Tuesday, December 29, 2020

S15E05 - Hidden Winter Moon Oval

Bob Ross's

The Joy of Painting


S15E05 - Hidden Winter Moon Oval

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Hi, I'm glad you could join me today.


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And I thought today we'd do a

canvas that's black, as you can see,


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that's one of the most enjoyable

type paintings that I have ever


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found in this method of painting.


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So I'd tell you what, let's have him

run all the colors across the screen


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that you needed home to paint along

with me while they're doing that.


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Let me tell you what I've done up here.


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I have standard old

pre-stretch canvas and.


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Well, I was going to keep it a secret,

but I'm going to go ahead and tell


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you, I've put a contact paper overload

here today, and then I've painted


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the center of this with black Jesso,

allowed that to dry completely.


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And then on top of that, I've

put a mixture of alizarin,


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Crimson and fellow blue.


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And as it works out from the center,

I've added more and more blue.


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So it gets darker, darker,

darker as it works out.


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That warmest spot is right here

in the center, because I'm going


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to have some little, some little

floaty clouds and stuff in there.


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And I want that to be nice and bright.


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And I thought today we'd do a

little winter scene, something


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that's warm and cold at the same

time Hill, a warm spot in the sky.


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And well, let's just do it.


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Shoot.


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I started out the day with a

little one inch brush go right


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into some titanium white.


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This, this is a fantastic guy.


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Painting to do in public,

if you ever want to get out.


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And he's your friends and neighbors

school and up here, don't let them see.


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You put all the color on the

canvas because we have all these


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transparent colors on here.


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It still looks black.


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And don't tell your friends and

neighbors that you've done this.


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And then when you come up here with

your brush and you say, well, let's


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just do a little something right here.


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They don't, they just go crazy

because this color just comes alive.


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He had a beautiful lavender this

happening right there, and I'm just


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taking the brush and doing like, so

as we work further out, it's going


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to get darker and darker and darker.


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There we go.


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Still using little,

little rocking strokes.


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We'll call them just like so darker

and darker and darker is it works


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away from that light spot there.


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Now you can do this as many times

as you want to achieve a desired


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lightness, but I would suggest strongly

that each time you wash the brush,


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beat it, dry it.


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Start with.


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Clean color.


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Otherwise you're going to drag that dirty

color right back into your light area.


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I don't think you're going

to be happy with that.


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So if this is our light

area, always start there.


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Now we can begin working outward,

outward to get darker and darker


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and darker as it works away there.


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Darker, darker, darker, darker.


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There we are.


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Now you have to make a

decision in your world.


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How bright do you want the sky?


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Maybe you want it darker

than this or lighter.


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This is strictly an individual thing.


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I just want to show you how you

can make some fantastic effects.


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You're saying.


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A few crazy brushes and all, we

have a very limited palette today.


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We're not using many colors.


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I want to show you how you can

do a fantastic little painting.


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It's just easy, easy now with a two inch

brush, I'm going to gently, but in this


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together, doing this, blend it together


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and all those little rocking.


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The strokes that you made, you begin

to see all kinds of little happy


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things that they make out here.


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Okay.


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Let me clean the brush.


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One more time.


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We just use odorless paint thinner.


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There we go.


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Go right back into my white

let's cut right up here.


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Maybe, maybe right in here.


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Watch here.


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Watch here.


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Still using it.


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Same little stroke.


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Maybe this comes right on around.


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Let's make it look like he's a big,

strong, old floater living up here


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in the sky chest, wherever you want.


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A few don't overdo though.


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Just one or two is plenty.


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Matt.


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Back to our big blending brush

and very lightly, very lightly.


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So we can just blend that

big old cloud right here.


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And that's something you can see

that son-of-a-gun curve or right


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around and go right into the center.


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And by allowing you to get bigger

on this end, it makes it look


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like this part is closer to you.


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The other parts of other way.


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Okay.


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And maybe in our world, let's see here.


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I'll take the little blue lizard,

Crimson, little black in there too.


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Okay.


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And a brush here.


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There's one.


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You gotta use a little fan brush,

maybe the in, in our world here


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there lives a little cloud.


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He just sort of floats around

here and has fun all day.


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Just sort of let him that

he'd come right off your brush


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wherever you want him to live.


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That's exactly where he should be.


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There he is.


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And he's, he's just a happy little cloud.


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Give it a little bit of blending tiny bit.


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Now we're going to give

you your brave retest.


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So you come right here very lightly.


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Go across very, very lightly.


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Look at that.


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And you've got a beautiful little

cloud floating around in your sky.


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Okay.


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You passed the bravery test.


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I'm just going to use that same color,

same color, pull it out, flat, cut across.


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And we get our little roll of paint,

right on the edge of the knife.


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Maybe in our world, there lives

beautiful little mountain, right?


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Appear in the sky.


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So that's where we're putting,


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see maybe there's a little

button there wherever you are.


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Maybe another little bump really

pushed that pain right into the fabric.


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It gets strong when it gets tough.


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We'll take our two inch brush.


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Grab that and pull it, just pull

it down, grab it here and pull it.


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Stay there.


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Here we go.


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And by using the brush here, you can sort

of lay out your whole mountain and get


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an idea of where you want highlights and

shadows to be without being committed.


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And you can change it like there,

you can change it a hundred times.


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I hope you can see those

little brushstrokes here.


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I didn't have a fantastic way

of laying out your mountain.


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And if they don't show up well, and you

said, when you're doing this, you'll


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understand exactly what I'm saying.


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I'm going to take some titanium white.


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I'm going to add the least

little touch of black into it.


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Just, I want to dull it a little bit.


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That's what's not pure white.


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I just want to dull it down, gray

it a little pulled out as flat as


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we can get it cut across and we

have our little roll of pain again.


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See, it's important to pull it out.


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Cut that little roll of paint off.


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Nah, no pressure, no pressure

at that little son of a gun,


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just sort of float there.


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Maybe we'll have another little bit, it

was right out here and just disappears.


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There comes a little bit right down.


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Sometimes it feels so good.


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It hurts.


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There we go.


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And do nice things for you though.


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I'd love to paint.


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It's one of the few things in my life

I've never, never became bored with


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because I don't think he ever mastered.


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If you live to be a thousand years

old, you'll always know that your


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next painting is going to be better.


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Maybe that's the challenge of it.


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That's why it's so fascinating to me.


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Now let's, let's put some

shadows in there for that.


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We use some white little

pressure and blue mix him up


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there.


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We are cut off our little roll of paint.


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Always that little room of paint, put

a little shadow tune right back here.


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Come right along here.


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Push that one back power.


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Did you push them mountains around when I

go home, I keep pushing anything but the


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garbage, but here I can push anything.


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That's the only thing

I'm in charge of at home.


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It sits and waits for me, but

it's nice to be near here we are.


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Okay.


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But a shadow that lives right here.


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Good clean dry brush.


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Be sure it's dry.


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It's not dry.


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It's going to smoosh.


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Ooh.


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I forgot to shadow you.


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Let me do that.


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Didn't even holler at me right here.


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We need the tiniest little

indication of a shadow there now.


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We're all right down.


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See if I forgot that somebody told me.


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All I'm doing is beating the

paint off the breast brush brush.


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I want to create that Misty

effect down here at the base.


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Very lightly.


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Softly, softly.


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Okay, here, see there this side of

the mountain, follow these angles.


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Always follow the angles.


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Tap a little there.


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I ended up at all mountains, just laying

up there, floating in the Midwest.


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Now you can play games.


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And have fun mountains

are, Oh, they're fantastic.


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Let's take a little more height right up

here and maybe in our world their lives.


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Yep.


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You're right.


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Another little Ridge or a

mountain, right in the photograph.


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See back blending and creating

that Misty effect right there.


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Now this mountain will separate

and become an individual.


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There's no doubt in your mind when

you look at this, that it's in the


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foreground, but if it wasn't for that

little Misty area in there, You'd


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have to wonder you might figure.


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Yeah, it is.


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No, it's not whatever, but by creating

a little bit of mist now, you know,


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separates like that had you can keep on

till you've covered your whole canvas


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with layer after layer of the mountain.


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And that's not a bad, it's a

super, super nice way to learn.


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Just knock off that excess paint


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here.


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Now, once again, create

are missed on this one.


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You could put another

range of mountains in here.


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And another and another.


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And this many as you want that fairway are


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very soft.


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Very nice.


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Not the mountains.


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Let's do something else.


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I'm going to take some black

depression and blue Muslim.


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Mix us up.


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A nice pile here.


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A lizard Crimson


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shoot.


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We throw some Vandyke Brown there too.


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It doesn't matter.


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So we had black, blue, Crimson and

Brown when we cleaned the knife and


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we grabbed this whole fan brush.


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That was our cloud making brush.


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It didn't matter what it was.


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It has color of a dark color.


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And maybe back in here, there lives in

our world, some little distant trees


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that are far away because they're dark

against this light colored mountain.


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They'll stand out there

and we'll just let them go.


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I don't know, but we

don't know where they go.


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They just go.


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Okay.


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You get a little larger on the sand.


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So to give the impression

that this is going


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too bad there, whatever we don't care.


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Yeah.


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Then I have several old fan brushes going.


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I'm going to take the least

little touch of a light color.


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This is just.


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The white, I want to touch right at

the base and lift up right at the base.


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So it looks like just hundreds of

little trunks living back here.


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And if they come out a little too

bright in your painting, all you have


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to do is rub them, pick up at dark

color it's underneath and automatically


243

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he'll get darker and darker and

darker as it blends together there.


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But that's just enough to

set it out a little bit.


245

00:14:18,150 --> 00:14:23,640

I'll tell you what we have that color

go right into, ran into some titanium


246

00:14:23,670 --> 00:14:30,810

white and maybe underneath here, there's

just some happy little snow covered,


247

00:14:30,810 --> 00:14:32,670

ice covered, little bushes and stuff.


248

00:14:33,375 --> 00:14:35,565

So you just push up or

make up first and we end up


249

00:14:38,805 --> 00:14:39,225

there


250

00:14:44,415 --> 00:14:51,255

just one layer after another,

however many you want to do two K.


251

00:14:54,015 --> 00:14:56,565

Let me find a clean brush that

was clean enough for our youth.


252

00:14:57,555 --> 00:15:01,515

We'll take just a small amount of

titanium white on the large brush.


253

00:15:02,025 --> 00:15:04,755

I want to create the illusion

of some reflections on here.


254

00:15:05,205 --> 00:15:06,345

This color on the canvas.


255

00:15:06,375 --> 00:15:07,365

All you need is white.


256

00:15:08,715 --> 00:15:11,355

Grab it and pull down straight down.


257

00:15:11,505 --> 00:15:12,975

It's important that you pull straight.


258

00:15:13,175 --> 00:15:13,355

Yeah.


259

00:15:15,005 --> 00:15:15,815

Straight down.


260

00:15:18,810 --> 00:15:19,260

Okay.


261

00:15:21,220 --> 00:15:26,580

That's mixing with that wet color,

this underneath and very lightly.


262

00:15:26,800 --> 00:15:27,690

You just blended them.


263

00:15:30,390 --> 00:15:37,010

Now, then we use, we use some liquid

white, pull it out flat right on your I'm.


264

00:15:37,010 --> 00:15:39,480

I don't have the least little touch

if they look blue to it, just to


265

00:15:40,170 --> 00:15:45,020

cool it down a little, pull that very

flat cut across and have it teeniest


266

00:15:45,020 --> 00:15:46,190

little reel with paint on there.


267

00:15:46,230 --> 00:15:47,340

Oh, it's just so small.


268

00:15:51,420 --> 00:15:56,430

Very firmly, very firmly and sort

of lay the knife down as you go.


269

00:15:56,430 --> 00:16:03,930

So it gets all the paint that's

on the knife push very firmly down


270

00:16:05,550 --> 00:16:08,069

and you can make just all kinds

of little things happen there.


271

00:16:11,699 --> 00:16:12,030

Okay.


272

00:16:12,060 --> 00:16:13,650

Well, we got a nice painting going today.


273

00:16:14,520 --> 00:16:16,079

Every once in a while, things just work.


274

00:16:16,545 --> 00:16:17,085

Beautifully.


275

00:16:18,345 --> 00:16:22,455

Let's take our old fan brush and go right

back right back into that same dark color.


276

00:16:23,205 --> 00:16:30,555

And let's make a happy evergreen and he

lives right about there back and forth.


277

00:16:33,495 --> 00:16:34,275

Perry goes


278

00:16:37,335 --> 00:16:38,265

right over my mountain.


279

00:16:40,995 --> 00:16:41,595

There you go.


280

00:16:44,775 --> 00:16:46,215

Well, we know that mountains back here.


281

00:16:46,215 --> 00:16:49,395

If anybody asks you just tell

them here's a fantastic mountain


282

00:16:49,395 --> 00:16:50,775

that lives right behind this tree.


283

00:16:51,765 --> 00:16:52,605

You saw it in there.


284

00:16:54,285 --> 00:16:56,025

Let's give him a little

friend that lives right there.


285

00:16:56,535 --> 00:17:01,125

We don't want him to be left behind there.


286

00:17:04,065 --> 00:17:05,025

There's a couple of trees.


287

00:17:05,415 --> 00:17:06,195

I hope you can see these.


288

00:17:06,195 --> 00:17:07,095

They're very dark.


289

00:17:08,145 --> 00:17:09,225

Very dark, maybe.


290

00:17:09,915 --> 00:17:10,305

Yeah.


291

00:17:11,264 --> 00:17:13,694

We messed up the mountain so

bad when I put one right across


292

00:17:17,645 --> 00:17:18,425

Eric gums.


293

00:17:19,595 --> 00:17:23,974

Are you going to pick up a lot of that

height when you're doing this at home?


294

00:17:24,004 --> 00:17:26,285

If you have trouble making the

paint stick over the top of


295

00:17:26,285 --> 00:17:27,185

all that white, I don't know.


296

00:17:27,425 --> 00:17:30,635

I don't seem to be having too much

trouble, but if you do take a little


297

00:17:30,635 --> 00:17:34,895

paint thinner, add a little paint

thinner to your color, and the thin


298

00:17:34,895 --> 00:17:36,514

paint will stick much easier, right?


299

00:17:36,514 --> 00:17:38,315

On top of all the snow

and everything on there.


300

00:17:38,955 --> 00:17:40,575

Make your life a little easier sometime.


301

00:17:41,175 --> 00:17:41,625

Okay.


302

00:17:42,225 --> 00:17:42,735

Let's take out.


303

00:17:43,745 --> 00:17:44,885

Could a one inch brush here.


304

00:17:45,545 --> 00:17:48,055

I'm going to go into, what

am I going to go into here?


305

00:17:48,085 --> 00:17:52,605

We were going to grab a

little white shoot there.


306

00:17:52,635 --> 00:17:55,595

Some fellow blue I'm looking for

pretty dark blue color there.


307

00:17:56,645 --> 00:17:58,955

Pull the brush in one direction firmly.


308

00:18:00,035 --> 00:18:01,175

I want around one corner.


309

00:18:01,175 --> 00:18:02,795

See how around the corner looks.


310

00:18:03,365 --> 00:18:04,805

Now we hit up here that corner.


311

00:18:05,925 --> 00:18:11,085

That corner is going to be to

the top, push it upward there.


312

00:18:12,585 --> 00:18:16,305

And by pushing upward, it makes all

those little leafy looking things happen.


313

00:18:17,475 --> 00:18:18,945

No, bring it down about like yet.


314

00:18:22,245 --> 00:18:25,455

And all we're doing once again, it's

just throwing in some dark color.


315

00:18:25,685 --> 00:18:26,865

Our light color was show up.


316

00:18:29,475 --> 00:18:30,225

Okay.


317

00:18:32,355 --> 00:18:36,495

Yeah, then we can take another one inch

brush and we'll dip it into the liquid


318

00:18:36,495 --> 00:18:39,255

white, pull it through titanium white.


319

00:18:39,255 --> 00:18:44,415

The liquid white is only on there

to make the paint a little thinner.


320

00:18:44,745 --> 00:18:45,525

So it'll stick.


321

00:18:46,155 --> 00:18:47,595

That's the only reason it's on there.


322

00:18:48,855 --> 00:18:54,105

Now put all kinds of little snow

covered frosty bushes in here.


323

00:18:56,085 --> 00:18:58,005

Just some pretty little things, huh?


324

00:18:58,440 --> 00:19:02,700

It should look like lace do

one little Bush at the time.


325

00:19:04,140 --> 00:19:08,550

Jack Frost is as a waved, as

won and magic has happened here.


326

00:19:09,830 --> 00:19:10,460

Beautiful.


327

00:19:14,840 --> 00:19:16,700

Maybe right there.


328

00:19:18,320 --> 00:19:18,890

I have another one.


329

00:19:20,840 --> 00:19:21,890

Do you know if he was out here?


330

00:19:23,780 --> 00:19:27,530

This would be a nice spot,

but you get cold out here.


331

00:19:28,335 --> 00:19:32,385

So maybe, maybe we should have

us a little cabin out here.


332

00:19:32,385 --> 00:19:35,534

So we could sit by the fire and look

at this beautiful scene and be warm.


333

00:19:36,074 --> 00:19:40,635

So I'm going to take the knife and

scrape out a basic cabin shape.


334

00:19:41,054 --> 00:19:41,835

Just take the knife.


335

00:19:43,274 --> 00:19:45,284

We just put a little, a little cabin.


336

00:19:45,284 --> 00:19:49,935

Maybe there was a, there was a trapper

that lived out here years ago, and this


337

00:19:49,935 --> 00:19:51,524

has all this left of his little cabin.


338

00:19:53,345 --> 00:19:55,085

Can you take a little Vandyke Brown?


339

00:19:56,910 --> 00:19:57,870

And do the Bacchae.


340

00:19:58,560 --> 00:19:59,280

It's all there is to it.


341

00:20:00,750 --> 00:20:07,950

Now for the other side of the roof,

I must go use titanium white snow.


342

00:20:07,950 --> 00:20:08,610

Who's on that.


343

00:20:11,900 --> 00:20:14,480

When you get the little knife, it comes

in a little handier for getting into


344

00:20:14,480 --> 00:20:16,100

these little spots, take a little Brown.


345

00:20:17,960 --> 00:20:20,120

This is a little dark

Sienna van Dyke Brown.


346

00:20:22,760 --> 00:20:23,389

There we go.


347

00:20:23,629 --> 00:20:23,840

See.


348

00:20:24,315 --> 00:20:26,655

Just pull in our basic little cabin shape.


349

00:20:28,725 --> 00:20:31,185

Basic shape is all we're

looking for at this point.


350

00:20:35,445 --> 00:20:41,835

A little dark Sienna and white, still

using the small knife, just barely


351

00:20:41,835 --> 00:20:43,995

grazing the canvas touch and pull it down.


352

00:20:45,915 --> 00:20:47,865

We'll make the front of his

cabin a little brighter.


353

00:20:51,524 --> 00:20:52,695

Yeah, we can take.


354

00:20:54,360 --> 00:20:58,470

Just make the indication here and there

a few boards, that's a rough cabin.


355

00:20:59,639 --> 00:21:02,280

Take the knife, cut off our

cabin, do a cabin ectomy.


356

00:21:04,620 --> 00:21:05,610

Just the way we want it.


357

00:21:07,290 --> 00:21:09,750

Take a little bit of fantastic Brown.


358

00:21:09,930 --> 00:21:13,379

Put us in a little door,

got to have a little door.


359

00:21:14,070 --> 00:21:16,350

People always yell at me cause

I never put chimneys on mine.


360

00:21:17,655 --> 00:21:18,645

Kevin's office.


361

00:21:18,705 --> 00:21:21,315

Just use a small knife, put

on the chimney on that one.


362

00:21:22,725 --> 00:21:29,735

We take at least little touch of Crimson

there just, but there's nobody home.


363

00:21:29,915 --> 00:21:31,325

So there's no one topic chimney


364

00:21:34,835 --> 00:21:36,455

normally don't bother

to ever put chimneys.


365

00:21:36,455 --> 00:21:40,625

And I get people writing me and say, boy,

that four guy freezing to death and they


366

00:21:40,625 --> 00:21:42,935

give that kid that poor fella chimney.


367

00:21:42,935 --> 00:21:44,475

So today we did.


368

00:21:45,135 --> 00:21:46,515

Take a little titanium white.


369

00:21:49,635 --> 00:21:56,555

Let's just put that the indication of a

little bit, a little snow path down there


370

00:21:56,585 --> 00:22:05,225

where he can walk, came back to my brush

that has liquid white and titanium white.


371

00:22:05,735 --> 00:22:09,125

And we can continue to put some

happy little bushes right in here.


372

00:22:09,695 --> 00:22:12,185

When you touch it, canvas,

give it a little upward push.


373

00:22:14,250 --> 00:22:15,629

Just a little upward push.


374

00:22:18,570 --> 00:22:19,200

There we go.


375

00:22:21,840 --> 00:22:25,230

Now I see something that I should do.


376

00:22:25,980 --> 00:22:26,129

Okay.


377

00:22:26,300 --> 00:22:28,879

On this cabin here on the other

side of the roof, I didn't put any


378

00:22:28,879 --> 00:22:32,180

snow over there and they would be

a layer of snow there and that'll


379

00:22:32,180 --> 00:22:33,950

just make it look a little better.


380

00:22:34,940 --> 00:22:37,340

And it also makes you cabin stand out.


381

00:22:41,790 --> 00:22:42,240

Okay.


382

00:22:42,300 --> 00:22:47,220

In these bushes here and there,

this one is create through, put the


383

00:22:47,220 --> 00:22:50,970

indication, a few little sticks and

twigs and all kinds of other things.


384

00:22:51,780 --> 00:22:56,220

Let a few hang right over the path and

pushes that path down into the painting.


385

00:22:58,430 --> 00:22:59,690

Where do you think they should be?


386

00:23:02,660 --> 00:23:04,040

Can you find me a fan brush?


387

00:23:04,040 --> 00:23:04,520

There's one.


388

00:23:05,210 --> 00:23:05,660

Oh, here's one.


389

00:23:05,660 --> 00:23:06,350

That's already dirty.


390

00:23:07,935 --> 00:23:12,524

I'm going to take, this is white with

little thing, a little blue in it.


391

00:23:15,905 --> 00:23:16,385

Okay.


392

00:23:16,385 --> 00:23:17,285

Let's go right up here.


393

00:23:17,675 --> 00:23:19,475

I want to put the

indication here and there.


394

00:23:22,235 --> 00:23:25,535

I have a little bit of snow on these

trees don't want much, cause I don't


395

00:23:25,535 --> 00:23:27,335

want to lose that beautiful contrast.


396

00:23:28,504 --> 00:23:30,425

So I said just white

with a little touch fat


397

00:23:33,485 --> 00:23:33,995

there.


398

00:23:35,639 --> 00:23:40,110

And that sort of makes those Liam stand

out a little bit, arms on the tree.


399

00:23:43,219 --> 00:23:50,399

It looks cold and I get you big

Alaskan park out that lives in Alaska.


400

00:23:50,399 --> 00:23:53,790

I used to wear mukluks and those

are big canvas boots that come


401

00:23:53,790 --> 00:23:55,800

we up where they're fantastic.


402

00:23:55,830 --> 00:23:57,240

They keep you from freezing to death.


403

00:23:59,175 --> 00:23:59,774

Like them.


404

00:24:02,534 --> 00:24:03,044

Okay.


405

00:24:03,845 --> 00:24:05,855

Let's do, let's bring the

camera right up here, close.


406

00:24:06,304 --> 00:24:09,485

And I'm going to pull the contact

paper off and let's take a look at what


407

00:24:13,145 --> 00:24:13,355

I see.


408

00:24:13,355 --> 00:24:14,524

I didn't paint the case canvas.


409

00:24:14,585 --> 00:24:15,784

I left the canvas white.


410

00:24:16,685 --> 00:24:22,804

So when you pull this son of a gun off,

why does it stand out and mean it really


411

00:24:22,985 --> 00:24:26,524

stands out, but now when you're doing

this at home, maybe you want to say.


412

00:24:27,165 --> 00:24:31,725

Paint this a different color, like

a light blue or a tan or anything


413

00:24:31,725 --> 00:24:34,035

that, that makes you feel good.


414

00:24:34,935 --> 00:24:36,945

There's a, there's a million

different things you can do.


415

00:24:36,945 --> 00:24:39,435

And I use a lot of opals

only because that's.


416

00:24:40,365 --> 00:24:43,995

A nice shape to work with, but I have

letters from people who are using


417

00:24:43,995 --> 00:24:48,615

Okta skins and squares, and just

any shape that the mind can imagine.


418

00:24:48,825 --> 00:24:51,855

And when you're doing yours,

sorta look making a determination.


419

00:24:51,855 --> 00:24:54,405

One of the things that

I've found placemats are


420

00:24:54,435 --> 00:24:56,355

excellent for getting shapes.


421

00:24:56,355 --> 00:25:00,885

I use placemats and laying on

the contact paper and taking the


422

00:25:00,885 --> 00:25:03,585

Exacto knife or something and cut

around it and then glue it on.


423

00:25:04,395 --> 00:25:06,555

But that works very, very well.


424

00:25:08,640 --> 00:25:13,650

Okay, I'm going right back in to that dark

color that I had a little lot of pain into


425

00:25:13,650 --> 00:25:17,520

the bristles and Mamie and our world here.


426

00:25:18,770 --> 00:25:21,710

Let's let this one tree,

just this one tree.


427

00:25:21,770 --> 00:25:24,590

That's the only one that won't escape.


428

00:25:24,710 --> 00:25:30,110

He's going to slip right out of the bounds

of this old will and live right up here.


429

00:25:32,330 --> 00:25:35,480

There is just one little tree.


430

00:25:37,425 --> 00:25:42,075

Yeah, we'll take, we'll take some

of her, they little blue and white.


431

00:25:44,175 --> 00:25:46,785

And if you have trouble making

this stick, add a little bit


432

00:25:46,785 --> 00:25:47,925

of the liquid white to it.


433

00:25:48,495 --> 00:25:50,325

That'll make it a little

thinner needle stick.


434

00:25:50,965 --> 00:25:57,645

We can come back in here and just

throw a few little highlights.


435

00:25:59,065 --> 00:25:59,775

Okay.


436

00:26:00,735 --> 00:26:00,945

Yeah.


437

00:26:02,505 --> 00:26:03,795

Go into a touch of that.


438

00:26:04,649 --> 00:26:10,680

Touch of the paint thinner, ran into

some titanium white, and I'm going to


439

00:26:10,680 --> 00:26:12,840

load this liner brush full of color.


440

00:26:13,649 --> 00:26:16,710

Just, this is very thin

and it's like ink and roll.


441

00:26:16,710 --> 00:26:21,810

The brush brings it to a nice sharp point

and maybe here and there, let's just put


442

00:26:22,770 --> 00:26:25,350

a happy little sticker to this all frosty.


443

00:26:27,030 --> 00:26:30,510

Oh, Jack Frost is really worked on

these two just here and I don't,


444

00:26:30,540 --> 00:26:31,530

don't go too wild with them.


445

00:26:31,800 --> 00:26:31,950

Too.


446

00:26:31,950 --> 00:26:32,940

Many of them don't look right.


447

00:26:34,290 --> 00:26:38,580

Maybe up through here, you can make out

a little ones, these little details.


448

00:26:39,090 --> 00:26:39,690

They're nice.


449

00:26:41,190 --> 00:26:41,790

There we go.


450

00:26:43,380 --> 00:26:44,490

I think we're about to the point.


451

00:26:44,530 --> 00:26:46,730

We can call this one,

finished and sign it.


452

00:26:46,750 --> 00:26:52,020

I'm going to take a little red,

then it down with thinner and less


453

00:26:52,020 --> 00:26:53,700

sign this one right about here.


454

00:26:54,810 --> 00:26:56,820

I sincerely hope you've enjoyed this one.


455

00:26:57,630 --> 00:27:01,320

It'll show you how much fun you

can have using some black Jesso.


456

00:27:01,905 --> 00:27:04,185

Little contact paper and imagination.


457

00:27:04,754 --> 00:27:08,235

And from all of us here, happy

painting and got blessed.


End .srt file.



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