Bob Ross's

The Joy of Painting

S11E01 - Mountain Stream

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Hello, I'm Bob Ross.

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And I'd like to welcome you to

the 11th joy of painting series.

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First of all, let me thank you for

inviting me back into your homes again.

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If this is your first time with us, that

makes stand a personal invitation for

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you to drag out your paints and paint

along with us each week, or just pull

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up the easy chair and spend a relaxing

half hour as we play some of nature's

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masterpieces on canvas, we use a few big

brushes and a dozen colors or so, and

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I'll show you how to create some of the

most fantastic paintings you've ever seen.

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And just a few minutes.

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Does that tell you what?

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Let's go on up to the

canvas here and get started.

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Now, the canvas, this has been covered

with liquid white and liquid white just

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makes the canvas wet, makes it slick.

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It allows us to actually

blend color on the canvas.

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So let's have him run all the

colors across the screen that you

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need to do the painting with me

and they'll come across in the same

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order as I have them on my palette.

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While they're doing that, let's

go ahead and get started today.

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I'll start with Oh two inch brush.

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Go right into a little bit of

the face, a little blue and just

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mix a little bit on the brush.

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Just tap it right into the color.

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And I'll retread a few

and grab a little black.

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So we're going to have the

little blue and midnight, black,

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black, and blue, but I can blue.

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All right, come right

up to the canvas now.

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And today let's just dance

in a happy little sky.

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We'll just do a little fun painting

and just sort of let the brush

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just bounce around and play.

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Let it have fun.

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Just relax and enjoy that.

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Easy, easy.

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Just make little Xs, little

crisscross strokes there.

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I had a little more color to my brush.

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We'll go right on over here and notice

we're not covering this guy entirely.

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We're going to leave a few little

areas, open little happiest places in

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the sky and we'll come back and we'll

put some happy little clouds in there.

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Okay.

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Just like, so, and because we have the

liquid white on the canvas, as we blend

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downward, the liquid white mixes with

a color and automatically your sky gets

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lighter toward the horizon, and this

will help create the illusion of depth

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and distance in your painting there.

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Just like, so

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now we have the old brush dirty here.

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I'm gonna go right back into.

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Some of the same color blue and black,

black, and blue, or that's the way I look

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when I argue with my wife, black and blue.

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Now that maybe in this painting,

maybe we'll have a happy little

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stream sort of wanders down here.

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So decide basically where your

little streams going to be.

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And we just go right in here and that easy

it's back and forth, dropping a little bit

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of color and we don't care where it goes.

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You could paint, you can

paint the whole thing here.

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If you want to, it didn't

make any difference.

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This back and forth.

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This is also a good way

to clean off the excess.

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Paint this on your brush hair.

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Okay.

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Let me wash my brush.

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And we wash her brush with odorless

paint thinner, and I really

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recommend you use odorless thinner.

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There's a screen in the bottom of my

candidacy, scripted, brushed against

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shake off the excess and then do that.

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And it just beat the devil out of it.

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And if you've watched me before,

you know, this is the fun part of

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this whole painting technique now

then with a good clean, dry brush,

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I'm going to go right back up in

here and just blame this guy out.

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You sure your brush is dry though.

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We want to keep this paint as firm

and thick as possible on the canvas.

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One of our golden rules is

that a thin paint will stick

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to a thick paint them to thick.

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So we start out with paint,

this very firm and very thick.

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And then on top of that, we

can have layers then paint.

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And that's the only way that you

can paint this wet on wet technique.

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Here we go from down here, we

just blend that out a little bit.

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All right, let's have some fun.

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I'm going to take a one anti-oppression

and I'm gonna go right into

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titanium white and just pull

that breast through the titanium.

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White.

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I'm gonna reach down here and get a

least a little touch of bright red.

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Be very careful with this bright red

elite up your whole world in one heartbeat

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load, a lot of pain into the brush canvas.

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Go right up here.

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Now you had to make some big

decisions where where's the

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little clouds live in your world.

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Maybe, maybe there's a little cloud.

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He lives right here and he floats

around this guy just has fun.

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All day.

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Clouds are very free and when you paint

clouds, remember that they're free.

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They just float around, paint

them that way in your mind's eye.

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Think, think like a cloud.

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Just think like a cloud.

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And just sort of let it float

around, just float around.

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Yep.

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You're right.

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There's one right there, right there.

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And you're your painting.

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You put as many or as

few clouds as you want.

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I just want to show you how to

make a big old cloud and how

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many you make is up to you.

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Maybe over here on the other side

a little bit, maybe there's one

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don't want this side to be left out.

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It's a happy little cloud

that lives right there.

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There.

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Yes.

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Just drop a man.

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Don't overwork.

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Drop him in, put another one right there.

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Big decision side.

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Were you on him?

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It put your cloud right in there.

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All right.

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They had quick, we have a little cloud

and with a good clean, dry brush,

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we want to blend the base of these

clouds out without touching the top.

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So tiny little circles.

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Just barely touching and using

just the corner of the brush,

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tiniest little circles, Danny, sir.

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Say it guessing don't overwork.

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He lazy.

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This is one of the times that you

really need to just take your time,

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do a little bit and get away from it.

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The more you work, the more your

cloud's going to go away and leave you.

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Yeah.

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Just mix it up a little bit.

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Sturt.

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Okay, then I'll grab the

brush one time there.

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And when I beat the brush that just

removes excess paint without going

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through the whole cleaning procedure.

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So now they were going

to come back up here.

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We're going to fluff this cloud, grab it.

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And this is very light, very delicate,

three hairs in some air, barely touch

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lifted up, lifted up, lifted up and

always do this in a circular strokes.

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You go straight up.

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It's going to look like

you're going to look like you.

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Sky has rained going up and it's

in his best sort of distracting.

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So I always do it sort of in circular

strokes, just like so, and that's simple.

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You have some fantastic little clouds.

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Isn't that fun.

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Okay.

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I think today that's, that's built us

a little mountain in this painting.

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I've lived in Alaska for many,

many years, and I love mountains.

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So show you how to make wine.

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Let's take a little bit of the midnight

black, we'll take some Vandyke Brown, a

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little touch of a lizard, Crimson, just a

little Crimson and some pressure and blue.

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Yeah.

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Don't put too much cramps in unless you

want purple mountains and let's, there's

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nothing wrong with purple mountains.

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Fact, I'll add more cramps and then get

them a little toddler, perfectly safe.

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So he was like, they wrote a

beautiful song about purple mountains.

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Hold it out.

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Very flat.

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Take your knife and cut across.

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So you get that little roll of

paint right out on the edge of

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the knife cans go up here and then

you have to make a big decision.

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Where does your mountain

live in your world?

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And you just take your knife and

just begin deciding where your

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mountain lives and drop him in.

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Just drop him in there.

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See how easy that is.

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The only thing we're worried

about is this nice outside age.

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We could care less.

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What's happening inside here.

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There we go.

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Just looking for the outside age,

push that pain in very firm at this

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point and scrape off all the excess.

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Just really great.

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Pathak can.

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Now then we'll take a two-inch

brush, grab that paint and pump it.

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Pull it back.

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It does two things.

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It removes the excess paint and it

allows it to get lighter toward the base.

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And that's what make your mountains

so pretty they're cams and then just

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blended right into nothing that easy.

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Now let's have some,

let's have some more fun.

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We'll put some snow on that mountain.

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Take some of the titanium white.

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And once again, pull it out as flat

as you can get it, just get strong

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with it, cut across and you have that

literal of paint and it needs to be

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right out on the edge of the knife.

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Okay.

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Let's go here and it start put

the point of the knife right

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there and just pull it down.

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Right.

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Just pull down there like a little bit.

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Right.

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They're just sort of determined where you

think a light would hit on your own there.

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And if a light's coming from the

right, did you want the light to

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be more over here, but you have

to make these big decisions.

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This is your world and you have

to design it the way you want it.

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Hey, we can take care.

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Little lady of the knife and go right

in there and a little bit there.

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Now let's put some shadows for shadows.

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Let's use, let's use a little bit of

blue and white, like, so sometimes

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I want to change to the small knife.

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You'll find a small knife is excellent

for getting in little tight areas.

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So same way, a little roll of paint.

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Let's go right up here.

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No pressure.

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Absolutely no pressure.

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If you want this paint to break,

to have all those little, all those

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little holes in it, no pressure at all.

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Just barely touch, barely touch.

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Give it a little pull, just like so, and

mountains are a lot of fun and you're

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quite easy to make this basic rules pay.

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Very close attention to angles.

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Damn it.

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And you just keep using that

little knife and go right in here.

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Watch here.

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Maybe there's a little

Valley lives right in here.

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Make up little stories.

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Think about in your world.

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What's your mountain.

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It looks like maybe there's a little

Valley that comes right around.

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So very caps and you sort of play

the highlight in the shadow back and

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forth and bring it together here.

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Say that

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however you want to go.

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That's where it should go.

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Maybe this comes right on out like that.

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There we are right on the back.

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And you can just keep on

going until you cover up your

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entire canvas with mountains.

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Which is an excellent way to practice.

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So if you ever do that,

don't worry about it.

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You have lost nothing and you've learned,

and there's any secret to this technique

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for any other techniques, it's practice.

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Just spend some time practicing.

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It.

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Doesn't take much.

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But you have, you have

to devote that time.

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Okay.

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Now that I want to create the illusion

of missed at the base of this mountain.

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So with a large brush, and this is

a clean brush and I'm going to do

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is tap following the angles here.

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Just tap over here, cap a little bit

this way and give it a little lift back.

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here we go.

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And in here we can start

to just pull this together.

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See how easy that is.

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You can do it.

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You really can do it.

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There's no big secrets here.

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I'll show you how to do it.

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All you need is just to grab your canvas

and some paint and jump up here and do it.

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And it's fun.

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Okay.

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We'll just take, we had some

mountain color leftover here.

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Let's add a little bit of Heartland,

a little touch of SAP green ran

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into the same mountain color.

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So we have the black.

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Uh, Lou Brown visiting Crimson

might as well mix up a pretty

252

00:13:52,755 --> 00:13:53,805

good pile of paint there.

253

00:13:54,405 --> 00:13:54,645

Okay.

254

00:13:57,195 --> 00:13:58,695

We can come in here and have some fun.

255

00:14:00,555 --> 00:14:07,215

I'm going to get the old fan of

brush and we load the fan brush.

256

00:14:07,545 --> 00:14:10,035

Now I'm going to make some little

evergreens way back in the distance.

257

00:14:10,035 --> 00:14:13,065

Now you can make these with a one

inch brush fan brush, two inch brush.

258

00:14:14,355 --> 00:14:16,575

Uh, anything, anything it works.

259

00:14:16,575 --> 00:14:19,695

You could even make them with a

knife load, the brush full of paint.

260

00:14:19,845 --> 00:14:21,735

Look at the amount of

paint that's in that brush.

261

00:14:22,425 --> 00:14:23,445

It's really full.

262

00:14:23,955 --> 00:14:24,255

Okay.

263

00:14:24,345 --> 00:14:26,265

Let's go right up here now, then.

264

00:14:26,805 --> 00:14:26,955

Right?

265

00:14:27,025 --> 00:14:29,345

There's some evergreen

trees that live back here.

266

00:14:29,825 --> 00:14:32,195

Touch take just the corner of the brush.

267

00:14:34,685 --> 00:14:37,175

See there they are.

268

00:14:37,235 --> 00:14:39,545

These little, these little trees

live right in your fan brush.

269

00:14:39,575 --> 00:14:41,765

All you have to do is just

sort of push them out.

270

00:14:43,515 --> 00:14:47,475

They're that easy, bad, easy.

271

00:14:50,625 --> 00:14:51,015

Okay.

272

00:14:51,795 --> 00:14:56,685

And as many, or as few as you want,

and sometimes show you a little

273

00:14:56,685 --> 00:14:57,885

trick, show you a little trick.

274

00:14:57,915 --> 00:14:58,395

It's fun.

275

00:14:59,835 --> 00:15:02,565

If you have a bunch of evergreens,

you don't want to sit and

276

00:15:02,565 --> 00:15:03,735

make each one independently.

277

00:15:04,230 --> 00:15:10,709

You can just gobble on a bunch of color,

just drop in a whole bunch of color.

278

00:15:15,089 --> 00:15:15,490

I'll tell you.

279

00:15:15,510 --> 00:15:15,720

All right.

280

00:15:16,230 --> 00:15:17,520

Let's have some on the other side too.

281

00:15:17,520 --> 00:15:18,000

We don't want it.

282

00:15:18,000 --> 00:15:21,780

That's all we're doing here is just

tapping in the same dark color.

283

00:15:23,130 --> 00:15:25,230

And then I'll show you

what you can do with that.

284

00:15:29,505 --> 00:15:32,595

I know you're saying already,

Bob, you messed this one up and

285

00:15:32,595 --> 00:15:35,615

you may be right, maybe right.

286

00:15:38,865 --> 00:15:41,145

Since the only thing that you're

really worried about and he's

287

00:15:41,145 --> 00:15:43,125

the lever greens is the tops.

288

00:15:43,515 --> 00:15:47,985

You can put all that in at one time

and then come back and all you have

289

00:15:47,985 --> 00:15:49,845

to do is decide where the top lift.

290

00:15:54,650 --> 00:15:55,199

There you go.

291

00:15:56,250 --> 00:15:57,180

There's another one.

292

00:15:57,390 --> 00:15:59,220

And you can turn this into a whole forest.

293

00:15:59,220 --> 00:16:04,500

If you want to, as many or as

few as you want, just drop on in.

294

00:16:04,770 --> 00:16:07,020

Now we'll put some highlights

on these trees and that's

295

00:16:07,020 --> 00:16:07,949

where you'll separate them.

296

00:16:09,000 --> 00:16:10,350

That's where they'll become individuals.

297

00:16:10,350 --> 00:16:11,640

Maybe there's some way back here.

298

00:16:12,525 --> 00:16:17,535

And all you see is just little

indications, just little Tufts.

299

00:16:17,944 --> 00:16:20,025

You don't see a whole bunch of detail.

300

00:16:20,324 --> 00:16:25,505

Just little indications

just here and there, man.

301

00:16:25,505 --> 00:16:26,255

It would come back.

302

00:16:27,665 --> 00:16:28,175

I'd look it up.

303

00:16:29,505 --> 00:16:35,224

Let's say you could paint an entire

forest and just a few, just a few minutes.

304

00:16:35,224 --> 00:16:37,204

There's one knew he was there.

305

00:16:38,694 --> 00:16:38,944

Yes.

306

00:16:40,545 --> 00:16:41,685

Just dropping right in there.

307

00:16:43,875 --> 00:16:46,064

Maybe we'll push a little color in there.

308

00:16:47,265 --> 00:16:50,324

You can even grab and pull up to

make them look like they're really,

309

00:16:50,324 --> 00:16:52,125

really, really far away or user.

310

00:16:53,165 --> 00:16:54,305

And it sort of gives the illusion.

311

00:16:54,305 --> 00:16:56,194

These are closer and

those are farther away.

312

00:16:56,824 --> 00:17:00,275

And once again, that's one of those little

tricks that helps create the illusion

313

00:17:00,275 --> 00:17:01,895

of depth and distance in your painting.

314

00:17:03,095 --> 00:17:05,915

And of course, we're not interested

in that happy buck, but should you

315

00:17:05,915 --> 00:17:07,775

be, this is what sells your paintings.

316

00:17:09,510 --> 00:17:12,290

I get so many fantastic

letters from people all over

317

00:17:12,290 --> 00:17:14,899

the country that are painting.

318

00:17:15,020 --> 00:17:18,649

They're having unbelievable

success and they're selling them.

319

00:17:20,540 --> 00:17:24,020

And the, the selling of

the work is not important.

320

00:17:24,530 --> 00:17:28,930

What's important is the fact that someone

is willing to pay you for something

321

00:17:29,210 --> 00:17:32,870

created out of your mind with your hand.

322

00:17:33,980 --> 00:17:35,840

It does a wonderful things for your ego.

323

00:17:35,930 --> 00:17:37,100

Forget about the pocket book.

324

00:17:37,155 --> 00:17:37,305

Okay.

325

00:17:37,545 --> 00:17:39,885

That's not important through

really not important.

326

00:17:40,575 --> 00:17:41,775

It's what it does to your heart.

327

00:17:41,955 --> 00:17:43,305

That's what it does to your confidence.

328

00:17:44,055 --> 00:17:44,805

I can remember.

329

00:17:45,765 --> 00:17:49,815

Oh, maybe twenty-five years ago

when I sold my first painting and

330

00:17:49,815 --> 00:17:53,265

I think I only got about $20 for it

and I paid that much for the frame

331

00:17:53,265 --> 00:17:57,135

that was on it, but I went home.

332

00:17:57,315 --> 00:17:58,845

It gave me so much confidence.

333

00:17:58,875 --> 00:18:01,605

I went home and probably painted

twenty-five more paintings

334

00:18:01,605 --> 00:18:02,625

that I couldn't give away.

335

00:18:03,780 --> 00:18:07,650

But it was a fact that somebody

wanted my painting enough to pay me

336

00:18:07,650 --> 00:18:11,850

for it really inspired me to paint

and it'll do the same thing for you.

337

00:18:13,740 --> 00:18:14,220

Okay.

338

00:18:15,660 --> 00:18:17,910

Tell you what I, like I

told dark color, go in here.

339

00:18:18,500 --> 00:18:19,320

Same old color.

340

00:18:19,980 --> 00:18:22,110

I'm just going to begin

adding in some little things.

341

00:18:22,110 --> 00:18:24,840

I guess all I'm doing is tapping

down with a two inch brush here.

342

00:18:25,905 --> 00:18:27,165

Janice teff downward.

343

00:18:28,785 --> 00:18:30,645

Now we began making some decisions here.

344

00:18:31,125 --> 00:18:32,295

Where is our land going to be?

345

00:18:34,905 --> 00:18:36,795

You need dark in order to show light.

346

00:18:36,945 --> 00:18:40,275

So all we're doing here is

just adding some dark color.

347

00:18:40,875 --> 00:18:45,165

We're going to come back and highlight

everything, separate all this, bring

348

00:18:45,165 --> 00:18:52,545

it all together, maybe down like so,

whatever, whatever, wherever you want it.

349

00:18:52,545 --> 00:18:54,195

Let me get a little more paint here.

350

00:18:54,900 --> 00:18:58,290

Blues and the blacks and the

Browns and the greens, and

351

00:18:58,290 --> 00:18:59,310

just mix them with a brush.

352

00:19:01,790 --> 00:19:03,080

Yeah, you're right, right.

353

00:19:03,080 --> 00:19:07,430

There is inevitable and easy.

354

00:19:07,430 --> 00:19:10,790

You can begin creating the lay

of the land by lay of the land.

355

00:19:10,790 --> 00:19:16,310

I mean, the way the lay of the

land flows just have it flows.

356

00:19:16,610 --> 00:19:21,410

And this is another one of those big

decisions you have to make in your world.

357

00:19:21,440 --> 00:19:23,420

How does it, how does the land, is it.

358

00:19:23,790 --> 00:19:26,700

Got had a lot of bumps in

it, a smooth hilly flat.

359

00:19:27,700 --> 00:19:30,960

If you're going to put water in your

painting, as you know, it's better

360

00:19:30,960 --> 00:19:35,240

to have a recessed area because

water goes to a lower area, does it?

361

00:19:35,340 --> 00:19:36,390

Won't stay up on top.

362

00:19:36,570 --> 00:19:37,870

It goes down to the lowest area.

363

00:19:37,890 --> 00:19:39,540

Water's like me, or it's lazy.

364

00:19:40,530 --> 00:19:43,080

It looks for the easiest way to flow.

365

00:19:44,100 --> 00:19:50,220

So you need to indicate that the land is

higher than the water or look right there.

366

00:19:51,875 --> 00:19:56,055

You could have really done this with a

paint roller, would it work just as well?

367

00:19:59,625 --> 00:20:00,255

Okay.

368

00:20:00,875 --> 00:20:03,215

Yeah, we can come back and begin

putting in some of the little

369

00:20:03,215 --> 00:20:05,165

detailed things, the fun things.

370

00:20:05,165 --> 00:20:09,845

I'm going to take some dark Sienna,

Eric Sienna, a little bit of white

371

00:20:10,175 --> 00:20:12,515

touch that blue, not much blue.

372

00:20:14,315 --> 00:20:14,795

Okay.

373

00:20:14,825 --> 00:20:15,995

Pull it out real flat again.

374

00:20:16,755 --> 00:20:19,515

Cut across once again, that

little tiny roll of paper.

375

00:20:19,525 --> 00:20:20,535

That's so important.

376

00:20:20,685 --> 00:20:20,925

Okay.

377

00:20:21,635 --> 00:20:25,875

Having maybe back in here,

we can see a few little tree

378

00:20:25,875 --> 00:20:27,435

trucks just here and there.

379

00:20:27,885 --> 00:20:32,475

Maybe you can't see one in every tree

and you can just cut through the paint

380

00:20:33,225 --> 00:20:36,945

and let some of the white of the canvas

show through and create the indication

381

00:20:36,945 --> 00:20:38,865

of hundreds of little sticks and twigs.

382

00:20:39,615 --> 00:20:41,355

And people will think

he worked for weeks too.

383

00:20:43,085 --> 00:20:45,975

Don't you tell them any

different that's our secret out?

384

00:20:47,745 --> 00:20:48,675

Let the cat out of the bag.

385

00:20:50,625 --> 00:20:50,865

Okay.

386

00:20:51,105 --> 00:20:54,435

Little trunk in his tree and

then just touch the canvas.

387

00:20:54,465 --> 00:20:55,605

We'll pull off what it wants.

388

00:20:55,875 --> 00:20:56,415

Give you back.

389

00:20:56,415 --> 00:20:57,885

What's left, set easy

390

00:21:01,365 --> 00:21:01,995

every minute.

391

00:21:02,145 --> 00:21:02,715

It's up to you.

392

00:21:03,615 --> 00:21:04,425

It's really up to you.

393

00:21:05,534 --> 00:21:08,534

Painting offers you

freedom, creative freedom.

394

00:21:09,945 --> 00:21:12,885

I spent half my life in the

military and this is where, this

395

00:21:12,885 --> 00:21:15,314

is where I made Bob's world.

396

00:21:16,155 --> 00:21:17,115

And this is where I came.

397

00:21:18,705 --> 00:21:19,845

When I wasn't playing soldier.

398

00:21:19,845 --> 00:21:21,615

This is where I came and found peace.

399

00:21:23,024 --> 00:21:23,995

Let me wash your brush here.

400

00:21:26,794 --> 00:21:27,605

Shake it off.

401

00:21:30,845 --> 00:21:31,385

There you go.

402

00:21:32,250 --> 00:21:32,730

All right.

403

00:21:33,000 --> 00:21:34,310

I get carried away with that brush.

404

00:21:34,950 --> 00:21:37,830

Before I get into that, I'm going

to take same old, dirty brush and go

405

00:21:37,830 --> 00:21:42,120

right into the yellow and this, this

brush had the blue and the green on.

406

00:21:42,120 --> 00:21:43,920

So when I go into yellow,

I'm gonna get a dark green.

407

00:21:44,130 --> 00:21:45,420

You don't even have to clean the brush.

408

00:21:46,170 --> 00:21:46,440

Okay.

409

00:21:46,470 --> 00:21:47,040

Let's go back up.

410

00:21:47,090 --> 00:21:47,330

Okay.

411

00:21:48,770 --> 00:21:54,140

Let's just drop in indication of a

few highlights just on these trees.

412

00:21:54,290 --> 00:21:57,410

And all I'm doing is touching and

pushing downward a little bit.

413

00:21:59,310 --> 00:22:03,000

I don't want to put too much in here

and kill all that beautiful dark color.

414

00:22:04,140 --> 00:22:06,450

If you kill all that, then

you tree's going to look flat.

415

00:22:06,810 --> 00:22:07,920

Just, just touch it.

416

00:22:08,160 --> 00:22:08,490

Go.

417

00:22:09,480 --> 00:22:12,260

Just a little evergreens

are quite dark, right?

418

00:22:15,060 --> 00:22:18,680

If you've watched the shows

before, you know, we don't make

419

00:22:18,680 --> 00:22:20,750

mistakes, we have happy accidents.

420

00:22:21,530 --> 00:22:23,900

You learn how to work with

anything and everything.

421

00:22:23,900 --> 00:22:24,440

It happens.

422

00:22:26,445 --> 00:22:26,865

All right.

423

00:22:26,925 --> 00:22:28,995

We'll put a little bit on this

whole big tree right here.

424

00:22:28,995 --> 00:22:29,595

A little here.

425

00:22:31,215 --> 00:22:31,875

Bear with her.

426

00:22:32,415 --> 00:22:34,365

Just some happy little things there.

427

00:22:35,044 --> 00:22:35,165

Yeah.

428

00:22:35,175 --> 00:22:35,885

Let's have some fun.

429

00:22:36,064 --> 00:22:42,574

I'm going to go right into the CAD yellow

with a two inch brush and I'm tapping.

430

00:22:42,745 --> 00:22:45,665

You see how this tamping grab

a little salmon green there.

431

00:22:45,665 --> 00:22:46,865

I want a little green.

432

00:22:46,865 --> 00:22:47,105

There we go.

433

00:22:47,105 --> 00:22:49,595

Into some yellow ochre would

touch the Indian, yellow.

434

00:22:50,345 --> 00:22:52,324

We mix all of these in the brush.

435

00:22:52,504 --> 00:22:53,615

Okay, let's go right up here.

436

00:22:54,570 --> 00:22:58,530

Now, big decision time

by tapping downward.

437

00:22:59,070 --> 00:23:04,500

Right on top of that dark, we can be

again, creating a nice soft grassy area.

438

00:23:05,130 --> 00:23:05,700

Let's see there.

439

00:23:07,100 --> 00:23:07,820

It's that easy?

440

00:23:08,880 --> 00:23:09,330

Tell you what?

441

00:23:10,790 --> 00:23:11,540

Let's have some fun.

442

00:23:11,780 --> 00:23:12,710

Maybe back in here.

443

00:23:14,390 --> 00:23:15,860

Let's put a happy little Busher too.

444

00:23:16,430 --> 00:23:16,520

Okay.

445

00:23:16,580 --> 00:23:19,370

He was the one inch brush

and let's just push him.

446

00:23:19,610 --> 00:23:20,090

Look at there.

447

00:23:21,450 --> 00:23:21,740

See.

448

00:23:22,230 --> 00:23:27,690

It's a happy little boy is right back in

here, right up against these trees too.

449

00:23:27,750 --> 00:23:31,350

It's like, so maybe we'll

put one on the other side.

450

00:23:31,380 --> 00:23:35,700

What the heck, we don't want to

have left there and you can put a

451

00:23:35,700 --> 00:23:39,210

lot or a few, none sorta up to you.

452

00:23:39,930 --> 00:23:48,420

Whatever ever backed her two inch brush

and let's begin putting all this in.

453

00:23:50,564 --> 00:23:54,495

All you're doing here is tapping just

gently, gently, gently, gently tap.

454

00:23:55,514 --> 00:24:01,215

We go see how you can create

different planes, the whole lay

455

00:24:01,215 --> 00:24:08,175

of the land that easy, easy there.

456

00:24:08,925 --> 00:24:11,054

Just let it fall right off your brush.

457

00:24:13,665 --> 00:24:15,615

Every once in a while, I'm going

to touch at least a little bit

458

00:24:15,615 --> 00:24:19,004

of bright red, just to spark that

up, put a little bar in there

459

00:24:22,784 --> 00:24:27,195

and all these different planes

helps you distance in your painting.

460

00:24:31,034 --> 00:24:31,604

There we go.

461

00:24:32,985 --> 00:24:35,415

And the more you tap this,

the softer it'll give account.

462

00:24:35,564 --> 00:24:37,125

It would get very, very soft.

463

00:24:37,905 --> 00:24:39,014

It's going to be here on the other side.

464

00:24:39,014 --> 00:24:40,024

We don't want to have left down.

465

00:24:41,415 --> 00:24:46,835

See how you're using just tap, but

the lay of the land, the angles

466

00:24:47,495 --> 00:24:49,085

are the most important thing here.

467

00:24:50,165 --> 00:24:51,305

Don't lose sight of that.

468

00:24:53,524 --> 00:24:54,695

Don't lose sight of that

469

00:24:58,475 --> 00:25:01,504

big old buck comes down and comes around.

470

00:25:02,524 --> 00:25:07,565

Just like that saying, if you want

to show a different plane, lighten

471

00:25:07,565 --> 00:25:09,155

the color a little and drop it in.

472

00:25:12,780 --> 00:25:13,230

There

473

00:25:16,490 --> 00:25:20,899

just layer after layer, after layer,

I would strongly suggest you start

474

00:25:21,500 --> 00:25:23,270

in the background and work forward.

475

00:25:23,360 --> 00:25:26,060

I sort of a good rule of thumb

and this style of painting.

476

00:25:26,090 --> 00:25:29,240

I always start the thing as

fathers to wait and work forward.

477

00:25:31,010 --> 00:25:35,240

And I think you'll find it works, works

much easier for you that way now then.

478

00:25:36,960 --> 00:25:39,720

Let's take with this use of one

inch brush here, whatever you have.

479

00:25:40,530 --> 00:25:45,600

I want to just pull some of this color

down, just pull it down, just pull it

480

00:25:45,600 --> 00:25:50,490

straight down and you can create all

kinds of things and we'll just go across.

481

00:25:51,990 --> 00:25:52,800

It makes reflections.

482

00:25:52,800 --> 00:25:55,680

I'm going to put, make this like

moving water, but even moving

483

00:25:55,680 --> 00:25:56,970

water there's reflections.

484

00:25:57,389 --> 00:25:58,080

They're still there.

485

00:26:00,390 --> 00:26:05,820

You want it to have a little pond, this

easy, you could create a happy little

486

00:26:05,820 --> 00:26:13,050

pond, just pulling little that color down,

going across, see wherever you want it.

487

00:26:14,400 --> 00:26:16,140

Now, then I'll dip my brush.

488

00:26:16,410 --> 00:26:18,450

I have another fan brush and

I have several of each brush.

489

00:26:18,450 --> 00:26:22,350

So I don't have to clean each one,

dipped it right into the liquid wine.

490

00:26:22,410 --> 00:26:25,740

And I'm going into a titanium white

and load the brush quite full.

491

00:26:26,715 --> 00:26:30,225

Reach up here and put the least little

touch of the payload blue in it.

492

00:26:31,125 --> 00:26:33,765

Now then here comes our little stream.

493

00:26:34,665 --> 00:26:35,895

This is not a fast stream.

494

00:26:35,895 --> 00:26:37,995

Maybe before the series

over, we'll do a fast stream.

495

00:26:38,595 --> 00:26:40,965

This is just one that sort of disliked me.

496

00:26:40,965 --> 00:26:41,625

It's lazy.

497

00:26:41,625 --> 00:26:43,785

It just wanders along

here and has a good time.

498

00:26:45,375 --> 00:26:49,005

Just like so, and you just sort of

scrubbed this brush across, but you want

499

00:26:49,005 --> 00:26:50,625

to keep these lines basically straight.

500

00:26:51,850 --> 00:26:54,990

Basically straight, and this is

how you cut off the bottom of your

501

00:26:54,990 --> 00:27:02,790

landmasses bring it all together,

just like, so see how easy that is.

502

00:27:03,360 --> 00:27:04,080

And you can do it.

503

00:27:04,410 --> 00:27:05,430

You really can do it

504

00:27:12,250 --> 00:27:16,200

right on out through here and allow

it to pick up some of that color.

505

00:27:16,200 --> 00:27:17,760

And it all blends together.

506

00:27:19,200 --> 00:27:19,680

Like, so.

507

00:27:20,445 --> 00:27:21,255

So there is two.

508

00:27:25,475 --> 00:27:27,005

I really hope you've

enjoyed this painting.

509

00:27:27,035 --> 00:27:30,785

They'll clock on the log is telling

me it's about time that had to frame

510

00:27:30,785 --> 00:27:32,165

this one to a close for the day.

511

00:27:34,085 --> 00:27:36,635

It's been a lot of fun,

certainly enjoyed being with you.

512

00:27:36,905 --> 00:27:39,305

And I hope you've enjoyed the

painting from all of us here.

513

00:27:39,365 --> 00:27:42,275

I'd like to wish you happy

painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S11E01 - Mountain Stream

Bob Ross's

The Joy of Painting

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