Bob Ross's

The Joy of Painting

S14E13 - Natural Wonder

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Hi, welcome back.

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I'm glad you could join me today.

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Tell you what let's start out today and

have him run all the colors across the

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screen that you needed home to paint

along with me while they're doing that.

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Let me tell you what I've done already.

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I've got my canvas up here.

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I've got it covered with a thin

even coat of the liquid white.

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It's all wet and it's, it's ready to go.

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So let's go about today.

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We just do a beautiful little.

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Maybe just a little bright painting

that you're really like, this is

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the last show of the 14th series.

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There's 13 shows in each series.

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So we have a bunch of shows now,

hope you've got to see all of them.

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Tell you what let's start today with

a small amount of the fellow blue, and

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we'll just use the old two inch brush.

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What the heck?

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Just tap a little color

right into the bristles.

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It takes very little color and

let's go up in here and we'll start.

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We'll just make little crisscross strokes.

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So we just very quickly just

drop in a happy little scale.

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All right, here, there we go.

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The color is continually continually

mixing with the liquid white and

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it gets lighter and lighter as

it works down toward the horizon.

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Lighter and lighter to the landscape that

helps create the illusion of distance.

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Everything should get

lighter toward the horizon.

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Okay.

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And that easy.

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We've got some color in this guy.

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I think in this painting, we

will put a little bit of water.

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What the heck?

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So I have this whole brush going.

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However right back into that, they

look blue and we'll reach over here.

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We'll be right back.

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Get a little touch of the black.

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I want to darken this a little bit.

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So we have the little

blue and a touch of black.

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Maybe we'll have water down on this

side, wherever we can certainly

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change your mind later if we want to.

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There.

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Okay.

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I'm pulling it from the outside yet.

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And I'm leaving a little

error area open right here.

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That'll be our light Shannon

across the water on my desk.

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You can't in very lightly.

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Just go across the entire

bottom here that easy.

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Okay.

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Letting this out a little.

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And today I think we'll put a happy

little cloud up in the sky, wash

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your brush and we wash your brushes.

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How, you know, we're the odorless

thinner shake off the excess and

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just beat the devil out of it.

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Okay.

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Well, let's use, let's use the old fan

brush today and you can put these clouds

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up here with a one inch brush, two

inch brush, just, just about ATO thing.

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Just use a fan breast today.

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What the heck?

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All right.

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Maybe, maybe there's a little cloud

that lives right there comes around.

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I don't know, however you want him to

be, just sort of make a decision and

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dropping me off clouds of very free.

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They just sort of float around

the sky and have fun all day.

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Can you maybe take like maybe right here?

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Another little cloud, maybe this,

maybe this is the same cloud.

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What tag?

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See, just, just throw it

in wherever you want it.

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That's the beauty of

this style of painting.

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We don't do.

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We don't draw any pictures on the canvas.

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We don't do any tracings.

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There's no fill in the blocks.

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We just started doing it.

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And to me, that's, that's fun.

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That's freedom years ago.

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I used to sit in, I'd draw

a picture on the canvas.

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Then it's been days, days trying to

fill in the blocks without getting

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out of lines, sorta reminded me of.

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My little coloring book I had.

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And as a kid, I was so happy when

I found this, because here you

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just do whatever makes you happy.

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Just let it go.

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Now that large brush using just

the corner, just the corner.

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And I've got to blend those

clouds out a little bit.

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Just blend them a little there.

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Knock off the excess paint, have

very lightly using circular strokes.

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I'm going to fluff these little

clouds, just fluffing there.

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Maybe I'll fluff this one this way.

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However, they're very lightly

three hairs in some air.

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Just blend it a little bit.

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Test bent.

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There we go.

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Okay.

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Maybe, maybe in our world, maybe there's

another little cloud that's right here.

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Just sort of wherever you want to.

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Thought we'd put several

little layers of clouds here.

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Did they?

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And that'll give you some

practice doing clouds.

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Cause there's so much fun to do.

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There we go.

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Just sort of scrubbed that in

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there.

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There's some little stringy

ones that live down here, maybe.

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Right?

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There is a happy little cloud, a little

bump on and give him some characters.

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Shoot that little rascal has

with fun out here in the sun.

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Maybe he may have for you right there.

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You

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just let your imagination go.

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Let it go.

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And when you get very free with your

painting, that really is when you

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experienced the joy of painting.

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You get a little plug in there, there.

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Okay.

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And we'll lift it, fluff it.

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There we go.

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Very lightly.

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It's again, just blend it.

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Let's see the layers of

clouds that you've created.

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That easy, a little bit of blending here.

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Give it a little lift up.

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When I beat this brush, all I'm doing is

knocking the excess paint off the bristle.

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So I don't have to clean the brush again.

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And you blend these clouds.

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You pick up a little bit of the sky,

covering a little bit of the cloud color.

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So if you just rapid, real hard, just.

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Really slap it against something

solid, then it takes that out.

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Okay.

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I think we're in business.

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Let's build today.

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Maybe back in here, let's

do a little mountain.

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For that I'm gonna use some vendetta

Brown, a little touch of depression, blue

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Brown, a little bit of blue, mostly Brown.

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We'll put a little black in there too,

just to make sure it's good and dark.

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What the heck?

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Okay.

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Pull that pain out as flat as we can get

it to go straight down and cut across.

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Make it that little roll of paint

right out on the edge of the knife.

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Can you maybe back here today?

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Let's do.

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Just a little Ridge of mountains

that they're back here, firmly

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push that into the canvas.

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You're really trying to push

this color right into the fabric.

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Get tough with it.

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Show it who's boss there.

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Just sort of push very firmly.

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We just let him go wherever.

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Can he, now then I'll take a two

inch brush and I want to pull

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this paint because this is wet.

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You can move the color on the canvas.

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If you tried this on a dry canvas,

you'd be upset with me, but on a

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wet canvas and you can move it.

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And on a good canvas, liquid white

should stay wet for a day or two.

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Shoot.

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It didn't drive very fast at all.

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It's an oil-based paint.

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Just stay wet there.

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Uh, the one thing I get a lot

of letters, people saying, can I

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use canvas boards, canvas boards

have cardboard in the center.

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And they have a tendency to absorb

the liquid white and it leaves

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you with a dress surface and we're

dependent upon the wet surface.

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Let's wash your brushes.

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So I really recommend you used use

a, uh, Pre stretched, double prime

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canvas, two coats of primer on it.

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And that way it'll assure you

that your liquid white will stay

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wet through your entire painting.

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Okay.

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A little dark sea and a little white,

maybe at least little touch of Vandyke

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Brown there too, just to streak it up.

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So pull it out flat.

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And once again, Our little roll

of paint and all those little

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colors are in that role of paint.

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Also.

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Now we can go up here.

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No pressure, no pressure at all.

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So you get all those little variations

of color though, because you didn't,

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overmix your paint on the fella.

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If you over mix it on the pallet,

then you get one dental dog

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color, and we're looking for some

life and some action in this.

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They want the son of a gun to

stand out and shine in the sun.

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There SI no pressure though.

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For shadow color, I'll make some

blue, white, some Vandyke Brown.

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There we go just blue, Brown, and white,

and to make us a good chat of color, put

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a little black in there too, that a gray.

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Oh, that's nice.

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That's nice.

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Okay.

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Once again, that small roll of paint,

right on the edge of the knife.

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Now that you have to sort of make

a determination where your light's

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coming from and in my world today,

it's coming from the right side.

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Get the little knife, that

little knife to sneaks right in

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there and does such nice things.

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Okay.

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Go right up in here.

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We can just begin putting in

all kinds of little things.

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Yeah, a little knife gets in there

where the big knife might be hitting

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other things that you don't want it to

hit just here and there, but then a few

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little shadows and sorta let them blend

together and work that a little bit.

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There we go.

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Very subdued, very quiet,

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little bumps here and there.

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That'll shadow behind that bump there,

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but you're limited only by

your imagination only by your

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imagination and painting.

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You can go to any world that you want.

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And I think that's probably what

attracts a lot of people, including me.

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I like to be able to create my own world.

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And I'm very happy that you joined me in

that world and that you you've invited

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me back into your home for this series.

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That's very special.

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The fact that you bothered to call your

stations and, and tell them that you enjoy

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the show or you write him supportive.

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That's what, that's what allows us

to come back for another series.

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So thank you very much for

taking the time to do that.

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It's it's very special and we'll

take just a two inch Bryson.

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I want to create a Misty effect down

here at the base of this mountain.

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So tap just lightly following

the angles and then very light.

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Ooh, just barely, barely

grace in the canvas.

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Oh, just apparently touch it.

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Barely touch it.

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My collab to it gently,

very gently caress.

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It say they're very soft though.

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Okay.

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Let's have some fun.

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Let's take.

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Well, we just use whatever we had to.

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That was our mountain color.

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We'll add a little SAP green to it.

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Throw in some light color.

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I want this to begin having

a greenish tone to it.

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I want a great deal of green

yet, but a little, maybe throw a

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little more thalo blue in there.

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No white.

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All right.

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Nice.

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Okay.

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Let me clean the knife off.

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Grab another fan brush.

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I have several of those going,

just slow, a little color into it.

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Let's go right up here and

maybe, yeah, I just have it

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right here, maybe right in here.

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There's some little footy Hills at Vail,

a little foothills far away, and all

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I'm doing is striking and pushing down.

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It makes it look like this to

hundreds and hundreds of little

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individual trees that are far away.

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A little more paint.

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There we go.

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Maybe it goes right back there.

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Okay.

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Now

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I want the illusion of missed

at the base of these trees.

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So I'm gonna take the two

inch brush and tap firmly.

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Right at the base of these trees.

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This is really where you take

out all your frustrations.

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Look how soft it becomes

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very lightly, very lightly just lift up.

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Right.

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And that creates a beautiful

illusion of mist in there.

258

00:14:12,205 --> 00:14:14,755

Let's take the same color

here and add some black to it.

259

00:14:15,205 --> 00:14:16,375

A little bit of pressure and blue.

260

00:14:17,324 --> 00:14:19,905

But it's basically the

same color, only darker.

261

00:14:20,084 --> 00:14:23,535

I want it darker as things get

closer to you in the landscape.

262

00:14:23,535 --> 00:14:25,155

Remember that they get darker.

263

00:14:26,385 --> 00:14:26,834

Okay.

264

00:14:27,405 --> 00:14:32,354

Now then maybe there's another range of

foothills and maybe they live right here.

265

00:14:35,985 --> 00:14:37,125

See, tap downward though.

266

00:14:39,295 --> 00:14:40,795

And you have to decide where they live.

267

00:14:41,485 --> 00:14:45,865

Maybe they go clean on that

flight on over there somewhere.

268

00:14:45,955 --> 00:14:46,405

We don't know.

269

00:14:46,935 --> 00:14:47,565

We don't know.

270

00:14:48,895 --> 00:14:54,235

At this point we really don't care

that doesn't matter does not matter.

271

00:14:55,315 --> 00:14:56,935

We'll make those big decisions later.

272

00:15:15,040 --> 00:15:17,020

It was up on this side, whatever.

273

00:15:24,579 --> 00:15:28,689

Now then back to our large brush,

once again, I want to create this

274

00:15:28,689 --> 00:15:30,400

little Misty effect in between here.

275

00:15:30,730 --> 00:15:34,729

So to do that, Pick this big brush

use the top corner and the firmly,

276

00:15:35,870 --> 00:15:37,969

apparently half the base of that.

277

00:15:39,140 --> 00:15:45,620

See, they're tapping, it's a

beautiful, beautiful Misty effect.

278

00:15:46,040 --> 00:15:48,380

That's mixing with the liquid

white that's on the canvas,

279

00:15:48,770 --> 00:15:50,089

and that happens automatically.

280

00:15:53,150 --> 00:15:54,349

You don't have to worry about it.

281

00:15:54,349 --> 00:15:56,060

Think about it, just tap.

282

00:15:56,209 --> 00:15:58,010

And it happens that very lightly.

283

00:15:59,290 --> 00:16:04,089

Lift up her dad, it pushes

all that back there.

284

00:16:05,260 --> 00:16:09,959

Now what separates these two rows

of foothills is that little Misty

285

00:16:09,959 --> 00:16:15,089

area that's in between that and the

difference in color, but that little

286

00:16:15,089 --> 00:16:16,589

Misty are you, is your good friend.

287

00:16:16,589 --> 00:16:17,579

It's so important.

288

00:16:18,119 --> 00:16:19,260

So, so important.

289

00:16:20,430 --> 00:16:20,969

We'll take.

290

00:16:21,960 --> 00:16:24,780

We'll take a little bit of

blue, stay little blue, little

291

00:16:24,780 --> 00:16:27,240

lizard Crimson, mix it together.

292

00:16:28,650 --> 00:16:32,640

Like so proportionately

or Crimson and blue.

293

00:16:34,080 --> 00:16:38,130

And maybe just take a little roll

of paint or we go have a small

294

00:16:38,130 --> 00:16:40,200

knife going maybe right up in here.

295

00:16:41,625 --> 00:16:44,475

There's a little, a little Hill.

296

00:16:45,584 --> 00:16:48,165

This is an excellent study in planes.

297

00:16:48,165 --> 00:16:53,295

Different areas helps show how

important all these different areas

298

00:16:53,295 --> 00:16:57,105

are to create that illusion of

depth and distance in your painting.

299

00:16:58,845 --> 00:17:01,005

I bet you've seen paintings

that are very flat.

300

00:17:04,930 --> 00:17:08,980

And they're not, they just

don't look right to you.

301

00:17:12,730 --> 00:17:18,129

You don't another question that

I get repeatedly is can I do this

302

00:17:18,129 --> 00:17:19,690

style of painting with acrylics?

303

00:17:20,565 --> 00:17:26,415

Well, it really does not work very well

because the acrylics dress so fast,

304

00:17:27,165 --> 00:17:28,605

it leaves you with a dress surface.

305

00:17:30,165 --> 00:17:33,315

And as I mentioned earlier,

for this to work effectively,

306

00:17:33,915 --> 00:17:35,504

you really need a wet surface.

307

00:17:36,899 --> 00:17:38,159

Just does not work.

308

00:17:38,159 --> 00:17:42,810

And I like oils because

oils are so forgiving.

309

00:17:44,220 --> 00:17:45,360

They're so forgiving.

310

00:17:45,389 --> 00:17:46,620

You don't make mistakes.

311

00:17:47,280 --> 00:17:50,250

If you do something wrong, scrape

it off and you do it again.

312

00:17:51,899 --> 00:17:53,879

That's about the only

medium you can do that with.

313

00:17:55,679 --> 00:17:59,460

It's like when I was in college,

I took a class in watercolor.

314

00:18:00,870 --> 00:18:01,950

It taught me two things.

315

00:18:01,980 --> 00:18:03,510

First of all, it wasn't my medium.

316

00:18:03,960 --> 00:18:07,410

Secondly, a great respect for

those who could do it because you

317

00:18:07,410 --> 00:18:09,480

get one chance, sign up a gun.

318

00:18:10,110 --> 00:18:11,550

Well, I messed that up and it was over.

319

00:18:12,570 --> 00:18:16,440

I won't take your two inch brush,

two inch brush go right into that.

320

00:18:17,240 --> 00:18:19,170

I'm gonna go right into that

little lavender color we made.

321

00:18:19,850 --> 00:18:25,640

Okay, now then I'm going to start putting

some little grassy areas right into there.

322

00:18:26,540 --> 00:18:31,820

I see that little, a little bit of

mist right there that separates so

323

00:18:31,820 --> 00:18:38,150

important that your separator okay.

324

00:18:38,480 --> 00:18:39,410

Let's come right on there.

325

00:18:39,490 --> 00:18:39,860

Maybe.

326

00:18:40,480 --> 00:18:44,160

We just throw in some

color right down there.

327

00:18:46,080 --> 00:18:49,470

Maybe like, yeah, anything we don't

like, we'll turn it into a reflection.

328

00:18:49,470 --> 00:18:53,880

If we have water in here and we say, we've

got to have some water, so we'll do that.

329

00:18:55,050 --> 00:18:55,500

They were

330

00:18:59,880 --> 00:19:00,720

just tap it in.

331

00:19:00,720 --> 00:19:04,680

You could really put this in with a

paint roller reflections, grab it.

332

00:19:05,100 --> 00:19:07,530

Pull straight down there.

333

00:19:07,530 --> 00:19:09,300

It comes there.

334

00:19:09,300 --> 00:19:09,690

They are.

335

00:19:11,640 --> 00:19:12,870

We'll say they're right there.

336

00:19:13,440 --> 00:19:14,550

Kind of lightly across.

337

00:19:17,240 --> 00:19:20,340

We have instant reflections,

instant reflections.

338

00:19:21,810 --> 00:19:24,300

Maybe that land area comes

right out through there.

339

00:19:27,585 --> 00:19:31,935

Just like, so this is just a dark color.

340

00:19:31,935 --> 00:19:34,875

So when we put highlights

on it, it'll stand out.

341

00:19:36,585 --> 00:19:38,774

I'll tell you what I'm going to

add a little black to my lavender.

342

00:19:39,794 --> 00:19:40,905

Let's just use this old brush.

343

00:19:40,935 --> 00:19:41,385

What the heck?

344

00:19:41,865 --> 00:19:44,235

Maybe there's some happy little

trees that live right in here.

345

00:19:46,395 --> 00:19:48,225

You can use just the top

corner of this brush.

346

00:19:48,955 --> 00:19:54,055

And create the illusion of all kinds

of beautiful little tree shapes.

347

00:19:57,505 --> 00:20:02,515

Just, just turn the brush, just

use the top corner paint, all

348

00:20:02,515 --> 00:20:03,865

kinds of beautiful little things.

349

00:20:09,295 --> 00:20:12,925

Get a little touch, more color,

maybe there's another one.

350

00:20:14,065 --> 00:20:14,845

That's right here.

351

00:20:16,595 --> 00:20:20,785

You can just put as many or as few as

you want in your world, right on up over

352

00:20:20,785 --> 00:20:22,165

the mountain so we can see it better.

353

00:20:23,375 --> 00:20:26,344

That's all we're using is just

the top corner of the brush.

354

00:20:27,905 --> 00:20:32,855

I guess another thing that attracted me to

this technique is the fact that you don't

355

00:20:32,855 --> 00:20:35,165

need many specialized pieces of equipment.

356

00:20:35,165 --> 00:20:37,955

I used to spend hundreds and

hundreds of dollars on brushes.

357

00:20:42,274 --> 00:20:42,695

This is.

358

00:20:43,635 --> 00:20:46,005

A very economical way

to paint and to learn.

359

00:20:47,385 --> 00:20:51,075

And it gets a lot of people so

excited, but then they go into

360

00:20:52,885 --> 00:20:54,435

more traditional art forms.

361

00:20:55,845 --> 00:20:58,395

I get letters every day from people

who tell me, they've now enrolled

362

00:20:58,395 --> 00:21:00,165

them in local college and university.

363

00:21:01,000 --> 00:21:04,120

So they can increase their

art knowledge, but this is a

364

00:21:04,419 --> 00:21:06,100

beautiful way to get started.

365

00:21:06,850 --> 00:21:10,330

And as we tell people, when we go

out and demonstrate, this is a way

366

00:21:10,330 --> 00:21:16,659

to get you hooked because you will

get hooked on this it's addicting

367

00:21:17,679 --> 00:21:19,240

and we don't make any bones about it.

368

00:21:21,075 --> 00:21:24,465

So much fun that you will get addicted

to it if you're like most of us.

369

00:21:25,625 --> 00:21:26,105

Okay.

370

00:21:26,615 --> 00:21:27,155

Take a ladder.

371

00:21:27,155 --> 00:21:30,335

Brush liner, brush, put

some paint thinner on it.

372

00:21:31,565 --> 00:21:33,395

A little bit, a little bit of Brown.

373

00:21:35,195 --> 00:21:35,645

Okay.

374

00:21:35,875 --> 00:21:40,615

That let's go right up in here and we'll

put an indication or two here and there.

375

00:21:42,145 --> 00:21:45,445

A little tree trunk just here and there.

376

00:21:47,304 --> 00:21:50,695

Wherever were ever, maybe over here.

377

00:21:50,754 --> 00:21:51,955

We don't want this side left out.

378

00:21:54,534 --> 00:21:54,985

Okay.

379

00:21:56,125 --> 00:21:58,254

Who's going to use that same

old brush it's working so well.

380

00:21:59,065 --> 00:22:02,725

Don't tap that corner into a little bit of

yellow ochre, a little bit of CAD yellow.

381

00:22:03,505 --> 00:22:04,555

Just tap the corner.

382

00:22:04,825 --> 00:22:05,985

I want very little paint.

383

00:22:06,805 --> 00:22:10,885

Just want to give the least little

indication that there's some things

384

00:22:10,885 --> 00:22:13,225

happening up here in the top of

these little trees that we mean.

385

00:22:14,665 --> 00:22:24,475

I don't want too much, just a

tiny little bit there even now.

386

00:22:24,970 --> 00:22:28,960

Even though you're using this brush

one, rather than what we normally use.

387

00:22:29,800 --> 00:22:33,550

You still need to think about

form and shape these trees.

388

00:22:33,550 --> 00:22:34,690

Don't just grow at random.

389

00:22:36,520 --> 00:22:36,940

Okay.

390

00:22:37,450 --> 00:22:42,250

Right here, form and

shape are so important.

391

00:22:42,370 --> 00:22:48,070

Anytime you're doing bushes and

trees and all those things say there

392

00:22:48,280 --> 00:22:52,149

a little bit here, just a touch.

393

00:22:52,270 --> 00:22:53,620

Very, very soft.

394

00:22:55,025 --> 00:22:55,295

Okay.

395

00:22:55,305 --> 00:22:55,775

We take it.

396

00:22:55,775 --> 00:22:57,935

Same old brush and I'll

tap it into some color.

397

00:22:59,795 --> 00:23:01,205

Just tap it right in there.

398

00:23:01,775 --> 00:23:03,845

How then let's go right back here.

399

00:23:05,915 --> 00:23:06,035

Okay.

400

00:23:06,045 --> 00:23:06,305

There.

401

00:23:07,905 --> 00:23:11,405

See, now we can begin applying

color right on top of that dark.

402

00:23:13,010 --> 00:23:16,250

There we go just the different yellows.

403

00:23:20,840 --> 00:23:24,230

And because I had a dirty

brush, Green's going to occur

404

00:23:24,230 --> 00:23:28,160

automatically layer after layer.

405

00:23:30,710 --> 00:23:33,470

And if any of it gets in

your water, all you do.

406

00:23:33,765 --> 00:23:36,045

Just pull it straight down, go across.

407

00:23:36,345 --> 00:23:37,875

It becomes part of the reflection.

408

00:23:38,295 --> 00:23:43,005

Watch here a chair, tell you

what let's take some blue and

409

00:23:43,005 --> 00:23:45,675

some black little SAP green.

410

00:23:45,675 --> 00:23:46,395

Put it together.

411

00:23:48,945 --> 00:23:52,305

Take an old fan brush,

loaded full of color.

412

00:23:53,655 --> 00:23:55,425

Maybe in her world here.

413

00:23:55,865 --> 00:23:57,905

Let's get crazy right here.

414

00:23:59,375 --> 00:24:01,295

There's a nice evergreen tree.

415

00:24:02,645 --> 00:24:08,975

I want a very dark area against this

light mountain and watch what happens.

416

00:24:08,975 --> 00:24:12,365

Like contrast all it'll

snap, your eye right there.

417

00:24:13,805 --> 00:24:16,205

Leave the outside edge

is very soft and subdued

418

00:24:20,945 --> 00:24:23,495

and that's put, let's put

another little window.

419

00:24:24,260 --> 00:24:26,030

A little friend right there.

420

00:24:28,730 --> 00:24:29,330

There we go.

421

00:24:36,139 --> 00:24:36,500

Okay.

422

00:24:36,560 --> 00:24:40,340

We can take our knife, just

cut through here and there.

423

00:24:40,490 --> 00:24:47,210

Get the indication of some trunks, a

little sticks, a little bit of green, a

424

00:24:47,210 --> 00:24:50,629

little bit of green highlights on there.

425

00:24:50,835 --> 00:24:53,835

Just a few once again, I

want to retain the darkness.

426

00:24:55,935 --> 00:25:01,125

Well, I want to keep that little

more of the yellows on the big brush

427

00:25:02,534 --> 00:25:05,504

and let's go in here and we have

to make some big decisions here.

428

00:25:07,514 --> 00:25:08,955

Let's begin bringing all this together.

429

00:25:13,054 --> 00:25:17,705

wanting to get darker, darker, darker out

here toward the edges, softer and softer.

430

00:25:20,995 --> 00:25:26,785

There it is just following it right on

down darker, darker, darker out here.

431

00:25:30,264 --> 00:25:31,885

And all we're doing is tapping.

432

00:25:32,905 --> 00:25:33,625

Just tapping

433

00:25:37,785 --> 00:25:38,575

just a few minutes.

434

00:25:38,575 --> 00:25:39,745

We'll conclude this show.

435

00:25:39,959 --> 00:25:42,840

And it'll be the end of the 14th series.

436

00:25:43,560 --> 00:25:44,489

And I'd like to thank you.

437

00:25:45,540 --> 00:25:48,659

As I mentioned earlier, for allowing

me to come back and paint with

438

00:25:48,659 --> 00:25:52,199

you, this is probably the most

exciting thing in my entire life.

439

00:25:52,350 --> 00:25:55,139

The fact that I can have the opportunity.

440

00:25:55,639 --> 00:25:58,790

To meet so many fantastic people

and paint along with them.

441

00:25:58,790 --> 00:26:00,290

He tweak let's take a little Brown here.

442

00:26:01,010 --> 00:26:01,879

Maybe in our world.

443

00:26:02,300 --> 00:26:08,389

We have a little two tree is

right there, early there soon.

444

00:26:08,389 --> 00:26:09,110

We'll give him a friend.

445

00:26:12,250 --> 00:26:14,379

Hello, touch your wife by

making him a little bird street.

446

00:26:14,409 --> 00:26:14,950

Not that much.

447

00:26:15,159 --> 00:26:15,790

Just a little.

448

00:26:18,375 --> 00:26:19,005

Like so

449

00:26:22,385 --> 00:26:23,225

a little paint thinner.

450

00:26:24,095 --> 00:26:29,075

We need a few little sticks and arms

and things like that on him there.

451

00:26:30,905 --> 00:26:34,295

The old clock on the wall tells

me it's about time for me to go.

452

00:26:35,315 --> 00:26:38,015

I look forward to seeing you again,

we've already started production on

453

00:26:38,015 --> 00:26:40,145

the next series, so I'll be back.

454

00:26:40,495 --> 00:26:41,875

As long as you'll allow me to.

455

00:26:42,985 --> 00:26:45,235

And with that, I think we'll

call this a finished painting.

456

00:26:45,895 --> 00:26:47,514

I look forward to seeing you next time.

457

00:26:47,784 --> 00:26:48,475

Happy painting.

458

00:26:49,044 --> 00:26:49,754

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S14E13 - Natural Wonder

Bob Ross's

The Joy of Painting

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