Tuesday, December 29, 2020

S11E05 - Towering Glacier

Bob Ross's

The Joy of Painting


S11E05 - Towering Glacier

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Hi, welcome back.


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I'm glad you could join me again today.


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Today.


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I thought we'd do something it's a

little bit different and I really


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believe you're going to enjoy this one.


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I've taken a 18 by 24 canvas and

we have it vertical that's up and


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down and on the top here, I've

covered it with liquid clear.


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And then on the base of the canvas,

I've completely covered it with


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liquid black and sort of blended

it together and put a little touch


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of Prussian blue right in here.


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I think we'll take that and we'll

do something that's unique and


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you're really going to, you're

going to have a good time today.


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Let's have him run all the

colors across the screen that


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you need to paint along with me.


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And let's go on up here and get started.


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Let's start with the old two inch

brush today, going to go into a small


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amount of the Prussian blue, just a

very small amount, because we have


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liquid clear on top of the canvas.


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It didn't take much color.


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Just a small amount,

let's go right up here.


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And then we'll just very gently

begin blending, a little led here.


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That'll mix with a liquid clear and that

dilutes the color as you work downwards.


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So automatically your sky gets

lighter in value as you work downward.


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now when you're putting this liquid clear

on your canvas, use it there very little.


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I can't stress that enough.


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Probably the biggest mistake made with

it is putting too much on the canvas.


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The canvas gets too wet and the

paint, it just sort of slips and


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slides takes very, very little.


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If you get you one bottle of it'll

probably last year, the rest of your life.


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Maybe longer, you can pass it down

to your grandchildren, but see, it


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makes a very delicate, soft sky.


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If we had liquid white under there,

it would dilute the color this way.


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With the liquid clear,

that remains transparent.


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You don't pick up the opaque color

underneath and it creates some very


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unusual and very pleasant effects.


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All right, let's put a happy

little cloud in the sky today.


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Take the fan brush.


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It will go into titanium white.


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Now the titanium white is a

very opaque color, which means


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you can't see through it.


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So we load the brush full of paint.


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Let's go right up here, decide basically

where you want your little cloud to live.


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And let's just go in here.


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We'll take the corner of the

brush and let's just push


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you in a happy little cloud.


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Just really push it in.


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I want this little cloud to be very rough.


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It's just sort of bouncing around

the sky, but you can see how it's


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picking up that blue that's underneath

and you get all kinds of effects.


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Say, I want very soft

little tops on this one.


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So just sort of scrub it in and work.


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In layers say, now here we'll come

with another one and you can create


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the illusion of depth in your clouds

just by working in different layers.


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So, so maybe I'll take, like, let's have

one right there and in your world, you put


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clouds wherever you think they should be.


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Just let them float around and have fun.


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Okay, there we go.


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Maybe a little more there wherever I have

to get a good clean, dry two inch brush.


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And then just very lightly.


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I want to just blend out

the base of some of these.


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But very little don't overwork

you cloud don't overwork it.


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Just rub it a little bit

on the base little circular


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strokes and get away from it.


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They get it wrong there.


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Now that very lightly.


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Very likely we can fluff that up.


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This is two hairs and some air you

just barely touching, barely touching.


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Then we blend it all out and this will

give us completely different effect than


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if you have the liquid white underneath,

as this begins to dry a little bit, you're


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going to get the blue soaking through here

and it'll make very nice little edges.


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All these little clouds.


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Try it.


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You'll really enjoy this.


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Okay.


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And that quick.


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Going to take, can I take

what I'm going to take?


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We'll use impression blue and blue and

black blue and black or black and blue.


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A little bit of white.


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So we got blue, black, and white.


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I'm going to add at least

little touch of a lizard Crimson


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in a bed least little touch.


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If you get too much, you're

going to have purple.


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And I don't don't want

the purple, but I like it.


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It's nice color cut across teeniest,

little roll of paint on the night.


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Maybe we back here in the distance lives,

lives, lives a happy little mountain,


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and he's far, far away scrape off.


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You can hear how hard I'm going

to scratch here that just really


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get in there, scrape off every

bit of paint that you can get off.


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Every bit, the color is in the canvas.


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You're not going to get it all off.


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I grab it with a big brush and blend it.


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Just blended blended blended.


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Just let it disappear.


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We'll whack the brush a

couple of times blended.


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We want it to just be floating

up here in the clouds.


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Literally just face, just floating

around this guy, having a good time.


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Soft, the lighter in value.


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Make this the further away it'll look.


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Okay now, then today.


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Shoot.


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Let's get crazy.


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Let's get crazy.


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We're going to check

out your nerves today.


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See if you breathe, I'm going to

go right in to the titanium white.


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I'm going to load a tremendous

amount of pain in the brush today.


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The paint salesman's in town.


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Get your paint on the brush.


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Can you let's go up here.


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I want a big glacier right up here.


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So yeah.


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Grab all your nerve of both hands.


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Go right in here.


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Decide where it's going.


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Drop it in, drop it in.


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Don't be afraid of it.


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Do it.


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We don't make mistakes.


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We have happy accidents.


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And if yours doesn't come out looking

exactly like this, that means it's better.


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It's better there.


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SI just lay in Alexa.


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And don't try to just copy where you're

really trying to teach you a technique


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here and turn you loose on the world.


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No, that don't look like a glacier yet,

but I hope in a minute it does to begin,


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begin creating the lay of the land here

or the lay of the glacier is point.


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Maybe, maybe it comes around

something like, so I don't know.


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We'll decide that later.


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Just have all kinds of

things happening in here.


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Hey, now I'm going to go touch a

little bit of the blue, and I'm


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going to pull in this direction

for the little blue, just a tiniest


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little bit tiniest, little bit blue.


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See, and it creates

sort of a shadow effect.


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I don't go crazy.


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This pressure and blue is, Oh my gosh.


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It's straw.


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One tube in the Atlantic ocean

would absolutely change the


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color of the whole ocean.


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Is that strong?


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Okay.


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Now comes the fun.


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Now comes the fun.


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Let's take mostly black midnight black.


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I can put a little touch of blue and

if you want a little touch of Vandyke


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Brown, and if you want, but mostly

black, get our little roll of paint


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right out on the edge of the knife.


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As usual.


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There it is.


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Now, then let's make some

big decisions right in here.


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We'll put some dark color.


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Say they're right against that

light boy that stands out.


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Maybe, maybe right along in the hair lips,

there's a bump and it comes right on down.


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We are going to make one

awesome mountain big too.


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Maybe right along here, we

just fell out of the sand.


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See how easy it is.


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And we have beautiful glacier later added

on top of that mountain looks like a lot


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of the mountains in my home in Alaska.


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Barely go all this color in here.


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So.


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Now, down here, down in here, here,

I'm going to use some titanium, white


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Prussian blue, and some black I'm making

a bluish color about like, so cut off


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that little roll of paint again, and

I'm going to begin fading this out.


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I want it to get more into the bluish

color down here, pushing very hard.


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Just when I'm right now, just trying

to push that color right into the


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fabric, right into the fabric.


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There we go.


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I'm going to change the small knife.


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It, it works better in

these little bitty places.


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Okay.


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Here, I'm taking some

pressure and blue and white.


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And once again, even with a small knife.


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We get that same little roller paint.


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Let's go up here now.


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I want to show a thickness.


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So there's a shadow right here.


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See, so you create a little

shadow, but just adding a touch


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of blue and it makes it thick.


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And we don't want that to be too straight.


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So we did, we can just take the knife

and I am here and just tap in all


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kinds of little ridges and bumps, still

falling the basic lay of the land.


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Oh, Dan in here and we'll have some air.


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They go across wherever

you want them to go.


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It's up to you.


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It's up to you.


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This is your mountains.


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So you do whatever you want.


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Then we can put a few little highlights

here and there, there, if few little


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highlights and keep this quite dark

though, you don't want to lose that


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beautiful dark value that you have here.


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It gets too light to scrape it off some

dark right back in there, say, this is


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the way you separate them right here.


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Bring them all apart.


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All those little things in

their individual things.


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Let that come right on down to wherever.


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Let me find a clean brush here and here.


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I'm just going to tap this.


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I want to create the

illusion of a mess here.


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Just tap it and then lift gently upward.


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Let's see, that brings all those together.


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There we go.


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Follow the angles in your mountain though.


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There.


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Microsoft.


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Okay.


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And do you beat the brush here in West of

I'll take a loose paint out of it and do


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like, so now let's go back to her black

in blue and Brown, mostly black, still.


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Once again, our little roll of paint.


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Every time I load the knife nearly

I love that little roll of paint.


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Now, then let's go right up in here

and maybe there's a happy little bump.


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Hey girl, rock mixed stone.


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And he lives right there.


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See it in your world.


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You decide how many rocks and bumps and

stones live in here and put them in.


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You can have as many or

as few as you want there.


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Janice dropped them Rascals

were right in there.


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And that helps also build

that illusion of depth.


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Once again, little bit of the

dark blue and Heights, so we can


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indicate the shadow or two on there.


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And I'm just barely touching.


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And this is where you would

separate the different stones.


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Yeah.


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You can pull them apart.


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Yeah.


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Let's let that camera.


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I don't dare.


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So you can make as many or

as few bumps as you want.


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And I'm going to take a, a fan brush and

I'm going to dip it into the liquid clear.


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And I want to make a paint this

quite thin here, quite thin, a


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little bit of blue into that.


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Not much just a touch, just a touch.


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And I'm going to reach

right in here and grab this.


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And just pull, bring snow right up

to the base, right up to the base.


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See, see how you can just bring

it snow right up there in it,


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and then just blend it out.


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And then with a fan brush,

you can smooth all this out.


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Now with the liquid clear in there,

this will slide right over the top


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of that white without destroying.


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And you can put all kinds of

happy little things in there.


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Just basically wherever you

want, you can drop them in.


239

00:14:24,344 --> 00:14:25,425

Cause this is your mountain.


240

00:14:26,204 --> 00:14:29,415

Now that right in here, I want

to come right back in here.


241

00:14:30,375 --> 00:14:32,084

Maybe we'll have this look at that.


242

00:14:33,045 --> 00:14:38,925

Maybe it comes a writer around

wherever this in my mind would


243

00:14:38,925 --> 00:14:40,035

be in a little more shadow.


244

00:14:40,485 --> 00:14:42,344

So I want it to pick up

some of that undercover.


245

00:14:42,344 --> 00:14:45,795

So I'm really pushing hard

here, really pushing hard.


246

00:14:45,795 --> 00:14:46,694

I want to grab that.


247

00:14:49,694 --> 00:14:50,865

And bring it all together.


248

00:14:54,375 --> 00:14:59,324

Then we can take your knife

and just reach up in here.


249

00:15:00,975 --> 00:15:02,415

Put a few little things here and there.


250

00:15:03,735 --> 00:15:10,865

And a few little doers that come right

down just to break up the monotony and


251

00:15:10,865 --> 00:15:13,084

rushed with the liquid clear and white.


252

00:15:13,655 --> 00:15:15,305

And you can add highlights

wherever you want them.


253

00:15:17,189 --> 00:15:21,030

You can also take, and maybe there's

little bumps or maybe there's rocks


254

00:15:21,030 --> 00:15:24,689

into the ground that are, that are

covered with snow, that you can


255

00:15:24,750 --> 00:15:27,120

indicate those just by doing that.


256

00:15:28,920 --> 00:15:32,430

Like, so, okay.


257

00:15:33,060 --> 00:15:33,189

Alright.


258

00:15:33,189 --> 00:15:34,770

That was super, let's have some fun.


259

00:15:34,770 --> 00:15:34,950

Now.


260

00:15:35,580 --> 00:15:38,010

Maybe there's some, maybe there's

some trees and stuff in here.


261

00:15:39,090 --> 00:15:39,540

Maybe.


262

00:15:40,724 --> 00:15:42,405

Let's take, I'll just use a brush.


263

00:15:42,405 --> 00:15:46,604

It has a little touch, a little

touch of a blue left on it.


264

00:15:47,055 --> 00:15:51,104

Get some SAP green and some

yellow, yellow ochre tap.


265

00:15:51,974 --> 00:15:53,655

I don't want a great deal

of paint on the brush.


266

00:15:54,584 --> 00:15:55,604

Just a little right now.


267

00:15:55,694 --> 00:16:01,485

We're gonna go right up here and

maybe back in here, there it is.


268

00:16:02,295 --> 00:16:04,395

You know, it was there all the time.


269

00:16:07,395 --> 00:16:10,785

Back in here is just maybe a little

grassy field that lives right in there.


270

00:16:12,615 --> 00:16:13,845

And all I'm doing is tapping.


271

00:16:14,325 --> 00:16:17,505

The big thing to remember here

is to follow the lay of the land.


272

00:16:17,535 --> 00:16:19,185

You have to make a big decision here.


273

00:16:19,185 --> 00:16:22,695

How does the land flow

the angles in the ground?


274

00:16:24,575 --> 00:16:27,825

That's your responsibility at this

point to make that big decision


275

00:16:29,235 --> 00:16:32,925

when you have this kind of power and

can create mountains and trees and.


276

00:16:33,855 --> 00:16:38,625

You have to make those kinds of

decisions and you can't, you can't.


277

00:16:40,545 --> 00:16:40,815

Hmm.


278

00:16:40,875 --> 00:16:41,205

Okay.


279

00:16:41,565 --> 00:16:42,525

Tell you what let's do now.


280

00:16:43,185 --> 00:16:46,485

Let's put a happy little tree

or two in here, so let's go.


281

00:16:46,485 --> 00:16:50,235

The old fan brush go right

into this dark color.


282

00:16:50,235 --> 00:16:53,965

We, this is the same old dark color that

we've made the mountain out of Baudette.


283

00:16:53,965 --> 00:16:55,755

That fan brush full of paint.


284

00:16:56,505 --> 00:16:57,285

Lots of paint.


285

00:16:58,185 --> 00:16:58,545

See there.


286

00:16:59,280 --> 00:17:01,980

Can I right up here now we

have to make some decisions.


287

00:17:02,070 --> 00:17:05,520

I want some little evergreen trees and

you have to decide where they live.


288

00:17:05,760 --> 00:17:08,280

Maybe right.


289

00:17:08,280 --> 00:17:10,470

There is a happy little evergreen leaf.


290

00:17:10,500 --> 00:17:11,940

Just let him drop it out of your brush.


291

00:17:14,220 --> 00:17:16,589

Like, so there's indications here.


292

00:17:17,250 --> 00:17:18,180

I don't want to kill all this.


293

00:17:18,180 --> 00:17:21,060

I want to, some of it show through,

so you can see behind this group


294

00:17:21,060 --> 00:17:27,630

of little trees there, I would

let that come right on down.


295

00:17:28,680 --> 00:17:31,889

Here's a nice one who has a bank

with big, strong, evergreen.


296

00:17:34,190 --> 00:17:36,100

Just use a corner of

the brush pushing down.


297

00:17:36,110 --> 00:17:37,580

Where did you work down the tree, please?


298

00:17:37,580 --> 00:17:38,480

Harder and harder.


299

00:17:38,510 --> 00:17:39,500

Firmer and firmer.


300

00:17:41,540 --> 00:17:43,520

And just push that little

rascal ready brush.


301

00:17:46,550 --> 00:17:47,060

There we go.


302

00:17:49,340 --> 00:17:50,210

That's fantastic.


303

00:17:50,210 --> 00:17:54,680

You can make a whole group of

little trees that easy you can.


304

00:17:57,360 --> 00:17:57,780

Okay.


305

00:17:58,170 --> 00:18:02,160

Maybe, maybe this one here, let's turn

him into a little bigger, stronger,


306

00:18:02,490 --> 00:18:06,690

tougher tree, but you can still see

some of that green through there.


307

00:18:07,379 --> 00:18:09,540

It makes it painting much,

much more interesting.


308

00:18:13,050 --> 00:18:16,470

And do you like it better when it's done

by having these little things in there?


309

00:18:17,490 --> 00:18:19,470

Maybe here's a little

baby tree right there.


310

00:18:21,000 --> 00:18:21,420

Okay.


311

00:18:21,780 --> 00:18:24,770

Let me go back and get that the old

two inch brush, tap it right into the


312

00:18:24,770 --> 00:18:26,570

green, yellow Curry, Indian, yellow.


313

00:18:27,410 --> 00:18:28,640

And all we're doing is tapping.


314

00:18:28,790 --> 00:18:32,000

Just tap the brush,

Jessica, right up here.


315

00:18:32,930 --> 00:18:35,990

Now I want to continue with this.


316

00:18:36,680 --> 00:18:37,910

Bring it right on the cross.


317

00:18:39,149 --> 00:18:43,649

And the more you tap this, the softer

it'll get, you can tap it to adjust.


318

00:18:43,739 --> 00:18:46,620

Oh, it looks just like velvet.


319

00:18:49,139 --> 00:18:52,139

Let's begin bringing

this over, make it curve.


320

00:18:53,370 --> 00:18:55,770

See the, create the lay of

the land here with your brush.


321

00:18:57,239 --> 00:19:01,649

And if you really want to have some

fun, watch here, watch you and we'll


322

00:19:01,649 --> 00:19:04,770

take it a little touch of the Vandyke

Brown, all of that same angle.


323

00:19:05,909 --> 00:19:06,510

Just follow it.


324

00:19:07,125 --> 00:19:12,795

Follow it, they will take a little,

a little touch of the dark Sienna, a


325

00:19:12,795 --> 00:19:16,565

little Vandyke Brown and touch your white

and just let it scan across the top.


326

00:19:16,565 --> 00:19:17,555

Just barely touch it.


327

00:19:17,705 --> 00:19:21,245

Barely see that like that.


328

00:19:22,445 --> 00:19:29,675

Now back to her brush with her

greens in it and bring it right over.


329

00:19:29,905 --> 00:19:30,155

See.


330

00:19:30,840 --> 00:19:33,000

Like there's big grassy things

hanging over and you could see


331

00:19:33,000 --> 00:19:36,480

some little stones and rocks

projecting through there that sneaky.


332

00:19:36,960 --> 00:19:37,830

And it's so pretty.


333

00:19:39,300 --> 00:19:42,480

This is why it'll sell your

painting or, or make people just


334

00:19:42,480 --> 00:19:45,000

really, just really happy with it.


335

00:19:46,020 --> 00:19:46,920

Let's have some more fun.


336

00:19:47,160 --> 00:19:51,600

Let me grab a fan brush, go,

go into some liquid white.


337

00:19:52,514 --> 00:19:54,165

And right into titanium white.


338

00:19:54,855 --> 00:19:59,024

And you remember at the beginning of the

show, I mentioned to you that right down


339

00:19:59,024 --> 00:20:02,504

here, I'd put a little bit of pressure and

blue, right on top of the liquid black.


340

00:20:02,835 --> 00:20:03,705

Now watch what happens.


341

00:20:04,514 --> 00:20:07,485

Let's say there's a happy little

waterfall and it comes from right


342

00:20:07,485 --> 00:20:10,544

down here, comes right over and goes


343

00:20:13,774 --> 00:20:16,055

just like so over.


344

00:20:16,530 --> 00:20:19,350

If you push real hard, it's going to

pick up that blue that's underneath


345

00:20:19,679 --> 00:20:21,389

and give that sort of a bluish tint.


346

00:20:22,260 --> 00:20:23,969

And it hits right about there.


347

00:20:24,060 --> 00:20:28,879

See corner of the brush, push upward,

make all these little splashes or that


348

00:20:29,090 --> 00:20:35,510

it's just churning and splashing do

some foam lives down here and then


349

00:20:35,510 --> 00:20:37,129

it begins pulling out through here.


350

00:20:39,020 --> 00:20:41,990

So you have a blues picking up the sneaky.


351

00:20:41,990 --> 00:20:42,260

Huh?


352

00:20:44,090 --> 00:20:45,050

I thought you'd like that.


353

00:20:46,980 --> 00:20:47,460

Okay.


354

00:20:47,910 --> 00:20:49,530

Now I'm back to my knife.


355

00:20:50,580 --> 00:20:52,110

Grab some more of that Vandyke Brown.


356

00:20:52,380 --> 00:20:54,840

Now I'm going to close this

side of the little waterfall


357

00:20:54,840 --> 00:20:57,840

in push it right back here.


358

00:20:58,350 --> 00:20:59,100

Come right down.


359

00:20:59,100 --> 00:21:06,690

Maybe there's some more rocks over here,

like, so you have to make these decisions


360

00:21:06,720 --> 00:21:08,160

wherever this lives in your world.


361

00:21:09,000 --> 00:21:12,540

That's where you put it once

again, the same highlight color.


362

00:21:13,185 --> 00:21:15,345

Can you just barely, barely touch.


363

00:21:16,575 --> 00:21:21,795

Just barely met a graze least,

least little amount of pressure.


364

00:21:21,885 --> 00:21:22,575

No pressure.


365

00:21:23,625 --> 00:21:29,475

Absolutely no pressure back

to her brush and watch here.


366

00:21:29,655 --> 00:21:30,015

Watch it.


367

00:21:30,975 --> 00:21:34,455

See you there now because

we're getting quieter.


368

00:21:34,725 --> 00:21:35,925

Build up of paint on their head.


369

00:21:35,925 --> 00:21:38,265

A little, I add a little

thinner to the paint.


370

00:21:38,415 --> 00:21:39,465

I see it sticks better.


371

00:21:40,410 --> 00:21:41,880

Comes right off the brush, my cheesier.


372

00:21:41,880 --> 00:21:45,930

So if you have trouble making your paint

stick, add a little touch of paint,


373

00:21:45,930 --> 00:21:51,500

thinner, see how you can follow right down

there when you're adding this thinner and


374

00:21:51,550 --> 00:21:57,260

very, very little, very little, and we

can just bring us ride on a rat, looks


375

00:21:57,260 --> 00:22:01,190

like big grassy, ferns and all those

things I live around where there's a


376

00:22:01,190 --> 00:22:03,260

waterfall because it's very humid here.


377

00:22:03,410 --> 00:22:06,290

Waterfall that had, there would be

a tremendous amount of humidity.


378

00:22:07,290 --> 00:22:11,129

So you'd have all the almost tropical

things probably grow in here.


379

00:22:13,889 --> 00:22:14,669

Look at all that.


380

00:22:16,919 --> 00:22:18,629

See how simple and you can do it.


381

00:22:19,020 --> 00:22:20,310

You really can do it.


382

00:22:21,270 --> 00:22:21,629

Okay.


383

00:22:23,010 --> 00:22:24,629

Pay what over here.


384

00:22:24,840 --> 00:22:28,470

Let's go to this side, maybe right here.


385

00:22:29,895 --> 00:22:30,795

Right here.


386

00:22:31,875 --> 00:22:32,085

Yep.


387

00:22:33,045 --> 00:22:34,665

Here's another little thing.


388

00:22:34,665 --> 00:22:35,325

It comes down.


389

00:22:36,675 --> 00:22:37,695

Let me grab my knife.


390

00:22:38,295 --> 00:22:40,215

Let's put some stones over on this side.


391

00:22:40,215 --> 00:22:43,545

Maybe this one comes down there.


392

00:22:43,605 --> 00:22:44,925

Got to make these big decisions.


393

00:22:45,855 --> 00:22:50,205

Maybe the stone comes down

right there wherever you want


394

00:22:50,205 --> 00:22:52,605

it, wherever you want it.


395

00:22:53,055 --> 00:22:53,745

Same thing.


396

00:22:54,240 --> 00:22:58,110

But a little highlight

on that stone shoot.


397

00:22:58,110 --> 00:22:58,530

Who knows?


398

00:22:58,530 --> 00:23:00,510

Maybe it must get crazy.


399

00:23:00,510 --> 00:23:02,070

Maybe there's another stone in there.


400

00:23:03,000 --> 00:23:03,939

Maybe there's yep.


401

00:23:04,719 --> 00:23:07,199

My world see a stone right there.


402

00:23:08,760 --> 00:23:10,709

There's just stones

everywhere in this painting.


403

00:23:10,740 --> 00:23:16,649

Maybe, maybe on out here, you

make a big decision, drop it in


404

00:23:16,980 --> 00:23:21,810

and go, just go with it, Jess.


405

00:23:21,810 --> 00:23:22,260

Go ahead.


406

00:23:24,885 --> 00:23:25,335

All right.


407

00:23:25,455 --> 00:23:30,045

And then back to her color on the

brush and we can be in tapping and


408

00:23:30,045 --> 00:23:34,395

all these things and just follow these

angles, follow them right on down


409

00:23:37,545 --> 00:23:39,105

to wherever you think

there should be land.


410

00:23:39,825 --> 00:23:40,784

That's where it ought to be.


411

00:23:43,395 --> 00:23:46,245

Where ever SAP green, CAD yellow.


412

00:23:46,935 --> 00:23:49,725

Yellow ochre and Danielle

just very these colors.


413

00:23:50,175 --> 00:23:51,165

So they look good to you.


414

00:23:52,355 --> 00:23:55,115

You can make all these soft

little Hills, you can have


415

00:23:55,115 --> 00:23:57,725

color just falling right over.


416

00:23:57,725 --> 00:23:59,965

So it looks just like all these

little grassy things here.


417

00:23:59,975 --> 00:24:06,845

Just see them just working right

over, like yet as many or as


418

00:24:06,845 --> 00:24:07,985

few as you want in your world.


419

00:24:09,815 --> 00:24:12,035

And by brightening them,

you can change the plane.


420

00:24:13,635 --> 00:24:15,705

See now that one stands out very distinct.


421

00:24:17,505 --> 00:24:23,145

Like, so one of the questions

that I hear over and over and over


422

00:24:23,895 --> 00:24:27,075

is what do we do with all these

paintings that we do on television?


423

00:24:28,905 --> 00:24:32,055

Most of these paintings are donated

to PBS stations across the country.


424

00:24:32,955 --> 00:24:35,505

They auction them off and they

make a happy buck with them.


425

00:24:36,255 --> 00:24:39,075

So if you'd like to have one, you know,

get in touch with your PBS station.


426

00:24:40,679 --> 00:24:41,219

Cause we do.


427

00:24:41,250 --> 00:24:44,159

We give them to stations all

over the country to help them out


428

00:24:44,159 --> 00:24:51,750

and their fundraisers, a little

waterfall right there to see


429

00:24:51,750 --> 00:24:52,919

how that just came right over.


430

00:24:53,290 --> 00:24:55,500

Maybe right here comes over.


431

00:24:55,860 --> 00:25:00,929

I'm over that cat that's right on

around wherever you want it to go.


432

00:25:03,719 --> 00:25:04,919

Little splashes here.


433

00:25:07,860 --> 00:25:12,870

I just to ride on out, you

know, you could get crazy.


434

00:25:14,340 --> 00:25:16,680

You could even put maybe there's

some little grassy things growing


435

00:25:16,680 --> 00:25:17,730

out here on that rock too.


436

00:25:17,730 --> 00:25:18,270

Who knows?


437

00:25:19,320 --> 00:25:19,740

Who knows?


438

00:25:19,770 --> 00:25:20,700

Let's have another rock.


439

00:25:22,740 --> 00:25:23,910

Maybe there's a nice stone.


440

00:25:24,720 --> 00:25:25,920

It lives right here in front of this.


441

00:25:30,210 --> 00:25:32,820

You can just make layer after

layer, after layer of these.


442

00:25:35,955 --> 00:25:39,675

We don't want that one to do without, so

we're a little bit of thinner on my brush


443

00:25:41,385 --> 00:25:47,345

and we can come right along here, like

a, that it's a nice little grassy things


444

00:25:47,345 --> 00:25:57,004

hanging all down on this rock, that easy,

that easy, the liquid white titanium


445

00:25:57,004 --> 00:25:59,075

white, then we can come right in here.


446

00:26:00,480 --> 00:26:03,000

Clean up all this bottom

here, like it looked like the


447

00:26:03,000 --> 00:26:04,380

water's flowing right on out.


448

00:26:05,160 --> 00:26:06,120

We don't know where this goes.


449

00:26:06,120 --> 00:26:08,550

It just goes on out of

the painting somewhere.


450

00:26:10,320 --> 00:26:11,070

Tell you what let's do.


451

00:26:11,940 --> 00:26:14,790

Going back into my brush

with a dark color on it.


452

00:26:15,210 --> 00:26:17,220

And in my world, I wanted to evergreen.


453

00:26:17,630 --> 00:26:18,630

It was right here on this Hill.


454

00:26:19,290 --> 00:26:24,690

So all you had to do, take some dark

color and drop him in, stay there.


455

00:26:25,770 --> 00:26:28,530

And he lives up here on the Hill and

he watches this waterfall down here.


456

00:26:29,265 --> 00:26:35,355

He's got a friend named Clyde,

Arizona collide right there.


457

00:26:37,305 --> 00:26:40,485

Take your knife, scratching a

little tree trunk here and there.


458

00:26:41,115 --> 00:26:46,545

If you're going to sticks and twigs

and you have a completed painting, I


459

00:26:46,545 --> 00:26:47,805

really hope you've enjoyed this one.


460

00:26:47,805 --> 00:26:50,865

It's a little different using the

liquid clear and the liquid black.


461

00:26:51,105 --> 00:26:51,585

Try it.


462

00:26:51,735 --> 00:26:54,015

You will have fun from all of us here.


463

00:26:54,345 --> 00:26:55,095

Happy painting.


464

00:26:55,455 --> 00:26:56,055

God bless.


465

00:26:56,085 --> 00:26:56,805

See you next time.


End .srt file.



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