Bob Ross's
The Joy of Painting
S15E05 - Hidden Winter Moon Oval
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Hi, I'm glad you could join me today.
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And I thought today we'd do a
canvas that's black, as you can see,
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that's one of the most enjoyable
type paintings that I have ever
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found in this method of painting.
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So I'd tell you what, let's have him
run all the colors across the screen
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that you needed home to paint along
with me while they're doing that.
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Let me tell you what I've done up here.
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I have standard old
pre-stretch canvas and.
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Well, I was going to keep it a secret,
but I'm going to go ahead and tell
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you, I've put a contact paper overload
here today, and then I've painted
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the center of this with black Jesso,
allowed that to dry completely.
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And then on top of that, I've
put a mixture of alizarin,
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Crimson and fellow blue.
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And as it works out from the center,
I've added more and more blue.
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So it gets darker, darker,
darker as it works out.
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That warmest spot is right here
in the center, because I'm going
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to have some little, some little
floaty clouds and stuff in there.
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And I want that to be nice and bright.
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And I thought today we'd do a
little winter scene, something
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that's warm and cold at the same
time Hill, a warm spot in the sky.
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And well, let's just do it.
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Shoot.
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I started out the day with a
little one inch brush go right
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into some titanium white.
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This, this is a fantastic guy.
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Painting to do in public,
if you ever want to get out.
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And he's your friends and neighbors
school and up here, don't let them see.
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You put all the color on the
canvas because we have all these
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transparent colors on here.
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It still looks black.
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And don't tell your friends and
neighbors that you've done this.
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And then when you come up here with
your brush and you say, well, let's
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just do a little something right here.
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They don't, they just go crazy
because this color just comes alive.
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He had a beautiful lavender this
happening right there, and I'm just
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taking the brush and doing like, so
as we work further out, it's going
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to get darker and darker and darker.
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There we go.
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Still using little,
little rocking strokes.
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We'll call them just like so darker
and darker and darker is it works
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away from that light spot there.
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Now you can do this as many times
as you want to achieve a desired
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lightness, but I would suggest strongly
that each time you wash the brush,
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beat it, dry it.
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Start with.
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Clean color.
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Otherwise you're going to drag that dirty
color right back into your light area.
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I don't think you're going
to be happy with that.
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So if this is our light
area, always start there.
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Now we can begin working outward,
outward to get darker and darker
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and darker as it works away there.
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Darker, darker, darker, darker.
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There we are.
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Now you have to make a
decision in your world.
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How bright do you want the sky?
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Maybe you want it darker
than this or lighter.
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This is strictly an individual thing.
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I just want to show you how you
can make some fantastic effects.
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You're saying.
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A few crazy brushes and all, we
have a very limited palette today.
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We're not using many colors.
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I want to show you how you can
do a fantastic little painting.
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It's just easy, easy now with a two inch
brush, I'm going to gently, but in this
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together, doing this, blend it together
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and all those little rocking.
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The strokes that you made, you begin
to see all kinds of little happy
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things that they make out here.
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Okay.
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Let me clean the brush.
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One more time.
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We just use odorless paint thinner.
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There we go.
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Go right back into my white
let's cut right up here.
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Maybe, maybe right in here.
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Watch here.
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Watch here.
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Still using it.
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Same little stroke.
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Maybe this comes right on around.
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Let's make it look like he's a big,
strong, old floater living up here
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in the sky chest, wherever you want.
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A few don't overdo though.
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Just one or two is plenty.
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Matt.
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Back to our big blending brush
and very lightly, very lightly.
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So we can just blend that
big old cloud right here.
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And that's something you can see
that son-of-a-gun curve or right
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around and go right into the center.
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And by allowing you to get bigger
on this end, it makes it look
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like this part is closer to you.
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The other parts of other way.
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Okay.
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And maybe in our world, let's see here.
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I'll take the little blue lizard,
Crimson, little black in there too.
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Okay.
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And a brush here.
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There's one.
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You gotta use a little fan brush,
maybe the in, in our world here
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there lives a little cloud.
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He just sort of floats around
here and has fun all day.
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Just sort of let him that
he'd come right off your brush
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wherever you want him to live.
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That's exactly where he should be.
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There he is.
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And he's, he's just a happy little cloud.
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Give it a little bit of blending tiny bit.
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Now we're going to give
you your brave retest.
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So you come right here very lightly.
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Go across very, very lightly.
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Look at that.
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And you've got a beautiful little
cloud floating around in your sky.
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Okay.
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You passed the bravery test.
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I'm just going to use that same color,
same color, pull it out, flat, cut across.
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And we get our little roll of paint,
right on the edge of the knife.
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Maybe in our world, there lives
beautiful little mountain, right?
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Appear in the sky.
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So that's where we're putting,
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see maybe there's a little
button there wherever you are.
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Maybe another little bump really
pushed that pain right into the fabric.
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It gets strong when it gets tough.
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We'll take our two inch brush.
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Grab that and pull it, just pull
it down, grab it here and pull it.
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Stay there.
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Here we go.
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And by using the brush here, you can sort
of lay out your whole mountain and get
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an idea of where you want highlights and
shadows to be without being committed.
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And you can change it like there,
you can change it a hundred times.
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I hope you can see those
little brushstrokes here.
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I didn't have a fantastic way
of laying out your mountain.
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And if they don't show up well, and you
said, when you're doing this, you'll
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understand exactly what I'm saying.
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I'm going to take some titanium white.
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I'm going to add the least
little touch of black into it.
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Just, I want to dull it a little bit.
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That's what's not pure white.
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I just want to dull it down, gray
it a little pulled out as flat as
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we can get it cut across and we
have our little roll of pain again.
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See, it's important to pull it out.
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Cut that little roll of paint off.
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Nah, no pressure, no pressure
at that little son of a gun,
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just sort of float there.
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Maybe we'll have another little bit, it
was right out here and just disappears.
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There comes a little bit right down.
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Sometimes it feels so good.
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It hurts.
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There we go.
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And do nice things for you though.
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I'd love to paint.
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It's one of the few things in my life
I've never, never became bored with
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because I don't think he ever mastered.
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If you live to be a thousand years
old, you'll always know that your
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next painting is going to be better.
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Maybe that's the challenge of it.
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That's why it's so fascinating to me.
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Now let's, let's put some
shadows in there for that.
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We use some white little
pressure and blue mix him up
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there.
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We are cut off our little roll of paint.
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Always that little room of paint, put
a little shadow tune right back here.
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Come right along here.
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Push that one back power.
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Did you push them mountains around when I
go home, I keep pushing anything but the
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garbage, but here I can push anything.
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That's the only thing
I'm in charge of at home.
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It sits and waits for me, but
it's nice to be near here we are.
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Okay.
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But a shadow that lives right here.
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Good clean dry brush.
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Be sure it's dry.
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It's not dry.
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It's going to smoosh.
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Ooh.
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I forgot to shadow you.
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Let me do that.
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Didn't even holler at me right here.
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We need the tiniest little
indication of a shadow there now.
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We're all right down.
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See if I forgot that somebody told me.
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All I'm doing is beating the
paint off the breast brush brush.
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I want to create that Misty
effect down here at the base.
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Very lightly.
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Softly, softly.
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Okay, here, see there this side of
the mountain, follow these angles.
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Always follow the angles.
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Tap a little there.
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I ended up at all mountains, just laying
up there, floating in the Midwest.
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Now you can play games.
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And have fun mountains
are, Oh, they're fantastic.
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Let's take a little more height right up
here and maybe in our world their lives.
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Yep.
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You're right.
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Another little Ridge or a
mountain, right in the photograph.
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See back blending and creating
that Misty effect right there.
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Now this mountain will separate
and become an individual.
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There's no doubt in your mind when
you look at this, that it's in the
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foreground, but if it wasn't for that
little Misty area in there, You'd
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have to wonder you might figure.
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Yeah, it is.
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No, it's not whatever, but by creating
a little bit of mist now, you know,
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separates like that had you can keep on
till you've covered your whole canvas
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with layer after layer of the mountain.
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And that's not a bad, it's a
super, super nice way to learn.
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Just knock off that excess paint
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here.
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Now, once again, create
are missed on this one.
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You could put another
range of mountains in here.
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And another and another.
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And this many as you want that fairway are
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very soft.
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Very nice.
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Not the mountains.
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Let's do something else.
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I'm going to take some black
depression and blue Muslim.
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Mix us up.
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A nice pile here.
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A lizard Crimson
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shoot.
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We throw some Vandyke Brown there too.
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It doesn't matter.
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So we had black, blue, Crimson and
Brown when we cleaned the knife and
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we grabbed this whole fan brush.
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That was our cloud making brush.
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It didn't matter what it was.
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It has color of a dark color.
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And maybe back in here, there lives in
our world, some little distant trees
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that are far away because they're dark
against this light colored mountain.
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They'll stand out there
and we'll just let them go.
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I don't know, but we
don't know where they go.
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They just go.
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Okay.
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You get a little larger on the sand.
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So to give the impression
that this is going
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too bad there, whatever we don't care.
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Yeah.
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Then I have several old fan brushes going.
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I'm going to take the least
little touch of a light color.
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This is just.
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The white, I want to touch right at
the base and lift up right at the base.
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So it looks like just hundreds of
little trunks living back here.
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And if they come out a little too
bright in your painting, all you have
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to do is rub them, pick up at dark
color it's underneath and automatically
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he'll get darker and darker and
darker as it blends together there.
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00:14:14,895 --> 00:14:17,025
But that's just enough to
set it out a little bit.
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00:14:18,150 --> 00:14:23,640
I'll tell you what we have that color
go right into, ran into some titanium
246
00:14:23,670 --> 00:14:30,810
white and maybe underneath here, there's
just some happy little snow covered,
247
00:14:30,810 --> 00:14:32,670
ice covered, little bushes and stuff.
248
00:14:33,375 --> 00:14:35,565
So you just push up or
make up first and we end up
249
00:14:38,805 --> 00:14:39,225
there
250
00:14:44,415 --> 00:14:51,255
just one layer after another,
however many you want to do two K.
251
00:14:54,015 --> 00:14:56,565
Let me find a clean brush that
was clean enough for our youth.
252
00:14:57,555 --> 00:15:01,515
We'll take just a small amount of
titanium white on the large brush.
253
00:15:02,025 --> 00:15:04,755
I want to create the illusion
of some reflections on here.
254
00:15:05,205 --> 00:15:06,345
This color on the canvas.
255
00:15:06,375 --> 00:15:07,365
All you need is white.
256
00:15:08,715 --> 00:15:11,355
Grab it and pull down straight down.
257
00:15:11,505 --> 00:15:12,975
It's important that you pull straight.
258
00:15:13,175 --> 00:15:13,355
Yeah.
259
00:15:15,005 --> 00:15:15,815
Straight down.
260
00:15:18,810 --> 00:15:19,260
Okay.
261
00:15:21,220 --> 00:15:26,580
That's mixing with that wet color,
this underneath and very lightly.
262
00:15:26,800 --> 00:15:27,690
You just blended them.
263
00:15:30,390 --> 00:15:37,010
Now, then we use, we use some liquid
white, pull it out flat right on your I'm.
264
00:15:37,010 --> 00:15:39,480
I don't have the least little touch
if they look blue to it, just to
265
00:15:40,170 --> 00:15:45,020
cool it down a little, pull that very
flat cut across and have it teeniest
266
00:15:45,020 --> 00:15:46,190
little reel with paint on there.
267
00:15:46,230 --> 00:15:47,340
Oh, it's just so small.
268
00:15:51,420 --> 00:15:56,430
Very firmly, very firmly and sort
of lay the knife down as you go.
269
00:15:56,430 --> 00:16:03,930
So it gets all the paint that's
on the knife push very firmly down
270
00:16:05,550 --> 00:16:08,069
and you can make just all kinds
of little things happen there.
271
00:16:11,699 --> 00:16:12,030
Okay.
272
00:16:12,060 --> 00:16:13,650
Well, we got a nice painting going today.
273
00:16:14,520 --> 00:16:16,079
Every once in a while, things just work.
274
00:16:16,545 --> 00:16:17,085
Beautifully.
275
00:16:18,345 --> 00:16:22,455
Let's take our old fan brush and go right
back right back into that same dark color.
276
00:16:23,205 --> 00:16:30,555
And let's make a happy evergreen and he
lives right about there back and forth.
277
00:16:33,495 --> 00:16:34,275
Perry goes
278
00:16:37,335 --> 00:16:38,265
right over my mountain.
279
00:16:40,995 --> 00:16:41,595
There you go.
280
00:16:44,775 --> 00:16:46,215
Well, we know that mountains back here.
281
00:16:46,215 --> 00:16:49,395
If anybody asks you just tell
them here's a fantastic mountain
282
00:16:49,395 --> 00:16:50,775
that lives right behind this tree.
283
00:16:51,765 --> 00:16:52,605
You saw it in there.
284
00:16:54,285 --> 00:16:56,025
Let's give him a little
friend that lives right there.
285
00:16:56,535 --> 00:17:01,125
We don't want him to be left behind there.
286
00:17:04,065 --> 00:17:05,025
There's a couple of trees.
287
00:17:05,415 --> 00:17:06,195
I hope you can see these.
288
00:17:06,195 --> 00:17:07,095
They're very dark.
289
00:17:08,145 --> 00:17:09,225
Very dark, maybe.
290
00:17:09,915 --> 00:17:10,305
Yeah.
291
00:17:11,264 --> 00:17:13,694
We messed up the mountain so
bad when I put one right across
292
00:17:17,645 --> 00:17:18,425
Eric gums.
293
00:17:19,595 --> 00:17:23,974
Are you going to pick up a lot of that
height when you're doing this at home?
294
00:17:24,004 --> 00:17:26,285
If you have trouble making the
paint stick over the top of
295
00:17:26,285 --> 00:17:27,185
all that white, I don't know.
296
00:17:27,425 --> 00:17:30,635
I don't seem to be having too much
trouble, but if you do take a little
297
00:17:30,635 --> 00:17:34,895
paint thinner, add a little paint
thinner to your color, and the thin
298
00:17:34,895 --> 00:17:36,514
paint will stick much easier, right?
299
00:17:36,514 --> 00:17:38,315
On top of all the snow
and everything on there.
300
00:17:38,955 --> 00:17:40,575
Make your life a little easier sometime.
301
00:17:41,175 --> 00:17:41,625
Okay.
302
00:17:42,225 --> 00:17:42,735
Let's take out.
303
00:17:43,745 --> 00:17:44,885
Could a one inch brush here.
304
00:17:45,545 --> 00:17:48,055
I'm going to go into, what
am I going to go into here?
305
00:17:48,085 --> 00:17:52,605
We were going to grab a
little white shoot there.
306
00:17:52,635 --> 00:17:55,595
Some fellow blue I'm looking for
pretty dark blue color there.
307
00:17:56,645 --> 00:17:58,955
Pull the brush in one direction firmly.
308
00:18:00,035 --> 00:18:01,175
I want around one corner.
309
00:18:01,175 --> 00:18:02,795
See how around the corner looks.
310
00:18:03,365 --> 00:18:04,805
Now we hit up here that corner.
311
00:18:05,925 --> 00:18:11,085
That corner is going to be to
the top, push it upward there.
312
00:18:12,585 --> 00:18:16,305
And by pushing upward, it makes all
those little leafy looking things happen.
313
00:18:17,475 --> 00:18:18,945
No, bring it down about like yet.
314
00:18:22,245 --> 00:18:25,455
And all we're doing once again, it's
just throwing in some dark color.
315
00:18:25,685 --> 00:18:26,865
Our light color was show up.
316
00:18:29,475 --> 00:18:30,225
Okay.
317
00:18:32,355 --> 00:18:36,495
Yeah, then we can take another one inch
brush and we'll dip it into the liquid
318
00:18:36,495 --> 00:18:39,255
white, pull it through titanium white.
319
00:18:39,255 --> 00:18:44,415
The liquid white is only on there
to make the paint a little thinner.
320
00:18:44,745 --> 00:18:45,525
So it'll stick.
321
00:18:46,155 --> 00:18:47,595
That's the only reason it's on there.
322
00:18:48,855 --> 00:18:54,105
Now put all kinds of little snow
covered frosty bushes in here.
323
00:18:56,085 --> 00:18:58,005
Just some pretty little things, huh?
324
00:18:58,440 --> 00:19:02,700
It should look like lace do
one little Bush at the time.
325
00:19:04,140 --> 00:19:08,550
Jack Frost is as a waved, as
won and magic has happened here.
326
00:19:09,830 --> 00:19:10,460
Beautiful.
327
00:19:14,840 --> 00:19:16,700
Maybe right there.
328
00:19:18,320 --> 00:19:18,890
I have another one.
329
00:19:20,840 --> 00:19:21,890
Do you know if he was out here?
330
00:19:23,780 --> 00:19:27,530
This would be a nice spot,
but you get cold out here.
331
00:19:28,335 --> 00:19:32,385
So maybe, maybe we should have
us a little cabin out here.
332
00:19:32,385 --> 00:19:35,534
So we could sit by the fire and look
at this beautiful scene and be warm.
333
00:19:36,074 --> 00:19:40,635
So I'm going to take the knife and
scrape out a basic cabin shape.
334
00:19:41,054 --> 00:19:41,835
Just take the knife.
335
00:19:43,274 --> 00:19:45,284
We just put a little, a little cabin.
336
00:19:45,284 --> 00:19:49,935
Maybe there was a, there was a trapper
that lived out here years ago, and this
337
00:19:49,935 --> 00:19:51,524
has all this left of his little cabin.
338
00:19:53,345 --> 00:19:55,085
Can you take a little Vandyke Brown?
339
00:19:56,910 --> 00:19:57,870
And do the Bacchae.
340
00:19:58,560 --> 00:19:59,280
It's all there is to it.
341
00:20:00,750 --> 00:20:07,950
Now for the other side of the roof,
I must go use titanium white snow.
342
00:20:07,950 --> 00:20:08,610
Who's on that.
343
00:20:11,900 --> 00:20:14,480
When you get the little knife, it comes
in a little handier for getting into
344
00:20:14,480 --> 00:20:16,100
these little spots, take a little Brown.
345
00:20:17,960 --> 00:20:20,120
This is a little dark
Sienna van Dyke Brown.
346
00:20:22,760 --> 00:20:23,389
There we go.
347
00:20:23,629 --> 00:20:23,840
See.
348
00:20:24,315 --> 00:20:26,655
Just pull in our basic little cabin shape.
349
00:20:28,725 --> 00:20:31,185
Basic shape is all we're
looking for at this point.
350
00:20:35,445 --> 00:20:41,835
A little dark Sienna and white, still
using the small knife, just barely
351
00:20:41,835 --> 00:20:43,995
grazing the canvas touch and pull it down.
352
00:20:45,915 --> 00:20:47,865
We'll make the front of his
cabin a little brighter.
353
00:20:51,524 --> 00:20:52,695
Yeah, we can take.
354
00:20:54,360 --> 00:20:58,470
Just make the indication here and there
a few boards, that's a rough cabin.
355
00:20:59,639 --> 00:21:02,280
Take the knife, cut off our
cabin, do a cabin ectomy.
356
00:21:04,620 --> 00:21:05,610
Just the way we want it.
357
00:21:07,290 --> 00:21:09,750
Take a little bit of fantastic Brown.
358
00:21:09,930 --> 00:21:13,379
Put us in a little door,
got to have a little door.
359
00:21:14,070 --> 00:21:16,350
People always yell at me cause
I never put chimneys on mine.
360
00:21:17,655 --> 00:21:18,645
Kevin's office.
361
00:21:18,705 --> 00:21:21,315
Just use a small knife, put
on the chimney on that one.
362
00:21:22,725 --> 00:21:29,735
We take at least little touch of Crimson
there just, but there's nobody home.
363
00:21:29,915 --> 00:21:31,325
So there's no one topic chimney
364
00:21:34,835 --> 00:21:36,455
normally don't bother
to ever put chimneys.
365
00:21:36,455 --> 00:21:40,625
And I get people writing me and say, boy,
that four guy freezing to death and they
366
00:21:40,625 --> 00:21:42,935
give that kid that poor fella chimney.
367
00:21:42,935 --> 00:21:44,475
So today we did.
368
00:21:45,135 --> 00:21:46,515
Take a little titanium white.
369
00:21:49,635 --> 00:21:56,555
Let's just put that the indication of a
little bit, a little snow path down there
370
00:21:56,585 --> 00:22:05,225
where he can walk, came back to my brush
that has liquid white and titanium white.
371
00:22:05,735 --> 00:22:09,125
And we can continue to put some
happy little bushes right in here.
372
00:22:09,695 --> 00:22:12,185
When you touch it, canvas,
give it a little upward push.
373
00:22:14,250 --> 00:22:15,629
Just a little upward push.
374
00:22:18,570 --> 00:22:19,200
There we go.
375
00:22:21,840 --> 00:22:25,230
Now I see something that I should do.
376
00:22:25,980 --> 00:22:26,129
Okay.
377
00:22:26,300 --> 00:22:28,879
On this cabin here on the other
side of the roof, I didn't put any
378
00:22:28,879 --> 00:22:32,180
snow over there and they would be
a layer of snow there and that'll
379
00:22:32,180 --> 00:22:33,950
just make it look a little better.
380
00:22:34,940 --> 00:22:37,340
And it also makes you cabin stand out.
381
00:22:41,790 --> 00:22:42,240
Okay.
382
00:22:42,300 --> 00:22:47,220
In these bushes here and there,
this one is create through, put the
383
00:22:47,220 --> 00:22:50,970
indication, a few little sticks and
twigs and all kinds of other things.
384
00:22:51,780 --> 00:22:56,220
Let a few hang right over the path and
pushes that path down into the painting.
385
00:22:58,430 --> 00:22:59,690
Where do you think they should be?
386
00:23:02,660 --> 00:23:04,040
Can you find me a fan brush?
387
00:23:04,040 --> 00:23:04,520
There's one.
388
00:23:05,210 --> 00:23:05,660
Oh, here's one.
389
00:23:05,660 --> 00:23:06,350
That's already dirty.
390
00:23:07,935 --> 00:23:12,524
I'm going to take, this is white with
little thing, a little blue in it.
391
00:23:15,905 --> 00:23:16,385
Okay.
392
00:23:16,385 --> 00:23:17,285
Let's go right up here.
393
00:23:17,675 --> 00:23:19,475
I want to put the
indication here and there.
394
00:23:22,235 --> 00:23:25,535
I have a little bit of snow on these
trees don't want much, cause I don't
395
00:23:25,535 --> 00:23:27,335
want to lose that beautiful contrast.
396
00:23:28,504 --> 00:23:30,425
So I said just white
with a little touch fat
397
00:23:33,485 --> 00:23:33,995
there.
398
00:23:35,639 --> 00:23:40,110
And that sort of makes those Liam stand
out a little bit, arms on the tree.
399
00:23:43,219 --> 00:23:50,399
It looks cold and I get you big
Alaskan park out that lives in Alaska.
400
00:23:50,399 --> 00:23:53,790
I used to wear mukluks and those
are big canvas boots that come
401
00:23:53,790 --> 00:23:55,800
we up where they're fantastic.
402
00:23:55,830 --> 00:23:57,240
They keep you from freezing to death.
403
00:23:59,175 --> 00:23:59,774
Like them.
404
00:24:02,534 --> 00:24:03,044
Okay.
405
00:24:03,845 --> 00:24:05,855
Let's do, let's bring the
camera right up here, close.
406
00:24:06,304 --> 00:24:09,485
And I'm going to pull the contact
paper off and let's take a look at what
407
00:24:13,145 --> 00:24:13,355
I see.
408
00:24:13,355 --> 00:24:14,524
I didn't paint the case canvas.
409
00:24:14,585 --> 00:24:15,784
I left the canvas white.
410
00:24:16,685 --> 00:24:22,804
So when you pull this son of a gun off,
why does it stand out and mean it really
411
00:24:22,985 --> 00:24:26,524
stands out, but now when you're doing
this at home, maybe you want to say.
412
00:24:27,165 --> 00:24:31,725
Paint this a different color, like
a light blue or a tan or anything
413
00:24:31,725 --> 00:24:34,035
that, that makes you feel good.
414
00:24:34,935 --> 00:24:36,945
There's a, there's a million
different things you can do.
415
00:24:36,945 --> 00:24:39,435
And I use a lot of opals
only because that's.
416
00:24:40,365 --> 00:24:43,995
A nice shape to work with, but I have
letters from people who are using
417
00:24:43,995 --> 00:24:48,615
Okta skins and squares, and just
any shape that the mind can imagine.
418
00:24:48,825 --> 00:24:51,855
And when you're doing yours,
sorta look making a determination.
419
00:24:51,855 --> 00:24:54,405
One of the things that
I've found placemats are
420
00:24:54,435 --> 00:24:56,355
excellent for getting shapes.
421
00:24:56,355 --> 00:25:00,885
I use placemats and laying on
the contact paper and taking the
422
00:25:00,885 --> 00:25:03,585
Exacto knife or something and cut
around it and then glue it on.
423
00:25:04,395 --> 00:25:06,555
But that works very, very well.
424
00:25:08,640 --> 00:25:13,650
Okay, I'm going right back in to that dark
color that I had a little lot of pain into
425
00:25:13,650 --> 00:25:17,520
the bristles and Mamie and our world here.
426
00:25:18,770 --> 00:25:21,710
Let's let this one tree,
just this one tree.
427
00:25:21,770 --> 00:25:24,590
That's the only one that won't escape.
428
00:25:24,710 --> 00:25:30,110
He's going to slip right out of the bounds
of this old will and live right up here.
429
00:25:32,330 --> 00:25:35,480
There is just one little tree.
430
00:25:37,425 --> 00:25:42,075
Yeah, we'll take, we'll take some
of her, they little blue and white.
431
00:25:44,175 --> 00:25:46,785
And if you have trouble making
this stick, add a little bit
432
00:25:46,785 --> 00:25:47,925
of the liquid white to it.
433
00:25:48,495 --> 00:25:50,325
That'll make it a little
thinner needle stick.
434
00:25:50,965 --> 00:25:57,645
We can come back in here and just
throw a few little highlights.
435
00:25:59,065 --> 00:25:59,775
Okay.
436
00:26:00,735 --> 00:26:00,945
Yeah.
437
00:26:02,505 --> 00:26:03,795
Go into a touch of that.
438
00:26:04,649 --> 00:26:10,680
Touch of the paint thinner, ran into
some titanium white, and I'm going to
439
00:26:10,680 --> 00:26:12,840
load this liner brush full of color.
440
00:26:13,649 --> 00:26:16,710
Just, this is very thin
and it's like ink and roll.
441
00:26:16,710 --> 00:26:21,810
The brush brings it to a nice sharp point
and maybe here and there, let's just put
442
00:26:22,770 --> 00:26:25,350
a happy little sticker to this all frosty.
443
00:26:27,030 --> 00:26:30,510
Oh, Jack Frost is really worked on
these two just here and I don't,
444
00:26:30,540 --> 00:26:31,530
don't go too wild with them.
445
00:26:31,800 --> 00:26:31,950
Too.
446
00:26:31,950 --> 00:26:32,940
Many of them don't look right.
447
00:26:34,290 --> 00:26:38,580
Maybe up through here, you can make out
a little ones, these little details.
448
00:26:39,090 --> 00:26:39,690
They're nice.
449
00:26:41,190 --> 00:26:41,790
There we go.
450
00:26:43,380 --> 00:26:44,490
I think we're about to the point.
451
00:26:44,530 --> 00:26:46,730
We can call this one,
finished and sign it.
452
00:26:46,750 --> 00:26:52,020
I'm going to take a little red,
then it down with thinner and less
453
00:26:52,020 --> 00:26:53,700
sign this one right about here.
454
00:26:54,810 --> 00:26:56,820
I sincerely hope you've enjoyed this one.
455
00:26:57,630 --> 00:27:01,320
It'll show you how much fun you
can have using some black Jesso.
456
00:27:01,905 --> 00:27:04,185
Little contact paper and imagination.
457
00:27:04,754 --> 00:27:08,235
And from all of us here, happy
painting and got blessed.
End .srt file.
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