Bob Ross's

The Joy of Painting

S14E06 - Graceful Mountains

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Hi, welcome back.

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Glad you could join me again today.

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Tell you what then run all

the colors across the screen.

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And then we'll go on up here and

do a fantastic little painting.

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And I've got my standard

old 18 by 24 inch canvas.

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Up here is covered with liquid white.

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It's all slick and ready to go.

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So let's go today.

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I thought we'd do a little scene.

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Maybe that has some.

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Great big mountains.

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And I get a lot of letters saying I'm

still having problems, do it in mountain.

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So let's, let's work on

some mountains today.

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Right now.

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Take your step by step

through that procedure.

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And I think it'll make mountain

painting a little easier.

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Let's start out today with a small amount

of fellow blue, very, very small amount.

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And we'll reach right over here and

pick up some of the midnight black.

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So we got the little blue and

midnight, black, black, and blue,

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blue, and black, like in blue.

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That's the way I look when I.

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Talk back to my wife.

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There we go.

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All right, let's go right up here

using little crisscross strokes.

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Let's just lay in a quick little sky.

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Just, just let the brush just sort of

dance and play and have fun, like, so

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can you get a little

touch, more of a color?

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And all we're doing is making

little exes and leave some holes

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open here and there in your sky.

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When we blend that out, that'll come out.

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It almost looks like clouds up here

and you've done almost nothing there.

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Now, the more overcast you want your

sky to be the more black you add to

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it, that'll bring it down and gray it

and it'll make it look very overcast.

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I mean, looking sky here we are.

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Okay.

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While we have that brush dirty, take

some of the same color, this blue.

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Black, just tap a little into

the bristles blue and black.

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And let's just go right down here.

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We'll have a little water

maybe coming right there, right

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there, pull from the outside.

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And that way you have these

nice feathered edges here that

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are very, very easy to blend.

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If you, if you start here and go over.

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It's very difficult to

blend out those edges.

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This is a lazy person's way of painting.

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We want it to be as easy as

possible for you now then

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let me wash my brush,

give it a good scrub.

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Shake off the excess.

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Now I, to warn you, if you do that in

your living room, the same way I do here,

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you're going to redecorate the whole room.

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In one heartbeat.

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So just to get your brush

beader rack, it's a little rack.

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It goes down on the bottom of a wastepaper

basket to shake the brush inside of

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the basket and beat it on the rack.

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And it, it saves your happy home.

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That's no joke.

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Now that with just a clean, dry

brush, I'm going to begin blending

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the sky and you can blend it until

it's very smooth and very subdued.

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I wanted to keep some of

these light spots in it.

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I don't want to kill all of them.

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But in your painting, you blend

it to whatever degree of lightness

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or darkness that you want.

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Painting is a very individual,

there's many different ways

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to paint as are painters.

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So the big thing is, is that

you do what makes you happy

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if it works, then it's right.

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There we go.

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See that little light spot still remains

in there, even though we've been.

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Gently going across it.

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Right.

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Let's have some fun today.

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We're going to do some mountains.

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Let's do some very

simple little mountains.

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We'll take some.

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Prussian blue and the midnight black.

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And to that, I'm going to

add a little bit of white.

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So we got blue, black, and white

oppression, blue midnight, black

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titanium, white, pull it out in

very flat, get tough with it.

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Go straight down and cut across.

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So we have that little roll of paint,

right on the edge of the knife.

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They have to make your

first major decision.

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Let's go right up in here.

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Use a lot of pressure.

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Push.

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Push very firmly and just begin creating

some basic shapes for your mountain there.

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And you make your mountains.

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You make mountains.

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That you like, you make

the shapes that you want.

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The only thing that I would recommend

is be careful not to make them just

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all look like little ice cream cones.

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Somebody in a class one time told

me it looked like wigwam village.

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So that can happen without you even

realizing it when you first start.

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So all you're worried about right now

is the basic shape of your mountain.

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You could really care less

what's happening anywhere else.

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Take the larger brush,

pull that downward there.

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I had a little hair that dropped out.

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Just take a corny of

brush and lift them off.

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Okay.

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Now then I want this mountain.

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I'm going to put a couple of mountains.

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I think in this painting,

I want this first one here.

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We want it to be far away.

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So I want you to take titanium white.

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I don't want this one to be very bright

and I'm gonna take a little touch of

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the mountain color and put into it.

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I want to dull that white down there.

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Okay.

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Pull it out flat once

again, really get tough.

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Hard as you can do it that this

knife has a straight edge on it.

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So you go straight down, just

touch and pull all there is to it.

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Get that little room of pain.

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I want very, very little

color back in here.

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Just the least little indication.

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And even that I'm going to blend it and

diffuse it until most of it goes away.

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See that this is too far away.

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Don't want a lot of detail in it.

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If it has a lot of detail, it'll ruin

that illusion of distance and painting

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is nothing more than games of illusion.

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There is like the magician,

just like the magician.

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I'm going to take a little bit of the

mountain color and just very gently.

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I want a dark edge here.

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Just put a little dark here and there.

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I'm not even going to really put

any big shadow colors in there.

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Just a little dark here and there.

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And that helps create

that illusion once again,

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who was it?

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I think Houdini once said there's no

trick to taking the rabbit out of the hat.

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The trick is getting him in

there in the first place.

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So same thing here, we're

just working with illusions.

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There we go.

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That gives you the impression of a lot

of things happening and you've done

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very, very little now with a good clean

dry brush, should be sure it's dry.

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Very gently.

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Just tap.

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All we're doing is just tapping.

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And follow the ankles

that you put in there.

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If slightly upward, lightly,

say there, just let it blend

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right into nothing mountains.

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We'd back here.

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It's just sort of floating there.

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Okay.

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That's a very, very nice soft

mountain that you've done it.

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Okay.

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And then let's put another one.

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That's closer to us.

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Bigger, stronger, or that

clean the knife here.

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We'll take black impression.

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Blue.

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We'll just use black and blue day.

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What the heck?

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Pull it out flat.

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Once again.

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Cut off our little roll of paint.

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Now I have to make another big decision

or does your big mountain lift?

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Maybe at the lips we appear and you

just make a decision and firmly, firmly

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pushed this paint right into the fabric.

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Let's get tough with it.

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I see this color, this base card is

darker than the base color you use

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back on that mountain back here.

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So that helps create the

illusion that it's in the front.

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Okay.

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And we don't know where it goes

over here, scrape off all the

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excess paint, scrape firmly.

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I think you can probably hear that really

get in there and scrape it, scrape it.

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You can't get all that color

off the canvas if you want to.

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It's in the fabric now, but you can

move it because a of canvases wet, you

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can pull it and it helps create that

illusion of missed out the base that easy.

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Alrighty, here we go.

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All right.

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We can wash your brush.

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That's the fun part of this.

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Shake it off.

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There we go.

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Okay.

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Let's put some highlights on this

one for this one or this one.

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I'm going to use just

straight titanium, white.

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So you can really see it,

pull it out flat once again.

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Cut off that little roll of paint.

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It's right on the edge of the knife.

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Yeah, no pressure.

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Let it float soon.

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Make a little noise, but float,

just float right down the side

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of the mountain, but no pressure.

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If you apply pressure, it's going to look

just like you're icing a cake and I don't

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think you're going to be happy with it.

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I want that paint a break.

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So it has all these little things

in there automatically, and it just

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make the big decisions where you

think things are live, drop them in

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easy.

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You have unlimited power

on this piece of canvas.

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Just it's phenomenal.

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What you can do.

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Absolutely phenomenal.

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But the first step is to

believe that you can do it.

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It's just, they go blue and

white little roll of paint.

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Once again, the hair would come

right along here, touch it flow.

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Maybe we'll take this one and come

right directly through push that first

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one right back into the background.

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Now we can get this big one,

bring it directly through.

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So he had creates the illusion of

different planes in that mountain.

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Over here.

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There is one create a little Valley in

there, a little place for the mountain.

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Go to go and hide.

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He's got to have a little secret place.

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He's just like us, everybody needs

a little secret place to hide there.

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Maybe this one doctor there comes right

over and like, yeah, we don't know.

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Here and there, maybe there's

a little Ridge, but you see

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the angles are very important.

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Mountains are just geometric shapes.

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They're just their angles.

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Just play with them.

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Have fun.

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Say here, we can bring it right on up.

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Like maybe bring these right together.

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There's no end to this.

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You can get anything there.

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Just see it in your mind and then

put it right here on the canvas.

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Watch here, watch here.

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See this one's we back rehab there.

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You can see it.

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See it.

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We back look at the power.

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You have watch here, watch here, grab it.

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And we're going to pull it

right into the foreground.

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You know, you could move

mountains that easy.

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You can do anything here.

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Okay.

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And we need a shadow right there

that has to have a shadow, or he

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won't play with us a little shadow

in there and wherever you want them.

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See, they're very gentle touch though.

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Okay.

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Golly.

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We've got a mess of mountains going here.

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Now.

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I want to create the

illusion of myths down here.

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So once again, take a

good clean dry brush.

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Two inch brush.

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I begin tapping and lifting very lightly.

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Very, very lightly.

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Tap this, just this just diffuses.

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We don't want to destroy.

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We want to diffuse.

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There we go.

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All righty, just laying

in the mist down there.

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And over here, we'll go in this direction

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where we've done some fantastic mountains.

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And if you.

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If you've painted these with me,

if you've been painting them all by

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now, you should be really, really

having control over the mountains.

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I say, I get a lot of letters from people

saying they're having some problems.

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Let's take some black and blue

and get some vendors like Brown,

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little, little lizard Crimson too.

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What the heck?

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What the heck?

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I'm going to take a little

white be right back here.

256

00:13:46,560 --> 00:13:48,930

Pull a little bit of that color

out and put a little white with it.

257

00:13:48,940 --> 00:13:50,010

So it's a little bit lighter.

258

00:13:50,730 --> 00:13:50,970

Okay.

259

00:13:50,990 --> 00:13:57,030

Let me claim a knife, grab a one inch

brush here and go right into that.

260

00:13:58,170 --> 00:13:59,820

Just take the one inch

brush and go into it.

261

00:14:00,150 --> 00:14:01,770

Let's make some little

foothills back here.

262

00:14:02,340 --> 00:14:02,430

Okay.

263

00:14:03,450 --> 00:14:05,520

We've spent so much time

working on mountains.

264

00:14:06,570 --> 00:14:09,180

Let's just real quickly here

throw in something else.

265

00:14:09,180 --> 00:14:13,530

So we have a nice finished painting,

but when you're practicing at

266

00:14:13,530 --> 00:14:16,170

home, just make layer after layer.

267

00:14:16,170 --> 00:14:20,310

After layer of mountains, the

important thing is not ending

268

00:14:20,700 --> 00:14:21,600

with a finished painting.

269

00:14:21,630 --> 00:14:26,340

It's learning how to do mountains or

whatever it is that you want to learn.

270

00:14:27,570 --> 00:14:31,140

And when you're painting at home,

Look at look at each painting.

271

00:14:31,980 --> 00:14:34,079

Each painting is a learning experience.

272

00:14:34,350 --> 00:14:34,890

Look at it.

273

00:14:35,340 --> 00:14:36,890

It'll have super good things in it.

274

00:14:36,920 --> 00:14:40,050

Maybe it'll have some things in there,

a little weak, those things that are a

275

00:14:40,050 --> 00:14:43,290

little weak spend some time practicing.

276

00:14:43,290 --> 00:14:45,810

Those don't get upset with them.

277

00:14:46,829 --> 00:14:47,880

Don't get upset with them.

278

00:14:48,630 --> 00:14:51,480

So I think I used to tell my

students all the time, which I

279

00:14:51,480 --> 00:14:53,460

sincerely believe with all my heart.

280

00:14:55,140 --> 00:14:57,240

If you ever in your whole painting career.

281

00:14:57,735 --> 00:14:59,805

Do a painting that you're

totally satisfied with.

282

00:15:00,615 --> 00:15:03,525

You might as well stop your painting

careers, or you have nowhere else to go.

283

00:15:04,665 --> 00:15:08,295

The fact that you're dissatisfied with

your painting when it's done and you can

284

00:15:08,295 --> 00:15:11,025

see room for improvement is a blessing.

285

00:15:11,564 --> 00:15:12,045

Cherish.

286

00:15:12,045 --> 00:15:14,895

It, cherish it.

287

00:15:15,255 --> 00:15:20,745

I love people who are plagued

with dissatisfaction, the most

288

00:15:20,745 --> 00:15:22,395

fantastic thing you can own.

289

00:15:23,760 --> 00:15:27,120

If you're satisfied with everything

you do, then you don't try anymore.

290

00:15:28,860 --> 00:15:31,770

I hope you're always plagued with

dissatisfaction in your painting.

291

00:15:32,750 --> 00:15:33,110

Yeah.

292

00:15:36,290 --> 00:15:41,720

Cause if you, if you are, you're lucky

I have yet to do a painting that I'm

293

00:15:41,720 --> 00:15:45,290

satisfied with, but one day I'm going to.

294

00:15:46,890 --> 00:15:51,090

The next painting may be that I

have used the same color here.

295

00:15:51,120 --> 00:15:51,840

Only darker.

296

00:15:52,260 --> 00:15:54,420

I want to put some little footy

Hills that are closer to me.

297

00:15:55,170 --> 00:15:57,630

Same exact color on the darker.

298

00:15:58,905 --> 00:16:01,155

This did not have the titanium white and

299

00:16:04,155 --> 00:16:05,535

use the same old dirty brush.

300

00:16:05,834 --> 00:16:10,214

And I'm going to cap the base of it to

create that nice little Misty effect

301

00:16:17,234 --> 00:16:18,224

while I have that color.

302

00:16:19,140 --> 00:16:20,189

I'm going to have water here.

303

00:16:20,819 --> 00:16:25,329

Someone will just tap a little bit

right in there and we'll pull that

304

00:16:25,939 --> 00:16:32,630

and make some reflections that easy

airway or grab it, decide where

305

00:16:32,630 --> 00:16:33,650

your reflection is going to live.

306

00:16:34,010 --> 00:16:34,729

Pull straight down.

307

00:16:35,870 --> 00:16:40,010

It's important that you

pull straight down there.

308

00:16:42,800 --> 00:16:43,939

Look at that now.

309

00:16:44,150 --> 00:16:47,240

Very lightly, very lightly

go straight across.

310

00:16:48,975 --> 00:16:50,685

Maybe we have some instant recollections

311

00:16:53,705 --> 00:16:54,395

liquid white.

312

00:16:55,835 --> 00:16:58,475

I'm gonna reach up here and give

at least little touch of that.

313

00:16:58,475 --> 00:17:00,815

The low blue army, just

the least little touch.

314

00:17:00,815 --> 00:17:02,015

Just want to turn it a little bit.

315

00:17:02,465 --> 00:17:03,155

Cut across.

316

00:17:03,185 --> 00:17:10,385

Let's go up here and let's put a in

happy little water line back here.

317

00:17:14,565 --> 00:17:17,535

There we go, just a nice light

area to separate these darks,

318

00:17:21,165 --> 00:17:26,355

maybe as a ripple or two going across

the water, whatever, whatever is

319

00:17:26,355 --> 00:17:28,575

ripple should be streaked also though.

320

00:17:30,270 --> 00:17:32,760

Okay, let me grab a big brush.

321

00:17:32,760 --> 00:17:33,030

Shoot.

322

00:17:33,540 --> 00:17:34,410

Let's get crazy here.

323

00:17:35,040 --> 00:17:41,160

Qur'an to that dark color,

dark color, same color.

324

00:17:42,750 --> 00:17:45,090

All right, let's go right over in here.

325

00:17:45,870 --> 00:17:47,310

And maybe over in here.

326

00:17:47,370 --> 00:17:47,580

Yep.

327

00:17:48,600 --> 00:17:50,550

Let's have a few trees and

stuff over on this side.

328

00:17:51,540 --> 00:17:54,510

Maybe they come down right

in there wherever you want.

329

00:17:55,860 --> 00:17:57,990

All we're doing is putting

in a dark base color.

330

00:18:01,530 --> 00:18:02,969

Maybe, maybe, maybe.

331

00:18:03,929 --> 00:18:04,139

Yep.

332

00:18:04,169 --> 00:18:04,620

Right there.

333

00:18:05,040 --> 00:18:05,850

We'll just have.

334

00:18:06,435 --> 00:18:07,274

One big tree.

335

00:18:07,845 --> 00:18:09,125

I don't want to lose all these mountains.

336

00:18:09,165 --> 00:18:10,245

It was a pretty nice mountains.

337

00:18:10,534 --> 00:18:15,524

Want you to be able to see them

underneath here or put in some dark?

338

00:18:15,575 --> 00:18:16,784

That'll be our reflections.

339

00:18:17,745 --> 00:18:18,645

So you just throw it yet.

340

00:18:18,705 --> 00:18:19,965

We don't make mistakes.

341

00:18:21,135 --> 00:18:27,524

We have happy accidents now then

take our brush, pull straight down.

342

00:18:27,615 --> 00:18:28,815

See, see there.

343

00:18:29,550 --> 00:18:32,820

That turns into our reflections

go across and instant

344

00:18:32,820 --> 00:18:36,330

reflections, instant reflections.

345

00:18:37,170 --> 00:18:41,580

All right, let's go on

this side over here.

346

00:18:43,530 --> 00:18:45,540

Just put in all kinds

of pretty little things.

347

00:18:52,475 --> 00:18:53,705

But to cover up that mountain too.

348

00:18:53,975 --> 00:18:54,544

That's all right.

349

00:18:55,445 --> 00:18:59,735

As long as you learn how to make

a map, we know he's back there.

350

00:19:00,784 --> 00:19:01,715

We know he's there.

351

00:19:03,480 --> 00:19:05,820

Maybe a soul tree comes

right up into here.

352

00:19:07,050 --> 00:19:10,740

I'm going to get a touch of the

dark sea on my brush to just add

353

00:19:10,740 --> 00:19:12,090

the little dark Sienna right there.

354

00:19:13,230 --> 00:19:15,270

I let this Liam hang right

out over the mountain here.

355

00:19:15,330 --> 00:19:16,650

I almost try to save at peak.

356

00:19:18,150 --> 00:19:20,400

And when you do your painting,

look at the things that you want

357

00:19:20,400 --> 00:19:24,000

to save and work around them there.

358

00:19:25,170 --> 00:19:27,570

That sort of just comes

all the way around that.

359

00:19:27,840 --> 00:19:28,530

I like that.

360

00:19:30,090 --> 00:19:32,210

And I like to make trees in

the foreground of the painting.

361

00:19:32,210 --> 00:19:35,290

It helps to produce

that illusion of depth.

362

00:19:35,370 --> 00:19:39,540

Step distance just makes

the painting to deeper.

363

00:19:45,510 --> 00:19:48,870

I'll tell you what the same old brush I'm

going to go into a least little touch of

364

00:19:48,870 --> 00:19:54,870

yellow on the yellow CAD yellow, yellow

ochre, because I have that cut on here.

365

00:19:54,870 --> 00:19:56,520

It's going to turn a very dark green.

366

00:19:56,820 --> 00:19:57,570

Let's go back up here.

367

00:19:57,899 --> 00:19:58,020

Okay.

368

00:19:58,260 --> 00:20:02,820

I want to begin putting the indication of

a few little highlights here and there.

369

00:20:04,290 --> 00:20:07,290

We're now painting the limbs that

are behind the truck in a minute.

370

00:20:07,469 --> 00:20:11,790

I'll paint a trunk in this tree,

and then we'll put some bright

371

00:20:11,790 --> 00:20:12,899

highlights that are on this side.

372

00:20:14,149 --> 00:20:15,860

I sorta think like a tree.

373

00:20:17,929 --> 00:20:21,620

I know it sounds crazy, but yeah, we

have limbs that are behind the trunk.

374

00:20:21,620 --> 00:20:25,100

Some that are in front, some

that are hanging to the side.

375

00:20:26,145 --> 00:20:28,395

Sort of paint that way there.

376

00:20:29,945 --> 00:20:32,135

See just, just little indications.

377

00:20:32,135 --> 00:20:34,715

We're just looking for us form

a little bit of shape right now.

378

00:20:34,715 --> 00:20:37,175

We're not really too

worried about anything.

379

00:20:37,175 --> 00:20:39,485

Other than that, maybe we'll do the

same thing over here on this one.

380

00:20:40,985 --> 00:20:45,215

Just a few little things here

and there, and it's fantastic.

381

00:20:45,245 --> 00:20:48,485

You can take a brush this big and

paint, all those little things.

382

00:20:49,655 --> 00:20:50,855

Don't be afraid of these brushes.

383

00:20:50,855 --> 00:20:51,575

Cause they're big.

384

00:20:53,315 --> 00:20:53,735

Okay.

385

00:20:55,155 --> 00:20:55,575

Tell you what?

386

00:20:55,665 --> 00:20:56,445

Let's get crazy.

387

00:20:56,565 --> 00:20:57,975

I'll take the small knife.

388

00:20:58,845 --> 00:21:00,735

I'm going to get a big

bunch of Vandyke Brown.

389

00:21:00,765 --> 00:21:02,445

I've got quite a large

roll of paint on there.

390

00:21:03,275 --> 00:21:06,155

Decide where you, where you

tree trunks going to live.

391

00:21:08,525 --> 00:21:10,115

This is your brain retest for today.

392

00:21:12,035 --> 00:21:15,665

Got to make that noise

or it don't work there.

393

00:21:15,755 --> 00:21:20,075

But Dan had a big tree that

fun just dropping me off.

394

00:21:21,480 --> 00:21:24,810

And when you paint for your friends

or family, what do they say?

395

00:21:24,810 --> 00:21:25,740

You do something like this.

396

00:21:25,740 --> 00:21:29,340

They just know you've

destroyed a beautiful painting.

397

00:21:29,340 --> 00:21:30,990

They'll get all excited and carry off.

398

00:21:31,770 --> 00:21:32,310

Enjoy it.

399

00:21:34,800 --> 00:21:39,360

I'm going to take, take a dark

color, black and some blue and put

400

00:21:39,360 --> 00:21:40,679

a little SAP green in there too.

401

00:21:42,000 --> 00:21:45,320

A little Brown Crimson, whatever,

whatever, whatever, as long as

402

00:21:45,330 --> 00:21:46,949

it start cleaning the knife.

403

00:21:51,075 --> 00:21:53,955

Katie let's go right in

there with a fan brush shoot.

404

00:21:55,245 --> 00:22:00,885

Maybe, maybe right over here lives

a happy little evergreen tree.

405

00:22:03,705 --> 00:22:04,815

Fill up that little hole there.

406

00:22:06,945 --> 00:22:07,605

There we go.

407

00:22:08,115 --> 00:22:09,045

Give him a little friend

408

00:22:12,285 --> 00:22:12,495

there.

409

00:22:14,055 --> 00:22:14,325

Let's go.

410

00:22:14,325 --> 00:22:15,015

On the other side.

411

00:22:15,750 --> 00:22:18,930

Maybe there's one that lives right

here, right in front of the mountain.

412

00:22:21,570 --> 00:22:22,770

He's got some kind of view.

413

00:22:22,770 --> 00:22:23,100

Didn't he?

414

00:22:27,350 --> 00:22:28,760

I really wasn't planning on doing this.

415

00:22:29,210 --> 00:22:30,170

All of this in the painting.

416

00:22:30,170 --> 00:22:34,340

I just wanted to show you really how

to do fantastic mountain, but it's

417

00:22:34,340 --> 00:22:37,280

turned into a pretty nice little

painting to take a little dark Sienna,

418

00:22:37,310 --> 00:22:40,220

a little, pull it out, very flat.

419

00:22:41,180 --> 00:22:41,570

Grab it.

420

00:22:42,110 --> 00:22:42,650

Let's go up here.

421

00:22:43,500 --> 00:22:49,530

Now that we just let this

touch graze, bear the touching.

422

00:22:50,130 --> 00:22:54,620

Come right down the tree, put some

highlight on that rascal on the other

423

00:22:54,620 --> 00:22:56,060

side and put a little touch of blue.

424

00:22:57,440 --> 00:22:57,980

There we go.

425

00:22:58,820 --> 00:23:01,010

Darker, darker, darker as

it works around the tree.

426

00:23:04,100 --> 00:23:05,450

What do you use the liner brush here?

427

00:23:05,900 --> 00:23:07,460

A little thinner go right into the Brown.

428

00:23:08,600 --> 00:23:10,340

Let's have a little tree

lamb here and there.

429

00:23:11,810 --> 00:23:12,380

There we go.

430

00:23:13,650 --> 00:23:15,990

Just hearing their however many you want.

431

00:23:16,230 --> 00:23:17,490

I'm going to put some highlights on here.

432

00:23:17,490 --> 00:23:18,870

So you're not going to see many of those.

433

00:23:20,070 --> 00:23:23,610

Maybe back here in this tree,

we need a little trunk and just

434

00:23:23,610 --> 00:23:24,840

put that on with a liner brush.

435

00:23:26,250 --> 00:23:30,980

Now let's take a one inch brush.

436

00:23:31,010 --> 00:23:35,690

I'll go right into my yellows

right into the elbow tap.

437

00:23:35,690 --> 00:23:37,070

A lot of, I ain't know,

until the bristles.

438

00:23:37,850 --> 00:23:39,080

I want this to be quite bright.

439

00:23:40,010 --> 00:23:41,030

I want this to stand out.

440

00:23:41,030 --> 00:23:41,870

This is going to be.

441

00:23:43,304 --> 00:23:44,665

Our leaves and stuff.

442

00:23:44,685 --> 00:23:55,024

That's in the front, a lot of lights

hitting here, like so there, and if

443

00:23:55,044 --> 00:23:58,385

you have trouble making the paint

stick, add a little paint, thinner,

444

00:23:58,475 --> 00:24:03,814

or a little touch in the liquid

white, just to thin it down and think

445

00:24:03,814 --> 00:24:05,524

about patterns and shapes in here.

446

00:24:05,554 --> 00:24:06,125

Don't just hit it.

447

00:24:06,125 --> 00:24:11,014

Random are little individual

things going on in here.

448

00:24:12,899 --> 00:24:13,469

There were,

449

00:24:17,209 --> 00:24:18,770

and there's some in front of the trunk.

450

00:24:21,020 --> 00:24:22,610

Just all kinds of little doers.

451

00:24:24,560 --> 00:24:25,280

There we go.

452

00:24:26,480 --> 00:24:27,199

We'll be back in here.

453

00:24:27,199 --> 00:24:30,830

There's some little bushes

that are nice and dark there.

454

00:24:31,040 --> 00:24:31,340

See ya.

455

00:24:31,520 --> 00:24:32,510

See ya at there.

456

00:24:34,550 --> 00:24:40,250

So tree sitting down at a

bunch of big bushes that easy.

457

00:24:41,129 --> 00:24:41,969

Tell you what let's do.

458

00:24:43,050 --> 00:24:49,860

Let's take some Vandyke Brown and go

maybe a little bit of Brown and white.

459

00:24:51,330 --> 00:24:55,550

Maybe there's some little

landmasses in here, there,

460

00:24:58,760 --> 00:25:02,360

and back to her one inch brush.

461

00:25:04,560 --> 00:25:07,590

Anybody can put all kinds of little

grassy things across all around

462

00:25:07,590 --> 00:25:11,820

there, but all I'm doing is using the

corner of the brush and just tapping

463

00:25:11,820 --> 00:25:15,180

down very, very easy, very simple.

464

00:25:17,490 --> 00:25:20,020

And you can make some of the most

striking effects, little yellow

465

00:25:20,040 --> 00:25:22,530

Curry, Indian, yellow there.

466

00:25:22,590 --> 00:25:23,010

Whiteside.

467

00:25:23,010 --> 00:25:23,610

Nice one there.

468

00:25:26,054 --> 00:25:27,135

But work in layers.

469

00:25:27,345 --> 00:25:28,635

Think about the lay of the land.

470

00:25:28,995 --> 00:25:31,065

We're going to leave some of

that nice dirt showing in there.

471

00:25:32,054 --> 00:25:37,304

Let's go to the other side right

at that little tree, like there,

472

00:25:39,014 --> 00:25:40,514

look at him, shine and decide.

473

00:25:44,915 --> 00:25:45,004

Okay.

474

00:25:45,304 --> 00:25:45,635

Isn't that?

475

00:25:45,635 --> 00:25:51,935

One of the nicest little ways of making

all kinds of little leaves and bushes.

476

00:25:53,715 --> 00:25:55,215

Just have some dirt on this side too.

477

00:25:57,185 --> 00:25:57,815

There we go.

478

00:25:59,885 --> 00:26:00,125

Okay.

479

00:26:00,185 --> 00:26:02,045

And you just drop in wherever.

480

00:26:03,725 --> 00:26:05,885

It'll touch your highlight,

just Brown and white.

481

00:26:05,885 --> 00:26:12,725

Again, there are a few

little bushes and stuff.

482

00:26:14,765 --> 00:26:15,365

There we go.

483

00:26:18,120 --> 00:26:19,320

Maybe one big Bush here.

484

00:26:19,980 --> 00:26:23,840

And by that the old clock on the wall

tells me it's about time to go for today.

485

00:26:24,590 --> 00:26:25,760

I hope you've enjoyed this.

486

00:26:25,970 --> 00:26:27,440

It's a good steady in mountains.

487

00:26:28,160 --> 00:26:32,840

And it'll teach you how to do some of

the most fantastic mountains that you've

488

00:26:32,840 --> 00:26:35,210

ever seen, but a water line into there.

489

00:26:36,110 --> 00:26:38,300

I think we have a finished

painting from all of us here.

490

00:26:38,420 --> 00:26:40,490

Happy painting, and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S14E06 - Graceful Mountains

Bob Ross's

The Joy of Painting

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