Bob Ross's

The Joy of Painting

S12E08 - Evening Waterfall

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Hi, I'm certainly glad to see

you again today and let's do a

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fantastic little painting together.

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You don't each series.

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You gotta have, you gotta have a day.

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This a little crazy.

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And this is my crazy day.

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And I've got something a

little different up here today.

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I've got a black canvas here, as you

can see, but I found some tape later

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on the studio here and I've just run

some tape around the edges and then

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I've covered the whole entire part

of this canvas with a mixture of they

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look blue and SAP green and just.

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Just a thin even coat all the way over it.

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And we make these black canvases

by painting them with black Jesso,

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which is designed specifically to

make these canvases this way, the

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GSO is allowed to dry completely.

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And then onto that, we put a transparent

paint and we don't let that dry.

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We start painting on it while the

transparent paint is still wet.

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So I tell you what.

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Let's have him run all the

colors across the screen that

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you need to paint along with me.

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And as they start that, let's go

on up here and get started on that.

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On this old canvas.

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This is a fun painting.

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Thank you really like

this one, a lot of fun.

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I'm going to start today.

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Old fan brush and titanium white.

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Just load a little color into the brush.

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Both sides.

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Alexa, Alexa, let's go up here now then.

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Can I say this is our crazy day?

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So just take the brush

and just let it spin.

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Just half fun with it.

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Spin that it go anywhere.

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It wants to go wherever, just make

all kinds of little things and see

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it's beginning to pick up that color.

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That's on the canvas,

the transparent color.

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It's still wet.

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Keep the brush movie.

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So you get all kinds of

different little designs.

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I told you this wouldn't be fun

and you can't make a mistake here.

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This is, this is enjoyable.

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Load the brush as it needs paint.

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And there's not a great

deal of paint on the canvas.

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You really don't need a lot of paint,

push tech brush, and then bend it.

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Just get all those little actions,

all kinds of nice little things.

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We'll put one right up

here to what the heck.

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And you have to sort of

make a decision here.

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Maybe, maybe it'll come

down about that far.

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Now then.

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We can wash her, wash

her little fan brush.

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It would just wash it

with odorless dinner.

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And wipe it on a paper towel.

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That's all you have to do.

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Okay.

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Now then let me find a big brush,

make sure it's good and dry.

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And I'm very gently here.

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Just gently.

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I'm going to blend this, watch here.

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Just, just sort of

pending up and down on it.

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Like, so, so all there is to it.

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And right now, right now you say, Bob,

you have really done it this time, maybe.

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So Amy, so their account color

shows up on these black canvases.

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Really?

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Fantastic.

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All right, now then I go

back and get a fan brush.

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I'm gonna go right into midnight,

black, just straight, old, midnight

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black, same old fan brush load.

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A lot of color into it.

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Can you just go back up here now

that I want to make the indication

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of some little distant trees

that are far back in the woods.

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So we just take the fan

brush and just tap, just tap.

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And it makes those edges nice

and fuzzy evergreen trees and

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have, have sort of fuzzy edges.

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And you decide how many, any trees you

want back here, wherever you want them.

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Just drop them in.

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Maybe there's one right there.

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Okay.

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Shoot, let's go over here.

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There is one.

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And let's have them

have little crooks out.

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Don't make them all exactly straight

because trees grow every which way.

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However, make some happy maybe.

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Yep.

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You're right.

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Let's have another one right there.

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Wherever, wherever.

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Maybe, maybe there's one over here.

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Like, so you can, you can really put

just as many or as few as you want.

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Maybe they're crowded here.

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I think this is a

condominium for trees here.

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They got a whole bunch of them there.

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Can you now we'll take our little

number two script liner brush.

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I'm going to dip it into paint thinner.

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To get the paint very thin,

almost the consistency of ink.

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Turn that brush, bring

it to a sharp point.

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Okay.

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Now let's go up here and just put the

indication here and there of a few little

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branches hanging off these distant trees.

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Just a few, just a few, just sort

of decide where you think they

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should be here and drop them in.

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Now, if your paint

doesn't flow, chances are.

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You need more paint thinner on

this paint when it's good and thin,

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we'll literally flow right off.

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Your brush will literally flow there.

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And at home you can put as many

little limbs on here as you want.

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I'm just going to put a few on

to show you how they're done.

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They only give me about 30 minutes

here to do this, and if I don't

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get it done in that amount of time,

Sally comes out here and yells at me.

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She's a director on me.

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Yeah.

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There we go.

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I have no sense of humor around here.

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If you don't get it done

in a half an hour there.

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Okay.

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Anyway, we'll put a few over here

wherever, just to show, but that

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quick and that easy, you can make

the indication of a hole forest.

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See there, it looks like

all kinds of little trees.

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We back in the woods.

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Way back here.

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I like these kind of little scenes.

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They had a lot of fun to do strangely

easy, extremely, and they work for you

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there.

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And we have our little forest that quick.

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Okay, let me find a good dry two

inch brush and let's begin putting

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some little grassy areas in here.

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I'm going to start telling you

what, unless you use a little bit

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of CAD yellow, some Indian, yellow.

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Some yellow ochre.

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I'll be right back.

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Let me reach up here and

get a little SAP green too.

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So now we get all the yellows and

SAP green and just tap the brush.

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Like, so there's not a great

deal of paint on the brush.

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Now, then you have to

make some big decisions.

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Maybe there's a little

bit of land back here.

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So you decide how the

land, the lay of the land.

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See, just touch.

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And comes right down.

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See there, how easy that is.

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All you're doing is just touching

and it makes us beautiful.

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Soft looks like it looks

like velvet grass out here.

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It's just so nice.

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Be a super place just to run barefooted.

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There Waco.

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I was born and raised in Florida and

you run barefoot a lot there for them.

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And I was a kid.

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Everybody was barefooted had to

watch out for the sand is personal.

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That's a plant that grows that had

little, Ooh, they hurt your foot.

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There people in Florida know what

that is over here will come like.

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Yes, just however,

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okay.

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And we'll just keep

working down, down, down.

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When I was a kid growing up in

Florida, I had all kinds of pets.

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I've always been.

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Uh, creature net.

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I love all the little creatures

I had ever kind of pet from

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alligators to lizards snakes.

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Maybe that maybe the weirdest

pet I ever had in school.

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I grew up in the country and I took

like, I think it was called four H

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in the future farmers of America.

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And in there, you, you had to, you had

to have a project, you had a garden or

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some kind of something, and you, you kept

records of it showed how you made money.

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It was like having a small

business and it taught kids how

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to do things as super program.

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But anyway, I've picked,

I've picked chickens.

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I decided I was going to raise chickens.

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Well, the thing was, you had to go

get some little chicks and you raised

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them up until they were full grown.

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Then you had knocked them

into head and, and sell them.

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Well, I think he knows

what happened already.

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The chickens grew up and they became

my friends and I was doing real good.

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I had good grades when I had to

get good grades until they come

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down and knock them in the head.

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And I couldn't do that.

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So I didn't do too good in that class.

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I talked too much.

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Let me keep going here.

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There.

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How are we doing is putting in all these

little soft grass areas wherever you want.

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But my chickens lived

to be a ripe old age.

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Okay.

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So I didn't make a good chicken farmer.

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I failed it.

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Got an E and chicken farm.

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Let's take a little bit of titanium

white on the fan brush here.

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A little bit of titanium white, and I

have several fan brushes going, so I

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don't have to continually clean them.

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Let's go right up here.

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And this is just a beautiful place

to have a bubbling little stream.

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So decide where you want

your little stream to live.

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Maybe he lives right here.

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Let's start right here and there he comes.

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Blue.

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See, look how color stands out though

on this black canvas, give a little push

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here and there and then comes on now.

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Maybe there's little stones

and stuff all underneath here.

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And a little places where the water

splashes and hit some crashes and

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comes down, make up little stories.

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There you go there.

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Okay.

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That's a little strange is just me.

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Andrew's around, down there.

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I think that's a word.

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If it's not, you know what I mean?

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There we go.

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See the rest of that story about the

chickens I had to go on with this did

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this day though, I don't eat chicken.

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These things became our friends.

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And to this day I won't eat anything.

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It ever had feathers on it there.

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Okay.

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Look at that little stream.

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So he has just, he just grows right there.

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And your fan brush lives or hides there.

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Just wherever you want it to go there.

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And we do a lot of shows around

the country for charity groups

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and PBS stations and et cetera.

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And the thing that most people say

when I finally get to meet them in

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person, the first thing they always

say is I don't have a good, you're

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a lot taller than you look on TV.

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And you don't have red hair.

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Uh, I don't have red hair

and I'm almost six foot two.

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And if you've seen Steve, my

son on the show, that little

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son of a gun is almost 65 now.

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So he's, he calls me shorty, I'm

going to take a little bit of Vandyke

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Brown, a little dark Sienna mixed

together and here and there, here

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and there let's go right up here.

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And let's just put the indication of some

land, little stones and stuff up through

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here, wherever you think they should be.

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Wherever, wherever.

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You just sorta, you sorta decide

where you want to put them in.

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Maybe tell you what let's

do maybe right here.

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Got some right there.

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I'm just putting in a

little color maybe, right?

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No, right here.

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Okay.

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They would take some height,

a little bit of that.

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Dark Sienna, just the least,

little bit of the dark.

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You have it just a tiny bit.

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Now they find out if you've got delicate

touch, just let this barely just graze.

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It's barely touch.

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Do you see how that color stands

out on, on these black canvases?

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Fantastic.

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Just jumps right out at you.

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All kinds of beautiful little thing.

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So that easy

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here, where we had these little stones,

we'll put a little touch of highlight

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on them, wherever, wherever, wherever.

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Did your painting, you put

this wherever you want it.

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Okay.

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Wherever you want it.

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And we can take out a fan brush a little

bit of that green and yellow on it, just

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loaded by just back and forth, like, yeah.

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00:12:59,910 --> 00:13:00,180

Okay.

254

00:13:00,900 --> 00:13:03,210

And then we can come up

here and very carefully.

255

00:13:03,660 --> 00:13:06,990

We can just drop in some of the

grassy things around that, around the

256

00:13:06,990 --> 00:13:10,830

individual rocks and the water district.

257

00:13:10,920 --> 00:13:16,260

Just give it a little upward

push upward, push wherever.

258

00:13:18,525 --> 00:13:22,635

Yeah, I'm going to get the small

knife maybe right out here lives

259

00:13:24,105 --> 00:13:29,055

a big rocket projects up right

there, big old son of a gun.

260

00:13:31,065 --> 00:13:34,545

And we'll put a touch of

highlight on him just to touch

261

00:13:35,965 --> 00:13:38,775

like so big, old, strong rock.

262

00:13:43,800 --> 00:13:44,460

All right.

263

00:13:46,940 --> 00:13:49,430

We'll put the least little touch

of the liquid white in with my

264

00:13:49,430 --> 00:13:50,720

titanium, white liquid white.

265

00:13:50,720 --> 00:13:51,740

We'll just make it a little thinner.

266

00:13:51,740 --> 00:13:53,870

So it, so it flows a little easier.

267

00:13:54,620 --> 00:13:56,360

Liquid white titanium, white.

268

00:13:56,960 --> 00:14:00,230

And maybe now you've got to think

like water, maybe the water just

269

00:14:00,500 --> 00:14:03,080

comes right around here and it

comes here and somewhere again,

270

00:14:03,110 --> 00:14:07,280

somebody has pulled a stopper out

tune and it falls right off there.

271

00:14:08,055 --> 00:14:15,855

So come over and down there, how easy it

is, this water here, splashes and long.

272

00:14:15,855 --> 00:14:20,925

And it comes out here and maybe under

here, there's a little stone that hits.

273

00:14:20,925 --> 00:14:25,635

And if you don't make those

little noises, so it don't work.

274

00:14:26,055 --> 00:14:28,545

Go ahead and make those

little noises like, so.

275

00:14:29,635 --> 00:14:30,135

Neat.

276

00:14:30,375 --> 00:14:33,975

That's super easy way to make a

beautiful little waterfall and down

277

00:14:33,975 --> 00:14:36,285

here, it hits and splashes insurance.

278

00:14:36,285 --> 00:14:40,005

And, uh, look at all that

push upward with a brush.

279

00:14:40,035 --> 00:14:42,285

Make him little splashes happened.

280

00:14:42,285 --> 00:14:43,095

Here comes.

281

00:14:45,555 --> 00:14:46,755

Water's a rough town here.

282

00:14:47,055 --> 00:14:49,694

It's fell all the way down.

283

00:14:54,210 --> 00:15:01,580

There say there now there,

we need something in here.

284

00:15:01,580 --> 00:15:05,960

So I go back to mode, two inch brush

that had all the yellows on it, a little

285

00:15:05,960 --> 00:15:09,560

touch of the bright red overnight, and

then nothing much just tap the brush.

286

00:15:09,860 --> 00:15:10,670

Okay, let's go up here.

287

00:15:10,670 --> 00:15:15,680

And now then we want to bring some

of these grassy areas right down.

288

00:15:16,185 --> 00:15:20,595

Over the stones, get a little

more green in that town.

289

00:15:20,685 --> 00:15:22,095

A little more of the sample green.

290

00:15:23,895 --> 00:15:24,375

It comes.

291

00:15:24,944 --> 00:15:29,355

See that these little things

just hang red off like that.

292

00:15:30,765 --> 00:15:34,125

I don't want to cover up all your little,

little rocks here that are showing leave.

293

00:15:34,125 --> 00:15:40,965

Some of them leave a few of them

there a little bit more of a color.

294

00:15:42,495 --> 00:15:49,935

The Combs, just follow the angles that you

put in here, all of those angles there.

295

00:15:50,925 --> 00:15:53,324

Did you ever believe you could

paint such delicate little grassy

296

00:15:53,324 --> 00:15:54,975

areas using a great big brush?

297

00:15:56,145 --> 00:15:59,915

You really can really can.

298

00:16:01,079 --> 00:16:01,170

Okay.

299

00:16:05,780 --> 00:16:11,449

So it looks like all that, all that,

all Lawson grassy stuff, it always hangs

300

00:16:11,449 --> 00:16:15,230

around a waterfall because the humidity so

high, you get all kinds of little hanging

301

00:16:15,230 --> 00:16:18,680

down, plants, little hanging down plants.

302

00:16:22,064 --> 00:16:22,785

It's a nice place.

303

00:16:22,785 --> 00:16:26,864

My mother liked like place, like,

yes, she likes these quiet little

304

00:16:26,864 --> 00:16:28,245

places where the water plays.

305

00:16:31,545 --> 00:16:32,175

There we go.

306

00:16:34,275 --> 00:16:34,724

Say it here.

307

00:16:34,935 --> 00:16:36,135

Just layer after layer.

308

00:16:36,885 --> 00:16:37,844

Tell you what let's do.

309

00:16:38,805 --> 00:16:39,194

There it is.

310

00:16:39,314 --> 00:16:40,005

I lost my brush.

311

00:16:40,935 --> 00:16:41,655

Let's have some fun.

312

00:16:41,714 --> 00:16:44,295

I'm gonna go right into the

Vandyke Brown with a fan brush.

313

00:16:45,645 --> 00:16:45,734

Okay.

314

00:16:46,275 --> 00:16:49,305

Just loaded, full of paint

a little bit full reach over

315

00:16:49,305 --> 00:16:50,175

here and get some black too.

316

00:16:50,175 --> 00:16:55,305

So we got black at night blank, mandate

Brown Walnut, very dark square up here.

317

00:16:56,505 --> 00:17:01,665

Maybe I like old big trees too.

318

00:17:01,965 --> 00:17:03,285

So we'll put one right there.

319

00:17:03,805 --> 00:17:05,984

Big old three bagel tree.

320

00:17:05,984 --> 00:17:09,615

And he's, he's got a friend we'll

just cover that one right up.

321

00:17:11,355 --> 00:17:11,625

All right.

322

00:17:11,625 --> 00:17:14,264

We just, we killed that

tree back here and anyway.

323

00:17:15,435 --> 00:17:16,035

That's all right.

324

00:17:17,805 --> 00:17:18,495

That's all right.

325

00:17:18,495 --> 00:17:22,425

If you learn how to make him, then the

effort wasn't wasted, wasn't wasted

326

00:17:23,205 --> 00:17:24,315

a little more paint on the brush.

327

00:17:25,365 --> 00:17:26,145

We need another one.

328

00:17:26,535 --> 00:17:31,365

We need a big tree and he

lives where this is a big tree.

329

00:17:31,875 --> 00:17:33,315

Put some, put some crooks.

330

00:17:33,315 --> 00:17:34,605

Anyway, we don't want him to straight.

331

00:17:36,015 --> 00:17:38,325

Let him just flow right off your brush.

332

00:17:39,765 --> 00:17:41,865

He sits out here and

watches a little waterfall.

333

00:17:43,034 --> 00:17:44,175

Route coming out, down there.

334

00:17:45,945 --> 00:17:46,215

Yeah.

335

00:17:46,245 --> 00:17:47,925

His job is to watch the waterfall.

336

00:17:50,264 --> 00:17:50,925

Okay.

337

00:17:52,665 --> 00:17:58,365

Now then I will take some titanium

point and get a little bit of

338

00:17:59,675 --> 00:18:01,365

bright red, just a little bit.

339

00:18:02,669 --> 00:18:03,510

It's very strong.

340

00:18:03,810 --> 00:18:04,500

Be careful.

341

00:18:04,620 --> 00:18:05,939

It's easy to get too much.

342

00:18:06,629 --> 00:18:07,020

Pull it out.

343

00:18:07,020 --> 00:18:07,649

Very flattened.

344

00:18:07,649 --> 00:18:11,939

We wiped the knife off here and cut

across and we get our little roll of

345

00:18:11,939 --> 00:18:13,439

paint right on the edge of the knife here.

346

00:18:14,209 --> 00:18:14,629

Okay.

347

00:18:15,230 --> 00:18:17,330

Now then let's put some

highlights on these big trees.

348

00:18:18,860 --> 00:18:19,490

Let's touch.

349

00:18:19,669 --> 00:18:22,100

Give it a little tiny pool, not much.

350

00:18:22,250 --> 00:18:26,030

Just barely pull and just

let it sort of blend back.

351

00:18:28,610 --> 00:18:29,270

There we go.

352

00:18:31,919 --> 00:18:36,649

Just wherever, wherever, wherever there.

353

00:18:37,209 --> 00:18:41,570

See darker, darker, darker as it

works its way around the tree.

354

00:18:43,550 --> 00:18:46,790

If you start on that outside edge and

just keep working around that'll happen

355

00:18:46,790 --> 00:18:50,540

automatically, you don't have to worry

about it or anything else it'll happen.

356

00:18:50,990 --> 00:18:51,800

Just let it go.

357

00:18:51,800 --> 00:18:53,659

Let's put some on these

other trees back here too.

358

00:18:53,659 --> 00:18:54,620

We don't want them left out.

359

00:18:55,310 --> 00:18:55,730

Touch.

360

00:18:57,899 --> 00:18:59,190

Just touch, follow the tree.

361

00:18:59,220 --> 00:18:59,550

Right.

362

00:18:59,550 --> 00:19:05,930

I don't have to like, so like, so,

you know, ever since we've introduced

363

00:19:05,930 --> 00:19:10,879

these canvases, I think the first

one I did in the series was an oval

364

00:19:11,510 --> 00:19:14,330

and that has become one of the most

popular things we've ever done.

365

00:19:14,960 --> 00:19:18,290

All the different shapes and designs

that can be made here or there they're

366

00:19:18,290 --> 00:19:19,940

almost, there's no limit to them.

367

00:19:20,389 --> 00:19:21,710

There's absolutely no limit to them.

368

00:19:22,679 --> 00:19:25,590

My friend, Nat Canada, you were

to see some of the things he's

369

00:19:25,590 --> 00:19:28,590

making all kinds of Octa cousins.

370

00:19:29,459 --> 00:19:30,750

It just goes on and on.

371

00:19:32,129 --> 00:19:34,439

Let's just let your

imagination go contact.

372

00:19:34,439 --> 00:19:35,669

Paperwork's very good.

373

00:19:36,750 --> 00:19:38,459

And just cut out a design,

stick it right away.

374

00:19:40,310 --> 00:19:41,899

Paint your picture and pull it off.

375

00:19:42,740 --> 00:19:44,899

Can't believe some of the

effects I'm mixing a little,

376

00:19:45,469 --> 00:19:46,699

they look blue and white here.

377

00:19:46,760 --> 00:19:49,189

I'm going to give just a small

amount and just put a little

378

00:19:49,189 --> 00:19:50,719

touch on the back of the tree.

379

00:19:51,659 --> 00:19:58,889

Just to indicate a little

reflected light there, Mike, so a

380

00:19:58,889 --> 00:20:00,180

little bit on these other trees.

381

00:20:02,899 --> 00:20:03,389

There we go.

382

00:20:11,250 --> 00:20:11,670

Okay.

383

00:20:13,530 --> 00:20:18,300

Now then we go back, we'll get picked

up a little bit of Vandyke Brown

384

00:20:18,300 --> 00:20:19,260

and go right back in the middle.

385

00:20:19,710 --> 00:20:20,639

And just tap a little.

386

00:20:21,419 --> 00:20:22,470

All you're doing is tapping.

387

00:20:22,560 --> 00:20:24,899

Let the, let the canvas

pull off what it wants.

388

00:20:25,399 --> 00:20:25,889

Give you back.

389

00:20:25,889 --> 00:20:26,429

What's left.

390

00:20:27,990 --> 00:20:34,040

Just like my tax man does probably there's

nothing left hardly when he gets finished.

391

00:20:34,429 --> 00:20:41,300

They're like, so now when these,

when these trees dry they'll

392

00:20:41,300 --> 00:20:44,000

have texture, they'll feel like

they'll feel like real bark.

393

00:20:45,050 --> 00:20:45,450

Okay.

394

00:20:45,530 --> 00:20:46,490

Take our liner brush.

395

00:20:48,240 --> 00:20:50,790

Paint thinner and thinner.

396

00:20:50,879 --> 00:20:54,270

We'll use some black

and Brown to dark color.

397

00:20:54,330 --> 00:20:58,080

We want this to be thin, like

ink, see there to running.

398

00:20:58,200 --> 00:20:58,980

You can see it running.

399

00:21:00,000 --> 00:21:00,210

Okay.

400

00:21:00,240 --> 00:21:01,200

Load some paint on there.

401

00:21:01,200 --> 00:21:06,530

Let's go up here and let's come

right down in here and put some nice,

402

00:21:06,530 --> 00:21:08,330

big, strong arms on these trees.

403

00:21:10,399 --> 00:21:15,080

Tree needs an arm to get a hold

up the way he took the forest.

404

00:21:16,770 --> 00:21:18,330

But a bird has to have a place to sit.

405

00:21:18,330 --> 00:21:21,210

There he goes.

406

00:21:21,220 --> 00:21:21,340

Huh?

407

00:21:23,930 --> 00:21:30,740

And he goes, and this whole tree here,

Diego go, branch comes out here on out

408

00:21:30,740 --> 00:21:37,250

here cross just however many you want.

409

00:21:40,790 --> 00:21:41,210

Okay.

410

00:21:43,730 --> 00:21:44,960

Can you get a little more thinner?

411

00:21:46,255 --> 00:21:47,625

Let's do this old big tree here.

412

00:21:47,715 --> 00:21:50,595

Maybe there's one big old Liam pair.

413

00:21:50,595 --> 00:22:00,395

It is, it comes right down my cabin right

on down one right here, wherever you want.

414

00:22:00,695 --> 00:22:03,845

Just sort of look at your tree

and your painting and decide

415

00:22:03,845 --> 00:22:04,985

where you think limbs would be.

416

00:22:06,425 --> 00:22:06,965

Be right.

417

00:22:09,485 --> 00:22:10,175

There we go.

418

00:22:11,790 --> 00:22:14,100

There is when it goes on across the tree.

419

00:22:17,960 --> 00:22:18,050

Okay.

420

00:22:18,390 --> 00:22:21,290

If these are evergreen trees,

there's always a lot of old, dead

421

00:22:21,290 --> 00:22:22,940

looking films at hangout, wherever.

422

00:22:24,290 --> 00:22:25,130

Always a lot of them.

423

00:22:30,500 --> 00:22:31,010

Okay.

424

00:22:32,240 --> 00:22:32,720

Tell you what.

425

00:22:33,735 --> 00:22:35,655

Let's use the, let's use the oval brush.

426

00:22:36,074 --> 00:22:37,814

I'm going to go right

into black retool here.

427

00:22:37,814 --> 00:22:38,985

Now grab little SAP green.

428

00:22:38,985 --> 00:22:39,975

Just mix them on the brush.

429

00:22:39,975 --> 00:22:44,925

Shoot, black SAP, green, tap

some color into the bristles.

430

00:22:45,584 --> 00:22:46,395

Go right up in here.

431

00:22:47,084 --> 00:22:47,354

And.

432

00:22:48,450 --> 00:22:51,690

Wait, I'll just put the indication

so that oval brush makes all those

433

00:22:51,690 --> 00:22:54,630

beautiful little, little leafy effects.

434

00:22:54,660 --> 00:22:55,230

Very easy.

435

00:22:55,230 --> 00:22:59,610

All you do is just tap downward,

but as many, or as few as you want

436

00:22:59,610 --> 00:23:05,880

in there, it says green and black,

green, and black, very dark there.

437

00:23:06,630 --> 00:23:07,950

All those little hangie downs.

438

00:23:09,810 --> 00:23:13,439

Can you just go the other

tree over here and put some

439

00:23:13,439 --> 00:23:17,490

right here, like, so like, so.

440

00:23:20,460 --> 00:23:25,210

Okay, wherever, wherever, right?

441

00:23:25,210 --> 00:23:25,650

I don't know.

442

00:23:29,010 --> 00:23:29,310

Okay.

443

00:23:30,870 --> 00:23:33,420

Now I have another little

oval brush going here.

444

00:23:33,420 --> 00:23:37,110

I have two of them and that one

I'm going to go right into some CAD

445

00:23:37,110 --> 00:23:41,940

yellow and I reach up here and grab

a little black and make a nice green.

446

00:23:42,495 --> 00:23:45,615

Load the brush full of

paint, full of paint.

447

00:23:46,935 --> 00:23:49,845

And when you, after you pull it, I want

you to pull it and then give a little

448

00:23:49,845 --> 00:23:51,825

push that loads paint right on the tip.

449

00:23:51,855 --> 00:23:52,155

Okay.

450

00:23:52,995 --> 00:23:57,495

Now then all you have to do is

just go in here and lay some

451

00:23:57,495 --> 00:23:58,754

highlights on these trees.

452

00:23:59,355 --> 00:24:02,565

Some bright colors don't overdo.

453

00:24:03,795 --> 00:24:04,515

Don't overdo.

454

00:24:04,515 --> 00:24:06,975

It's too dark there.

455

00:24:09,675 --> 00:24:10,275

Super.

456

00:24:10,425 --> 00:24:13,995

It's a nice way of making some very

effective little evergreen trees.

457

00:24:13,995 --> 00:24:15,485

This one here have a few,

458

00:24:18,485 --> 00:24:21,665

however many you want, but sort of

look at the basic patterns here.

459

00:24:21,725 --> 00:24:22,925

Don't just throw them on at random.

460

00:24:23,615 --> 00:24:25,085

We talk about that over and over.

461

00:24:26,135 --> 00:24:27,425

Tree's he's got a personality.

462

00:24:27,485 --> 00:24:28,385

Don't want to hurt his feelings.

463

00:24:29,325 --> 00:24:29,775

Okay.

464

00:24:31,415 --> 00:24:34,715

That's pickle tree out here, but

didn't have a super nice, easy way to.

465

00:24:35,835 --> 00:24:37,695

Makes them very effective with evergreens

466

00:24:42,905 --> 00:24:43,145

are

467

00:24:46,175 --> 00:24:46,685

Kenny.

468

00:24:46,955 --> 00:24:48,125

You were at up in here.

469

00:24:49,805 --> 00:24:50,465

Shoot.

470

00:24:51,755 --> 00:24:52,265

Look at that.

471

00:24:52,835 --> 00:24:56,615

All kinds of little

things happening there.

472

00:24:58,425 --> 00:24:58,905

All right.

473

00:25:00,254 --> 00:25:01,274

Time to have some fun.

474

00:25:01,815 --> 00:25:03,225

Now I'm going to pull the tape off here.

475

00:25:03,495 --> 00:25:04,544

Let's see what we have.

476

00:25:05,595 --> 00:25:05,895

Okay.

477

00:25:06,014 --> 00:25:07,754

Let's bring the camera right

up here and watch here.

478

00:25:08,145 --> 00:25:08,715

It's right here.

479

00:25:12,345 --> 00:25:14,534

Just take it right off.

480

00:25:17,595 --> 00:25:20,325

And what did they say,

hula or whatever it is.

481

00:25:21,385 --> 00:25:25,304

You got a fantastic little painting

right there, but I like, I like

482

00:25:25,304 --> 00:25:27,814

these kinds of paintings because

you can run outside the borders.

483

00:25:27,814 --> 00:25:31,925

Now let's take our stream here and

let's just let this little stream just

484

00:25:31,925 --> 00:25:35,165

wander right on out of the borders.

485

00:25:35,375 --> 00:25:36,395

Let it go for waste.

486

00:25:37,850 --> 00:25:40,490

Let it go for a waste and I

want it captured in there.

487

00:25:43,649 --> 00:25:48,560

Let it go push up, make little colonies.

488

00:25:49,129 --> 00:25:51,170

And they're just wondering

right on off the canvas.

489

00:25:51,940 --> 00:25:52,340

I don't know.

490

00:25:55,370 --> 00:25:55,700

Okay.

491

00:25:55,760 --> 00:25:56,840

Then we can go back to her.

492

00:25:56,899 --> 00:25:59,899

They go two inch brush

and maybe look at there.

493

00:26:01,560 --> 00:26:04,080

We can bring this land area right on down.

494

00:26:04,890 --> 00:26:06,690

Just sort of let it wander right on out.

495

00:26:08,760 --> 00:26:11,130

And I love the way these

little pictures look.

496

00:26:11,220 --> 00:26:13,800

And if you're into selling

paintings, these son of a

497

00:26:13,800 --> 00:26:15,240

guns will sell like hotcakes.

498

00:26:16,080 --> 00:26:18,510

You can certainly make

a happy book with him.

499

00:26:19,800 --> 00:26:22,140

Tell you what I think we bought

have a completed painting.

500

00:26:22,140 --> 00:26:26,340

I'll take a little thinner, a

little bit of paint and let's

501

00:26:26,340 --> 00:26:27,390

sign this one right here.

502

00:26:27,540 --> 00:26:28,290

Call it finished.

503

00:26:29,520 --> 00:26:30,419

I hope you've enjoyed this.

504

00:26:30,449 --> 00:26:33,959

It's a little different

it'll really, it'll give you.

505

00:26:34,110 --> 00:26:35,399

It'll give you some excitement.

506

00:26:35,730 --> 00:26:36,689

It'll light up your life.

507

00:26:37,155 --> 00:26:38,025

From all of us here.

508

00:26:38,505 --> 00:26:39,195

Happy painting.

509

00:26:39,735 --> 00:26:40,515

And God bless.

510

00:27:03,870 --> 00:27:04,680

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S12E08 - Evening Waterfall

Bob Ross's

The Joy of Painting

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