Bob Ross's

The Joy of Painting

S12E06 - Steep Mountains

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Hi, I'm certainly glad

you could join me today.

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You ready to do a fantastic

little painting with me?

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Super dragging out the old wheezy

chair or the easel, whatever.

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And let's do one together.

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Let's start out and have them run

all the colors across the screen

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that you need to paint along with me

and they'll come across in the same

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order as I have them on the pallet.

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While they're doing that,

let's go on up here.

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Have our 18 by 24 inch canvas.

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It's all covered.

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Liquid white.

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It's ready to go.

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I let's go thought today.

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We'd do a happy little scene.

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I'm going to start out.

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With a little touch of a lizard in Crimson

and just tap it into the two inch brush.

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The very, very little paint

don't get carried away with

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the paint just a little bit.

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It goes a long way.

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Let's go right up here and I want

to go right in right about here

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and just make little crisscross

strokes, little exes, little exes.

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And when you're doing this use very

little paint, very little paint.

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Don't want to set this guy on fire.

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All we want to do is have a

nice pinkish glow in the sky.

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There we go.

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Very little paint.

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I think we'll have a

little water in there.

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So maybe when I have that on the brush,

just put a little bit right down here.

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There we are.

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Okay.

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Now the same old dirty brush.

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I'm going to load a touch of that.

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They little blue, they look blue

and just tap the brush right

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into a little bit of color.

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Very little.

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Yeah.

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And we can go right up to the

top and still using the little

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crisscross strokes, a little Xs.

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The Xs would just dance in

a happy little sky here.

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Now the pain is continually mixing with

the liquid white and the color gets

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lighter and lighter as you work downward.

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There we go.

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Okay.

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And we said, we're just

going to have water.

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So let's add a little bit

down at the bottom here.

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Just a touch, just a touch

pull from the outside.

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And I don't want to kill

my little pink area.

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I want to save that.

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That's going to be your friend.

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Okay.

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A little bit on the other side, we don't

want water on just one side of this pond.

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We want water on both sides.

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There we go.

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Let me wash the old brush.

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Can we wash our brushes as usual

with odorless paint thinner.

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These are oil paints.

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So you need paint thinner to get the paint

out of the brush, shake off the excess

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and just cover everybody in the studio.

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Okay.

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Nice.

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Clean, dry brush.

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I want to go right back up here

with the two different colors

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of meat and begin blending.

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Still using the little crisscross

strokes and you want to blend

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this until it's so soft.

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You can't tell where one color

stops and the next one starts.

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And maybe when you're doing this

at home step back and take a look.

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See when you're, when

you're really close to it.

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It's, it's hard to see.

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It's hard to see.

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So step back and look at it and make

sure it's blended the way you want it.

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Okay.

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And we'll just use some long horizontal

strokes to take out all the brush marks.

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And at the bottom, we just blend

all this together, blended together.

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Okay.

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And we're ready.

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Shoot.

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Let's have some fun.

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Tell you what.

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Let's make a, let's make a mountain today.

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We'll make a big old mountain.

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I'll use some black little pression

blue, grab some lizard Crimson.

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That's some Vandyke Brown there too.

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What the heck?

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Looking for a nice dark color.

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Pull it out as flat as you can

get it to cut across with a knife

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and get that little rule of pate.

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Where there, here we are.

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Let's go.

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And let's come right up in

here and make a big decision.

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Where does your mountain lift?

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Maybe our Mountain's going to live.

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Yeah, here it is.

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And push this firmly into the fabric.

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Really push hard, get mean strong with it.

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Just push it right in there.

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Maybe there's another peak here.

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You just decide how many peaks live

in your mountains and drop them in.

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You can do anything you

want on this canvas.

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Anything.

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You've heard me say it over and over.

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This is your world and

you can do anything here.

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We just sort of let that drift off.

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I think maybe I'll put some trees

over here, so you'll cover that up.

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Okay.

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Now we'll take a two inch brush.

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And I want to pull that down.

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You can see the entire mountain.

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It's always more distinct at

the top than it is the bottom.

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So by pulling it down like this

automatically, that happens automatically.

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That happens the colors mixing with the

liquid white and it gets lighter and

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lighter and lighter down toward the base.

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And then we can just blend it here

a little bit to this old mountain

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range just looks like it's set

up here in the sky and floating.

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That'll that'll give us

some nice mist at the base.

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When we're finished.

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Here we go.

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We're ready to shoot.

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Tell you what let's take.

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We use titanium white and I'm going

to grab a little bit of black,

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a little black and a little bit

of Brown, just a small amount.

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I want to dull this white down.

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So I have black little Brown,

little Vandyke Brown in it.

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Pull it out in a very flat, just like

we did before and then cut across.

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And we have our little roll of painter,

right on the edge of the knife.

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The most important, most important

that you load this knife correctly.

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Spend some time and

practice loading the knife.

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Now with no pressure, no

pressure, no pressure.

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Just touch it.

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Let the pain break, let it break.

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There you go.

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To begin shaping and forming your

mountain the way you want it.

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Just sorta sorta think like

a mountain here we are.

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Maybe this would appear,

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this looks like the grand

Tetons Teton for many years.

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I didn't know what that meant.

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And a lady in class finally

told me what Teton yet.

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And I'm not going to tell you,

you had to go look it up there.

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And when you look it up, you'll

know what I didn't tell you.

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Okay.

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Here we go.

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Let's see, just barely

touching the canvas.

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Just barely touch and just sort

of let it graze here and there.

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Very light touch.

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No pressure, no pressure.

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Let your hand just float.

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Okay.

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Maybe right in here.

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Just make a decision, drop it in, or you

can just, you can create all kinds of

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fantastic things that easy over here.

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Maybe a little light zings through

here and hits right there and bounces

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and plays just as a good time.

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Good time there.

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And a little bit right here, too.

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What the heck?

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Sort of thinking in your world where

you want light to hit and, and you

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want these little mountains to sparkle.

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Cause you can do anything

that you want to do here.

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You can create any illusion that you

want, any illusion that you want.

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Okay.

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Well add a little touch of Prussian

blue, that same color, just a

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little touch, a little touch.

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Not much, not much.

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Just a really blew it down.

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Let me get the small knife.

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Let's use a small knife.

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It gets into those little areas better,

and I'm going to load it the same way.

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A little roller paint

just right out there.

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Okay.

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Now then here and there, I don't

want much cause I want it to stay

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dark, but here and there, just put

the indication of a, of a shadow.

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See, don't overdue.

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Just a few.

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These are some very simple mountains.

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It's easy to do you like these?

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Fair.

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Just sort of think where the

shadow would live and drop him

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in wherever, wherever, wherever.

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Okay, now then, and enhance that

illusion of missed at the base.

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So I'm going to take a clean, dry

brush and just tap, just tap it.

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And I'm tapping quite firmly and

probably here it's so I'm really,

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really hitting it, but just the base

you don't, you don't want to destroy.

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All you want to do is diffuse.

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Just a fuse and lift up or dead

removed your little tap marks.

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It creates this nicest softest mist.

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There

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we go.

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So you had that mountain just, just

sort of floats and space there.

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That's what you're looking for.

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That's pretty, you like that.

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Do you like that?

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Tell you what?

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Let's put a few little trees down

at the base of that and we'll take

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some black oppression, blue, Brown

cramps and whatever is that green.

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We'll put a little SAP green in there.

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Okay.

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Just mix up a big pile of dark color.

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Okay.

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Let me, let me wipe off my knife.

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I think today.

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I think I'll just use a one inch brush.

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That's easy.

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Just pull it through the paint,

pull it through the paint

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loaded, full of color Kings.

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Go ahead and pair.

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Maybe there's some little trees

that live back here in the distance.

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So just touch it, give it a little upward

push, just a little upward push don't.

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Kill all your missed area.

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You want to save that missed st.

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There we go.

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And you make the decision here.

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How big are your trees?

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They're far, far away, so don't

let them get too big, far away.

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There may be bet, like so forever over

here, we got to have a little tree too.

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We'll just run them right off the edge.

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Okay,

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now then I'm going to grab

a, grab the old fan brush.

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Maybe, maybe, maybe no,

that brush full of paint.

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Okay.

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Let's go right up here.

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Maybe back in here also our

one or two little evergreen

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trees that live back here.

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Let me just throw a couple of those.

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Yeah.

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There are a lot of fun to do,

and this will give you a little

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practice and if there's a secret

to painting or to anything else,

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it's practice, it's practice.

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There can do anything you want to do.

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If you're willing to

practice a little bit.

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and then, and do dirty brush here.

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Use it, take a little bit of the

dark Sienna and the Vandyke Brown.

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And let's, let's begin laying some

land areas in here out of these trees.

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All I'm doing is just

tapping this tap some cover.

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Just tap it.

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Okay.

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Let's run it right up to

the base of those trees.

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We'll make a little, a little metal that

sits out here in these big mountains.

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Maybe it comes down to

about, Oh, back there.

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Somewhere around there

wherever you want it.

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And all we're doing here is just

putting in, just putting in a base,

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cover jazz, putting in a base color.

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Okay.

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Now you can also decide where you

want your reflections to be in

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grab just the base of this and

pull it down just the bottom.

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Just pull it down.

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See there.

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Let's see easy.

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And it's, it works so well.

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Reflections are one of the nicest

things that happened in this technique

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just happened so beautifully.

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Okay, let me grab another

two inch brush here.

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Make sure it's clean.

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I'm going to tap right into

the yellow ochre, CAD yellow.

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We'll grab some Indian yellow.

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Let's just mix them on the brush.

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Load the brush by tapping it.

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Just give it a little push C tap.

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Okay, let's go right up here now then.

259

00:13:28,110 --> 00:13:32,880

Maybe I've been here some nice

little, little grassy areas in here.

260

00:13:35,820 --> 00:13:36,930

Tap tap, tap.

261

00:13:42,390 --> 00:13:42,840

Okay.

262

00:13:44,070 --> 00:13:46,530

And make layer after layer after

layer, that'll help create the

263

00:13:46,530 --> 00:13:48,210

illusion of depth in your painting.

264

00:13:49,470 --> 00:13:54,090

Now, if you have trouble making your paint

stick, add a little bit of paint, thinner,

265

00:13:55,230 --> 00:13:57,810

tiny bit of paint, thinner to your brush.

266

00:13:57,930 --> 00:13:58,980

Tiniest little bit.

267

00:13:59,360 --> 00:14:02,340

Can't say that enough and just drop it on.

268

00:14:02,650 --> 00:14:07,350

Remember that a thin paint will

stick to a thick paint and work

269

00:14:07,350 --> 00:14:11,280

in layers, doing the most distant

areas first and working forward.

270

00:14:12,930 --> 00:14:14,970

Touch a little bit of the

bright red to what the heck.

271

00:14:16,320 --> 00:14:17,700

Put some sparklers here and there.

272

00:14:19,905 --> 00:14:20,594

There we go.

273

00:14:21,314 --> 00:14:25,875

It looks like a nice fall

painting out here in the meadow.

274

00:14:29,145 --> 00:14:33,675

There, you can just make layer

after layer, after layer as

275

00:14:33,675 --> 00:14:35,535

many, or as few as you want.

276

00:14:39,960 --> 00:14:41,130

See how soft that is though.

277

00:14:42,210 --> 00:14:46,350

And that'd be a super place to,

to go out and take your shoes off.

278

00:14:46,380 --> 00:14:47,520

Just sort of run around in there.

279

00:14:47,520 --> 00:14:49,290

Barefooted, have a good time.

280

00:14:50,670 --> 00:14:53,040

Talk to all the little creatures,

little bunny rabbits live out

281

00:14:53,040 --> 00:15:00,870

there, air and maybe some right

in here, wherever you want to.

282

00:15:02,775 --> 00:15:07,095

I would say is yellow ochre,

caddy yellow, Linden yellow touch,

283

00:15:07,095 --> 00:15:08,175

a bright red here and there.

284

00:15:12,275 --> 00:15:14,555

And maybe, maybe right

along this edge here.

285

00:15:14,555 --> 00:15:16,775

And we'll go right into dark

Santa with a one inch brush.

286

00:15:17,525 --> 00:15:18,155

Maybe there's some.

287

00:15:18,720 --> 00:15:19,800

Dark little bushes here.

288

00:15:19,830 --> 00:15:23,490

I'm just playing light against

dark, dark against light over and

289

00:15:23,490 --> 00:15:26,730

over start color against the light.

290

00:15:26,730 --> 00:15:27,780

It'll really stand out.

291

00:15:29,460 --> 00:15:30,900

Just dark Sienna.

292

00:15:34,140 --> 00:15:34,800

There we go.

293

00:15:36,090 --> 00:15:37,380

We can just bring it wherever you want.

294

00:15:37,380 --> 00:15:39,600

It might be right up in here.

295

00:15:41,640 --> 00:15:41,970

Okay.

296

00:15:43,530 --> 00:15:47,850

Now once again, we can take his two inch

brush and grab just the edge of that.

297

00:15:48,270 --> 00:15:57,510

Pull it down and really enhance her

reflections a little and go across there.

298

00:15:57,570 --> 00:16:04,250

We are take her knife, going to a touch

of the liquid white, just to touch it,

299

00:16:04,310 --> 00:16:06,470

pull it out very flat and cut across.

300

00:16:07,020 --> 00:16:07,439

I can't.

301

00:16:07,500 --> 00:16:07,800

Okay.

302

00:16:08,490 --> 00:16:11,040

Hey, we can go up in here and

let's put the indication here and

303

00:16:11,040 --> 00:16:13,020

there a happy little waterline.

304

00:16:13,020 --> 00:16:15,540

It just sort of floats around once again.

305

00:16:15,750 --> 00:16:18,150

This is a light area

against the dark separates.

306

00:16:18,959 --> 00:16:19,829

It makes it look nice

307

00:16:22,890 --> 00:16:23,339

there.

308

00:16:25,410 --> 00:16:27,750

And maybe there's a little ripple

here and there on this pond.

309

00:16:27,900 --> 00:16:34,689

I don't know whatever you'd like, and

I get to knife here and go up in here.

310

00:16:35,339 --> 00:16:38,370

Here and there we can scrape the

indication of, of a trunk and

311

00:16:38,770 --> 00:16:41,540

little sticks and twigs off turns,

a little things that are happening

312

00:16:41,550 --> 00:16:44,270

back here, wherever you want.

313

00:16:48,290 --> 00:16:53,569

They're all kinds of little

sticks and trunks that easy.

314

00:16:55,699 --> 00:16:56,150

Okay.

315

00:16:59,060 --> 00:17:00,650

You have such a nice place.

316

00:17:00,650 --> 00:17:00,949

Maybe.

317

00:17:01,515 --> 00:17:03,105

Maybe there'll be a little cabin out here.

318

00:17:03,105 --> 00:17:07,335

Maybe one day there was an old farmer

or rancher that had a cabin out here

319

00:17:07,335 --> 00:17:11,895

and he got tired and moved away there.

320

00:17:12,645 --> 00:17:16,035

So maybe one of the easiest ways to

make a cabin is to scrape out of basic

321

00:17:16,035 --> 00:17:19,605

shape to scrape at you basic shape.

322

00:17:20,675 --> 00:17:21,885

Get the small knife here.

323

00:17:22,694 --> 00:17:24,105

Now let's just lay in some color.

324

00:17:24,974 --> 00:17:26,204

Let's start with Vandyke Brown.

325

00:17:27,285 --> 00:17:28,815

All we're doing is putting in a base.

326

00:17:30,195 --> 00:17:31,695

So it's just a base color.

327

00:17:33,225 --> 00:17:42,705

See now come down to the

front sides that easy,

328

00:17:46,035 --> 00:17:49,095

all you're doing is just laying

on a under color so you can

329

00:17:49,095 --> 00:17:50,445

put highlights on top of it.

330

00:17:52,005 --> 00:17:52,305

There.

331

00:17:54,030 --> 00:17:56,760

But there's only three or four

strokes there and already you have

332

00:17:56,760 --> 00:17:58,110

the indication of a little cabin.

333

00:17:58,260 --> 00:18:00,899

So let's take you some bright red, right?

334

00:18:00,899 --> 00:18:05,730

Red, a little dark Sienna in it that

makes it up and put a touch of white.

335

00:18:05,760 --> 00:18:06,570

Ooh, that's nice.

336

00:18:07,560 --> 00:18:10,230

Don't overmix cut across and

get a little roll of paint

337

00:18:10,230 --> 00:18:11,189

right on the edge of the knife.

338

00:18:11,730 --> 00:18:15,960

And this is a small knife now, then

we're just going to let it just float

339

00:18:15,960 --> 00:18:17,250

right down the top of this roof.

340

00:18:17,490 --> 00:18:18,810

Just touch it and let it bounce.

341

00:18:19,680 --> 00:18:23,460

Make it look like old shingles here

that are just about ready to blow off.

342

00:18:25,130 --> 00:18:26,180

Heaven's had a rough life.

343

00:18:26,210 --> 00:18:26,900

It's like me.

344

00:18:27,380 --> 00:18:28,430

I had a hard time.

345

00:18:31,040 --> 00:18:36,620

Can you take a little

dark Sienna and white and.

346

00:18:37,125 --> 00:18:40,665

But the indication of a few little

boards on their front, add a little

347

00:18:40,665 --> 00:18:45,125

more Brown to that and make it a

little darker for the side there.

348

00:18:47,824 --> 00:18:48,335

That easy.

349

00:18:48,335 --> 00:18:50,465

You got a pretty good little cabin.

350

00:18:50,975 --> 00:18:52,054

Take a little bit of dark paint.

351

00:18:53,345 --> 00:18:55,115

Make them make some little slabs here.

352

00:18:58,085 --> 00:18:59,465

Just a little Brown on the knife.

353

00:19:02,435 --> 00:19:02,824

Shoot.

354

00:19:04,919 --> 00:19:06,780

Let's take a little bit more Brown.

355

00:19:07,230 --> 00:19:08,550

We'll put a little door right there.

356

00:19:08,820 --> 00:19:13,770

Kind of have a way to get in and

out and just sort of scrape around

357

00:19:13,770 --> 00:19:15,179

it to give it a nice outline.

358

00:19:17,189 --> 00:19:18,750

Maybe, maybe there's a window.

359

00:19:18,750 --> 00:19:19,020

Shoot.

360

00:19:19,020 --> 00:19:21,689

It's a big time cabin, fancy cabin.

361

00:19:22,320 --> 00:19:22,980

It's got a window.

362

00:19:26,810 --> 00:19:28,220

Take a little touch of white.

363

00:19:29,760 --> 00:19:31,670

Just want to sort of highlight that edge.

364

00:19:31,730 --> 00:19:32,460

It stands out.

365

00:19:32,580 --> 00:19:33,899

You can see it a little better there.

366

00:19:35,340 --> 00:19:35,760

Okay.

367

00:19:36,720 --> 00:19:41,879

Let's go back to her two inch brush and

put a little grass right around his foot.

368

00:19:42,370 --> 00:19:43,590

Kind of have a little grass here.

369

00:19:45,020 --> 00:19:45,440

There.

370

00:19:46,100 --> 00:19:47,899

I sorta bring it all together.

371

00:19:48,500 --> 00:19:50,060

Well, that does look like an old cabin.

372

00:19:50,060 --> 00:19:51,980

It's really, it's called

the devil out there.

373

00:19:52,790 --> 00:19:53,690

Been a hard life.

374

00:19:54,570 --> 00:19:54,930

All right.

375

00:19:54,930 --> 00:19:57,810

Let me tell you what, let's have some fun.

376

00:19:57,840 --> 00:20:00,030

I'm going right into dark Sienna.

377

00:20:00,060 --> 00:20:01,920

Bandag Brown with a two inch operation.

378

00:20:01,950 --> 00:20:04,560

Tap it, tap.

379

00:20:04,560 --> 00:20:07,170

It said it was going to

have some trees over here.

380

00:20:07,170 --> 00:20:11,220

So let's just begin tapping

in some basic shapes.

381

00:20:13,650 --> 00:20:15,420

Right now we're painting

the back of a tree.

382

00:20:20,250 --> 00:20:22,530

Now you begin working on

some individual limbs.

383

00:20:23,130 --> 00:20:24,600

I'm going to add a little yellow ochre.

384

00:20:25,620 --> 00:20:31,500

So it gets a little lighter, dark

Sienna, Bendeka Brown touch, just

385

00:20:31,500 --> 00:20:32,790

a touch of yellow ochre in there.

386

00:20:36,140 --> 00:20:37,800

This one just goes

right on off the canvas.

387

00:20:37,800 --> 00:20:41,370

What the heck to heck with your tree?

388

00:20:41,460 --> 00:20:42,540

You put it wherever you want it.

389

00:20:48,570 --> 00:20:51,030

Pick up a little, little

more of the yellow ochre.

390

00:20:51,870 --> 00:20:55,440

And this has put the indication

here and thereby a little highlight.

391

00:20:56,640 --> 00:20:57,300

Not much yet.

392

00:20:57,450 --> 00:20:58,560

Not much yet.

393

00:21:00,750 --> 00:21:04,530

There, there we go.

394

00:21:06,540 --> 00:21:06,990

Okay.

395

00:21:07,320 --> 00:21:09,150

Now then let me grab the old fan brush.

396

00:21:09,970 --> 00:21:14,460

We'll take the old fan brush and

go right into van Dyke Brown load.

397

00:21:14,460 --> 00:21:15,720

A lot of pain into the brush.

398

00:21:16,185 --> 00:21:16,905

A lot of paint.

399

00:21:17,745 --> 00:21:17,895

Okay.

400

00:21:17,895 --> 00:21:18,825

Let's go back up here now.

401

00:21:19,905 --> 00:21:22,725

Now then let's put, let's put

some tree trunks, just pull

402

00:21:22,725 --> 00:21:24,915

it right through there's one.

403

00:21:26,085 --> 00:21:27,675

And you have to make some big decisions.

404

00:21:28,005 --> 00:21:29,565

How many trees live in your world?

405

00:21:31,215 --> 00:21:33,555

Two, three you say, all right.

406

00:21:33,675 --> 00:21:34,245

There's three.

407

00:21:35,175 --> 00:21:38,595

And you can just go on and on and put

as many or as few as you want in there.

408

00:21:38,745 --> 00:21:39,255

It's up to you.

409

00:21:39,435 --> 00:21:45,315

However many you want, you want

to take some yellow ochre on a

410

00:21:45,315 --> 00:21:46,815

little bit of bright red to shoot.

411

00:21:46,965 --> 00:21:48,195

Get we'll get fancy here.

412

00:21:49,815 --> 00:21:52,395

Just tap it, tap it.

413

00:21:52,965 --> 00:21:54,725

Okay, let's go right up here.

414

00:21:55,475 --> 00:21:57,635

Let's put some NASA.

415

00:21:58,274 --> 00:22:01,185

Leaves out here, these trees

are far away, so I'm not too

416

00:22:01,185 --> 00:22:02,445

worried about a lot of detail.

417

00:22:03,725 --> 00:22:06,395

I have some nice colors I'm

just bouncing around and

418

00:22:10,415 --> 00:22:10,925

like, so

419

00:22:14,855 --> 00:22:15,335

you know what?

420

00:22:17,075 --> 00:22:21,935

Let's take a little Vandyke Brown on

the line of brushing down in here.

421

00:22:21,935 --> 00:22:24,815

Let's just put the indication

here and there of a little tree

422

00:22:24,815 --> 00:22:25,895

trunk it's showing through.

423

00:22:26,865 --> 00:22:31,064

Probably wouldn't see many,

but you might see a few little

424

00:22:31,064 --> 00:22:32,475

details, add interest to it.

425

00:22:32,475 --> 00:22:34,574

And so drop in a few if you want them.

426

00:22:36,945 --> 00:22:37,274

Okay.

427

00:22:42,875 --> 00:22:44,375

All these soft little leaves

428

00:22:49,635 --> 00:22:53,405

frost has been through there and

touch these and all the beautiful

429

00:22:53,405 --> 00:22:54,605

little colors are happening.

430

00:22:56,935 --> 00:23:00,915

Maybe down in here is a few

little things on these bushes too.

431

00:23:03,145 --> 00:23:03,764

Okay.

432

00:23:04,844 --> 00:23:05,895

Tell you what right here.

433

00:23:06,225 --> 00:23:08,504

Let's pull that down and turn

it right into a reflection.

434

00:23:09,854 --> 00:23:10,604

Can I touch more?

435

00:23:10,604 --> 00:23:14,145

Paint that easy?

436

00:23:14,745 --> 00:23:16,514

See there, make a nice little reflection.

437

00:23:18,195 --> 00:23:23,115

Some Brown need a stone, some dirt, all

those things for it to set on right here.

438

00:23:26,040 --> 00:23:28,200

Brown and white, we can

come right back in here.

439

00:23:29,670 --> 00:23:30,840

Add a little highlight on that.

440

00:23:35,190 --> 00:23:37,590

Let me just tap in some little

bushes that live right along the

441

00:23:37,590 --> 00:23:40,020

edge, wherever you want them.

442

00:23:41,010 --> 00:23:41,610

Okay.

443

00:23:41,760 --> 00:23:42,720

Let's get crazy here.

444

00:23:44,250 --> 00:23:47,640

Tell you what let's take some of her

dark color, tap it right onto the.

445

00:23:48,510 --> 00:23:52,170

Two inch brush and let's just put

some, let's put all kinds of little,

446

00:23:52,530 --> 00:23:58,020

little bushes and stuff that live right

along here, just wherever you want it.

447

00:23:59,130 --> 00:24:00,660

All we're doing is tapping in some dark.

448

00:24:00,720 --> 00:24:00,990

Sorry.

449

00:24:00,990 --> 00:24:01,280

I lied.

450

00:24:01,290 --> 00:24:01,650

I'll chill

451

00:24:05,240 --> 00:24:05,970

right on down.

452

00:24:09,030 --> 00:24:09,480

Okay.

453

00:24:10,560 --> 00:24:12,180

We need a little water line into this too.

454

00:24:13,560 --> 00:24:14,610

A little bit of the liquid point.

455

00:24:17,070 --> 00:24:18,990

There we go, gives us a little waterline.

456

00:24:21,480 --> 00:24:27,560

Now we can take all of our little

fall colors and we can just tap in.

457

00:24:28,130 --> 00:24:34,790

They're the bushes, small

trees and little places where

458

00:24:34,790 --> 00:24:37,220

the rabbits to hide that easy.

459

00:24:40,430 --> 00:24:42,710

I hope you've enjoyed this little

painting because it's a lot of fun.

460

00:24:44,030 --> 00:24:44,790

It's a lot of fun.

461

00:24:44,790 --> 00:24:46,350

It'll teach you how to use the equipment.

462

00:24:48,750 --> 00:24:50,340

Keep you interested for a long time.

463

00:24:50,820 --> 00:24:54,179

And from this there's a million little

ideas that can, that can just evolve.

464

00:24:56,870 --> 00:24:57,500

There we go.

465

00:25:00,590 --> 00:25:01,879

Maybe a little more of that bright red.

466

00:25:01,879 --> 00:25:05,000

That's pretty, very nice.

467

00:25:07,920 --> 00:25:10,740

Okay, now we can take the knife

and here and there, just tearing.

468

00:25:10,740 --> 00:25:14,490

They're just scraping the indication of a

little stick or a twig that you can see.

469

00:25:16,020 --> 00:25:20,300

Don't want too many, just a few now.

470

00:25:20,930 --> 00:25:21,200

Shoot.

471

00:25:21,200 --> 00:25:21,950

Let's get crazy.

472

00:25:22,880 --> 00:25:27,620

Go right into Vandyke Brown with

a fan brush again, right in there.

473

00:25:28,970 --> 00:25:30,320

Maybe right over here.

474

00:25:30,640 --> 00:25:31,640

Such a nice place.

475

00:25:32,360 --> 00:25:35,480

Maybe, maybe they live some.

476

00:25:36,629 --> 00:25:37,530

Trees right there.

477

00:25:41,129 --> 00:25:42,149

There's another one.

478

00:25:43,820 --> 00:25:45,139

Maybe this old trees did.

479

00:25:45,990 --> 00:25:47,659

He's had a hard life out here.

480

00:25:49,490 --> 00:25:49,820

Let's see.

481

00:25:49,879 --> 00:25:51,680

So you just however many trees you want.

482

00:25:52,040 --> 00:25:52,190

Okay.

483

00:25:54,770 --> 00:25:56,960

Maybe that's maybe that's a Birch tree.

484

00:25:57,169 --> 00:26:01,129

Just grab it with a little, the

titanium white, give it a little round.

485

00:26:01,190 --> 00:26:02,000

Pull, just pull it.

486

00:26:03,719 --> 00:26:05,340

A whole dead Birch tree out here,

487

00:26:09,139 --> 00:26:11,719

whatever kind of tree you

want, just drop it in.

488

00:26:14,840 --> 00:26:20,209

Like, so, and then we'll take our script

liner brush with paint thinner on it.

489

00:26:21,050 --> 00:26:22,520

And let's put a few little limbs on it.

490

00:26:26,000 --> 00:26:26,929

Not two minutes left here.

491

00:26:26,929 --> 00:26:28,219

This whole tree is about headed.

492

00:26:30,345 --> 00:26:38,135

And in your world, you put as many

or as few as you there, the clock

493

00:26:38,135 --> 00:26:41,075

on the wall is telling me it's about

time to wrap it up for this week.

494

00:26:41,885 --> 00:26:43,415

I really hope you've

enjoyed this painting.

495

00:26:43,595 --> 00:26:46,175

As I say, it'll teach you how

to use the equipment, give

496

00:26:46,175 --> 00:26:48,035

you hours and hours of fun.

497

00:26:48,035 --> 00:26:49,865

Relaxation from all of us here.

498

00:26:49,925 --> 00:26:50,645

Happy painting.

499

00:26:50,975 --> 00:26:51,605

God blessed.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S12E06 - Steep Mountains

Bob Ross's

The Joy of Painting

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