Bob Ross's

The Joy of Painting

S11E11 - Golden Glow

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Hi, I'm glad you could join me.

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Sorta caught me today.

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I thought today we'd do something a

little bit different and I've got those

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standard 18 by 24 inch canvas up here.

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But today I'm going to start out and

I'm going to cover the entire canvas

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with just a nice thin even coat of

liquid core, clear with a tiniest

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little touch of Indian, yellow in

attached liquid clear and Indian yellow.

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So I tell you what, let's have

them graphically run all the

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colors across the screen that

you need to paint along with me.

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And while they're doing

that, I'll finish this up.

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And when you're using this liquid

clear, probably the first thing to

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remember is use a very small amount.

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It goes a long way, and I'm just

mixing the tiniest little amount

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of Indian, yellow into an Indian.

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Yellow is very transparent.

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It's very nice, nice

yellow, bright, shiny.

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Okay.

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And I just want to finish

covering the canvas with it here.

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That's like, so.

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And scrub it in it's really, really

make it old brush work for you,

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scrub the dam and you use long,

horizontal and vertical strokes.

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Mr.

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Sure.

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That is even all the way across the canvas

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and only takes a second.

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When you're using a big old

brush to cover your canvas.

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Today today.

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I thought we'd do a

beautiful little painting.

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Show you how you can use this

liquid clear and a transparent

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color to do a fantastic effect.

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And when you're doing this at home,

try any one of the transparent colors

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using the same idea, and you'll be

amazed, absolutely amazed at some

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of the effects that you can achieve.

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Let me wash the brush and

then we can get started.

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We wash your brushes as you

know, and odorless thinner.

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There you go shake off the excess and

just take out all your frustrations.

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Now then today, today, we're

going to use a limited palette.

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That means very few colors on it.

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I want to start with some dark

Sienna, a little dark Sienna and the

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least little touch of Vandyke Brown.

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Just sort of mix them

together on the brush.

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Like, so do a nice warm

little winter scene.

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I think today that's, that's always fun.

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Okay.

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Let's go ahead up here now.

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Let's do some little things.

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I finished sky black.

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So just wherever you want us to

make some little little pattern,

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let me show you another thing.

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Just thought of something

else that you really like.

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Maybe, maybe you want to put

a bright spot in the sky.

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Watch here.

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Watch here.

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Watch here.

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There's so many things

you can do with this.

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I'll take just some

titanium white and let's go.

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Maybe you want a little

bright spot frightened here.

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Shoot.

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You can try this with like fallow blue or

pressure and blue, very transparent, and

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you can make beautiful, beautiful skies.

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And then you can put an

indication of sunlight up in here.

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See, this is an opaque color.

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Look at that.

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See that just it's articles.

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It's almost, it's almost so bright.

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It'll hurt your eyes.

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And then we can take this.

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Color and bring it down here and there.

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See there, it damn.

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This is one of the most

exciting things of the series.

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I'm really crazy about the effects

that you can achieve for this.

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And it works very rapidly.

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The only takes a second because.

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The yellow here will be your base color.

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And all we're going to use today is nice

warm earth tones of Browns and yellows.

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You just want to decide where do you

think he's a little thing should be

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dropping me off this little streak.

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He's in the sky.

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There's maybe one there.

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Wherever, wherever.

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Yeah.

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Farther away.

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If this is going to be a light area, the

further away you get from it, the darker.

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So add a little more Vandyke Brown

in the areas that are far away.

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That'll make that look even brighter.

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You need dark in order to show light.

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So the other way it is the darker,

it is something like, so, okay.

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Wash your brush.

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June scrubbing mouth.

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There's a screen in the

bottom of this bucket.

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It stands about an inch higher.

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So that allows the head, allows the

solid materials to settle to the bottom.

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And it keeps you paint

thinner, relatively clean.

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Came out with a clean, dry brush.

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Be sure your brush is dry church.

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Dry watch here.

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Just follow the angles that

you want you to scatter have,

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and you can play in the sky

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that.

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Easy.

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You have that beautiful,

beautiful little sky.

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It was very, very effective.

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And as I say, try this and in

any of the transparent color.

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So you love what happens

back into my Browns.

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I'm using both Browns here,

the Vandyke dark seat, and then

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just tap the brush into it.

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Just tap it.

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Okay.

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Maybe there's a little Foothill back here.

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Little, just take you corner of

the brush, touching, pull down.

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Little footie Hill and he

lives, he lives right there.

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It was touch.

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Give him a little downward pole

snap, the bristles snap off.

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I want this to be almost

the same color as this guy.

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Cause it's far away, far, far away.

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Now with a clean, dry brush.

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I have several brushes going

here, so I don't have to

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spend all my time to wash it.

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Just the base of it.

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Just tap it, give it a little upward pole.

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That'll soften it there

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and let's get out a fan brush.

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I like, I like fan brushes.

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So lets play with fan brushes today.

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We'll go into our Browns.

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Both of them, dark

Sienna and Vandyke Mike.

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So load the brush quite full of paint.

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Okay.

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Let's go in here and touch.

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Give it a little upward push.

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See.

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Just touch, push upward and sitting there.

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Thank you.

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See that makes all the little

grassy things on the top.

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And if you go straight in, chances are

you're going to get smiley faces or

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smiley frowns, depending on which way

advanced use the side of the brush.

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Use the corner of it.

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There we go and we can drop

in all kinds of little things

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there, wherever you want them.

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will pull a little bit of that down.

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With that we'll create the illusion

that reflections in a minute.

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So all we're doing here is just

applying a little bit of the color

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to the canvas, the liquid clear

it makes the canvas weapons slick.

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It's just like when you have liquid

white on the canvas, it's clear

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and maybe back in their, their

lives, a little evergreen now.

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Sorta make a center line, but just

touching and take and give it a little

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upward pushes saying this will make the

branches just bounce upward to see there.

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And then a super way to make a

little tree, cute little tree.

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This give him a friend, gave him some

friends and you can put as many or as few

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of these in your painting as you want.

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Just drop them in just wherever,

maybe, maybe over here too.

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We don't want this side to get lonely.

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There's one, there's

another one right there.

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Just have to make a decision.

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And a lot of times it's better not

to preplan your painting when you,

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when you're learning how to do this.

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Just start off with a canvas and have

a general idea in your mind the time

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of day, the time of year, and just go

with it, go with it, let things happen.

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And it teaches you.

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It teaches you how to create

on canvas and how to compose.

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I used to teach classes where I

would take and have people just hit

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the canvas with a big gob of color.

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And from that, they had to turn

it into a beautiful painting.

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That was the project for that day.

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It may be one of the best

learning experiences.

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That we have ever taught.

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Let me just put a few little bushy things

here and there, wherever we want them.

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See there, just pop them in the back.

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A little bushes and

trees that are far away.

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Okay.

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A little touch of paint thinner, and

I'll go right into that same color.

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Just turn the brush, brings it to a point.

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And maybe back in here, we have a few

little trees and sticks and stuff that

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move out here just sorta decided, or you

think they should be in drop in a few,

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just sort of breaks it up, breaks it up.

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Let all these little things happen.

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You always have little dead

trees and sticks and nature.

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So don't be afraid to put some of them in.

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Okay, let me wash my brush here.

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Give him a good scrub to shake it off.

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There you go.

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Alright, now let's, let's

turn this into reflections.

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Take it and pull straight down,

grab it, pull straight down.

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Be sure your brush is as dry as you can

possibly get it because liquid clear and

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paint thinner have violent reactions.

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So get it as dry as possible.

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If you don't have enough color, add a

little touch, you can add a little touch.

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Look at there.

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See, pull down all those

beautiful reflections.

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Still using the same Brown there.

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It takes very little paint.

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Very little paint.

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Okay.

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Beat off the excess and very

lightly go across very lightly and

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we have instant reflections and

it take another fan brush here.

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I have several fan brushes go

in, so I don't have to spend all

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my time just washing brushes.

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As I mentioned earlier, going to

load this full of titanium white,

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really loaded, full of paint.

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Okay, now then let's begin making, say we

was going to have a little winter scene.

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Let's take this and pull it allowed to

pick up some of that Brown and began

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making all kinds of little snowbanks.

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We back here angles are very

important when you're doing this

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pay close attention to your ankles.

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Close, close attention to your ankles.

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And maybe, maybe there's

something that goes on back

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here, there, whatever comes back.

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Maybe I leave a little opening there.

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So it looks like it goes back here.

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See, this is one of the things

that we call happy accidents.

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We don't make mistakes.

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We have happy accidents.

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Now that's very likely you can

smooth that out there and let's take

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the knife, but we've touched it.

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The liquid white, just pull it

out very flat and cut across.

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Okay.

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Let's do that again.

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So you can see, people seem to have

a lot of problems, pull it out flat

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as you can get it and cut across.

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That's all there is to it.

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Then you go right up here and you cut.

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Push her very firmly

right into the fabric.

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Just give it a little push and

we can put nice little edge here.

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I sort of cleans everything

up and brings it all together.

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Okay.

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Maybe there's a few little, little

things up here wherever you want.

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Right.

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Isn't that super, this liquid

clear, maybe one of the neatest

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things that have ever designed.

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I really, really am happy with it.

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Tell you what let's do.

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Let's put a tiny little cabin leaves.

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We back here I'll use

the small knife for that.

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Pull the pain out, get a little roll of

paint, right on the edge of the knife.

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Okay, mr.

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Side, where the roof is

at touch it and pool.

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This is going to be just

a small little cabin.

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He lives, we back here a

little bit on other aside there

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from that up.

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Yeah, that's better.

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That's better now then

we can take some Browns.

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A little bit of Brown, just go in

here and put some sides in front,

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on him that easy, take some quiet,

a little bit of the dark Sienna.

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Just mix it together and get a

little, a little bit of paint.

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And we can come right in here and just

put in a few little boards of sticks here.

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There is cabins far away, so

you're not going to see a lot of

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detail and then pick her knife.

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Cropping down, heavy on him zipping

right off, but a little snow right there.

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Take, take

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small edge of the knife, put in

a little doorway and he's got a

253

00:14:33,065 --> 00:14:34,055

way to get in and out of there.

254

00:14:35,525 --> 00:14:35,975

All right.

255

00:14:37,035 --> 00:14:40,745

Thinking about let's

do this, have some fun.

256

00:14:40,745 --> 00:14:47,015

I'm going to take the two inch brush

and go right in two Browns, right

257

00:14:47,015 --> 00:14:51,995

into a dark San and van Dyke Brown

just makes them right on the brush.

258

00:14:52,625 --> 00:14:52,985

Now, then.

259

00:14:53,685 --> 00:14:56,775

I'm want to have some nice

trees that live right in here.

260

00:14:57,315 --> 00:14:59,445

So here, all I'm doing is

just pushing them some color.

261

00:15:01,815 --> 00:15:02,715

Jen has pushed you talk.

262

00:15:02,715 --> 00:15:07,515

You have to make a big decision

though, where you want this there.

263

00:15:11,825 --> 00:15:13,815

Lot of painter just really.

264

00:15:14,555 --> 00:15:19,665

Really putting it up, create all these

little, little bushes and trees and

265

00:15:20,055 --> 00:15:21,375

whatever it is that you want in here.

266

00:15:22,505 --> 00:15:23,415

Just throw it here.

267

00:15:25,094 --> 00:15:27,584

And we know there's going to

be some reflections down here.

268

00:15:27,584 --> 00:15:30,675

So we got a little color down into this

269

00:15:36,525 --> 00:15:39,224

now then don't want this

side to be left out.

270

00:15:39,224 --> 00:15:42,915

So we'll put a few over

here to just drop them in.

271

00:15:43,635 --> 00:15:43,724

Okay.

272

00:15:46,704 --> 00:15:48,354

See how quick you can drop these in.

273

00:15:49,015 --> 00:15:52,045

So big brush will do fantastic

things for you to make friends with.

274

00:15:52,045 --> 00:15:54,834

It should be a good buddy.

275

00:15:58,375 --> 00:16:00,714

And some of that down,

276

00:16:05,454 --> 00:16:06,354

anything we don't like.

277

00:16:06,354 --> 00:16:07,344

And these reflections here.

278

00:16:07,410 --> 00:16:08,430

We just covered them up.

279

00:16:08,459 --> 00:16:09,060

No big deal.

280

00:16:15,300 --> 00:16:22,110

And then with our clean brush, very

lightly, just go across, see already

281

00:16:22,110 --> 00:16:24,630

that looks like your reflections

and you've done very, very little.

282

00:16:28,574 --> 00:16:28,995

Okay.

283

00:16:30,545 --> 00:16:34,505

Once again, to my fan brush, right

into the two Browns loaded brush,

284

00:16:34,535 --> 00:16:37,025

full of paint, really full of paint.

285

00:16:37,675 --> 00:16:40,685

Let's make a, let's make an

evergreen that lives right here.

286

00:16:41,224 --> 00:16:43,204

This will give you a lot of

practice with these evergreens.

287

00:16:43,324 --> 00:16:47,344

So you can, if it helps make the

entire trunk, sometimes it helps.

288

00:16:47,344 --> 00:16:50,135

If it just gives you a guide,

take the corner, brush it, just

289

00:16:50,135 --> 00:16:51,844

give it a little upward push.

290

00:16:52,084 --> 00:16:53,314

Just the corner of the brush.

291

00:16:54,120 --> 00:16:57,150

And as you work down at evergreen,

add more and more pressure,

292

00:16:57,630 --> 00:16:58,560

and they're not perfect.

293

00:16:58,560 --> 00:17:00,900

Remember that these things grow different.

294

00:17:01,860 --> 00:17:03,330

There's all different kinds.

295

00:17:04,110 --> 00:17:06,690

Some of them, maybe they get

stiffed on when they were little

296

00:17:06,690 --> 00:17:08,069

and they get they're crooked.

297

00:17:08,069 --> 00:17:09,329

They're they hurt.

298

00:17:09,870 --> 00:17:13,140

They're like people, they're all different

shapes, all different personalities.

299

00:17:13,140 --> 00:17:14,760

Don't try to make every

tree in your painting.

300

00:17:14,790 --> 00:17:15,270

Perfect.

301

00:17:16,079 --> 00:17:18,420

It'll bother you to

have one over this side.

302

00:17:18,839 --> 00:17:19,110

Okay.

303

00:17:19,290 --> 00:17:20,310

Don't make the whole trunk.

304

00:17:20,339 --> 00:17:20,880

There it is.

305

00:17:22,170 --> 00:17:22,380

Now.

306

00:17:22,964 --> 00:17:30,335

Gently pushing up and sometimes,

yeah, maybe there's a bad year

307

00:17:30,335 --> 00:17:32,524

and nothing grows for a little

bit in the trunk leaf and opening.

308

00:17:33,935 --> 00:17:34,764

It really makes sense.

309

00:17:34,875 --> 00:17:35,794

Trees look real.

310

00:17:36,965 --> 00:17:41,064

I lived in Alaska for many, many

years and the old trees are boy,

311

00:17:41,064 --> 00:17:44,885

if you, if you're a tree living in

Alaska, you've had a rough life.

312

00:17:45,995 --> 00:17:51,935

Here's one right here, whatever, put

in a trunk and we can come right along.

313

00:17:53,070 --> 00:17:56,610

And give him some little

arms, tree needs, little arms.

314

00:17:57,780 --> 00:17:59,220

This is where the little bird sits.

315

00:18:01,110 --> 00:18:01,350

Okay.

316

00:18:01,350 --> 00:18:02,790

I have to have a place for the birds.

317

00:18:03,330 --> 00:18:07,140

You know, me and my bird just

showed you the one that I raised

318

00:18:07,470 --> 00:18:08,910

and let go showed you one up.

319

00:18:08,910 --> 00:18:09,390

And this year.

320

00:18:17,395 --> 00:18:19,165

I see you already have

all of that blocked in

321

00:18:22,165 --> 00:18:22,435

there.

322

00:18:25,375 --> 00:18:26,425

Maybe tell you hot mess.

323

00:18:26,635 --> 00:18:27,985

Let's do another little tree right there.

324

00:18:30,445 --> 00:18:31,095

Just the top.

325

00:18:33,504 --> 00:18:33,985

Excellent.

326

00:18:34,635 --> 00:18:34,784

Yeah.

327

00:18:34,784 --> 00:18:35,985

Then I'll just take the same brush.

328

00:18:35,985 --> 00:18:37,605

I'm gonna go right into some yellow ochre.

329

00:18:37,665 --> 00:18:41,745

Just leave that color right on it and

go right into yellow ochre and just.

330

00:18:43,575 --> 00:18:47,655

Back and forth, and we can come

right back in here and let's

331

00:18:47,655 --> 00:18:48,855

put a little bit of highlight.

332

00:18:49,755 --> 00:18:50,985

Don't want to kill all that dark.

333

00:18:51,255 --> 00:18:56,345

All we want is a little bit of highlight

saying, Hey, you can make those lambs.

334

00:18:56,345 --> 00:19:02,505

Stand out, create little

individuals that easy, look at that.

335

00:19:02,865 --> 00:19:04,065

And this is where you separate them.

336

00:19:05,745 --> 00:19:06,165

Okay.

337

00:19:06,165 --> 00:19:06,855

Here we go.

338

00:19:09,585 --> 00:19:10,275

There we are.

339

00:19:10,485 --> 00:19:11,685

It just, just highlight.

340

00:19:11,925 --> 00:19:15,525

And once again, it's

very easy to overdo this.

341

00:19:18,045 --> 00:19:19,165

It gets to working with you.

342

00:19:19,185 --> 00:19:20,415

Just want to cover up the whole thing.

343

00:19:20,415 --> 00:19:21,225

I do that all the time.

344

00:19:21,245 --> 00:19:21,485

Okay.

345

00:19:22,625 --> 00:19:23,255

Overkill.

346

00:19:26,495 --> 00:19:27,875

You can keep these trees quite dark.

347

00:19:27,875 --> 00:19:29,435

I don't want to leave

this one out over here.

348

00:19:31,835 --> 00:19:33,005

I don't put some color on him.

349

00:19:33,005 --> 00:19:35,525

He'll be upset with me and I don't

want this treat to be mad at me.

350

00:19:41,320 --> 00:19:44,370

There we go now maybe, maybe

351

00:19:47,550 --> 00:19:52,620

wash this fresh, just wipe

it on the paper towel there.

352

00:19:53,660 --> 00:19:58,010

I'm going to take, this is just yellow

ochre and we'll take a little touch

353

00:19:58,010 --> 00:20:01,340

of the little touch of the kid yellow.

354

00:20:03,355 --> 00:20:07,035

Just mix it together and let's

begin, we're working on some

355

00:20:07,035 --> 00:20:08,295

little individual bushes here.

356

00:20:08,745 --> 00:20:11,145

I'm going to just take the

corner of the fan brush and

357

00:20:11,145 --> 00:20:12,405

give it a little upward push.

358

00:20:14,730 --> 00:20:17,370

You can create all kinds of

little bushes, chest with a fan

359

00:20:17,370 --> 00:20:20,280

brush, just with a fan of Russia.

360

00:20:25,550 --> 00:20:26,480

One at a time though,

361

00:20:31,430 --> 00:20:34,460

super, super way to make all

kinds of happy little things.

362

00:20:36,980 --> 00:20:37,700

There they go.

363

00:20:42,209 --> 00:20:47,399

Bush after Bush after Bush, but work in

the layers that's most, most important

364

00:20:50,699 --> 00:20:51,689

work in layers.

365

00:20:55,320 --> 00:20:58,679

Tell you about let's do let's put

some snow in the front of that.

366

00:21:01,320 --> 00:21:01,620

Okay.

367

00:21:01,649 --> 00:21:05,790

Maybe, maybe there's a snow

bank comes right out here.

368

00:21:08,055 --> 00:21:13,085

Say there, grab some of that dark

cause I, it ends up being a shadows

369

00:21:13,085 --> 00:21:15,185

in there really makes it nice.

370

00:21:15,215 --> 00:21:15,455

Nice.

371

00:21:17,495 --> 00:21:19,205

And maybe there's a little projection.

372

00:21:19,710 --> 00:21:20,610

Just wherever you want.

373

00:21:20,610 --> 00:21:25,940

It you'd make the decision like that.

374

00:21:25,950 --> 00:21:26,280

Easy.

375

00:21:26,640 --> 00:21:27,390

That easy.

376

00:21:31,260 --> 00:21:32,610

Let's keep crazy what the heck.

377

00:21:32,640 --> 00:21:33,450

Maybe this comes.

378

00:21:33,660 --> 00:21:33,960

Yeah.

379

00:21:34,500 --> 00:21:35,910

Make a decision and go with it.

380

00:21:36,990 --> 00:21:42,330

Say right there, you've changed

the whole lay of the land in just a

381

00:21:42,330 --> 00:21:45,960

heartbeat, because this is your world.

382

00:21:46,305 --> 00:21:49,305

And you can do anything that you want

to do here and bring some of this

383

00:21:49,305 --> 00:21:55,295

Oak or down into the snow to break

up those harsh edges, stay there.

384

00:21:56,915 --> 00:22:00,245

And maybe there's some little things

that girls out here in the snow,

385

00:22:01,595 --> 00:22:04,325

maybe right out here on the edge,

wherever you want, sort of just

386

00:22:04,625 --> 00:22:05,885

make a decision, drop them, man.

387

00:22:08,195 --> 00:22:08,795

Let's go over there.

388

00:22:08,815 --> 00:22:11,405

The side, put some snow in there.

389

00:22:13,265 --> 00:22:14,495

Maybe this one comes.

390

00:22:14,945 --> 00:22:15,155

Yep.

391

00:22:16,935 --> 00:22:21,855

Right on down, like, so she would

take it almost come together if

392

00:22:21,855 --> 00:22:22,845

you want them to what the heck

393

00:22:27,225 --> 00:22:29,085

they're bringing them back up from there.

394

00:22:29,505 --> 00:22:34,845

So I want to pick up some of this darker

color and bring it out, bring it out,

395

00:22:40,755 --> 00:22:42,435

but look at, look at what you've created.

396

00:22:42,795 --> 00:22:44,775

Just a few minutes.

397

00:22:46,935 --> 00:22:47,835

Just angles.

398

00:22:50,145 --> 00:22:51,015

Just angles.

399

00:22:53,145 --> 00:22:53,535

Okay.

400

00:22:58,035 --> 00:22:58,605

There we go.

401

00:22:59,235 --> 00:23:05,325

Now that we can take her liquid white,

let's get a little more on the knife

402

00:23:05,325 --> 00:23:10,005

here and we can come back in here

and just add a little water line.

403

00:23:10,675 --> 00:23:11,185

Show you something.

404

00:23:11,225 --> 00:23:15,915

So even that you might like to

try, watch this, watch this so

405

00:23:15,915 --> 00:23:16,935

many things I want to show you.

406

00:23:16,935 --> 00:23:17,895

I get carried away here.

407

00:23:18,660 --> 00:23:19,530

Take a little bit of Brown.

408

00:23:20,040 --> 00:23:23,640

And if you want to show a little ledge

in here, just take a little Brown and

409

00:23:23,640 --> 00:23:27,330

scrub it and it'll create the illusion.

410

00:23:27,330 --> 00:23:29,970

It's just a little ledge under there, and

it's a good way to clean up the bottom.

411

00:23:32,430 --> 00:23:35,880

Look at all that wherever

you want it to be.

412

00:23:36,600 --> 00:23:39,510

And you can bring some of it right on

up into the snow here and then take

413

00:23:39,510 --> 00:23:40,620

your other brush and work it out.

414

00:23:40,620 --> 00:23:42,240

That'll turn out to be nice shadows.

415

00:23:44,880 --> 00:23:45,540

Here we go.

416

00:23:50,415 --> 00:23:53,925

And then put her water lines under there.

417

00:23:57,015 --> 00:23:57,405

Okay.

418

00:24:00,165 --> 00:24:02,745

And we put a few little bushes

over here, just using the

419

00:24:02,745 --> 00:24:04,065

yellow through the fan brush,

420

00:24:07,305 --> 00:24:10,125

bring him right on down wherever

you think they should live.

421

00:24:10,645 --> 00:24:12,795

That's exactly where they were to be.

422

00:24:17,445 --> 00:24:17,925

Okay.

423

00:24:18,795 --> 00:24:19,545

Let's get crazy.

424

00:24:20,715 --> 00:24:21,195

Do you know me?

425

00:24:21,195 --> 00:24:22,575

I'm a tree fanatic.

426

00:24:24,045 --> 00:24:25,995

Let's put a happy tree libs.

427

00:24:28,545 --> 00:24:31,275

Oh, right over my other trees right there.

428

00:24:31,845 --> 00:24:34,515

I'll give him a friend right today.

429

00:24:36,285 --> 00:24:36,765

Take one.

430

00:24:37,275 --> 00:24:38,415

Don't want this side left out.

431

00:24:38,415 --> 00:24:39,615

We'll put one right there.

432

00:24:39,615 --> 00:24:41,445

These trees help push everything back.

433

00:24:42,480 --> 00:24:47,370

They really, really make the painting

more interesting and also drives

434

00:24:47,370 --> 00:24:48,870

my director crazy when I do this.

435

00:24:48,870 --> 00:24:49,980

And there's only a minute left.

436

00:24:52,670 --> 00:24:54,920

Just take the knife, a little

highlight here and there.

437

00:24:58,310 --> 00:24:59,390

Right at the same.

438

00:25:03,350 --> 00:25:03,890

Anyway, go

439

00:25:07,190 --> 00:25:08,990

say a little bit on this one.

440

00:25:10,935 --> 00:25:17,705

No, we can take our liner brush,

then the paint down with just

441

00:25:17,705 --> 00:25:18,965

paint then on the liner brush.

442

00:25:19,415 --> 00:25:24,875

And we come back in here and we put in

the indication here and there of some

443

00:25:24,875 --> 00:25:31,715

happy little lambs, just however many you

want and have many, if you have trouble

444

00:25:31,715 --> 00:25:33,335

making this paint flow off your brush.

445

00:25:33,675 --> 00:25:36,195

Add a little more of

the paint thinner to it.

446

00:25:37,245 --> 00:25:39,795

You need a thin paint for

this to work thick paint.

447

00:25:39,795 --> 00:25:45,975

Well, not flow canvas

tree here, some like that.

448

00:25:47,475 --> 00:25:50,565

And the little tree on the other side,

he, he don't want to be left out.

449

00:25:50,565 --> 00:25:56,985

I will give him a arm or two there at

Waco sitting wherever you want them in

450

00:25:56,985 --> 00:26:00,165

as many or as few, just to whatever.

451

00:26:01,740 --> 00:26:02,790

Watch here, watch it.

452

00:26:03,980 --> 00:26:06,649

Take a little bit of the liquid

wipe right into the titanium height.

453

00:26:08,060 --> 00:26:09,050

And let's go right up in here.

454

00:26:09,470 --> 00:26:14,060

And all you do is just touch and

let's just pop in a, you happy

455

00:26:14,060 --> 00:26:16,850

little, little, little white.

456

00:26:17,865 --> 00:26:19,375

Highlights here and there.

457

00:26:21,375 --> 00:26:23,385

And you put these in just

wherever you want them

458

00:26:26,715 --> 00:26:30,274

there, like little things of

snow, late appear in your tree.

459

00:26:30,605 --> 00:26:31,865

We'll put a few over in this tree.

460

00:26:33,390 --> 00:26:33,870

And with that.

461

00:26:34,470 --> 00:26:36,540

Thank we have just about

a completed painting.

462

00:26:37,230 --> 00:26:38,580

I really hope you've enjoyed this one.

463

00:26:38,580 --> 00:26:43,290

The liquid clear will open a whole

new avenues for you until next time.

464

00:26:43,530 --> 00:26:44,280

Happy painting.

465

00:26:44,790 --> 00:26:45,510

And God bless.

466

00:27:13,159 --> 00:27:13,939

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S11E11 - Golden Glow

Bob Ross's

The Joy of Painting

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