Bob Ross's

The Joy of Painting

S12E04 - Bright Autumn Trees

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Hi, I'm certainly glad

you could join me today.

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You ready to do another

fantastic painting with me?

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Go ahead.

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Get your paints out and big

glass of ice tea and let's do it.

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Let's start off and then run all the

colors across the screen that you need

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to paint this painting with me and

they'll come across as usual in the

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same order as I have them on the pallet.

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So I've done something a

little different today.

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Let's go up here and talk about it today.

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I've covered the old canvas.

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Well, maybe we can call this liquid gray.

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I've taken liquid black and liquid white

and about equal proportions and just

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cover the outside of it with this gray

color and then a little liquid white

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in the center and blend it together.

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I'm going to have a lot of dark,

I think today in this painting.

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So by putting this gray color on

here, it, it already gives you

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some of your day dark values.

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Make sure it makes your painting

laugh a whole lot easier.

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So let's take off and have some fun.

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Hmm, let's start today with that tiniest

little touch of yellow ochre, tiniest

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little Mount kitty screw right up here.

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And maybe up in here, I'm just

going to lay in a little bit

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of yellow, just here and there.

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I don't want much color.

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I want to have a little bright spot

up here in the sky where the lights

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coming through and that's what,

that's what this whole ended up me.

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So that's about all, we need just a

tiniest little touch of color and it

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mixes with the liquid white or liquid

gray, whatever we want to call it.

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You can make your own at home.

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No big problems.

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Take a little black and white,

but equal proportions there.

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Now we'll take a little black,

little black little it'll touch it.

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They load blue.

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Just sort of mix them together on

the brush here, more black than blue.

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Okay.

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Then let's go right up in here.

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And just begin putting in a little

bit of color here and let it

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work down toward that light spot,

much, much more black and blue.

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So it's sort of really, it's a

really, should be a blue, gray

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color here is what I'm looking for.

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But in your world, sort of look around

and see if that's the color you want.

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If not change it, change it.

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They're still using those crisscross

trope, just little Xs as in school with

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teacher used to grade my paper this way.

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I think I've mentioned that in

another series more, she just run

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right over to me, make Xs everywhere.

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We'll get to least little touch of a

lizard, Crimson, least little touch.

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And we're still mixing

all this on the brush.

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Janice, let it sort of mix together

and make a happy little lavender

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color, tiniest little touch of Crimson.

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There's not much color on there.

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Okay.

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I've got several brushes go in here.

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So, let me get a nice claimant

and I'm going to take and begin

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blending this a little bit.

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Still using little tiny crisscross

strokes, the better the edges

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out and bring it all together.

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Start in the light area and work outward.

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Work out work in the light areas.

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Cause you don't want to pull that

dark color down into your light.

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You'll lose it all.

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It'll he'll go right away and

leave you right away and leave you.

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And you can pick up a little that dark

you and just tap it back in and make all

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kinds of little things happening in here.

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Yeah.

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This is one of the easiest, nicest

ways to make us super, super

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effective sky, super effective sky.

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I know we're never interested in that

happy book, but if you're selling

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paintings, this kind of Schuyler

really sell people, love them.

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Absolutely love.

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Okay.

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All right.

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We can wash that brush out.

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Hey, we've washed our

brushes with odorless dinner.

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Shake them off.

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This is beat the devil out of all right.

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Let's make some little

background trees here.

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Take a little bit of black, a

little black little dark Sienna.

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A little band Dyke,

mostly the Browns though.

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Black little touch of blue in there too.

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What the heck?

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Okay.

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Just tap the brush now.

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Then you have to make a big decision here

where some little background trees live.

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I'm using just a corner of the

brush and tapping downward hope.

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You can see that.

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Just tap him downward, start

at the bottom and work upward.

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We want to make some little,

some little basic tree shapes

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far back in the distance here.

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Very basic little shapes.

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I'm not looking for a lot of detail.

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Just, just very basic Lucy, take one.

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Let's have some water into here.

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Just put a little, a little blue

on the brush and then come right

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into here that easy, that easy.

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Let's put in a little

bit of water, blue shoot.

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Maybe the water is going to be, I

don't know where it's going to be.

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Exactly.

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We're going to have water.

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We'll just put it where we want it.

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That'd be a little over in here.

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That's just a little thing, a little

blue right on my old dirty brush.

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So all the colors have mixed together.

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Me sorta have a sort of a bluish gray.

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Very nice.

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Maybe.

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I tell you what, let's just reflect

some of these trees right there.

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That's going to be water.

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We'll just reflect some right down

in here, like, so that with her.

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Two inch brush, grab it and just pull

downward, pull straight downward.

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Like, so there we go.

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Pull it down, pull it down straight

down and go lightly across and

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we have instant reflections.

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Okay.

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What's your Tesco.

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It's a good list.

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Let's have some more fun here.

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Same old, dirty brush.

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I'm lazy.

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They don't want to clean brushes.

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I'm going to take a little touch it.

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They love glue a little lizard,

Crimson, a little white into it.

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Make a nice lavender sort of

to the reddish side though.

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Like, so let's go right up here.

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And maybe, maybe there's a little

light plan right out here on some

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of these little, little bushes.

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Excellent.

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Um, add the least little touch

of the liquid white here.

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You want it to be a little bit

thinner, so it'll stick easier fowl.

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That's nice.

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If your paint won't stick at

a little touch of the liquid

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white or a little bit of paint

thinner, doesn't take much though.

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Sure.

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Didn't take much Janice to where you think

light, but strike these little bushes.

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And there's another one right there.

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That's a pretty one.

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Wherever you want them.

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There is one and this whole big one

here, we don't want to have left out

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that easy, just using the big old two

inch person, or you can use your one

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inch of fresh one inch brush works

very nice for this too, but you can

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use a one inch, two inch, whatever.

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Let's take a little bit of

Vandyke Brown, pull it out flat.

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Cut across and get our little roll of

paint right on the edge of the knife.

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We'll come right underneath

here and very firmly.

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Let's just put in the indication

of a little bit of land into here.

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This is going to be far away.

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So I'm not, I'm not too worried

about a lot of detail while he's

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just a nice woods back here.

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This is, this is where a little bunny

rabbit lives back here in the squirrel.

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All them little fellers.

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I like all those little

creatures and my friends.

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Okay, tell you what we can go right into

some Brown Bandag Brown, some black dark

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Santa's load, a lot of pain in the brush.

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And maybe over here, live some trees.

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Sure it does now.

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And here, all we're doing

is tapping downward.

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Same way.

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This is where you have to start

making some big decisions.

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Where does all your, where does

all your little trees live?

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Maybe right down through here.

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I don't know wherever you want

to try it on out through here.

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Little more dark Sienna.

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There we go.

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Now I'm going to start adding

dark Sienna and yellow ochre.

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I want it to get lighter and lighter

as it works its way on up here.

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Maybe.

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Even here in their little touch of a

Lucerne Crimson in there too Crimson

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and yellow ochre, dark Sienna.

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And I begin thinking about some nice big

tree branches that are hanging out here.

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Where do you want him?

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Where do you want him?

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So misery in Crimson, yellow ochre,

dark Sienna, all these nice warm

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colors, very warm, very pleasant.

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And then toward the base, you want it

to be darker, darker, darker, darker.

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There we go take old limbs hanging out.

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Now we'll go back to some

black and Brown SAFT, green,

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little SAFT green in there too.

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Let's just have this company,

let's say I'm right over here.

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What the heck?

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Wherever you want.

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Well, we just going crazy here back.

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We can just fill all that out with color.

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I can't be pretty right,

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but you see how easy it is to lay

in a tremendous amount of color

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very easily when you're using a

big brush, all you gotta do is just

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sort of drop it in wherever you,

wherever you think it should be.

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And that's where you're going

to be Browns and the black

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greens, all those little colors.

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What are the Browns and maybe

we're going to beat him up here.

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It comes.

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And there it is.

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See right here, let's have another tree.

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You can have as many or as few

trees as you want in your world.

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All you do is just get an idea

in your mind and drop it in.

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Let's have a bigger one here.

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It comes.

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Right.

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I don't know if it lives

up here in the sky.

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So.

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Did you ever think you could

paint a picture that fast

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you can't, you really can't.

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Same old colors, black, Brown,

little SAP green here and there.

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Shoot.

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If I'm not careful, I'm going

to cover up the whole canvas.

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And that's all right.

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That's no biggie.

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You can still cover it all up and

then still go back and put all kinds

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of little watery things in there.

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It still worked.

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Okay.

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You have to start making

some decisions here.

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Where did you, how did you

begin to live out here?

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I want a big tree over here.

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Big tree.

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Tell you what.

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We said we was going

to have water in here.

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So make, make a decision.

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Where does your water lift and start

pulling it down wherever you want water,

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you just pull down and create reflection,

stay there and you have instant water.

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Maybe there's a little

peninsula right out here.

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I need a little more color there.

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Not quite enough color there.

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And you pull that straight down.

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Okay.

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And then go across that easy.

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You can make the most

fantastic reflections.

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Okay.

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And we'll take a touch, um, liquid

white on my knife and cut across it.

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Back in here.

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I want to put just the

indication of a little water

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line, push that way back here.

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And you had to literally, it

was literally just cutting right

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into the right into the fabric.

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Okay.

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Let me find all fan brush here.

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There there's one.

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Let's go into some Vandyke Brown

and I ran a little dark Sienna.

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What the heck?

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Okay.

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Put us a tree trunk here and there.

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Maybe there's a trunk.

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It lives.

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Yes, there is right in that tree.

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And of course this whole tree.

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Hey, don't want to be left out.

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He needs a nice trunk to hold him up.

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Straight shoot, maybe a tree.

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So big.

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It takes two.

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Who knows, who knows?

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On the other side, over

here, Elva here and all this.

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There's got to be a.

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Got to be some trees happening in there.

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00:13:55,920 --> 00:13:59,790

Some nice strong trunks to

hold all that up, see there

255

00:14:02,970 --> 00:14:04,439

wherever you think they should be.

256

00:14:04,709 --> 00:14:06,060

And don't make them all just straight.

257

00:14:06,089 --> 00:14:08,760

They're not all going to end

up being telephone poles,

258

00:14:11,579 --> 00:14:12,930

trees grow every which way.

259

00:14:14,550 --> 00:14:17,400

And sometimes you can just see little

parts of trees because the leaves

260

00:14:17,400 --> 00:14:18,630

have covered it up, back in there.

261

00:14:19,395 --> 00:14:24,435

Uh, you can make little limbs or probably

an easier way to make Liam's is put

262

00:14:24,435 --> 00:14:26,415

some paint thinner on the liner brush.

263

00:14:27,224 --> 00:14:33,464

And we want to, we want to mix a little

Brown here till it's absolutely like ink.

264

00:14:33,765 --> 00:14:34,484

It flows.

265

00:14:34,724 --> 00:14:37,814

It's a very thin, very thin

turn it and brush, pull it to a

266

00:14:37,814 --> 00:14:39,495

nice sharp point, a lot of pain.

267

00:14:40,665 --> 00:14:44,415

And then you can go up in here

and you can put all kinds of

268

00:14:44,415 --> 00:14:45,615

little limbs back in here.

269

00:14:46,980 --> 00:14:48,480

Just wherever you think it should be

270

00:14:51,540 --> 00:14:53,189

all kinds of details.

271

00:14:54,660 --> 00:14:56,219

This is where the squirrels

are going to play.

272

00:14:57,660 --> 00:15:01,890

I call squirrels tree urchins

for lack of a better word.

273

00:15:03,390 --> 00:15:06,750

I think when I was a kid, I must have

had it ever kind of pet imaginable.

274

00:15:08,235 --> 00:15:09,285

One of the earlier series.

275

00:15:09,285 --> 00:15:11,865

I told a story about a pet snake.

276

00:15:11,865 --> 00:15:13,694

I had that I kept for a long time.

277

00:15:13,724 --> 00:15:17,895

I lived in Florida, so I had access to a

lot of creatures, but I had a pet snake.

278

00:15:19,435 --> 00:15:22,454

And man, he got out of the cage and

was lost in the house for a long time.

279

00:15:23,324 --> 00:15:28,005

My mother got up, went to the bathroom one

night and he was in there and scared her.

280

00:15:29,385 --> 00:15:30,915

She still yells at me about that.

281

00:15:30,915 --> 00:15:31,964

And that's been 30 years.

282

00:15:34,390 --> 00:15:35,020

Okay.

283

00:15:37,680 --> 00:15:42,030

Let's take, get an old

two inch brush here.

284

00:15:44,100 --> 00:15:44,610

Why don't you tell her?

285

00:15:44,610 --> 00:15:46,110

I told you that story about the snake.

286

00:15:46,110 --> 00:15:46,680

She'd get me

287

00:15:50,400 --> 00:15:53,100

a little bit of yellow ochre,

CAD yellow, just mixed together.

288

00:15:54,180 --> 00:15:58,110

Shoot, and grab a little bit Indian,

yellow, just tap the brush firmly.

289

00:15:58,140 --> 00:15:58,410

I see.

290

00:15:58,580 --> 00:15:59,000

Tap it.

291

00:16:01,310 --> 00:16:01,760

Okay.

292

00:16:02,480 --> 00:16:05,210

Maybe I'm going to reach right up here

and get a touch of the dark Sienna to her.

293

00:16:05,210 --> 00:16:10,940

Like there, grab a little

white and put in there.

294

00:16:11,780 --> 00:16:12,380

Nice color.

295

00:16:12,650 --> 00:16:12,830

Okay.

296

00:16:12,830 --> 00:16:18,800

Let's go up to the canvas now, then

begin deciding here or all these little,

297

00:16:19,830 --> 00:16:21,680

little leaves and the tree branches live.

298

00:16:22,365 --> 00:16:25,875

And you just use the corner of the

two inch brush, just the corner.

299

00:16:26,745 --> 00:16:33,345

And if you have trouble making the stick,

add a little bit of paint thinner, or

300

00:16:33,345 --> 00:16:39,105

the liquid white, either one, either

one it's up to you, the liquid, right?

301

00:16:39,135 --> 00:16:42,225

Naturally we'll make it a little

bit, a little bit brighter.

302

00:16:42,435 --> 00:16:42,945

Paint thinner.

303

00:16:42,945 --> 00:16:43,815

Won't change the color

304

00:16:48,455 --> 00:16:49,745

least little touch though.

305

00:16:50,285 --> 00:16:50,825

There maybe.

306

00:16:52,590 --> 00:16:55,439

See, let some of these come over

and think about shapes here.

307

00:16:55,439 --> 00:17:00,180

Don't just do this at random sort of think

about individual shapes and all the little

308

00:17:00,180 --> 00:17:03,150

things I'm going to add a little touch of

bright red to that, to shoot new sparkle.

309

00:17:03,150 --> 00:17:04,380

These Rascals up in here.

310

00:17:04,770 --> 00:17:05,520

Oh, that's nice.

311

00:17:05,819 --> 00:17:06,390

That's nice.

312

00:17:06,599 --> 00:17:12,300

I can see all kinds, a little

leaves living back in here

313

00:17:15,550 --> 00:17:16,800

to be a nice place for a squirrel.

314

00:17:19,065 --> 00:17:20,655

There or wherever you want to,

315

00:17:24,555 --> 00:17:27,224

I can't read this color, put

a little bit out there to

316

00:17:30,795 --> 00:17:35,475

there and you can just go

on and on and off, make all

317

00:17:35,475 --> 00:17:36,675

kinds of pretty little things.

318

00:17:39,315 --> 00:17:39,675

Okay.

319

00:17:39,765 --> 00:17:40,815

Now we're here on this side.

320

00:17:44,190 --> 00:17:49,649

I made some little touch of the

liquid white hair, maybe just a

321

00:17:49,649 --> 00:17:51,690

little more within this paint down.

322

00:17:51,690 --> 00:17:52,950

So it'll stick a little easier.

323

00:17:53,429 --> 00:17:55,740

So I add a small amount of liquid white

324

00:18:02,690 --> 00:18:03,500

and you can do this.

325

00:18:04,159 --> 00:18:08,419

You can do this with a one

inch brush or two inch brush.

326

00:18:16,350 --> 00:18:16,980

there we go.

327

00:18:17,810 --> 00:18:19,850

But once again, I can't say it enough.

328

00:18:19,879 --> 00:18:22,850

Look at form and shape when your tree

don't just throw them in at random.

329

00:18:22,850 --> 00:18:23,870

You won't be happy with them.

330

00:18:23,870 --> 00:18:29,899

If you do think about form, like what

makes that tree an individual put

331

00:18:29,899 --> 00:18:35,090

a little highlight right out here,

making it sparkle out here in the sun.

332

00:18:39,750 --> 00:18:42,300

Okay, maybe this old tree

here, he needs some too.

333

00:18:48,080 --> 00:18:49,340

Just the corner of the brush.

334

00:18:49,340 --> 00:18:50,330

That's all you're using.

335

00:18:56,960 --> 00:18:59,450

They're just layer after layer.

336

00:19:02,500 --> 00:19:03,379

It's unbelievable.

337

00:19:03,379 --> 00:19:04,760

What you can do with a big restaurant.

338

00:19:04,790 --> 00:19:05,990

What you could do with a smaller one.

339

00:19:10,710 --> 00:19:13,320

And least little touch maybe

of SAP green here and there.

340

00:19:14,710 --> 00:19:15,929

Maybe down in here.

341

00:19:16,620 --> 00:19:16,919

Shoot.

342

00:19:16,919 --> 00:19:20,520

Maybe there's just all kinds of little

things happening down in here to still

343

00:19:20,520 --> 00:19:22,350

using only the corner of the brush.

344

00:19:23,429 --> 00:19:25,710

Oh, maybe the corner just to

wherever you think it should be.

345

00:19:25,710 --> 00:19:29,909

Some little, little

sparklers here, wherever.

346

00:19:30,240 --> 00:19:31,710

Maybe let's go all the way over here.

347

00:19:32,429 --> 00:19:33,419

Maybe back in here.

348

00:19:35,534 --> 00:19:41,205

That's painting some woods deep,

but dark areas, the berries

349

00:19:44,675 --> 00:19:45,004

and the hair.

350

00:19:45,004 --> 00:19:48,004

I've took a little to midnight, black

and mixed it with yellow to make up

351

00:19:48,095 --> 00:19:53,675

very dark, dark green, leave a little

bit of those dark kitchens in there.

352

00:19:53,675 --> 00:19:54,544

Don't kill all those.

353

00:19:57,514 --> 00:20:01,625

See you there, but still work in layers

here, always working in layers and.

354

00:20:02,639 --> 00:20:03,810

And work down the Hill here.

355

00:20:03,810 --> 00:20:09,929

Think about the lay of the land

stare at Cairns there, right on down

356

00:20:13,439 --> 00:20:13,710

there.

357

00:20:17,189 --> 00:20:18,689

Tell you what let's get crazy today.

358

00:20:19,770 --> 00:20:23,490

If you, if you had something like

that, you'd lead a little path.

359

00:20:23,490 --> 00:20:24,720

So you could go from here to there.

360

00:20:25,710 --> 00:20:27,570

So let's go to there.

361

00:20:28,455 --> 00:20:33,105

Let's start at there and let's just bring

in risk straight on a cross to here,

362

00:20:37,264 --> 00:20:38,075

Vandyke Brown.

363

00:20:38,075 --> 00:20:38,975

So I'm using here.

364

00:20:40,504 --> 00:20:41,495

Janice van Dyke Brown.

365

00:20:55,650 --> 00:20:55,950

Right.

366

00:20:55,950 --> 00:20:56,700

I don't want to cross.

367

00:20:57,600 --> 00:21:02,730

Now we can take some light,

a little bit of dark Sienna.

368

00:21:04,050 --> 00:21:07,500

And with that, let's just add

the least, least little touches.

369

00:21:07,500 --> 00:21:08,400

Some highlights here.

370

00:21:10,050 --> 00:21:16,190

Just make it stand out a little

look at they're saying used it.

371

00:21:16,270 --> 00:21:17,600

You can make a happy little path.

372

00:21:20,390 --> 00:21:23,300

You can, you can like a tan.

373

00:21:24,075 --> 00:21:27,345

That'd be a super place to

go in fiction, have fun.

374

00:21:29,595 --> 00:21:30,165

Okay.

375

00:21:30,165 --> 00:21:36,225

Now then back to her color and we can

come back in here and drop in a few little

376

00:21:36,225 --> 00:21:41,285

sparklers wherever we want them there.

377

00:21:41,945 --> 00:21:45,515

Maybe there's a little, little

peninsula right out here like that.

378

00:21:47,775 --> 00:21:50,285

Like, so and so.

379

00:21:50,649 --> 00:21:53,820

See, all kinds of little things just

to using the corner of the brush here.

380

00:21:54,120 --> 00:21:56,700

All you have to do a little green

381

00:22:04,370 --> 00:22:08,240

it's just such a nice, easy way

to paint and it works so well.

382

00:22:08,929 --> 00:22:09,240

Thank you.

383

00:22:09,240 --> 00:22:10,040

I really enjoy it.

384

00:22:10,460 --> 00:22:11,840

And you can do entire paintings.

385

00:22:12,615 --> 00:22:17,835

Using only this brush,

just little two inch brush

386

00:22:23,044 --> 00:22:24,155

work on the lay of the land.

387

00:22:24,155 --> 00:22:25,715

They'll have it coming down the Hill here.

388

00:22:35,130 --> 00:22:38,400

Let's put a little better, a little

bit of ground area right into this.

389

00:22:38,920 --> 00:22:39,990

Make a little peninsula.

390

00:22:40,020 --> 00:22:41,430

What are those two or three places?

391

00:22:41,430 --> 00:22:42,690

We don't know where all it goes here.

392

00:22:44,540 --> 00:22:45,590

It was right on down.

393

00:22:47,910 --> 00:22:48,380

Little touch.

394

00:22:48,380 --> 00:22:49,400

You highlight on that

395

00:22:53,630 --> 00:22:54,680

a little bit out here.

396

00:22:56,030 --> 00:22:56,450

See there.

397

00:23:00,764 --> 00:23:03,375

And you put a happy little

water line in there.

398

00:23:04,245 --> 00:23:08,055

Just sort of cleans up the

edges, brings it all together.

399

00:23:10,725 --> 00:23:11,475

Let's have some fun.

400

00:23:12,225 --> 00:23:13,215

Let's have some fun.

401

00:23:13,245 --> 00:23:16,425

I'm going to dip my brush right into

a little touch of the liquid white.

402

00:23:17,625 --> 00:23:24,235

Go into some yellow, mostly white though.

403

00:23:24,235 --> 00:23:25,275

A little bit of yellow here.

404

00:23:25,815 --> 00:23:26,895

Let's come right out in here.

405

00:23:26,955 --> 00:23:33,525

Let's get brave putting I'm just going

to throw around some sparklers here.

406

00:23:36,165 --> 00:23:37,155

Just drop them in.

407

00:23:40,395 --> 00:23:42,375

Did I say here, are we going

to check you for bravery?

408

00:23:45,465 --> 00:23:47,385

And now we have to have

something for that to sit on.

409

00:23:48,735 --> 00:23:49,545

What's causing that.

410

00:23:50,475 --> 00:23:52,365

Well, this is what's causing it.

411

00:23:52,455 --> 00:23:53,895

I want a big old tree.

412

00:23:54,555 --> 00:23:57,285

And I want those leaves, those

limbs that are bright and

413

00:23:57,285 --> 00:23:59,265

shiny to be on the other side.

414

00:24:00,345 --> 00:24:02,625

So you put those in first

and put the trunk over it.

415

00:24:07,290 --> 00:24:11,010

And back to her liner brush

with a nightstand paint on it.

416

00:24:12,179 --> 00:24:14,669

And we can put in just to indication here.

417

00:24:14,669 --> 00:24:18,840

And there was some big old Liam's

because we got to have something

418

00:24:18,840 --> 00:24:21,740

to hold all that up there.

419

00:24:24,560 --> 00:24:28,939

That's something you can do it.

420

00:24:30,130 --> 00:24:30,250

Okay,

421

00:24:34,010 --> 00:24:34,870

10 man.

422

00:24:36,320 --> 00:24:37,460

That's come on back here.

423

00:24:38,780 --> 00:24:41,720

I want to use a yellow, yellow hooker.

424

00:24:41,780 --> 00:24:42,890

K do yellow, yellow ochre.

425

00:24:42,890 --> 00:24:46,340

And I'm get to here and get some, a

little bit of bright red reach up here.

426

00:24:46,940 --> 00:24:47,030

Okay.

427

00:24:47,150 --> 00:24:51,440

Get some white, bought

a color on the brush.

428

00:24:52,250 --> 00:24:55,070

Now then let's put some

leaves on this big old tree.

429

00:24:55,575 --> 00:24:56,774

They gotta be a little bit lighter.

430

00:24:57,435 --> 00:24:58,335

So they stand out.

431

00:25:03,035 --> 00:25:03,545

Okay.

432

00:25:10,264 --> 00:25:11,195

Are good colors here

433

00:25:15,725 --> 00:25:16,475

back to that, right.

434

00:25:16,475 --> 00:25:17,325

Where you have to like, yeah.

435

00:25:19,320 --> 00:25:19,649

Okay.

436

00:25:19,710 --> 00:25:20,070

Now

437

00:25:25,230 --> 00:25:29,060

spring these ride on, around, let him

come right on in front of the tree.

438

00:25:31,100 --> 00:25:33,980

See, he wants some nice leaves

in front of the tree here too.

439

00:25:34,190 --> 00:25:35,270

Don't want them all behind.

440

00:25:38,300 --> 00:25:39,620

I like these kinds of paintings.

441

00:25:39,620 --> 00:25:42,889

They're very soft and they're sort

of different than a lot of the

442

00:25:42,889 --> 00:25:44,659

paintings we've been doing in the past.

443

00:25:47,540 --> 00:25:47,870

Okay.

444

00:25:51,335 --> 00:25:52,774

that them Rascals float around.

445

00:25:52,774 --> 00:25:55,175

And maybe there's a couple back in here.

446

00:25:55,175 --> 00:25:56,855

We don't know exactly

where all the lambs are.

447

00:26:03,965 --> 00:26:08,314

think we can take a little touch

of Brown and white and let's

448

00:26:08,314 --> 00:26:10,955

put just the indication of a

little highlight on his tree.

449

00:26:10,955 --> 00:26:13,955

Want him to light striking

down here at his foot side?

450

00:26:16,310 --> 00:26:17,550

Maybe back in here.

451

00:26:18,000 --> 00:26:22,080

So just to make those shine a little bit,

452

00:26:26,880 --> 00:26:27,870

maybe right here.

453

00:26:27,930 --> 00:26:30,810

Ooh, here's a nice little bright one

and they left right along the edge.

454

00:26:33,045 --> 00:26:40,515

There you can take point of the knife,

scraping a few little sticks twigs, and

455

00:26:40,515 --> 00:26:42,645

you've got one fantastic painting done.

456

00:26:43,275 --> 00:26:45,165

I certainly hope you enjoy

this a little different.

457

00:26:46,305 --> 00:26:48,645

They don't really give you a lot

of experience from all of us here.

458

00:26:48,855 --> 00:26:49,575

Happy painting.

459

00:26:49,905 --> 00:26:50,535

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S12E04 - Bright Autumn Trees

Bob Ross's

The Joy of Painting

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