Bob Ross's

The Joy of Painting

S13E13 - Lost Lake

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Hey, I'm glad to see you today.

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You ready to do a

fantastic little painting?

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Super tell you what let's have him run

all the colors across the screen that

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you needed home to paint along with me.

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And while they're doing that, let

me tell you what I've done already.

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We have our standard old canvas up here.

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It has liquid white all over

it, and it's ready to go.

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So let's do the same thing.

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I'm going to start out today.

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Well, the old two inch brush and go

into the smallest little amount of

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alizarin Crimson just a little bit,

and just tap the bristles into it.

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And by tapping the bristles that

assures a nice even distribution of

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color all the way through the bristles.

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Okay, let's go up here now.

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Maybe today we'll have a little pink

in the sky, just a small amount.

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I sincerely suggest that you

start with least little touch

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of a lizard and Crimson.

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You can always add more, but it's

a son of a gun to try to take it

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off a little bit, goes a long way.

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It goes a long, long way, and the

Crimson is continually blending

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with the liquid white and it gets

lighter and lighter in value.

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The more you you work at and I'm

just using a little crisscross

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strokes here, just like, so,

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okay.

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That's easy.

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Let's go.

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We won't even wash the brush.

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Shoot.

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We just go right into a

small amount of fallow blue.

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Once again, it takes very little paint.

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Just tap that.

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Let's go up here and what's drill.

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Still use our little crisscross

strokes and just put a little

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bit of blue around this pink.

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That'd be careful.

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Be very careful.

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The blue is so strong.

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They will absolutely consume your pink.

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They're blue is probably a hundred

times stronger than the Crimson.

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Came a little bit over here, like,

so just put it in, use a little

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crisscross strokes from the solid takes.

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There we go.

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Wherever you want it.

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And you can just have a little

stringy cloud here and there.

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If you want one, maybe you don't want one,

but if you do, that's all there is to it.

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You put all kinds of happy,

little things in there.

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There.

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I like to do skies.

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There's so many beautiful

effects you can make.

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There we go.

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Now let me wash the brush and it's

the fun part of this whole technique.

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Wash the old brush.

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Shake off the excess.

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And just beat the devil out of it now,

then with a clean, dry brush cleaning

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dry brush here, all we're going to

do is blend this together with the

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blue and the pink come together.

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Just blend.

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So you can't tell where one color

stops and the next color starts.

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There we go.

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Just blend it together.

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And maybe as usual, you know,

if you painted along with me,

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I'm such a fanatic for water.

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I put water in everything.

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I paint.

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Maybe we'll have a little

water in this one too.

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So while I have the old brush go

in here, put a little more of that.

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They will blue on it.

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Little bit more and maybe

we'll have some water in here.

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I don't know where it's going to be.

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Let's just put this down here and

we'll make that big decision later.

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Add a little black to that.

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So it's darker base, little,

little touch of midnight black.

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We just build a sentence.

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We'll make up her mind later.

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Midnight black.

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There we go.

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Now that wasn't so hard.

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Was it okay?

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No.

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Okay.

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Let's have some fun.

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Let's have some fun.

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Maybe today let's do a mountain.

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Let's do it, man.

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We'll take some black and some

blue, take a little alizarin

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Crimson and some Bandag Brown.

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Just mainly a good dark color.

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Good dark color.

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Pull the paint out, flat, cut across it.

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So we have our little roll of page,

head on the edge of the knife.

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Now then you have to make a big decision.

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Where does your mountain live?

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And your world, you decide,

maybe there's a peak there.

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Get a little more paint.

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Maybe this comes up.

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See, and just push very firmly.

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And puts your mountain in wherever

you want it, however you want it.

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That's exactly where it should be.

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There we go.

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And we just let this wander right.

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Scrape off all the excess paint.

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Get in there, get tough with it.

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You're not going to hurt it.

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Now we'll take a two inch progression.

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Grab that and pull it.

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Just pull it.

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I have a little trick.

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I want to distant mountain the

background back here, but I want

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it the same color, only lighter.

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So with a color that I've

pulled off this mountain.

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Watch here.

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We'll just go right back in here and

just take the brush and we'll tap in

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the indication for a little mountain

that leaves we back in the distance.

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It just sort of lays up here

in the sky and floats around

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very soft and very quiet.

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That way.

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It's the same value on the lighter.

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See that didn't had sneaky.

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Now, then we can go ahead and

pull this cover right on down.

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And we've got the base coat for big

old, fantastic mountain right there.

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Just like this blend right on off too.

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It just looks like it's

floating red along in there.

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That's just right.

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Just perfect.

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And then we can wash her brush.

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Yep.

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Of course the camera people hated

what I watched precious here there.

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Can we get them?

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All right.

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Let's put some highlights on this.

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And for that, I'm going to use titanium

white, just plain old titanium white, and

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I'll reach over here and get the least

little touch of the black and put in

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just so it graze it down a little bit.

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It makes it a little bit grayish.

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Pull it out as flat as you can get it.

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Just get tough with it.

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Cut across.

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And we have our little

roll of paint once again.

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And with that now, then we

can begin deciding where light

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would share him through there.

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Genesis, let the light come

through and bounce and play and

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have fun wherever you want it.

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There we go.

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No pressure.

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Absolutely no pressure.

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So you touch, just let it come on down.

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Now, if you have mountains in your

area or a different shape, change them.

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All I want to do is show you how.

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To make a mountain.

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I know this is not the shape of the

mountain everywhere, but if you could

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make one mountain, you could make a

million mountains and maybe, maybe,

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maybe in your area, there isn't

any mountains, then leave it out.

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If that's the way you

want your rural to be.

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I like mountains because they

teach you how to use these knives.

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And if you learn to use these

knives, uh, you're in business.

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And we'll take some quite a little bit of

pressure and blue, just a small amount.

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It's very strong.

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Reach over here and get the

least little touch of dark

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Sienna and just mix it marbly.

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And I've got the small knife here.

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Let me wipe it off, seeing, see,

okay, now cut across and you get that.

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There we go.

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Get that little roll of paint and there's

a multitude of colors happening there.

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The same as there is here now, then

let's put some shadows in here.

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Just touch.

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No pressure, no pressure, no pressure.

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That it just glide right down the

side of this right down the side.

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That all those little colors just happen.

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Maybe, maybe they don't all show up,

but in here, if you looking close up,

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you can see all those different colors.

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Same as they were in the paint.

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And now they're on the mountain.

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So you just put in your basic shape

here, pull it down, pull it down there.

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Now that see this peak here, he needs

his own individual little shadow.

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That way he'll stand out.

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There we go.

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We can take here and there a

little touch of dark color.

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You can go back and add

in little accents there.

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See, it makes those areas

deep and dark and mysterious.

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That's where the mountain

goat goes to hide.

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When I lived in Alaska, we saw a lot

of mountain goats and doll sheep, and

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all those beautiful, beautiful animals.

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There we go.

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Okay.

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You know, it's sort of sad in a way.

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It is, this is the last

show of the 13th series.

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Last one.

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We'll be back.

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We've already started

working on the next series.

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It's hard to believe there's Oh my God.

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There's nearly, there's nearly 170 shows.

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Now, if you, if you haven't had the

opportunity to see them all, and

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you'd like to give you a local station

to call, they have access to them.

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Just give him a call, tell

him you want to see him.

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Take a two inch brush and just tap,

following the angles to create a

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little mess down here at the base.

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There we go.

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You know, when I started this, I'd

never believed we would have this

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many television series that this

many fantastic people would watch us.

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And I'd like to thank you for

making this one of the most

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popular house, two shows ever.

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And I owe it all to you.

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You're fantastic.

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And from the very bottom of my

heart, I thank you for allowing

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me to be part of your family and

to come into your homes each week.

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That's so special there.

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Now see the nice Misty

area at the base of this.

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That's what we're looking

for and we're ready.

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We find this brush.

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Use the oval brush today, I'll take that.

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I had some mountain color left here.

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I'm going to add the least little

touch of SAP green to at least

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little touch and some white.

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There we go.

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Maybe a touch more of the SAP green.

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Yeah, that's nice.

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Okay.

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Clean off my knife.

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Let's take the oval brush today.

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It's fun to use.

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And then he's going to tap it in here

and tap it right into some color.

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It's easy to distinguish.

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It has a, has a black handle.

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Maybe there's some little footy

Hills and they live right here.

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A little foothills, just happy

little foothills because it's

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precious sort of roundish on top.

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It makes all these beautiful

new shapes almost automatically.

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Almost automatically there.

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Another thing that television series

has done, it's allowed me to introduce

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a lot of new products and a lot of

new ideas that I'd never had the

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opportunity to, to share with you.

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Things like the black Jesso,

the plexiglass pallets, liquid,

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black liquid clear oval brushes.

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All these things are

things that I designed.

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And I was allowed to, to show

them to you and that's fantastic.

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I hope you enjoy them and they make

your painting life much easier.

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Bring you, bring your ways of doing whole

new affects that you never had before.

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Okay.

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And I will take and pull down there.

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Even the knives I designed.

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And worked on each and every one of

them and change the shapes and made

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them all different ways till I got

them just the way that I wanted them.

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And I hope they work for you.

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I can't, I'm going right into right

into a little bit of the CAD yellow and

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I left the dirty color on the brush.

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So it turns green when you

touch it now, same brush.

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I'm going to go back in here and

just have the indication of a few

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little highlights here and there.

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Don't want too much detail.

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This is too far away.

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Too much detail would work against

you because when things are far, far

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away, all you see is basic shapes.

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Basic colors.

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There we go, maybe over here,

add a little yellow ochre.

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Some of them, I'm not

going to put anything.

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I'll just leave them.

257

00:12:48,645 --> 00:12:53,355

Like they are a little Indian,

yellow, all different colors

258

00:12:53,355 --> 00:12:56,025

of green, different planes

259

00:12:59,325 --> 00:13:00,195

that fantastic.

260

00:13:00,585 --> 00:13:01,755

And it only takes a second.

261

00:13:04,425 --> 00:13:05,175

Okay.

262

00:13:07,215 --> 00:13:09,255

Now then back to my knife.

263

00:13:10,830 --> 00:13:16,410

We'll take a little touch of

Vandyke Brown, just scraping

264

00:13:16,410 --> 00:13:17,850

the indication of a waterline.

265

00:13:20,160 --> 00:13:25,470

Like, so now we have foothills

overlooking a happy little Lake.

266

00:13:27,510 --> 00:13:30,170

Take a little liquid white, put

it on the pallet and we'll pull

267

00:13:30,180 --> 00:13:31,589

it out as flat as I can get it.

268

00:13:31,709 --> 00:13:34,350

Just really pull it out, get

it, just to get strong with it.

269

00:13:34,770 --> 00:13:36,300

Take the knife and cut across.

270

00:13:37,680 --> 00:13:39,089

And will that go up here?

271

00:13:40,079 --> 00:13:44,910

And you can just cut in a little

water line, just a little lighter

272

00:13:44,910 --> 00:13:51,209

you into the dark and it separates

that makes it stand out there.

273

00:13:53,220 --> 00:13:54,180

That's nice things.

274

00:13:55,770 --> 00:13:57,449

Maybe there's a happy little

ripple here and there.

275

00:13:57,449 --> 00:13:58,740

Keep these basically straight.

276

00:14:00,150 --> 00:14:04,260

And if you've painted with me before,

you know, we talk about it all the time.

277

00:14:05,400 --> 00:14:08,610

Now, then we find out we'll fan brush.

278

00:14:08,819 --> 00:14:09,300

There we go.

279

00:14:11,160 --> 00:14:17,250

I'm going to mix up, mix up a bunch of

color, black pressure, blue and Brown.

280

00:14:17,970 --> 00:14:20,130

There's some Crimson, some SAP green.

281

00:14:21,190 --> 00:14:22,830

Whatever, big pile of color.

282

00:14:22,920 --> 00:14:24,660

Just we don't have to.

283

00:14:24,660 --> 00:14:30,990

Overmix it just something like,

so clean off my knife, let's build

284

00:14:31,410 --> 00:14:32,970

some happy little evergreen trees.

285

00:14:33,010 --> 00:14:34,350

We'll do that with a fan brush.

286

00:14:35,610 --> 00:14:37,700

Just pull the brush

right through the paint.

287

00:14:38,720 --> 00:14:40,700

Like, so, okay.

288

00:14:40,910 --> 00:14:41,270

That's cool.

289

00:14:41,270 --> 00:14:44,630

Maybe there it is right here.

290

00:14:45,200 --> 00:14:45,290

Okay.

291

00:14:45,585 --> 00:14:48,105

There's a little evergreen, just

take the corner of the brush

292

00:14:49,475 --> 00:14:52,085

back and forth, back and forth.

293

00:14:52,125 --> 00:14:55,095

I think I've mentioned before

I had a lady in class one time.

294

00:14:55,095 --> 00:14:59,475

She called these Z trees like Zorro

and that's sort of a good analogy.

295

00:15:00,525 --> 00:15:05,145

You just sorta make little

Aziz work back and forth there.

296

00:15:07,425 --> 00:15:09,555

I've got old and decrepit.

297

00:15:09,585 --> 00:15:12,195

Now I told him I don't

teach too many classes.

298

00:15:13,275 --> 00:15:14,775

We send my son, Steve.

299

00:15:14,775 --> 00:15:17,865

He goes all over and teachers and

we have other fantastic teachers

300

00:15:18,345 --> 00:15:19,545

travel all over the country.

301

00:15:21,255 --> 00:15:22,275

I let him do the teaching.

302

00:15:24,075 --> 00:15:24,705

There we go.

303

00:15:25,595 --> 00:15:26,285

I can forward

304

00:15:29,715 --> 00:15:30,045

there.

305

00:15:31,245 --> 00:15:35,055

Maybe, maybe in here, let's

just put the indication, pointed

306

00:15:35,065 --> 00:15:36,225

his killers, my little Lake,

307

00:15:39,455 --> 00:15:40,365

the indication here.

308

00:15:41,880 --> 00:15:46,450

And all I'm doing is

tapping down, tapping down.

309

00:15:46,450 --> 00:15:46,590

Right.

310

00:15:47,100 --> 00:15:48,960

We're going to push that

little Lake right back into the

311

00:15:48,960 --> 00:15:51,810

distance, maybe here and there.

312

00:15:53,790 --> 00:15:57,540

So tree that's little bit, a

little bit more detailed in him.

313

00:15:57,740 --> 00:15:58,410

There, there.

314

00:16:00,030 --> 00:16:00,720

Stay there.

315

00:16:00,840 --> 00:16:01,170

Okay.

316

00:16:01,230 --> 00:16:02,400

We'll give him another one right there.

317

00:16:04,620 --> 00:16:06,720

And you can put as many or

as few of these as you want.

318

00:16:08,010 --> 00:16:08,820

Tell you what?

319

00:16:09,720 --> 00:16:11,070

We'll have another big one over here.

320

00:16:14,100 --> 00:16:15,390

I said I was covering up the Lake.

321

00:16:15,390 --> 00:16:16,080

I wasn't kidding.

322

00:16:17,700 --> 00:16:18,350

I keep going.

323

00:16:18,360 --> 00:16:20,370

It's just going to be a

mud puddle left out there.

324

00:16:21,780 --> 00:16:22,589

Another big tree.

325

00:16:24,329 --> 00:16:24,839

That's all right.

326

00:16:24,839 --> 00:16:28,439

We don't know how big it is behind all

these evergreens that are living here.

327

00:16:30,240 --> 00:16:31,709

It may be a huge Lake.

328

00:16:33,990 --> 00:16:34,709

There we go.

329

00:16:37,349 --> 00:16:37,709

Okay.

330

00:16:37,750 --> 00:16:38,459

That's too slow.

331

00:16:38,910 --> 00:16:39,359

Shoot.

332

00:16:39,990 --> 00:16:42,689

Let's have some fun go

into the big old brush.

333

00:16:43,500 --> 00:16:45,030

It we'll take that same color mixture.

334

00:16:45,089 --> 00:16:48,780

Pull the brush through the paint

in one direction, one direction.

335

00:16:49,589 --> 00:16:49,920

Now, then.

336

00:16:50,535 --> 00:16:52,875

Let's have some nice big

trees and stuff over here.

337

00:16:55,175 --> 00:16:56,025

Just take his pressure.

338

00:16:56,055 --> 00:16:58,905

Push, bend the bristles, the bristles.

339

00:16:59,205 --> 00:17:00,105

Don't let them slide.

340

00:17:02,865 --> 00:17:03,885

Don't let him slide.

341

00:17:06,315 --> 00:17:06,825

There we go.

342

00:17:09,165 --> 00:17:10,035

There we go.

343

00:17:11,625 --> 00:17:15,105

You can do, you can do anything.

344

00:17:15,105 --> 00:17:21,825

If you want to do all you have to do

is believe anything that you believe

345

00:17:21,825 --> 00:17:23,955

you can do, you can do, you can do.

346

00:17:29,445 --> 00:17:30,585

See, we could fill all this up.

347

00:17:31,245 --> 00:17:32,764

You could use your shoe to put this over.

348

00:17:32,764 --> 00:17:33,375

It doesn't matter.

349

00:17:34,754 --> 00:17:36,855

This is a good place though,

to practice your brush strokes.

350

00:17:36,855 --> 00:17:41,695

All I'm doing here is putting

in background color to

351

00:17:41,695 --> 00:17:42,645

just putting in the dark.

352

00:17:43,065 --> 00:17:44,115

So the light will show.

353

00:17:45,840 --> 00:17:46,470

There we are.

354

00:17:51,960 --> 00:17:52,980

We just fill all this up.

355

00:17:57,240 --> 00:17:57,780

Okay.

356

00:18:04,730 --> 00:18:09,020

We put all this water down here and

all this left is a tiny little Lake.

357

00:18:10,320 --> 00:18:13,680

Tiny little Lake and that's, what's

so fantastic about painting like

358

00:18:13,680 --> 00:18:16,290

this, right in the middle of the

painting, you can change your mind.

359

00:18:17,160 --> 00:18:19,830

You have total and complete freedom.

360

00:18:21,030 --> 00:18:24,840

When I was traditional painter,

I never felt free here.

361

00:18:24,840 --> 00:18:25,470

I feel free.

362

00:18:25,890 --> 00:18:27,600

Pull the paint out, flat, cut across.

363

00:18:27,600 --> 00:18:29,340

And once again, we have

our little roll of paint.

364

00:18:30,390 --> 00:18:31,110

Let's go up here.

365

00:18:32,430 --> 00:18:33,780

Put the indication just here.

366

00:18:33,780 --> 00:18:38,220

And there are some little tree

trunks just wherever you want them.

367

00:18:38,670 --> 00:18:47,580

Just Brown and white, Brown and white

they're scratched through the paint,

368

00:18:48,490 --> 00:18:53,790

make the indication, all kinds of

little sticks and twigs and stuff there.

369

00:18:54,149 --> 00:19:00,240

People think you work for weeks putting

all those in that's our secret secret.

370

00:19:00,870 --> 00:19:02,639

Then we'll get a plain one inch brush.

371

00:19:04,440 --> 00:19:08,340

Let's see here, we'll dip it into

some liquid white and go right

372

00:19:08,340 --> 00:19:09,840

into our yellow reach up in here.

373

00:19:09,840 --> 00:19:12,630

I'll get a little of that dark color

was using because it has a blue and

374

00:19:12,630 --> 00:19:17,280

it'll turn green, our golden rule,

then paint sticks to thick paint.

375

00:19:17,280 --> 00:19:20,940

So I stuck it into the liquid white

first, only to thin the paint,

376

00:19:21,000 --> 00:19:22,380

pull the brush in one direction.

377

00:19:23,330 --> 00:19:23,630

Okay.

378

00:19:24,650 --> 00:19:29,750

Now then let's begin putting all kinds

of beautiful little leaves on these.

379

00:19:31,100 --> 00:19:32,540

Put some sparkers up here.

380

00:19:33,540 --> 00:19:36,959

Work in layers of always working

in layers, completing the most

381

00:19:36,959 --> 00:19:41,879

distant layer first and coming

forward forward, forward forward.

382

00:19:44,520 --> 00:19:49,320

And you can put layer after layer after

layer, just beautiful little bushes.

383

00:19:49,949 --> 00:19:51,179

Don't let the brush slide.

384

00:19:52,530 --> 00:19:53,189

The other thing.

385

00:19:54,150 --> 00:19:55,350

It causes a lot of problem.

386

00:19:55,380 --> 00:19:56,580

It's just hitting it random.

387

00:19:56,580 --> 00:19:57,450

Don't hit it random.

388

00:19:57,990 --> 00:19:59,130

Let's go over the other side here.

389

00:19:59,250 --> 00:20:00,540

One off this one left out.

390

00:20:02,040 --> 00:20:03,030

Don't hit it random.

391

00:20:03,040 --> 00:20:03,930

Think about it.

392

00:20:04,110 --> 00:20:04,860

Think about it.

393

00:20:07,350 --> 00:20:08,100

There we go.

394

00:20:10,590 --> 00:20:13,920

There's branches and Liam's inside

this tree and each one of them is an

395

00:20:13,920 --> 00:20:16,560

individual has its own personality.

396

00:20:18,630 --> 00:20:18,930

There.

397

00:20:21,585 --> 00:20:26,715

Okay, little more of the liquid

white, little more of a dark

398

00:20:26,715 --> 00:20:27,915

color to make a dark green.

399

00:20:27,915 --> 00:20:29,235

Maybe there's a happy little Bush.

400

00:20:29,535 --> 00:20:29,775

Yep.

401

00:20:29,895 --> 00:20:30,315

You're right.

402

00:20:30,405 --> 00:20:31,185

He lives right there.

403

00:20:33,165 --> 00:20:33,855

There we go.

404

00:20:34,405 --> 00:20:40,425

Wherever you want them, where

ever there is another one

405

00:20:45,315 --> 00:20:47,475

super way to make some little

grass here is all this.

406

00:20:49,020 --> 00:20:54,000

Wipe that off a little, we use the same

old, dirty brush, two inch brush, and

407

00:20:54,000 --> 00:20:57,300

I'm go right into this yellow it's dirty.

408

00:20:57,300 --> 00:20:58,500

It's got all those colors on it.

409

00:20:58,500 --> 00:21:02,399

So it also is going to

turn green, just tap added.

410

00:21:02,970 --> 00:21:06,930

Maybe, maybe there's just some soft little

grassy areas that live right back in here.

411

00:21:08,250 --> 00:21:09,830

All you have to do is tap.

412

00:21:11,639 --> 00:21:14,879

And the more you tap these a

softer, the other two, they look

413

00:21:15,659 --> 00:21:17,129

just like velvet laying out here.

414

00:21:19,050 --> 00:21:21,210

They're layer after layer.

415

00:21:21,750 --> 00:21:24,720

Once again, start is starting

in the background and work

416

00:21:24,720 --> 00:21:28,230

forward, always working forward.

417

00:21:30,350 --> 00:21:30,950

There we go.

418

00:21:35,750 --> 00:21:36,230

Okay.

419

00:21:36,260 --> 00:21:41,030

Just work in layers where

it can layers there.

420

00:21:44,629 --> 00:21:45,050

Okay.

421

00:21:45,500 --> 00:21:49,160

Now that must have some on

the other side to bring this

422

00:21:49,160 --> 00:21:51,330

down, it comes right on down.

423

00:21:51,379 --> 00:21:53,780

I can't see you there.

424

00:21:55,490 --> 00:21:56,840

Just let it flow right out of there.

425

00:22:01,170 --> 00:22:01,980

There we go.

426

00:22:06,380 --> 00:22:06,590

Hmm.

427

00:22:06,650 --> 00:22:09,740

Isn't that fantastic,

big old brush by can't.

428

00:22:09,750 --> 00:22:12,560

You can make something, it

looks so delicate and so soft.

429

00:22:13,520 --> 00:22:15,680

And you can, you really Camden?

430

00:22:20,775 --> 00:22:24,585

Okay, but notice here, we're

worried about the lay of the land.

431

00:22:24,585 --> 00:22:27,855

I want this to look like it sort

of comes down and this is where

432

00:22:27,855 --> 00:22:33,285

you create that illusion, these

little grassy areas to give the

433

00:22:33,285 --> 00:22:35,985

indication of the way the land flows.

434

00:22:37,625 --> 00:22:39,515

Tell you what, let me

find my fan brush here.

435

00:22:39,515 --> 00:22:43,955

It's got put some Vandyke Brown

on it and just loaded for today.

436

00:22:44,125 --> 00:22:46,295

Loaded for maybe back in here.

437

00:22:47,280 --> 00:22:49,260

It's just a happy little path.

438

00:22:49,600 --> 00:22:53,969

It comes right along here, maybe

on, around wherever you want it.

439

00:22:55,949 --> 00:22:56,879

Just a little path.

440

00:22:56,909 --> 00:23:00,449

Now I take the same brush

and add a little white to it.

441

00:23:01,860 --> 00:23:03,480

Just a little titanium height.

442

00:23:03,610 --> 00:23:04,709

Just let it graze that

443

00:23:07,889 --> 00:23:10,139

there and that easy.

444

00:23:10,139 --> 00:23:11,459

We got a nice little path.

445

00:23:15,300 --> 00:23:22,160

Maybe, maybe there's a little stone over

here and there's also a little stone

446

00:23:22,370 --> 00:23:23,540

right here, wherever you want to lose.

447

00:23:23,540 --> 00:23:24,530

Tom, just drop it down.

448

00:23:26,090 --> 00:23:27,230

Take a little Brown and white.

449

00:23:28,820 --> 00:23:32,060

That'll highlight it on these stones

and they'll stand out as individuals.

450

00:23:33,860 --> 00:23:38,660

Now, then we can take just a clean

knife scrape through the application

451

00:23:38,840 --> 00:23:41,720

of some sticks and twigs and

all these little things in here.

452

00:23:42,870 --> 00:23:46,110

And same thing on the other side,

this is a great breakthrough.

453

00:23:50,480 --> 00:23:53,180

Tell you what let's get crazy.

454

00:23:54,920 --> 00:23:56,660

Take Vandyke Brown on the fan brush.

455

00:23:56,930 --> 00:23:57,680

Lot of paint.

456

00:23:58,790 --> 00:23:59,660

Let's go right up here.

457

00:24:00,170 --> 00:24:00,560

Maybe.

458

00:24:02,060 --> 00:24:02,629

Here we go.

459

00:24:03,230 --> 00:24:04,340

This is your brave retest

460

00:24:07,720 --> 00:24:08,510

right through there.

461

00:24:08,960 --> 00:24:10,850

We will put a happy tree trunk.

462

00:24:12,405 --> 00:24:17,925

And if that's not enough that didn't

challenge your bravery, that's

463

00:24:17,925 --> 00:24:23,054

do one over here, a bigger one on

the other side, and we will have a

464

00:24:23,054 --> 00:24:25,425

nice tree on each side like that.

465

00:24:27,645 --> 00:24:32,595

You can take her knife, a little

bitter Brown and white, and let's

466

00:24:32,595 --> 00:24:33,855

just put the indication here.

467

00:24:33,855 --> 00:24:36,764

And there are some

highlights on these trucks.

468

00:24:36,794 --> 00:24:39,195

All I'm doing is just

touching it, just touch it.

469

00:24:41,115 --> 00:24:42,435

There let's go.

470

00:24:42,435 --> 00:24:44,985

The other one, leave a

little bit on this one.

471

00:24:44,985 --> 00:24:51,705

Don't even lift out like,

so now turn liner brush.

472

00:24:52,365 --> 00:24:55,155

I'm gonna dip it in paint thinner,

and then go right into the Brown.

473

00:24:55,155 --> 00:25:00,855

I want this paint to be as thin as

ink, then Izzy turn to her and it

474

00:25:01,274 --> 00:25:03,105

brings the bristles to a nice point.

475

00:25:04,034 --> 00:25:06,915

Then we can go out here and

let's just put the indication.

476

00:25:07,500 --> 00:25:12,600

Have some nice tree limbs on this

and we'll put some leaves on there.

477

00:25:12,600 --> 00:25:17,460

So you don't have to put too many, we're

going to cover up most of them anyway, but

478

00:25:17,460 --> 00:25:25,230

if you have trouble making the paint flow,

add more thinner or thinner, there we go.

479

00:25:25,290 --> 00:25:30,600

Let's go in the other one,

give him some arms to God.

480

00:25:30,600 --> 00:25:34,410

I have an arm here so he can stand up and

wave at the sun and talk to the mountain.

481

00:25:34,980 --> 00:25:36,420

Birds, got to have a place to sit.

482

00:25:38,370 --> 00:25:41,400

Yeah, one of the earlier in one

of the earlier series, I showed a

483

00:25:41,400 --> 00:25:42,810

little Robin that I was raising.

484

00:25:44,640 --> 00:25:46,620

We're still getting calls

about the little Robin.

485

00:25:47,370 --> 00:25:51,870

And then on the next series, I'm using

the oval brush here on the next series.

486

00:25:52,274 --> 00:25:54,705

I showed the little

Robin being turned loose.

487

00:25:55,754 --> 00:26:01,304

So in case you didn't see that particular

show, the little Robin grew up and

488

00:26:01,304 --> 00:26:04,095

we let him go and he's doing fine.

489

00:26:04,095 --> 00:26:07,784

As far as we know, there we go.

490

00:26:07,794 --> 00:26:12,585

Just happen in some, some nice

leaves on these old trees there.

491

00:26:16,875 --> 00:26:19,395

Okay, let me grab my other

oval breasts with green on it.

492

00:26:19,544 --> 00:26:24,014

We'll put a few highlights and this

little painting will be about finished.

493

00:26:24,945 --> 00:26:30,735

And once again, I'd like to

thank you for allowing me back

494

00:26:30,735 --> 00:26:32,175

in your home for another series.

495

00:26:32,895 --> 00:26:34,665

And I look forward to

the next one coming up.

496

00:26:34,695 --> 00:26:36,675

My gosh, the next one will be number 14.

497

00:26:37,965 --> 00:26:40,125

And if you'll have us,

we'll be back with you.

498

00:26:41,550 --> 00:26:42,270

There we go.

499

00:26:42,360 --> 00:26:47,850

And with that, I think we have a finished

painting and I'd like to tell you on

500

00:26:47,850 --> 00:26:51,660

behalf of the entire crew here, it

takes a lot of people happy painting.

501

00:26:52,125 --> 00:26:52,695

God bless.

502

00:26:52,695 --> 00:26:53,925

And we'll see you next time.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S13E13 - Lost Lake

Bob Ross's

The Joy of Painting

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