn't hurt to take your brush and go

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over here and pick up a little bit of this

black and bring it back in, just transfer

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some of this color back and forth.

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If you want to double down an area,

you can pick up a little, the liquid

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black, bring it right back in and

dull it down that easy, that easy

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it's liquid black is very good.

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You know, you're going to have big

dark areas in your paintings that

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are going to be big shadow areas.

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Very quickly, you can block all that

in and keep it saves you a lot of time.

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I'm lazy.

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I always looked for an

easy way to paint their

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Splendas till it gets to

just the way you want it.

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Here we go

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to stroke across it.

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That takes out all the brush

strokes and you're in business.

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Ready to go?

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Okay.

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That easy.

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We've got a happy little sky.

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Let me grab a whole round brush here

and let's mix up a little bit of,

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we'll take some Crimson and some blue

and make a purplish lavender color

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of whatever, more Crimson and blue.

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Okay, let me clean the knife off.

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I'll take this round brush and tap it.

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Just tap it right into the color.

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There you go.

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See there.

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Just tapping.

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All right, let's go up here now.

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There's some little trees back in the

background, so very lightly, just barely

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touching the canvas again, laying in

some happy little shapes right here.

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How do you want this tree to look?

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Where does he live?

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Let's see there that easy.

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Just let your imagination go in here.

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Pop it all these little happy shapes.

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Here's another one and very lightly

the lighter they are, it looked like

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you're farther and farther away.

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Very light.

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Some of them are going to

leave just like they are.

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If we get done barely

touch it, barely touch it.

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Whisper light whisper, whisper,

maybe ran on down in here.

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I don't know wherever you want them.

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Wherever you want them darker

at the base than at the top

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on across.

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That'll give us a nice little background

trees that easy telling you why let's

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take the knife and I'll go into a

little bit of the Brown, pull it out,

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cut across, and just a little tiny rule

paint right out on the edge of the knife.

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There we go.

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Now.

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Just put the indication here and

there a few little trunks and all I'm

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doing is just touching the canvas.

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Let the canvas pull off what it wants.

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It'll give you back.

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What's left there.

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We're not looking for a

lot of distinct shapes.

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Just little indications.

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You can just take the

clean point of the knife.

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Scratching all kinds

of happy little things.

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Yeah.

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Same old, dirty round

brush, same old brush.

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I'm going to go into a little bit

of blue here, a little bit of the

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Crimson and some white and just tap it.

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I'm mixing color red on the brush.

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Okay.

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Let's go up here.

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Put some happy little colors

in here and begin deciding.

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Where some little highlights are just,

just tap them in, just tap them in

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and you can vary this back and forth

a little bit between the two colors

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and put in all kinds of little things,

maybe right in here lives one, that it

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has a little more of the Crimson color.

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It's a little brighter.

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It shines a little more.

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You can highlight that with a little

bit of white, make it really stand out.

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Ooh, look at that.

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Look at that.

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All these little things just drop them in.

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Wherever you want, but

not a great deal of paint.

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This is just, just indications back here.

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Don't overkill.

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And I've added a little bit of

Indian, yellow to the right into the

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same color, same old, dirty Bryce.

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Don't don't over beat it.

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Just a little bit of a bright

red, tiniest little bit.

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Don't beat it too much.

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Just tap it.

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Get away from it.

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Okay, maybe right in here lives.

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Yep.

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Just little indications of

all kinds of happy things.

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That'll CAD yellow added to the brush

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and you can make a multitude of things

in here, and this should make you

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happy painting should make you happy.

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Janice tapping.

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Okay.

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I see it there.

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Just, just tap it.

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Just go right up here.

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Arizona lives right there.

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So we have some blues and some

pinks and some of the lavender

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is just getting crazy here.

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All kinds of pretty little colors.

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Now, a little bit of land back here

for all that to set on would be nice.

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Okay.

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So I'll go right into some Vandyke

Brown, pull that knife across,

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get that little roll of paint.

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Here we are.

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And right up in here, I

had to make a big decision.

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Where did you lay on live?

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Just let the knife slide

right across, right across.

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Maybe I'll have some

water coming down here.

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So I'm going to leave it

higher here than here.

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This water going to be moving down.

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We don't know exactly

where it's going to go.

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Don't care at this point,

right in there somewhere.

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I'm going to take a little bit of yellow,

a little sample green mixed with it that

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all these little colors just happened.

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Cut across.

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Let's go right up here.

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See if that stands out enough.

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Yeah.

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Nice color.

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Very nice.

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Just barely grazing the canvas.

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Just caress it.

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Okay.

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And then you could even take a

little bit of tiny little touch

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of lighter color, same basic

color near the only, just lighter.

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It just whisper.

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Whisper, whisper just here and there.

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Don't get carried away with this,

just to make a few little indications.

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That's all you need.

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And then we can take a, a fan brush

and go into it, a little of the

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lavender's and the yellows and greens

and all of those pretty things.

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Okay.

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And few little bushes that just go

right down, covers up the edge of

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all this brings it all together.

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Ties it in, just ties it all together.

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yeah, a little color right there.

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That's pretty wash your fan brush.

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Now go back with a knife now.

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And I'm just going to, once again,

just scratch in a few little trunk

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indications, just here and there.

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Just hearing they're not overdoing.

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Don't overkill wherever

you think they were to be.

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Okay.

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That gives us a nice little

background to play with.

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And now we can come up

here and really get crazy.

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And today let's put some water right

in there and I'm going to go right

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into a little bit of the theolo blue,

just load a little on the brush.

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I think I'll add a little Brown to that,

just to dull it down blue and Brown.

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Can you see how that's loaded though?

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Tap it into it.

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And the kind of scope here now that

I'm going to come right in here and

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I'm just adding some blue color.

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This is just an undercover.

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We could care less just under color.

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We'll go right across the black

Quidditch, even though you can't see it.

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It's blue there.

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The blue is there now then let's have

some fun clean that off real quick.

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All right, let's go back into

the, to the titanium white.

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I'm going to load a lot of pain into the

brushes time, public across I'll add a

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little tiniest touch of blue into that.

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So now the important thing,

important thing here is to pull it

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and then just on the last row, give

it a little, little push inward.

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Let's do that again.

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Pull it then last moment, push.

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And it puts a little rage of paint,

right on the edge of the knife.

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Now watch here.

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I want to make the indication

of thousands of little ripples.

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This water is just floating along

here in play and a lot out of that.

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Do you literally pull it, get a

little tiny edge of paint or you

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can't, you can't keep playing with

this or it'll go away and leave you

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there.

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Look at all the little things that happen.

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Isn't that sneaky?

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One thing we have tried to do

continually in all this series is

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bringing new ideas, new ways of using

the equipment, new equipment, whatever.

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Trying to keep you

interested, keep you happy.

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And most of the shows that we

designed, I believe it or not come

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from ideas that people send us.

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If you have ideas, drop us a

line we'd love to hear from you.

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Okay.

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Let's say that goes to about right there.

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Now then let's have some fun.

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I'm gonna go right into a little bit of

the dark Sienna, a little Vandyke Brown.

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A little touch of white.

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Maybe we'll even throw some red into it.

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Just all these nice warm colors.

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All right.

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All right.

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Here, right here in my mind, they're

going to have a nice little tree.

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Just turn this brush.

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He lives right there, right there.

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Then you can get lighter

and lighter as you work up.

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Right here.

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He's got a friend that lives

stealing to the Browns.

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Okay.

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I have you right on out the here.

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I'm just using the straight Brown.

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Oh, look it, there comes right out my cat.

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Now I sort of capture that water

back here and hold it down.

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Maybe tell you what maybe.

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I know what I want to do here today.

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I'm going to put a tiny

little waterfall right there.

256

00:12:58,875 --> 00:13:02,355

So we need, we need the areas that

are higher to contain all this.

257

00:13:04,685 --> 00:13:05,225

Yes.

258

00:13:05,314 --> 00:13:05,495

Yeah.

259

00:13:05,525 --> 00:13:08,105

A little waterfall,

maybe go right in here.

260

00:13:08,194 --> 00:13:11,555

Let me just throw in some

nice dark color in here.

261

00:13:15,605 --> 00:13:16,655

Beautiful little leaves.

262

00:13:16,705 --> 00:13:17,745

Live up here and come out.

263

00:13:18,694 --> 00:13:20,225

See how all this liquid black here.

264

00:13:20,285 --> 00:13:20,825

It really.

265

00:13:21,765 --> 00:13:23,775

It's done half the work for you already.

266

00:13:25,805 --> 00:13:30,585

One of the nicest things about it,

super way to use preplan your paintings

267

00:13:30,585 --> 00:13:31,695

a little bit and think about it.

268

00:13:31,725 --> 00:13:35,295

If you're going to have big dark

areas, we can save you a lot of time.

269

00:13:35,955 --> 00:13:36,465

A lot of time

270

00:13:39,945 --> 00:13:40,935

down in here, we don't care.

271

00:13:40,935 --> 00:13:41,685

That's dark enough.

272

00:13:42,195 --> 00:13:42,765

We don't care.

273

00:13:44,025 --> 00:13:45,615

All right, I'm going to have a waterfall.

274

00:13:46,155 --> 00:13:49,155

Let's build a little waterfall,

go into the liquid height.

275

00:13:49,935 --> 00:13:53,565

Into the, from white, for the fan,

brush a load, a lot of paint into it.

276

00:13:53,745 --> 00:13:54,525

Can you just go up here?

277

00:13:55,395 --> 00:13:56,745

Maybe the water is traveling along.

278

00:13:56,745 --> 00:13:57,585

It's a little higher here.

279

00:13:57,585 --> 00:13:59,985

So it was bubbling along through

to the duty, little bit comes here.

280

00:14:00,495 --> 00:14:02,625

It was blue and just falls over.

281

00:14:03,945 --> 00:14:05,535

See, it helps to make those little sounds.

282

00:14:05,655 --> 00:14:07,395

Just let it fall over, fall over.

283

00:14:08,655 --> 00:14:11,775

Say there that sample a little

tiny waterfall and it gets down

284

00:14:11,775 --> 00:14:15,825

here and it hits and splashes

and got a little churning action.

285

00:14:17,715 --> 00:14:18,585

Just like it.

286

00:14:19,680 --> 00:14:20,310

I'll tell you what?

287

00:14:21,390 --> 00:14:22,140

That was so much fun.

288

00:14:22,140 --> 00:14:22,939

Making water like that.

289

00:14:22,939 --> 00:14:23,490

Let's do that again.

290

00:14:24,680 --> 00:14:25,219

All right.

291

00:14:25,490 --> 00:14:29,719

Now two inch brush and all I'm

doing is touching, trying to keep

292

00:14:29,719 --> 00:14:31,280

these lines basically straight.

293

00:14:36,870 --> 00:14:40,760

Oh, the little foamy things

happening, this churning and bubbling.

294

00:14:41,900 --> 00:14:43,400

Just traveling alone here.

295

00:14:44,120 --> 00:14:46,459

Maybe it goes let's have a

good ride off the canvas here.

296

00:14:47,625 --> 00:14:48,885

And just let it wander around too.

297

00:14:48,885 --> 00:14:50,535

It goes right off there.

298

00:14:54,074 --> 00:14:55,605

This is just blue and titanium.

299

00:14:55,605 --> 00:14:57,435

White, blue titanium white.

300

00:14:59,205 --> 00:14:59,835

There we go.

301

00:15:02,115 --> 00:15:02,655

All right.

302

00:15:03,975 --> 00:15:05,055

Now we can begin playing.

303

00:15:05,055 --> 00:15:06,255

I'm going to get another fan brush here.

304

00:15:06,255 --> 00:15:10,995

I have several of them going right

into the van Dyke Brown loaded for

305

00:15:12,475 --> 00:15:14,505

limited 400, right, right up here.

306

00:15:14,895 --> 00:15:16,575

I may have an indication of a little tree.

307

00:15:17,025 --> 00:15:20,895

So we put the indication of a

little trunk and need something to

308

00:15:20,895 --> 00:15:22,725

hold that little rascal up here.

309

00:15:22,725 --> 00:15:26,895

They are hearing there, maybe on the

other side, over here, back in the

310

00:15:26,895 --> 00:15:29,385

woods, maybe there's several trees.

311

00:15:30,675 --> 00:15:36,395

They live back here, soon, arms on him.

312

00:15:36,695 --> 00:15:38,225

We're not looking for a lot of detail yet.

313

00:15:38,375 --> 00:15:41,255

All we're looking for is these would

just be little indications and some

314

00:15:41,255 --> 00:15:42,335

of them will sort of show through.

315

00:15:43,500 --> 00:15:46,680

And they'll make you

happy when you see them.

316

00:15:47,189 --> 00:15:51,350

Maybe just the least little touch ever

indication of a little highlight here

317

00:15:51,350 --> 00:15:58,819

and there don't overdue too far away,

too far away, just here and there.

318

00:15:59,750 --> 00:16:00,199

Okay.

319

00:16:00,949 --> 00:16:05,420

Now we can go back into this whole

round brush and I'll put some,

320

00:16:06,080 --> 00:16:09,590

put a little yellow ochre in it

and some red tap them together.

321

00:16:11,564 --> 00:16:12,675

Okay, let's go right up here.

322

00:16:14,865 --> 00:16:17,885

Few little indications here,

maybe a little white to that.

323

00:16:17,885 --> 00:16:18,995

So it stands out a little better.

324

00:16:18,995 --> 00:16:20,495

I don't know if you

can see that too great.

325

00:16:21,665 --> 00:16:23,015

There that's a little better.

326

00:16:24,574 --> 00:16:27,125

I wanted to get to Brian, but don't

want you to be able to see it.

327

00:16:29,255 --> 00:16:29,885

There we go.

328

00:16:31,785 --> 00:16:34,535

Just a few little leaves hanging

on that tree and live out here.

329

00:16:35,765 --> 00:16:36,245

Okay.

330

00:16:37,635 --> 00:16:41,325

Now that I'm going to take a one

inch brush and go into some Sam green

331

00:16:41,325 --> 00:16:43,815

and a little bit of the yellows.

332

00:16:45,315 --> 00:16:46,755

Pull it in one direction through there.

333

00:16:47,775 --> 00:16:48,945

I want to keep this quite dark.

334

00:16:48,945 --> 00:16:49,335

Also.

335

00:16:49,635 --> 00:16:52,635

You can just go up here

now, right along in here.

336

00:16:53,865 --> 00:16:55,065

Here's all kinds of little.

337

00:16:55,845 --> 00:16:57,975

Oh, look at all them little

things living right there.

338

00:16:59,265 --> 00:16:59,625

See ya.

339

00:16:59,865 --> 00:17:00,255

See ya.

340

00:17:01,845 --> 00:17:02,445

There they come.

341

00:17:04,635 --> 00:17:06,014

And back here in the shadows.

342

00:17:06,014 --> 00:17:07,444

Maybe there's some dark things.

343

00:17:09,585 --> 00:17:13,095

Don't want them to get too bright

back in here, stay nice and dark

344

00:17:13,095 --> 00:17:17,685

and quiet, but all kinds of little

things are happening back here.

345

00:17:17,714 --> 00:17:18,435

We know they're there.

346

00:17:20,115 --> 00:17:21,045

We know they're there.

347

00:17:21,165 --> 00:17:22,724

Let's go on the other side for a second.

348

00:17:25,665 --> 00:17:26,835

Here's one harrowing.

349

00:17:28,065 --> 00:17:29,985

Need to put a few little

happy leaves on him.

350

00:17:30,195 --> 00:17:30,735

There they are.

351

00:17:31,545 --> 00:17:32,325

Don't overdue.

352

00:17:32,805 --> 00:17:36,245

I'm going to keep his painting

quite dark except out here.

353

00:17:37,475 --> 00:17:39,215

Or it's standing out in the light

354

00:17:42,305 --> 00:17:43,264

kinds of little things.

355

00:17:43,835 --> 00:17:44,105

St.

356

00:17:44,105 --> 00:17:47,915

Tomins layers and layers layer.

357

00:17:47,915 --> 00:17:50,945

After layer after layer,

tell you what we need here.

358

00:17:52,145 --> 00:17:53,705

We need something to hold up water in.

359

00:17:54,425 --> 00:17:56,075

So let's take some Brown on her knife.

360

00:17:56,775 --> 00:17:58,545

And let's just put a

little rock right there.

361

00:17:59,235 --> 00:18:01,725

Maybe there's some landmasses

that live right here.

362

00:18:01,925 --> 00:18:08,735

Come out wherever you want

them drop a man over here.

363

00:18:09,485 --> 00:18:12,095

Maybe there's one

projection in front of it.

364

00:18:12,095 --> 00:18:13,264

So yeah, it pushes all that back.

365

00:18:14,435 --> 00:18:16,205

Helps create the illusion of distance.

366

00:18:18,635 --> 00:18:19,264

There we go.

367

00:18:22,985 --> 00:18:23,405

There.

368

00:18:25,020 --> 00:18:28,320

You know, during the last show of a series

is always sort of a sad time for me.

369

00:18:28,320 --> 00:18:33,360

I know that I'm going to be

finished for a while, but the next

370

00:18:33,360 --> 00:18:34,860

series will be starting very soon.

371

00:18:34,980 --> 00:18:35,850

So we'll be back.

372

00:18:37,110 --> 00:18:37,830

We'll be back.

373

00:18:38,190 --> 00:18:41,640

And if you've missed any of the

previous shows we have, gosh, we have

374

00:18:41,640 --> 00:18:44,070

over 90 shows now it's almost unreal.

375

00:18:44,070 --> 00:18:46,980

That's that's over 45 hours of television.

376

00:18:47,820 --> 00:18:51,210

But if you've missed any of them,

give you a local station to call,

377

00:18:51,210 --> 00:18:52,230

tell them, you'd like to see them.

378

00:18:52,950 --> 00:18:56,159

They listen to you, let

them know what you want.

379

00:18:57,090 --> 00:18:57,330

Okay.

380

00:18:57,360 --> 00:19:00,230

Let's put a little, I light on

some of these don't come right

381

00:19:00,230 --> 00:19:07,940

out here and just maybe around the

edges, they're just barely grazing.

382

00:19:09,379 --> 00:19:13,760

Barely, barely touching it at all.

383

00:19:13,760 --> 00:19:14,960

These little things just happen.

384

00:19:17,730 --> 00:19:18,150

Okay.

385

00:19:18,710 --> 00:19:21,830

Now sometimes it's nice to take that

little knife, a little bit of dark

386

00:19:21,830 --> 00:19:28,640

color on it and create the illusion

of little legislator here, there.

387

00:19:28,730 --> 00:19:29,450

See how you can.

388

00:19:30,470 --> 00:19:31,370

Yeah, it's just a little better.

389

00:19:31,370 --> 00:19:33,080

It gets in there to those little places.

390

00:19:34,640 --> 00:19:35,120

All right.

391

00:19:36,860 --> 00:19:42,080

Let me go back to my one inch brush and

let's begin dropping in all these happy

392

00:19:42,080 --> 00:19:43,550

little things that live right in here.

393

00:19:44,535 --> 00:19:44,925

Okay.

394

00:19:46,425 --> 00:19:48,755

We'll bring him ran on down,

tell you what, maybe they just,

395

00:19:48,905 --> 00:19:49,835

we don't know where they go.

396

00:19:50,285 --> 00:19:55,955

They just go right over that cap that

pushes the water over a little there.

397

00:19:57,935 --> 00:19:58,325

Maybe,

398

00:20:01,505 --> 00:20:04,985

maybe there's a little bit of

land area right down in here.

399

00:20:07,115 --> 00:20:07,685

There.

400

00:20:07,905 --> 00:20:11,825

Let this all a little bit of a

little bit of land show in there.

401

00:20:13,065 --> 00:20:19,695

Just pretty little thing, little green,

Indian, yellow, yellow ochre, the reds.

402

00:20:22,485 --> 00:20:24,165

And this is going to

be out in the sun more.

403

00:20:24,165 --> 00:20:26,985

So he's coming to the metal.

404

00:20:27,465 --> 00:20:28,335

I don't shine.

405

00:20:30,465 --> 00:20:31,095

Okay.

406

00:20:31,185 --> 00:20:32,655

Bring us down over here.

407

00:20:32,715 --> 00:20:33,765

I'll get a little more color.

408

00:20:34,545 --> 00:20:36,315

There is a happy little Bush right there.

409

00:20:37,545 --> 00:20:43,775

He's got a friend there and wherever

you want them to go, wherever

410

00:20:46,325 --> 00:20:51,155

we'll take the point of the knife,

just scraping the little trunk

411

00:20:51,155 --> 00:20:52,835

indications, little sticks and twigs.

412

00:20:52,835 --> 00:20:55,295

They helped help add

interest to your painting.

413

00:20:55,295 --> 00:20:58,745

People like you took a window, one haired

brush and worked for weeks in there.

414

00:21:00,065 --> 00:21:01,325

We don't tell them any different either.

415

00:21:02,745 --> 00:21:03,195

Secret.

416

00:21:08,615 --> 00:21:08,975

Okay.

417

00:21:08,975 --> 00:21:10,115

Let's have some fun here.

418

00:21:10,925 --> 00:21:12,005

Let's have some fun.

419

00:21:12,455 --> 00:21:15,215

Maybe I'll take your soul big brush

and just tap into a little color.

420

00:21:15,545 --> 00:21:17,825

I'll put just the indication back in here.

421

00:21:18,565 --> 00:21:24,425

Some little leaves that are showing

through very light, very little color.

422

00:21:25,004 --> 00:21:28,604

Just enough to give a

few little indications.

423

00:21:29,735 --> 00:21:30,094

Okay.

424

00:21:31,445 --> 00:21:31,895

Okay.

425

00:21:32,854 --> 00:21:34,475

Now let's grab our fan brush.

426

00:21:35,405 --> 00:21:36,965

I want to put some huge trees in there.

427

00:21:37,385 --> 00:21:42,485

Let's have some fun go right

into the Brown load at brush

428

00:21:42,485 --> 00:21:44,975

full lot of paint, both sides.

429

00:21:46,264 --> 00:21:47,104

Okay, let's go up here.

430

00:21:48,695 --> 00:21:51,544

Maybe, maybe an old tree fell over Poon.

431

00:21:52,890 --> 00:21:54,180

You know, trees get tired too.

432

00:21:55,770 --> 00:21:58,320

They have to lay down the job

just like I do once in a while.

433

00:22:01,050 --> 00:22:05,040

He just fell over right there and

tell you what right here lives.

434

00:22:05,310 --> 00:22:08,390

Oh my gosh, it does now.

435

00:22:10,100 --> 00:22:14,810

Oh, big monster, big tree, big tree.

436

00:22:15,410 --> 00:22:19,010

All we're doing is just getting

the paint on the canvas, big tree.

437

00:22:19,010 --> 00:22:20,840

He lives in front of

this one that was lazy.

438

00:22:22,830 --> 00:22:23,610

Bagel tree.

439

00:22:24,030 --> 00:22:24,840

Just put him in.

440

00:22:26,910 --> 00:22:29,250

Maybe there's an arm that goes here.

441

00:22:29,520 --> 00:22:30,060

You don't know.

442

00:22:31,060 --> 00:22:31,590

You don't know.

443

00:22:32,400 --> 00:22:32,490

Yeah.

444

00:22:32,540 --> 00:22:34,820

And, uh, over here we can't leave a SIDA.

445

00:22:35,150 --> 00:22:37,070

Maybe there's even a stump right here.

446

00:22:37,070 --> 00:22:38,000

We don't know what's here.

447

00:22:38,450 --> 00:22:39,110

A little stump.

448

00:22:40,400 --> 00:22:46,360

This tree's already fell over and all

this lift is just little foot, big foot.

449

00:22:46,370 --> 00:22:46,580

Huh?

450

00:22:47,660 --> 00:22:47,750

Okay.

451

00:22:49,070 --> 00:22:50,490

Oh, where we go.

452

00:22:51,120 --> 00:22:51,990

Put another one there.

453

00:22:52,379 --> 00:22:57,629

And in your world, you put as many, or as

few of these big old trees as you want.

454

00:22:57,659 --> 00:23:01,530

You may not want any, if you

don't, don't put them in.

455

00:23:02,040 --> 00:23:06,120

I just want to show you how to put

them in and then you make the decision.

456

00:23:07,050 --> 00:23:07,590

All right.

457

00:23:08,280 --> 00:23:13,290

I won't go into something Brown

and white and the dark Sianna.

458

00:23:13,320 --> 00:23:14,550

Just mix it all up here.

459

00:23:15,030 --> 00:23:16,440

So it's marveled to like, yeah.

460

00:23:17,264 --> 00:23:22,215

Can you just go up here and let's begin

just laying in the indication of some

461

00:23:22,215 --> 00:23:23,955

happy little highlights on this tree.

462

00:23:25,034 --> 00:23:32,375

Like, so just barely touching

bounce, letting it bounce, just

463

00:23:32,375 --> 00:23:33,635

think where the light would strike.

464

00:23:35,495 --> 00:23:36,125

There we go.

465

00:23:38,435 --> 00:23:41,554

Look at that big old tree.

466

00:23:43,915 --> 00:23:44,655

This one back here.

467

00:23:44,655 --> 00:23:46,185

Maybe it'd be in this one here.

468

00:23:46,425 --> 00:23:49,455

Maybe there's just a little light singing

through just enough to make this edge

469

00:23:49,485 --> 00:23:55,245

shine a little bit, just a tiny bit up.

470

00:23:55,395 --> 00:23:56,505

Just a little indication.

471

00:23:57,165 --> 00:23:58,095

Let's go over here on this one.

472

00:23:58,095 --> 00:24:01,605

I don't want him left down touch.

473

00:24:01,635 --> 00:24:08,965

Give it a little pool saying that all

those little colors just mix she aspects.

474

00:24:09,045 --> 00:24:09,495

There we go.

475

00:24:09,495 --> 00:24:10,485

A little bit right in there.

476

00:24:11,895 --> 00:24:13,215

I'm going to add a little bit more white.

477

00:24:13,215 --> 00:24:17,535

This one's standing right out here

in a light, really make him shine.

478

00:24:18,495 --> 00:24:25,685

And this whole stump, he too would still

have a little bark left on him there.

479

00:24:25,715 --> 00:24:31,085

Let me clean knife, take a little blue and

put a little shadow inside of this stump.

480

00:24:31,475 --> 00:24:31,955

Look at there.

481

00:24:33,005 --> 00:24:33,755

All right.

482

00:24:34,325 --> 00:24:35,255

A little bit of that blue.

483

00:24:36,085 --> 00:24:36,995

We'll just touch.

484

00:24:37,515 --> 00:24:39,945

The other side of the tree, a

little reflected light, none

485

00:24:39,945 --> 00:24:41,115

much just here and there.

486

00:24:42,435 --> 00:24:42,675

Okay.

487

00:24:42,705 --> 00:24:48,755

Let's do the same thing on this

other big wherever drop a man.

488

00:24:49,065 --> 00:24:49,715

Drop a man.

489

00:24:51,335 --> 00:24:51,605

Yeah.

490

00:24:51,605 --> 00:24:56,615

Then I'm, don't really take some

of that liquid black on the palate.

491

00:24:57,635 --> 00:24:59,285

Use a liner brush with paint.

492

00:24:59,285 --> 00:25:02,105

Thinner make is very, very thin.

493

00:25:02,795 --> 00:25:06,725

And my, that must put a, let's put some

happy little tree limbs here and there.

494

00:25:08,055 --> 00:25:09,825

Maybe this whole tree over here is dead.

495

00:25:09,945 --> 00:25:11,985

So we'll just have some

naturally I'm showing.

496

00:25:13,695 --> 00:25:15,825

This is just the liquid black

with a little paint thinner.

497

00:25:17,595 --> 00:25:20,115

You put as many, or as few

as you want on your tree.

498

00:25:20,715 --> 00:25:22,275

Maybe some of them hang this way too.

499

00:25:22,305 --> 00:25:24,605

You know, they, you got hurt.

500

00:25:26,885 --> 00:25:28,625

We decided just the whole tree was dead.

501

00:25:28,655 --> 00:25:32,855

So you can put all kinds of

little funny things on it.

502

00:25:33,095 --> 00:25:33,875

However many you want.

503

00:25:35,025 --> 00:25:36,555

All right over here on this big one.

504

00:25:37,095 --> 00:25:39,585

He's got a few little lambs

and grow off a sign here too.

505

00:25:39,645 --> 00:25:40,754

We don't want him left out.

506

00:25:41,085 --> 00:25:42,135

This one does too.

507

00:25:44,145 --> 00:25:44,415

Okay.

508

00:25:44,415 --> 00:25:47,955

You can go right into the liquid white,

a little highlight on a few of them.

509

00:25:50,495 --> 00:25:57,185

Just like, so there that'll

give you an idea how to do that.

510

00:25:58,685 --> 00:26:03,185

Now, just going to take

a little bit of green.

511

00:26:03,840 --> 00:26:07,230

On the brush first and

then right into my yellows.

512

00:26:09,950 --> 00:26:14,090

Let's go up here and let's put

some leaves on this old big tree.

513

00:26:14,780 --> 00:26:17,210

Just sort of let them float around

here, maybe here and there, touching

514

00:26:17,210 --> 00:26:24,020

forehead, just let all these big

old leaves just flow around there.

515

00:26:26,300 --> 00:26:29,240

And at home you put as many

leaves on yours as you want.

516

00:26:30,040 --> 00:26:34,260

Can make up a very soft, beautiful little

area, play all these little things and

517

00:26:34,980 --> 00:26:38,850

just like, so, and I think with that,

we're going to have a completed painting.

518

00:26:39,750 --> 00:26:41,970

I'd like to thank you for

being with me the series.

519

00:26:42,360 --> 00:26:45,480

I hope we see you again in the

very near future until then.

520

00:26:46,770 --> 00:26:48,900

Thanks a million for having

me into your home each week.

521

00:26:49,500 --> 00:26:50,940

God bless and happy painting.

End .srt file.

Bob Ross' The Joy of Painting

Friday, December 25, 2020

S07E13 - Dark Waterfall

Bob Ross's

The Joy of Painting

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