Bob Ross's
The Joy of Painting
S11E09 - Winter Barn
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I'm certainly glad you could join me day.
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You get your paints out and ready
to do a fantastic painting with me.
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Good.
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Tell you what let's have them
graphically run all the colors across
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the screen that you need to paint
along with me while they're doing that.
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Let me tell you what I've
already getting done up here.
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We have our standard old canvas
and I've covered it with a
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thin coat of liquid clear.
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And let me repeat one word in there
thin you need this thinness code of
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this so that you can put on there.
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Just a very, very small amount.
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One one Jarvis probably last
year, the rest of your life.
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And let's do something a
little different today.
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I'm gonna start off with the old
two inch brush and go into a least
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little touch of they low blue.
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We're going to make a sky with
mostly transparent colors.
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Like you really enjoy that,
but the least, at least little
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Mount let's go right up here.
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Maybe we just put a little
touch of blue red in here.
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And when we have this liquid clear
underneath color, just, Oh, it sparkles,
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especially this transparent color.
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So pretty, just a little,
little touch of blue.
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And while I have your own brush, I'll do
a, let's do a little winter scene today.
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So you'll have some snow down here.
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So I'll just put some of
these colors right down there.
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Without cleaning the brush, going
to pick up the least, least little
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amount of Elysium Crimson, and
just tap it into the bristles.
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Just like, so, okay.
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Maybe here and there.
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And I'm applying very,
very little pressure.
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There's very little pressure.
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Just barely caressed the canvas there
and where these colors come together.
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Don't fight it and don't, don't keep
blending it, let them come together and
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it makes all kinds of beautiful effects.
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And now let's go into the least,
least little touch of the dark
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Sienna, just the loose little touch.
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We really warm the sky maybe right up
in here, but have a little bit of that.
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And when you're doing your
painting, pick out the colors that
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you like, you don't necessarily
have to use what I've used here.
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I just want to show you how to do it.
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And back to the old pallet.
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Okay.
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Back a little bit of fellow blue
chip here on grab a little, little
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tiny touch of alizarin Crimson.
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So we have Crimson and blue and
just mix these on the brush.
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Proportionately, more Crimson and blue.
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The blue is many times more stronger,
and maybe it's right up in here
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to put in a little bit of that.
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Don't over mix your color.
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Want this to be a very soft but colorful
sky, just a nice little winter day.
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All of the colors that we've
used so far are very transparent.
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We could put a little of that
wherever you want it down in here.
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This is a good place
to clean up your brush.
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Okay.
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I want to have the least little
touch, more of color red up at the
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top on it, a little bit darker.
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So same color, just lavender
and right up in here.
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Just so there's a little
variation in color.
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This guy don't want it to
be too, too light there.
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Now let's start with titanium
white and titanium white, as
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you know is a very opaque color.
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So I'm going to just put a little
bit of white right on the brush.
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And all this time I have
yet to wash the brush.
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These are the kind of
paintings that I like.
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I'm lazy.
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I don't like to wash the brush.
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Okay.
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Now then we can go in here and
just hearing their begin, adding
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a little touch of opaque, color
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and angles.
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Now become very important.
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If you want to create the illusion of a
sky, it's got a little bit of life in it.
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Once again, don't overwork this,
don't overwork it, put it in blended
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a little bit and leave it alone.
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And we don't want to kill all
these beautiful, transparent
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areas that you made in here.
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Cause here would make this
painting special in your life.
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Maybe right in here.
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Let's see how that all comes together.
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And it's working with
transparent and opaque colors.
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Oh, I just mean you can't see through it
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and that easily, you have a
very effective striking sky.
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Now we can have some fun.
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Does that say, we're going to
do a little winter scene today.
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So let's put some little trees
back in the background and we'll
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use the old round brush for that.
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I like it.
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It's nice for making distant trees
and good to start out with a little
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bit of black man reach over here.
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And I get a little touch of the blue or a
little bit Brown, whatever, whatever dark
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Sienna, we just mix them all in there.
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We don't want a lot of color
on the brush and tap it firmly.
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Just really tap it so you can
see how hard the brush is.
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Bending there.
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Tap firmly.
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Let's go at up here now.
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Then you have to make
your first big decision.
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Where does your little
trees live in your world?
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Now, just take it start tapping.
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And I like to start at the base
of these trees and tap upward.
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That way it's darker at the
bottom than it is at the top.
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See, I can see how the brush is bending
and mostly using the top bristles.
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And that's what creates all those nice
little fluffy leafy areas out here.
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And all we're looking for at
this point, just from very
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basic little shapes, very basic.
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These are far, far away trees.
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No, I had a little touch, more of
the dark sand in it, and a little
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more brownish color in there.
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I like winter scenes that have a
little warmth than I'm selective.
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I like to use colors that are warm,
not just good, old cold colors.
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Sometimes winter scenes can be so cold
that they're distracting, that make
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you uncomfortable to look at them.
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I normally try to edit.
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A tiny little bit of
warm into my winter since
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then, if you want to create the
illusion of mist softness at the
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base of this, you can do that.
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Let's do that with a two inch brush.
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Make sure your brush is nice and dry.
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And you grew up here in firmly using the
top of the brush again, tap, tap, and
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you're really striking it quite hard,
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but all I want to do is Crete
missed at the base of this.
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I don't want to create this
to all the way up to the base.
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You can probably hear
how striking the canvas.
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Then very lightly, very lightly.
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Just lift up, just lift that break
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that easy you can, you can create
the illusion of little trees
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that are far off in the distance.
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Do that really work very nice.
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Now let's start.
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I'm going to take titanium
white on the two inch brush.
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And you have to make another big
decision now, where'd you snow live
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and have to make a decision and
go right up in here and you decide
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where it lives and poor, just poor.
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Allow it to pick up some of that
color that you made your trees out of.
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That ends up being shadows.
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It'd be very pretty.
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See how that it just glides
right over that liquid clear.
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Another little trick that really
make your painting more interesting.
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Maybe you want to create the illusion
of a little more distance in here.
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Put the first layer of snow.
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Didn't go back.
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I'm just going to use some Vandyke
Brown on the round brush and dark Santa.
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Now there, I want to put another
layer of little bushy trees,
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but come outward kind of thing.
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See, the snow is behind that.
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Now push that back and it'll create a
whole nother plane in your painting and
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you can do as many or as few of those as
you want, the more you do, the more depth
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you'll have in your painting, and then
come up here and lay some snow under that.
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And automatically now you
have several planes in there.
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Sneaky.
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These little things are what makes
your painting interesting that down
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here, see right in here, we wiped
some of that blue off their brush.
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Don't kill all that, but
it let it stay there.
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It's very pretty,
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very nice.
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Can it maybe we want to
change an angle here.
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All you have to do is change the angle of
your snow and you can push all that back.
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That easy.
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Did you know that you had had much
power, that you could move snow
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Creek trees, anything to want?
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This piece of canvas you'd have
unlimited power, absolutely unlimited
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power we use in these big old brushes
to then take it a minute to, to
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fill it out and to do your painting.
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I used to agonize over paintings
for months now, now I just enjoy it.
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But see already you have a nice
little area here that could be a
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field of snow and be a nice place
for the little bunny rabbit to live.
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Now we can take our knife and
scrape through and make a few
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little sticks and twigs back here.
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Yes, fear in there.
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You don't want too many, but a
few would show through and all
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you're doing is taking the point
of the knife, scraping them in
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wherever you think they should live.
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That's where they ought to be.
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Okay.
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And then with a fan brush,
you can come right up in here.
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Let me put a little white on there
and grab some of this dark color.
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And now then begin working at, in here.
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Just begin pulling some
of that color down.
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And I had a little color to the fan brush.
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I want to get a little bit of
that color into the snow there
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and just let it sneak back in there.
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You can make all kinds of little
recesses and just happy little
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places in there, drop them in.
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Okay.
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Now then I think in my world, there's some
little trees live there, so let's do that.
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Take the number two script liner
brush number, run into Vandyke Brown
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and dip the brush into paint thinner.
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So I'll make this paint as
thin as ink, almost like water.
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So you have fun and turning that brush
when you take it off the pallet, how to
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pull it to a nice sharp point, turn it.
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And it comes very sharp.
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Okay.
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Now maybe back in here, there's all
kind of happy little trees that live.
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There they go.
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All kinds of little trees.
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Now, if you have trouble making
your paint stick, add a little
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bit more of the paint thinner,
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it comes all kinds of little things.
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Add a little more thin until
my brush pairs on wherever you
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want them to be, where ever
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they're and as many,
or as few as you want,
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let's skip a little space
and maybe down here.
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Yup.
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You're right.
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Lose another little tree.
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We don't want him over
there to get along me.
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And then we need some limbs on that tree.
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See how easy those are to make.
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And you can just keep on and on and on.
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You can put a lot of detail in there.
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Just hundreds of little dams.
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Keep going until your tree
is like, you want it to be
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okay.
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Maybe another one, all right there.
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But see all these different layers of
trees help create the illusion of distance
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and it really makes your
painting much more interesting.
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There we go.
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Okay.
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And you can take the old fan brush and
just sort of clean up his foot's a little
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bit and blend it right into the snow.
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Add a little bit of the liquid
clear or right into some titanium.
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White.
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Maybe, maybe we want to show maybe
there's a little stone under the
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snow right there or something.
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Something that causes a
protrusion bump and IDZ.
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You can drop that right here, anywhere
you, you use this liquid clear when
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it dries, it'll have a sheen to it.
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It'll look like it'll look
like it's been glazed.
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So very, very nice effect.
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Tell you what let's do.
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Let's have a happy little barn back here.
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I like it.
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And one of the easiest ways,
this is just taking a knife.
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And sort of scrape out a basic shape
and give yourself an idea of where you
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want it and to lay out your perspective
and to remove any excess paint.
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See that easy.
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You have a very general idea of where
you want this re-ask a little bit, maybe
238
00:15:28,290 --> 00:15:35,030
he'll, we'll put a little shit out here,
like that high number, and then we can
239
00:15:35,030 --> 00:15:37,910
start off with just titanium white.
240
00:15:38,450 --> 00:15:39,830
We can sort of outline this.
241
00:15:41,370 --> 00:15:45,840
Decide where you want it to live and
do like that, and then bring you pain.
242
00:15:45,840 --> 00:15:49,530
And that's probably the easiest way
to get a nice, smooth edge there.
243
00:15:51,180 --> 00:15:54,720
Sometimes when you get my age, you get a
little shaky and you need all the help.
244
00:15:54,720 --> 00:15:57,980
You can get the hair,
245
00:16:01,260 --> 00:16:01,819
man.
246
00:16:02,270 --> 00:16:05,150
We want a corresponding angle on
the other side, cause it'd be snow
247
00:16:05,150 --> 00:16:07,100
on the other, on the other roof.
248
00:16:08,240 --> 00:16:09,290
Think about like, so.
249
00:16:11,970 --> 00:16:13,230
Bring it right down.
250
00:16:16,680 --> 00:16:21,230
Put some boards in that old barn, use
some Vandyke Brown touch of dark Sienna,
251
00:16:22,400 --> 00:16:26,630
pull it out very flat, flat as you can
get it and cut you off a little roll of
252
00:16:26,630 --> 00:16:28,370
paint, right on the edge of the knife.
253
00:16:31,160 --> 00:16:34,280
Now we can go in here and
we create the overhang.
254
00:16:34,640 --> 00:16:37,220
If a little, that white gets in there,
it makes it look like little boards.
255
00:16:39,180 --> 00:16:42,480
And then you have to
decide how tall he is.
256
00:16:43,500 --> 00:16:45,240
You have to make all
kinds of big decisions.
257
00:16:46,380 --> 00:16:46,620
There.
258
00:16:46,620 --> 00:16:52,530
He goes, see that easy.
259
00:16:54,569 --> 00:16:54,750
Okay.
260
00:16:54,750 --> 00:16:59,699
Now that we have the other
side over here like that,
261
00:17:03,209 --> 00:17:05,460
and we said there was going to
be a little shit on this part.
262
00:17:05,879 --> 00:17:06,180
So.
263
00:17:06,990 --> 00:17:09,210
Just take the white and come right out.
264
00:17:09,210 --> 00:17:12,870
Like, so there he goes
265
00:17:19,560 --> 00:17:19,920
there.
266
00:17:20,880 --> 00:17:23,339
And once again, we need some
boards underneath there.
267
00:17:23,370 --> 00:17:28,590
Let me clean off my knife
and we'll put some sides in a
268
00:17:28,590 --> 00:17:31,170
front right on the little shed.
269
00:17:35,850 --> 00:17:38,880
Can have with a knife, you can sort
of take him clean up the bottom of it.
270
00:17:38,880 --> 00:17:40,740
You have to make a decision
here where you want it to be.
271
00:17:40,740 --> 00:17:42,270
And I think we're going
to have a little snowbank.
272
00:17:42,270 --> 00:17:48,150
It comes around at five and
then we'll take a little dark
273
00:17:48,150 --> 00:17:52,470
Sienna, quite mix them together.
274
00:17:54,870 --> 00:17:56,430
Cut off that little roll of paint again.
275
00:17:57,720 --> 00:17:57,960
Okay.
276
00:17:57,990 --> 00:17:58,380
Now there.
277
00:17:58,860 --> 00:18:00,780
Let's just go up here
and just sorta touch.
278
00:18:00,810 --> 00:18:03,120
Give it a little pull, just
a little sidewards pull.
279
00:18:04,169 --> 00:18:06,810
I could look like old boards
and leave some cracks.
280
00:18:07,110 --> 00:18:08,189
This was an old barn.
281
00:18:09,989 --> 00:18:13,169
It's old and it's tired and
winter's been rough on it.
282
00:18:15,389 --> 00:18:15,780
Okay.
283
00:18:15,929 --> 00:18:17,760
And then we can come right along here.
284
00:18:17,790 --> 00:18:18,689
Just drop them.
285
00:18:18,689 --> 00:18:24,300
In the other side, we just had
some Vandyke Brown and make this
286
00:18:24,300 --> 00:18:26,340
side much darker, much darker.
287
00:18:28,380 --> 00:18:31,320
And then once again, you just take
your knife and do a cabin ectomy.
288
00:18:32,580 --> 00:18:34,200
You just take off whatever you don't want.
289
00:18:34,590 --> 00:18:34,680
Okay.
290
00:18:38,300 --> 00:18:41,750
Now we need to, we need a way
to get into this whole bar.
291
00:18:41,900 --> 00:18:45,650
So let's build this a door, the
straight Vandyke Brown decide
292
00:18:45,650 --> 00:18:46,700
where the door is going to be.
293
00:18:47,500 --> 00:18:53,450
Just pull it down and
that easy, that easy.
294
00:18:53,600 --> 00:18:54,620
You've got a door in there.
295
00:18:56,595 --> 00:18:57,705
Take a touch of white.
296
00:18:57,735 --> 00:19:04,125
Maybe there's a little white right
around here from a P just a little
297
00:19:04,125 --> 00:19:07,215
bit of dark, just Vandyke Brown.
298
00:19:07,215 --> 00:19:11,355
And you can really increase the illusion
of old boards here just by touching.
299
00:19:14,415 --> 00:19:16,275
And we'll take off all that excess paint.
300
00:19:17,775 --> 00:19:22,575
Now back to your fan brush we'll
dip into the, into the liquid clear.
301
00:19:24,060 --> 00:19:27,590
And to titanium white load the
brush full of paint, a lot of paint.
302
00:19:29,010 --> 00:19:29,280
Okay.
303
00:19:30,480 --> 00:19:34,950
Now that just brings some
snow right down there.
304
00:19:36,780 --> 00:19:37,200
I can't.
305
00:19:39,240 --> 00:19:40,440
And some ride along.
306
00:19:40,440 --> 00:19:46,020
It's a little side here it over here to
try to pick up a little bit of that dark
307
00:19:46,290 --> 00:19:48,150
so we can create the illusion of a shadow.
308
00:19:49,530 --> 00:19:54,990
Want a shadow over here, then we
can just bring all this together.
309
00:19:57,270 --> 00:20:00,840
Winter scenes are very nice
and they're very easy to paint.
310
00:20:01,560 --> 00:20:08,070
This liquid clear you will find is
fantastic for doing snow or sand dunes.
311
00:20:08,160 --> 00:20:10,080
Sand dunes are done
basically the same way.
312
00:20:11,490 --> 00:20:11,970
Okay.
313
00:20:12,950 --> 00:20:13,130
Okay.
314
00:20:13,160 --> 00:20:17,510
For the liner brush here and I'll go
right back into some Vandyke Brown.
315
00:20:17,835 --> 00:20:20,985
Then the paint down, maybe
there's a, maybe there's a happy
316
00:20:20,985 --> 00:20:24,045
little fence that's right there.
317
00:20:24,075 --> 00:20:24,885
And all you have to do.
318
00:20:26,295 --> 00:20:32,025
We let it go right over to my
cat C and I got to do that.
319
00:20:32,025 --> 00:20:36,045
It's just put a few little rails in
there, but let it get smaller and
320
00:20:36,045 --> 00:20:38,685
smaller as it goes off in the distance.
321
00:20:38,715 --> 00:20:42,705
Maybe it comes down here and
it'll help give the illusion
322
00:20:42,705 --> 00:20:43,935
of distance to your fence.
323
00:20:46,710 --> 00:20:47,040
Okay.
324
00:20:47,160 --> 00:20:52,560
And we can put a little bit of
snow around his foot that easy.
325
00:20:56,880 --> 00:20:57,540
Okay.
326
00:20:59,090 --> 00:21:01,670
And then I've got several fan brushes
go, and I'm gonna take a little bit of
327
00:21:01,670 --> 00:21:06,050
the Brown and maybe somewhere in here,
maybe there's some patches where the
328
00:21:07,020 --> 00:21:12,950
snow is sort of melted and you can see
a little bit of dirt here and there.
329
00:21:15,165 --> 00:21:15,975
Just wherever.
330
00:21:17,945 --> 00:21:22,085
And also maybe here and there there's
maybe there was a happy little Bush.
331
00:21:22,085 --> 00:21:24,935
It still, there, there it's all dead.
332
00:21:24,965 --> 00:21:28,865
But if poking up out of the
snow, this whole farmer, he took
333
00:21:28,865 --> 00:21:30,215
care of this land like I do.
334
00:21:30,215 --> 00:21:31,835
And he didn't, he's not
a good grass cutter.
335
00:21:32,735 --> 00:21:38,375
Maybe there's some more right in here
wherever you want, wherever you want.
336
00:21:44,460 --> 00:21:46,530
Just push upward on the fan brush.
337
00:21:47,909 --> 00:21:52,139
This is just Vandyke Brown
and dark Sienna shooting.
338
00:21:52,470 --> 00:21:53,040
So much fun.
339
00:21:53,040 --> 00:21:53,909
Just put some over here.
340
00:21:53,920 --> 00:21:55,680
Maybe there's one back in there.
341
00:21:58,020 --> 00:22:03,149
Just sort of let it follow
the lay of the land, man.
342
00:22:03,550 --> 00:22:03,810
True.
343
00:22:05,460 --> 00:22:06,450
You can get carried away with it.
344
00:22:06,450 --> 00:22:07,320
You say a lot of fun.
345
00:22:07,320 --> 00:22:08,100
I'll put one here too.
346
00:22:12,390 --> 00:22:16,340
Now that with our fan base that has
the liquid clear and the titanium white
347
00:22:16,340 --> 00:22:19,490
on it, we can go right up in here.
348
00:22:20,265 --> 00:22:29,505
And grab a hold of these and work them
out, just bring everything together.
349
00:22:31,995 --> 00:22:32,505
Like, so
350
00:22:36,975 --> 00:22:38,055
see how easy that is.
351
00:22:40,365 --> 00:22:45,555
And it really just sort of brings
everything together, cleans up the
352
00:22:45,555 --> 00:22:47,265
bottoms of all these little grassy areas.
353
00:22:48,780 --> 00:22:50,699
It makes your painting
so much more interesting.
354
00:23:00,770 --> 00:23:01,760
A little bit, right in there,
355
00:23:08,659 --> 00:23:09,800
back to my liner brush.
356
00:23:10,760 --> 00:23:13,550
I'm going to go right into
the Vandyke Brown again.
357
00:23:14,640 --> 00:23:18,060
Just load the brush full and
let's have, maybe there's a happy
358
00:23:18,060 --> 00:23:19,530
little tree that lives over here.
359
00:23:20,550 --> 00:23:27,000
We don't want this side left
out wherever in your world.
360
00:23:27,000 --> 00:23:30,210
You put as many or as few trees as
you want wherever you want them.
361
00:23:31,680 --> 00:23:35,970
Where ever I tell you what
let's do, sort of look at it,
362
00:23:36,030 --> 00:23:40,200
decide there's another tree.
363
00:23:41,010 --> 00:23:41,790
That's right there.
364
00:23:42,165 --> 00:23:47,445
He's a little bigger, cause he's closer
to you drop in a few little lambs,
365
00:23:48,105 --> 00:23:55,665
branches, little arms on a tree cat and
give him kind of give him some arms,
366
00:23:57,085 --> 00:23:58,725
little birds have to have a place to sit.
367
00:24:02,635 --> 00:24:09,335
They're like a little more, the thinner.
368
00:24:10,065 --> 00:24:11,985
And you can put a couple of
little ones here and there.
369
00:24:16,545 --> 00:24:17,025
Okay.
370
00:24:18,015 --> 00:24:19,335
Shooting trees is so much fun.
371
00:24:19,335 --> 00:24:20,055
Let's get crazy.
372
00:24:20,805 --> 00:24:24,795
I'll take the whole fan brush here
and go right into a big bunch of the
373
00:24:24,945 --> 00:24:34,575
Vandyke Brown, really load that brush
full that's come right about here too.
374
00:24:34,635 --> 00:24:36,405
We're going to check you
out for bravery today.
375
00:24:37,595 --> 00:24:38,895
It's just drop on right in there.
376
00:24:39,465 --> 00:24:44,264
And maybe he's got a little friend
that lives right here beside him.
377
00:24:46,965 --> 00:24:48,165
How was your brave retest?
378
00:24:49,544 --> 00:24:53,195
Sometimes it's hard to get up enough
nerve to trough in a big tree,
379
00:24:53,195 --> 00:24:58,415
read over everything that you've
painted, but to it, just to enjoy it.
380
00:24:59,074 --> 00:25:01,985
But in your painting, if you don't
want a tree there, don't put one.
381
00:25:01,985 --> 00:25:02,225
There.
382
00:25:03,514 --> 00:25:05,375
Just want to give you some options.
383
00:25:10,125 --> 00:25:13,215
There we go, we'll make this
one look like an old Birch tree.
384
00:25:14,835 --> 00:25:16,095
I've mentioned another shows.
385
00:25:16,095 --> 00:25:20,175
If, if I paint trees that are
not like the trees in your
386
00:25:20,175 --> 00:25:24,045
area, change them, make them.
387
00:25:24,045 --> 00:25:31,605
So they look like a trees that live where
you do bacterial liner brush right into
388
00:25:31,605 --> 00:25:36,135
some Vandyke Brown and let's put some.
389
00:25:36,840 --> 00:25:39,030
Let's put some happy little
lambs out here on this tree,
390
00:25:43,350 --> 00:25:46,470
then paint a lot of thinner in there.
391
00:25:47,870 --> 00:25:48,980
See how easy those are.
392
00:25:49,280 --> 00:25:50,660
They just sort of flow right on there.
393
00:25:53,930 --> 00:25:57,560
Decide which trees in front and
which ones behind all these big
394
00:25:57,560 --> 00:26:01,100
decisions and have some of the
branches come across the truck.
395
00:26:01,100 --> 00:26:03,170
You don't want them to just
all coming out from the side.
396
00:26:03,890 --> 00:26:05,420
I said, I'm come right across the trunk.
397
00:26:06,675 --> 00:26:11,805
That'll help give you tree more dimension,
more shape, much more pleasing when it's
398
00:26:11,805 --> 00:26:15,645
finished and it'll make you happier.
399
00:26:16,755 --> 00:26:18,735
And I really want these
paintings to make you happy.
400
00:26:19,365 --> 00:26:22,095
And I want you to enjoy
painting along with us.
401
00:26:22,335 --> 00:26:26,115
We get so many cards and letters
from people all over the country that
402
00:26:26,115 --> 00:26:31,185
are experiencing fantastic success,
and that makes it all worthwhile.
403
00:26:33,695 --> 00:26:34,325
There we go.
404
00:26:37,925 --> 00:26:40,685
Just as many or as few as you
want wherever you want them.
405
00:26:43,355 --> 00:26:46,985
And that really gives dimension to your
painting and helps push everything back.
406
00:26:48,135 --> 00:26:51,485
We'll put a few, little, few,
little things living right in here.
407
00:26:54,905 --> 00:26:55,205
Many.
408
00:26:58,535 --> 00:27:01,055
I'll take a little bit of red
and we'll sign this painting.
409
00:27:01,175 --> 00:27:02,405
I think it's about finished.
410
00:27:03,780 --> 00:27:04,740
And I hope you've enjoyed.
411
00:27:04,740 --> 00:27:06,630
It spent a lot of fun pain with you today.
412
00:27:07,260 --> 00:27:10,440
Give us liquid clear, try
and from all of us here.
413
00:27:11,625 --> 00:27:12,945
I'd like to wish you happy painting.
414
00:27:13,335 --> 00:27:13,995
God bless.
415
00:27:14,055 --> 00:27:14,985
We'll see you next time.
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