Bob Ross's
The Joy of Painting
S12E10 - Mountain At Sunset
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Hi, I'm glad to see you again today.
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Thought today would do something
a little bit different.
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I have more canvas up here as usual,
but I've covered the day with a
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thin even coat of liquid clear.
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And let me say it again, thin coat.
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You need very, very little
of this, and this is nice.
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When you want to use colors that
are say transparent, and you want
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to get sort of a different effect.
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So I tell you what, let's have him
run all the colors across the screen
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that you need to paint along with me.
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And while they're doing that, let's
go on up here and get started.
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I want to start today with a small
amount of Indian, yellow, just the least
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little amount on the two inch brush.
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Just, just have a little color in there.
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Let's make a last little, Oh,
like a little sunset back here.
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Mike.
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So if we just start from just dragging
a with color us like it, I think that we
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know since we introduced them the clear,
Oh, I don't know, several series vac.
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We get so many letters.
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People are doing such
fantastic paintings with it.
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And I've used it mainly for seascapes
and the letters are asking, can we,
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can we do landscapes and stuff with it?
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Absolutely.
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Absolutely.
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So today I want to show you how you can
do a fantastic landscape using the clear.
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Right into Crimson lizard and
Crimson still using the same brush.
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I have not watched it.
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Okay.
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I'll go right up above the yellow
and just begin laying that in the
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color was still yellow on the brush.
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You're going to get a nice orangy color,
beautiful little cover, and then we're
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going to blend it down into the yellow.
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So these colors are very transparent.
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So you get some beautiful effects.
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Let me get just a touch.
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More of the Crimson on my brush here.
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Do you want to splendid right on down?
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Like so, but you need very, very, very
small amount of this liquid clear.
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Can't say that enough times.
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That's probably the biggest
single mistake mean is putting
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too much of it on the canvas.
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One jar.
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Oh my gosh.
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And last year for years, they're just
going to add a little bit of that
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same color down here into the water
like that, whatever we put in the
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sky, we led a little into the water to
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just sort of blend that together.
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Tell you what I'm going to do.
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I'm going to add a little bit more.
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Crimson because now we've wiped
most of the yellow out of the brush.
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So it'll look a little, a
little more into the red issue.
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I want it to be a little
brighter right above that.
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So we have just layers of different
colors, very pleasing, nice little covers.
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Maybe just a little touch more.
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We'll just let it wander on up
into the sky wherever you want to.
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And it takes very, very little color
when you're using transparent colors.
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On top of the clear, very
little cover on your brush.
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Now, add a little bit more down here too.
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It's a little brighter in the sky should
be a little brighter in the water.
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Now then now that I'm gonna
go into the little blue, I
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have not washed the brush yet.
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The little blue I'll reach up here
and grab a little, the Crimson,
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very little Crimson, just enough to.
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Just enough to give it a slight
lavender with very blue yet very blue.
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And you just drop a little
bit that all this little blue
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is very transparent there.
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Okay.
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Let's just bring it down to about like it
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and let it stop us.
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Same thing.
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Now we'll put some into the water.
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To have something in the water.
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I'm not sure who we're going to have
land down here yet, but it doesn't matter
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because you can put the land right over
this color and wherever you want it.
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That's where it'll be.
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Okay.
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I'm going to get another brush.
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I have several of each brush.
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Okay.
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And then with a good dry brush,
I'm going to blend this together.
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This is very dry.
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It's sure it's good and dry
because the clear in paint thinner
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will react quite violently.
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So be sure your brush is
what drives you can get.
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It might even wipe it
across a paper towel.
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Before we do this.
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There we go.
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Okay.
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What's really neat after you have all
these transparent colors on top of
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the clear is to begin adding little
layers of opaque, color and titanium
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white, for example is very opaque.
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So let me show you here.
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We'll take the, the old knife, pull the
paint out very flat and just cut across.
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Get us a little roll of paint.
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And let's put, let's put some
little streaky clouds back here.
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All you have to do is just
to rub it across the canvas.
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Just rub.
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It's all there is to it.
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Wherever you want to see their
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little roll of paint.
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That's all you need.
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We got some happy little clouds.
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Very lightly.
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You can blend those.
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See how that opaque color
though stands out against the,
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all the transparent colors.
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And you can take the large brush.
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And maybe in here you want to
put the indication of a little.
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Well, cloud is just sort of
floating around, take the brush
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and very quickly drop it in unreal.
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What you can do with this can make some of
the most beautiful and striking effects.
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Okay.
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I have it today.
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Let's build this.
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Let's build a seven mountain.
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I'm going to start with black.
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And Vandyke Brown and a little
bit of pressure and blue in it.
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Black depression, blue Vandyke Brown.
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It should be very dark, mostly black.
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Okay.
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Once again, we cut off
that little roll of paint.
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Let's go right up here now, then
let's have a big mountain that lives
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there he goes right about here.
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We let him drop down.
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See there.
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You just put him wherever you want it.
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Very dark.
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And the only thing you worried
about is this nice outside
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yet, you could care less.
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What's happening inside here.
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Anyway, just let him
flow right on off here.
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Big son of a gun really pushed that right
into the fabric, right into the fabric,
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scrape off all the excess paint
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and scrape it.
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Okay.
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Now then we'll take a large brush.
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Grab this and pull it because it's wet
because the clears on here, it'll move.
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There we go.
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Just let it blend downward.
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This removes excess paint, and also
gives the illusion that there's
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missed at the base of this mountain.
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I just let it run the ride on off.
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We don't know where it goes.
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Don't really care wherever
you want it to go.
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Just take the brush and tap
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with cane.
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Now, then that's put
some highlights on there.
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I'm going to take, going
to take some dark Sienna.
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Clean off a little spot here and
take dark Sianna, take some bright
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red and our each appeared and get
some white and pull it through.
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Add a little yellow ochre.
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Just about to add all these
colors sorta in layers here.
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See.
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Don't overmix it let all kinds of
things happen now, then when you cut
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across there, all those different things
will be right in that role of paint.
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All these different colors.
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If you just cut straight across,
they're still there and you can
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come right up here, no pressure.
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And you can just lay them all on here.
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Like all kinds of little different
things are happening in there.
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All kinds of beautiful,
beautiful colors that easy.
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But some appear on this big
sign of, again, I didn't come
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down wherever you want it there.
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See, just let all these things happen.
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People will think you worked for
months to get all these different
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colors and it's all in the loading
of the knife, all in the loading.
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It happens automatically.
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You don't even have to worry about it.
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I don't get the small knife.
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I want to go over on the other
side for, I do too much here.
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We've put in some, putting some shadows.
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I've take some crushed and blue
little touch of white Intuit
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and let's go right up here.
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Got a little bit of dark Sienna in
there too, and just pull it down.
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Oppression blue, dark Sienna.
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And I'm not mixing these very much.
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Don't want them, I don't
want them hardly mixed.
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It all just pulled down.
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Okay.
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Maybe they'll do it that way.
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Right here.
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Got a little bit more
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that sample you can put in all
kinds of beautiful, beautiful
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striking little highlights.
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Maybe right here.
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We'll have this one.
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Can write on them.
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They'll have a little projection here
and we'll just sort of let them meet
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director as soon as to wherever you
want her to sort of work your colors
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back and forth, but don't come together.
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Um, together like so,
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but you can make some of the most
fantastic little effects and they just
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sort of happen just going to happen
now, then it would bring, yes, sir.
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Maybe right on around.
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Just make up your mountain
the way you want it.
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There we go like a little
bit of light color.
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Maybe the lights really zinging
right through there, please.
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All in that dark area.
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Okay.
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It's a super way though, to make
some of the most beautiful little
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mountain effects you've ever seen
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there.
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Okay, that gives us a
pretty nice little mountain.
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Let me find a clean, dry two inch brush.
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And I just want to tap
the base of this mountain.
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I want to create the
illusion of miss down here.
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So all you need to do is just
tap it, tapping, following the
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angles, and then gently lift it up.
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Gently, gently, gently.
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Always follow those angles though.
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It's most important and that'll
create the illusion of missed at
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the base of that mountain Avodah.
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Let's take, we use that same,
same basic old mountain color.
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It's black and blue, little Brown in it.
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Very dark though.
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It should look black.
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Okay.
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Continue to pull it out flat.
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Get our little roll of
paint right out on the edge.
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And maybe here let's do this.
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Let's get brave today.
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Maybe this big son of a gun just comes
right down a little bump right there.
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Just sort of let it go very dark.
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I want this to almost be black,
very dark, and we'll play
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some games with contrast here.
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If you had the liquid white
on the canvas, when you'd done
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this, it would dilute your color.
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Would not be near is dark.
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And I want this to be very, very dark.
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It should look black.
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Okay.
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Namaan grab that and just pull it.
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There we go.
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That is very rich, very dark.
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I won't take oppression, blue and
white, but mixed very, very dark.
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I want it very dark.
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I had a little black to that.
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They're very dark cut off
a little bit of paint.
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And I just want to put the
indication here, just here and there.
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That may be a little light is striking
this whole dark, dark mountain,
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but there's virtually nothing.
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There it is very dark.
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Just a little shadow here and there on it.
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I don't even know if
that'll show up Parley.
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There we go.
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Hmm.
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Now then all we have that
dark color on the brush.
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Let's make us a little
reflection underneath that.
249
00:13:56,235 --> 00:13:57,435
We're going to need a reflection.
250
00:13:57,525 --> 00:14:01,395
So all we have to do is just grab
a little of that and pull it down
251
00:14:01,694 --> 00:14:04,215
straight down, straight down.
252
00:14:05,655 --> 00:14:12,375
That's like, so there we go down straight
down, straight down, straight down,
253
00:14:15,675 --> 00:14:16,515
and very lightly.
254
00:14:17,405 --> 00:14:18,285
Just come across,
255
00:14:22,305 --> 00:14:25,515
you can push that paint and make
those reflections, wiggle and move.
256
00:14:27,734 --> 00:14:28,454
Okay.
257
00:14:29,324 --> 00:14:31,395
Now maybe let me find a fan brush.
258
00:14:32,925 --> 00:14:36,074
Maybe back here, we'll take
some yellows, some yellows,
259
00:14:37,364 --> 00:14:38,984
and I'll get into some greens.
260
00:14:39,675 --> 00:14:40,694
Dark green here.
261
00:14:42,240 --> 00:14:43,110
Dark, dark green.
262
00:14:44,069 --> 00:14:47,550
Maybe there's some little
land areas back in here.
263
00:14:48,390 --> 00:14:49,680
This is very dark green.
264
00:14:51,449 --> 00:14:52,680
Just push these out.
265
00:14:53,490 --> 00:14:53,910
Like, so
266
00:14:57,810 --> 00:14:58,170
there,
267
00:15:02,069 --> 00:15:03,030
Jan was pushing me
268
00:15:06,720 --> 00:15:10,500
now go back into the same yellow
color and just add a little more too.
269
00:15:10,520 --> 00:15:17,870
The brush and it will be lighter, little
yellow ochre, CAD yellow, Indian, yellow.
270
00:15:18,890 --> 00:15:20,840
Okay, let's go back now.
271
00:15:20,840 --> 00:15:23,750
Then I want to come back in
here and just put the indication
272
00:15:23,810 --> 00:15:24,890
of a few little highlights.
273
00:15:24,890 --> 00:15:27,620
These are distant little trees
and bushes that are far away.
274
00:15:27,930 --> 00:15:29,660
Can't make out a lot of detail on these.
275
00:15:31,970 --> 00:15:34,880
They're just enough to make
them shine a little bit.
276
00:15:40,140 --> 00:15:44,400
Nah, we always take a little Brown
and just put in the indication
277
00:15:44,400 --> 00:15:45,360
of a little bit of land.
278
00:15:46,680 --> 00:15:50,760
It's just Vandyke Brown
right along in there.
279
00:15:52,110 --> 00:15:54,540
Take a little bit of the
liquid white, pull it out.
280
00:15:54,540 --> 00:15:55,140
Very flat.
281
00:15:56,250 --> 00:15:59,880
And where that we can come right
in here and cut us in a water line.
282
00:15:59,890 --> 00:16:00,960
See how that stands out.
283
00:16:01,260 --> 00:16:06,150
Dark against light contrast,
all this wild contrast.
284
00:16:09,980 --> 00:16:10,280
Go.
285
00:16:19,410 --> 00:16:20,370
Take a fan brush.
286
00:16:21,329 --> 00:16:22,670
This is a number three fan brush.
287
00:16:23,520 --> 00:16:24,420
Don't even know if these are show.
288
00:16:24,439 --> 00:16:27,449
I just want to put the indication here
and there about distance evergreen
289
00:16:27,449 --> 00:16:30,030
tree, just a few right in there.
290
00:16:31,020 --> 00:16:33,329
When you do them at home though,
you'll be able to see them much better.
291
00:16:34,439 --> 00:16:36,180
Just a little evergreens back in there.
292
00:16:39,120 --> 00:16:39,569
Okay.
293
00:16:41,240 --> 00:16:42,890
Tell you what let's
really have some fun now.
294
00:16:43,885 --> 00:16:49,095
Take the old two inch brush and we'll go
right into van Dyke Brown, pick up some
295
00:16:49,185 --> 00:16:55,425
lizard, Crimson, a little bit of dark
Sienna, just whatever, even a little
296
00:16:55,425 --> 00:16:58,815
SAP green, just throw it all in there
together to have some color in there.
297
00:16:59,985 --> 00:17:00,525
All right.
298
00:17:01,090 --> 00:17:02,980
Let's have right in here.
299
00:17:04,150 --> 00:17:07,240
Let's have some beautiful,
beautiful little bushes and trees.
300
00:17:08,140 --> 00:17:11,170
Just tap, use a corner of the
brush and tap quite firmly.
301
00:17:12,310 --> 00:17:13,360
Maybe they sign over guns.
302
00:17:13,360 --> 00:17:14,500
Just there they go.
303
00:17:16,210 --> 00:17:20,440
Right on off the top of that
canvas here, right over my mountain
304
00:17:22,180 --> 00:17:23,470
and begin making some money.
305
00:17:23,520 --> 00:17:25,050
Nice branches and limbs.
306
00:17:25,740 --> 00:17:27,839
I'm gonna go right into a
little touchy yellow ochre.
307
00:17:29,764 --> 00:17:31,745
And just begin mixing
that right on the canvas.
308
00:17:31,745 --> 00:17:32,465
And then the brush.
309
00:17:32,735 --> 00:17:36,485
I wanted to get a little
lighter toward the top there.
310
00:17:39,215 --> 00:17:40,534
And this is the back of the tree.
311
00:17:40,595 --> 00:17:44,645
We paint the back of the tree and
we'll come back and paint the middle
312
00:17:44,645 --> 00:17:45,815
of the tree, which is a trunk.
313
00:17:45,875 --> 00:17:47,735
And then we'll put the highlights on.
314
00:17:48,419 --> 00:17:51,300
Okay, go back into a little
more on the Brown, had to start
315
00:17:51,300 --> 00:17:52,620
making some big decisions here.
316
00:17:53,550 --> 00:17:54,689
Where do you want you to lay on to go?
317
00:17:54,689 --> 00:17:55,590
Maybe it goes right out here.
318
00:17:55,590 --> 00:18:02,189
Like just wherever maybe
you have through there.
319
00:18:03,419 --> 00:18:05,610
Just decide where you
want it and drop it in.
320
00:18:06,570 --> 00:18:11,280
Pull that straight down a little bit,
go across, give us the indication of
321
00:18:11,280 --> 00:18:14,159
a happy little reflection and maybe.
322
00:18:15,180 --> 00:18:18,090
Maybe over here on the other side,
maybe there's some more over here.
323
00:18:18,600 --> 00:18:21,899
Same colors, Brown, a little
bit of lizard Crimson.
324
00:18:25,290 --> 00:18:26,250
Just whatever you got.
325
00:18:26,610 --> 00:18:26,850
Good.
326
00:18:26,850 --> 00:18:27,450
Dark color.
327
00:18:28,200 --> 00:18:29,940
Maybe it'd be a little
reflection here too.
328
00:18:37,649 --> 00:18:37,980
Yeah.
329
00:18:39,060 --> 00:18:43,020
Let's come back in here and we need
a, we need a tree trunk or two,
330
00:18:43,020 --> 00:18:47,870
some will go right into van Dyke
Brown with a family right in there.
331
00:18:48,680 --> 00:18:53,600
And back in here in here, we'll
make some few little trunks.
332
00:18:54,260 --> 00:18:56,960
We don't know how many trunks
are back here and you maybe can
333
00:18:56,960 --> 00:18:57,980
only see parts of them here.
334
00:18:59,510 --> 00:19:00,290
Just wherever.
335
00:19:00,800 --> 00:19:04,730
Maybe this one right here comes down.
336
00:19:07,065 --> 00:19:11,685
And you know, me, you know me,
I like these old big trees.
337
00:19:11,745 --> 00:19:14,625
There's one tune, just throwing me up.
338
00:19:15,135 --> 00:19:15,225
Okay.
339
00:19:15,275 --> 00:19:19,175
And he's got a friend here, this friend,
this friend is a really a big tree.
340
00:19:19,175 --> 00:19:22,175
He lives a little further into
the foreground, big sign of a
341
00:19:22,175 --> 00:19:25,685
guy that will sort of give you
an idea of where your trees live.
342
00:19:27,215 --> 00:19:29,945
Maybe taking away and heart.
343
00:19:29,975 --> 00:19:32,915
Maybe there's one or two on the other
side over here, we can just sort of block
344
00:19:32,915 --> 00:19:34,415
them in Holly, have the old breasts going.
345
00:19:35,490 --> 00:19:40,410
There's one, there is one,
there it comes that easy.
346
00:19:41,490 --> 00:19:49,940
It will give him a friend
they're just like, so mad.
347
00:19:51,020 --> 00:19:55,220
Go back to a two inch brush and I'm just
going to tap it into some of the greens
348
00:19:55,220 --> 00:19:59,300
and the, uh, Indian, yellow, yellow ochre.
349
00:19:59,360 --> 00:20:02,630
Just tap it, tap it.
350
00:20:03,320 --> 00:20:03,410
Okay.
351
00:20:05,085 --> 00:20:05,475
Okay.
352
00:20:06,105 --> 00:20:10,725
Now they must begin putting all kinds
of just little grassy things that are
353
00:20:10,725 --> 00:20:13,895
growing out here wherever you want.
354
00:20:15,764 --> 00:20:16,965
Wherever there's one,
355
00:20:21,014 --> 00:20:21,825
tell you what let's do.
356
00:20:22,105 --> 00:20:23,985
Let's have some nice
rocks live out here too.
357
00:20:24,044 --> 00:20:26,235
We need a nice stone lives there.
358
00:20:26,235 --> 00:20:26,504
Yes.
359
00:20:27,705 --> 00:20:28,695
Nice big old stone.
360
00:20:29,865 --> 00:20:32,925
And in your world, you decide where
all these little rocks and stones
361
00:20:32,925 --> 00:20:36,705
live and just drop them in, just
put them in wherever you want them.
362
00:20:39,754 --> 00:20:42,064
Give him a little, little
touch, your highlight up here.
363
00:20:42,935 --> 00:20:50,885
That's a pretty, pretty like,
so there are some right there.
364
00:20:52,985 --> 00:20:55,115
See how easy it is to make
all these little rocks.
365
00:20:56,855 --> 00:20:57,185
Okay.
366
00:20:57,185 --> 00:20:58,264
Maybe we want someone to.
367
00:20:58,695 --> 00:21:00,165
Yeah, we can't leave this side out.
368
00:21:00,165 --> 00:21:01,365
We put a big one right out here.
369
00:21:01,365 --> 00:21:02,625
It lives out here on the corner.
370
00:21:03,105 --> 00:21:04,965
He watches and sees what happens out here.
371
00:21:07,475 --> 00:21:08,045
There we go.
372
00:21:10,235 --> 00:21:13,475
Some highlights on him, some
little Brady, shiny things.
373
00:21:13,595 --> 00:21:18,065
There they're the same colors
we, we used on the mountain.
374
00:21:19,355 --> 00:21:20,615
Just sort of mixed on the knife.
375
00:21:21,945 --> 00:21:22,875
Sort of let them happen.
376
00:21:26,685 --> 00:21:29,024
Like I'll pick a, a one inch brush here.
377
00:21:29,024 --> 00:21:32,205
Let me get a one inch brush,
go into a little touch of that.
378
00:21:33,195 --> 00:21:37,215
A little touch of the liquid white,
right into some of my yellows and
379
00:21:37,215 --> 00:21:40,995
greens, pull that brush in one
direction, a lot, a lot of pain on it.
380
00:21:42,165 --> 00:21:42,465
Okay.
381
00:21:43,485 --> 00:21:44,205
Let's use that.
382
00:21:44,265 --> 00:21:50,955
Come up here, put some bright,
sparkling little bushes and use
383
00:21:50,955 --> 00:21:55,885
it sidewards and just push these
Rascals in wherever you want.
384
00:21:58,185 --> 00:22:00,165
Maybe there's some hid back in here.
385
00:22:00,165 --> 00:22:01,785
These are a little darker, not as much.
386
00:22:01,785 --> 00:22:03,195
Light's going to hit them back in here.
387
00:22:04,515 --> 00:22:05,145
There they are.
388
00:22:05,385 --> 00:22:05,715
Sam
389
00:22:08,895 --> 00:22:09,855
had just bring them down.
390
00:22:09,855 --> 00:22:11,985
So they covered up the edges of Iraq.
391
00:22:12,195 --> 00:22:17,775
I come look finished and all I'm doing
is just pushing up with a side and
392
00:22:17,775 --> 00:22:21,525
work, work in layers, completing the
most distant layer and coming forward.
393
00:22:21,525 --> 00:22:23,535
Maybe there's another big
stone that lives here.
394
00:22:24,285 --> 00:22:24,615
Same.
395
00:22:26,250 --> 00:22:26,550
There.
396
00:22:26,550 --> 00:22:27,630
Yes there.
397
00:22:27,630 --> 00:22:27,960
Yeah.
398
00:22:27,960 --> 00:22:29,430
So we put a little light on him.
399
00:22:30,650 --> 00:22:30,950
Sure.
400
00:22:33,440 --> 00:22:39,140
Maybe there's even a little blue on the
side here to make a shadow that easy.
401
00:22:39,800 --> 00:22:40,100
Okay.
402
00:22:40,170 --> 00:22:43,790
Then we can put some little grassy
things down here at his foot.
403
00:22:45,560 --> 00:22:46,700
Let's go over near the side.
404
00:22:47,025 --> 00:22:52,425
Do that over here too, as a nice way,
just wherever you think they should
405
00:22:52,425 --> 00:22:57,645
live, get carried away and cover up
all your little rocks and stones.
406
00:22:57,645 --> 00:23:00,705
So, so be careful, man.
407
00:23:00,705 --> 00:23:02,895
Then we'd go back into her liquid white.
408
00:23:04,439 --> 00:23:06,149
But it's in the little water line in here,
409
00:23:09,540 --> 00:23:10,290
just like, so
410
00:23:13,860 --> 00:23:16,320
it cleans up all the edges
brings it all together.
411
00:23:18,659 --> 00:23:21,600
If you don't have the clear, you could
certainly do this with liquid white.
412
00:23:21,720 --> 00:23:22,830
It'll look a little bit different.
413
00:23:22,830 --> 00:23:27,960
Cause your color won't be as transparent,
but it will certainly certainly work.
414
00:23:28,320 --> 00:23:30,510
Just scratching a few little
sticks and twigs here and there.
415
00:23:31,889 --> 00:23:37,530
Now then tell you what, let's
take these big old trees here.
416
00:23:39,360 --> 00:23:40,590
Just put the indication.
417
00:23:41,959 --> 00:23:43,250
I have some bark out here.
418
00:23:43,550 --> 00:23:45,139
Touch it, sort of pull it round.
419
00:23:46,550 --> 00:23:47,899
Give it a little round pull.
420
00:23:50,120 --> 00:23:54,560
Just like so that's so same,
same, same old mountain colors.
421
00:23:54,560 --> 00:23:57,980
I'm still using them here, here.
422
00:24:00,705 --> 00:24:01,095
There
423
00:24:07,565 --> 00:24:10,505
maybe a little bright color, right
in here with a light striking
424
00:24:14,015 --> 00:24:14,225
him.
425
00:24:14,225 --> 00:24:15,145
Let's go over to the other side.
426
00:24:16,295 --> 00:24:17,725
Don't want these little trees left out.
427
00:24:17,735 --> 00:24:19,175
We'll put a little color on them too.
428
00:24:20,235 --> 00:24:23,255
Now they'll stand out against those
dark, dark colors in the background.
429
00:24:25,095 --> 00:24:26,025
That's fantastic.
430
00:24:27,225 --> 00:24:30,975
I thought you'd like this and it, it
shows you that the, what you can do
431
00:24:31,065 --> 00:24:37,395
using the clear can take a little,
little thinner, or you could use the
432
00:24:37,395 --> 00:24:43,125
liquid clearly put some clear on the
brushing, but you want to thin this paint
433
00:24:43,125 --> 00:24:50,475
down and here and there let's just put
a little stick or a twig or whatever.
434
00:24:50,535 --> 00:24:51,105
There we go.
435
00:24:54,360 --> 00:24:54,720
Adam.
436
00:24:54,720 --> 00:24:58,020
Let's put some limbs out here,
but then I'm going to use,
437
00:24:59,110 --> 00:25:00,630
I'll use liquid black today.
438
00:25:01,890 --> 00:25:07,200
We'll take the black, I'll just
put a little on the pallet and
439
00:25:07,200 --> 00:25:12,030
that's come right in here and begin
drawing in a few little branches.
440
00:25:12,090 --> 00:25:14,670
Now this black is thin it'll flow.
441
00:25:15,240 --> 00:25:16,170
It's liquid black.
442
00:25:18,014 --> 00:25:18,615
Stay there.
443
00:25:21,405 --> 00:25:23,264
And just however many
you want on your tree.
444
00:25:27,965 --> 00:25:28,865
I hope you can see that hope.
445
00:25:28,865 --> 00:25:29,915
My hand is not in the way
446
00:25:33,215 --> 00:25:35,675
don't show much over that
dark, but we noted there.
447
00:25:36,815 --> 00:25:39,545
They had a little touch of light
to get them to pop right out.
448
00:25:41,225 --> 00:25:41,555
Okay.
449
00:25:41,555 --> 00:25:43,055
Back over here in our big old tree.
450
00:25:45,300 --> 00:25:53,760
Bake limit comes out through here,
like wherever you want them, where
451
00:25:53,760 --> 00:26:03,930
ever there comes another one back in
here, just a few indicate a few Madden.
452
00:26:06,525 --> 00:26:11,055
Kang let's take one, dip my brush into
it, a small amount of the clear, and I'm
453
00:26:11,055 --> 00:26:19,575
going to go right into yellow ochre, tamp
a little bit of the bright red, just tap.
454
00:26:19,575 --> 00:26:25,155
It can have one to put indication of
some little leaves out here, the camera
455
00:26:25,185 --> 00:26:29,025
all in front of the tree, just like so.
456
00:26:31,785 --> 00:26:36,014
See there, and you can just make
thousands of little leaves just with
457
00:26:36,014 --> 00:26:40,155
a corner of the big two inch brush and
you put them wherever you want them.
458
00:26:42,335 --> 00:26:46,175
That's super, maybe hope
you've enjoyed this one.
459
00:26:46,355 --> 00:26:47,615
Thank you for call it finished.
460
00:26:48,425 --> 00:26:52,264
See what you can do with the liquid clear
and from all of us here, happy painting.
461
00:26:52,655 --> 00:26:53,465
And God bless.
End .srt file.
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