Bob Ross's
The Joy of Painting
S11E05 - Towering Glacier
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Hi, welcome back.
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I'm glad you could join me again today.
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Today.
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I thought we'd do something it's a
little bit different and I really
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believe you're going to enjoy this one.
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I've taken a 18 by 24 canvas and
we have it vertical that's up and
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down and on the top here, I've
covered it with liquid clear.
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And then on the base of the canvas,
I've completely covered it with
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liquid black and sort of blended
it together and put a little touch
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of Prussian blue right in here.
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I think we'll take that and we'll
do something that's unique and
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you're really going to, you're
going to have a good time today.
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Let's have him run all the
colors across the screen that
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you need to paint along with me.
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And let's go on up here and get started.
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Let's start with the old two inch
brush today, going to go into a small
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amount of the Prussian blue, just a
very small amount, because we have
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liquid clear on top of the canvas.
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It didn't take much color.
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Just a small amount,
let's go right up here.
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And then we'll just very gently
begin blending, a little led here.
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That'll mix with a liquid clear and that
dilutes the color as you work downwards.
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So automatically your sky gets
lighter in value as you work downward.
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now when you're putting this liquid clear
on your canvas, use it there very little.
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I can't stress that enough.
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Probably the biggest mistake made with
it is putting too much on the canvas.
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The canvas gets too wet and the
paint, it just sort of slips and
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slides takes very, very little.
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If you get you one bottle of it'll
probably last year, the rest of your life.
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Maybe longer, you can pass it down
to your grandchildren, but see, it
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makes a very delicate, soft sky.
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If we had liquid white under there,
it would dilute the color this way.
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With the liquid clear,
that remains transparent.
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You don't pick up the opaque color
underneath and it creates some very
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unusual and very pleasant effects.
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All right, let's put a happy
little cloud in the sky today.
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Take the fan brush.
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It will go into titanium white.
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Now the titanium white is a
very opaque color, which means
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you can't see through it.
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So we load the brush full of paint.
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Let's go right up here, decide basically
where you want your little cloud to live.
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And let's just go in here.
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We'll take the corner of the
brush and let's just push
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you in a happy little cloud.
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Just really push it in.
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I want this little cloud to be very rough.
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It's just sort of bouncing around
the sky, but you can see how it's
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picking up that blue that's underneath
and you get all kinds of effects.
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Say, I want very soft
little tops on this one.
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So just sort of scrub it in and work.
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In layers say, now here we'll come
with another one and you can create
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the illusion of depth in your clouds
just by working in different layers.
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So, so maybe I'll take, like, let's have
one right there and in your world, you put
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clouds wherever you think they should be.
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Just let them float around and have fun.
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Okay, there we go.
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Maybe a little more there wherever I have
to get a good clean, dry two inch brush.
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And then just very lightly.
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I want to just blend out
the base of some of these.
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But very little don't overwork
you cloud don't overwork it.
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Just rub it a little bit
on the base little circular
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strokes and get away from it.
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They get it wrong there.
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Now that very lightly.
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Very likely we can fluff that up.
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This is two hairs and some air you
just barely touching, barely touching.
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Then we blend it all out and this will
give us completely different effect than
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if you have the liquid white underneath,
as this begins to dry a little bit, you're
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going to get the blue soaking through here
and it'll make very nice little edges.
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All these little clouds.
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Try it.
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You'll really enjoy this.
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Okay.
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And that quick.
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Going to take, can I take
what I'm going to take?
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We'll use impression blue and blue and
black blue and black or black and blue.
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A little bit of white.
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So we got blue, black, and white.
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I'm going to add at least
little touch of a lizard Crimson
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in a bed least little touch.
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If you get too much, you're
going to have purple.
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And I don't don't want
the purple, but I like it.
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It's nice color cut across teeniest,
little roll of paint on the night.
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Maybe we back here in the distance lives,
lives, lives a happy little mountain,
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and he's far, far away scrape off.
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You can hear how hard I'm going
to scratch here that just really
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get in there, scrape off every
bit of paint that you can get off.
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Every bit, the color is in the canvas.
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You're not going to get it all off.
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I grab it with a big brush and blend it.
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Just blended blended blended.
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Just let it disappear.
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We'll whack the brush a
couple of times blended.
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We want it to just be floating
up here in the clouds.
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Literally just face, just floating
around this guy, having a good time.
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Soft, the lighter in value.
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Make this the further away it'll look.
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Okay now, then today.
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Shoot.
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Let's get crazy.
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Let's get crazy.
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We're going to check
out your nerves today.
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See if you breathe, I'm going to
go right in to the titanium white.
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I'm going to load a tremendous
amount of pain in the brush today.
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The paint salesman's in town.
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Get your paint on the brush.
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Can you let's go up here.
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I want a big glacier right up here.
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So yeah.
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Grab all your nerve of both hands.
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Go right in here.
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Decide where it's going.
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Drop it in, drop it in.
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Don't be afraid of it.
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Do it.
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We don't make mistakes.
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We have happy accidents.
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And if yours doesn't come out looking
exactly like this, that means it's better.
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It's better there.
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SI just lay in Alexa.
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And don't try to just copy where you're
really trying to teach you a technique
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here and turn you loose on the world.
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No, that don't look like a glacier yet,
but I hope in a minute it does to begin,
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begin creating the lay of the land here
or the lay of the glacier is point.
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Maybe, maybe it comes around
something like, so I don't know.
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We'll decide that later.
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Just have all kinds of
things happening in here.
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Hey, now I'm going to go touch a
little bit of the blue, and I'm
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going to pull in this direction
for the little blue, just a tiniest
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little bit tiniest, little bit blue.
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See, and it creates
sort of a shadow effect.
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I don't go crazy.
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This pressure and blue is, Oh my gosh.
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It's straw.
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One tube in the Atlantic ocean
would absolutely change the
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color of the whole ocean.
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Is that strong?
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Okay.
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Now comes the fun.
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Now comes the fun.
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Let's take mostly black midnight black.
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I can put a little touch of blue and
if you want a little touch of Vandyke
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Brown, and if you want, but mostly
black, get our little roll of paint
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right out on the edge of the knife.
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As usual.
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There it is.
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Now, then let's make some
big decisions right in here.
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We'll put some dark color.
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Say they're right against that
light boy that stands out.
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Maybe, maybe right along in the hair lips,
there's a bump and it comes right on down.
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We are going to make one
awesome mountain big too.
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Maybe right along here, we
just fell out of the sand.
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See how easy it is.
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And we have beautiful glacier later added
on top of that mountain looks like a lot
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of the mountains in my home in Alaska.
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Barely go all this color in here.
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So.
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Now, down here, down in here, here,
I'm going to use some titanium, white
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Prussian blue, and some black I'm making
a bluish color about like, so cut off
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that little roll of paint again, and
I'm going to begin fading this out.
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I want it to get more into the bluish
color down here, pushing very hard.
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Just when I'm right now, just trying
to push that color right into the
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fabric, right into the fabric.
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There we go.
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I'm going to change the small knife.
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It, it works better in
these little bitty places.
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Okay.
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Here, I'm taking some
pressure and blue and white.
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And once again, even with a small knife.
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We get that same little roller paint.
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Let's go up here now.
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I want to show a thickness.
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So there's a shadow right here.
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See, so you create a little
shadow, but just adding a touch
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of blue and it makes it thick.
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And we don't want that to be too straight.
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So we did, we can just take the knife
and I am here and just tap in all
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kinds of little ridges and bumps, still
falling the basic lay of the land.
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Oh, Dan in here and we'll have some air.
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They go across wherever
you want them to go.
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It's up to you.
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It's up to you.
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This is your mountains.
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So you do whatever you want.
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Then we can put a few little highlights
here and there, there, if few little
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highlights and keep this quite dark
though, you don't want to lose that
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beautiful dark value that you have here.
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It gets too light to scrape it off some
dark right back in there, say, this is
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the way you separate them right here.
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Bring them all apart.
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All those little things in
their individual things.
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Let that come right on down to wherever.
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Let me find a clean brush here and here.
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I'm just going to tap this.
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I want to create the
illusion of a mess here.
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Just tap it and then lift gently upward.
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Let's see, that brings all those together.
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There we go.
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Follow the angles in your mountain though.
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There.
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Microsoft.
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Okay.
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And do you beat the brush here in West of
I'll take a loose paint out of it and do
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like, so now let's go back to her black
in blue and Brown, mostly black, still.
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Once again, our little roll of paint.
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Every time I load the knife nearly
I love that little roll of paint.
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Now, then let's go right up in here
and maybe there's a happy little bump.
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Hey girl, rock mixed stone.
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And he lives right there.
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See it in your world.
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You decide how many rocks and bumps and
stones live in here and put them in.
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You can have as many or
as few as you want there.
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Janice dropped them Rascals
were right in there.
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And that helps also build
that illusion of depth.
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Once again, little bit of the
dark blue and Heights, so we can
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indicate the shadow or two on there.
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And I'm just barely touching.
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And this is where you would
separate the different stones.
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Yeah.
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You can pull them apart.
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Yeah.
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Let's let that camera.
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I don't dare.
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So you can make as many or
as few bumps as you want.
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And I'm going to take a, a fan brush and
I'm going to dip it into the liquid clear.
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And I want to make a paint this
quite thin here, quite thin, a
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little bit of blue into that.
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Not much just a touch, just a touch.
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And I'm going to reach
right in here and grab this.
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And just pull, bring snow right up
to the base, right up to the base.
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See, see how you can just bring
it snow right up there in it,
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and then just blend it out.
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And then with a fan brush,
you can smooth all this out.
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Now with the liquid clear in there,
this will slide right over the top
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of that white without destroying.
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And you can put all kinds of
happy little things in there.
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Just basically wherever you
want, you can drop them in.
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Cause this is your mountain.
240
00:14:26,204 --> 00:14:29,415
Now that right in here, I want
to come right back in here.
241
00:14:30,375 --> 00:14:32,084
Maybe we'll have this look at that.
242
00:14:33,045 --> 00:14:38,925
Maybe it comes a writer around
wherever this in my mind would
243
00:14:38,925 --> 00:14:40,035
be in a little more shadow.
244
00:14:40,485 --> 00:14:42,344
So I want it to pick up
some of that undercover.
245
00:14:42,344 --> 00:14:45,795
So I'm really pushing hard
here, really pushing hard.
246
00:14:45,795 --> 00:14:46,694
I want to grab that.
247
00:14:49,694 --> 00:14:50,865
And bring it all together.
248
00:14:54,375 --> 00:14:59,324
Then we can take your knife
and just reach up in here.
249
00:15:00,975 --> 00:15:02,415
Put a few little things here and there.
250
00:15:03,735 --> 00:15:10,865
And a few little doers that come right
down just to break up the monotony and
251
00:15:10,865 --> 00:15:13,084
rushed with the liquid clear and white.
252
00:15:13,655 --> 00:15:15,305
And you can add highlights
wherever you want them.
253
00:15:17,189 --> 00:15:21,030
You can also take, and maybe there's
little bumps or maybe there's rocks
254
00:15:21,030 --> 00:15:24,689
into the ground that are, that are
covered with snow, that you can
255
00:15:24,750 --> 00:15:27,120
indicate those just by doing that.
256
00:15:28,920 --> 00:15:32,430
Like, so, okay.
257
00:15:33,060 --> 00:15:33,189
Alright.
258
00:15:33,189 --> 00:15:34,770
That was super, let's have some fun.
259
00:15:34,770 --> 00:15:34,950
Now.
260
00:15:35,580 --> 00:15:38,010
Maybe there's some, maybe there's
some trees and stuff in here.
261
00:15:39,090 --> 00:15:39,540
Maybe.
262
00:15:40,724 --> 00:15:42,405
Let's take, I'll just use a brush.
263
00:15:42,405 --> 00:15:46,604
It has a little touch, a little
touch of a blue left on it.
264
00:15:47,055 --> 00:15:51,104
Get some SAP green and some
yellow, yellow ochre tap.
265
00:15:51,974 --> 00:15:53,655
I don't want a great deal
of paint on the brush.
266
00:15:54,584 --> 00:15:55,604
Just a little right now.
267
00:15:55,694 --> 00:16:01,485
We're gonna go right up here and
maybe back in here, there it is.
268
00:16:02,295 --> 00:16:04,395
You know, it was there all the time.
269
00:16:07,395 --> 00:16:10,785
Back in here is just maybe a little
grassy field that lives right in there.
270
00:16:12,615 --> 00:16:13,845
And all I'm doing is tapping.
271
00:16:14,325 --> 00:16:17,505
The big thing to remember here
is to follow the lay of the land.
272
00:16:17,535 --> 00:16:19,185
You have to make a big decision here.
273
00:16:19,185 --> 00:16:22,695
How does the land flow
the angles in the ground?
274
00:16:24,575 --> 00:16:27,825
That's your responsibility at this
point to make that big decision
275
00:16:29,235 --> 00:16:32,925
when you have this kind of power and
can create mountains and trees and.
276
00:16:33,855 --> 00:16:38,625
You have to make those kinds of
decisions and you can't, you can't.
277
00:16:40,545 --> 00:16:40,815
Hmm.
278
00:16:40,875 --> 00:16:41,205
Okay.
279
00:16:41,565 --> 00:16:42,525
Tell you what let's do now.
280
00:16:43,185 --> 00:16:46,485
Let's put a happy little tree
or two in here, so let's go.
281
00:16:46,485 --> 00:16:50,235
The old fan brush go right
into this dark color.
282
00:16:50,235 --> 00:16:53,965
We, this is the same old dark color that
we've made the mountain out of Baudette.
283
00:16:53,965 --> 00:16:55,755
That fan brush full of paint.
284
00:16:56,505 --> 00:16:57,285
Lots of paint.
285
00:16:58,185 --> 00:16:58,545
See there.
286
00:16:59,280 --> 00:17:01,980
Can I right up here now we
have to make some decisions.
287
00:17:02,070 --> 00:17:05,520
I want some little evergreen trees and
you have to decide where they live.
288
00:17:05,760 --> 00:17:08,280
Maybe right.
289
00:17:08,280 --> 00:17:10,470
There is a happy little evergreen leaf.
290
00:17:10,500 --> 00:17:11,940
Just let him drop it out of your brush.
291
00:17:14,220 --> 00:17:16,589
Like, so there's indications here.
292
00:17:17,250 --> 00:17:18,180
I don't want to kill all this.
293
00:17:18,180 --> 00:17:21,060
I want to, some of it show through,
so you can see behind this group
294
00:17:21,060 --> 00:17:27,630
of little trees there, I would
let that come right on down.
295
00:17:28,680 --> 00:17:31,889
Here's a nice one who has a bank
with big, strong, evergreen.
296
00:17:34,190 --> 00:17:36,100
Just use a corner of
the brush pushing down.
297
00:17:36,110 --> 00:17:37,580
Where did you work down the tree, please?
298
00:17:37,580 --> 00:17:38,480
Harder and harder.
299
00:17:38,510 --> 00:17:39,500
Firmer and firmer.
300
00:17:41,540 --> 00:17:43,520
And just push that little
rascal ready brush.
301
00:17:46,550 --> 00:17:47,060
There we go.
302
00:17:49,340 --> 00:17:50,210
That's fantastic.
303
00:17:50,210 --> 00:17:54,680
You can make a whole group of
little trees that easy you can.
304
00:17:57,360 --> 00:17:57,780
Okay.
305
00:17:58,170 --> 00:18:02,160
Maybe, maybe this one here, let's turn
him into a little bigger, stronger,
306
00:18:02,490 --> 00:18:06,690
tougher tree, but you can still see
some of that green through there.
307
00:18:07,379 --> 00:18:09,540
It makes it painting much,
much more interesting.
308
00:18:13,050 --> 00:18:16,470
And do you like it better when it's done
by having these little things in there?
309
00:18:17,490 --> 00:18:19,470
Maybe here's a little
baby tree right there.
310
00:18:21,000 --> 00:18:21,420
Okay.
311
00:18:21,780 --> 00:18:24,770
Let me go back and get that the old
two inch brush, tap it right into the
312
00:18:24,770 --> 00:18:26,570
green, yellow Curry, Indian, yellow.
313
00:18:27,410 --> 00:18:28,640
And all we're doing is tapping.
314
00:18:28,790 --> 00:18:32,000
Just tap the brush,
Jessica, right up here.
315
00:18:32,930 --> 00:18:35,990
Now I want to continue with this.
316
00:18:36,680 --> 00:18:37,910
Bring it right on the cross.
317
00:18:39,149 --> 00:18:43,649
And the more you tap this, the softer
it'll get, you can tap it to adjust.
318
00:18:43,739 --> 00:18:46,620
Oh, it looks just like velvet.
319
00:18:49,139 --> 00:18:52,139
Let's begin bringing
this over, make it curve.
320
00:18:53,370 --> 00:18:55,770
See the, create the lay of
the land here with your brush.
321
00:18:57,239 --> 00:19:01,649
And if you really want to have some
fun, watch here, watch you and we'll
322
00:19:01,649 --> 00:19:04,770
take it a little touch of the Vandyke
Brown, all of that same angle.
323
00:19:05,909 --> 00:19:06,510
Just follow it.
324
00:19:07,125 --> 00:19:12,795
Follow it, they will take a little,
a little touch of the dark Sienna, a
325
00:19:12,795 --> 00:19:16,565
little Vandyke Brown and touch your white
and just let it scan across the top.
326
00:19:16,565 --> 00:19:17,555
Just barely touch it.
327
00:19:17,705 --> 00:19:21,245
Barely see that like that.
328
00:19:22,445 --> 00:19:29,675
Now back to her brush with her
greens in it and bring it right over.
329
00:19:29,905 --> 00:19:30,155
See.
330
00:19:30,840 --> 00:19:33,000
Like there's big grassy things
hanging over and you could see
331
00:19:33,000 --> 00:19:36,480
some little stones and rocks
projecting through there that sneaky.
332
00:19:36,960 --> 00:19:37,830
And it's so pretty.
333
00:19:39,300 --> 00:19:42,480
This is why it'll sell your
painting or, or make people just
334
00:19:42,480 --> 00:19:45,000
really, just really happy with it.
335
00:19:46,020 --> 00:19:46,920
Let's have some more fun.
336
00:19:47,160 --> 00:19:51,600
Let me grab a fan brush, go,
go into some liquid white.
337
00:19:52,514 --> 00:19:54,165
And right into titanium white.
338
00:19:54,855 --> 00:19:59,024
And you remember at the beginning of the
show, I mentioned to you that right down
339
00:19:59,024 --> 00:20:02,504
here, I'd put a little bit of pressure and
blue, right on top of the liquid black.
340
00:20:02,835 --> 00:20:03,705
Now watch what happens.
341
00:20:04,514 --> 00:20:07,485
Let's say there's a happy little
waterfall and it comes from right
342
00:20:07,485 --> 00:20:10,544
down here, comes right over and goes
343
00:20:13,774 --> 00:20:16,055
just like so over.
344
00:20:16,530 --> 00:20:19,350
If you push real hard, it's going to
pick up that blue that's underneath
345
00:20:19,679 --> 00:20:21,389
and give that sort of a bluish tint.
346
00:20:22,260 --> 00:20:23,969
And it hits right about there.
347
00:20:24,060 --> 00:20:28,879
See corner of the brush, push upward,
make all these little splashes or that
348
00:20:29,090 --> 00:20:35,510
it's just churning and splashing do
some foam lives down here and then
349
00:20:35,510 --> 00:20:37,129
it begins pulling out through here.
350
00:20:39,020 --> 00:20:41,990
So you have a blues picking up the sneaky.
351
00:20:41,990 --> 00:20:42,260
Huh?
352
00:20:44,090 --> 00:20:45,050
I thought you'd like that.
353
00:20:46,980 --> 00:20:47,460
Okay.
354
00:20:47,910 --> 00:20:49,530
Now I'm back to my knife.
355
00:20:50,580 --> 00:20:52,110
Grab some more of that Vandyke Brown.
356
00:20:52,380 --> 00:20:54,840
Now I'm going to close this
side of the little waterfall
357
00:20:54,840 --> 00:20:57,840
in push it right back here.
358
00:20:58,350 --> 00:20:59,100
Come right down.
359
00:20:59,100 --> 00:21:06,690
Maybe there's some more rocks over here,
like, so you have to make these decisions
360
00:21:06,720 --> 00:21:08,160
wherever this lives in your world.
361
00:21:09,000 --> 00:21:12,540
That's where you put it once
again, the same highlight color.
362
00:21:13,185 --> 00:21:15,345
Can you just barely, barely touch.
363
00:21:16,575 --> 00:21:21,795
Just barely met a graze least,
least little amount of pressure.
364
00:21:21,885 --> 00:21:22,575
No pressure.
365
00:21:23,625 --> 00:21:29,475
Absolutely no pressure back
to her brush and watch here.
366
00:21:29,655 --> 00:21:30,015
Watch it.
367
00:21:30,975 --> 00:21:34,455
See you there now because
we're getting quieter.
368
00:21:34,725 --> 00:21:35,925
Build up of paint on their head.
369
00:21:35,925 --> 00:21:38,265
A little, I add a little
thinner to the paint.
370
00:21:38,415 --> 00:21:39,465
I see it sticks better.
371
00:21:40,410 --> 00:21:41,880
Comes right off the brush, my cheesier.
372
00:21:41,880 --> 00:21:45,930
So if you have trouble making your paint
stick, add a little touch of paint,
373
00:21:45,930 --> 00:21:51,500
thinner, see how you can follow right down
there when you're adding this thinner and
374
00:21:51,550 --> 00:21:57,260
very, very little, very little, and we
can just bring us ride on a rat, looks
375
00:21:57,260 --> 00:22:01,190
like big grassy, ferns and all those
things I live around where there's a
376
00:22:01,190 --> 00:22:03,260
waterfall because it's very humid here.
377
00:22:03,410 --> 00:22:06,290
Waterfall that had, there would be
a tremendous amount of humidity.
378
00:22:07,290 --> 00:22:11,129
So you'd have all the almost tropical
things probably grow in here.
379
00:22:13,889 --> 00:22:14,669
Look at all that.
380
00:22:16,919 --> 00:22:18,629
See how simple and you can do it.
381
00:22:19,020 --> 00:22:20,310
You really can do it.
382
00:22:21,270 --> 00:22:21,629
Okay.
383
00:22:23,010 --> 00:22:24,629
Pay what over here.
384
00:22:24,840 --> 00:22:28,470
Let's go to this side, maybe right here.
385
00:22:29,895 --> 00:22:30,795
Right here.
386
00:22:31,875 --> 00:22:32,085
Yep.
387
00:22:33,045 --> 00:22:34,665
Here's another little thing.
388
00:22:34,665 --> 00:22:35,325
It comes down.
389
00:22:36,675 --> 00:22:37,695
Let me grab my knife.
390
00:22:38,295 --> 00:22:40,215
Let's put some stones over on this side.
391
00:22:40,215 --> 00:22:43,545
Maybe this one comes down there.
392
00:22:43,605 --> 00:22:44,925
Got to make these big decisions.
393
00:22:45,855 --> 00:22:50,205
Maybe the stone comes down
right there wherever you want
394
00:22:50,205 --> 00:22:52,605
it, wherever you want it.
395
00:22:53,055 --> 00:22:53,745
Same thing.
396
00:22:54,240 --> 00:22:58,110
But a little highlight
on that stone shoot.
397
00:22:58,110 --> 00:22:58,530
Who knows?
398
00:22:58,530 --> 00:23:00,510
Maybe it must get crazy.
399
00:23:00,510 --> 00:23:02,070
Maybe there's another stone in there.
400
00:23:03,000 --> 00:23:03,939
Maybe there's yep.
401
00:23:04,719 --> 00:23:07,199
My world see a stone right there.
402
00:23:08,760 --> 00:23:10,709
There's just stones
everywhere in this painting.
403
00:23:10,740 --> 00:23:16,649
Maybe, maybe on out here, you
make a big decision, drop it in
404
00:23:16,980 --> 00:23:21,810
and go, just go with it, Jess.
405
00:23:21,810 --> 00:23:22,260
Go ahead.
406
00:23:24,885 --> 00:23:25,335
All right.
407
00:23:25,455 --> 00:23:30,045
And then back to her color on the
brush and we can be in tapping and
408
00:23:30,045 --> 00:23:34,395
all these things and just follow these
angles, follow them right on down
409
00:23:37,545 --> 00:23:39,105
to wherever you think
there should be land.
410
00:23:39,825 --> 00:23:40,784
That's where it ought to be.
411
00:23:43,395 --> 00:23:46,245
Where ever SAP green, CAD yellow.
412
00:23:46,935 --> 00:23:49,725
Yellow ochre and Danielle
just very these colors.
413
00:23:50,175 --> 00:23:51,165
So they look good to you.
414
00:23:52,355 --> 00:23:55,115
You can make all these soft
little Hills, you can have
415
00:23:55,115 --> 00:23:57,725
color just falling right over.
416
00:23:57,725 --> 00:23:59,965
So it looks just like all these
little grassy things here.
417
00:23:59,975 --> 00:24:06,845
Just see them just working right
over, like yet as many or as
418
00:24:06,845 --> 00:24:07,985
few as you want in your world.
419
00:24:09,815 --> 00:24:12,035
And by brightening them,
you can change the plane.
420
00:24:13,635 --> 00:24:15,705
See now that one stands out very distinct.
421
00:24:17,505 --> 00:24:23,145
Like, so one of the questions
that I hear over and over and over
422
00:24:23,895 --> 00:24:27,075
is what do we do with all these
paintings that we do on television?
423
00:24:28,905 --> 00:24:32,055
Most of these paintings are donated
to PBS stations across the country.
424
00:24:32,955 --> 00:24:35,505
They auction them off and they
make a happy buck with them.
425
00:24:36,255 --> 00:24:39,075
So if you'd like to have one, you know,
get in touch with your PBS station.
426
00:24:40,679 --> 00:24:41,219
Cause we do.
427
00:24:41,250 --> 00:24:44,159
We give them to stations all
over the country to help them out
428
00:24:44,159 --> 00:24:51,750
and their fundraisers, a little
waterfall right there to see
429
00:24:51,750 --> 00:24:52,919
how that just came right over.
430
00:24:53,290 --> 00:24:55,500
Maybe right here comes over.
431
00:24:55,860 --> 00:25:00,929
I'm over that cat that's right on
around wherever you want it to go.
432
00:25:03,719 --> 00:25:04,919
Little splashes here.
433
00:25:07,860 --> 00:25:12,870
I just to ride on out, you
know, you could get crazy.
434
00:25:14,340 --> 00:25:16,680
You could even put maybe there's
some little grassy things growing
435
00:25:16,680 --> 00:25:17,730
out here on that rock too.
436
00:25:17,730 --> 00:25:18,270
Who knows?
437
00:25:19,320 --> 00:25:19,740
Who knows?
438
00:25:19,770 --> 00:25:20,700
Let's have another rock.
439
00:25:22,740 --> 00:25:23,910
Maybe there's a nice stone.
440
00:25:24,720 --> 00:25:25,920
It lives right here in front of this.
441
00:25:30,210 --> 00:25:32,820
You can just make layer after
layer, after layer of these.
442
00:25:35,955 --> 00:25:39,675
We don't want that one to do without, so
we're a little bit of thinner on my brush
443
00:25:41,385 --> 00:25:47,345
and we can come right along here, like
a, that it's a nice little grassy things
444
00:25:47,345 --> 00:25:57,004
hanging all down on this rock, that easy,
that easy, the liquid white titanium
445
00:25:57,004 --> 00:25:59,075
white, then we can come right in here.
446
00:26:00,480 --> 00:26:03,000
Clean up all this bottom
here, like it looked like the
447
00:26:03,000 --> 00:26:04,380
water's flowing right on out.
448
00:26:05,160 --> 00:26:06,120
We don't know where this goes.
449
00:26:06,120 --> 00:26:08,550
It just goes on out of
the painting somewhere.
450
00:26:10,320 --> 00:26:11,070
Tell you what let's do.
451
00:26:11,940 --> 00:26:14,790
Going back into my brush
with a dark color on it.
452
00:26:15,210 --> 00:26:17,220
And in my world, I wanted to evergreen.
453
00:26:17,630 --> 00:26:18,630
It was right here on this Hill.
454
00:26:19,290 --> 00:26:24,690
So all you had to do, take some dark
color and drop him in, stay there.
455
00:26:25,770 --> 00:26:28,530
And he lives up here on the Hill and
he watches this waterfall down here.
456
00:26:29,265 --> 00:26:35,355
He's got a friend named Clyde,
Arizona collide right there.
457
00:26:37,305 --> 00:26:40,485
Take your knife, scratching a
little tree trunk here and there.
458
00:26:41,115 --> 00:26:46,545
If you're going to sticks and twigs
and you have a completed painting, I
459
00:26:46,545 --> 00:26:47,805
really hope you've enjoyed this one.
460
00:26:47,805 --> 00:26:50,865
It's a little different using the
liquid clear and the liquid black.
461
00:26:51,105 --> 00:26:51,585
Try it.
462
00:26:51,735 --> 00:26:54,015
You will have fun from all of us here.
463
00:26:54,345 --> 00:26:55,095
Happy painting.
464
00:26:55,455 --> 00:26:56,055
God bless.
465
00:26:56,085 --> 00:26:56,805
See you next time.
End .srt file.
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