Bob Ross's

The Joy of Painting

S11E06 - Oval Barn

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It'll come back, get your paints

ready, easel set up and already

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do a fantastic painting with me.

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Good.

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Tell you what let's have him run all

the colors across the screen that

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you need to do this painting with me.

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And while they're doing

that, let's go on up here.

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Let me tell you what I've already done.

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I've covered this canvas,

which is an 18 by 24 is usual.

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I've covered it with a piece of

contact paper that has an oval cut.

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And now this is just normal contact paper.

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You can pick up at your local hardware

store, grocery store, whatever.

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I've just cut an oval out

of it, stuck it on there.

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And then I've covered this whole inside

with liquid white, as we normally do.

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Other than that, there's

nothing different about that.

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I thought today we'd do a fantastic

little winter scene that I really

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think you're going to enjoy.

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So tell you what let's go on up here and

get started and we'll take right off.

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I'm going to start out today

with a small amount of pressure

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and blue, just a little bit,

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and a little touch of midnight black.

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So we have pressure and

blue and midnight black.

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Okay.

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And just mix them right

on the brush, Alexa.

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Okay, let's go right up here now using

the little crisscross or X strokes.

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Let's just make a happy little sky and

see how you're making these little exes.

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Just like, so start at the top

and work downward by starting

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at the top and working downward.

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You're painting a mix with the

liquid white and automatically

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your sky will get lighter.

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Toward the horizon.

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And this is one of those little tricks

that helps create the illusion of

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depth and distance in your painting.

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Still using the little crisscross

strokes, just like, so this is just

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pressing blue and midnight flags.

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Okay.

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Yeah.

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Then while I have that color

still in the brush, maybe we'll

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have a little water in this.

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I love water.

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So I use the same color.

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It's just blue and black for black

and blue, whatever you prefer.

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Okay.

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Let's go right in here and I'll just

go right across, like, so I don't know

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exactly where the water is going to be.

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So anything that's not water.

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We'll make it snow, winter,

Siemens, all of this can be shadows.

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Really doesn't matter where you put this.

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Just, just have fun.

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Let's wash your brush and we wash her

brush with good old odorless dinner.

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And be sure it's odorless, or if

it's not sound of a gun, you're going

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to get run right out of the house.

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You gotta be working out in the

yard, shake off the excess, then

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just take out all your hostilities.

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This is really where you have fun now

then, but a good clean, dry brush.

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And we'll start in the

light area and blend up.

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We're still using the little

crisscross strokes, the leg

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strokes, just blend up, like, so.

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very lightly.

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We just go across and take

out all those breaststrokes.

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So it's pretty smooth.

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And if there's any areas that

are real dark, just blend them

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and they'll blend right here.

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Liquid white underneath is fantastic.

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And we'll take out all those dark areas.

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Now I'd like to put a little black

in this guy since it's winter.

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I want, I want to give the

impression if it's cold, just go

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across this just to smooth it out.

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Okay.

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Net quick.

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We have a happy little sky, not a day.

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Let's make some clouds up here.

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And for that, we'll use the one

inch brush and you can make these

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clouds with a one inch brush, a

two inch brush fan brush shoot.

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You can make them with your shoe.

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It's no big deal.

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Just taking, pull this brush through the

paint, get a lot of paint on the brush.

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Canucks go right up here.

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You have to make a big decision.

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Where does your cloud live?

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I think, I think yup.

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He lives right here and making tiny

little circles, tiny little circles

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continually, just like so C just

happy little circles, clouds, boy.

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They just float around and have a

good time and let your brush do that.

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They're his maybe.

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Okay.

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Let's have another one down here.

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Wherever you think a cloud lives that's

exactly where that son of a gun lives.

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Just drop it in there.

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Okay.

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Now I'm going to take a clean,

dry two inch brush and use

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just the top of the brush.

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And very gently blend the bottom of the

cloud out, just blend the bottom of it out

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and we're not touching the top at all yet.

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Now then we grab it and fluff it.

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Just fluff it up and do

this in circular strokes.

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Avoid doing it straight up where it look

like it's raining up or out of body and

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a really body, the same thing down here.

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Just blend it out.

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Fluff it.

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Fuck it.

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Fuck it.

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I can go across now sometimes when you're

painting clouds, it's fun to do layers of

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clouds, one on top of the other, so, okay.

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Completely finished one and

then come back and watch here.

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See, we can go right in here and

drop in another happy little clouded.

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Maybe he lives right underneath here.

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It doesn't matter or whatever.

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You can put as many or as few

clouds in your world as you want.

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Take her brush, give it a good

little wrap and do the same thing.

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Just blend it out a little bit.

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See there and then pull it.

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And this is two hairs and some air.

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In other words, it's extremely gentle.

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The paint that we use is very firm.

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So you can do all this blending

without becoming a mud mixer.

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If you use a very soft slimy

paint, you're in trouble.

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The only time we you saw paints is for

highlights and normally that's yellow.

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Yellow is normally

always a highlight color.

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So that can be very soft, but these

base colors, you need to be strong.

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Very, very strong.

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Tell you what let's do.

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Let's put some little trees

back here in the background.

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I'll mix up, uh, some black.

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Some blue, black, and blue, and

a little bit of Vandyke Brown.

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Okay.

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Let me clean off my knife and we'll take

the round brush and we're going to tap.

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Just tap that right in there.

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Like, so just like, yes, now that

I want some background trees back

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in here, so all we're looking

for right now is basic shapes.

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Start at the bottom of

the tree and work upward.

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So the bottom is darker than the top

and put into some very basic shapes.

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I think I'll put a whole line across here.

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We don't just have trees all the way

across, you know, and in the last series

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I showed a little bird, a little, a little

Robin that I was raising them that had

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lived with me since he was just a baby.

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And we've had so many people

write and tell us that they've,

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they've watched this and they

want to know what happened to him.

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Let me show you the Robin.

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This little bird was orphaned

and he lives with me now.

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And I feed him every day

and take care of him.

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And pretty soon he's

going to be a big bird.

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He's going to learn to fly, and

we're going to turn him loose

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and send him back to nature.

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Now, just recently,

myself and Diane Schaffer.

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She's the bird lady here in Muncie.

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We released that Robin

when he was full grown.

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I had raised him from a little tiny

baby until he was a big bird and Diane

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and I let him go close to her house.

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And that's really it.

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There he went.

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That really makes it all worthwhile.

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All right.

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Gosh, I must've, I must've spent half

my life for a while there running

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around chasing earthworms to, to defeat

this little Robin, but I just wanted

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you to see that he was all right.

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Uh, he grew up.

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And I was so proud to

let him go this year.

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I raised seven little birds and they all,

we had, we had everything from Robbins

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to starlings, even I even raised some

starlings and I know they may not be the

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best bird in the world, but I like them.

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I like all the little birds.

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There we go.

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And the lady you saw there on

the screen that was with me.

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So I say, she's the bird

lady here in Muncie.

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And we're trying to put

together a show him.

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That was showing what she does and

how she takes care of all these birds.

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And maybe you'll get to

see that in the future.

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Okay.

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I've put the little trees all

back here in the background.

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I just want to create a little

mist at the base, so I'm just going

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to tap, give it a little rub tap.

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then give it a little upward lift.

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See there.

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It makes it nice and Misty and soft.

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Now then let me wash that round

brush, wash it the same way.

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There's a screen in the bottom

of this bucket that I scrubbed

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the brush against shake it off.

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And it's almost as much

fun as a big brush.

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Now that let's have some

snow on top of it, all these.

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So I'm going to write into the

titanium white kind of want

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to tap to have firmly use it.

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Top of these bristles is where you

really want to do the tapping curette

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up in here and get some paint off.

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Okay.

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All right, let's go right up in here.

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Now you was just the top bristles

and begin laying all kinds of little

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snow covered areas on these trees.

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Let's see there, you can just put

thousands and thousands of leaves just

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with a couple of strokes, but layer these,

see that once again, creates distance.

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I know you get tired of hearing

me say about distance, but I

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think it's so important that

paintings have distance in them.

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So many paintings are, are flat

and then you don't like them.

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And I want you to be happy with

what you learned and what you do.

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We get letters from people all over the

country saying it's working for them,

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that they're turning out some of the

most beautiful paintings you've ever

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seen, and they've never dreamed they

could even paint and they can, and

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you can't, you really can't do this.

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We show you everything

that you need here to do.

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Fantastic paintings,

absolutely fantastic paintings.

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And we have teachers that

travel all over the country.

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Like my son, Steve.

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Well, that'll sound good.

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And you've seen how, maybe on some

of the other shows a little bitty

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fellow he's over six, four, he

travels around and teaches people.

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He's a lot of fun and there's

about a dozen other teachers.

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If you ever get a chance to go watch

it, they give demonstrations all over

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the country and you'll enjoy them.

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Okay, man, we have some little

snow covered trees back here.

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We can take our knife, just go in

here and scraping the indication

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of some little trucks and limbs and

sticks, twigs, all kinds of things.

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You got to have all these trees.

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Cause my Robin has to have

a place to hide up here.

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There we go.

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I hope you enjoyed seeing that

little rascal as much as, as much

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as I enjoyed bringing him to you.

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I am.

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I'm sort of proud of him.

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It's like another kid.

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Okay, man, I'm going to take titanium

white on the two inches brush.

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Just pull it through the paint.

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A lot of paint on the brush.

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Let's go right up here now.

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Then we have to make some big decisions.

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Whereas the snow, I think

it's we're right there.

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Right there.

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Stay there that easy.

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That easy.

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You just make a decision, decide

where you snow lives and pull it here.

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Just drop it him.

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There we go.

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And you can put all

different angles in here.

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So that it's not just monotonous,

not just one flat angle, but now if

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you want it flat, this is your work.

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So you make it any way you want it.

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There we go.

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Isn't that super, that easy.

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So two inch brushes, what was the

son of a gun you can really get in

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there and build some snow in a second.

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Tell you what let's do.

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Let's have some fun today.

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Maybe we'll put an old barn out here and

maybe one of the easiest ways that I've

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found to do barns and buildings of any

kind is take your knife and scrape out

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a basic shape, or you want him to live.

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This removes excess paint

and allows you to lay it out

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without really being committed.

247

00:13:08,280 --> 00:13:09,840

Maybe we'll do a weird shape on the day.

248

00:13:09,870 --> 00:13:10,350

What the heck?

249

00:13:10,380 --> 00:13:12,900

You can do any shape barn in

your painting that you want.

250

00:13:14,130 --> 00:13:14,610

Okay.

251

00:13:14,640 --> 00:13:15,600

Now come over here.

252

00:13:16,260 --> 00:13:25,530

I think something like that and down

here, down here, whatever, but see how

253

00:13:25,530 --> 00:13:28,320

easy it is to lay that whole thing out.

254

00:13:28,950 --> 00:13:29,880

And you're not committed.

255

00:13:30,210 --> 00:13:31,140

Now we can go in here.

256

00:13:31,170 --> 00:13:32,190

Let's start with some plight.

257

00:13:33,120 --> 00:13:33,930

Let's go in here.

258

00:13:34,740 --> 00:13:35,160

Watch here.

259

00:13:35,190 --> 00:13:35,940

Well, let me do it this way.

260

00:13:35,940 --> 00:13:37,140

This is the best way.

261

00:13:37,140 --> 00:13:39,960

So you stay in the lines, so

you just sort of outline it.

262

00:13:40,590 --> 00:13:41,610

Just started out by it.

263

00:13:41,730 --> 00:13:44,610

That'll help you keep it

nice and smooth on the edges.

264

00:13:44,640 --> 00:13:47,850

Then pull down, see how

straight that line is.

265

00:13:49,860 --> 00:13:50,280

Sneaky.

266

00:13:51,090 --> 00:13:52,890

I'll look for those

easy ways to do things.

267

00:13:54,900 --> 00:14:00,030

Roof comes right down like that,

right on down and over here.

268

00:14:00,210 --> 00:14:01,290

I need a little bit of snow.

269

00:14:01,770 --> 00:14:02,220

There it is.

270

00:14:04,290 --> 00:14:08,970

Well, we're stuck at build a barn

up quick now, but Vandyke Brown.

271

00:14:10,335 --> 00:14:17,465

Okay right in here, I had a little E or an

overhang spam on you, some Bendigo Brown

272

00:14:17,465 --> 00:14:19,115

and dark Sienna sort of mixed together.

273

00:14:19,925 --> 00:14:22,415

And we'll start off by just

putting some dark in here.

274

00:14:22,445 --> 00:14:24,695

We need dark in order for a light to show.

275

00:14:26,740 --> 00:14:30,270

Have to have dark for the light to

show you put light against light.

276

00:14:30,720 --> 00:14:32,940

You have nothing dark against dark.

277

00:14:32,940 --> 00:14:33,570

You have nothing.

278

00:14:34,650 --> 00:14:38,880

Painting is just to continually dark

against light, light against dark

279

00:14:42,520 --> 00:14:43,640

clean off the old knife.

280

00:14:44,030 --> 00:14:45,290

And then let's put some color in there.

281

00:14:46,700 --> 00:14:47,840

I'll take some dark Sienna.

282

00:14:48,955 --> 00:14:50,755

Some bright red mix it together.

283

00:14:53,185 --> 00:14:55,015

Let's put the least little

touch of white in there.

284

00:14:55,075 --> 00:14:55,885

Oh, that's nice.

285

00:14:56,245 --> 00:14:57,145

Don't overmix it.

286

00:14:57,175 --> 00:15:01,105

Leave it about like, so cut

off a little roll of paint.

287

00:15:01,645 --> 00:15:03,025

So you haven't even there.

288

00:15:03,055 --> 00:15:05,395

It's all mixed and marbled.

289

00:15:05,905 --> 00:15:06,145

Okay.

290

00:15:06,175 --> 00:15:06,865

Let's go right up here.

291

00:15:07,525 --> 00:15:09,055

And I'm going to just take

the edge of the knife.

292

00:15:10,064 --> 00:15:11,685

And just sort of bounce across.

293

00:15:11,865 --> 00:15:15,555

If you get some down to snow, like I am

Victoria, you just take it right off.

294

00:15:17,135 --> 00:15:18,125

We'll just slip that off.

295

00:15:18,844 --> 00:15:19,594

Don't worry about it.

296

00:15:20,375 --> 00:15:21,725

See a little bit right in there.

297

00:15:22,895 --> 00:15:24,064

Now we take our knife.

298

00:15:25,395 --> 00:15:25,605

Okay.

299

00:15:25,935 --> 00:15:27,795

And do a cabin ectomy

300

00:15:31,005 --> 00:15:32,415

easy and safe.

301

00:15:32,444 --> 00:15:39,495

Gives the impression of a lot of little

boards that easy now, a darker color.

302

00:15:39,675 --> 00:15:40,814

And we come right in here.

303

00:15:42,944 --> 00:15:43,454

There we go.

304

00:15:44,084 --> 00:15:45,555

That's a little darker, not as that.

305

00:15:45,615 --> 00:15:46,665

Light's going to hit in there.

306

00:15:49,680 --> 00:15:50,700

Show you a little trick.

307

00:15:51,270 --> 00:15:54,540

Let's get us some Brown on the

knife here and cut right down

308

00:15:54,540 --> 00:15:57,360

here and look, see, we have that

little roll of paint on the knife.

309

00:15:57,360 --> 00:15:59,700

It's so important that you

have that little roll of paint.

310

00:16:00,500 --> 00:16:05,720

Now, maybe, maybe there's a

little opening under here.

311

00:16:05,760 --> 00:16:12,680

So just put dark right here, there just

a little bit of dark now over in here.

312

00:16:14,360 --> 00:16:15,710

See, we'll put some more boards.

313

00:16:18,180 --> 00:16:23,150

Back then, and with our dark,

we'll continue that opening.

314

00:16:23,660 --> 00:16:24,230

Isn't that neat.

315

00:16:25,160 --> 00:16:26,300

It looks like there's a place under there.

316

00:16:26,300 --> 00:16:27,680

The chickens could go at night.

317

00:16:29,880 --> 00:16:31,890

And as a kid, I had all

Cairns a little chickens.

318

00:16:33,020 --> 00:16:34,620

We put a poster, so it don't fall down.

319

00:16:36,000 --> 00:16:39,750

The only problem that I wasn't a very

good chicken farmer, they turned out to

320

00:16:39,750 --> 00:16:41,850

be my friends and I wouldn't kill them.

321

00:16:43,950 --> 00:16:44,300

Shoot.

322

00:16:44,310 --> 00:16:49,230

I, we ended up with a bunch of chickens

and we're hungry, but I had my buddies.

323

00:16:49,890 --> 00:16:50,220

Kay.

324

00:16:50,700 --> 00:16:51,990

I'm going to take a little Brown.

325

00:16:54,210 --> 00:16:55,230

This is van take Brown.

326

00:16:55,985 --> 00:16:57,785

A little of the bright red in it.

327

00:16:57,844 --> 00:17:00,094

And I got the little knife now

and I've cut off that little roll

328

00:17:00,094 --> 00:17:01,175

of paint with a little knife.

329

00:17:02,395 --> 00:17:09,264

And over here, I just want to show when

we just go in a different angle, see

330

00:17:09,355 --> 00:17:10,494

that there's boards quite in that way.

331

00:17:11,425 --> 00:17:12,474

You're doing these old buildings.

332

00:17:12,474 --> 00:17:13,315

I don't know if you can see that.

333

00:17:13,315 --> 00:17:15,175

Maybe if I make it a little bit

lighter and you see a little bit,

334

00:17:20,665 --> 00:17:23,095

when you're doing these,

you designed your barn.

335

00:17:24,180 --> 00:17:26,520

However you want it burns,

grow all kinds of ways.

336

00:17:26,700 --> 00:17:30,050

However, the old farmer

wanted to make them all right.

337

00:17:30,060 --> 00:17:33,500

Now then let's put some snow

around the edges here to do that.

338

00:17:34,100 --> 00:17:38,330

I'm going to dip the fan brush

right into liquid clear, and

339

00:17:38,330 --> 00:17:39,379

then go into the titanium.

340

00:17:39,379 --> 00:17:39,649

White.

341

00:17:40,010 --> 00:17:43,580

I dipped it into the liquid clear

to make this pain a little thinner.

342

00:17:44,810 --> 00:17:46,490

It's much thinner than

what's on the canvas.

343

00:17:47,720 --> 00:17:48,230

All right.

344

00:17:48,680 --> 00:17:50,000

And then we could come right up here.

345

00:17:51,170 --> 00:17:51,740

Grab this.

346

00:17:53,490 --> 00:17:56,790

And pull it because it's thinner.

347

00:17:57,510 --> 00:18:01,620

It'll lay on there and you can get

away with doing all kinds of things.

348

00:18:02,640 --> 00:18:03,360

Just look at that.

349

00:18:03,930 --> 00:18:07,740

Look at that snow's

lives right up in here.

350

00:18:09,070 --> 00:18:12,240

If you were trying to put a paint on

there that was the same thickness, you'd

351

00:18:12,240 --> 00:18:16,500

run into some problems and you would

yell at me and I want you to be happy.

352

00:18:17,370 --> 00:18:18,570

I want this to work for you.

353

00:18:20,175 --> 00:18:20,715

There we go.

354

00:18:21,195 --> 00:18:21,705

Yeah.

355

00:18:21,705 --> 00:18:22,995

Then I'll tell you what let's do.

356

00:18:23,115 --> 00:18:26,865

Let's start bringing some little

things while I have that clear.

357

00:18:27,524 --> 00:18:28,155

Maybe there's.

358

00:18:29,385 --> 00:18:30,525

A little pond right here.

359

00:18:30,525 --> 00:18:31,845

I had to make some big decisions.

360

00:18:31,875 --> 00:18:35,625

It's going to live right

in there, right in there.

361

00:18:37,755 --> 00:18:41,685

I'm going to take, we used to express

a little bit of the black and blue on a

362

00:18:41,685 --> 00:18:44,295

dark and underneath here a little bit.

363

00:18:44,355 --> 00:18:49,425

So it looks like a happy little

reflection or two, and then just go across

364

00:18:50,145 --> 00:18:55,995

discipline in that, in one it a little

bit darker and that easy, there we go.

365

00:18:58,185 --> 00:19:03,794

Now with our liquid clear and titanium

white, we can begin bringing it

366

00:19:03,794 --> 00:19:05,415

all these little things in here.

367

00:19:07,455 --> 00:19:08,925

Little pond lives right out here.

368

00:19:11,595 --> 00:19:12,195

See?

369

00:19:12,705 --> 00:19:13,245

Okay.

370

00:19:14,564 --> 00:19:15,345

There's another one.

371

00:19:16,485 --> 00:19:17,685

Just however many you want.

372

00:19:18,975 --> 00:19:24,254

Since you were a little pond, so

you put them where you want go dark

373

00:19:24,284 --> 00:19:31,725

underneath, go across, creates that

illusion of a reflection, maybe.

374

00:19:32,264 --> 00:19:32,955

Oh, there we go.

375

00:19:33,044 --> 00:19:33,855

We'll just do it that way.

376

00:19:36,075 --> 00:19:37,605

See how easy it is to make snow.

377

00:19:38,235 --> 00:19:40,215

Snow can be one of the

most fun things you do.

378

00:19:41,685 --> 00:19:42,345

Same old brush.

379

00:19:42,345 --> 00:19:43,425

I'm going to add a, touch it up.

380

00:19:43,695 --> 00:19:45,405

Black and blue maybe right in here.

381

00:19:45,405 --> 00:19:46,274

There's a little Bush.

382

00:19:47,764 --> 00:19:50,135

He lives right in there like that.

383

00:19:51,725 --> 00:19:52,774

And then we can pull it out.

384

00:19:53,975 --> 00:19:57,844

The same idea works very well

or making little sand dunes too.

385

00:19:57,844 --> 00:20:01,445

If you ever do a little

beach scenes works very nice.

386

00:20:03,185 --> 00:20:03,844

Okay.

387

00:20:03,905 --> 00:20:05,135

Liquid white.

388

00:20:06,810 --> 00:20:08,730

Put it out in the pot

or just cut across it.

389

00:20:09,360 --> 00:20:12,720

And we'll just put some happy

little water lines around here.

390

00:20:13,290 --> 00:20:18,240

Sort of clean all this up,

bring it together that easy.

391

00:20:22,260 --> 00:20:22,740

Okay.

392

00:20:22,740 --> 00:20:26,410

Go on over here wherever you want.

393

00:20:29,070 --> 00:20:32,160

You could even take your fan brush

and pull a little bit of white across

394

00:20:32,160 --> 00:20:34,050

there and make it look like it's froze.

395

00:20:34,770 --> 00:20:37,020

Ooh, cold everybody.

396

00:20:37,020 --> 00:20:40,080

Get your coat out and get your coat down.

397

00:20:46,970 --> 00:20:52,370

Yeah, I'm going to find the liner

brush a little bit of Brown.

398

00:20:53,910 --> 00:20:58,530

Maybe, maybe right in here, there's a

happy little, little stick lifts here.

399

00:21:00,270 --> 00:21:06,540

Uh, there would be anyway, I had to make

those little noises or don't work, few

400

00:21:06,540 --> 00:21:08,190

little sticks and twigs here and there.

401

00:21:08,190 --> 00:21:10,020

Maybe there's a couple around the house.

402

00:21:11,460 --> 00:21:15,510

This fell prophet cuts his yard

about like I do, and I'm done.

403

00:21:15,885 --> 00:21:17,175

World's worst yard keeper.

404

00:21:19,155 --> 00:21:20,775

Can you let me get a fan brush here?

405

00:21:20,835 --> 00:21:24,525

And I have several of these old fan

brushes going go right into some

406

00:21:24,525 --> 00:21:30,345

Vandyke Brown load, the brush full of

paint, a lot of color, a lot of color.

407

00:21:30,405 --> 00:21:31,185

Okay, let's go right up.

408

00:21:33,899 --> 00:21:36,950

I know, I don't want to do,

let's take the oval off now

409

00:21:37,070 --> 00:21:38,270

and I'll show you what happens.

410

00:21:38,300 --> 00:21:39,710

Bring the camera right up your clothes.

411

00:21:40,190 --> 00:21:42,860

And I'm going to take this

piece of contact paper off.

412

00:21:49,820 --> 00:21:50,930

Isn't that fantastic.

413

00:21:52,125 --> 00:21:52,635

Right there.

414

00:21:52,635 --> 00:21:56,385

You got a beautiful painting, but

you know me, I can't stop with it.

415

00:21:56,385 --> 00:21:57,465

I got to keep peddling with it.

416

00:21:57,825 --> 00:21:58,785

I get letters all the time.

417

00:21:58,785 --> 00:22:00,045

Say, Bob, you had a beautiful painting.

418

00:22:00,915 --> 00:22:02,775

I thought you had burned it

to right to the very end.

419

00:22:04,185 --> 00:22:04,815

Now I want a tree.

420

00:22:05,385 --> 00:22:07,325

I like it to break the

borders on these ovals.

421

00:22:07,715 --> 00:22:09,095

We introduced these ovals.

422

00:22:10,335 --> 00:22:13,365

All three or four series ago and

they have become one of the most

423

00:22:13,365 --> 00:22:14,775

popular things we've ever done.

424

00:22:15,765 --> 00:22:20,025

I get letters from all over the country

and pictures of people have shown me

425

00:22:20,025 --> 00:22:24,015

what they have done with ovals and

numerous other shapes, not just oval.

426

00:22:24,015 --> 00:22:33,635

So numerous other shapes, Brown, take a

little bit of titanium, white, just touch.

427

00:22:33,815 --> 00:22:34,595

Give it a little pull.

428

00:22:35,795 --> 00:22:36,235

That'll pull.

429

00:22:37,590 --> 00:22:42,840

And when you're doing this at home

trial, kind of shapes place mats

430

00:22:42,840 --> 00:22:47,580

are a good place to get some nice

ideas for different kinds of shapes.

431

00:22:48,890 --> 00:22:50,150

You'll have a lot of fun with them.

432

00:22:52,310 --> 00:22:52,670

Okay.

433

00:22:52,670 --> 00:22:57,080

Now back to my liner brush and a very thin

paint, paint thinner on it's like water.

434

00:22:57,800 --> 00:22:58,940

I must go right up in here.

435

00:23:00,440 --> 00:23:02,810

I put a little tree

lamb here or something.

436

00:23:03,860 --> 00:23:04,100

See.

437

00:23:06,210 --> 00:23:12,300

And if this pain is very thin,

then it will literally flow and

438

00:23:12,300 --> 00:23:17,970

just put however many lambs you

want wherever you want them at.

439

00:23:17,970 --> 00:23:19,950

Some of them come across the

trunk that don't just put

440

00:23:19,950 --> 00:23:21,210

them all coming straight out.

441

00:23:22,470 --> 00:23:25,440

Look like somebody took a big razor

blade and slashed your tree in two

442

00:23:25,440 --> 00:23:26,970

and half fell off on the floor.

443

00:23:29,370 --> 00:23:31,500

See some of these Liam's

come across the tree.

444

00:23:33,300 --> 00:23:35,400

That you could put all kinds

of little tiny ones here.

445

00:23:35,790 --> 00:23:38,730

I don't have, I don't have

time to put all of them.

446

00:23:38,730 --> 00:23:38,910

Yeah.

447

00:23:39,060 --> 00:23:43,410

Because if I go over 30 minutes

or that director yells and

448

00:23:43,410 --> 00:23:46,650

screams at me, there we go.

449

00:23:47,970 --> 00:23:48,410

But that's.

450

00:23:48,794 --> 00:23:49,784

How are you doing right there?

451

00:23:53,405 --> 00:23:55,564

Let's take our one inch brush, just plain.

452

00:23:55,564 --> 00:23:56,344

Oh one inch brush.

453

00:23:56,854 --> 00:23:59,764

And I want to put some greenery

down or some rubbery down here.

454

00:24:00,425 --> 00:24:04,385

Go right into the blue and black cause we

need the dark in order to show light and

455

00:24:04,385 --> 00:24:10,354

just go right in here and just pop in all

kinds of little three and Bush shapes.

456

00:24:10,385 --> 00:24:14,284

All we're doing right now is putting

in some dark solid light I'll show.

457

00:24:15,239 --> 00:24:16,350

That's really all we're doing.

458

00:24:19,290 --> 00:24:21,330

This is just dark light.

459

00:24:21,330 --> 00:24:21,979

It'll stand out.

460

00:24:23,550 --> 00:24:24,360

Just shine.

461

00:24:30,060 --> 00:24:31,050

Now I'll take another.

462

00:24:32,610 --> 00:24:36,270

One inch brush, dip it into the liquid

white and pull it through titanium white.

463

00:24:36,270 --> 00:24:39,139

And I'm going to add the least little

touch to the bright red, just to give it

464

00:24:39,139 --> 00:24:44,120

a little pinkish flavor, pull it in one

direction so that it generates a curve.

465

00:24:44,179 --> 00:24:45,679

Turn that curve toward the top.

466

00:24:46,560 --> 00:24:46,889

Correct.

467

00:24:46,920 --> 00:24:51,360

Peer touch and begin forming

individual little bushes.

468

00:24:52,530 --> 00:24:53,310

One at a time.

469

00:24:53,399 --> 00:24:55,530

Don't get in a hurry,

do one Bush at a time.

470

00:24:56,010 --> 00:24:58,409

Remember each Bush has

its own personality.

471

00:24:59,670 --> 00:25:04,080

Each one's a, each one's individual.

472

00:25:04,379 --> 00:25:05,220

They're like people.

473

00:25:08,575 --> 00:25:09,565

However many of new

474

00:25:14,415 --> 00:25:17,455

and work in layers, just like with

the little trees in the background,

475

00:25:24,765 --> 00:25:29,055

maybe there's a little bit of

snow on the ground, right there

476

00:25:31,335 --> 00:25:32,715

that, that snow break that over.

477

00:25:34,290 --> 00:25:42,870

Say they're pretty and you can do it,

really can do it more of the liquid

478

00:25:42,870 --> 00:25:49,409

line, titanium, white little touch to

the bright red and then a little bushy

479

00:25:49,419 --> 00:25:53,159

too, that comes down right onto the path.

480

00:25:55,050 --> 00:25:56,040

Just like, so.

481

00:25:59,470 --> 00:25:59,820

Man.

482

00:26:00,030 --> 00:26:00,510

Shoot.

483

00:26:01,260 --> 00:26:02,699

Let's see, let's have some fun here.

484

00:26:04,169 --> 00:26:05,010

Let's go right here.

485

00:26:05,520 --> 00:26:08,490

And maybe there's a happy

little fence stuck down here.

486

00:26:09,699 --> 00:26:14,820

See, just take the knife a little

Brown, drop him in, decide how

487

00:26:14,820 --> 00:26:16,139

many posts are on your fence.

488

00:26:20,645 --> 00:26:26,405

Put a little touch of snow on the

top of each one, come across paint,

489

00:26:26,675 --> 00:26:31,355

make some wire that makes up a

very interesting little painting.

490

00:26:32,955 --> 00:26:35,895

I think we just about

have a completed painting.

491

00:26:36,345 --> 00:26:37,605

I hope you enjoy these ovals.

492

00:26:37,815 --> 00:26:41,925

Try one yourself and know that you'll

have a lot of fun until next time.

493

00:26:42,135 --> 00:26:42,855

Happy painting.

494

00:26:43,215 --> 00:26:43,845

God bless.

495

00:26:43,905 --> 00:26:45,254

I look forward to seeing you again.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S11E06 - Oval Barn

Bob Ross's

The Joy of Painting

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