Bob Ross's

The Joy of Painting

S12E13 - Winter Mountain

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Hi, I'm glad to see you again, not today.

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We just do a fantastic little winter

scene and I'll show you how you can do a

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very, very national scene quite easily.

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So let's have him run all the colors

across the screen that you need to paint

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along with me while they're doing that.

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Let's go on up here.

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We have our standard old canvas up.

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It's all prepared with a,

with a liquid white it's all

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slick and wet and ready to go.

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So let's, let's go to, I think

today I'll start out with a small

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touch of a lizard and Crimson.

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Just pull a little bit out,

tap the bristles firmly,

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firmly, firmly right there.

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And that, that assures a nice

even distribution of color all

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the way through the bristles.

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Good.

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Let's go on up here now.

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Sometimes when you do winter scenes,

they can, they can get so cold.

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Just that they're almost unpleasant.

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So I like to put a little tiny warm

spot in my winter scenes, and it's

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just a matter of personal preference.

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If you want it to look colder, just

leave out this little touch of Crimson

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because it's, this is your painting.

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If you do it the way you want it.

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If you want it to be very cold,

just leave out this one little

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bit right here and that'll do it.

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Okay.

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Little touch, more frightened there.

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Now we don't want to set this guy on fire.

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All we want to do is just put

a nice pinkish glow in the sky.

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Something like, so without even

cleaning the brush, I'm going to

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go right into a small amount of it.

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The little blue and the blue is

so much stronger than the Crimson.

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You don't even have to clean

your brush and just go right in

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there and just tap it same way.

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Okay.

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Now let's come right up in here.

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Just dance and a happy little sky.

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Just use a little crisscross

strokes, like so black.

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So.

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There we go and bring it

right down to the Crimson.

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Once again, the blue so much stronger.

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It'll absolutely eat your Crimson

up and kill it very lightly.

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We're going to have a little winter

scene today, so let's, let's just go

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ahead and put some blue down here.

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This is Linda being shadows in

our snow or for water or whatever.

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I don't know.

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Just sort of make that

decision when we get there.

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It's also a good way to clean off

the excess paint off your brush.

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Was already doing that?

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Well, here and there, we'll drop a

little Crimson into just a little, okay.

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Let's wash your brush.

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Let's grab the old brush,

shake off the excess

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and then just splatter everybody.

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All right.

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With a good clean, dry brush.

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I want to go right back up here.

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Where this pink and blue come together

and very gently, very lightly just using

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the little Chris cross her X strokes.

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I just want to blend it.

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So it's very smooth.

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So you can't tell her one color stops

and the next color starts just blended.

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They're starting to light area

and work toward the dark area.

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Okay.

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And that gives us a nice quick room sky.

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Alrighty.

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Let's do it.

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Let's do a fantastic mountain today.

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I'm going to start with some

midnight black we'll take some

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pressure and blue pressure blue,

a little Vandyke Brown in there.

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What the heck?

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Little Crimson, whatever.

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Looking for dark color should look black.

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Can you pull the paint out

as flat as you can get it?

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And then just take the

knife and cut across it.

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That little roll of paint

right on the edge of the knife.

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Okay, let's go right up in here.

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Maybe, maybe we'll have a

big mountain that lives.

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We appear this guy.

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What's a big son of a gun.

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But this will give you some

practice making mountains.

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And if you can make mountains,

you certainly certainly

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made friends with a knife.

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If you could make these mountains

and you can take the same effects

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that you learn, making these and

create just unbelievable things.

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Rocks, stones, roads, houses, uh,

entire paintings can be done with a

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knife once you make friends with it.

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So this is excellent.

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Excellent practice.

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There

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I lived in Alaska for a dozen years or so.

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I know I'm sort of crazy about mountains.

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There are a lot of fun to paint.

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Okay.

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After you have your basic outline on here,

take your knife in firmly tough with it.

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Scrape off all the excess paint.

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You, you can't get it all off.

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The value is in the fabric.

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Scrape off all that.

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You can get off though.

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And the more of that paint you get

off the easier the next step is.

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Okay.

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Now that we want to just this

removes even more paint and blends

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it out because the canvas is wet.

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The painful move on here,

just grab it and pull firmly.

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You're still trying to

remove excess paint.

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There we go firmly, pull it, pull

it, and then just blend it, blend it.

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And you can soften points and peaks.

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Okay.

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That gives us a very nice little

base to do fantastic mountain.

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Okay.

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I watched the old brush again.

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Shoot.

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That's the most fun of

this whole technique.

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It's just washing the brush.

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You can take out all your hostilities

and frustrations and anger and you

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can get all those bad feelings out.

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Just beating the brush.

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Okay.

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I won't just take titanium

white and once again, pull it

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out as flat as you can get it.

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Just a really good,

tough and go down here.

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Cut across and our little roll of paint,

always loading the knife the same way

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can just go right up here now, then you

have to make some big decisions here.

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Where's the light striking your

mountain touch and just let it

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flow right down the mountain.

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See you there.

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No pressure, no pressure.

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I know you get tired of hearing

me say that because I say it over

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and over, but it's most important.

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That's the number one problem that

people experience when they're

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trying to, to make this knife work

is they get too strong with it.

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Take a week.

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Bill fair, very gentle, very gentle.

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There we go give a

little pull right there.

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See, and you sort of just form your

mountain, decide where you want everything

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to live and put it in because you can

create all kinds of fantastic effects.

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Just let it flow right down the side.

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One thing is really worth mentioning here.

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Notice the angles.

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All these angles are basically the same

cause of lights coming across here.

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It's only going to hit on a given angle.

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So that's sort of a good rule of thumb is

keep all your angles, basically the same.

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They don't have to be exactly the

same, but basically the same, you know,

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here we go.

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Maybe this comes right on real quick.

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Here.

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We go.

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Little pressure though.

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That little little of paint is

actually all this touching the

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canvas, the knife blade probably isn't

probably is not even touching it.

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Except when you run out of paint,

maybe this one here comes right

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down like 10, wherever you want it.

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This is just straight titanium.

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White.

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You could add a little color to it.

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If you wanted to.

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It's up to you.

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Okay.

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Now we'll take quiet.

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Let's use a little pressure and

blue and white, a little pressure

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and blue, blue depression, blue.

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It's a very strong color,

extremely, extremely strong color.

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We careful with it.

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Okay.

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Now once again, Cut off our number roller

paint, just like, so now we can go back

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up in here and begin making big decisions.

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Is this peak behind that one?

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If it is, do this one first, touch it.

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Just give it a little pull.

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Okay.

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The next one that it just gently flow.

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No pressure, no pressure right

over it and see that easy.

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It pushes that one back.

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Push this out one by the

tremendous power you have.

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No pressure.

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We just bring these together right

here, Jess, or let them flow together.

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Okay.

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Right in here.

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We'll have some shadow

basically for every highlight.

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You need a shadow.

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There we go.

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Just drop them in, drop them.

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Yeah.

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Okay, maybe right in here.

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There's another one wherever.

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And you can just sort of work back

and forth with your collar here.

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Now you can firm up those edges.

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Maybe this one comes out here,

started coming around here.

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It is.

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I can do unbelievable

things behind this one.

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Once again, we need a little

shadow, little shadow.

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He lives right out here.

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Maybe the shadow comes here.

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It is just it's unreal.

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I get painted a million mountains

and every time I painted her,

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when I get excited about it, cause

it's just unbelievable watching.

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I tried here.

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Maybe there it is.

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Maybe there's a peak lives in there.

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Just putting me out.

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So he didn't look like too much right now.

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Watch what happens when you give

him his own private little shadow.

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Once you give him a shadow,

then he becomes an individual

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just pops right out there.

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That's bringing him right on him.

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So.

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At that fantastic.

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What you can do and you can,

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can maybe watch here.

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I just play some games today with

mountain peaks anywhere you want to show

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a little peak, a little highlight and

come back and drop in a little shadow.

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There we go, here we go.

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And you can put as many or as

few as you want in your mountain.

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So again, if I don't want you to have

to cover up his whole canvas with just

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layer after layer of mountain, which is

all right, it's a super way to learn.

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Anytime that you learn, you're not losing

because of here's a secret to this style

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of painting or any style of painting.

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It's practice.

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That's all practice.

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I'm just tapping the base here

to create the illusion of mist.

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Okay.

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But follow the angles of those angles

most, most important, most important.

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Like, so

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there we go.

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See, you can make it so soft and here

you can just sort of bring it together.

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Try to keep my arm out of your way.

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There.

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Just bring it together.

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Soft your doll out.

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Well, you've got one son of a gun on my

mountain there now then get us a mountain.

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Okay.

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Let's begin working forward in our

scene and see what we can make.

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We can use that same old mountain color.

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Let's see what we got here into that.

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And I may add some white

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maybe a little more white.

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Here looking for a blue, gray color.

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Like, so yeah, that's pretty nice color.

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Okay.

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Let me clean the knife off and let

me, yeah, we use the old fan brush.

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Let's just go right through here with

a fan brush load, both sides of it.

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Nope.

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Just like, so just like, so, okay.

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Now maybe back in here, lifts,

all kinds of little trees.

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All I'm doing is tapping downward.

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Just tap down under the fan brush.

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Would say there, it makes the

indication of just a little

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trees, just an indication.

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We're not looking for a lot of

detail because it's too far away

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from, we get into the foreground.

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Then we will begin

worrying about the detail.

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But back here, back here,

all you see are basic shapes,

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Janice basic shapes, and maybe.

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I don't wherever this is the easiest

way I've ever seen him, making a lot of

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little trees very quickly, very quickly.

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You can paint a whole forest and

maybe a few of them here and there.

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Maybe you can make out a little detail

on just like, so maybe there's another

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one here wherever you want them.

260

00:14:18,719 --> 00:14:19,469

Wherever.

261

00:14:21,209 --> 00:14:26,969

Maybe even in here, there is

another just drop you, man.

262

00:14:29,099 --> 00:14:31,530

Maybe this one here we say you

can make his center again and

263

00:14:31,530 --> 00:14:32,969

just grow right before your eyes.

264

00:14:39,350 --> 00:14:45,000

We just drop in a little color down here

at the base, same color, same cover.

265

00:14:45,540 --> 00:14:46,560

Take our two inch brush.

266

00:14:47,310 --> 00:14:48,270

Maybe we'll have some water.

267

00:14:50,130 --> 00:14:55,080

So all we do is fold straight down, just

grab that cover, hold it straight down.

268

00:14:55,110 --> 00:14:57,240

And it creates instant reflection.

269

00:14:59,235 --> 00:15:07,785

Instant reflections, go across now,

then take another fan brush and with

270

00:15:07,785 --> 00:15:11,385

just a little bit of white on it, I'm

just going to touch here and pull up.

271

00:15:11,715 --> 00:15:14,235

It makes it make sort of an

indication like his little trunks.

272

00:15:14,235 --> 00:15:15,405

We back hidden there.

273

00:15:16,425 --> 00:15:16,785

Touch it.

274

00:15:16,815 --> 00:15:17,715

Just post, straight up.

275

00:15:18,885 --> 00:15:18,975

Okay.

276

00:15:22,155 --> 00:15:23,655

Just touch it and pull it up.

277

00:15:23,655 --> 00:15:26,625

So if you get a little too much, just

keep working it and the color of a

278

00:15:26,625 --> 00:15:28,155

lead up that white they'll go away.

279

00:15:29,235 --> 00:15:30,165

Just go right away.

280

00:15:30,645 --> 00:15:31,845

Maybe right there.

281

00:15:33,525 --> 00:15:34,064

There we go.

282

00:15:36,695 --> 00:15:37,745

Wash off the old brush.

283

00:15:38,465 --> 00:15:38,555

Okay.

284

00:15:41,350 --> 00:15:45,750

Grab the knife touch a little bit

of the liquid white, pull it out

285

00:15:45,750 --> 00:15:50,280

very flat, just as flat as you can

get it and sorta sort of cut across.

286

00:15:51,120 --> 00:15:54,900

Let's go up in here and just begin.

287

00:15:55,590 --> 00:15:57,030

Cutting it a little waterline

288

00:16:00,240 --> 00:16:00,540

there.

289

00:16:02,455 --> 00:16:03,565

There you go see there's

290

00:16:07,255 --> 00:16:09,175

all kinds of little

things happening there.

291

00:16:14,939 --> 00:16:19,729

There as many or as few as you

want, it's up to you to you.

292

00:16:21,780 --> 00:16:22,290

Okay.

293

00:16:24,660 --> 00:16:25,709

Tell you what miss do.

294

00:16:27,810 --> 00:16:29,160

Grab the old fan brush again.

295

00:16:30,359 --> 00:16:31,589

I think it's time to have some fun.

296

00:16:34,275 --> 00:16:35,235

I think we'll have some fun.

297

00:16:35,265 --> 00:16:36,555

Let me clean off a spot here.

298

00:16:36,885 --> 00:16:37,055

Okay.

299

00:16:37,094 --> 00:16:41,745

Too many things going on this one pallet

that's one thing you already mentioned.

300

00:16:42,285 --> 00:16:45,105

Uh, I have people write and say

they, they went out and got a

301

00:16:45,105 --> 00:16:47,834

pellet and it's not like mine.

302

00:16:48,495 --> 00:16:51,495

It's it's real clear.

303

00:16:51,615 --> 00:16:55,755

My palette normally is crystal

clear, crystal clear, but for

304

00:16:55,755 --> 00:16:59,594

television, they make me, they

made me take sandpaper and sand it.

305

00:16:59,594 --> 00:17:01,265

So it's not sharing any, if it was Sharon.

306

00:17:01,525 --> 00:17:03,055

All the lights would reflect off of it.

307

00:17:03,055 --> 00:17:05,905

You would get big flares on

your television, but it's

308

00:17:05,905 --> 00:17:06,895

just like your palette.

309

00:17:07,704 --> 00:17:10,704

Even the, the furrows

on the brush are taped.

310

00:17:12,055 --> 00:17:13,015

So they don't shine.

311

00:17:14,005 --> 00:17:15,865

I'm just mixing up all

the dark colors here.

312

00:17:19,919 --> 00:17:24,050

Okay, tell you what let's do.

313

00:17:24,050 --> 00:17:25,669

Let's use the old one inch brush today.

314

00:17:27,149 --> 00:17:29,030

Could do it with a fan

brush of the two inch brush.

315

00:17:29,090 --> 00:17:31,040

Let's do the one inch mix.

316

00:17:31,100 --> 00:17:32,870

I'll make some happy

little evergreen trees.

317

00:17:33,439 --> 00:17:36,020

Pull the brush through the paint

and wiggle it as you pull it.

318

00:17:36,980 --> 00:17:37,790

Wiggle, wiggle, wiggle.

319

00:17:38,389 --> 00:17:43,189

And then sharpen it and that'll bring

it brush to a super sharp chisel edge.

320

00:17:43,189 --> 00:17:45,230

Look at her sharp.

321

00:17:45,850 --> 00:17:46,990

And it takes a lot of paint.

322

00:17:47,320 --> 00:17:49,360

If you don't have a lot of

pain on the bristles, they're

323

00:17:49,360 --> 00:17:50,230

not going to stick together.

324

00:17:50,230 --> 00:17:53,740

That's the only thing that holds these

bristles together is a lot of paint.

325

00:17:54,320 --> 00:17:55,250

Maybe right there.

326

00:17:56,149 --> 00:17:57,260

See how sharp it is though.

327

00:17:57,679 --> 00:17:59,270

You could literally make a line with it.

328

00:18:00,620 --> 00:18:05,090

Let's take the corner of the brush

and let's just make, let's just

329

00:18:05,090 --> 00:18:07,520

make us a happy little evergreen

tree that lives right there.

330

00:18:08,240 --> 00:18:10,340

Tap downward using the

corner of the brush.

331

00:18:10,340 --> 00:18:14,510

As you worked down the tree, you

can use more and more pressure.

332

00:18:14,540 --> 00:18:17,360

So you're using how the

larger portion of the brush.

333

00:18:17,899 --> 00:18:17,990

Okay.

334

00:18:18,505 --> 00:18:21,145

But you start with one corner

and you use that same corner

335

00:18:21,175 --> 00:18:22,345

all the way through the tree.

336

00:18:23,395 --> 00:18:25,465

Just sort of work back

and forth, back and forth,

337

00:18:29,155 --> 00:18:29,545

maybe.

338

00:18:29,635 --> 00:18:29,875

Yep.

339

00:18:30,325 --> 00:18:30,955

You're right.

340

00:18:32,100 --> 00:18:34,919

You knew there was a

tree there, there he is.

341

00:18:37,620 --> 00:18:40,770

And just let him grow right out

of the brush they live in there.

342

00:18:40,770 --> 00:18:45,510

You have to sort of scare them out

sometime, but they're there T maybe.

343

00:18:46,639 --> 00:18:47,870

Let's have a whole forest today.

344

00:18:48,290 --> 00:18:51,590

Give you a lot of good practice,

making some nice trees.

345

00:18:54,169 --> 00:18:54,620

There.

346

00:18:56,830 --> 00:18:57,620

There is another one.

347

00:18:58,280 --> 00:19:01,700

Maybe he comes red on

down wherever you want it.

348

00:19:05,629 --> 00:19:07,220

So you can just make him Rascals grow.

349

00:19:10,050 --> 00:19:11,550

They're more paint.

350

00:19:12,120 --> 00:19:14,790

And normally I reload the brush

after each and every tree.

351

00:19:16,170 --> 00:19:16,500

Okay.

352

00:19:16,620 --> 00:19:19,020

Let's go over here on the

other side, maybe shoot.

353

00:19:19,020 --> 00:19:20,040

I take let's get crazy.

354

00:19:20,730 --> 00:19:21,030

Yup.

355

00:19:21,450 --> 00:19:22,470

Maybe there's a big tree.

356

00:19:24,150 --> 00:19:26,370

Maybe he lives right there.

357

00:19:28,500 --> 00:19:31,980

He goes clean off the canvas,

that he has a big sign of a guy.

358

00:19:34,050 --> 00:19:35,879

He probably picks on

these little ones here

359

00:19:38,909 --> 00:19:39,840

it over the mountain.

360

00:19:39,929 --> 00:19:42,480

Oh, it hurts.

361

00:19:42,689 --> 00:19:46,770

After you spend so much time making a

beautiful mountain and put a tree over it.

362

00:19:49,795 --> 00:19:59,305

Genuineness there down, down,

down, it's doing tapping there.

363

00:20:01,315 --> 00:20:02,065

I said big tree.

364

00:20:02,065 --> 00:20:02,635

I wouldn't kid.

365

00:20:02,725 --> 00:20:06,325

And we'll come back and we'll put

some highlights on these trees

366

00:20:07,375 --> 00:20:10,075

we're doing here is just this

painting the back of the tree.

367

00:20:12,715 --> 00:20:14,335

I tell you what, maybe

there's two big trees.

368

00:20:15,600 --> 00:20:20,580

And in your painting, you put as many

or as few trees as you want, because

369

00:20:20,580 --> 00:20:24,720

we each see nature through different

eyes, painted the way you see it,

370

00:20:26,190 --> 00:20:30,870

paint it the way that makes you

happy painting should make you happy.

371

00:20:30,970 --> 00:20:31,830

Should set you free.

372

00:20:32,860 --> 00:20:33,840

Has no boundaries.

373

00:20:34,084 --> 00:20:34,745

You can go anywhere.

374

00:20:34,745 --> 00:20:37,294

You want to go in a painting and

do anything that you want to do

375

00:20:38,915 --> 00:20:44,855

can make any kind of world that

you want can create your vision.

376

00:20:46,445 --> 00:20:48,814

And that's, that's really, that's.

377

00:20:48,814 --> 00:20:50,975

The joy of painting is

the fact that you can.

378

00:20:52,845 --> 00:20:58,965

You can create, it gives you

freedom, gives you freedom, and we're

379

00:20:58,965 --> 00:21:00,255

all looking for a touch of that.

380

00:21:02,445 --> 00:21:02,835

They're

381

00:21:07,005 --> 00:21:08,925

turning this whole painting into a forest.

382

00:21:09,930 --> 00:21:10,740

That's all right though.

383

00:21:12,630 --> 00:21:14,940

At least we're getting some

good practice making trees.

384

00:21:15,500 --> 00:21:16,250

There's another one.

385

00:21:18,530 --> 00:21:19,430

That's right there.

386

00:21:21,770 --> 00:21:22,970

You have to finish this painting.

387

00:21:23,060 --> 00:21:26,540

He won't ever again and have

problems making evergreen trees.

388

00:21:28,820 --> 00:21:29,510

There we go.

389

00:21:30,080 --> 00:21:33,320

Now, normally when I'm doing winter

scenes, I don't use any green in my

390

00:21:33,320 --> 00:21:38,150

evergreen trees, mainly because if

you're, if you're having snow below

391

00:21:38,150 --> 00:21:43,820

those trees, if you ever pull a little

bit of the, of the green into your

392

00:21:43,820 --> 00:21:45,320

snow, it just, it doesn't look right.

393

00:21:46,100 --> 00:21:48,680

Green snow is just, that's

worse than the yellow snow.

394

00:21:50,274 --> 00:21:55,885

So I normally just use these dark

colors with a blue base, and then

395

00:21:55,885 --> 00:21:57,745

you can intentionally I'll show you.

396

00:21:57,745 --> 00:21:59,004

I will put some snow in this shoe.

397

00:21:59,334 --> 00:21:59,605

Why not?

398

00:21:59,784 --> 00:22:00,115

Why not?

399

00:22:02,064 --> 00:22:02,425

All right.

400

00:22:04,915 --> 00:22:06,465

I'll take, let me grab

the old fan brush here.

401

00:22:06,514 --> 00:22:09,685

I'll do, let's do one with a fan brushing.

402

00:22:09,685 --> 00:22:13,314

See how maybe there's one

that lives right here.

403

00:22:13,824 --> 00:22:13,915

Okay.

404

00:22:14,030 --> 00:22:14,570

Right here.

405

00:22:15,830 --> 00:22:19,460

We'll show his whole trunk just

by tapping all the way down.

406

00:22:19,490 --> 00:22:23,450

There's this barrier, this

little arm, maybe this tree,

407

00:22:24,020 --> 00:22:25,100

maybe he's not doing too good.

408

00:22:25,100 --> 00:22:29,300

Maybe he's a little sick, sick.

409

00:22:31,310 --> 00:22:35,120

See, he just has some little Liam's

living here and there, but you can see

410

00:22:35,120 --> 00:22:41,330

a lot of his trunk, poor tree there.

411

00:22:44,070 --> 00:22:47,010

Something like, so now then

412

00:22:50,420 --> 00:22:51,980

let's just go right into titanium wine.

413

00:22:52,130 --> 00:22:53,030

Let's do some snow.

414

00:22:53,510 --> 00:22:55,040

We don't, we don't need all that water.

415

00:22:55,910 --> 00:22:57,380

Just, I use the big brush here.

416

00:22:57,740 --> 00:22:58,520

Let's go right up here.

417

00:22:59,150 --> 00:23:00,770

Decide where you want your snow to start.

418

00:23:01,400 --> 00:23:05,120

Grab it and just pull, be brave.

419

00:23:05,700 --> 00:23:09,420

Grab some of that dark color,

I can pull it and you have to

420

00:23:09,420 --> 00:23:11,700

begin forming the land here.

421

00:23:13,040 --> 00:23:16,230

See, I want to grab that dark and it

makes nice shadows underneath the trees

422

00:23:17,550 --> 00:23:20,940

back there, and then just play some

of this white right over the top of

423

00:23:20,940 --> 00:23:27,990

it, but see how easy it is to make all

kinds of fantastic little snowy areas.

424

00:23:29,250 --> 00:23:30,090

It's smooth.

425

00:23:30,120 --> 00:23:30,990

It's very smooth.

426

00:23:32,790 --> 00:23:34,680

This is Virgin snow here.

427

00:23:34,710 --> 00:23:35,790

Nobody's walking a chair.

428

00:23:37,860 --> 00:23:38,790

Nice and smooth.

429

00:23:42,270 --> 00:23:42,720

Sit there.

430

00:23:43,710 --> 00:23:46,860

Not a super nice way to

make a little snowy area.

431

00:23:48,720 --> 00:23:51,240

Maybe, maybe somebody

wants to walk down here.

432

00:23:51,420 --> 00:23:52,710

So let's make them a little path.

433

00:23:53,550 --> 00:23:55,920

I we'll take white, a little touch.

434

00:23:55,920 --> 00:23:56,700

If they look blue.

435

00:23:58,080 --> 00:24:03,090

White just on the fan brush,

something like, so, okay.

436

00:24:03,510 --> 00:24:06,060

Now decide where do you want to walk here?

437

00:24:06,060 --> 00:24:13,139

Maybe there's a little path comes

right down, just sort of back and

438

00:24:13,139 --> 00:24:16,409

forth here and let it gets bigger

and bigger as it gets towards you.

439

00:24:17,320 --> 00:24:19,030

As it comes towards you,

then you get larger.

440

00:24:21,100 --> 00:24:22,000

Where does this go?

441

00:24:22,780 --> 00:24:27,430

Maybe right on over here there.

442

00:24:28,090 --> 00:24:33,220

And you could make it as distinct or

as soft as you want it to your path.

443

00:24:33,460 --> 00:24:39,010

You do with it as you please take a

little, little white here, watch it.

444

00:24:39,010 --> 00:24:40,270

Maybe I want to bring out a little.

445

00:24:42,090 --> 00:24:43,399

Little projection right there.

446

00:24:43,669 --> 00:24:44,899

Bring it right into the path.

447

00:24:51,520 --> 00:24:56,199

can you tell you what I'm going to get a

one inch brush here and we'll dip it right

448

00:24:56,199 --> 00:25:01,510

into a little touch of a liquid Hornet and

go right into titanium white, pull it in

449

00:25:01,510 --> 00:25:04,060

one direction, load a lot of pain into it.

450

00:25:04,419 --> 00:25:05,169

Let's go right up here.

451

00:25:05,889 --> 00:25:08,560

Maybe there's some little

snow covered bushes.

452

00:25:09,305 --> 00:25:10,895

That live right up against these trees.

453

00:25:10,925 --> 00:25:11,545

Just touch it.

454

00:25:11,545 --> 00:25:13,235

Give the brush a little upward push.

455

00:25:14,105 --> 00:25:15,245

Do you need it against that dark?

456

00:25:15,245 --> 00:25:18,335

So it shows up if you put it

against just white snow, you're

457

00:25:18,335 --> 00:25:19,355

not going to get anything.

458

00:25:20,615 --> 00:25:20,915

Okay.

459

00:25:20,945 --> 00:25:23,105

Maybe there's another one right there.

460

00:25:23,715 --> 00:25:24,875

Little frosty bushes.

461

00:25:25,745 --> 00:25:26,285

So easy.

462

00:25:26,285 --> 00:25:29,735

Those are to make their beautiful

little sun again, should look like

463

00:25:29,735 --> 00:25:32,645

a lace, but just like the place.

464

00:25:34,620 --> 00:25:37,650

We don't want this ad to be left out

and let's put one or two over here.

465

00:25:38,820 --> 00:25:40,380

There's one lives right out there.

466

00:25:42,570 --> 00:25:44,850

You know, this is, uh,

this is the last show.

467

00:25:45,585 --> 00:25:47,235

Of the 12th series.

468

00:25:49,095 --> 00:25:53,025

It's always sort of sad to come to the

last show and I'm going to miss you for

469

00:25:53,025 --> 00:25:56,535

a few days, and we have another series

already under production where you've

470

00:25:56,535 --> 00:25:57,675

already started doing another one.

471

00:25:58,335 --> 00:26:01,185

So if you'll have us back, I'll be back.

472

00:26:03,015 --> 00:26:07,425

As I mentioned earlier, there's

now over 150 joy painting shows.

473

00:26:08,565 --> 00:26:09,915

And if you hadn't got to see them all.

474

00:26:10,365 --> 00:26:12,824

Give you local station to call,

tell him you'd like to see them

475

00:26:13,725 --> 00:26:14,685

and they're available to them.

476

00:26:16,890 --> 00:26:20,040

And I'd like to thank you for once

again, allowing me into your home.

477

00:26:21,510 --> 00:26:26,850

I've had so many super, super friends

I've made and I appreciate it.

478

00:26:27,570 --> 00:26:28,800

I really truly appreciate it.

479

00:26:28,800 --> 00:26:31,410

We'll play a little blue

and white on the fan brush.

480

00:26:31,920 --> 00:26:34,950

I just want to come along in here and

here and there, but the indication

481

00:26:34,950 --> 00:26:36,390

of a little highlight on these.

482

00:26:37,855 --> 00:26:38,845

Just here and there.

483

00:26:38,885 --> 00:26:39,534

Not too much.

484

00:26:39,595 --> 00:26:44,485

Don't want to lose the

contrast, like, so, okay.

485

00:26:45,315 --> 00:26:49,215

And with that, I think this

painting is finished once again.

486

00:26:49,304 --> 00:26:53,264

Thank you for allowing me to be

into your home and until next time.

487

00:26:53,715 --> 00:26:53,804

Okay.

488

00:26:53,995 --> 00:26:55,735

Keep the old brush work

and happy painting.

489

00:26:56,065 --> 00:26:56,875

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S12E13 - Winter Mountain

Bob Ross's

The Joy of Painting

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