Tuesday, December 29, 2020

S11E09 - Winter Barn

Bob Ross's

The Joy of Painting


S11E09 - Winter Barn

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I'm certainly glad you could join me day.


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You get your paints out and ready

to do a fantastic painting with me.


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Good.


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Tell you what let's have them

graphically run all the colors across


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the screen that you need to paint

along with me while they're doing that.


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Let me tell you what I've

already getting done up here.


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We have our standard old canvas

and I've covered it with a


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thin coat of liquid clear.


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And let me repeat one word in there

thin you need this thinness code of


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this so that you can put on there.


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Just a very, very small amount.


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One one Jarvis probably last

year, the rest of your life.


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And let's do something a

little different today.


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I'm gonna start off with the old

two inch brush and go into a least


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little touch of they low blue.


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We're going to make a sky with

mostly transparent colors.


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Like you really enjoy that,

but the least, at least little


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Mount let's go right up here.


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Maybe we just put a little

touch of blue red in here.


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And when we have this liquid clear

underneath color, just, Oh, it sparkles,


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especially this transparent color.


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So pretty, just a little,

little touch of blue.


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And while I have your own brush, I'll do

a, let's do a little winter scene today.


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So you'll have some snow down here.


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So I'll just put some of

these colors right down there.


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Without cleaning the brush, going

to pick up the least, least little


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amount of Elysium Crimson, and

just tap it into the bristles.


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Just like, so, okay.


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Maybe here and there.


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And I'm applying very,

very little pressure.


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There's very little pressure.


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Just barely caressed the canvas there

and where these colors come together.


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Don't fight it and don't, don't keep

blending it, let them come together and


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it makes all kinds of beautiful effects.


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And now let's go into the least,

least little touch of the dark


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Sienna, just the loose little touch.


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We really warm the sky maybe right up

in here, but have a little bit of that.


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And when you're doing your

painting, pick out the colors that


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you like, you don't necessarily

have to use what I've used here.


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I just want to show you how to do it.


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And back to the old pallet.


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Okay.


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Back a little bit of fellow blue

chip here on grab a little, little


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tiny touch of alizarin Crimson.


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So we have Crimson and blue and

just mix these on the brush.


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Proportionately, more Crimson and blue.


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The blue is many times more stronger,

and maybe it's right up in here


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to put in a little bit of that.


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Don't over mix your color.


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Want this to be a very soft but colorful

sky, just a nice little winter day.


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All of the colors that we've

used so far are very transparent.


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We could put a little of that

wherever you want it down in here.


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This is a good place

to clean up your brush.


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Okay.


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I want to have the least little

touch, more of color red up at the


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top on it, a little bit darker.


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So same color, just lavender

and right up in here.


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Just so there's a little

variation in color.


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This guy don't want it to

be too, too light there.


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Now let's start with titanium

white and titanium white, as


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you know is a very opaque color.


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So I'm going to just put a little

bit of white right on the brush.


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And all this time I have

yet to wash the brush.


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These are the kind of

paintings that I like.


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I'm lazy.


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I don't like to wash the brush.


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Okay.


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Now then we can go in here and

just hearing their begin, adding


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a little touch of opaque, color


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and angles.


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Now become very important.


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If you want to create the illusion of a

sky, it's got a little bit of life in it.


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Once again, don't overwork this,

don't overwork it, put it in blended


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a little bit and leave it alone.


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And we don't want to kill all

these beautiful, transparent


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areas that you made in here.


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Cause here would make this

painting special in your life.


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Maybe right in here.


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Let's see how that all comes together.


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And it's working with

transparent and opaque colors.


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Oh, I just mean you can't see through it


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and that easily, you have a

very effective striking sky.


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Now we can have some fun.


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Does that say, we're going to

do a little winter scene today.


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So let's put some little trees

back in the background and we'll


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use the old round brush for that.


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I like it.


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It's nice for making distant trees

and good to start out with a little


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bit of black man reach over here.


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And I get a little touch of the blue or a

little bit Brown, whatever, whatever dark


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Sienna, we just mix them all in there.


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We don't want a lot of color

on the brush and tap it firmly.


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Just really tap it so you can

see how hard the brush is.


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Bending there.


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Tap firmly.


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Let's go at up here now.


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Then you have to make

your first big decision.


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Where does your little

trees live in your world?


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Now, just take it start tapping.


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And I like to start at the base

of these trees and tap upward.


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That way it's darker at the

bottom than it is at the top.


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See, I can see how the brush is bending

and mostly using the top bristles.


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And that's what creates all those nice

little fluffy leafy areas out here.


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And all we're looking for at

this point, just from very


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basic little shapes, very basic.


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These are far, far away trees.


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No, I had a little touch, more of

the dark sand in it, and a little


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more brownish color in there.


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I like winter scenes that have a

little warmth than I'm selective.


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I like to use colors that are warm,

not just good, old cold colors.


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Sometimes winter scenes can be so cold

that they're distracting, that make


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you uncomfortable to look at them.


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I normally try to edit.


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A tiny little bit of

warm into my winter since


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then, if you want to create the

illusion of mist softness at the


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base of this, you can do that.


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Let's do that with a two inch brush.


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Make sure your brush is nice and dry.


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And you grew up here in firmly using the

top of the brush again, tap, tap, and


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you're really striking it quite hard,


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but all I want to do is Crete

missed at the base of this.


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I don't want to create this

to all the way up to the base.


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You can probably hear

how striking the canvas.


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Then very lightly, very lightly.


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Just lift up, just lift that break


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that easy you can, you can create

the illusion of little trees


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that are far off in the distance.


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Do that really work very nice.


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Now let's start.


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I'm going to take titanium

white on the two inch brush.


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And you have to make another big

decision now, where'd you snow live


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and have to make a decision and

go right up in here and you decide


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where it lives and poor, just poor.


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Allow it to pick up some of that

color that you made your trees out of.


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That ends up being shadows.


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It'd be very pretty.


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See how that it just glides

right over that liquid clear.


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Another little trick that really

make your painting more interesting.


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Maybe you want to create the illusion

of a little more distance in here.


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Put the first layer of snow.


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Didn't go back.


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I'm just going to use some Vandyke

Brown on the round brush and dark Santa.


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Now there, I want to put another

layer of little bushy trees,


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but come outward kind of thing.


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See, the snow is behind that.


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Now push that back and it'll create a

whole nother plane in your painting and


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you can do as many or as few of those as

you want, the more you do, the more depth


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you'll have in your painting, and then

come up here and lay some snow under that.


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And automatically now you

have several planes in there.


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Sneaky.


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These little things are what makes

your painting interesting that down


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here, see right in here, we wiped

some of that blue off their brush.


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Don't kill all that, but

it let it stay there.


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It's very pretty,


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very nice.


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Can it maybe we want to

change an angle here.


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All you have to do is change the angle of

your snow and you can push all that back.


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That easy.


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Did you know that you had had much

power, that you could move snow


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Creek trees, anything to want?


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This piece of canvas you'd have

unlimited power, absolutely unlimited


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power we use in these big old brushes

to then take it a minute to, to


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fill it out and to do your painting.


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I used to agonize over paintings

for months now, now I just enjoy it.


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But see already you have a nice

little area here that could be a


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field of snow and be a nice place

for the little bunny rabbit to live.


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Now we can take our knife and

scrape through and make a few


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little sticks and twigs back here.


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Yes, fear in there.


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You don't want too many, but a

few would show through and all


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you're doing is taking the point

of the knife, scraping them in


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wherever you think they should live.


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That's where they ought to be.


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Okay.


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And then with a fan brush,

you can come right up in here.


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Let me put a little white on there

and grab some of this dark color.


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And now then begin working at, in here.


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Just begin pulling some

of that color down.


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And I had a little color to the fan brush.


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I want to get a little bit of

that color into the snow there


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and just let it sneak back in there.


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You can make all kinds of little

recesses and just happy little


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places in there, drop them in.


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Okay.


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Now then I think in my world, there's some

little trees live there, so let's do that.


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Take the number two script liner

brush number, run into Vandyke Brown


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and dip the brush into paint thinner.


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So I'll make this paint as

thin as ink, almost like water.


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So you have fun and turning that brush

when you take it off the pallet, how to


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pull it to a nice sharp point, turn it.


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And it comes very sharp.


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Okay.


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Now maybe back in here, there's all

kind of happy little trees that live.


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There they go.


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All kinds of little trees.


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Now, if you have trouble making

your paint stick, add a little


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bit more of the paint thinner,


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it comes all kinds of little things.


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Add a little more thin until

my brush pairs on wherever you


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want them to be, where ever


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they're and as many,

or as few as you want,


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let's skip a little space

and maybe down here.


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Yup.


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You're right.


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Lose another little tree.


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We don't want him over

there to get along me.


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And then we need some limbs on that tree.


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See how easy those are to make.


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And you can just keep on and on and on.


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You can put a lot of detail in there.


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Just hundreds of little dams.


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Keep going until your tree

is like, you want it to be


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okay.


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Maybe another one, all right there.


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But see all these different layers of

trees help create the illusion of distance


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and it really makes your

painting much more interesting.


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There we go.


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Okay.


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And you can take the old fan brush and

just sort of clean up his foot's a little


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bit and blend it right into the snow.


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Add a little bit of the liquid

clear or right into some titanium.


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White.


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Maybe, maybe we want to show maybe

there's a little stone under the


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snow right there or something.


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Something that causes a

protrusion bump and IDZ.


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You can drop that right here, anywhere

you, you use this liquid clear when


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it dries, it'll have a sheen to it.


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It'll look like it'll look

like it's been glazed.


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So very, very nice effect.


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Tell you what let's do.


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Let's have a happy little barn back here.


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I like it.


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And one of the easiest ways,

this is just taking a knife.


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And sort of scrape out a basic shape

and give yourself an idea of where you


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want it and to lay out your perspective

and to remove any excess paint.


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See that easy.


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00:15:22,770 --> 00:15:28,290

You have a very general idea of where

you want this re-ask a little bit, maybe


238

00:15:28,290 --> 00:15:35,030

he'll, we'll put a little shit out here,

like that high number, and then we can


239

00:15:35,030 --> 00:15:37,910

start off with just titanium white.


240

00:15:38,450 --> 00:15:39,830

We can sort of outline this.


241

00:15:41,370 --> 00:15:45,840

Decide where you want it to live and

do like that, and then bring you pain.


242

00:15:45,840 --> 00:15:49,530

And that's probably the easiest way

to get a nice, smooth edge there.


243

00:15:51,180 --> 00:15:54,720

Sometimes when you get my age, you get a

little shaky and you need all the help.


244

00:15:54,720 --> 00:15:57,980

You can get the hair,


245

00:16:01,260 --> 00:16:01,819

man.


246

00:16:02,270 --> 00:16:05,150

We want a corresponding angle on

the other side, cause it'd be snow


247

00:16:05,150 --> 00:16:07,100

on the other, on the other roof.


248

00:16:08,240 --> 00:16:09,290

Think about like, so.


249

00:16:11,970 --> 00:16:13,230

Bring it right down.


250

00:16:16,680 --> 00:16:21,230

Put some boards in that old barn, use

some Vandyke Brown touch of dark Sienna,


251

00:16:22,400 --> 00:16:26,630

pull it out very flat, flat as you can

get it and cut you off a little roll of


252

00:16:26,630 --> 00:16:28,370

paint, right on the edge of the knife.


253

00:16:31,160 --> 00:16:34,280

Now we can go in here and

we create the overhang.


254

00:16:34,640 --> 00:16:37,220

If a little, that white gets in there,

it makes it look like little boards.


255

00:16:39,180 --> 00:16:42,480

And then you have to

decide how tall he is.


256

00:16:43,500 --> 00:16:45,240

You have to make all

kinds of big decisions.


257

00:16:46,380 --> 00:16:46,620

There.


258

00:16:46,620 --> 00:16:52,530

He goes, see that easy.


259

00:16:54,569 --> 00:16:54,750

Okay.


260

00:16:54,750 --> 00:16:59,699

Now that we have the other

side over here like that,


261

00:17:03,209 --> 00:17:05,460

and we said there was going to

be a little shit on this part.


262

00:17:05,879 --> 00:17:06,180

So.


263

00:17:06,990 --> 00:17:09,210

Just take the white and come right out.


264

00:17:09,210 --> 00:17:12,870

Like, so there he goes


265

00:17:19,560 --> 00:17:19,920

there.


266

00:17:20,880 --> 00:17:23,339

And once again, we need some

boards underneath there.


267

00:17:23,370 --> 00:17:28,590

Let me clean off my knife

and we'll put some sides in a


268

00:17:28,590 --> 00:17:31,170

front right on the little shed.


269

00:17:35,850 --> 00:17:38,880

Can have with a knife, you can sort

of take him clean up the bottom of it.


270

00:17:38,880 --> 00:17:40,740

You have to make a decision

here where you want it to be.


271

00:17:40,740 --> 00:17:42,270

And I think we're going

to have a little snowbank.


272

00:17:42,270 --> 00:17:48,150

It comes around at five and

then we'll take a little dark


273

00:17:48,150 --> 00:17:52,470

Sienna, quite mix them together.


274

00:17:54,870 --> 00:17:56,430

Cut off that little roll of paint again.


275

00:17:57,720 --> 00:17:57,960

Okay.


276

00:17:57,990 --> 00:17:58,380

Now there.


277

00:17:58,860 --> 00:18:00,780

Let's just go up here

and just sorta touch.


278

00:18:00,810 --> 00:18:03,120

Give it a little pull, just

a little sidewards pull.


279

00:18:04,169 --> 00:18:06,810

I could look like old boards

and leave some cracks.


280

00:18:07,110 --> 00:18:08,189

This was an old barn.


281

00:18:09,989 --> 00:18:13,169

It's old and it's tired and

winter's been rough on it.


282

00:18:15,389 --> 00:18:15,780

Okay.


283

00:18:15,929 --> 00:18:17,760

And then we can come right along here.


284

00:18:17,790 --> 00:18:18,689

Just drop them.


285

00:18:18,689 --> 00:18:24,300

In the other side, we just had

some Vandyke Brown and make this


286

00:18:24,300 --> 00:18:26,340

side much darker, much darker.


287

00:18:28,380 --> 00:18:31,320

And then once again, you just take

your knife and do a cabin ectomy.


288

00:18:32,580 --> 00:18:34,200

You just take off whatever you don't want.


289

00:18:34,590 --> 00:18:34,680

Okay.


290

00:18:38,300 --> 00:18:41,750

Now we need to, we need a way

to get into this whole bar.


291

00:18:41,900 --> 00:18:45,650

So let's build this a door, the

straight Vandyke Brown decide


292

00:18:45,650 --> 00:18:46,700

where the door is going to be.


293

00:18:47,500 --> 00:18:53,450

Just pull it down and

that easy, that easy.


294

00:18:53,600 --> 00:18:54,620

You've got a door in there.


295

00:18:56,595 --> 00:18:57,705

Take a touch of white.


296

00:18:57,735 --> 00:19:04,125

Maybe there's a little white right

around here from a P just a little


297

00:19:04,125 --> 00:19:07,215

bit of dark, just Vandyke Brown.


298

00:19:07,215 --> 00:19:11,355

And you can really increase the illusion

of old boards here just by touching.


299

00:19:14,415 --> 00:19:16,275

And we'll take off all that excess paint.


300

00:19:17,775 --> 00:19:22,575

Now back to your fan brush we'll

dip into the, into the liquid clear.


301

00:19:24,060 --> 00:19:27,590

And to titanium white load the

brush full of paint, a lot of paint.


302

00:19:29,010 --> 00:19:29,280

Okay.


303

00:19:30,480 --> 00:19:34,950

Now that just brings some

snow right down there.


304

00:19:36,780 --> 00:19:37,200

I can't.


305

00:19:39,240 --> 00:19:40,440

And some ride along.


306

00:19:40,440 --> 00:19:46,020

It's a little side here it over here to

try to pick up a little bit of that dark


307

00:19:46,290 --> 00:19:48,150

so we can create the illusion of a shadow.


308

00:19:49,530 --> 00:19:54,990

Want a shadow over here, then we

can just bring all this together.


309

00:19:57,270 --> 00:20:00,840

Winter scenes are very nice

and they're very easy to paint.


310

00:20:01,560 --> 00:20:08,070

This liquid clear you will find is

fantastic for doing snow or sand dunes.


311

00:20:08,160 --> 00:20:10,080

Sand dunes are done

basically the same way.


312

00:20:11,490 --> 00:20:11,970

Okay.


313

00:20:12,950 --> 00:20:13,130

Okay.


314

00:20:13,160 --> 00:20:17,510

For the liner brush here and I'll go

right back into some Vandyke Brown.


315

00:20:17,835 --> 00:20:20,985

Then the paint down, maybe

there's a, maybe there's a happy


316

00:20:20,985 --> 00:20:24,045

little fence that's right there.


317

00:20:24,075 --> 00:20:24,885

And all you have to do.


318

00:20:26,295 --> 00:20:32,025

We let it go right over to my

cat C and I got to do that.


319

00:20:32,025 --> 00:20:36,045

It's just put a few little rails in

there, but let it get smaller and


320

00:20:36,045 --> 00:20:38,685

smaller as it goes off in the distance.


321

00:20:38,715 --> 00:20:42,705

Maybe it comes down here and

it'll help give the illusion


322

00:20:42,705 --> 00:20:43,935

of distance to your fence.


323

00:20:46,710 --> 00:20:47,040

Okay.


324

00:20:47,160 --> 00:20:52,560

And we can put a little bit of

snow around his foot that easy.


325

00:20:56,880 --> 00:20:57,540

Okay.


326

00:20:59,090 --> 00:21:01,670

And then I've got several fan brushes

go, and I'm gonna take a little bit of


327

00:21:01,670 --> 00:21:06,050

the Brown and maybe somewhere in here,

maybe there's some patches where the


328

00:21:07,020 --> 00:21:12,950

snow is sort of melted and you can see

a little bit of dirt here and there.


329

00:21:15,165 --> 00:21:15,975

Just wherever.


330

00:21:17,945 --> 00:21:22,085

And also maybe here and there there's

maybe there was a happy little Bush.


331

00:21:22,085 --> 00:21:24,935

It still, there, there it's all dead.


332

00:21:24,965 --> 00:21:28,865

But if poking up out of the

snow, this whole farmer, he took


333

00:21:28,865 --> 00:21:30,215

care of this land like I do.


334

00:21:30,215 --> 00:21:31,835

And he didn't, he's not

a good grass cutter.


335

00:21:32,735 --> 00:21:38,375

Maybe there's some more right in here

wherever you want, wherever you want.


336

00:21:44,460 --> 00:21:46,530

Just push upward on the fan brush.


337

00:21:47,909 --> 00:21:52,139

This is just Vandyke Brown

and dark Sienna shooting.


338

00:21:52,470 --> 00:21:53,040

So much fun.


339

00:21:53,040 --> 00:21:53,909

Just put some over here.


340

00:21:53,920 --> 00:21:55,680

Maybe there's one back in there.


341

00:21:58,020 --> 00:22:03,149

Just sort of let it follow

the lay of the land, man.


342

00:22:03,550 --> 00:22:03,810

True.


343

00:22:05,460 --> 00:22:06,450

You can get carried away with it.


344

00:22:06,450 --> 00:22:07,320

You say a lot of fun.


345

00:22:07,320 --> 00:22:08,100

I'll put one here too.


346

00:22:12,390 --> 00:22:16,340

Now that with our fan base that has

the liquid clear and the titanium white


347

00:22:16,340 --> 00:22:19,490

on it, we can go right up in here.


348

00:22:20,265 --> 00:22:29,505

And grab a hold of these and work them

out, just bring everything together.


349

00:22:31,995 --> 00:22:32,505

Like, so


350

00:22:36,975 --> 00:22:38,055

see how easy that is.


351

00:22:40,365 --> 00:22:45,555

And it really just sort of brings

everything together, cleans up the


352

00:22:45,555 --> 00:22:47,265

bottoms of all these little grassy areas.


353

00:22:48,780 --> 00:22:50,699

It makes your painting

so much more interesting.


354

00:23:00,770 --> 00:23:01,760

A little bit, right in there,


355

00:23:08,659 --> 00:23:09,800

back to my liner brush.


356

00:23:10,760 --> 00:23:13,550

I'm going to go right into

the Vandyke Brown again.


357

00:23:14,640 --> 00:23:18,060

Just load the brush full and

let's have, maybe there's a happy


358

00:23:18,060 --> 00:23:19,530

little tree that lives over here.


359

00:23:20,550 --> 00:23:27,000

We don't want this side left

out wherever in your world.


360

00:23:27,000 --> 00:23:30,210

You put as many or as few trees as

you want wherever you want them.


361

00:23:31,680 --> 00:23:35,970

Where ever I tell you what

let's do, sort of look at it,


362

00:23:36,030 --> 00:23:40,200

decide there's another tree.


363

00:23:41,010 --> 00:23:41,790

That's right there.


364

00:23:42,165 --> 00:23:47,445

He's a little bigger, cause he's closer

to you drop in a few little lambs,


365

00:23:48,105 --> 00:23:55,665

branches, little arms on a tree cat and

give him kind of give him some arms,


366

00:23:57,085 --> 00:23:58,725

little birds have to have a place to sit.


367

00:24:02,635 --> 00:24:09,335

They're like a little more, the thinner.


368

00:24:10,065 --> 00:24:11,985

And you can put a couple of

little ones here and there.


369

00:24:16,545 --> 00:24:17,025

Okay.


370

00:24:18,015 --> 00:24:19,335

Shooting trees is so much fun.


371

00:24:19,335 --> 00:24:20,055

Let's get crazy.


372

00:24:20,805 --> 00:24:24,795

I'll take the whole fan brush here

and go right into a big bunch of the


373

00:24:24,945 --> 00:24:34,575

Vandyke Brown, really load that brush

full that's come right about here too.


374

00:24:34,635 --> 00:24:36,405

We're going to check you

out for bravery today.


375

00:24:37,595 --> 00:24:38,895

It's just drop on right in there.


376

00:24:39,465 --> 00:24:44,264

And maybe he's got a little friend

that lives right here beside him.


377

00:24:46,965 --> 00:24:48,165

How was your brave retest?


378

00:24:49,544 --> 00:24:53,195

Sometimes it's hard to get up enough

nerve to trough in a big tree,


379

00:24:53,195 --> 00:24:58,415

read over everything that you've

painted, but to it, just to enjoy it.


380

00:24:59,074 --> 00:25:01,985

But in your painting, if you don't

want a tree there, don't put one.


381

00:25:01,985 --> 00:25:02,225

There.


382

00:25:03,514 --> 00:25:05,375

Just want to give you some options.


383

00:25:10,125 --> 00:25:13,215

There we go, we'll make this

one look like an old Birch tree.


384

00:25:14,835 --> 00:25:16,095

I've mentioned another shows.


385

00:25:16,095 --> 00:25:20,175

If, if I paint trees that are

not like the trees in your


386

00:25:20,175 --> 00:25:24,045

area, change them, make them.


387

00:25:24,045 --> 00:25:31,605

So they look like a trees that live where

you do bacterial liner brush right into


388

00:25:31,605 --> 00:25:36,135

some Vandyke Brown and let's put some.


389

00:25:36,840 --> 00:25:39,030

Let's put some happy little

lambs out here on this tree,


390

00:25:43,350 --> 00:25:46,470

then paint a lot of thinner in there.


391

00:25:47,870 --> 00:25:48,980

See how easy those are.


392

00:25:49,280 --> 00:25:50,660

They just sort of flow right on there.


393

00:25:53,930 --> 00:25:57,560

Decide which trees in front and

which ones behind all these big


394

00:25:57,560 --> 00:26:01,100

decisions and have some of the

branches come across the truck.


395

00:26:01,100 --> 00:26:03,170

You don't want them to just

all coming out from the side.


396

00:26:03,890 --> 00:26:05,420

I said, I'm come right across the trunk.


397

00:26:06,675 --> 00:26:11,805

That'll help give you tree more dimension,

more shape, much more pleasing when it's


398

00:26:11,805 --> 00:26:15,645

finished and it'll make you happier.


399

00:26:16,755 --> 00:26:18,735

And I really want these

paintings to make you happy.


400

00:26:19,365 --> 00:26:22,095

And I want you to enjoy

painting along with us.


401

00:26:22,335 --> 00:26:26,115

We get so many cards and letters

from people all over the country that


402

00:26:26,115 --> 00:26:31,185

are experiencing fantastic success,

and that makes it all worthwhile.


403

00:26:33,695 --> 00:26:34,325

There we go.


404

00:26:37,925 --> 00:26:40,685

Just as many or as few as you

want wherever you want them.


405

00:26:43,355 --> 00:26:46,985

And that really gives dimension to your

painting and helps push everything back.


406

00:26:48,135 --> 00:26:51,485

We'll put a few, little, few,

little things living right in here.


407

00:26:54,905 --> 00:26:55,205

Many.


408

00:26:58,535 --> 00:27:01,055

I'll take a little bit of red

and we'll sign this painting.


409

00:27:01,175 --> 00:27:02,405

I think it's about finished.


410

00:27:03,780 --> 00:27:04,740

And I hope you've enjoyed.


411

00:27:04,740 --> 00:27:06,630

It spent a lot of fun pain with you today.


412

00:27:07,260 --> 00:27:10,440

Give us liquid clear, try

and from all of us here.


413

00:27:11,625 --> 00:27:12,945

I'd like to wish you happy painting.


414

00:27:13,335 --> 00:27:13,995

God bless.


415

00:27:14,055 --> 00:27:14,985

We'll see you next time.


End .srt file.



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